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Welcome to Wednesday's It Takes Two. On the show tonight, they charmed us | :00:07. | :00:12. | |
with their cha-cha-cha, it's pretty young thing, Sophie and Brendan! And | :00:13. | :00:23. | |
their fruity salsa had so much cuckaboom. Here to give us a preview | :00:24. | :00:28. | |
of the Halloween dances, it's only Ian Waite. This is Strictly It Takes | :00:29. | :00:32. | |
Two! Live from London, this is Strictly | :00:33. | :01:16. | |
It Takes Two. Please welcome your host, Zoe Ball. | :01:17. | :01:25. | |
Hello. Welcome to Wednesday's It Takes Two. The theme this weekend, | :01:26. | :01:32. | |
in case you hadn't realised is, it's Halloween, which means things are | :01:33. | :01:35. | |
about to get scarier for the remaining 11 couples. If you can't | :01:36. | :01:38. | |
possibly wait until Saturday to see what is in store, fear not, Ian is | :01:39. | :01:42. | |
here with an exclusive look at the dances! | :01:43. | :01:52. | |
Please welcome everyone's favourite pumpkin, Ian Waite! | :01:53. | :02:00. | |
Baby, you look so, so cute. Is that your own? Have you brought it from | :02:01. | :02:05. | |
home? What do you think? No. Doesn't he look delightful, I think you will | :02:06. | :02:08. | |
agree. Did you enjoy the show on Saturday? I had a fantastic time. I | :02:09. | :02:13. | |
Haddiner at my house, a few friends round, Damian and Julie and a few | :02:14. | :02:17. | |
poodles, it was lovely. Sounds like an interesting night. Did you have | :02:18. | :02:22. | |
any favourites on Saturday? Well, I liked, I must say, Fiona and Anton. | :02:23. | :02:28. | |
Don't laugh at me! Take me seriously. How can I? I loved their | :02:29. | :02:33. | |
dance. Let's have a look in the training rooms then. First of all, | :02:34. | :02:38. | |
we are going to look at Susannah and Kevin doing a charleston this week. | :02:39. | :02:42. | |
Bruno said Susannah Richard Judies happiness, so surely that'll be | :02:43. | :02:47. | |
perfect for her. This is for you, your microphone's got lost. Two | :02:48. | :02:52. | |
things to hold now! It got lost in your innards | :02:53. | :02:57. | |
somewhere. She's Miss Consistency. Four eights last week and I think | :02:58. | :03:00. | |
they are going to do it again this week. I'm loving her charleston. | :03:01. | :03:06. | |
Lots of good work in the feet, particularly. Craig keeps on about | :03:07. | :03:11. | |
that, swivelling of the feet. Off he goes. I like the way you bounce up | :03:12. | :03:17. | |
top when you do that! Lovely! It's the only thing attached to me. I | :03:18. | :03:21. | |
think she's going to do a good dance. A little ray of sunshine. | :03:22. | :03:25. | |
Great dance for Mark this week, the paso doble. And he's got the real | :03:26. | :03:30. | |
dramatic flare, hasn't he, so is this going to be good? He has and he | :03:31. | :03:35. | |
has that drama which he does really, really well. Do you want me to hold | :03:36. | :03:40. | |
your wand as you talk into the mic? Yes, you hold my wand. He's lost two | :03:41. | :03:46. | |
stone over the last five weeks. Amazing! Everybody take up dancing. | :03:47. | :03:50. | |
I wanted to talk about his shaping. I'm going to draw that in there. Do | :03:51. | :03:57. | |
you want me to hold your cards? Yes. I want him to shape his arms more, | :03:58. | :04:02. | |
like he's got my pumpkin outfit on. Do you want me to hold your mic | :04:03. | :04:06. | |
while you do the other arm? You could just talk like that? No, no. | :04:07. | :04:11. | |
We could give him some spiders, think about the arms and the legs. | :04:12. | :04:16. | |
OK, Pasha and Rachel. We reckon Rachel might be relieved because | :04:17. | :04:19. | |
this week she's doing an American smooth based on a Viennese waltz | :04:20. | :04:25. | |
which is unusual? Yes, normally we see foxtrot, yes. Those sorts of | :04:26. | :04:29. | |
dances, we did a waltz, do you remember? Vague lift was it before | :04:30. | :04:38. | |
the blitz? She's already done a waltz so it should help. There is a | :04:39. | :04:47. | |
few points that I want to point out. There is an arrow there pointing to | :04:48. | :04:52. | |
the hand, the head and the bottom. Those three things she needs to get | :04:53. | :04:57. | |
that wrist flat, nice and flat and she needs to keep the head to the | :04:58. | :05:01. | |
left and also she needs to keep her bottom under. Tuck her bottom under? | :05:02. | :05:05. | |
Yes, very, very important. She'll have taken that on board. Your | :05:06. | :05:10. | |
favourites from last week, Fiona and Anton. 30 last week, her highest | :05:11. | :05:14. | |
score. It will have given her a lot of confidence for the charleston. | :05:15. | :05:19. | |
Sorry, I can't take you seriously, you look hilarious? She's really | :05:20. | :05:24. | |
getting into the spirit of it. Lots of fabulous charleston steps, really | :05:25. | :05:29. | |
fun and I love the way they're absolutely matching each other, | :05:30. | :05:33. | |
look. Perfect. That is good. Perfectly matching with the legs. | :05:34. | :05:37. | |
Nice leg work. They look like black cats, don't they, look at that. Very | :05:38. | :05:44. | |
nice! - You are going to be sick of the Halloween theme in about ten | :05:45. | :05:47. | |
minutes. Patrick did so well with Anya last week with his injury. This | :05:48. | :05:51. | |
week he's doing a quickstep. Still suffering, but he's fighting on, | :05:52. | :05:55. | |
he's a soldier. How are they looking? The thing is, like I said | :05:56. | :05:59. | |
last week and the week before, he's great when he's on his own. All of | :06:00. | :06:03. | |
this, he's actually dancing the whole thing on his own. We have only | :06:04. | :06:07. | |
seen that ever once before when Colin Jackson did it. Colin with the | :06:08. | :06:11. | |
dolls, remember that, my favourite one. Yes, we like to reminisce. I | :06:12. | :06:15. | |
think they'll probably be dancing together here. Is she just marking | :06:16. | :06:21. | |
it out? Yes. But he's doing a really good job on his own, let's hope he | :06:22. | :06:26. | |
can do it in hold. Ben and Kristina also doing a paso doble, a very | :06:27. | :06:32. | |
masculine dance, very good for Big Ben? You would think so. At the | :06:33. | :06:35. | |
moment, he's lacking the shaping in the arms and needs to get the elbows | :06:36. | :06:40. | |
up. I'm going to pause it here. She goes across the other side. Look at | :06:41. | :06:45. | |
him. Arms down too much. He needs to, if I can show you, be shaping | :06:46. | :06:51. | |
his arms on every moment. LAUGHTER | :06:52. | :06:54. | |
Just like that! You look a little bit like Ben. Extra round of | :06:55. | :07:08. | |
applause for coping with a broken microphone and a pumpkin costume. | :07:09. | :07:13. | |
Don't be deplated. We'll talk to you again later on, Ian Waite. Dave and | :07:14. | :07:19. | |
Karen went crackers on Saturday night. They'll join us next to talk | :07:20. | :07:27. | |
about their performance. You should have considered the possibility of | :07:28. | :07:34. | |
remaining on the fruit trolley... Strictly presents crackers with that | :07:35. | :07:42. | |
rack coos two -- maraccas. Out of sync all the way through. It's never | :07:43. | :07:48. | |
luckily a boring performance. It's not top quality dancing. It's top | :07:49. | :07:53. | |
quality fun. And entertainment. The judges could have done it | :07:54. | :08:05. | |
better. It may not have been the greatest dance in the world but it | :08:06. | :08:10. | |
was all there. We are all right, bottom of the leader board. But top | :08:11. | :08:13. | |
of the world. I love that. Please welcome Dave and | :08:14. | :08:17. | |
Karen. Hello, you gorgeous twosome. Well | :08:18. | :08:21. | |
done, I don't know what was wrong with the judges on Saturday night, | :08:22. | :08:24. | |
you had parrots, conga and even your five a day on top of Karen's head. | :08:25. | :08:29. | |
What more could you possibly have given them? She even said there was | :08:30. | :08:33. | |
a banana for supper, everything from catering to mobility issues, getting | :08:34. | :08:37. | |
on there with the trolley, it was ambitious. Very! Karen, six weeks | :08:38. | :08:42. | |
in, do you ever get frustrated with the judges when they are just, you | :08:43. | :08:47. | |
know, a little bit negative? No, actually they are just doing their | :08:48. | :08:50. | |
job and it's constructive criticism so it makes us work even harder when | :08:51. | :08:54. | |
we get back into the studio. Keep going! | :08:55. | :08:58. | |
Lynn says not top quality dancing but top quality entertainment. -- | :08:59. | :09:03. | |
Len says. I took that as a great compliment. I'm never going to be | :09:04. | :09:07. | |
the best dancer because there are some wonderful, wonderful dancers in | :09:08. | :09:10. | |
this series so I've just got to go for it and enjoy it. I have to work | :09:11. | :09:15. | |
as hard as I can. And you are working really hard, aren't you? Oh, | :09:16. | :09:20. | |
yes. You did so many training hours last week, it's ridiculous. Driving | :09:21. | :09:25. | |
her mad, yes. You looked visibly shocked when the judges gave you | :09:26. | :09:29. | |
your scores, were you a bit disappointed? Yes. We came out with | :09:30. | :09:33. | |
the waltz the week before and that seemed to be going very, very well. | :09:34. | :09:36. | |
The salsa, I didn't find it the easiest of dances to learn, with all | :09:37. | :09:41. | |
the paraphernalia, the fruits and trolley and everything, but we | :09:42. | :09:45. | |
wanted to try and equal what we did in the waltz, if not a bit better. | :09:46. | :09:51. | |
There's always this week. Before we go on to this week, can we remind | :09:52. | :09:55. | |
ourselves of the faces you pulled when you got through on the results | :09:56. | :09:59. | |
show. Let's relive that moment. It was brilliant. Have a look. | :10:00. | :10:06. | |
Returning next week will be... Dave and Karen. | :10:07. | :10:17. | |
I'm going to play that every time I feel sad. We kept our dignity. I | :10:18. | :10:23. | |
think so, definitely! How much does it mean to you, Karen, when the | :10:24. | :10:29. | |
public save you like that? It means a lot to us because we are working | :10:30. | :10:35. | |
really hard and this guy right here wants to be in this competition and | :10:36. | :10:39. | |
is trying really, really hard. We go out there and we love every second. | :10:40. | :10:46. | |
You can tell! Thanks to everybody at home. Judges keep bringing up this | :10:47. | :10:53. | |
point of music ality and whether you have it or not. Is there anything | :10:54. | :10:57. | |
you have been able to work on and have you been automobile to bring in | :10:58. | :11:01. | |
any tricks, Karen? I'm trying everything, you know. Making sure | :11:02. | :11:07. | |
he's looking at me. Every single little thing, but we are working on | :11:08. | :11:12. | |
it. It's a work in progress. It's when the count is going at a | :11:13. | :11:18. | |
different speed to the music. That will confuse anyone. I know. That's | :11:19. | :11:22. | |
what I had trouble with in the salsa. I didn't notice at all. I | :11:23. | :11:27. | |
didn't either. It was great! We do love your relationship though | :11:28. | :11:31. | |
and we have noticed that you have found a mutual love of something | :11:32. | :11:36. | |
which is quite handy perhaps. Karen's still using all the foot | :11:37. | :11:42. | |
analogies. Is Juicy knees and glaceed sugary hips. I think | :11:43. | :11:49. | |
secretly, she's more food obsessed than me. Baloney. Ham and cheese. | :11:50. | :11:57. | |
Chicken breast up. Baked potato. Bodies will be aching for your | :11:58. | :12:03. | |
spice. Beans on toast, cha-cha-cha, steak and eggs cha-cha-cha, Strictly | :12:04. | :12:07. | |
bacon. Strictly. With a cherry on top. Ping. You are food obsessed. | :12:08. | :12:13. | |
You want to see kingy. I'm hungry, my teeth are going to come out for | :12:14. | :12:19. | |
your ankles. It was like my auntie Pat's Yorkshire terrier. I think I | :12:20. | :12:21. | |
ate too much. I love it. It's kind of like | :12:22. | :12:31. | |
madness. The madness starts seeping out. This week it's the jive. Tough | :12:32. | :12:35. | |
to make the jive scary being Halloween week and all that? I try, | :12:36. | :12:40. | |
but every time I do it, I do this big entry where I shock her and she | :12:41. | :12:46. | |
bursts out laughing and goes, "your cheeky face". Working on that scary | :12:47. | :12:50. | |
face. Thises the music. You have one of the best Halloween tracks ever. | :12:51. | :12:55. | |
# The monster mash... # I like it! Apparently you write | :12:56. | :12:59. | |
notes to yourself on your hand so that as you are going out... In the | :13:00. | :13:03. | |
salsa, because on the rehearsals on Friday I hit a brick wall and it's | :13:04. | :13:08. | |
like, what happens next, so to jog my memory, like I had time to look | :13:09. | :13:14. | |
at my hand! - I look at like, head, four bits, cart wheel and that was | :13:15. | :13:19. | |
the order it went in. They were all in a mess. I do love watching you. | :13:20. | :13:25. | |
I'm squeezing his hand going like "don't look". Just do that and you | :13:26. | :13:31. | |
will be able to read it. Good luck with the jive this week, Dave and | :13:32. | :13:36. | |
Karen! Don't go anywhere, it's time for a | :13:37. | :13:42. | |
special announcement. Carb and Dave are going to stick with us -- Karen | :13:43. | :13:46. | |
and Dave. We wanted all of you this year to be part of it by joining us | :13:47. | :13:51. | |
in a special Halloween-inspired dance routine from the rocky horror | :13:52. | :13:56. | |
picture show. Here are Kevin and our Karen here to show you how to do the | :13:57. | :14:02. | |
time warp. # Let's do the time warp again | :14:03. | :14:12. | |
# It's just a jump to the left # And then a step to the right | :14:13. | :14:17. | |
# Slip your hands on your hips # Bend your nighs in time | :14:18. | :14:22. | |
# And it's the pelvic thrust # That really drives you insane | :14:23. | :14:29. | |
# Let's do the time warp again # Let's do the time warp again... # | :14:30. | :14:40. | |
Simple. Got it? Got it? Ready. Take it away Karen. Go! Five, six, seven | :14:41. | :14:45. | |
eight # Let's do the time warp again | :14:46. | :14:56. | |
# It's just a jump to the left # And then a step to the right | :14:57. | :15:01. | |
# With your hands on your hips # And bend your knees in time | :15:02. | :15:07. | |
# With the pelvic thrust # Really drives you insane | :15:08. | :15:11. | |
# Let's do the time warp again # Let's do the time warp again... # | :15:12. | :15:24. | |
APPLAUSE Come on! There you go. Telly gold, | :15:25. | :15:35. | |
Dave doing the time warp backed by a pumpkin. Two days to perfect the | :15:36. | :15:43. | |
dance at home. Kevin was there too! APPLAUSE | :15:44. | :15:45. | |
Step by step moves can be found on the Strictly website. A couple of | :15:46. | :15:49. | |
weeks ago, we introduced you you to Melanie and Gordon, the lucky bride | :15:50. | :15:54. | |
and groom being taught a routine for their wedding in December. They have | :15:55. | :15:58. | |
had their second rehearsal, so it's time to check in with them and see | :15:59. | :16:04. | |
where they are up to. Today it's about showing them the choreography. | :16:05. | :16:07. | |
I want them to feel comfortable, I want them to love it and not feel | :16:08. | :16:11. | |
like it's a lot of pressure on their wedding day. I'm going to teach you | :16:12. | :16:19. | |
a Cuban break. Bum, bum, bum, bum, bum. Stay there. I'm going to be | :16:20. | :16:26. | |
here. So it goes ba, ba, ba, ba, right, left, right, left, right... | :16:27. | :16:33. | |
Gordon hated me for putting us in for this show. I never thought we'd | :16:34. | :16:41. | |
be doing this type of move. I've just started with the choreography, | :16:42. | :16:45. | |
they picked the steps up quickly. Good. Straighten again. Yes! He's | :16:46. | :16:55. | |
got amazing leg action, he's like snapping it. She's a fantastic | :16:56. | :16:58. | |
teacher and she's got a lot of energy and that really helps us | :16:59. | :17:02. | |
because it's a lot of work and it's not something we are used to. To | :17:03. | :17:07. | |
have someone like her who's so bubbly and energetic is a real help. | :17:08. | :17:12. | |
I'm just basically standing at the bus stop, yeah. We love her | :17:13. | :17:18. | |
transport analogies, we have been on a boat and a bus. Steering wheel. | :17:19. | :17:25. | |
Like a choo choo train. You know, like a voom, voom. Follow my body. | :17:26. | :17:36. | |
I'm going to lead you without touching you. You can see Brendan's | :17:37. | :17:47. | |
bum when you stick it out, I'm hoping that we'll look like the | :17:48. | :17:51. | |
professionals at some point. Good, kids! | :17:52. | :17:57. | |
I've never had two people learn so much choreography in one session - | :17:58. | :18:01. | |
ever. My legs are absolutely killing me. I'm exhausted. I like that | :18:02. | :18:07. | |
feeling because it means we have worked hard and it's good for the | :18:08. | :18:12. | |
wedding diet as well! You could maybe take off your jacket, have a | :18:13. | :18:16. | |
moernlingts you can reveal something. Get your veil off, | :18:17. | :18:23. | |
whatever. Next week we'll practise and we'll make sure we haven't | :18:24. | :18:28. | |
forgotten everything for the next session. | :18:29. | :18:33. | |
I love it. Melanie and Gordon showing a lot of promise. Time to | :18:34. | :18:37. | |
separate the good from the Gouldish with part two of Waite's Wednesday. | :18:38. | :18:45. | |
Welcome back, my little pumpkin. -- ghoul. You should wear that every | :18:46. | :18:51. | |
week. Ashley is doing the tango this week. He's not afraid to take risks | :18:52. | :18:56. | |
which we saw in his jive last week. How is the tango looking? There are | :18:57. | :18:59. | |
parts of it that are really good. He's nice and low in the legs which | :19:00. | :19:04. | |
you have got to be, you have to be down. He has great action, great | :19:05. | :19:09. | |
heel leads. I've stopped it here because I don't like the straight | :19:10. | :19:13. | |
arm. It's too straight. It needs to be more compact because tango is | :19:14. | :19:18. | |
more compact. There is a little graphic to put in there to show you. | :19:19. | :19:25. | |
OK. Like that. A bit grisly that arm so I've put it in. Carry on further, | :19:26. | :19:31. | |
look at his head. He turns his head in towards Ola. Now, that is his | :19:32. | :19:37. | |
nemesis. Every time he does pivots, he tends to lean towards the girl. | :19:38. | :19:42. | |
Where should he lean? Straight. If anything, pull away from the girl. | :19:43. | :19:46. | |
Maybe if Ola eats a lot of garlic. Good idea. Happy birthday to Ellice | :19:47. | :19:54. | |
by the way, nine on Saturday and she loves you. Darcey was commenting on | :19:55. | :19:58. | |
Sophie's soft knees in her cha-cha-cha. Doing a jive this week | :19:59. | :20:02. | |
which could be handy? You have to have soft knees but you also have to | :20:03. | :20:07. | |
be able to straighten your leg. It's about straitning and bending the | :20:08. | :20:12. | |
knees -- straightening. I'll stop it here. I'm going to zoom in on this | :20:13. | :20:17. | |
area here. She's got bent legs there. If you are staying too bent | :20:18. | :20:24. | |
in jive, it can be too much. We get the idea. I try and straighten at | :20:25. | :20:30. | |
the end of the move. Have you ever seen a pumpkin move like that, | :20:31. | :20:34. | |
ladies and gentlemen? Never, never in your life and probably never | :20:35. | :20:38. | |
again. That was beautiful. He's getting carried away now. He's | :20:39. | :20:45. | |
loving these tights. He'll take them home. When abbey did her rumba, I | :20:46. | :20:54. | |
was thinking it would be amazing. She's doing some lovely rumba walks | :20:55. | :20:59. | |
and there is a lot of fluidity between them. She has love Loye long | :21:00. | :21:05. | |
legs, just like mine, but not at the moment obviously. But I wanted to | :21:06. | :21:09. | |
highlight was this area here. Sometimes she does that, points her | :21:10. | :21:13. | |
feet lovely, then she'll go with the club foot. She needs to maintain all | :21:14. | :21:23. | |
the way through. She needs to be pointy. Because I like them so much, | :21:24. | :21:27. | |
I'm going to give them some pumpkins, look. Beautiful. Like mini | :21:28. | :21:36. | |
mes. Natalie and Artem are going a Viennese waltz. They got 34 for her | :21:37. | :21:41. | |
walks. Surely by now, do you think Natalie is going to be getting into | :21:42. | :21:50. | |
it? She misses out the second. So I wouldn't give them a ten. I point | :21:51. | :21:58. | |
that out. The Viennese waltz is brilliant for her. What I wanted to | :21:59. | :22:02. | |
do was to say to improve it and to get that ten, she should come out | :22:03. | :22:07. | |
here a bit more in his arm to create more shape and then she'll be more | :22:08. | :22:18. | |
over the right hand side to Artem. Is that Brendan in the background? ! | :22:19. | :22:23. | |
Dave and Karen are doing the jive. Lynn was saying on Saturday that he | :22:24. | :22:27. | |
has the ability of never letting his left leg know what his right is | :22:28. | :22:30. | |
doing that. Could be a problem with the jive. How is his training? Well, | :22:31. | :22:34. | |
yes, it would be a problem, wouldn't it? But there are great moments in | :22:35. | :22:39. | |
here. There's some bounce in there, I noticed, that needs to be | :22:40. | :22:43. | |
developed a bit more. A lovely toe hill swivel. Try that, Zoe. Dressed | :22:44. | :22:49. | |
like this? ! Here? ! We did this side by side last week. Toe, heel, | :22:50. | :22:54. | |
across. Toe, heel, across. Finding it hard. Stay on the balls of his | :22:55. | :22:59. | |
feet to make this work. Just keep doing that. I love this. It could be | :23:00. | :23:03. | |
a scary dance so it's going to be the scariest dance of all. Some | :23:04. | :23:09. | |
lovely ghouls. Give it up for my little orange flesh pumpkin boy, Ian | :23:10. | :23:12. | |
Waite! Trick or treating in that? | :23:13. | :23:17. | |
In a moment, Bill chatting to Sophie and Brendan, but first a recap of | :23:18. | :23:22. | |
their cha-cha-cha. Amazing. The cha-cha-cha has to be | :23:23. | :23:31. | |
sleek and cheeky with attitude. I don't think you got into that dance | :23:32. | :23:37. | |
at all, it was all staged and put up. | :23:38. | :23:42. | |
I thought there was a saucy vixen bit of style there. | :23:43. | :23:47. | |
I thought it was very nice. Make sure you keep dancing when you are | :23:48. | :23:52. | |
inging and also spot when you're turning because you almost lost your | :23:53. | :23:56. | |
balance. I'm a happy. Can't really complain. | :23:57. | :24:01. | |
I still love dancing to that song. Last on for cha-cha-cha, first on | :24:02. | :24:26. | |
for foxtrot, how hideous was the wait? | :24:27. | :24:31. | |
Slightly preferred going last than first. First really scared me, this | :24:32. | :24:36. | |
just scared me a lot. Just a tiny bit? Yes. You were saying last week | :24:37. | :24:41. | |
that you found the speed of the cha-cha-cha a little tricky. The | :24:42. | :24:44. | |
charleston was really fast as well. Was it trickier? Was it different | :24:45. | :24:50. | |
and harder for you? Yes, there's a lot more technique. Charleston, you | :24:51. | :24:55. | |
could own it a bit more. Cha-cha-cha I'm supposed to look like a dancer | :24:56. | :24:59. | |
and still don't feel like I do. I don't know. We'll talk to Brendan | :25:00. | :25:03. | |
about that. Len said he felt she didn't quite get into it, but what | :25:04. | :25:07. | |
was your take on the whole that bang? -- chaba? There was a | :25:08. | :25:18. | |
reluctant to perform. She was a bit back and reserved like it was almost | :25:19. | :25:27. | |
like am I doing it right, you know, nobody knows at home. I felt like | :25:28. | :25:34. | |
she was thinking rather than just doing, but the good thing is, not | :25:35. | :25:37. | |
every dance is going to suit every person. I feel that Sophie is a | :25:38. | :25:41. | |
great dancer and takes on board what's going to happen. Every week | :25:42. | :25:52. | |
is different. I hope this week is good. You were talk and joking about | :25:53. | :26:01. | |
hearing the judges' voices in your head, what were they saying to you? | :26:02. | :26:06. | |
Not very much that's nice! They are not very supportive. | :26:07. | :26:11. | |
I am struggling with the confidence I think because it's very hard when | :26:12. | :26:14. | |
something's new and you don't feel it in your bones intrinsically to | :26:15. | :26:20. | |
then go, oh, I'm just going to throw all that away and perform. That's my | :26:21. | :26:25. | |
main criticism. One of my teachers once told me when you can fake | :26:26. | :26:29. | |
sincerity, you have made it. That's the absolute statement. You have got | :26:30. | :26:31. | |
to pretend that you know what you are doing and sell it. I'm just | :26:32. | :26:35. | |
writing that down. Why didn't somebody tell me that 25 years ago? | :26:36. | :26:39. | |
! You have been a front runner as well, up there with the scores. Is | :26:40. | :26:43. | |
it good to get criticism because then it can take the pressure off a | :26:44. | :26:47. | |
bit? Feels a lot more familiar, that position in life. I understand that | :26:48. | :26:51. | |
role a lot better. When people say nice things, I feel my cheeks going | :26:52. | :26:55. | |
pink remembering after the foxtrot where people were so lovely and I | :26:56. | :27:02. | |
find that very overwhelming so this feels more comfy. Took to it the | :27:03. | :27:06. | |
running track last week. Did you let her win? No, she was very fast. He's | :27:07. | :27:15. | |
so competitive. Bless him. You are doing the jive this week. Nice and | :27:16. | :27:22. | |
fast. A flick of kicks. You had your incidents, any knocks or falls this | :27:23. | :27:27. | |
time? Pulled muscles in my legs doing cart wheel that we are not | :27:28. | :27:31. | |
even doing in the routine. I said "I can do this" and we are not using it | :27:32. | :27:37. | |
now. Because it's Halloween week, it gives you the scope to do things | :27:38. | :27:40. | |
differently, so I wouldn't probably normally put a cart wheel or hand | :27:41. | :27:44. | |
stand in a jive but it's a bit different and we are going for the | :27:45. | :27:48. | |
whole performance. A whole performance. | :27:49. | :27:53. | |
You have got music as well obviously. Difficult mime dancing! | :27:54. | :28:00. | |
This is your music, Hall and Oates. You two have the best music every | :28:01. | :28:06. | |
week. What is scary for you, doing jive in Halloween week, anything | :28:07. | :28:11. | |
tricky for you? It's so frenetic, lots going on all the time and if | :28:12. | :28:15. | |
you miss a part of a beat and you are just off, all the wheels fall | :28:16. | :28:19. | |
off. No time to think. It's like OK, next step, next step, next step! And | :28:20. | :28:25. | |
what did you say about sincerity? If you can fake it, you have made it. | :28:26. | :28:30. | |
If you can fake sincerity you have made it. By the way, what are you | :28:31. | :28:37. | |
wearing? I'll be having oh? A catsuit and Brendan will look fab. | :28:38. | :28:43. | |
She will look phenomenal. Sophie and Brendan! | :28:44. | :28:47. | |
That is it for today. Thanks to all my guests. Join me tomorrow at 6. | :28:48. | :28:53. | |
30, tomorrow. I'll have the latest training room updates from the | :28:54. | :28:56. | |
couples. Vicky will be showing me what she has planned for Halloween. | :28:57. | :28:58. | |
Might | :28:59. | :29:00. |