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Hello peeps and welcome to Friday's fiendish edition of It Takes Two. | :00:00. | :00:08. | |
They survived the dance-off with their salsa. Let's hope there's no | :00:09. | :00:12. | |
nightmares tomorrow. Patrick and Anya join us tonight. Saturday's | :00:13. | :00:18. | |
samba led to a fractured nose, will there be blood on the dance floor | :00:19. | :00:22. | |
with the Viennese waltz? Let's hope not. Natalie and Artem. I will brave | :00:23. | :00:28. | |
a trip to Elstree to join Rachel and Pasha in rehearsals and a scary | :00:29. | :00:33. | |
Friday panel of actress and presenter, Donna Air, West End | :00:34. | :00:39. | |
legend, Michael Ball, and don't tell Ian Waite that my original telly | :00:40. | :00:45. | |
husband from 45 years ago, Jamie Theakston is here. I'm excited. This | :00:46. | :00:48. | |
is Strictly: It Takes Two. APPLAUSE | :00:49. | :01:45. | |
Hello and welcome to It Takes Two. Just 23 hours, 58 minutes and 13 | :01:46. | :01:53. | |
seconds to go until we discover what Goolish surprises our couples have | :01:54. | :01:56. | |
in store this weekend, hoping their quickstep is a thriller onned not a | :01:57. | :02:01. | |
shocker -- thriller and not a shocker, Patrick and Anya are here. | :02:02. | :02:07. | |
First let's remind ourselves of last week's dance-off with the al-- with | :02:08. | :02:13. | |
the salsa. I thought you did a wonderful job with changing that | :02:14. | :02:17. | |
round and giving Patrick a routine for just one hand. You gave me a | :02:18. | :02:21. | |
terrible fright. I thought you were reck tricuted for a -- ereck | :02:22. | :02:28. | |
tricuted for a moment. It was stoppy and starty, there should be a flow | :02:29. | :02:30. | |
to it. For me, I think you directed Anya | :02:31. | :02:35. | |
brilliantly. I loved to -- love to see a man in control of the dance | :02:36. | :02:36. | |
and for me, you gave me that. The salsa went quite well, I would | :02:37. | :02:48. | |
say. Amazingly, one hand salsa, you're making history, seriously. | :02:49. | :02:52. | |
Thank you. Brilliant stuff. We will find out which of you will be back | :02:53. | :02:58. | |
to dance again next week. Patrick and Anya. Patrick and Anya. Patrick | :02:59. | :03:04. | |
and Anya. Making history, please welcome | :03:05. | :03:11. | |
Patrick and Anya! APPLAUSE | :03:12. | :03:15. | |
You haven't been in here for ages. TwoTwo weeks. We must say, are you | :03:16. | :03:22. | |
all right there, love? Looking at Deborah there! Let's be happy, | :03:23. | :03:28. | |
happy, joy, joy, though. It's customary for the couple who are | :03:29. | :03:32. | |
safe to come in on a Tuesday, but your schedule is crackers. It's a | :03:33. | :03:36. | |
bit full. They have a laugh about the fact that you're on Casualty. | :03:37. | :03:42. | |
Everyone's had a good laugh - haven't you all? How are you | :03:43. | :03:46. | |
juggling the two, with learning the scripts, learning a dance? Kind of, | :03:47. | :03:50. | |
well, you know, going for it, really. Keep going. Yeah, not | :03:51. | :03:54. | |
worrying about it too much. OK, what's the next thing? One minute at | :03:55. | :04:01. | |
a time. One game at a time. Dance at a time. Congratulations because you | :04:02. | :04:04. | |
put in an incredible performance last week. It really was considering | :04:05. | :04:08. | |
last minute you had to change the routine completely and do a salsa | :04:09. | :04:13. | |
with one arm. How difficult was it for you? Well, in the end, it kind | :04:14. | :04:18. | |
of just came. I said OK, we'll try that. We'll see if we can do | :04:19. | :04:23. | |
everything that you put in front of me. He was very open minded. I | :04:24. | :04:27. | |
didn't know how it was going to work out. Somehow, some way it did. You | :04:28. | :04:32. | |
were amazing too. You had to do jumps with leaping blind onto a | :04:33. | :04:37. | |
man's shoulder. It was so brave. I don't know how I did it. The other | :04:38. | :04:41. | |
thing is, when you're dancing something like that, was the salsa a | :04:42. | :04:46. | |
bad dance to have a hurt hand? None of them were good, but is there a | :04:47. | :04:50. | |
worse case scenario. That was the worse case scenario. Well done, | :04:51. | :04:55. | |
then. The judges didn't cut you any slack. You have a big bandage and | :04:56. | :05:01. | |
Bruno said it was on and off. Craig was saying that despite the injury | :05:02. | :05:04. | |
that he wanted you to give it a bit more flow. Were you surprised? Well, | :05:05. | :05:09. | |
I just was happy to get through it. Those comments in the end, I went | :05:10. | :05:13. | |
OK, fine. Really just to get through it was huge for me. Amazing. To do | :05:14. | :05:20. | |
all of that with an injury, really difficult dance, bottom two, how | :05:21. | :05:26. | |
devastated were you? I suppose, when we weren't in the first batch, I | :05:27. | :05:31. | |
kind of knew. I felt it in my waters. I said, "We'll' be dr we'll | :05:32. | :05:39. | |
-- we'll be in the dance-off. How was that for you? I said, "Are you | :05:40. | :05:46. | |
ready? How are you feeling? He goes, "I just love dancing." That was the | :05:47. | :05:50. | |
best answer. That is all I need to hear. A tough couple of weeks, | :05:51. | :05:55. | |
no-one is surprised that it might have been getting on top of you a | :05:56. | :06:00. | |
little bit. Hold on a minute.. When Patrick gets overwhelmed with steps, | :06:01. | :06:08. | |
he gets frustrated. Just getting into control tower. Why am I messing | :06:09. | :06:13. | |
up there. Slow. Don't get frustrated, stay with me. The brain | :06:14. | :06:17. | |
goes no, we can't get through to the legs or the arms. That was the | :06:18. | :06:22. | |
completely wrong step. It was going on up here. Don't panic, Pat! They | :06:23. | :06:30. | |
forget to -- forgot to plug in the legs. I don't know what I'm doing | :06:31. | :06:36. | |
there. No, no, don't give up. I'm confused. Think like this. Yeah. All | :06:37. | :06:44. | |
the lights went out, what happened. It crashed. Oh, my gosh. Overload. | :06:45. | :06:50. | |
Bless you. I know exactly how you must feel. | :06:51. | :06:54. | |
Let's move on. This week it's Hallowe'en. It's a quickstep for | :06:55. | :07:01. | |
you. You're dancing to this: Atomic Fire ball, Man with a Hem. -- Hex. | :07:02. | :07:07. | |
The quickstep is quick! It is so quick, the clue is in the title. How | :07:08. | :07:12. | |
is he doing? I'm very pleased. I didn't hold back. I just closed my | :07:13. | :07:17. | |
eyes and said I'm going to go for it. What's your theme? Everyone has | :07:18. | :07:22. | |
a theme and a story. What's your story? Not giving too much away, we | :07:23. | :07:30. | |
have, he is what is it? A fortune teller from 16-feet under. He's | :07:31. | :07:36. | |
going to tell me my fortune and what awaits me in the future. And | :07:37. | :07:39. | |
hopefully that's high scores and straight through to next week. | :07:40. | :07:43. | |
You're scaring me now. Good luck tomorrow, Patrick and Anya! | :07:44. | :07:48. | |
APPLAUSE It might be the Hallowe'en special | :07:49. | :07:52. | |
tomorrow, last week, was almost a house of horrors for my next couple, | :07:53. | :07:56. | |
as those beautifully extended lines of Natalie resulted in a fractured | :07:57. | :08:01. | |
nose for Artem. Here's a reminder of their samba - ouch! Could have had a | :08:02. | :08:07. | |
tad more bounce here and there, but overall, I'm telling you, Natalie, | :08:08. | :08:15. | |
that was great. Flamenco style really suits you. I think Spain is | :08:16. | :08:19. | |
your place. You have to do more of that, it's very, very nice. | :08:20. | :08:27. | |
Hypnotic, exotic, with a touch of the erotic. I thought your hips were | :08:28. | :08:33. | |
fantastic. Timing, as always, brilliant. | :08:34. | :08:39. | |
Amazing music, the crowd were electric tonight. They were | :08:40. | :08:45. | |
screaming through the whole dance. That was so good. I am so proud of | :08:46. | :08:53. | |
you. Thank you, lovely. Welcome Natalie and Artem! | :08:54. | :08:58. | |
APPLAUSE Well done, you two, another | :08:59. | :09:01. | |
leaderboard topping performance. How did you make the samba look so easy? | :09:02. | :09:06. | |
Oh, I was whipped into shape by this one, here. I can't take any credit | :09:07. | :09:10. | |
for that. It wasn't an easy dance. But I really enjoyed it. I think | :09:11. | :09:15. | |
that's the key to any dance is to enjoy it. It carries you through so | :09:16. | :09:20. | |
much and so many things that go wrong. I just... I can't imagine | :09:21. | :09:24. | |
anything goes wrong for you? Yeah, it does. I shimmy my way through it. | :09:25. | :09:31. | |
If in doubt stick a shimmy in. Let's talk about the nose. I was imagining | :09:32. | :09:36. | |
it to look more boxer like. You fractured his nose in rehearsal. | :09:37. | :09:40. | |
What happened? In the dress run, it's the first time we get to wear | :09:41. | :09:44. | |
our costumes. I had a kind of tail to my dress, which was really heavy. | :09:45. | :09:49. | |
It threw me out of a turn. Although I didn't fall, Artem was in my line | :09:50. | :09:55. | |
of fire, shall we say. Are you sure what's -- that's what happened? | :09:56. | :10:03. | |
Should we re-enact. How painful was it? It wasn't | :10:04. | :10:07. | |
painful because I was in the middle of the dance. I was like, keep | :10:08. | :10:11. | |
going, it's not bleeding, it's great. I was looking down, oh, no. | :10:12. | :10:15. | |
It was all right. That beautiful face, but it's not damaged. It's | :10:16. | :10:23. | |
fine and healing up. It's make up. He's trying to get the sympathy. Len | :10:24. | :10:27. | |
loved it and he gave you a nine. Lots of nines you've been getting. | :10:28. | :10:31. | |
He wanted a bit more bounce. Is that something that you tried to tackle | :10:32. | :10:34. | |
in training? It's such a difficult technique, samba. There are so many | :10:35. | :10:38. | |
things that Artem's feeding me through the week. It's an | :10:39. | :10:42. | |
information overload. Yes, we had worked on bounce. That was one of | :10:43. | :10:46. | |
the things that went out of the window. There's always something | :10:47. | :10:50. | |
that goes by the end of the week. You can't fit it all in. All the | :10:51. | :10:54. | |
nines, we want a ten. Craig said - is there anything that you can't do? | :10:55. | :10:57. | |
When you're working with someone that talented, does it make it | :10:58. | :11:02. | |
tricky for you and choreography or do you think, right, I'm giving her | :11:03. | :11:06. | |
this move to do because she can take it? Well, it's easy and hard. It's | :11:07. | :11:10. | |
easy because a lot of things you can choose from, the difficult part to | :11:11. | :11:14. | |
choose the right moves that look the best. It's tricky, but I hope we | :11:15. | :11:22. | |
make it work. Does it make you at all scared? He's really scared. | :11:23. | :11:29. | |
Viennese waltz this week, are you enjoying it as much? You look | :11:30. | :11:32. | |
glorious in the ballroom. Every dance we come to each week is my | :11:33. | :11:36. | |
favourite because Artem's choreography is incredible. I really | :11:37. | :11:40. | |
enjoy dancing with him. Yeah, don't look at that. You still look | :11:41. | :11:48. | |
amazing. His face! S His face is hurting. Bless you. You are dancing | :11:49. | :12:00. | |
to Devil in Me. Very romantic, lovely. Imagine your spinning | :12:01. | :12:07. | |
around. You go from sexy senorita, what's your character? I'm the Lady | :12:08. | :12:12. | |
of the Lake. I broke his nose last week. This week I'm drowning him. | :12:13. | :12:18. | |
Drowning me. Hold him down. You danced with Kara and Holly on the | :12:19. | :12:25. | |
show, Natalie is your third actress. Is it great to get the character | :12:26. | :12:36. | |
out. Character out! I'm scared. She comes out. I think you had it | :12:37. | :12:41. | |
coming. It does make it easier. As soon as they hear the songs, you | :12:42. | :12:44. | |
have an idea what it should be. Just put steps together and performance | :12:45. | :12:50. | |
living up to them. Good luck tomorrow night, maybe wear some | :12:51. | :12:56. | |
padding. Natalie and Artem! APPLAUSE | :12:57. | :12:59. | |
So far this series when picking which couple should top the | :13:00. | :13:03. | |
leaderboard, our chihuahua hasn't been too lucky. Let's hope all the | :13:04. | :13:07. | |
spiritual energy of Hallowe'en has rubbed off on the pup and he'll get | :13:08. | :13:12. | |
it right this week. Here he is our predictive pup. | :13:13. | :13:39. | |
So Lucky thinks Mark and Iveta will top the leader boards. You will have | :13:40. | :14:01. | |
to tune in tomorrow to see if he's right. Earlier today, I took the | :14:02. | :14:06. | |
ghost train to Elstree for a catch up with Rachel and Pasha as they | :14:07. | :14:10. | |
cram in last-minute rehearsals. Here's what happened. | :14:11. | :14:14. | |
It's me, I'm up here. How brilliant does the studio look? ! Cobwebs, | :14:15. | :14:20. | |
spiders, pumpkins. It's going to be a brilliant show tomorrow night. And | :14:21. | :14:23. | |
hoping to cast a spell over the judges, it's Rachel and Pasha. | :14:24. | :14:27. | |
APPLAUSE Hello my darlings, very, very | :14:28. | :14:30. | |
excited about the show tomorrow night. Loved the drama of your dance | :14:31. | :14:36. | |
on Saturday. Loved Pasha being in a cage. Judges didn't love it quite so | :14:37. | :14:40. | |
much. Did you enJo I it? I real -- Did you enjoy it? I really enjoyed | :14:41. | :14:45. | |
it. I was scowling at everybody all week. You were scared a few times. I | :14:46. | :14:50. | |
wasn't scared, but I believed you. Tell her you're scared. I was! What | :14:51. | :14:54. | |
did you make about the comments, were they fair? They were a little | :14:55. | :14:58. | |
bit harsh. To me, Rachel really got into character. She really delivered | :14:59. | :15:02. | |
a great performance. I was happy because it was the best one. That's | :15:03. | :15:09. | |
all we need. He's happy. That's a good thing. It's all about you, the | :15:10. | :15:14. | |
other thing is that you're a presenter not an actress. How | :15:15. | :15:17. | |
difficult is it to get into these characters? I didn't realise before | :15:18. | :15:23. | |
how much it was about the performance. I was quite sporty, I | :15:24. | :15:27. | |
thought I could use that and do the dancing. But it's more about selling | :15:28. | :15:30. | |
it than I realised. That's something I have to try to do this week. | :15:31. | :15:34. | |
Taking it on board each week. I'm loving it! Len was saying that he | :15:35. | :15:39. | |
didn't think you were suited to the paso doble and you're smiley Riley. | :15:40. | :15:43. | |
How hard is that to take when you've worked hard in training? You do 30 | :15:44. | :15:48. | |
hours of training for 90 seconds on telly. It is hard to take when you | :15:49. | :15:53. | |
get a bad comment after that. It's a live show. I enjoyed it. I thought I | :15:54. | :15:58. | |
was scary. You were a bit scared at times, maybe not because of the | :15:59. | :16:04. | |
face, because of the dancing - but either way! Have you kept the cage? | :16:05. | :16:09. | |
Never mind. The American smooth this week, you score great in your | :16:10. | :16:14. | |
ballroom. Are you happy to be doing ballroom? I'm happy to do a ballroom | :16:15. | :16:19. | |
dance. The shoes aren't as good. But I love the American smooth Viennese | :16:20. | :16:23. | |
waltz. We have some lifts. This is the thing. It's unusual to have a | :16:24. | :16:31. | |
Viennese waltz-based American smooth. I think Viennese waltz can | :16:32. | :16:36. | |
be too repetitive, when you put lifts from the American smooth it | :16:37. | :16:42. | |
brightens it up. You are going spiny roundy. Jumpy, jumpy, lifty, lifty. | :16:43. | :16:48. | |
I'm a ghost, so I'm flying. Oh, wow, that's exciting. Is it difficult | :16:49. | :16:52. | |
this week? Spinning and lifts? No, simple. Easy. Really easy. What a | :16:53. | :17:00. | |
liar. How intense has it been? Everything comes together last | :17:01. | :17:02. | |
minute for me. Yesterday it was coming together and you have to hope | :17:03. | :17:07. | |
it solidifies overnight. I love that, you've been hanging out with | :17:08. | :17:12. | |
Dave, culinary terms! Bruno wants you to fight. He wants to -- you to | :17:13. | :17:17. | |
fight harder. Will he be pleased with what you do tomorrow? I hope | :17:18. | :17:22. | |
so. The character of the ghost, I have to be light and airy and | :17:23. | :17:26. | |
spooky. You're not having a sheet with two holes cut in? No, I have | :17:27. | :17:31. | |
lots of cystals. Is there a story? They're not listening? It's simple: | :17:32. | :17:38. | |
Hallowe'en, once in 100 years ghosts are awakened and they go for a | :17:39. | :17:43. | |
little dance. A trot. Fantastic. It sounds wonderful. Will you give us a | :17:44. | :17:48. | |
sneaky look, obviously not in the outfits, that would ruin it. As long | :17:49. | :17:55. | |
as you're not going to show anybody. No-one's watching. Psst... Come over | :17:56. | :18:01. | |
here. This is Rachel and Pasha, a little sneak of their American | :18:02. | :18:03. | |
smooth. Well done. Rachel and Pasha! That | :18:04. | :18:31. | |
looks brilliant. Can I try that spiny lift on the shoulder? Yeah, | :18:32. | :18:35. | |
OK. You on my shoulder, Pasha. Now back to me in the studio. | :18:36. | :18:40. | |
Thanks, me. Almost Friday panel time. This week we are joined by one | :18:41. | :18:44. | |
of the West End's greats to get us in the mood, here's a snippet from | :18:45. | :18:48. | |
his new concert DVD. # Because I'm ready | :18:49. | :18:51. | |
# If you're ready # It's a beautiful night | :18:52. | :18:56. | |
# I'm looking for something dumb to do | :18:57. | :19:04. | |
# Hey, baby, I think I want to marry you | :19:05. | :19:09. | |
# Is it the look in your eyes # Or is this -- is it this dancy | :19:10. | :19:13. | |
tune # Who cares baby, I think I want to | :19:14. | :19:16. | |
marry you # Michael Ball is here to look over | :19:17. | :19:21. | |
the trickeds and -- tricks and treats tomorrow. Please welcome, | :19:22. | :19:25. | |
Michael Ball, Donna Air and my mate, Theakston neeck. | :19:26. | :19:30. | |
-- Jamie Theakston. APPLAUSE | :19:31. | :19:35. | |
Hey, mate. # Reunited and it feels so good... # | :19:36. | :19:42. | |
The leprechauns and Mr Blobby and we could do the whole show. | :19:43. | :19:46. | |
Welcome. Lovely to have you all here. Donna, you're a super fan. | :19:47. | :19:50. | |
What do you make of the dancers this year? It's fabulous. I'm very | :19:51. | :19:53. | |
excited about tomorrow, because I think you do the Hallowe'en shows so | :19:54. | :19:59. | |
well. I love the way you say "you", it's all my own planning. It's been | :20:00. | :20:04. | |
a great line up. They've been really strong performances as well. The | :20:05. | :20:07. | |
girls are really good. Any favourites? Well, I think Sophie | :20:08. | :20:12. | |
started off really strong. I think I love her style. She looks | :20:13. | :20:17. | |
effortless. Natalie's great. It's a good... There's so many of them. I'm | :20:18. | :20:23. | |
sad to see Deborah go to. I know, everybody cried their eyes out. Get | :20:24. | :20:27. | |
a grip, I say. Michael, you're no stranger to our Friday panel. I love | :20:28. | :20:32. | |
it. I'm liking the facial hair. Do you like this? Yeah. You grew that | :20:33. | :20:39. | |
quick for Movember. Would you be tempted onto the dance floor, and | :20:40. | :20:42. | |
if, so who would you like as your partner? If there weren't cameras, I | :20:43. | :20:48. | |
would do it like a shot. I think I would be at a disadvantage. I think | :20:49. | :20:52. | |
people assume because I do musicals that I can dance. But I invented a | :20:53. | :21:00. | |
heart condition and a back injury. I've seen you dance. It nearly | :21:01. | :21:07. | |
killed me. And hair spray. But people assume. That's different. I | :21:08. | :21:12. | |
would love to dance with Ola. I'll see if we can arrange that. Hey, | :21:13. | :21:18. | |
Jamie, you never ring! You're doing something close to your heart. I've | :21:19. | :21:25. | |
helping -- been helping Disney launch the Winnie The Pooh Laureate, | :21:26. | :21:28. | |
encouraging parents to tell stories to their kids. We're looking for the | :21:29. | :21:31. | |
best story teller across the country. You can enter the -- via | :21:32. | :21:37. | |
the Winnie The Pooh Facebook page. It's a lot of fun. We'll have little | :21:38. | :21:41. | |
stories. Let's look into the training rooms and see what we | :21:42. | :21:44. | |
reckon of our celebrities this week. First Dave and Karen. They're doing | :21:45. | :21:51. | |
the jive. It's to Monster Mash. That's surely a win-win situation. | :21:52. | :21:56. | |
He's bottom of the leaderboard last week. Can this see him creep up a | :21:57. | :22:03. | |
bit? For Dave this is probably a good dance for him. Good music. If | :22:04. | :22:07. | |
he can get past Craig, he might be, he might you are prize a few people. | :22:08. | :22:11. | |
-- surprise a few people. Everyone loves him. The nation are behind | :22:12. | :22:16. | |
him. It looks funny. Do you i it's better if he plays to the funny side | :22:17. | :22:21. | |
or straight? I really like the fun factor on the show. I like it when | :22:22. | :22:26. | |
Mark did that too with the Austin Powers one. Yeah, I think so. And | :22:27. | :22:32. | |
who needs a sense of rhythm. It's entertaining and it's about the | :22:33. | :22:36. | |
performance. Gives it his all. Fiona and Anton are doing the charleston | :22:37. | :22:44. | |
this week to Jeepers Creepers. It's a classic. Bless her. She's kind of | :22:45. | :22:49. | |
in full swing. She got her confidence back last week. You sigh. | :22:50. | :22:53. | |
I think she falls a - apart when it comes to the live show. I don't | :22:54. | :22:57. | |
blame her. It's overwhelming. It's that thing of staying focussed in | :22:58. | :23:02. | |
the moment and enjoying it. She clearly, she's like me, she's an | :23:03. | :23:07. | |
uber fan of the show. She probably still can't believe she's in it. | :23:08. | :23:11. | |
It's lovely to see Anton this long in the show. I know! He keeps | :23:12. | :23:16. | |
pinching himself. He can't believe it. They've promised lots of tricks. | :23:17. | :23:19. | |
Do you i that could be as good -- do you think it could be as good a | :23:20. | :23:23. | |
Sophie and Brendan's? They set the bar. That's just before for -- | :23:24. | :23:28. | |
perfect for Anton. I can see him do that all day. They will do really | :23:29. | :23:35. | |
well. I'll send him round. Not as good as Brendan's. That was the | :23:36. | :23:39. | |
dance of the series for a lot of people. It's tango faces time for | :23:40. | :23:44. | |
Ashley and Ola. Last three weeks they've been on 31 points. Dancing | :23:45. | :23:50. | |
to Neo. Is this all looking good, Donna? I don't know. They just look | :23:51. | :23:56. | |
like such a sexy couple. A lot of looks. Yoo who cares about the | :23:57. | :24:00. | |
moves? Get her round the judging panel, we love it. This is what he | :24:01. | :24:05. | |
needs to do. He needs to man up, to give e get -- to get a bit more | :24:06. | :24:12. | |
sexy. He needs to do that hardness. I should be onle panel myself. Ball | :24:13. | :24:21. | |
says man up. Get a grip, man. Brendan are doing the jive. We've | :24:22. | :24:26. | |
talked about how good the charleston was. Could this match it? I'm | :24:27. | :24:33. | |
delightly worried about those trousers. Brendan's? I find them | :24:34. | :24:41. | |
stracting. -- Distracting. They're dancing to Man eater. | :24:42. | :24:46. | |
What a song! They've had great songs every week. I'm doing mum dancing on | :24:47. | :24:51. | |
telly. Stop it. Len says he would like to see more interplay. Will he | :24:52. | :24:55. | |
be happy? There will be lots of bounce on this one for Len. He'll be | :24:56. | :25:00. | |
happy there. I think this will be a strong week for Sophie. It's | :25:01. | :25:03. | |
unfortunate she started so high, last week was a dip. I think they're | :25:04. | :25:07. | |
going to come back strong this week. Straight back up the top. It's fun. | :25:08. | :25:10. | |
It will suit her like the charleston did. Exciting. Two paso dobles this | :25:11. | :25:17. | |
week, and that meets two matta doors. -- matadors. The first is | :25:18. | :25:23. | |
Ben. The judges want him to push further now. Is there going to | :25:24. | :25:28. | |
impress them? Yeah, as he's gone on, he's loosened up. He's a big, big | :25:29. | :25:35. | |
mash zblment huge. -- -- man. He needs the Suppleness. He's not | :25:36. | :25:41. | |
afraid to have a go. He's brilliant. They're dancing to Muse. Feel that | :25:42. | :25:48. | |
matador. I could do that. Michael and I are similar builds. It's like | :25:49. | :25:56. | |
looking in a mirror. Uncanny. That's that -- it's that rugby thing. Does | :25:57. | :26:00. | |
he do it for you? He's very good looking, but has he got the moves? | :26:01. | :26:05. | |
He's a little rigid. If he loosens up... It's very hard being spoiled. | :26:06. | :26:14. | |
A rose between two thorns. Mark and Iveta also doing a paso doble. He's | :26:15. | :26:20. | |
always a massive hit in the studio. They're not getting as high marks as | :26:21. | :26:25. | |
everybody else. Can he change it this week. He's a spaceman and a | :26:26. | :26:29. | |
helmet and everything. Your face says it all. I just think that I | :26:30. | :26:35. | |
have a horrible feeling this might be it for them. Really? No. For that | :26:36. | :26:44. | |
dance, you know, the whole drama and the sexiness and the bull... It's | :26:45. | :26:52. | |
going to be a fight. Now think about it. Hang on a minute! That changes | :26:53. | :27:01. | |
everything. Sarah Brightman. Craig needs to liten up -- lighten up on | :27:02. | :27:06. | |
the humour. His dancing is really good. He's a big guy, I know the | :27:07. | :27:10. | |
feeling. But he's got all the moves in there. You've both been Edna. | :27:11. | :27:17. | |
Yeah, yeah. That last song you do... 15 minutes full on. A fantastic | :27:18. | :27:22. | |
performer. And Craig needs to give him, cut him a bit of slack. That | :27:23. | :27:29. | |
told Jamie. He's brilliant. You've got issues, it's fine. Abbey and | :27:30. | :27:34. | |
Aljaz are doing the rumba this week. She prefers the ballroom numbers. | :27:35. | :27:40. | |
How comfortable is she in this? This is Shakespeare Sister. What do you | :27:41. | :27:43. | |
think? The song is slightly irritating me already. Block your | :27:44. | :27:49. | |
ears and look at the dancing. Erm... Yeah, there's definite chemistry | :27:50. | :27:53. | |
going on. It's a very intimate dance. It was good and Abbey was | :27:54. | :27:59. | |
brilliant last week. Gorgeous. They're sex on legs. They are | :28:00. | :28:03. | |
fabulous. She's surprised me more than anyone. I didn't think she | :28:04. | :28:07. | |
would be as extraordinary as she's been. She's graceful, beautiful. She | :28:08. | :28:13. | |
has wonderful lines. And the first time I've seen him dance. He's | :28:14. | :28:18. | |
amazing. They are quite formidable. I think they will be right up there | :28:19. | :28:23. | |
all the way through. She has great posture. Susanna and Kevin are doing | :28:24. | :28:27. | |
a charleston. What do you reckon? Yes? Good. Thumbs up for Suzanne | :28:28. | :28:34. | |
gentleman. -- Susanna. Who would you like to see lift the trophy? I like | :28:35. | :28:43. | |
Abbey. Susanna or Sophie. Difficult to see beyond Natalie. So much. A | :28:44. | :28:47. | |
dream panel, Ball, Air and Theakston. Lovely to see you. That's | :28:48. | :28:52. | |
it from us. Watch the big show tomorrow, 6. 30pm on BBC One. We'll | :28:53. | :28:55. | |
see the couple who leave on Monday. Bye! | :28:56. | :28:59. |