Episode 23 Strictly - It Takes Two


Episode 23

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Welcome to Wednesday's It Takes Two. On the show tonight, they charmed us

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with their cha-cha-cha, it's pretty young thing, Sophie and Brendan! And

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their fruity salsa had so much cuckaboom. Here to give us a preview

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of the Halloween dances, it's only Ian Waite. This is Strictly It Takes

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Two! Live from London, this is Strictly

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It Takes Two. Please welcome your host, Zoe Ball.

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Hello. Welcome to Wednesday's It Takes Two. The theme this weekend,

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in case you hadn't realised is, it's Halloween, which means things are

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about to get scarier for the remaining 11 couples. If you can't

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possibly wait until Saturday to see what is in store, fear not, Ian is

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here with an exclusive look at the dances!

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Please welcome everyone's favourite pumpkin, Ian Waite!

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Baby, you look so, so cute. Is that your own? Have you brought it from

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home? What do you think? No. Doesn't he look delightful, I think you will

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agree. Did you enjoy the show on Saturday? I had a fantastic time. I

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Haddiner at my house, a few friends round, Damian and Julie and a few

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poodles, it was lovely. Sounds like an interesting night. Did you have

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any favourites on Saturday? Well, I liked, I must say, Fiona and Anton.

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Don't laugh at me! Take me seriously. How can I? I loved their

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dance. Let's have a look in the training rooms then. First of all,

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we are going to look at Susannah and Kevin doing a charleston this week.

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Bruno said Susannah Richard Judies happiness, so surely that'll be

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perfect for her. This is for you, your microphone's got lost. Two

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things to hold now! It got lost in your innards

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somewhere. She's Miss Consistency. Four eights last week and I think

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they are going to do it again this week. I'm loving her charleston.

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Lots of good work in the feet, particularly. Craig keeps on about

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that, swivelling of the feet. Off he goes. I like the way you bounce up

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top when you do that! Lovely! It's the only thing attached to me. I

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think she's going to do a good dance. A little ray of sunshine.

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Great dance for Mark this week, the paso doble. And he's got the real

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dramatic flare, hasn't he, so is this going to be good? He has and he

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has that drama which he does really, really well. Do you want me to hold

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your wand as you talk into the mic? Yes, you hold my wand. He's lost two

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stone over the last five weeks. Amazing! Everybody take up dancing.

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I wanted to talk about his shaping. I'm going to draw that in there. Do

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you want me to hold your cards? Yes. I want him to shape his arms more,

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like he's got my pumpkin outfit on. Do you want me to hold your mic

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while you do the other arm? You could just talk like that? No, no.

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We could give him some spiders, think about the arms and the legs.

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OK, Pasha and Rachel. We reckon Rachel might be relieved because

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this week she's doing an American smooth based on a Viennese waltz

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which is unusual? Yes, normally we see foxtrot, yes. Those sorts of

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dances, we did a waltz, do you remember? Vague lift was it before

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the blitz? She's already done a waltz so it should help. There is a

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few points that I want to point out. There is an arrow there pointing to

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the hand, the head and the bottom. Those three things she needs to get

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that wrist flat, nice and flat and she needs to keep the head to the

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left and also she needs to keep her bottom under. Tuck her bottom under?

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Yes, very, very important. She'll have taken that on board. Your

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favourites from last week, Fiona and Anton. 30 last week, her highest

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score. It will have given her a lot of confidence for the charleston.

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Sorry, I can't take you seriously, you look hilarious? She's really

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getting into the spirit of it. Lots of fabulous charleston steps, really

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fun and I love the way they're absolutely matching each other,

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look. Perfect. That is good. Perfectly matching with the legs.

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Nice leg work. They look like black cats, don't they, look at that. Very

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nice! - You are going to be sick of the Halloween theme in about ten

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minutes. Patrick did so well with Anya last week with his injury. This

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week he's doing a quickstep. Still suffering, but he's fighting on,

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he's a soldier. How are they looking? The thing is, like I said

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last week and the week before, he's great when he's on his own. All of

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this, he's actually dancing the whole thing on his own. We have only

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seen that ever once before when Colin Jackson did it. Colin with the

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dolls, remember that, my favourite one. Yes, we like to reminisce. I

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think they'll probably be dancing together here. Is she just marking

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it out? Yes. But he's doing a really good job on his own, let's hope he

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can do it in hold. Ben and Kristina also doing a paso doble, a very

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masculine dance, very good for Big Ben? You would think so. At the

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moment, he's lacking the shaping in the arms and needs to get the elbows

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up. I'm going to pause it here. She goes across the other side. Look at

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him. Arms down too much. He needs to, if I can show you, be shaping

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his arms on every moment. LAUGHTER

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Just like that! You look a little bit like Ben. Extra round of

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applause for coping with a broken microphone and a pumpkin costume.

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Don't be deplated. We'll talk to you again later on, Ian Waite. Dave and

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Karen went crackers on Saturday night. They'll join us next to talk

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about their performance. You should have considered the possibility of

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remaining on the fruit trolley... Strictly presents crackers with that

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rack coos two -- maraccas. Out of sync all the way through. It's never

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luckily a boring performance. It's not top quality dancing. It's top

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quality fun. And entertainment. The judges could have done it

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better. It may not have been the greatest dance in the world but it

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was all there. We are all right, bottom of the leader board. But top

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of the world. I love that. Please welcome Dave and

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Karen. Hello, you gorgeous twosome. Well

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done, I don't know what was wrong with the judges on Saturday night,

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you had parrots, conga and even your five a day on top of Karen's head.

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What more could you possibly have given them? She even said there was

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a banana for supper, everything from catering to mobility issues, getting

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on there with the trolley, it was ambitious. Very! Karen, six weeks

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in, do you ever get frustrated with the judges when they are just, you

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know, a little bit negative? No, actually they are just doing their

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job and it's constructive criticism so it makes us work even harder when

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we get back into the studio. Keep going!

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Lynn says not top quality dancing but top quality entertainment. --

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Len says. I took that as a great compliment. I'm never going to be

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the best dancer because there are some wonderful, wonderful dancers in

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this series so I've just got to go for it and enjoy it. I have to work

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as hard as I can. And you are working really hard, aren't you? Oh,

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yes. You did so many training hours last week, it's ridiculous. Driving

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her mad, yes. You looked visibly shocked when the judges gave you

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your scores, were you a bit disappointed? Yes. We came out with

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the waltz the week before and that seemed to be going very, very well.

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The salsa, I didn't find it the easiest of dances to learn, with all

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the paraphernalia, the fruits and trolley and everything, but we

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wanted to try and equal what we did in the waltz, if not a bit better.

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There's always this week. Before we go on to this week, can we remind

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ourselves of the faces you pulled when you got through on the results

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show. Let's relive that moment. It was brilliant. Have a look.

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Returning next week will be... Dave and Karen.

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I'm going to play that every time I feel sad. We kept our dignity. I

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think so, definitely! How much does it mean to you, Karen, when the

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public save you like that? It means a lot to us because we are working

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really hard and this guy right here wants to be in this competition and

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is trying really, really hard. We go out there and we love every second.

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You can tell! Thanks to everybody at home. Judges keep bringing up this

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point of music ality and whether you have it or not. Is there anything

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you have been able to work on and have you been automobile to bring in

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any tricks, Karen? I'm trying everything, you know. Making sure

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he's looking at me. Every single little thing, but we are working on

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it. It's a work in progress. It's when the count is going at a

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different speed to the music. That will confuse anyone. I know. That's

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what I had trouble with in the salsa. I didn't notice at all. I

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didn't either. It was great! We do love your relationship though

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and we have noticed that you have found a mutual love of something

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which is quite handy perhaps. Karen's still using all the foot

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analogies. Is Juicy knees and glaceed sugary hips. I think

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secretly, she's more food obsessed than me. Baloney. Ham and cheese.

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Chicken breast up. Baked potato. Bodies will be aching for your

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spice. Beans on toast, cha-cha-cha, steak and eggs cha-cha-cha, Strictly

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bacon. Strictly. With a cherry on top. Ping. You are food obsessed.

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You want to see kingy. I'm hungry, my teeth are going to come out for

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your ankles. It was like my auntie Pat's Yorkshire terrier. I think I

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ate too much. I love it. It's kind of like

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madness. The madness starts seeping out. This week it's the jive. Tough

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to make the jive scary being Halloween week and all that? I try,

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but every time I do it, I do this big entry where I shock her and she

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bursts out laughing and goes, "your cheeky face". Working on that scary

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face. Thises the music. You have one of the best Halloween tracks ever.

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# The monster mash... # I like it! Apparently you write

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notes to yourself on your hand so that as you are going out... In the

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salsa, because on the rehearsals on Friday I hit a brick wall and it's

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like, what happens next, so to jog my memory, like I had time to look

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at my hand! - I look at like, head, four bits, cart wheel and that was

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the order it went in. They were all in a mess. I do love watching you.

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I'm squeezing his hand going like "don't look". Just do that and you

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will be able to read it. Good luck with the jive this week, Dave and

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Karen! Don't go anywhere, it's time for a

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special announcement. Carb and Dave are going to stick with us -- Karen

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and Dave. We wanted all of you this year to be part of it by joining us

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in a special Halloween-inspired dance routine from the rocky horror

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picture show. Here are Kevin and our Karen here to show you how to do the

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time warp. # Let's do the time warp again

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# It's just a jump to the left # And then a step to the right

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# Slip your hands on your hips # Bend your nighs in time

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# And it's the pelvic thrust # That really drives you insane

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# Let's do the time warp again # Let's do the time warp again... #

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Simple. Got it? Got it? Ready. Take it away Karen. Go! Five, six, seven

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eight # Let's do the time warp again

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# It's just a jump to the left # And then a step to the right

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# With your hands on your hips # And bend your knees in time

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# With the pelvic thrust # Really drives you insane

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# Let's do the time warp again # Let's do the time warp again... #

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APPLAUSE Come on! There you go. Telly gold,

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Dave doing the time warp backed by a pumpkin. Two days to perfect the

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dance at home. Kevin was there too! APPLAUSE

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Step by step moves can be found on the Strictly website. A couple of

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weeks ago, we introduced you you to Melanie and Gordon, the lucky bride

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and groom being taught a routine for their wedding in December. They have

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had their second rehearsal, so it's time to check in with them and see

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where they are up to. Today it's about showing them the choreography.

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I want them to feel comfortable, I want them to love it and not feel

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like it's a lot of pressure on their wedding day. I'm going to teach you

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a Cuban break. Bum, bum, bum, bum, bum. Stay there. I'm going to be

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here. So it goes ba, ba, ba, ba, right, left, right, left, right...

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Gordon hated me for putting us in for this show. I never thought we'd

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be doing this type of move. I've just started with the choreography,

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they picked the steps up quickly. Good. Straighten again. Yes! He's

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got amazing leg action, he's like snapping it. She's a fantastic

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teacher and she's got a lot of energy and that really helps us

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because it's a lot of work and it's not something we are used to. To

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have someone like her who's so bubbly and energetic is a real help.

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I'm just basically standing at the bus stop, yeah. We love her

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transport analogies, we have been on a boat and a bus. Steering wheel.

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Like a choo choo train. You know, like a voom, voom. Follow my body.

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I'm going to lead you without touching you. You can see Brendan's

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bum when you stick it out, I'm hoping that we'll look like the

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professionals at some point. Good, kids!

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I've never had two people learn so much choreography in one session -

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ever. My legs are absolutely killing me. I'm exhausted. I like that

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feeling because it means we have worked hard and it's good for the

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wedding diet as well! You could maybe take off your jacket, have a

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moernlingts you can reveal something. Get your veil off,

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whatever. Next week we'll practise and we'll make sure we haven't

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forgotten everything for the next session.

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I love it. Melanie and Gordon showing a lot of promise. Time to

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separate the good from the Gouldish with part two of Waite's Wednesday.

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Welcome back, my little pumpkin. -- ghoul. You should wear that every

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week. Ashley is doing the tango this week. He's not afraid to take risks

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which we saw in his jive last week. How is the tango looking? There are

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parts of it that are really good. He's nice and low in the legs which

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you have got to be, you have to be down. He has great action, great

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heel leads. I've stopped it here because I don't like the straight

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arm. It's too straight. It needs to be more compact because tango is

:19:14.:19:18.

more compact. There is a little graphic to put in there to show you.

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OK. Like that. A bit grisly that arm so I've put it in. Carry on further,

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look at his head. He turns his head in towards Ola. Now, that is his

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nemesis. Every time he does pivots, he tends to lean towards the girl.

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Where should he lean? Straight. If anything, pull away from the girl.

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Maybe if Ola eats a lot of garlic. Good idea. Happy birthday to Ellice

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by the way, nine on Saturday and she loves you. Darcey was commenting on

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Sophie's soft knees in her cha-cha-cha. Doing a jive this week

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which could be handy? You have to have soft knees but you also have to

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be able to straighten your leg. It's about straitning and bending the

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knees -- straightening. I'll stop it here. I'm going to zoom in on this

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area here. She's got bent legs there. If you are staying too bent

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in jive, it can be too much. We get the idea. I try and straighten at

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the end of the move. Have you ever seen a pumpkin move like that,

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ladies and gentlemen? Never, never in your life and probably never

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again. That was beautiful. He's getting carried away now. He's

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loving these tights. He'll take them home. When abbey did her rumba, I

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was thinking it would be amazing. She's doing some lovely rumba walks

:20:55.:20:59.

and there is a lot of fluidity between them. She has love Loye long

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legs, just like mine, but not at the moment obviously. But I wanted to

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highlight was this area here. Sometimes she does that, points her

:21:10.:21:13.

feet lovely, then she'll go with the club foot. She needs to maintain all

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the way through. She needs to be pointy. Because I like them so much,

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I'm going to give them some pumpkins, look. Beautiful. Like mini

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mes. Natalie and Artem are going a Viennese waltz. They got 34 for her

:21:37.:21:41.

walks. Surely by now, do you think Natalie is going to be getting into

:21:42.:21:50.

it? She misses out the second. So I wouldn't give them a ten. I point

:21:51.:21:58.

that out. The Viennese waltz is brilliant for her. What I wanted to

:21:59.:22:02.

do was to say to improve it and to get that ten, she should come out

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here a bit more in his arm to create more shape and then she'll be more

:22:08.:22:18.

over the right hand side to Artem. Is that Brendan in the background? !

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Dave and Karen are doing the jive. Lynn was saying on Saturday that he

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has the ability of never letting his left leg know what his right is

:22:28.:22:30.

doing that. Could be a problem with the jive. How is his training? Well,

:22:31.:22:34.

yes, it would be a problem, wouldn't it? But there are great moments in

:22:35.:22:39.

here. There's some bounce in there, I noticed, that needs to be

:22:40.:22:43.

developed a bit more. A lovely toe hill swivel. Try that, Zoe. Dressed

:22:44.:22:49.

like this? ! Here? ! We did this side by side last week. Toe, heel,

:22:50.:22:54.

across. Toe, heel, across. Finding it hard. Stay on the balls of his

:22:55.:22:59.

feet to make this work. Just keep doing that. I love this. It could be

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a scary dance so it's going to be the scariest dance of all. Some

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lovely ghouls. Give it up for my little orange flesh pumpkin boy, Ian

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Waite! Trick or treating in that?

:23:13.:23:17.

In a moment, Bill chatting to Sophie and Brendan, but first a recap of

:23:18.:23:22.

their cha-cha-cha. Amazing. The cha-cha-cha has to be

:23:23.:23:31.

sleek and cheeky with attitude. I don't think you got into that dance

:23:32.:23:37.

at all, it was all staged and put up.

:23:38.:23:42.

I thought there was a saucy vixen bit of style there.

:23:43.:23:47.

I thought it was very nice. Make sure you keep dancing when you are

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inging and also spot when you're turning because you almost lost your

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balance. I'm a happy. Can't really complain.

:23:57.:24:01.

I still love dancing to that song. Last on for cha-cha-cha, first on

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for foxtrot, how hideous was the wait?

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Slightly preferred going last than first. First really scared me, this

:24:32.:24:36.

just scared me a lot. Just a tiny bit? Yes. You were saying last week

:24:37.:24:41.

that you found the speed of the cha-cha-cha a little tricky. The

:24:42.:24:44.

charleston was really fast as well. Was it trickier? Was it different

:24:45.:24:50.

and harder for you? Yes, there's a lot more technique. Charleston, you

:24:51.:24:55.

could own it a bit more. Cha-cha-cha I'm supposed to look like a dancer

:24:56.:24:59.

and still don't feel like I do. I don't know. We'll talk to Brendan

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about that. Len said he felt she didn't quite get into it, but what

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was your take on the whole that bang? -- chaba? There was a

:25:08.:25:18.

reluctant to perform. She was a bit back and reserved like it was almost

:25:19.:25:27.

like am I doing it right, you know, nobody knows at home. I felt like

:25:28.:25:34.

she was thinking rather than just doing, but the good thing is, not

:25:35.:25:37.

every dance is going to suit every person. I feel that Sophie is a

:25:38.:25:41.

great dancer and takes on board what's going to happen. Every week

:25:42.:25:52.

is different. I hope this week is good. You were talk and joking about

:25:53.:26:01.

hearing the judges' voices in your head, what were they saying to you?

:26:02.:26:06.

Not very much that's nice! They are not very supportive.

:26:07.:26:11.

I am struggling with the confidence I think because it's very hard when

:26:12.:26:14.

something's new and you don't feel it in your bones intrinsically to

:26:15.:26:20.

then go, oh, I'm just going to throw all that away and perform. That's my

:26:21.:26:25.

main criticism. One of my teachers once told me when you can fake

:26:26.:26:29.

sincerity, you have made it. That's the absolute statement. You have got

:26:30.:26:31.

to pretend that you know what you are doing and sell it. I'm just

:26:32.:26:35.

writing that down. Why didn't somebody tell me that 25 years ago?

:26:36.:26:39.

! You have been a front runner as well, up there with the scores. Is

:26:40.:26:43.

it good to get criticism because then it can take the pressure off a

:26:44.:26:47.

bit? Feels a lot more familiar, that position in life. I understand that

:26:48.:26:51.

role a lot better. When people say nice things, I feel my cheeks going

:26:52.:26:55.

pink remembering after the foxtrot where people were so lovely and I

:26:56.:27:02.

find that very overwhelming so this feels more comfy. Took to it the

:27:03.:27:06.

running track last week. Did you let her win? No, she was very fast. He's

:27:07.:27:15.

so competitive. Bless him. You are doing the jive this week. Nice and

:27:16.:27:22.

fast. A flick of kicks. You had your incidents, any knocks or falls this

:27:23.:27:27.

time? Pulled muscles in my legs doing cart wheel that we are not

:27:28.:27:31.

even doing in the routine. I said "I can do this" and we are not using it

:27:32.:27:37.

now. Because it's Halloween week, it gives you the scope to do things

:27:38.:27:40.

differently, so I wouldn't probably normally put a cart wheel or hand

:27:41.:27:44.

stand in a jive but it's a bit different and we are going for the

:27:45.:27:48.

whole performance. A whole performance.

:27:49.:27:53.

You have got music as well obviously. Difficult mime dancing!

:27:54.:28:00.

This is your music, Hall and Oates. You two have the best music every

:28:01.:28:06.

week. What is scary for you, doing jive in Halloween week, anything

:28:07.:28:11.

tricky for you? It's so frenetic, lots going on all the time and if

:28:12.:28:15.

you miss a part of a beat and you are just off, all the wheels fall

:28:16.:28:19.

off. No time to think. It's like OK, next step, next step, next step! And

:28:20.:28:25.

what did you say about sincerity? If you can fake it, you have made it.

:28:26.:28:30.

If you can fake sincerity you have made it. By the way, what are you

:28:31.:28:37.

wearing? I'll be having oh? A catsuit and Brendan will look fab.

:28:38.:28:43.

She will look phenomenal. Sophie and Brendan!

:28:44.:28:47.

That is it for today. Thanks to all my guests. Join me tomorrow at 6.

:28:48.:28:53.

30, tomorrow. I'll have the latest training room updates from the

:28:54.:28:56.

couples. Vicky will be showing me what she has planned for Halloween.

:28:57.:28:58.

Might

:28:59.:29:00.

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