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Welcome to It Takes Two. It is Hallowe'en. It is Thursday. We have | :00:00. | :00:09. | |
all the training updates for you. Plus, I will hear all about Susanna | :00:10. | :00:15. | |
and Kevin's upcoming charleston. I will find out who rumba tricks we | :00:16. | :00:21. | |
will be treated to on Saturday. Our lovely Darcy Bussell is here. | :00:22. | :00:29. | |
She will talk blood-curdling comments and Christopher Gill will | :00:30. | :00:35. | |
give us a pre-- and Vicky Gill will give us a preview of what will be | :00:36. | :00:40. | |
worn on Saturday night. This is Strictly - It Takes Two. | :00:41. | :01:07. | |
Live, from London, this is Strictly It Takes Two. | :01:08. | :01:22. | |
Please welcome your host, Zoe Ball. Happy Hallowe'en! Hello! Welcome to | :01:23. | :01:35. | |
It Takes Two. Exciting - the witching hour is almost upon us as | :01:36. | :01:40. | |
our celebrities prepare themselves for Saturday. In a moment I will | :01:41. | :01:44. | |
talk to Susanna and Kevin. Before that, let's look at how our | :01:45. | :01:48. | |
celebrities are getting on in training. Be afraid... Be very | :01:49. | :01:50. | |
afraid! We're dancing the charleston. Knees | :01:51. | :02:02. | |
up! Quite fast. There's lots of | :02:03. | :02:07. | |
footwork. She has a lovely technique. The heel swivels are | :02:08. | :02:14. | |
superb. It is telling a story through mime and personality. | :02:15. | :02:20. | |
I'm really loving the dance. The charleston is such fun. It is really | :02:21. | :02:26. | |
kind of cute. It has a lot of personality. And then one, two... | :02:27. | :02:32. | |
Wrong-foot! Sorry! My problem is performing in front of an audience. | :02:33. | :02:36. | |
I can do the dance perfectly if nobody is watching, which defeats | :02:37. | :02:41. | |
the object of the exercise if you are on Strictly Come Dancing. This | :02:42. | :02:45. | |
week I am dancing a tango sismt a passionate dance. It is very strong. | :02:46. | :02:50. | |
The acting and performance side should be good, so long as I get my | :02:51. | :02:54. | |
posture right. You have to learn to turn without doing this. You have to | :02:55. | :02:57. | |
work on the posture to make sure that all the way through Ashley's | :02:58. | :03:04. | |
got a lovely posture. Give me a nice frame. Look at your arms! My biggest | :03:05. | :03:10. | |
concern with the dances seems to be my arms and head. Trying to get my | :03:11. | :03:17. | |
steps... But yes. Don't care, give me the frame. Has to be leading the | :03:18. | :03:23. | |
lady around the floor. That is what I need Ashley to do. We have got to | :03:24. | :03:29. | |
the dance that I so hoped I would be able to do on Strictly - the | :03:30. | :03:34. | |
charleston. It is always such an amazing dance to watch. It is a very | :03:35. | :03:40. | |
fun and cheeky and playful dance. We will be doing some lifts in this | :03:41. | :03:44. | |
charleston. Of course Darcy says just trust in your man. I think she | :03:45. | :03:50. | |
does trust me! She says she trusts me! I am going to make sure she | :03:51. | :03:56. | |
struss me! Clearly what I have to do is change the look on my face. It | :03:57. | :04:00. | |
can be a show-stopper, but there is a lot that can go wrong. I am | :04:01. | :04:05. | |
excited about the charleston, but I am also a little scared of it. It is | :04:06. | :04:07. | |
Susanna and Kevin. Happy Hallowe'en to the two of you. | :04:08. | :04:17. | |
I didn't want to make a fuss. I didn't want to go too over-the-top. | :04:18. | :04:23. | |
It is like sitting with an x-ray. You can see my heart! Your American | :04:24. | :04:27. | |
smooth was amazing last week. Back up into the 30s, in the leaderboard. | :04:28. | :04:34. | |
Did it feel like a goody when you first rehearsed it? Did it feel good | :04:35. | :04:39. | |
on the first three days of rehearsal? Not at all - not for the | :04:40. | :04:44. | |
first three or four days of rehearsal. Right down to the wire. | :04:45. | :04:50. | |
That is why I call her the magician. She pulls it out on a Saturday | :04:51. | :04:54. | |
night! How fearful are you at times that it may not come out of the bag? | :04:55. | :05:00. | |
Constantly fearful. Hallowe'en is 24/7 for me! | :05:01. | :05:04. | |
You should see the look on his face when I forget the steps and it is | :05:05. | :05:08. | |
late on in rehearsal and he gets this look of... You are going to get | :05:09. | :05:13. | |
it right on Saturday, aren't you? Caig kept it -- Craig kept it short | :05:14. | :05:20. | |
and sweet - gorgeous. Did that make you feel googy inside? It could have | :05:21. | :05:26. | |
been the medication. We'll take it! I couldn't believe my ears. Hearing | :05:27. | :05:39. | |
Craig say, "Gorgeous" Only Abbey and Natalie are ahead of you. That must | :05:40. | :05:44. | |
be reassuring to be up there in the heady heights? Abbey and Natalie, | :05:45. | :05:49. | |
beautiful dancers. It is a real privilege. So nice to watch, isn't | :05:50. | :05:55. | |
it? I really enjoyed it. After a great performance on Saturday night, | :05:56. | :05:58. | |
when you go into the training room on a Monday morning, are you still | :05:59. | :06:03. | |
in high spirits, still on a high or do you go, oh, here we go again? | :06:04. | :06:11. | |
Monday is awful. Actually Monday, Tuesday, Wednesday and a bit of | :06:12. | :06:15. | |
Thursday is really stressful. I mean, we have, don't get me wrong, a | :06:16. | :06:19. | |
lot of fun, but the dance doesn't take shape until sort of Thursday | :06:20. | :06:23. | |
afternoon. Monday we literally have 45 minutes. So Kevin comes in. | :06:24. | :06:26. | |
Sometimes it has to be said, not in the best of moods! | :06:27. | :06:31. | |
It sounds like Hallowe'en did come early to your training room. There | :06:32. | :06:36. | |
seems to be another reason why though. It is the scare of doom and | :06:37. | :06:43. | |
it goes like. -- stair of doom and it goes like. | :06:44. | :06:50. | |
Beware of the stare! Is it unnevering the way I stare -- | :06:51. | :06:59. | |
unnerving the way I stare at you. It gets everywhere. Watch out, it's | :07:00. | :07:02. | |
coming for you! Staring, literally staring at you! | :07:03. | :07:16. | |
No-one is safe, because it 's contagious. | :07:17. | :07:22. | |
Isn't that brilliant? In fact, don't look at me - I am looking away. This | :07:23. | :07:30. | |
week it is the charleston. Susanna Reid, are you loving it? I am loving | :07:31. | :07:35. | |
it. It has fantastic spirit, personality and character and it is | :07:36. | :07:40. | |
just terrific. Things can go terribly wrong. There is something | :07:41. | :07:45. | |
frightening about it as well. Don't talk about it. Did you ever think | :07:46. | :07:49. | |
you might be dancing to Creedance Clearwater Revival on the telly? | :07:50. | :07:56. | |
Does this make your palms sweat a little bit? No. I love it. How will | :07:57. | :08:01. | |
you bring a terrifying element into a charleston? It is an upbeat dance. | :08:02. | :08:07. | |
I will dress up as something scary. I have been growing my facial hair | :08:08. | :08:15. | |
in preparation. Is it Teen Wolf? Feel how thick and hairy it is! You | :08:16. | :08:20. | |
might need a little help on Saturday with it. Good luck to both of you. | :08:21. | :08:26. | |
Susanna and Kevin. APPLAUSE | :08:27. | :08:31. | |
Back to the training rooms now to see some more ghostly goings on. | :08:32. | :08:37. | |
This week Patrick and I were dancing quickstep. | :08:38. | :08:46. | |
Quickstep has lots of quick Steps. There are lots of feet going back, | :08:47. | :08:53. | |
right, forwards. If you don't get the sequence right you need shin | :08:54. | :09:01. | |
pads. He's struggling to pick up the pace. I am shattered. This is the | :09:02. | :09:08. | |
first time that an ya has said it is quick. | :09:09. | :09:12. | |
To be honest with you, it is quite full. I want us back on the top of | :09:13. | :09:16. | |
the leaderboard. I am really excited this week. I am | :09:17. | :09:28. | |
doing a jive. This dance routine will be strenuous. There's no two | :09:29. | :09:35. | |
ways around it. To make it look good you are working everything all the | :09:36. | :09:39. | |
time. It is high-energy. There's no respite. There are lots of steps in | :09:40. | :09:44. | |
a jive. It is fast. There's not much time to think. | :09:45. | :09:51. | |
The fact we're doing it in Hallowe'en week can put your own | :09:52. | :09:55. | |
spin on it. It is not your standard pump jive. We can be different. We | :09:56. | :09:58. | |
can bring our characters out. We're dancing the paso doble. The | :09:59. | :10:11. | |
paso doble - the mat dor - the bullfight. It is the cape. It takes | :10:12. | :10:17. | |
me a bit of getting used to. There'll be drama, lots of stamping | :10:18. | :10:24. | |
feet and drama. We need to make sure he does some acting on the floor. | :10:25. | :10:30. | |
It's more of a like - and that will be my biggest challenge. Every dance | :10:31. | :10:38. | |
is a massive challenge to me. Spot me. Five, six, seven, eight. We put | :10:39. | :10:44. | |
the time in during rehearsals and do it with conviction. Hopefully that | :10:45. | :10:48. | |
will be OK! There we are. That looks good. My | :10:49. | :10:54. | |
next guest brings elegance, beauty and grace to the judging panel. A | :10:55. | :10:59. | |
round of applause, it's Darcy Bussell. | :11:00. | :11:03. | |
Hey foxy lady. And she's made an effort for Hallowe'en. A lovely | :11:04. | :11:12. | |
mask. There you are! Welcome back to It Takes Two. Lovely to be here. | :11:13. | :11:16. | |
Your second year on the judging panel. You have settled in now. Do | :11:17. | :11:21. | |
you feel confident? I am really enjoying it. The nerves are always | :11:22. | :11:25. | |
there with me. I like a bit of nerves actually because it keeps me | :11:26. | :11:30. | |
on my toes. The boys are gorgeous to me. You look like you are having a | :11:31. | :11:34. | |
laugh up there as well. That is important to me. I have to have a | :11:35. | :11:38. | |
laugh. I don't want to make it too seriously. Last week a bit of a | :11:39. | :11:42. | |
dance-off shocker. Deborah and Patrick, obviously in the bottom | :11:43. | :11:46. | |
two. Did they deserve to be in the bottom two? Were you shocked like | :11:47. | :11:50. | |
everybody else? It is horrible. It is always difficult when they are in | :11:51. | :11:53. | |
the middle. Their scoring was getting better. They were getting | :11:54. | :11:57. | |
better. People forget to vote for them, they are like, they are doing | :11:58. | :12:02. | |
fine. And then they were in the danceoff. I wish we had Deborah. I | :12:03. | :12:07. | |
loved her. She was everything that the show was about. She loved every | :12:08. | :12:12. | |
moment of it and enjoyed learning the craft. I love her husband has | :12:13. | :12:17. | |
been secretly learning to dance as well. That is so cute. Does the | :12:18. | :12:25. | |
dance-off make a difference? It is about the dance-off and how they | :12:26. | :12:28. | |
actually pull it off at that moment because if they do make a mistake | :12:29. | :12:33. | |
you cannot hold them, can't keep them. I do fall in love with people | :12:34. | :12:38. | |
and you know how much work they put into it, but it comes down to that | :12:39. | :12:42. | |
last dance. They were on equal par as well. So quick quickly sometimes. | :12:43. | :12:49. | |
Natalie and Artem, they have been given nine for the last few weeks. | :12:50. | :12:54. | |
What do they need to do to get the elusive ten? She's stunning and has | :12:55. | :13:00. | |
so much. Her concentration, she's trying to perfect the technique to | :13:01. | :13:03. | |
such a technique I have not seen her let go and actually fall in love | :13:04. | :13:07. | |
with a dance yet, which is interesting. I think she wants to | :13:08. | :13:11. | |
get it all right for Artem. It is like he has a little voice on her | :13:12. | :13:15. | |
shoulder going, get this right. You can see her ticking. Her | :13:16. | :13:19. | |
concentration. I want her to be free. Let go. Just be a little wild, | :13:20. | :13:25. | |
maybe. Take some risks. You may regret saying that. I love how you | :13:26. | :13:29. | |
give constructive criticism. It is really good for the dancers. Who is | :13:30. | :13:33. | |
really -- who has really listened to you? A lot have taken on so much. I | :13:34. | :13:39. | |
am always actually surprised. I think Ashley has taken on so much | :13:40. | :13:43. | |
because he has, there was a lot of little, kind of little habits he | :13:44. | :13:47. | |
had. You know, you can see the next week he's gone oh, my neck. I've got | :13:48. | :13:53. | |
a neck and I've got shoulders. I need to lift my eye Level Up. So | :13:54. | :13:59. | |
many have taken in so much. They have so much to think about and just | :14:00. | :14:06. | |
remembering the steps that your little corrections. They listen to | :14:07. | :14:10. | |
them. Have you got a funniest performance so far in this series, | :14:11. | :14:13. | |
one that has made you laugh with joy? Well, I coo Ied with joy over | :14:14. | :14:22. | |
-- well I cried with joy over Dave's first cha-cha-cha. It was a classic. | :14:23. | :14:26. | |
It was like he was held in the studio for too long and he was let | :14:27. | :14:30. | |
out like an animal. He was dying to get on the dance floor and show his | :14:31. | :14:35. | |
moves, which were a bit scary. Is it fair he's still in the competition? | :14:36. | :14:37. | |
I think everybody there is there We are going to be dancing the jive. | :14:38. | :16:45. | |
The jive is one of those dances I have been dreading. There is a lot | :16:46. | :16:50. | |
of knee, isn't there? I have spent 35 years crouched over a motorcycle | :16:51. | :16:55. | |
in the rain. Dave is actually doing OK in the | :16:56. | :16:59. | |
jive. He 's got the routine. Excellent! He's got a little bit of | :17:00. | :17:05. | |
a bounce. He cannot point his feet just yet. It is just from here! | :17:06. | :17:08. | |
That's it! I do the best with the balls of my | :17:09. | :17:15. | |
feet I is funny. It is lively. It is an aerobics lesson. It will be bril! | :17:16. | :17:23. | |
The Vienneses waltz is coming a along well. Back to dizziness on | :17:24. | :17:32. | |
some of the steps. There are details like arms and some stuff with the | :17:33. | :17:37. | |
shirt happening. It is another thing to think about. Obviously moving | :17:38. | :17:40. | |
your arm through a count, you have to grab it and still make your arm | :17:41. | :17:47. | |
look pretty. It is very accented in a Viennese waltz. I need to make | :17:48. | :17:52. | |
more light and shade of the song. That's it! Yes! It is challenging to | :17:53. | :17:58. | |
get all of the details right. We still have a few days to rehearse. | :17:59. | :18:03. | |
She has been busy making Saturday's outfits. She's taken time out to see | :18:04. | :18:12. | |
us to give us some secrets, welcome back costume designer Vicky Gill. | :18:13. | :18:21. | |
You got some proper whaos in the house tonight. Can it be hell? It | :18:22. | :18:24. | |
can be hell. At the end of it, when we get to the end of the show, we | :18:25. | :18:32. | |
go, it wasn't so bad, was it? Was it any more busy than other weeks? | :18:33. | :18:37. | |
People go to town on Hallowe'en? It is bigger. It is co-lab rayive from | :18:38. | :18:43. | |
Lisa with the hair. It is everybody pulling together. Because the look | :18:44. | :18:47. | |
goes all the way up. Lisa is head of make-up and she is amazing. Walk | :18:48. | :18:55. | |
with me this way. I made a squeak. It was my shoe, not anything else! | :18:56. | :19:06. | |
This is Ola's tango dress. There is a petrified forest theme or | :19:07. | :19:09. | |
something like that. How did it influence her dress? Traditionally | :19:10. | :19:14. | |
it is red. This week, being Hallowe'en, we have a lot of that | :19:15. | :19:18. | |
going on. I choose another strong colour, being sapphire blue, so we | :19:19. | :19:22. | |
have some strength through the tango. A blue and green combination. | :19:23. | :19:28. | |
Blue and green should never be seen. They are often super stishous. Look | :19:29. | :19:39. | |
at the length! Brilliant. When she spins around it | :19:40. | :19:45. | |
does all this stuff. Similar to Abbey's in terms of volume. This is | :19:46. | :19:50. | |
a similar sort of shape. We will walk this week. Let's walk this | :19:51. | :19:55. | |
week, like this! Susanna is doing a charleston. Kevin | :19:56. | :20:02. | |
gave away there may be a werewolf thing. Susanna gets to wear this. . | :20:03. | :20:08. | |
She has to make sure she creates the werewolf - Lisa. He's doing his | :20:09. | :20:14. | |
best, isn't he! A classic charleston dress, what would that be? For this, | :20:15. | :20:20. | |
for Strictly, in Strictly world. Often the routines are a mix of | :20:21. | :20:25. | |
choreography. We have to deal with lots of movements, whether they are | :20:26. | :20:30. | |
over shoulders, round and about. They do go all over the place. We | :20:31. | :20:35. | |
have a fitted body under, so that we keep everything where it should be. | :20:36. | :20:39. | |
And then the fringe detail gives that charleston vibe and movement. | :20:40. | :20:43. | |
When she moves we get all this crystal detail. Back to the ironing | :20:44. | :20:48. | |
board we go. Let's talk about Iveta. Here and Mark are doing a paso | :20:49. | :20:53. | |
doble. She is dressed as an alien, of course! | :20:54. | :20:57. | |
She has a cat suit, hasn't she? I don't know what it is, if I am | :20:58. | :21:01. | |
honest. We had to create an alien. You don't know what it is. What is | :21:02. | :21:07. | |
an alien - none of us have ever seen them! | :21:08. | :21:10. | |
A beautiful one, that is for sure. Blues and greens again. It is over a | :21:11. | :21:15. | |
nude base, so a lot of crystals. The interesting thing for this one is | :21:16. | :21:19. | |
she's doing paso doble. We have inserted a wing into her right arm. | :21:20. | :21:24. | |
That is her cape, I guess. We have another drape on her bum if she | :21:25. | :21:29. | |
needs more capage. How does Mark fit into the alien scenario? He is the | :21:30. | :21:37. | |
star ship trooper. He is a spaceman. Ground control to major wrong - I | :21:38. | :21:41. | |
love it! Tell me your thinking behind this | :21:42. | :21:51. | |
one. They are Mr And Mr Scarecrow. Of course! We have taken a standard | :21:52. | :21:56. | |
Strictly dress and tried to dumben it down a bit. We cannot do that for | :21:57. | :22:03. | |
Fiona, because she is super glam. And it is Strictly. On Saturday | :22:04. | :22:10. | |
night it will be sparkling. And some frayed edges. How about Anton? Very | :22:11. | :22:16. | |
daper, but frayed at the edges. Like a lot of us - around the edges! | :22:17. | :22:21. | |
Can't wait until Saturday. I think it possibly will be your best work. | :22:22. | :22:26. | |
Vicky Gill, everybody! That is what they will wear. How | :22:27. | :22:31. | |
will they dance? Back to the training room to see the last of our | :22:32. | :22:34. | |
devilish dances. We are doing the paso doble and I am | :22:35. | :22:45. | |
very good at it. It is about attitude, stamping your feet and | :22:46. | :22:49. | |
being this macho stan yard. I am really good at the start of the | :22:50. | :22:55. | |
dance. I am pretty good at the end. A bit between - not so good at the | :22:56. | :22:58. | |
moment. Sorry! But you know, we'll get there. Now | :22:59. | :23:04. | |
you go side ways. The timing and steps, the speed of it, it's a | :23:05. | :23:09. | |
challenge. That is ridiculously fast! I think at the moment probably | :23:10. | :23:14. | |
everything needs work. I just hope people and judges will love it. | :23:15. | :23:19. | |
This week we are dancing a rumba. I am loving the rumba. | :23:20. | :23:24. | |
I thought you were going to drop me then! It is the fast ones that freak | :23:25. | :23:30. | |
me out. You need to make sure that every single step, it is done to its | :23:31. | :23:35. | |
full potential. It is a tricky dance. There are lots of moves in | :23:36. | :23:39. | |
it. I am trying to get the basics in. Hopefully it will evolve. | :23:40. | :23:45. | |
Sorry! I think the biggest obstacle for us is her long legs and arms. | :23:46. | :23:51. | |
Because it is so slow, I think it is easier to pick up on mistakes | :23:52. | :23:55. | |
because it takes longer to do each step, so you have to make sure you | :23:56. | :24:00. | |
do it right. They were the dear darlings of the | :24:01. | :24:09. | |
night on Saturday - a spine-tingling fot trot. | :24:10. | :24:12. | |
-- foxtrot. You clever things. How did you feel | :24:13. | :24:19. | |
before the dance Before you went out to do it? As usual, absolutely | :24:20. | :24:27. | |
terrified, quaking. Aljaz trying to calm me down. What do you do - do | :24:28. | :24:35. | |
you do, do breathing. He does a of weird ear thing. Does it work? No. | :24:36. | :24:42. | |
At least he tries! Someone said you had a bad dress run. Can that affect | :24:43. | :24:48. | |
your performance? It definitely does. Because the dress-run was not | :24:49. | :24:54. | |
as good, she puts more effort in during the life show. | :24:55. | :25:00. | |
I got a fright. You caused a bit of aive between Craig and Len. Craig | :25:01. | :25:08. | |
said about your line and your foot - was he right? Did you know what he | :25:09. | :25:11. | |
was talking about? I don't know about the foot thing he was talking | :25:12. | :25:16. | |
about. I agree about my head. It should have been more out. I like to | :25:17. | :25:22. | |
hear Craig's criticism because it gives me something to work on in the | :25:23. | :25:26. | |
training room on Monday. He is pleased with you. He is like, yes, | :25:27. | :25:30. | |
she's taken it on board. The judges were impressed with your ability to | :25:31. | :25:34. | |
tell a story, with I is wonderful. Is that important to you? Was that | :25:35. | :25:38. | |
important on Saturday night? It is important to Aljaz, therefore it is | :25:39. | :25:44. | |
important to me. Wow! Another point for Clancey. You | :25:45. | :25:51. | |
impressed the judges and you have impressed us. Can you imagine our | :25:52. | :25:57. | |
delight when we witnessed this. Thank you it takes with two. Really! | :25:58. | :26:02. | |
You have a better bum than me. Look at your legs. I don't know if I like | :26:03. | :26:06. | |
you in them because it is freaking me out a bit! | :26:07. | :26:16. | |
At least your make my legs look thinner! Look at you It's not funny | :26:17. | :26:27. | |
and three, four. It is helping me. Honestly, keep | :26:28. | :26:33. | |
them on, I wear! I can see your legs. | :26:34. | :26:42. | |
I I don't think any man can pull off gold leggings. Oh, come on! You had | :26:43. | :26:57. | |
such a good hashtag. You are doing a rumba this week to Shakespeare's | :26:58. | :27:02. | |
Sister. # Stay with me | :27:03. | :27:04. | |
# Will it be haunting? Hopefully in a | :27:05. | :27:10. | |
good way. It is a romantic dance, I would say. It is our last chance to | :27:11. | :27:16. | |
dance together and she gives her life to save me. I thought you were | :27:17. | :27:21. | |
going to say she gives her life for dance. I hope it is not an O men. | :27:22. | :27:28. | |
How are you finding the character of the rumba? You say it is slow and I | :27:29. | :27:33. | |
imagine you two will be good at this. It is good it is in Hallowe'en | :27:34. | :27:39. | |
week. Instead of being sexy with it, you can be eerie with it. A bit more | :27:40. | :27:44. | |
comfortable with. That it is a great song and he's made another, | :27:45. | :27:50. | |
choreographed another amazing dance. They are all genouses, aren't they? | :27:51. | :27:57. | |
They are all. Five under your belt - is it less terrifying as the weeks | :27:58. | :28:02. | |
go on? Do you want me to lie or tell the truth? No, it doesn't get any | :28:03. | :28:08. | |
easier. Do you still get terrified on Saturday night? Definitely. I | :28:09. | :28:13. | |
think it is good. You need to be excited and nervous because when you | :28:14. | :28:18. | |
take it too easy, it is never good, really. You need the nevers. It | :28:19. | :28:27. | |
drives you onned -- nerves, it drives s on. | :28:28. | :28:32. | |
Have you seen your outfit? It is white. Give it up please! Join me | :28:33. | :28:46. | |
tomorrow at 6. 30. I will chat to Rachel, Pasha, Artem. And another | :28:47. | :28:54. | |
panel, tomorrow Michael Ball, Donna Air and Jamie Theakston. Don't have | :28:55. | :28:57. | |
nightmares. | :28:58. | :29:01. |