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Hello and welcome to Tuesday's It Takes Two. A soap star who got the | :00:07. | :00:13. | |
judges in a bit of a lather, it's Natalie and her partner Artem. A | :00:13. | :00:19. | |
golf legend getting into the swing. Natalie and her partner Artem. A | :00:19. | :00:29. | |
And a Dragon and her partner, Robin. Topping it off, Karen Hardy is back. | :00:29. | :00:39. | |
This is Strictly: It Takes Two. . From London, this is Strictly: It | :00:39. | :01:22. | |
Takes Two. Please welcome your host Zoe Ball. | :01:22. | :01:30. | |
Hello and welcome to It Takes Two. It's only Tuesday and our couples | :01:30. | :01:34. | |
are already back training hard for their next dance. This time they | :01:34. | :01:37. | |
have that added burden of knowing the first elimination is looming. I | :01:38. | :01:41. | |
will be seeing if the pressure is getting to Natalie and Artem. First | :01:41. | :01:49. | |
a reminder of how they brought some Russian flair to Borehamwood. You | :01:49. | :01:53. | |
are going to go far, be careful with your foot placement on the cha-cha. | :01:53. | :01:58. | |
I can't wait to see what you will bring out next, it's brilliant. You | :01:58. | :02:05. | |
were a brilliant dancer and so far our frontrunner. | :02:05. | :02:13. | |
Yeah! That was absolutely terrifying and amazing all at the same time. | :02:13. | :02:22. | |
There was a standing ovation after that. I know, that was pretty | :02:22. | :02:27. | |
mind-blowing. The support was just electrifying. Please welcome Natalie | :02:27. | :02:36. | |
and Artem. Oh, Natalie, welcome to the show. Lovely to have you here. | :02:36. | :02:40. | |
Second place on the leader board in the first week. Craig called you a | :02:40. | :02:44. | |
frontrunner, you must have been thrilled. I think I was more | :02:44. | :02:48. | |
intimidated because it's quite a tall statement for week one, you | :02:49. | :02:52. | |
know. It means we have a lot to live up to now. I know. You wanted them | :02:52. | :02:56. | |
to go yeah, you could be all right. You have that label now, better do | :02:57. | :03:03. | |
good. But the judges did mention about hip action. A lot of people | :03:03. | :03:08. | |
don't know you have had a couple of injuries. How much has that affected | :03:08. | :03:12. | |
- had an impact on training? None, I can't blame that at all! You could | :03:12. | :03:18. | |
have gone with that! But I am going to be... My injuries are a different | :03:18. | :03:27. | |
story! No, I think it was just so wild on the night and you are so | :03:27. | :03:30. | |
overwhelmed and shocked and disorientated by the lights and the | :03:30. | :03:34. | |
audience that a lot of technique flew out the window. You are allowed | :03:34. | :03:38. | |
that on the first one. Was it nice to have Russian influence on the | :03:38. | :03:43. | |
show on Saturday? I think I am forgetting something today. What | :03:43. | :03:47. | |
could it be? My costume! Was that all your idea? Should I be honest | :03:47. | :03:56. | |
with you? Absolutely. Is that what you wear at home? All the time, | :03:56. | :04:01. | |
shopping, at home. If you see me on the street, that's the costume. We | :04:01. | :04:08. | |
have to mention the tan. Did they double dip you this weekend? I don't | :04:08. | :04:12. | |
know what was wrong with it. Normally it's never that dark. For | :04:12. | :04:18. | |
some reason that day I looked at myself and thought oh, bless you. We | :04:18. | :04:24. | |
kept... A double take. Your teeth are so white. A contrast. The one | :04:24. | :04:31. | |
coating next time. That end move you did, so ambitious. What was your | :04:31. | :04:35. | |
reaction when he first told you he wanted to do that? Running away. It | :04:35. | :04:41. | |
must be wonderful for you to have the confidence in Natalie's ability | :04:41. | :04:46. | |
to make her do tricky things? Absolutely. It's a blessing. Thank | :04:46. | :04:52. | |
you for trusting me. Yeah. At the moment! Hopefully it lasts. Early | :04:52. | :04:55. | |
you for trusting me. Yeah. At the days yet, it can all change! The | :04:55. | :05:00. | |
good thing about Natalie is she can definitely handle him. Look at this. | :05:00. | :05:06. | |
And step and step. He wants to work hard and so do I. He might have met | :05:06. | :05:12. | |
his match. I think she wants to work harder than me. Lucky me. Here's | :05:12. | :05:19. | |
where you start paying in sweat. One more time? Yeah, lots more times. | :05:19. | :05:27. | |
It's really hot. Again, again, again! Again, Artem. There's no | :05:27. | :05:40. | |
relaxing. I am going to have a heart attack. Winner! He is going to have | :05:40. | :05:49. | |
a lie down. In a dark room. You could be the end of him. You have | :05:49. | :05:53. | |
the waltz this weekend. Nice change of pace. Very much so. I have heard | :05:53. | :05:58. | |
you have taken to it like a duck to water. It's difficult to contrast | :05:58. | :06:03. | |
between such a fast-paced dance and to go to something that's controlled | :06:03. | :06:05. | |
and everything is against everything you have been taught so far. Also I | :06:05. | :06:10. | |
think against all my instincts, all the turning out and going to the | :06:10. | :06:14. | |
knees, it's nothing that I know. I am struggling a bit at the moment. | :06:14. | :06:16. | |
He is nodding. He looks quietly am struggling a bit at the moment. | :06:16. | :06:22. | |
confident. Obviously you have to follow Abbey's incredible waltz. | :06:22. | :06:26. | |
Does that add pressure to you? I don't think so. Only in the sense of | :06:26. | :06:31. | |
I don't believe in comparing yourself to anybody else, everybody | :06:31. | :06:34. | |
has different qualities. Except this is a dance competition. Well, I am | :06:34. | :06:39. | |
not thinking about that yet. It's all too much to take in. I want to | :06:39. | :06:46. | |
enjoy our moment on the stage. It's about putting the work into what we | :06:46. | :06:52. | |
do. Their waltz was absolutely beautiful. I couldn't do what they | :06:52. | :06:59. | |
do. I can open do what we can do. Yeah. He agrees. Good luck this | :06:59. | :07:04. | |
weekend. Loving your partnership. Natalie and Artem! With an epic 15 | :07:04. | :07:10. | |
couples performing this weekend we were treated to a feast of dancing. | :07:10. | :07:15. | |
Here to give us choreograph food for thought is Karen Hardy. | :07:15. | :07:22. | |
Here to give us choreograph food for -- choreography. | :07:23. | :07:29. | |
With all new titles, welcome back to It Takes Two. I really missed you. | :07:29. | :07:36. | |
So good to see you and we are off. It Takes Two. I really missed you. | :07:36. | :07:41. | |
We are. How impressed were you with all the couples overall? Absolutely | :07:41. | :07:47. | |
Fabulous. What an awry from classical, to hilarious, to ovly | :07:47. | :07:57. | |
intense. Full awry of celebrities. Let's start with Julien and Janette. | :07:57. | :08:05. | |
You have a creative man here, give him a vision and he will take it to | :08:05. | :08:10. | |
the extreme. That's what happened on the night. Nerves definitely kicked | :08:10. | :08:14. | |
in there. He needs to settle down, deliver the goods, not at such an | :08:14. | :08:20. | |
extreme level. He will be gorgeous, has a great body and mind. He will | :08:20. | :08:22. | |
be stunning. He was like an has a great body and mind. He will | :08:22. | :08:29. | |
overexcited puppy. Rachel and Pasha and their waltz. Someone said it was | :08:29. | :08:32. | |
too careful, would you agree? Look at the arms there. I wanted to pick | :08:32. | :08:36. | |
up on straightaway. If we were going to dance that, we would want to | :08:36. | :08:42. | |
overexaggerate it. That message has to go through the TV to everybody at | :08:42. | :08:49. | |
home. It was sort of a bit of a woof of an arm. That's an official term | :08:49. | :08:54. | |
you will find! One extreme to the other there. We find that it's more | :08:54. | :08:58. | |
difficult to boost someone than it is to calm them down. Pasha is going | :08:58. | :09:02. | |
to have to do a lot of work there. is to calm them down. Pasha is going | :09:02. | :09:11. | |
Choreography beautiful. Fiona and Anton. Did we see a lot of tango | :09:11. | :09:17. | |
steps? There was a lot. Look at this. The drag and she's going to go | :09:17. | :09:22. | |
to wonderful twisting actions. I am secretly excited about this. | :09:22. | :09:26. | |
Everyone at home is going to love this partnership because this lady | :09:26. | :09:31. | |
can dance. That pelvic floor of hearse I think is rather strong. | :09:31. | :09:38. | |
Anton is going to have to keep up with Fiona actually. It makes a | :09:38. | :09:43. | |
change. About time. Vanessa and James. D'Arcy said this dance didn't | :09:43. | :09:49. | |
suit her. Do you think she was right? Look, here, we have this | :09:49. | :09:55. | |
moment of gorgeous indeed and -- gorgeousness and then we are just | :09:55. | :09:58. | |
standing and plodding. I hate to put it. Most importantly, I would like - | :09:58. | :10:02. | |
I am going to stand up for one moment, it's early on. Come on. | :10:02. | :10:08. | |
Right. Try this at home, ladies and gentlemen. When one is exposing | :10:08. | :10:13. | |
one's legs we must keep knees and ankles together. What we tend to see | :10:13. | :10:18. | |
is we have these high heels, legs get open and this is where a lot of | :10:19. | :10:25. | |
lady celebrities, not a nice loo Knees, ankles, especially if we are | :10:25. | :10:33. | |
next to Bruce and Tess, please. Keep your legs together. Perfect. | :10:33. | :10:38. | |
Something boys might not teach you. Great, we will remember that. Sophie | :10:38. | :10:42. | |
and Brendan and the waltz. Judges loved this. Why was it impressive? | :10:42. | :10:46. | |
It's beautiful. For the first time for a very long time Brendan was not | :10:46. | :10:51. | |
carrying. Look at the brushing of those feet. That got completely | :10:51. | :10:55. | |
overlooked. That tells me she's on her feet. Doing her own steps. She | :10:55. | :11:00. | |
can move. He's going to be a very happy bunny. He will be. Happy | :11:00. | :11:03. | |
can move. He's going to be a very Brendan makes us all happy. Ashley | :11:03. | :11:08. | |
and Ola. It was a difficult routine that the judges didn't pick up. They | :11:08. | :11:12. | |
said the hip work wasn't great. Should he have been given more | :11:12. | :11:18. | |
credit? It was a red herring. Ola spinning around. He was really | :11:18. | :11:23. | |
rather stiff. What we need to do, get those hips moving. I am going to | :11:23. | :11:28. | |
have to get up one more time. You know what, I havants in my -- I have | :11:28. | :11:35. | |
ants in my pants tonight. The hip and knee are family. When you | :11:35. | :11:40. | |
release the hip you can release the knee. If you lock your knees you | :11:40. | :11:44. | |
can't release your hips. If you bend your knees, you can't release the | :11:44. | :11:50. | |
hips. So, hip and knee are family. Do you like that? I like that one. | :11:50. | :11:56. | |
We need a little bit of hip and knee release from all of them that are | :11:56. | :12:01. | |
doing the straight-legged dances. Ben and Kristina. Some judges | :12:01. | :12:06. | |
commented he lost timing. Where did he go wrong? The song was really | :12:06. | :12:12. | |
difficult. It's a song with cross rhythms. He is following her all | :12:12. | :12:16. | |
around the place because there wasn't a strong beat for him to pick | :12:16. | :12:23. | |
up on. That said, being a mad rugby fan myself, he better sort himself | :12:23. | :12:27. | |
out otherwise I will be sending some of his boys down there. He needs to | :12:27. | :12:31. | |
- we have seen it with the sports boys before. They start off quietly. | :12:31. | :12:35. | |
He needs to feel his feet on the ground. He needs to throw a few arms | :12:35. | :12:40. | |
out. Once he has got that we know mojo is going to kick in. He will be | :12:40. | :12:49. | |
brilliant. Robin and Deborah. Where did she go wrong and how does she | :12:49. | :12:54. | |
recover? She doesn't want to let anybody know she might have gone | :12:54. | :12:57. | |
wrong. A mistake there, but look straight back up with the head. | :12:57. | :13:02. | |
Absolutely first-class. A little birdie told me she's excited to get | :13:02. | :13:07. | |
into the Latin. I am excited to see that. It was the registering of | :13:07. | :13:10. | |
what's going on in the mind didn't get to the feet quick enough. We | :13:10. | :13:13. | |
have to hold on for next week. She's ready and loving it. Don't you go | :13:13. | :13:17. | |
anywhere young lady. We will be back to speak with Karen about the rest | :13:17. | :13:23. | |
of the gang. For now, Karen Hardy! My next guest was all prepared for | :13:23. | :13:28. | |
his tee-off on Friday but the judges deemed his waltz below par. Here is | :13:28. | :13:35. | |
a reminder of how Tony and Aliona got on. Sentimental, romantic, | :13:35. | :13:41. | |
floaty and soft. I didn't see much of that. It was littered with | :13:41. | :13:49. | |
mistakes. A disaster, I would say. Come back the confident Tony and | :13:50. | :13:53. | |
show us many moves that I know you have up your sleeve. | :13:53. | :14:00. | |
It was the nerves that got me in the end. I got out of the sequence. Then | :14:00. | :14:06. | |
it was very difficult. Hopefully we will get it better next week and | :14:06. | :14:10. | |
it was very difficult. Hopefully we move on. Oh! Let's hope that result | :14:10. | :14:18. | |
hasn't driven a wedge between them. Please welcome Tony and Aliona. | :14:18. | :14:25. | |
Welcome guys. Can I say it was such a sweet performance that you did. | :14:25. | :14:31. | |
How much did you enjoy yourself? I loved the dress rehearsal. I got it | :14:31. | :14:39. | |
right. The satisfaction in there, in the work is getting it right. I | :14:39. | :14:45. | |
misstepped early on when it really mattered. I suppose I was half back | :14:45. | :14:50. | |
there and half really where I should have been. It was a lovely number. I | :14:50. | :14:52. | |
have to say that. My choreographer, have been. It was a lovely number. I | :14:52. | :15:00. | |
my boss here did a great job. Did you think the judges were a little | :15:00. | :15:06. | |
harsh? Craig gave him a two. I know, yet I think we were definitely on | :15:06. | :15:11. | |
the score, the number was so sweet. Tony was such a gentleman in the | :15:11. | :15:16. | |
dance. I think the whole nation actually noticed his beautiful hand | :15:16. | :15:20. | |
movements and his perfect lines and the footwork was great. Yes, he wept | :15:20. | :15:26. | |
wrong a couple of times. A couple of hiccups, he calls them brain farts. | :15:26. | :15:34. | |
So many other couples and that's OK, it's week one. Everyone is nervous. | :15:34. | :15:39. | |
If you go wrong doesn't mean you danced bad. Take that to heart | :15:39. | :15:42. | |
there. Lots of messages of support for you online. Charlotte said, Tony | :15:42. | :15:48. | |
did very well for a man of his age. He was dignified and should feel | :15:48. | :15:54. | |
proud. Yeah, I mean that's nice, too. Obviously the key to this is | :15:54. | :15:59. | |
that I am limited with the time I can - I can't put seven hours a day | :15:59. | :16:04. | |
in like some of these kids. These whipper snappers! You are the oldest | :16:04. | :16:08. | |
contestant on the show. There is always a broad range of ages. You | :16:08. | :16:13. | |
are 69. You will not be able to do something perhaps a 22-year-old | :16:13. | :16:17. | |
could. Four hours a day of this, which for me who's led a quiet | :16:17. | :16:21. | |
could. Four hours a day of this, lifestyle for the last ten or 15 | :16:21. | :16:23. | |
years essentially, is - four hours lifestyle for the last ten or 15 | :16:23. | :16:30. | |
is tough. They're very intense four hours. I don't give Tony any breaks. | :16:30. | :16:35. | |
Don't mess with her. Occasional water break. That's about two | :16:35. | :16:42. | |
minutes. He works really hard. Again it's the word I once - again it's a | :16:42. | :16:50. | |
word I want struck from the dictionary. Again, again! Sometimes | :16:50. | :16:55. | |
it can be a balancing act. I thought I had good balance. Hold it. Hold | :16:55. | :16:59. | |
it. Hold it. I just lost balance. I had good balance. Hold it. Hold | :16:59. | :17:15. | |
Looking there. Up, up, up. Hold it. I need bigger feet. I need a pair of | :17:15. | :17:23. | |
boots. Divers boots. One of those safety bars. Stay up. Don't go | :17:23. | :17:33. | |
anywhere yet. I am stuck. Balance is hard. Can I have a drink of water? | :17:33. | :17:40. | |
Brilliant. Stay with me. Next weekend you are doing the | :17:40. | :17:45. | |
Charleston, how is it going? Well, I thought the waltz was difficult, you | :17:45. | :17:48. | |
know. We are into it, let's put it thought the waltz was difficult, you | :17:48. | :17:56. | |
that way. It's a bouncy number. I just want to get it right, like | :17:56. | :18:01. | |
always. You will this time. Last week Tony was telling me how | :18:01. | :18:09. | |
fast-faced the waltz was. Now to Charleston, hold tight everybody, | :18:09. | :18:12. | |
could be an interesting week. Good luck. I am sure it will be great | :18:12. | :18:18. | |
fun. Lovely to have you on the show. Now this year we are making it even | :18:18. | :18:23. | |
easier for you to keep your favourite couple dancing. We are | :18:23. | :18:25. | |
easier for you to keep your giving you the chance to vote for | :18:25. | :18:28. | |
free online and it starts from this weekend. All you have to do is head | :18:28. | :18:37. | |
to our website and register your details. For fun we would thought | :18:37. | :18:46. | |
the -- we thought we would start the ball rolling. Voting for this | :18:46. | :18:52. | |
question closing at midnight on Thursday. We will reveal the results | :18:53. | :18:56. | |
on Friday's show. It's just for fun. We are not really going to make them | :18:56. | :19:01. | |
do it. It's time to revisit the weekend's performances, with the | :19:01. | :19:03. | |
second round of choreography corner. I love those titles. Welcome back | :19:03. | :19:22. | |
Karen Hardy. You love them. Let's start off with Abbey and Aljaz. | :19:22. | :19:30. | |
Highest score of the weekend. It was beautiful. Why was it impressive? It | :19:30. | :19:34. | |
was exquisite. What we were saying earlier, the belief in each other. | :19:34. | :19:38. | |
This is week one. This could have been a final dance. Beautiful. It | :19:38. | :19:41. | |
was the movement across the floor and what I picked up there was the | :19:41. | :19:46. | |
way she can change direction so easy. We try week one is push our | :19:46. | :19:49. | |
celebrities forward and hope they keep going. Oh, no, change, change, | :19:49. | :19:57. | |
around we go. Exquisite. Pure glamour and beauty. Proper gasps | :19:57. | :20:01. | |
there were from our household. Natalie and Artem. Second on the | :20:01. | :20:08. | |
leader board. Craig said she was one of the frontrunners. Does she | :20:08. | :20:12. | |
deserve that and why? Not only her dancing, her personality. Everything | :20:12. | :20:16. | |
is beautiful. I have chosen a step, something I want her to start | :20:16. | :20:21. | |
working on. She's performing like a dancer but her back is too stiff. | :20:21. | :20:24. | |
Earlier on in the choreography she did all these movements where she | :20:24. | :20:28. | |
was moving it around. She's got to get that movement through the body | :20:28. | :20:30. | |
and the legs. We don't want it get that movement through the body | :20:30. | :20:34. | |
looking too stiff. Dave and Karen and their cha-cha-cha. Boy, did he | :20:34. | :20:38. | |
go for it. Was there enough cha-cha for you? There was a lot of | :20:39. | :20:42. | |
something. I was laughing so much. I want to pick up here. Five, six, | :20:42. | :20:47. | |
seven, eight. Then he goes, no, I will do cha-cha. Two, three. No, I | :20:47. | :20:52. | |
shouldn't be doing that. I am off time. So I will sing. We had | :20:52. | :20:59. | |
everything. Steps, hair, counts of eight. Cha-cha. And singing, as | :20:59. | :21:04. | |
well. I was laughing so much I couldn't even look at the | :21:04. | :21:07. | |
choreography. It was first-class entertainment. I don't think Karen | :21:07. | :21:11. | |
even saw that coming. We are going to love seeing him here for a while. | :21:11. | :21:16. | |
Tony and Aliona. Joint bottom of the leader board. Do you think he was | :21:16. | :21:21. | |
judged harshly for week one? He was. Beautiful arm extensions. He | :21:21. | :21:27. | |
mastered the one-two-three of the waltz. A gentleman. He would have | :21:27. | :21:32. | |
lost marks because there were too many errors. Master the | :21:32. | :21:34. | |
lost marks because there were too choreography, nail the timing. You | :21:34. | :21:41. | |
will stay above the fives. Mark and Iveta. A dramatic dance. Mark was | :21:41. | :21:46. | |
such a hit. Did he capture that? He did. I am shocked with here is the | :21:46. | :21:50. | |
amount of great tango steps he carried out. The twisting here. Even | :21:50. | :21:55. | |
heel leads early on. I didn't expect that from a man of his stature. | :21:55. | :21:59. | |
Beautiful. He also brought the acting to the dance floor, that was | :21:59. | :22:05. | |
fabulous. For me, I think - I don't even know who they're going to knock | :22:05. | :22:08. | |
fabulous. For me, I think - I don't out of this, it's going to be very | :22:08. | :22:14. | |
tight. Kevin and Susanna, first time a jive in week one. A tricky dance. | :22:14. | :22:19. | |
Did it have enough energy and drive? It had energy for about five people. | :22:19. | :22:25. | |
And with style and great taste. Fantastic choreography. We have | :22:25. | :22:29. | |
twisting and shaking. We even have presentation and performance. So | :22:29. | :22:33. | |
confident. I have to say I put it out there on the radio, she was | :22:33. | :22:35. | |
confident. I have to say I put it going to be a good one because one | :22:35. | :22:39. | |
important thing, she listens. Her job in the news is to listen to | :22:39. | :22:45. | |
detail. That's exactly what she does and what I would stress to all | :22:45. | :22:48. | |
celebrities, listen to your professionals and they will make you | :22:48. | :22:52. | |
perform like stars. That's what she did. Well done. Patrick and Anya and | :22:52. | :23:00. | |
their jive. Another energetic one. How could he have improved on his | :23:00. | :23:06. | |
technique? Upstairs absolutely brilliant. A very handsome man. Has | :23:06. | :23:11. | |
all the acting. Downstairs very flat-footed. He was even cheating on | :23:11. | :23:19. | |
the chassis How? You miss a step out. It's hard. A jive in week one, | :23:19. | :23:23. | |
that was really hard. He will be very happy that's out of the way. | :23:23. | :23:28. | |
But we want to make sure that the technique - the building blocks of | :23:28. | :23:31. | |
great performances, the technique. The building blocks. He must make | :23:31. | :23:36. | |
sure he understands the technique of each dance. Overall, well done. We | :23:36. | :23:40. | |
got through them all. So glad to have you back. | :23:40. | :23:49. | |
Despite all the money, money, money, Deborah and Robin discovered the | :23:49. | :23:53. | |
judges weren't willing to invest top marks with their tango. I thought it | :23:53. | :24:00. | |
was a good pitch from the Dragon. I liked your attitude. You gave it | :24:00. | :24:04. | |
plenty of snap, crackle and pop. Great attack and attitude from the | :24:04. | :24:09. | |
beginning. You messed it up in the middle. You do in your frame, have | :24:09. | :24:17. | |
to pull up from your waist. Don't sink into Robin. It's hard not to | :24:17. | :24:27. | |
sink Robin. -- not to sink into Robin. I loved it. It all went so | :24:27. | :24:33. | |
quick. I told you, enjoy that minute-and-a-half, it's over before | :24:33. | :24:39. | |
you know it. Here's to next week! Please welcome Deborah and Robin. | :24:39. | :24:46. | |
It's so much fun watching it all back. Great performance on Saturday | :24:46. | :24:51. | |
night. A great score. 24. Were you pleased? I mean, I had - I couldn't | :24:52. | :24:56. | |
have dreamt of 24. Although actually, of course I have had him | :24:56. | :25:00. | |
teaching me for days, of course I was going to get 24. How nervous | :25:00. | :25:05. | |
were you before the performance? We know you as being very confident. I | :25:05. | :25:11. | |
could say I was probably more terrified than I have ever been in | :25:11. | :25:13. | |
could say I was probably more my life. I was going over in my | :25:13. | :25:16. | |
brain, I am terrified, I am terrified. And then put your left | :25:16. | :25:21. | |
foot forward. Terrified. We get just as nervous as professionals, | :25:21. | :25:24. | |
especially on the first live show. You don't know what your partner is | :25:24. | :25:28. | |
going to do. It's the first time I have had Deborah in that live show | :25:28. | :25:31. | |
experience. She could have done anything, fallen apart, could have | :25:31. | :25:36. | |
just stopped. I was thinking about running away. Your fans thought you | :25:36. | :25:41. | |
were great. Loads of messages. I thought Deborah did brilliantly and | :25:41. | :25:44. | |
looked lovely. What a classy lady. How lovely. I will take that. Darcey | :25:44. | :25:51. | |
said you had great attack. How did How lovely. I will take that. Darcey | :25:51. | :25:58. | |
Robin help with the tango persona? Robin said to me, you need to | :25:58. | :26:07. | |
channel... I said I don't understand channelling and I can't act. We had | :26:07. | :26:12. | |
some fun. Did we have fun? I had a lot of fun. Not sure about Deborah. | :26:12. | :26:19. | |
It did work. The face, you had a great tango face. Once I got into | :26:19. | :26:25. | |
the dance I heard this Robin's voice saying keep that, keep that attack. | :26:25. | :26:30. | |
It worked. A tango first week, that's got to be difficult for a | :26:30. | :26:35. | |
celebrity. It's a tricky dance. Were you worried? A little bit. At the | :26:35. | :26:40. | |
same time, the dance would be suited to Deborah. I didn't really know her | :26:40. | :26:46. | |
too well then. I saw Deborah as this kind of ice-Queen from Dragons Den. | :26:46. | :26:50. | |
As we have all seen, she's wonderful and everybody's fallen in love with | :26:50. | :26:54. | |
her. You are being a sweetie. Look at this. I really do like that | :26:54. | :27:00. | |
dress. It's lovely, isn't it? Love that! I love you for that. | :27:00. | :27:09. | |
# Isn't she lovely... You did your homework too, that's great. Good, | :27:09. | :27:13. | |
good, good. Marvellous! That felt so lovely for me to dance with you at | :27:13. | :27:15. | |
that point. You really feel the lovely for me to dance with you at | :27:15. | :27:21. | |
groove. Great! That was brilliant. Great. I don't often give a | :27:21. | :27:27. | |
brilliant, that was brilliant. Chuffed. You are chuffed, I am | :27:27. | :27:36. | |
chuffed. Fabulous. Oh! He's - I love it. You are going | :27:36. | :27:47. | |
to blush now. Are you seeing any of Deborah's no-nonsense attitude? A | :27:47. | :27:51. | |
little bit. Deborah's where she is today in her private life and career | :27:51. | :27:55. | |
because of how much hard work and determination and enthusiasm, | :27:55. | :27:58. | |
everything she's put into it over the years and she's bringing that to | :27:58. | :28:03. | |
the dance floor and training room. I have never known anybody work so | :28:03. | :28:06. | |
hard and couldn't ask for any more. You are up at 4.00 am, looking at | :28:06. | :28:11. | |
notes I have been banned to the spare room because my husband says, | :28:11. | :28:17. | |
my feet are twitching. From the tango to the cha-cha-cha. Quite a | :28:17. | :28:22. | |
different style to the tango. How are you finding it? I love the | :28:22. | :28:27. | |
cha-cha-cha. I love it. Doesn't mean I am good, it means that I love it. | :28:27. | :28:33. | |
The tango, I felt like I was dancing to instruction. The cha-cha I feel | :28:33. | :28:37. | |
like I am dancing. Wow. You are out there on your own, feel confident? | :28:37. | :28:41. | |
Oh, a problem there because when he leaves me, it's like can we take | :28:42. | :28:47. | |
that step out? Can I do that can you -- can I do that with you. Lovely | :28:47. | :28:55. | |
partnership. That's it for today. A big thank you | :28:56. | :29:00. | |
to all my guests. Tomorrow I will be joined by Kevin a and Susanna and | :29:00. | :29:12. | |
Brendan and Sophie. See you tomorrow, good | :29:12. | :29:13. |