Episode 2 Strictly - It Takes Two


Episode 2

Similar Content

Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Hello and welcome to Tuesday's It Takes Two. A soap star who got the

:00:07.:00:13.

judges in a bit of a lather, it's Natalie and her partner Artem. A

:00:13.:00:19.

golf legend getting into the swing. Natalie and her partner Artem. A

:00:19.:00:29.

And a Dragon and her partner, Robin. Topping it off, Karen Hardy is back.

:00:29.:00:39.

This is Strictly: It Takes Two. . From London, this is Strictly: It

:00:39.:01:22.

Takes Two. Please welcome your host Zoe Ball.

:01:22.:01:30.

Hello and welcome to It Takes Two. It's only Tuesday and our couples

:01:30.:01:34.

are already back training hard for their next dance. This time they

:01:34.:01:37.

have that added burden of knowing the first elimination is looming. I

:01:38.:01:41.

will be seeing if the pressure is getting to Natalie and Artem. First

:01:41.:01:49.

a reminder of how they brought some Russian flair to Borehamwood. You

:01:49.:01:53.

are going to go far, be careful with your foot placement on the cha-cha.

:01:53.:01:58.

I can't wait to see what you will bring out next, it's brilliant. You

:01:58.:02:05.

were a brilliant dancer and so far our frontrunner.

:02:05.:02:13.

Yeah! That was absolutely terrifying and amazing all at the same time.

:02:13.:02:22.

There was a standing ovation after that. I know, that was pretty

:02:22.:02:27.

mind-blowing. The support was just electrifying. Please welcome Natalie

:02:27.:02:36.

and Artem. Oh, Natalie, welcome to the show. Lovely to have you here.

:02:36.:02:40.

Second place on the leader board in the first week. Craig called you a

:02:40.:02:44.

frontrunner, you must have been thrilled. I think I was more

:02:44.:02:48.

intimidated because it's quite a tall statement for week one, you

:02:49.:02:52.

know. It means we have a lot to live up to now. I know. You wanted them

:02:52.:02:56.

to go yeah, you could be all right. You have that label now, better do

:02:57.:03:03.

good. But the judges did mention about hip action. A lot of people

:03:03.:03:08.

don't know you have had a couple of injuries. How much has that affected

:03:08.:03:12.

- had an impact on training? None, I can't blame that at all! You could

:03:12.:03:18.

have gone with that! But I am going to be... My injuries are a different

:03:18.:03:27.

story! No, I think it was just so wild on the night and you are so

:03:27.:03:30.

overwhelmed and shocked and disorientated by the lights and the

:03:30.:03:34.

audience that a lot of technique flew out the window. You are allowed

:03:34.:03:38.

that on the first one. Was it nice to have Russian influence on the

:03:38.:03:43.

show on Saturday? I think I am forgetting something today. What

:03:43.:03:47.

could it be? My costume! Was that all your idea? Should I be honest

:03:47.:03:56.

with you? Absolutely. Is that what you wear at home? All the time,

:03:56.:04:01.

shopping, at home. If you see me on the street, that's the costume. We

:04:01.:04:08.

have to mention the tan. Did they double dip you this weekend? I don't

:04:08.:04:12.

know what was wrong with it. Normally it's never that dark. For

:04:12.:04:18.

some reason that day I looked at myself and thought oh, bless you. We

:04:18.:04:24.

kept... A double take. Your teeth are so white. A contrast. The one

:04:24.:04:31.

coating next time. That end move you did, so ambitious. What was your

:04:31.:04:35.

reaction when he first told you he wanted to do that? Running away. It

:04:35.:04:41.

must be wonderful for you to have the confidence in Natalie's ability

:04:41.:04:46.

to make her do tricky things? Absolutely. It's a blessing. Thank

:04:46.:04:52.

you for trusting me. Yeah. At the moment! Hopefully it lasts. Early

:04:52.:04:55.

you for trusting me. Yeah. At the days yet, it can all change! The

:04:55.:05:00.

good thing about Natalie is she can definitely handle him. Look at this.

:05:00.:05:06.

And step and step. He wants to work hard and so do I. He might have met

:05:06.:05:12.

his match. I think she wants to work harder than me. Lucky me. Here's

:05:12.:05:19.

where you start paying in sweat. One more time? Yeah, lots more times.

:05:19.:05:27.

It's really hot. Again, again, again! Again, Artem. There's no

:05:27.:05:40.

relaxing. I am going to have a heart attack. Winner! He is going to have

:05:40.:05:49.

a lie down. In a dark room. You could be the end of him. You have

:05:49.:05:53.

the waltz this weekend. Nice change of pace. Very much so. I have heard

:05:53.:05:58.

you have taken to it like a duck to water. It's difficult to contrast

:05:58.:06:03.

between such a fast-paced dance and to go to something that's controlled

:06:03.:06:05.

and everything is against everything you have been taught so far. Also I

:06:05.:06:10.

think against all my instincts, all the turning out and going to the

:06:10.:06:14.

knees, it's nothing that I know. I am struggling a bit at the moment.

:06:14.:06:16.

He is nodding. He looks quietly am struggling a bit at the moment.

:06:16.:06:22.

confident. Obviously you have to follow Abbey's incredible waltz.

:06:22.:06:26.

Does that add pressure to you? I don't think so. Only in the sense of

:06:26.:06:31.

I don't believe in comparing yourself to anybody else, everybody

:06:31.:06:34.

has different qualities. Except this is a dance competition. Well, I am

:06:34.:06:39.

not thinking about that yet. It's all too much to take in. I want to

:06:39.:06:46.

enjoy our moment on the stage. It's about putting the work into what we

:06:46.:06:52.

do. Their waltz was absolutely beautiful. I couldn't do what they

:06:52.:06:59.

do. I can open do what we can do. Yeah. He agrees. Good luck this

:06:59.:07:04.

weekend. Loving your partnership. Natalie and Artem! With an epic 15

:07:04.:07:10.

couples performing this weekend we were treated to a feast of dancing.

:07:10.:07:15.

Here to give us choreograph food for thought is Karen Hardy.

:07:15.:07:22.

Here to give us choreograph food for -- choreography.

:07:23.:07:29.

With all new titles, welcome back to It Takes Two. I really missed you.

:07:29.:07:36.

So good to see you and we are off. It Takes Two. I really missed you.

:07:36.:07:41.

We are. How impressed were you with all the couples overall? Absolutely

:07:41.:07:47.

Fabulous. What an awry from classical, to hilarious, to ovly

:07:47.:07:57.

intense. Full awry of celebrities. Let's start with Julien and Janette.

:07:57.:08:05.

You have a creative man here, give him a vision and he will take it to

:08:05.:08:10.

the extreme. That's what happened on the night. Nerves definitely kicked

:08:10.:08:14.

in there. He needs to settle down, deliver the goods, not at such an

:08:14.:08:20.

extreme level. He will be gorgeous, has a great body and mind. He will

:08:20.:08:22.

be stunning. He was like an has a great body and mind. He will

:08:22.:08:29.

overexcited puppy. Rachel and Pasha and their waltz. Someone said it was

:08:29.:08:32.

too careful, would you agree? Look at the arms there. I wanted to pick

:08:32.:08:36.

up on straightaway. If we were going to dance that, we would want to

:08:36.:08:42.

overexaggerate it. That message has to go through the TV to everybody at

:08:42.:08:49.

home. It was sort of a bit of a woof of an arm. That's an official term

:08:49.:08:54.

you will find! One extreme to the other there. We find that it's more

:08:54.:08:58.

difficult to boost someone than it is to calm them down. Pasha is going

:08:58.:09:02.

to have to do a lot of work there. is to calm them down. Pasha is going

:09:02.:09:11.

Choreography beautiful. Fiona and Anton. Did we see a lot of tango

:09:11.:09:17.

steps? There was a lot. Look at this. The drag and she's going to go

:09:17.:09:22.

to wonderful twisting actions. I am secretly excited about this.

:09:22.:09:26.

Everyone at home is going to love this partnership because this lady

:09:26.:09:31.

can dance. That pelvic floor of hearse I think is rather strong.

:09:31.:09:38.

Anton is going to have to keep up with Fiona actually. It makes a

:09:38.:09:43.

change. About time. Vanessa and James. D'Arcy said this dance didn't

:09:43.:09:49.

suit her. Do you think she was right? Look, here, we have this

:09:49.:09:55.

moment of gorgeous indeed and -- gorgeousness and then we are just

:09:55.:09:58.

standing and plodding. I hate to put it. Most importantly, I would like -

:09:58.:10:02.

I am going to stand up for one moment, it's early on. Come on.

:10:02.:10:08.

Right. Try this at home, ladies and gentlemen. When one is exposing

:10:08.:10:13.

one's legs we must keep knees and ankles together. What we tend to see

:10:13.:10:18.

is we have these high heels, legs get open and this is where a lot of

:10:19.:10:25.

lady celebrities, not a nice loo Knees, ankles, especially if we are

:10:25.:10:33.

next to Bruce and Tess, please. Keep your legs together. Perfect.

:10:33.:10:38.

Something boys might not teach you. Great, we will remember that. Sophie

:10:38.:10:42.

and Brendan and the waltz. Judges loved this. Why was it impressive?

:10:42.:10:46.

It's beautiful. For the first time for a very long time Brendan was not

:10:46.:10:51.

carrying. Look at the brushing of those feet. That got completely

:10:51.:10:55.

overlooked. That tells me she's on her feet. Doing her own steps. She

:10:55.:11:00.

can move. He's going to be a very happy bunny. He will be. Happy

:11:00.:11:03.

can move. He's going to be a very Brendan makes us all happy. Ashley

:11:03.:11:08.

and Ola. It was a difficult routine that the judges didn't pick up. They

:11:08.:11:12.

said the hip work wasn't great. Should he have been given more

:11:12.:11:18.

credit? It was a red herring. Ola spinning around. He was really

:11:18.:11:23.

rather stiff. What we need to do, get those hips moving. I am going to

:11:23.:11:28.

have to get up one more time. You know what, I havants in my -- I have

:11:28.:11:35.

ants in my pants tonight. The hip and knee are family. When you

:11:35.:11:40.

release the hip you can release the knee. If you lock your knees you

:11:40.:11:44.

can't release your hips. If you bend your knees, you can't release the

:11:44.:11:50.

hips. So, hip and knee are family. Do you like that? I like that one.

:11:50.:11:56.

We need a little bit of hip and knee release from all of them that are

:11:56.:12:01.

doing the straight-legged dances. Ben and Kristina. Some judges

:12:01.:12:06.

commented he lost timing. Where did he go wrong? The song was really

:12:06.:12:12.

difficult. It's a song with cross rhythms. He is following her all

:12:12.:12:16.

around the place because there wasn't a strong beat for him to pick

:12:16.:12:23.

up on. That said, being a mad rugby fan myself, he better sort himself

:12:23.:12:27.

out otherwise I will be sending some of his boys down there. He needs to

:12:27.:12:31.

- we have seen it with the sports boys before. They start off quietly.

:12:31.:12:35.

He needs to feel his feet on the ground. He needs to throw a few arms

:12:35.:12:40.

out. Once he has got that we know mojo is going to kick in. He will be

:12:40.:12:49.

brilliant. Robin and Deborah. Where did she go wrong and how does she

:12:49.:12:54.

recover? She doesn't want to let anybody know she might have gone

:12:54.:12:57.

wrong. A mistake there, but look straight back up with the head.

:12:57.:13:02.

Absolutely first-class. A little birdie told me she's excited to get

:13:02.:13:07.

into the Latin. I am excited to see that. It was the registering of

:13:07.:13:10.

what's going on in the mind didn't get to the feet quick enough. We

:13:10.:13:13.

have to hold on for next week. She's ready and loving it. Don't you go

:13:13.:13:17.

anywhere young lady. We will be back to speak with Karen about the rest

:13:17.:13:23.

of the gang. For now, Karen Hardy! My next guest was all prepared for

:13:23.:13:28.

his tee-off on Friday but the judges deemed his waltz below par. Here is

:13:28.:13:35.

a reminder of how Tony and Aliona got on. Sentimental, romantic,

:13:35.:13:41.

floaty and soft. I didn't see much of that. It was littered with

:13:41.:13:49.

mistakes. A disaster, I would say. Come back the confident Tony and

:13:50.:13:53.

show us many moves that I know you have up your sleeve.

:13:53.:14:00.

It was the nerves that got me in the end. I got out of the sequence. Then

:14:00.:14:06.

it was very difficult. Hopefully we will get it better next week and

:14:06.:14:10.

it was very difficult. Hopefully we move on. Oh! Let's hope that result

:14:10.:14:18.

hasn't driven a wedge between them. Please welcome Tony and Aliona.

:14:18.:14:25.

Welcome guys. Can I say it was such a sweet performance that you did.

:14:25.:14:31.

How much did you enjoy yourself? I loved the dress rehearsal. I got it

:14:31.:14:39.

right. The satisfaction in there, in the work is getting it right. I

:14:39.:14:45.

misstepped early on when it really mattered. I suppose I was half back

:14:45.:14:50.

there and half really where I should have been. It was a lovely number. I

:14:50.:14:52.

have to say that. My choreographer, have been. It was a lovely number. I

:14:52.:15:00.

my boss here did a great job. Did you think the judges were a little

:15:00.:15:06.

harsh? Craig gave him a two. I know, yet I think we were definitely on

:15:06.:15:11.

the score, the number was so sweet. Tony was such a gentleman in the

:15:11.:15:16.

dance. I think the whole nation actually noticed his beautiful hand

:15:16.:15:20.

movements and his perfect lines and the footwork was great. Yes, he wept

:15:20.:15:26.

wrong a couple of times. A couple of hiccups, he calls them brain farts.

:15:26.:15:34.

So many other couples and that's OK, it's week one. Everyone is nervous.

:15:34.:15:39.

If you go wrong doesn't mean you danced bad. Take that to heart

:15:39.:15:42.

there. Lots of messages of support for you online. Charlotte said, Tony

:15:42.:15:48.

did very well for a man of his age. He was dignified and should feel

:15:48.:15:54.

proud. Yeah, I mean that's nice, too. Obviously the key to this is

:15:54.:15:59.

that I am limited with the time I can - I can't put seven hours a day

:15:59.:16:04.

in like some of these kids. These whipper snappers! You are the oldest

:16:04.:16:08.

contestant on the show. There is always a broad range of ages. You

:16:08.:16:13.

are 69. You will not be able to do something perhaps a 22-year-old

:16:13.:16:17.

could. Four hours a day of this, which for me who's led a quiet

:16:17.:16:21.

could. Four hours a day of this, lifestyle for the last ten or 15

:16:21.:16:23.

years essentially, is - four hours lifestyle for the last ten or 15

:16:23.:16:30.

is tough. They're very intense four hours. I don't give Tony any breaks.

:16:30.:16:35.

Don't mess with her. Occasional water break. That's about two

:16:35.:16:42.

minutes. He works really hard. Again it's the word I once - again it's a

:16:42.:16:50.

word I want struck from the dictionary. Again, again! Sometimes

:16:50.:16:55.

it can be a balancing act. I thought I had good balance. Hold it. Hold

:16:55.:16:59.

it. Hold it. I just lost balance. I had good balance. Hold it. Hold

:16:59.:17:15.

Looking there. Up, up, up. Hold it. I need bigger feet. I need a pair of

:17:15.:17:23.

boots. Divers boots. One of those safety bars. Stay up. Don't go

:17:23.:17:33.

anywhere yet. I am stuck. Balance is hard. Can I have a drink of water?

:17:33.:17:40.

Brilliant. Stay with me. Next weekend you are doing the

:17:40.:17:45.

Charleston, how is it going? Well, I thought the waltz was difficult, you

:17:45.:17:48.

know. We are into it, let's put it thought the waltz was difficult, you

:17:48.:17:56.

that way. It's a bouncy number. I just want to get it right, like

:17:56.:18:01.

always. You will this time. Last week Tony was telling me how

:18:01.:18:09.

fast-faced the waltz was. Now to Charleston, hold tight everybody,

:18:09.:18:12.

could be an interesting week. Good luck. I am sure it will be great

:18:12.:18:18.

fun. Lovely to have you on the show. Now this year we are making it even

:18:18.:18:23.

easier for you to keep your favourite couple dancing. We are

:18:23.:18:25.

easier for you to keep your giving you the chance to vote for

:18:25.:18:28.

free online and it starts from this weekend. All you have to do is head

:18:28.:18:37.

to our website and register your details. For fun we would thought

:18:37.:18:46.

the -- we thought we would start the ball rolling. Voting for this

:18:46.:18:52.

question closing at midnight on Thursday. We will reveal the results

:18:53.:18:56.

on Friday's show. It's just for fun. We are not really going to make them

:18:56.:19:01.

do it. It's time to revisit the weekend's performances, with the

:19:01.:19:03.

second round of choreography corner. I love those titles. Welcome back

:19:03.:19:22.

Karen Hardy. You love them. Let's start off with Abbey and Aljaz.

:19:22.:19:30.

Highest score of the weekend. It was beautiful. Why was it impressive? It

:19:30.:19:34.

was exquisite. What we were saying earlier, the belief in each other.

:19:34.:19:38.

This is week one. This could have been a final dance. Beautiful. It

:19:38.:19:41.

was the movement across the floor and what I picked up there was the

:19:41.:19:46.

way she can change direction so easy. We try week one is push our

:19:46.:19:49.

celebrities forward and hope they keep going. Oh, no, change, change,

:19:49.:19:57.

around we go. Exquisite. Pure glamour and beauty. Proper gasps

:19:57.:20:01.

there were from our household. Natalie and Artem. Second on the

:20:01.:20:08.

leader board. Craig said she was one of the frontrunners. Does she

:20:08.:20:12.

deserve that and why? Not only her dancing, her personality. Everything

:20:12.:20:16.

is beautiful. I have chosen a step, something I want her to start

:20:16.:20:21.

working on. She's performing like a dancer but her back is too stiff.

:20:21.:20:24.

Earlier on in the choreography she did all these movements where she

:20:24.:20:28.

was moving it around. She's got to get that movement through the body

:20:28.:20:30.

and the legs. We don't want it get that movement through the body

:20:30.:20:34.

looking too stiff. Dave and Karen and their cha-cha-cha. Boy, did he

:20:34.:20:38.

go for it. Was there enough cha-cha for you? There was a lot of

:20:39.:20:42.

something. I was laughing so much. I want to pick up here. Five, six,

:20:42.:20:47.

seven, eight. Then he goes, no, I will do cha-cha. Two, three. No, I

:20:47.:20:52.

shouldn't be doing that. I am off time. So I will sing. We had

:20:52.:20:59.

everything. Steps, hair, counts of eight. Cha-cha. And singing, as

:20:59.:21:04.

well. I was laughing so much I couldn't even look at the

:21:04.:21:07.

choreography. It was first-class entertainment. I don't think Karen

:21:07.:21:11.

even saw that coming. We are going to love seeing him here for a while.

:21:11.:21:16.

Tony and Aliona. Joint bottom of the leader board. Do you think he was

:21:16.:21:21.

judged harshly for week one? He was. Beautiful arm extensions. He

:21:21.:21:27.

mastered the one-two-three of the waltz. A gentleman. He would have

:21:27.:21:32.

lost marks because there were too many errors. Master the

:21:32.:21:34.

lost marks because there were too choreography, nail the timing. You

:21:34.:21:41.

will stay above the fives. Mark and Iveta. A dramatic dance. Mark was

:21:41.:21:46.

such a hit. Did he capture that? He did. I am shocked with here is the

:21:46.:21:50.

amount of great tango steps he carried out. The twisting here. Even

:21:50.:21:55.

heel leads early on. I didn't expect that from a man of his stature.

:21:55.:21:59.

Beautiful. He also brought the acting to the dance floor, that was

:21:59.:22:05.

fabulous. For me, I think - I don't even know who they're going to knock

:22:05.:22:08.

fabulous. For me, I think - I don't out of this, it's going to be very

:22:08.:22:14.

tight. Kevin and Susanna, first time a jive in week one. A tricky dance.

:22:14.:22:19.

Did it have enough energy and drive? It had energy for about five people.

:22:19.:22:25.

And with style and great taste. Fantastic choreography. We have

:22:25.:22:29.

twisting and shaking. We even have presentation and performance. So

:22:29.:22:33.

confident. I have to say I put it out there on the radio, she was

:22:33.:22:35.

confident. I have to say I put it going to be a good one because one

:22:35.:22:39.

important thing, she listens. Her job in the news is to listen to

:22:39.:22:45.

detail. That's exactly what she does and what I would stress to all

:22:45.:22:48.

celebrities, listen to your professionals and they will make you

:22:48.:22:52.

perform like stars. That's what she did. Well done. Patrick and Anya and

:22:52.:23:00.

their jive. Another energetic one. How could he have improved on his

:23:00.:23:06.

technique? Upstairs absolutely brilliant. A very handsome man. Has

:23:06.:23:11.

all the acting. Downstairs very flat-footed. He was even cheating on

:23:11.:23:19.

the chassis How? You miss a step out. It's hard. A jive in week one,

:23:19.:23:23.

that was really hard. He will be very happy that's out of the way.

:23:23.:23:28.

But we want to make sure that the technique - the building blocks of

:23:28.:23:31.

great performances, the technique. The building blocks. He must make

:23:31.:23:36.

sure he understands the technique of each dance. Overall, well done. We

:23:36.:23:40.

got through them all. So glad to have you back.

:23:40.:23:49.

Despite all the money, money, money, Deborah and Robin discovered the

:23:49.:23:53.

judges weren't willing to invest top marks with their tango. I thought it

:23:53.:24:00.

was a good pitch from the Dragon. I liked your attitude. You gave it

:24:00.:24:04.

plenty of snap, crackle and pop. Great attack and attitude from the

:24:04.:24:09.

beginning. You messed it up in the middle. You do in your frame, have

:24:09.:24:17.

to pull up from your waist. Don't sink into Robin. It's hard not to

:24:17.:24:27.

sink Robin. -- not to sink into Robin. I loved it. It all went so

:24:27.:24:33.

quick. I told you, enjoy that minute-and-a-half, it's over before

:24:33.:24:39.

you know it. Here's to next week! Please welcome Deborah and Robin.

:24:39.:24:46.

It's so much fun watching it all back. Great performance on Saturday

:24:46.:24:51.

night. A great score. 24. Were you pleased? I mean, I had - I couldn't

:24:52.:24:56.

have dreamt of 24. Although actually, of course I have had him

:24:56.:25:00.

teaching me for days, of course I was going to get 24. How nervous

:25:00.:25:05.

were you before the performance? We know you as being very confident. I

:25:05.:25:11.

could say I was probably more terrified than I have ever been in

:25:11.:25:13.

could say I was probably more my life. I was going over in my

:25:13.:25:16.

brain, I am terrified, I am terrified. And then put your left

:25:16.:25:21.

foot forward. Terrified. We get just as nervous as professionals,

:25:21.:25:24.

especially on the first live show. You don't know what your partner is

:25:24.:25:28.

going to do. It's the first time I have had Deborah in that live show

:25:28.:25:31.

experience. She could have done anything, fallen apart, could have

:25:31.:25:36.

just stopped. I was thinking about running away. Your fans thought you

:25:36.:25:41.

were great. Loads of messages. I thought Deborah did brilliantly and

:25:41.:25:44.

looked lovely. What a classy lady. How lovely. I will take that. Darcey

:25:44.:25:51.

said you had great attack. How did How lovely. I will take that. Darcey

:25:51.:25:58.

Robin help with the tango persona? Robin said to me, you need to

:25:58.:26:07.

channel... I said I don't understand channelling and I can't act. We had

:26:07.:26:12.

some fun. Did we have fun? I had a lot of fun. Not sure about Deborah.

:26:12.:26:19.

It did work. The face, you had a great tango face. Once I got into

:26:19.:26:25.

the dance I heard this Robin's voice saying keep that, keep that attack.

:26:25.:26:30.

It worked. A tango first week, that's got to be difficult for a

:26:30.:26:35.

celebrity. It's a tricky dance. Were you worried? A little bit. At the

:26:35.:26:40.

same time, the dance would be suited to Deborah. I didn't really know her

:26:40.:26:46.

too well then. I saw Deborah as this kind of ice-Queen from Dragons Den.

:26:46.:26:50.

As we have all seen, she's wonderful and everybody's fallen in love with

:26:50.:26:54.

her. You are being a sweetie. Look at this. I really do like that

:26:54.:27:00.

dress. It's lovely, isn't it? Love that! I love you for that.

:27:00.:27:09.

# Isn't she lovely... You did your homework too, that's great. Good,

:27:09.:27:13.

good, good. Marvellous! That felt so lovely for me to dance with you at

:27:13.:27:15.

that point. You really feel the lovely for me to dance with you at

:27:15.:27:21.

groove. Great! That was brilliant. Great. I don't often give a

:27:21.:27:27.

brilliant, that was brilliant. Chuffed. You are chuffed, I am

:27:27.:27:36.

chuffed. Fabulous. Oh! He's - I love it. You are going

:27:36.:27:47.

to blush now. Are you seeing any of Deborah's no-nonsense attitude? A

:27:47.:27:51.

little bit. Deborah's where she is today in her private life and career

:27:51.:27:55.

because of how much hard work and determination and enthusiasm,

:27:55.:27:58.

everything she's put into it over the years and she's bringing that to

:27:58.:28:03.

the dance floor and training room. I have never known anybody work so

:28:03.:28:06.

hard and couldn't ask for any more. You are up at 4.00 am, looking at

:28:06.:28:11.

notes I have been banned to the spare room because my husband says,

:28:11.:28:17.

my feet are twitching. From the tango to the cha-cha-cha. Quite a

:28:17.:28:22.

different style to the tango. How are you finding it? I love the

:28:22.:28:27.

cha-cha-cha. I love it. Doesn't mean I am good, it means that I love it.

:28:27.:28:33.

The tango, I felt like I was dancing to instruction. The cha-cha I feel

:28:33.:28:37.

like I am dancing. Wow. You are out there on your own, feel confident?

:28:37.:28:41.

Oh, a problem there because when he leaves me, it's like can we take

:28:42.:28:47.

that step out? Can I do that can you -- can I do that with you. Lovely

:28:47.:28:55.

partnership. That's it for today. A big thank you

:28:56.:29:00.

to all my guests. Tomorrow I will be joined by Kevin a and Susanna and

:29:00.:29:12.

Brendan and Sophie. See you tomorrow, good

:29:12.:29:13.

Download Subtitles

SRT

ASS