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Hello. Have I got a great Wednesday line-up for you, with three lovely | :00:05. | :00:10. | |
couples. First up, they waltzed their way to the top of the | :00:10. | :00:14. | |
leaderboard on Saturday - Abbey and Aljaz are here. It wasn't murder on | :00:14. | :00:17. | |
the dancefloor, but they killed it out there anyway - Sophie and | :00:17. | :00:22. | |
Brendan join us. Craig said their energy was sublime. Let's hope I can | :00:22. | :00:25. | |
control them tonight. It's Susanna and Kevin. And finally, the | :00:25. | :00:31. | |
wonderful Ian Waite is back with his first Wednesday Warm Up. This is | :00:31. | :00:34. | |
Strictly It Takes Two. Live from London, this is Strictly | :00:34. | :01:27. | |
It Takes Two! Please welcome your host, Zoe Ball! | :01:27. | :01:34. | |
CHEERING Hello and welcome to It Takes Two. | :01:34. | :01:39. | |
Tonight's show is bursting with Strictly goodness, so let's not | :01:39. | :01:44. | |
waste any time. First up Abbey and Aljaz wowed the judges with their | :01:44. | :01:48. | |
waltz on Saturday. But before we meet them, let's find out a bit more | :01:48. | :01:55. | |
about Aljaz. Oh yes. I'm Aljaz. I would describe myself | :01:55. | :02:00. | |
as charming, cheeky, a Slovenian gentleman. As a teacher I'm very | :02:00. | :02:10. | |
strict. I love discipline, but definitely I love fun as well. I've | :02:10. | :02:20. | |
dedicated my life to dancing 100%. I won 19 Slovenian championships and I | :02:20. | :02:24. | |
just want wait to put together an amazing routine and perform it in | :02:24. | :02:28. | |
front of many millions of people. Millions of people. Sorry, I'm | :02:28. | :02:40. | |
Slovenian. Wooh! Welcome to the show Abbey and Aljaz! | :02:40. | :02:44. | |
APPLAUSE Lovely to timely have you in the studio. Congratulations on | :02:44. | :02:47. | |
your performance on Saturday night. It was absolutely stunning. Bruno | :02:47. | :02:51. | |
said what an incredible debut. But I hear, Abbey, that you were really | :02:52. | :02:56. | |
struggling in rehearsal in this the afternoon? Yes, we had like three | :02:56. | :03:02. | |
goes at doing it and I messed every one up, so I was petrified. I | :03:02. | :03:08. | |
thought I was going to vomit, it was horrible, but we managed to bluff it | :03:08. | :03:13. | |
on the night. But they do say if it goes wrong in the rehearsals, you | :03:13. | :03:19. | |
have the best performance. Alarblings we s, you have the best | :03:19. | :03:22. | |
performance. Alarblings we expect the -- Aljaz, we expect the | :03:22. | :03:24. | |
celebrities to be nervous but you might have been nervous, because it | :03:24. | :03:29. | |
was your first time? I'm not sure who was the most nervous. We put a | :03:29. | :03:36. | |
lot of time in and when it came to do it, we pulled it out. He said, | :03:36. | :03:44. | |
I'm glad it is over, I was so nervous. I said, what? ! Cassee sums | :03:44. | :03:53. | |
it up online. Online. I'm I'm an emotional blubbing mess watching | :03:53. | :03:58. | |
Abbey and Aljaz. You look like you are a natural. I've got the best | :03:58. | :04:03. | |
teacher. You will go far. No, I feel slightly under pressure this week, | :04:03. | :04:07. | |
because the cha-cha is not going half as well as this one. It is a | :04:07. | :04:12. | |
whole different ball game before we talk about the cha Chancellor of the | :04:12. | :04:16. | |
Exchequer how are you finding the juggling? You've got a little girl, | :04:16. | :04:20. | |
Sofia, and your job as well, and training for Strictly. How are you | :04:20. | :04:24. | |
finding the juggling act? It is really hard, because I'm used to | :04:24. | :04:27. | |
spending so much time with my baby. To be waving her off at the nursery | :04:27. | :04:32. | |
every day and picking her up when it is dark and putting her straight to | :04:32. | :04:37. | |
bed, it is horrible, but it is important to have a bit of you time | :04:37. | :04:41. | |
as well. It's great and it's only a few weeks. Or it could be longer, | :04:41. | :04:44. | |
as well. It's great and it's only a who knows? Is she enjoying watching | :04:44. | :04:49. | |
mummy dance? Pete my husband face timed her when I was on and she | :04:49. | :04:55. | |
said, mucky looks like a princess. Maybe you can be excused for not | :04:55. | :04:59. | |
always been the model student in the training room. Oh, God. I think | :04:59. | :05:06. | |
Aljaz may have noticed I have a shorter attention span to most | :05:06. | :05:13. | |
people. Shall I put these on? Don't like me hair. What's that? Show me | :05:13. | :05:20. | |
that. What's that? I haven't eaten today, have you? My belly is | :05:20. | :05:25. | |
rumbling, can you hear it? Yes. What are we going to eat? You need to | :05:25. | :05:33. | |
focus. Put some bronzer on. Promenade, two, three. Come on, stop | :05:33. | :05:40. | |
messing around now. Focus, focus. Aljaz, it's not all bad in training | :05:40. | :05:46. | |
for you, because you got to meet one of your heroes, Abbey's husband, | :05:46. | :05:50. | |
Peter Crouch. Definitely. I have known him since I was a kid, because | :05:50. | :05:56. | |
I love football, and he is even taller than I thought he would. We | :05:56. | :06:01. | |
did some football the other day. A kick about? Yes. He is a bit of a | :06:01. | :06:08. | |
mover as well. Sign him up. He thinks he is. Aljaz taught him some | :06:08. | :06:13. | |
cha-cha and he wasn't bad. No, he picked it up pretty good. His feet | :06:13. | :06:18. | |
like countries You can imagine the length of the trousers! You said | :06:18. | :06:22. | |
you've been finding the cha-cha difficult. How's it going? I think, | :06:22. | :06:28. | |
the steps, to get the steps is the easier part. It's putting all the | :06:28. | :06:32. | |
detail in this and putting it to the music. When it is one, two, | :06:32. | :06:37. | |
cha-cha-cha it is fine, but the music comes on and it's a million | :06:37. | :06:43. | |
times quicker and it guarantees out of the window. I'm not enjoying it. | :06:43. | :06:48. | |
You've got these incredibly gorgeous legs that go for for miles but it | :06:48. | :06:53. | |
can be a disadvantage with the cha-cha. I'm like age with the | :06:53. | :07:00. | |
cha-cha. I'm like Bamly. -- I'm like Bambi. On that statement now we are | :07:00. | :07:04. | |
ticking the boxes. She's doing good. He looks hard to please. It is only | :07:04. | :07:08. | |
halfway through the week. I think you are an extraordinary looking | :07:08. | :07:11. | |
couple. You are ones to watch. Have a great weekend with your | :07:11. | :07:17. | |
cha-cha-cha. Abbey and Aljaz! CHEERING Swoonsome I think might be | :07:17. | :07:21. | |
the word. It is the moment we've all been waiting for. Back to talk us | :07:21. | :07:24. | |
through this week's training with the help of his sparkling wand it is | :07:24. | :07:37. | |
Ian Waite and his Wednesday Warm Up. Oh, it's Ian Waite! Welcome back. | :07:37. | :07:43. | |
Darling. Hello. Hello gorgeous. How I've missed you. It's been so long. | :07:43. | :07:48. | |
It has been a long, long time, but we've got so much to get through. | :07:48. | :07:51. | |
Did you enjoy the shows at the weekend? I loved it. I caught up | :07:51. | :07:56. | |
with it on Sunday, under the duvet with my dog, laughing and crying. | :07:56. | :08:02. | |
Now there's an image. Let's talk about Deborah and Robin. An amazing | :08:02. | :08:10. | |
cha-cha. I love her. I'm a little bit in love with this old Dragon. A | :08:11. | :08:16. | |
sense of rhythm and fluidity through her which is great. What I wanted to | :08:16. | :08:24. | |
point out first of all is the feet. OK.. Because stepping a little bit | :08:24. | :08:30. | |
in this cha-cha and I need her to get her heels down to straighton | :08:30. | :08:36. | |
legs and a proper cha-cha a. Use the feet, Deb ra. That isn't a verruca | :08:36. | :08:41. | |
sock. She's done her ankle in. Vanessa and James are doing the | :08:41. | :08:45. | |
waltz. How is she looking in ballroom, our Vanessa? Lovely usage | :08:45. | :08:50. | |
of arms. In and out. Everything she does open is very good. What I | :08:50. | :08:54. | |
wanted to talk about was her posture. Sometimes she isn't shaping | :08:54. | :09:00. | |
the head properly. If I just get my lovely sparkly wand. The wand's out! | :09:00. | :09:03. | |
How we've missed the wand. She needs lovely sparkly wand. The wand's out! | :09:03. | :09:08. | |
to shape this way towards him from the waist. Hips into him. We need to | :09:08. | :09:16. | |
see her head over his shoulder. Like she's looking around the corner? | :09:16. | :09:23. | |
Yes.a and Anton, a great tango. This week they cha-cha-cha. How is Ms | :09:23. | :09:29. | |
Fullerton looking? I'm pleasantly surprised with her. She is looking | :09:29. | :09:33. | |
very accomplished in this dance. I want to show you how strong her | :09:33. | :09:37. | |
core. All of those drops she does. Look here, how straight she is in | :09:37. | :09:43. | |
the body. That is not an easy step. If have ever done the plank in the | :09:43. | :09:49. | |
gym. Well, anyway. You have to keep this really strong. She's producing | :09:49. | :09:55. | |
an amazing line there. Good stuff. And Anton's face. Look at that. He | :09:55. | :10:02. | |
looks positively animal there. Rachel and Pasha. This week they are | :10:02. | :10:09. | |
salsaing. How is Rachel looking Looking OK. Struggling a bit with | :10:09. | :10:16. | |
the armography. Very complicated and difficult. Like Deb remarks I want | :10:16. | :10:21. | |
to focus on and difficult. Like Deb remarks I want to focus on the feet | :10:21. | :10:24. | |
-- like Deb remarks I want to focus on and difficult. Like Deb remarks I | :10:24. | :10:27. | |
want to focus on the feet -- like Deb remarks I want to focus on the | :10:27. | :10:30. | |
feet - Deborah. It is not quite as stripped as the Latin dance. She | :10:30. | :10:33. | |
needs to go on the balls of her feet and use her feet. They are looking a | :10:33. | :10:38. | |
bit lazy, sloppy and stiff. Work on the footwork. | :10:38. | :10:44. | |
Natalie and Artem are doing a walls. Bit lazy, sloppy and stiff. Work on | :10:44. | :10:46. | |
the footwork. Natalie and Artem are doing a walls. | :10:46. | :10:48. | |
-- doing a waltz. A She doesn't look like she's been dancing ballroom for | :10:49. | :10:53. | |
a matter of weevencts it likes like a matter of years. It is a really | :10:53. | :10:59. | |
difficult style to do. But apart from occasionally losing a gap, I | :10:59. | :11:03. | |
have to say, this couple are going to get my thumbs up, because they | :11:03. | :11:10. | |
are looking amazing. Your cuticles need a bit of work, but Natalie | :11:11. | :11:16. | |
looking good. Just talking to Abbey and Aljaz, who were amazing at the | :11:16. | :11:20. | |
weekend. One word o were amazing at the weekend. One word for this | :11:20. | :11:23. | |
couple - gorgeous. She is lovely, long and lean, but that is more | :11:23. | :11:26. | |
difficult to control your arms and legs. As you would know, Zoe. I have | :11:26. | :11:35. | |
the same problem. What I want to do is highlight this area. Look at her | :11:35. | :11:43. | |
tummy. And she is had a baby. We are all slightly envious. What I would | :11:43. | :11:47. | |
like her to do is tuck that tummy under so she makes that side | :11:47. | :11:51. | |
shorter, so that's nice and tucked under. All the Latin dances should | :11:51. | :11:57. | |
have that tummy tucked in. I'm mortified. Don't you worry, you've | :11:57. | :12:03. | |
got an amazing tummy. She looks gorgeous. Sophie and Brendan are | :12:03. | :12:11. | |
doing a Charleston. Sophie's waltz, footwork waimz peckable. Come on | :12:11. | :12:16. | |
Sophie. It shoot have been mentioned on Sunday. The Charleston is looking | :12:16. | :12:22. | |
really good. They've got side by sidekicks and flicks. It looks a bit | :12:22. | :12:28. | |
jivey, but it is very good. I've slowed it so you can see how in | :12:28. | :12:33. | |
co-ordination they are. That's good. Love that legal. Even the Trotty | :12:33. | :12:39. | |
leap there. They are very good. Susanna and Kevin are doing a tango. | :12:39. | :12:44. | |
I was expecting this should not to be as good as their jive, but it is | :12:44. | :12:49. | |
every bit as good. Very fast transitions. Very intense. The | :12:49. | :12:54. | |
character is there. The only thing I will say is she's got a dropped | :12:54. | :13:00. | |
chin. Bend your knees and chin up. It is all coming back. Susanna, chin | :13:01. | :13:07. | |
up. That's the girls done. We'll talk about the boys later on. Ian | :13:07. | :13:12. | |
Waite! Gorgeous. Judges described them as understated, gorgeous and | :13:12. | :13:15. | |
beautiful on Saturday. That's enough about me and him. Here's Sophie and | :13:15. | :13:21. | |
brend damage. My darling I could really sense the aura of | :13:21. | :13:25. | |
sophistication. So Audrey Hepburn. You've got the mood absolutely | :13:25. | :13:29. | |
right. I loved the fluidity of the dance. It had beautiful movement | :13:29. | :13:34. | |
across the floor. Your top line is sadly letting you down. That would | :13:34. | :13:36. | |
across the floor. Your top line is have been absolutely beautiful if | :13:36. | :13:38. | |
you didn't ruin it with the top half. Beautiful. Thank you. | :13:38. | :13:52. | |
Seven, Seven. Seven. . That was a real test of nerves but I actually | :13:52. | :13:56. | |
enjoyed it. My mum came along tonight. She was always going to | :13:56. | :14:02. | |
crime. She cries at everything. Anything sets her off. Oh, Janette, | :14:02. | :14:07. | |
we were all with but. Welcome Sophie and Brendan. | :14:07. | :14:12. | |
CHEERING You were positively dreamy on the floor on Saturday. Thank you. | :14:12. | :14:16. | |
And you are no strange tore the stage as a pop star. But how, did | :14:16. | :14:23. | |
that help with the ner at at all on Saturday? I've been saying to | :14:23. | :14:27. | |
Brendan already, thing about music, if I don't do a brilliant verse or | :14:27. | :14:31. | |
bridge, chorus is still going to happen. If I forget dance steps I'm | :14:31. | :14:38. | |
not going to necessarily get the crowd to do the waltz for me. The | :14:38. | :14:44. | |
onus is all on you. Brendan, your performance left a lot of people at | :14:44. | :14:48. | |
home really emotional. Alison in Dublin says, so sweet, this brought | :14:48. | :14:53. | |
a tear to my eye. I heard somebody else had watery eyes after this | :14:54. | :14:58. | |
performance? I did. I sent Sophie to the side and I came in and I | :14:58. | :15:03. | |
realised that we had finished the dance. I was so proud. You've put so | :15:03. | :15:08. | |
much time and evident into trying to make a spectacular dance. My key | :15:08. | :15:12. | |
thing was emotion. I want people at home watching to feel like they've | :15:12. | :15:16. | |
been on a little journey with us and Sophie achieved that so well. I was | :15:16. | :15:20. | |
so proud, so I did get a little emotional. It is hard not to. | :15:20. | :15:27. | |
Brendan Cole, it is so lovely to sigh softened up. Bruno compared you | :15:27. | :15:33. | |
to Audrey Hepburn, Sophie, not bad for your first Strictly outing. I | :15:33. | :15:37. | |
was really choughed with the judges' comments. I watched it back | :15:37. | :15:41. | |
afterwards and picked holes in it. Maybe I should just take the | :15:41. | :15:45. | |
positive and move on to the next thing. Brendan, is that good? It can | :15:45. | :15:51. | |
be good, but often it doesn't feel like it looks and you can learn from | :15:51. | :16:00. | |
seeing, when you didn't feel you did something but it looks amazing. And | :16:00. | :16:06. | |
four sevens? So disappointing not to get four tens. Did you have an ink | :16:06. | :16:10. | |
until training it was going to go well? The training went superbly. I | :16:10. | :16:16. | |
missed doing it this week. To get four sevens out of the blocks, | :16:16. | :16:21. | |
that's great. It gives us somewhere to go. Going to the training room | :16:21. | :16:26. | |
we've spotted Brendan there is one particular aspect you are keen to | :16:26. | :16:32. | |
work on with Sophie again and again and again. Shaping in ballroom is | :16:32. | :16:37. | |
such an extreme position, especially for the woman. Push back to the | :16:37. | :16:41. | |
foot. Push out. Start the shaping. Go on, that's a nice position. | :16:41. | :16:49. | |
Shape, shape, shape. I'm worried that my body will go... One and two. | :16:49. | :16:55. | |
Where's your shape. One more time. More, more. Shape. It seems to me | :16:55. | :17:00. | |
that the times I'm doing it right is when I'm moderately in pain. Chin. | :17:00. | :17:06. | |
That is your position thaw want for the whole thing. Now that's | :17:06. | :17:14. | |
waltzing. Girlfriend. It is so ridiculously uncomfortable. So | :17:14. | :17:16. | |
unnational to be in that position. How is your Charleston shaping up? ? | :17:16. | :17:21. | |
There aren't as many rule in this Charleston. It is more playful, | :17:21. | :17:29. | |
looking effortless. You were so hot on the shaping and I do feel I lost | :17:29. | :17:36. | |
my shaping with the waltz. She is going to give herself a heart | :17:36. | :17:40. | |
attack. A stat flash everybody. Brendan Cole, ten years on the show | :17:40. | :17:45. | |
and never done a Charleston. Charleston. This is your first time. | :17:45. | :17:48. | |
I can do it and I really enjoyed Charleston. This is your first time. | :17:48. | :17:52. | |
putting the choreography together. We did it together. We went into the | :17:52. | :17:57. | |
studio and worked on the ideas. It was a lovely thing to do as a | :17:57. | :18:01. | |
partnership. I liked it. Sophie dances it brilliantly. We haven't | :18:01. | :18:06. | |
had to really work on the Charleston action, so we can concentrate on the | :18:06. | :18:10. | |
exciting bits. Get the survive Elland you are halfway there. A | :18:10. | :18:16. | |
crazy dance. Good luck. Thank you Sophie and Brendan! | :18:16. | :18:18. | |
CHEERING It is time to see how the boys have | :18:18. | :18:23. | |
been getting on in our training, with our second instalment of | :18:23. | :18:36. | |
Waite's Wednesday Warm Up. Ian's back. How I've missed you. | :18:36. | :18:41. | |
It's been ten minutes. I've missed you so much. First of all very | :18:41. | :18:44. | |
exciting news ladies and gentlemen, we can reveal that our Ashleigh, his | :18:44. | :18:50. | |
girlfriend has given birth to a lovely baby boy, called Mason. | :18:50. | :18:57. | |
Congratulations to the whole family. He's been a little bit busy, so we | :18:57. | :19:00. | |
Congratulations to the whole family. are going to start with Dave and | :19:00. | :19:05. | |
Karen. Dave was incredible. One of the most talked about couples. This | :19:05. | :19:09. | |
weekend the American smooth. One word on talked about couples. This | :19:09. | :19:13. | |
weekend the American smooth. One word on my sofa - hilarious. This is | :19:13. | :19:18. | |
very concerned compared to last week. This is the American smooth. | :19:18. | :19:21. | |
What I want to talk about first of all is the arms. You know like the | :19:21. | :19:30. | |
Fred Astaire movies. Off he goes. Sid shar's. He needs to keep that | :19:30. | :19:36. | |
frame up. When he is holding Karen he needs to keep the al-Bose up. It | :19:36. | :19:40. | |
is still a ballroom dance, so he needs to keep his frame. Dave will | :19:40. | :19:46. | |
have taken it on board. Julien and Janette, this week he is tangoing. | :19:47. | :19:52. | |
Bags of energy and enthusiasm, sometimes a little too much. But | :19:52. | :19:57. | |
posture, posture, posture. He needs to work on it. As we can see here, | :19:57. | :20:02. | |
I'm going the highlight this area. I think we know what's coming. | :20:02. | :20:06. | |
Everywhere he is sticking out his bottom. My teacher used to talk | :20:06. | :20:11. | |
about tucking your tail under the. Do it in prayer position. You get on | :20:11. | :20:16. | |
your knees. You wouldn't stick your bottom out like that if you were | :20:16. | :20:25. | |
praying. Keep it tucked. You can bend your knees but keep it tucked. | :20:25. | :20:31. | |
Patrick and annia, they are doing the tango this weekend. How is his | :20:31. | :20:36. | |
ballroom looking? It doesn't look as good as their dance last weekend but | :20:36. | :20:39. | |
there's still time for it to get better. What I wanted to talk about | :20:39. | :20:45. | |
was basically his frame. If I can just get hold of you from a minute. | :20:45. | :20:52. | |
Must you? It is a little bit like that. Yep. And he should be equal | :20:52. | :20:58. | |
like that. All the turns and stuff, unless you are doing a line. It's | :20:59. | :21:08. | |
all coming back. It is swaying but other than, that shoulders upright. | :21:08. | :21:12. | |
Ben and Kristina are doing the waltz. This is from Sunday training. | :21:12. | :21:16. | |
How is he looking in the ballroom, our Ben? In the cha-cha-cha he | :21:16. | :21:21. | |
looked a little bit unnatural. He wasn't as natural as some of the | :21:21. | :21:26. | |
others, but in the ballroom he is probably a ballroom boy. Because | :21:26. | :21:30. | |
he's got his shoulders down, his head up in the right position. | :21:31. | :21:36. | |
You're pleased. His elbows are up. Lovely. And that lovely handholding | :21:36. | :21:45. | |
Kristina. And they've got a little bit of a height difference. To be | :21:45. | :22:01. | |
honest I was amazed, but he is a a rugby boy. Tony is doing the | :22:01. | :22:05. | |
Charleston. They are having lots of fun but it looks like he is | :22:05. | :22:07. | |
struggling with this Charleston. fun but it looks like he is | :22:07. | :22:14. | |
There are lots of intrib Kate moves -- intricate moves and swivelling of | :22:14. | :22:18. | |
the feet. They are having fun but think about the character of the | :22:18. | :22:22. | |
dance. And sell the character, Tony. It is 90% character and 10% | :22:22. | :22:27. | |
technique. We don't really worry about the technique so much in | :22:27. | :22:31. | |
Charleston. It is about the fun of the dance. Selling the dance. Mark | :22:31. | :22:38. | |
and Iveta. Mark was brilliant on Friday with his tango. He's doing | :22:38. | :22:42. | |
the salsa this week. Look at those hips to. He is really light on his | :22:42. | :22:47. | |
feet. For a big guy he's light on his feet and he's fun and | :22:47. | :22:51. | |
entertaining. I love that ripple. That ripple is what I wanted to talk | :22:51. | :22:56. | |
about, because I thought we could try that Zoe. I'm not good at | :22:56. | :23:02. | |
ripples. Just the head and not the body. Go in with the head. Throw the | :23:02. | :23:07. | |
head back and carry on with the body. And in... That is not a | :23:07. | :23:14. | |
natural position. LAUGHTER Sorry about that Mark. | :23:15. | :23:19. | |
Whatever you do, don't do it like that. Thank you Ian. See you next | :23:20. | :23:24. | |
week, darling. Next up Susanna and Kevin gave us an amazing performance | :23:25. | :23:31. | |
on Friday. Let's find out more about Kevin from Grimsby. I'm Kevin | :23:31. | :23:38. | |
Clifton and I'm from gripsy up north. LLOW I'm Kevin Clifton and | :23:39. | :23:41. | |
I'm from gripsy up north. -- Grimsby up north. The north is the spiritual | :23:42. | :23:45. | |
home of ballroom dancing. When you think about Blackpool and all the | :23:45. | :23:49. | |
years of people dancing there, I'm incredibly proud to be representing | :23:49. | :23:53. | |
the north. As a youth I was world number one before going on to win | :23:53. | :23:58. | |
four British championships. I also performed on the Broadway and West | :23:58. | :24:02. | |
End stage. What I love about dancing is seeing the smile on people's | :24:02. | :24:06. | |
faces at the end of a performance. What a buzz that gives you. My | :24:06. | :24:11. | |
family have always wanted me to be a part of Strictly Come Dancing, so my | :24:11. | :24:16. | |
mum is really chuffed now. I can't wait to get started. Please welcome | :24:16. | :24:25. | |
Susanna and Kevin from Grimsby! CHEERI It is so exciting to have you | :24:25. | :24:31. | |
on the show. Well done, fabulous, fruity, flirty jive on Friday. It | :24:31. | :24:35. | |
was so much fun. You are used to life telly Susanna, did that prepare | :24:35. | :24:40. | |
you for the dancefloor? I was very glad the Breakfast sofa was there | :24:40. | :24:43. | |
and I had a script. That grounded me. But once I,000 those over my | :24:43. | :24:50. | |
head and deposit dancing I did feel the nerves. My legs went a bit jelly | :24:50. | :24:57. | |
and it was terrifying but luckily Kevin was there and I could look at | :24:57. | :25:02. | |
what he was doing. You disguised that so well. You were having so | :25:02. | :25:06. | |
much fun. It was infectious Susanna. Kevin you must have felt the | :25:06. | :25:08. | |
pressure being one of the new kids Kevin you must have felt the | :25:08. | :25:12. | |
on the block. At first I was really excited leading up to the event. I | :25:12. | :25:16. | |
called my mum and she started crying. I said, why are you crying, | :25:16. | :25:23. | |
stop it. And she said, it is just my baby boy's going to be on the telly | :25:23. | :25:29. | |
in front of millions. I thought yes, millions of people are going to | :25:29. | :25:31. | |
in front of millions. I thought yes, watch this and I got really nervous. | :25:31. | :25:35. | |
Ring your mum after the show. We've learnt that one. So many wonderful | :25:35. | :25:38. | |
messages for you. Sarah Reid, no relation. From Suffolk says online: | :25:38. | :25:44. | |
Considering she is a novice, for me best dance of the night. A huge | :25:44. | :25:49. | |
surprise. Thank you Sarah. Does that give you a warm feeling? I does. | :25:49. | :25:53. | |
When I saw the messages and what people were saying, I couldn't | :25:53. | :25:56. | |
believe they were talking about us. It takes a while to sink in. I can't | :25:56. | :26:00. | |
believe we've danced a jive on national television in front of the | :26:00. | :26:04. | |
four most notorious judges on British television. But unanimous | :26:05. | :26:08. | |
praise from them as well. Kevin, when you were training could you see | :26:08. | :26:12. | |
that was coming or were you quietly confident? You always hope. I was | :26:12. | :26:16. | |
hoping for it and then I was really hoping that maybe I was going to get | :26:16. | :26:21. | |
like a seven from Len. I was really hoping for that. Maybe six would be | :26:21. | :26:25. | |
OK. And Len went om Len. I was really hoping for that. Maybe six | :26:25. | :26:28. | |
would be OK. And Len went on about, "Chicken soup, it was chicken soup." | :26:28. | :26:34. | |
All these crazy analies. I got all confused. I like chicken soup, but | :26:34. | :26:41. | |
is that good? Good? Did he mean chickens or is this a good thing? | :26:41. | :26:50. | |
And he gave us an 8! The cartwheel, Craig said you shouldn't have done | :26:50. | :26:54. | |
it. How but feel about it afterwards Susanna? Just a little slip. Perfect | :26:54. | :27:01. | |
landing from Reid. I'm just glad I recovered at the end. In a faintly | :27:01. | :27:05. | |
elegant position. We were training and that wasn't part of the routine | :27:05. | :27:09. | |
and I think Kevin was doing an interview and I did a cartwheel in | :27:09. | :27:13. | |
the background. Instantly he saidings, that's going in. You've | :27:13. | :27:18. | |
got to be careful what you tell him. We know you can move your feet but | :27:18. | :27:22. | |
it is not the only part of you that you move in dancing around the | :27:22. | :27:26. | |
training room. Have a look at this. I obviously express my feelings | :27:26. | :27:30. | |
through my face much more than I realised. She's giving me a big | :27:30. | :27:46. | |
smile. And then the face will go... Like that for a second. Which means | :27:46. | :27:53. | |
she hates it. Turn to look at me this way. Which face did you just | :27:53. | :28:03. | |
do? We only had seven scary faces in | :28:03. | :28:09. | |
that one. You don't even know you are doing this? No! Ian impressed | :28:09. | :28:18. | |
with your tango. How's it going Susanna, are you happy so far? It is | :28:18. | :28:22. | |
much harder and I've got to do a different look, which is a | :28:22. | :28:25. | |
smouldering look. You looked alright in the training. Give us the | :28:26. | :28:37. | |
smouldery face. I can't do it. Is that smouldery? I was trying my | :28:37. | :28:41. | |
best. Good luck with your tango. Lovely having you on the show. | :28:41. | :28:48. | |
Susanna and Kevin. APPLAUSE That's it for today. Thanks | :28:48. | :28:51. | |
to all my guests. Join me here tomorrow at 6.30pm, when I'll be | :28:51. | :28:55. | |
joined by Fiona and Anton, Vanessa and James and Patrick and Anya. | :28:55. | :28:56. | |
Goodnight. | :28:56. | :29:00. |