Episode 25 Strictly - It Takes Two


Episode 25

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Hello peeps and welcome to Friday's fiendish edition of It Takes Two.

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They survived the dance-off with their salsa. Let's hope there's no

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nightmares tomorrow. Patrick and Anya join us tonight. Saturday's

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samba led to a fractured nose, will there be blood on the dance floor

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with the Viennese waltz? Let's hope not. Natalie and Artem. I will brave

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a trip to Elstree to join Rachel and Pasha in rehearsals and a scary

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Friday panel of actress and presenter, Donna Air, West End

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legend, Michael Ball, and don't tell Ian Waite that my original telly

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husband from 45 years ago, Jamie Theakston is here. I'm excited. This

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is Strictly: It Takes Two. APPLAUSE

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Hello and welcome to It Takes Two. Just 23 hours, 58 minutes and 13

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seconds to go until we discover what Goolish surprises our couples have

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in store this weekend, hoping their quickstep is a thriller onned not a

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shocker -- thriller and not a shocker, Patrick and Anya are here.

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First let's remind ourselves of last week's dance-off with the al-- with

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the salsa. I thought you did a wonderful job with changing that

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round and giving Patrick a routine for just one hand. You gave me a

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terrible fright. I thought you were reck tricuted for a -- ereck

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tricuted for a moment. It was stoppy and starty, there should be a flow

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to it. For me, I think you directed Anya

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brilliantly. I loved to -- love to see a man in control of the dance

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and for me, you gave me that. The salsa went quite well, I would

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say. Amazingly, one hand salsa, you're making history, seriously.

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Thank you. Brilliant stuff. We will find out which of you will be back

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to dance again next week. Patrick and Anya. Patrick and Anya. Patrick

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and Anya. Making history, please welcome

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Patrick and Anya! APPLAUSE

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You haven't been in here for ages. TwoTwo weeks. We must say, are you

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all right there, love? Looking at Deborah there! Let's be happy,

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happy, joy, joy, though. It's customary for the couple who are

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safe to come in on a Tuesday, but your schedule is crackers. It's a

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bit full. They have a laugh about the fact that you're on Casualty.

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Everyone's had a good laugh - haven't you all? How are you

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juggling the two, with learning the scripts, learning a dance? Kind of,

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well, you know, going for it, really. Keep going. Yeah, not

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worrying about it too much. OK, what's the next thing? One minute at

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a time. One game at a time. Dance at a time. Congratulations because you

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put in an incredible performance last week. It really was considering

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last minute you had to change the routine completely and do a salsa

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with one arm. How difficult was it for you? Well, in the end, it kind

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of just came. I said OK, we'll try that. We'll see if we can do

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everything that you put in front of me. He was very open minded. I

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didn't know how it was going to work out. Somehow, some way it did. You

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were amazing too. You had to do jumps with leaping blind onto a

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man's shoulder. It was so brave. I don't know how I did it. The other

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thing is, when you're dancing something like that, was the salsa a

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bad dance to have a hurt hand? None of them were good, but is there a

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worse case scenario. That was the worse case scenario. Well done,

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then. The judges didn't cut you any slack. You have a big bandage and

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Bruno said it was on and off. Craig was saying that despite the injury

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that he wanted you to give it a bit more flow. Were you surprised? Well,

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I just was happy to get through it. Those comments in the end, I went

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OK, fine. Really just to get through it was huge for me. Amazing. To do

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all of that with an injury, really difficult dance, bottom two, how

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devastated were you? I suppose, when we weren't in the first batch, I

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kind of knew. I felt it in my waters. I said, "We'll' be dr we'll

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-- we'll be in the dance-off. How was that for you? I said, "Are you

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ready? How are you feeling? He goes, "I just love dancing." That was the

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best answer. That is all I need to hear. A tough couple of weeks,

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no-one is surprised that it might have been getting on top of you a

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little bit. Hold on a minute.. When Patrick gets overwhelmed with steps,

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he gets frustrated. Just getting into control tower. Why am I messing

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up there. Slow. Don't get frustrated, stay with me. The brain

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goes no, we can't get through to the legs or the arms. That was the

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completely wrong step. It was going on up here. Don't panic, Pat! They

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forget to -- forgot to plug in the legs. I don't know what I'm doing

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there. No, no, don't give up. I'm confused. Think like this. Yeah. All

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the lights went out, what happened. It crashed. Oh, my gosh. Overload.

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Bless you. I know exactly how you must feel.

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Let's move on. This week it's Hallowe'en. It's a quickstep for

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you. You're dancing to this: Atomic Fire ball, Man with a Hem. -- Hex.

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The quickstep is quick! It is so quick, the clue is in the title. How

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is he doing? I'm very pleased. I didn't hold back. I just closed my

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eyes and said I'm going to go for it. What's your theme? Everyone has

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a theme and a story. What's your story? Not giving too much away, we

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have, he is what is it? A fortune teller from 16-feet under. He's

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going to tell me my fortune and what awaits me in the future. And

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hopefully that's high scores and straight through to next week.

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You're scaring me now. Good luck tomorrow, Patrick and Anya!

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APPLAUSE It might be the Hallowe'en special

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tomorrow, last week, was almost a house of horrors for my next couple,

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as those beautifully extended lines of Natalie resulted in a fractured

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nose for Artem. Here's a reminder of their samba - ouch! Could have had a

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tad more bounce here and there, but overall, I'm telling you, Natalie,

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that was great. Flamenco style really suits you. I think Spain is

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your place. You have to do more of that, it's very, very nice.

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Hypnotic, exotic, with a touch of the erotic. I thought your hips were

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fantastic. Timing, as always, brilliant.

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Amazing music, the crowd were electric tonight. They were

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screaming through the whole dance. That was so good. I am so proud of

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you. Thank you, lovely. Welcome Natalie and Artem!

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APPLAUSE Well done, you two, another

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leaderboard topping performance. How did you make the samba look so easy?

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Oh, I was whipped into shape by this one, here. I can't take any credit

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for that. It wasn't an easy dance. But I really enjoyed it. I think

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that's the key to any dance is to enjoy it. It carries you through so

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much and so many things that go wrong. I just... I can't imagine

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anything goes wrong for you? Yeah, it does. I shimmy my way through it.

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If in doubt stick a shimmy in. Let's talk about the nose. I was imagining

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it to look more boxer like. You fractured his nose in rehearsal.

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What happened? In the dress run, it's the first time we get to wear

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our costumes. I had a kind of tail to my dress, which was really heavy.

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It threw me out of a turn. Although I didn't fall, Artem was in my line

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of fire, shall we say. Are you sure what's -- that's what happened?

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Should we re-enact. How painful was it? It wasn't

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painful because I was in the middle of the dance. I was like, keep

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going, it's not bleeding, it's great. I was looking down, oh, no.

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It was all right. That beautiful face, but it's not damaged. It's

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fine and healing up. It's make up. He's trying to get the sympathy. Len

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loved it and he gave you a nine. Lots of nines you've been getting.

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He wanted a bit more bounce. Is that something that you tried to tackle

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in training? It's such a difficult technique, samba. There are so many

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things that Artem's feeding me through the week. It's an

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information overload. Yes, we had worked on bounce. That was one of

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the things that went out of the window. There's always something

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that goes by the end of the week. You can't fit it all in. All the

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nines, we want a ten. Craig said - is there anything that you can't do?

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When you're working with someone that talented, does it make it

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tricky for you and choreography or do you think, right, I'm giving her

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this move to do because she can take it? Well, it's easy and hard. It's

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easy because a lot of things you can choose from, the difficult part to

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choose the right moves that look the best. It's tricky, but I hope we

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make it work. Does it make you at all scared? He's really scared.

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Viennese waltz this week, are you enjoying it as much? You look

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glorious in the ballroom. Every dance we come to each week is my

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favourite because Artem's choreography is incredible. I really

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enjoy dancing with him. Yeah, don't look at that. You still look

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amazing. His face! S His face is hurting. Bless you. You are dancing

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to Devil in Me. Very romantic, lovely. Imagine your spinning

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around. You go from sexy senorita, what's your character? I'm the Lady

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of the Lake. I broke his nose last week. This week I'm drowning him.

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Drowning me. Hold him down. You danced with Kara and Holly on the

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show, Natalie is your third actress. Is it great to get the character

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out. Character out! I'm scared. She comes out. I think you had it

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coming. It does make it easier. As soon as they hear the songs, you

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have an idea what it should be. Just put steps together and performance

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living up to them. Good luck tomorrow night, maybe wear some

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padding. Natalie and Artem! APPLAUSE

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So far this series when picking which couple should top the

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leaderboard, our chihuahua hasn't been too lucky. Let's hope all the

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spiritual energy of Hallowe'en has rubbed off on the pup and he'll get

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it right this week. Here he is our predictive pup.

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So Lucky thinks Mark and Iveta will top the leader boards. You will have

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to tune in tomorrow to see if he's right. Earlier today, I took the

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ghost train to Elstree for a catch up with Rachel and Pasha as they

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cram in last-minute rehearsals. Here's what happened.

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It's me, I'm up here. How brilliant does the studio look? ! Cobwebs,

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spiders, pumpkins. It's going to be a brilliant show tomorrow night. And

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hoping to cast a spell over the judges, it's Rachel and Pasha.

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APPLAUSE Hello my darlings, very, very

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excited about the show tomorrow night. Loved the drama of your dance

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on Saturday. Loved Pasha being in a cage. Judges didn't love it quite so

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much. Did you enJo I it? I real -- Did you enjoy it? I really enjoyed

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it. I was scowling at everybody all week. You were scared a few times. I

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wasn't scared, but I believed you. Tell her you're scared. I was! What

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did you make about the comments, were they fair? They were a little

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bit harsh. To me, Rachel really got into character. She really delivered

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a great performance. I was happy because it was the best one. That's

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all we need. He's happy. That's a good thing. It's all about you, the

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other thing is that you're a presenter not an actress. How

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difficult is it to get into these characters? I didn't realise before

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how much it was about the performance. I was quite sporty, I

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thought I could use that and do the dancing. But it's more about selling

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it than I realised. That's something I have to try to do this week.

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Taking it on board each week. I'm loving it! Len was saying that he

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didn't think you were suited to the paso doble and you're smiley Riley.

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How hard is that to take when you've worked hard in training? You do 30

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hours of training for 90 seconds on telly. It is hard to take when you

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get a bad comment after that. It's a live show. I enjoyed it. I thought I

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was scary. You were a bit scared at times, maybe not because of the

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face, because of the dancing - but either way! Have you kept the cage?

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Never mind. The American smooth this week, you score great in your

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ballroom. Are you happy to be doing ballroom? I'm happy to do a ballroom

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dance. The shoes aren't as good. But I love the American smooth Viennese

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waltz. We have some lifts. This is the thing. It's unusual to have a

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Viennese waltz-based American smooth. I think Viennese waltz can

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be too repetitive, when you put lifts from the American smooth it

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brightens it up. You are going spiny roundy. Jumpy, jumpy, lifty, lifty.

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I'm a ghost, so I'm flying. Oh, wow, that's exciting. Is it difficult

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this week? Spinning and lifts? No, simple. Easy. Really easy. What a

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liar. How intense has it been? Everything comes together last

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minute for me. Yesterday it was coming together and you have to hope

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it solidifies overnight. I love that, you've been hanging out with

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Dave, culinary terms! Bruno wants you to fight. He wants to -- you to

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fight harder. Will he be pleased with what you do tomorrow? I hope

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so. The character of the ghost, I have to be light and airy and

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spooky. You're not having a sheet with two holes cut in? No, I have

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lots of cystals. Is there a story? They're not listening? It's simple:

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Hallowe'en, once in 100 years ghosts are awakened and they go for a

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little dance. A trot. Fantastic. It sounds wonderful. Will you give us a

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sneaky look, obviously not in the outfits, that would ruin it. As long

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as you're not going to show anybody. No-one's watching. Psst... Come over

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here. This is Rachel and Pasha, a little sneak of their American

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smooth. Well done. Rachel and Pasha! That

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looks brilliant. Can I try that spiny lift on the shoulder? Yeah,

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OK. You on my shoulder, Pasha. Now back to me in the studio.

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Thanks, me. Almost Friday panel time. This week we are joined by one

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of the West End's greats to get us in the mood, here's a snippet from

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his new concert DVD. # Because I'm ready

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# If you're ready # It's a beautiful night

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# I'm looking for something dumb to do

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# Hey, baby, I think I want to marry you

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# Is it the look in your eyes # Or is this -- is it this dancy

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tune # Who cares baby, I think I want to

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marry you # Michael Ball is here to look over

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the trickeds and -- tricks and treats tomorrow. Please welcome,

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Michael Ball, Donna Air and my mate, Theakston neeck.

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-- Jamie Theakston. APPLAUSE

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Hey, mate. # Reunited and it feels so good... #

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The leprechauns and Mr Blobby and we could do the whole show.

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Welcome. Lovely to have you all here. Donna, you're a super fan.

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What do you make of the dancers this year? It's fabulous. I'm very

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excited about tomorrow, because I think you do the Hallowe'en shows so

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well. I love the way you say "you", it's all my own planning. It's been

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a great line up. They've been really strong performances as well. The

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girls are really good. Any favourites? Well, I think Sophie

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started off really strong. I think I love her style. She looks

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effortless. Natalie's great. It's a good... There's so many of them. I'm

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sad to see Deborah go to. I know, everybody cried their eyes out. Get

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a grip, I say. Michael, you're no stranger to our Friday panel. I love

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it. I'm liking the facial hair. Do you like this? Yeah. You grew that

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quick for Movember. Would you be tempted onto the dance floor, and

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if, so who would you like as your partner? If there weren't cameras, I

:20:43.:20:48.

would do it like a shot. I think I would be at a disadvantage. I think

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people assume because I do musicals that I can dance. But I invented a

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heart condition and a back injury. I've seen you dance. It nearly

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killed me. And hair spray. But people assume. That's different. I

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would love to dance with Ola. I'll see if we can arrange that. Hey,

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Jamie, you never ring! You're doing something close to your heart. I've

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helping -- been helping Disney launch the Winnie The Pooh Laureate,

:21:26.:21:28.

encouraging parents to tell stories to their kids. We're looking for the

:21:29.:21:31.

best story teller across the country. You can enter the -- via

:21:32.:21:37.

the Winnie The Pooh Facebook page. It's a lot of fun. We'll have little

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stories. Let's look into the training rooms and see what we

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reckon of our celebrities this week. First Dave and Karen. They're doing

:21:45.:21:51.

the jive. It's to Monster Mash. That's surely a win-win situation.

:21:52.:21:56.

He's bottom of the leaderboard last week. Can this see him creep up a

:21:57.:22:03.

bit? For Dave this is probably a good dance for him. Good music. If

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he can get past Craig, he might be, he might you are prize a few people.

:22:08.:22:11.

-- surprise a few people. Everyone loves him. The nation are behind

:22:12.:22:16.

him. It looks funny. Do you i it's better if he plays to the funny side

:22:17.:22:21.

or straight? I really like the fun factor on the show. I like it when

:22:22.:22:26.

Mark did that too with the Austin Powers one. Yeah, I think so. And

:22:27.:22:32.

who needs a sense of rhythm. It's entertaining and it's about the

:22:33.:22:36.

performance. Gives it his all. Fiona and Anton are doing the charleston

:22:37.:22:44.

this week to Jeepers Creepers. It's a classic. Bless her. She's kind of

:22:45.:22:49.

in full swing. She got her confidence back last week. You sigh.

:22:50.:22:53.

I think she falls a - apart when it comes to the live show. I don't

:22:54.:22:57.

blame her. It's overwhelming. It's that thing of staying focussed in

:22:58.:23:02.

the moment and enjoying it. She clearly, she's like me, she's an

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uber fan of the show. She probably still can't believe she's in it.

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It's lovely to see Anton this long in the show. I know! He keeps

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pinching himself. He can't believe it. They've promised lots of tricks.

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Do you i that could be as good -- do you think it could be as good a

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Sophie and Brendan's? They set the bar. That's just before for --

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perfect for Anton. I can see him do that all day. They will do really

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well. I'll send him round. Not as good as Brendan's. That was the

:23:36.:23:39.

dance of the series for a lot of people. It's tango faces time for

:23:40.:23:44.

Ashley and Ola. Last three weeks they've been on 31 points. Dancing

:23:45.:23:50.

to Neo. Is this all looking good, Donna? I don't know. They just look

:23:51.:23:56.

like such a sexy couple. A lot of looks. Yoo who cares about the

:23:57.:24:00.

moves? Get her round the judging panel, we love it. This is what he

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needs to do. He needs to man up, to give e get -- to get a bit more

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sexy. He needs to do that hardness. I should be onle panel myself. Ball

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says man up. Get a grip, man. Brendan are doing the jive. We've

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talked about how good the charleston was. Could this match it? I'm

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delightly worried about those trousers. Brendan's? I find them

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stracting. -- Distracting. They're dancing to Man eater.

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What a song! They've had great songs every week. I'm doing mum dancing on

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telly. Stop it. Len says he would like to see more interplay. Will he

:24:52.:24:55.

be happy? There will be lots of bounce on this one for Len. He'll be

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happy there. I think this will be a strong week for Sophie. It's

:25:01.:25:03.

unfortunate she started so high, last week was a dip. I think they're

:25:04.:25:07.

going to come back strong this week. Straight back up the top. It's fun.

:25:08.:25:10.

It will suit her like the charleston did. Exciting. Two paso dobles this

:25:11.:25:17.

week, and that meets two matta doors. -- matadors. The first is

:25:18.:25:23.

Ben. The judges want him to push further now. Is there going to

:25:24.:25:28.

impress them? Yeah, as he's gone on, he's loosened up. He's a big, big

:25:29.:25:35.

mash zblment huge. -- -- man. He needs the Suppleness. He's not

:25:36.:25:41.

afraid to have a go. He's brilliant. They're dancing to Muse. Feel that

:25:42.:25:48.

matador. I could do that. Michael and I are similar builds. It's like

:25:49.:25:56.

looking in a mirror. Uncanny. That's that -- it's that rugby thing. Does

:25:57.:26:00.

he do it for you? He's very good looking, but has he got the moves?

:26:01.:26:05.

He's a little rigid. If he loosens up... It's very hard being spoiled.

:26:06.:26:14.

A rose between two thorns. Mark and Iveta also doing a paso doble. He's

:26:15.:26:20.

always a massive hit in the studio. They're not getting as high marks as

:26:21.:26:25.

everybody else. Can he change it this week. He's a spaceman and a

:26:26.:26:29.

helmet and everything. Your face says it all. I just think that I

:26:30.:26:35.

have a horrible feeling this might be it for them. Really? No. For that

:26:36.:26:44.

dance, you know, the whole drama and the sexiness and the bull... It's

:26:45.:26:52.

going to be a fight. Now think about it. Hang on a minute! That changes

:26:53.:27:01.

everything. Sarah Brightman. Craig needs to liten up -- lighten up on

:27:02.:27:06.

the humour. His dancing is really good. He's a big guy, I know the

:27:07.:27:10.

feeling. But he's got all the moves in there. You've both been Edna.

:27:11.:27:17.

Yeah, yeah. That last song you do... 15 minutes full on. A fantastic

:27:18.:27:22.

performer. And Craig needs to give him, cut him a bit of slack. That

:27:23.:27:29.

told Jamie. He's brilliant. You've got issues, it's fine. Abbey and

:27:30.:27:34.

Aljaz are doing the rumba this week. She prefers the ballroom numbers.

:27:35.:27:40.

How comfortable is she in this? This is Shakespeare Sister. What do you

:27:41.:27:43.

think? The song is slightly irritating me already. Block your

:27:44.:27:49.

ears and look at the dancing. Erm... Yeah, there's definite chemistry

:27:50.:27:53.

going on. It's a very intimate dance. It was good and Abbey was

:27:54.:27:59.

brilliant last week. Gorgeous. They're sex on legs. They are

:28:00.:28:03.

fabulous. She's surprised me more than anyone. I didn't think she

:28:04.:28:07.

would be as extraordinary as she's been. She's graceful, beautiful. She

:28:08.:28:13.

has wonderful lines. And the first time I've seen him dance. He's

:28:14.:28:18.

amazing. They are quite formidable. I think they will be right up there

:28:19.:28:23.

all the way through. She has great posture. Susanna and Kevin are doing

:28:24.:28:27.

a charleston. What do you reckon? Yes? Good. Thumbs up for Suzanne

:28:28.:28:34.

gentleman. -- Susanna. Who would you like to see lift the trophy? I like

:28:35.:28:43.

Abbey. Susanna or Sophie. Difficult to see beyond Natalie. So much. A

:28:44.:28:47.

dream panel, Ball, Air and Theakston. Lovely to see you. That's

:28:48.:28:52.

it from us. Watch the big show tomorrow, 6. 30pm on BBC One. We'll

:28:53.:28:55.

see the couple who leave on Monday. Bye!

:28:56.:28:59.

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