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Welcome to It Takes Two. It's Monday. Hello. Just you wait and see | :00:00. | :00:12. | |
what's in store. It's our fifth couple to leave the competition, | :00:13. | :00:15. | |
here to say goodbye, Rachel and Pasha. | :00:16. | :00:20. | |
They stole our hearts with their disco doble, mark and Iveta are | :00:21. | :00:26. | |
here. Something wicked this way comes, he's back from his | :00:27. | :00:48. | |
here. Something wicked this way Takes Two. #12k3w4r6r7b8g9s | :00:49. | :01:26. | |
APPLAUSE Hello, welcome to Monday's It Takes | :01:27. | :01:33. | |
Two. What a devilishly delightful weekend complete with plenty of | :01:34. | :01:37. | |
shocks. In case you missed any of it, here are the | :01:38. | :01:55. | |
shocks. In case you missed any of competition too, securing the first | :01:56. | :01:59. | |
10s of the series. You are fab-u-lous. | :02:00. | :02:10. | |
Come on, girl. Last week's dance-off was a distant memory for Patrick and | :02:11. | :02:17. | |
Anya as they utilised the power of voodoo to break the hex and | :02:18. | :02:22. | |
quickstep to their highest score yet. | :02:23. | :02:27. | |
The energy was phenomenal. I loved the theatricality of the whole | :02:28. | :02:31. | |
production. That was fast! Great work. Well done. | :02:32. | :02:39. | |
Nice work. Although Ben Cohen also earned his best score to date with | :02:40. | :02:46. | |
an impressive poso, it wasn't his -- paso, it wasn't his cape | :02:47. | :03:05. | |
forward. Let me feel it. I may change my score! Put him down! | :03:06. | :03:11. | |
It would seem that hanging around on the Hallowe'en set left gentlemen | :03:12. | :03:18. | |
net feels -- Jenette feeling spooked. There's something in this | :03:19. | :03:21. | |
room. I feel it. It's looking at me! It's in here. It's really in here. I | :03:22. | :03:27. | |
know it. I feel it. I feel it. Can I use the badgeroom please. Oh, yeah, | :03:28. | :03:44. | |
yeah. Sorry. -- bathroom please. Now if that still wasn't enough for you, | :03:45. | :03:48. | |
here is our exclusive footage from behind-the-scenes, you lucky things. | :03:49. | :03:57. | |
Spooky Hallowe'en, exciting! Nothing scarier than dancing | :03:58. | :03:58. | |
Spooky Hallowe'en, exciting! Nothing impressive. I hope it gets the crowd | :03:59. | :04:21. | |
going. It's got me going. I always freak out if something happens. If | :04:22. | :04:24. | |
that happens tonight, I need to forget it and carry on. That | :04:25. | :04:34. | |
scratches the leather on my shoe so it doesn't get too slippery. Thirsty | :04:35. | :04:44. | |
work. Good, real good. What do you reckon? Mash, it's the monster mash. | :04:45. | :04:51. | |
Have you got a mask on? Is that supposed to be scary? No. No. I'm | :04:52. | :05:00. | |
pretty sure I saw a ghost run past me earlier. It just looked more like | :05:01. | :05:01. | |
I am a monster and I'm going to be a guy in a sheet. Kevin! | :05:02. | :05:31. | |
I am a monster and I'm going to be scaring Ashley this week. Check out | :05:32. | :05:38. | |
my eye lashes. Feels like massive cobwebs. They don't need to | :05:39. | :05:46. | |
transform me into anything because I scare the life out of Kevin already. | :05:47. | :05:51. | |
Look at her face, look at the eyes. The stare of doom. I do live things | :05:52. | :05:58. | |
like that. Be that effective. -- isn't that effective? That's how you | :05:59. | :06:04. | |
do zombie hands. Hallowe'en is always great and the judges are | :06:05. | :06:05. | |
going to be even more evil. Mwaha going to be even more evil.Mwaha | :06:06. | :06:16. | |
Mwaha. Scaring me is that David going to be even more evil.Mwaha | :06:17. | :06:40. | |
oh, that's why we're here. This way. Just have to put me make up on. I've | :06:41. | :06:47. | |
got a good feeling about this. It's going to be spook-tacular. | :06:48. | :06:57. | |
Their Strictly dream turned to a nightmare, please welcome Rachel and | :06:58. | :07:25. | |
Pasha. Poop and double poop, we're really | :07:26. | :07:27. | |
sad to see you here. Poop and double poop, we're really | :07:28. | :07:46. | |
They're out. I'll need those in a minute. Are for me. It's hard. It's | :07:47. | :07:51. | |
hard. Because you invest so much and you put all your focus into it and | :07:52. | :07:54. | |
your effort and energy, you want to keep dancing. You're doing it for | :07:55. | :07:58. | |
your partner as well. It's so much fun. I absolutely loved it. I knew | :07:59. | :08:02. | |
what was coming in the next couple ofof weeks. Was coming up that you | :08:03. | :08:06. | |
really wanted to do? Blackpool, I really wanted to go to Blackpool. I | :08:07. | :08:10. | |
would have been Marilyn doing a foxtrot. What have you done people? | :08:11. | :08:15. | |
Maybe we could arrange that any way. Was it bitter sweet to go out on | :08:16. | :08:19. | |
your highest scoring dance. Yeah it was our best score. She did amazing. | :08:20. | :08:26. | |
You did amazing. She's right here. Tell her again, though. You did | :08:27. | :08:31. | |
amazing. It was our best dance. I enjoyed it. I enjoyed it too. The | :08:32. | :08:36. | |
lift up on the shoulderment -- Shoulder. I liked flying. We got | :08:37. | :08:38. | |
stuck. Actually Shoulder. I liked flying. We got | :08:39. | :08:58. | |
from the show, Abbey. How was that whole thing? Abbey is so gorgeous. | :08:59. | :09:03. | |
After her dance I said to her, I think she can win the competition. | :09:04. | :09:07. | |
She's a beautiful dancer. As soon as we knew it was Abbey, we knew | :09:08. | :09:11. | |
whoever is up against her is in a lot of trouble. It gave me no | :09:12. | :09:15. | |
pressure at all and allowed me to properly enJo I it. That was the | :09:16. | :09:18. | |
most fun I've had. I knew it was my last dance. I knew I could enjoy it. | :09:19. | :09:22. | |
He gave me a wink at the start. It was good fun. I loved it. That's all | :09:23. | :09:27. | |
anyone needs, a wink from Pasha makes all the difference. How much | :09:28. | :09:31. | |
have you seen Rachel improve over the past eight weeks that you've | :09:32. | :09:36. | |
been dancing? Are you kidding me? Improvement, oh, we started from | :09:37. | :09:41. | |
zero ground and look what we've done on the last show. She's such a hard | :09:42. | :09:46. | |
worker. I keep saying it over and over again, but I've never seen | :09:47. | :09:48. | |
anybody work that hard. She just over again, but I've never seen | :09:49. | :10:08. | |
back and enjoy your Strictly story. Oh, you're going to make me cry. | :10:09. | :10:15. | |
Never, not us (! ) The dancer taking you on is... Pasha! Pasha is so | :10:16. | :10:24. | |
lovely. Rachel, she never dance before. But that's what makes it | :10:25. | :10:30. | |
even more exciting. It looks like the thing in the world and my brain | :10:31. | :10:36. | |
isn't connecting yet. It had a beautiful flow, gorgeous rise and | :10:37. | :10:44. | |
fall and it was full of elegance. The salsa was so different to the | :10:45. | :10:48. | |
waltz. I feel like I've started all over again. Rachel has no concept of | :10:49. | :10:54. | |
sexy in the dance. I have to take myself out of Rachel and create a | :10:55. | :10:55. | |
whole new character. And hip, myself out of Rachel and create a | :10:56. | :11:18. | |
flinging my limbs around and I have kicked Pasha. Kicking, pushing, it | :11:19. | :11:23. | |
comes with the job. You've got your old hips going there, girl, lovely. | :11:24. | :11:29. | |
Like a bionic bum. Your confidence through the whole piece was fabulous | :11:30. | :11:31. | |
to watch. Well done. It's an original approach to a | :11:32. | :11:51. | |
quickstep. I was us flying right from the start, flying across the | :11:52. | :11:57. | |
floor. Just about got away with it. That was very fast. That was hard. | :11:58. | :12:02. | |
You did a very good job. Judges, it's time to decide, who would you | :12:03. | :12:08. | |
like to save? Rachel and Pasha. This week we're doing the paso | :12:09. | :12:32. | |
Back to dance again are Rachel and Pasha. | :12:33. | :12:40. | |
We're dancing the American smooth. Natural... I couldn't imagine | :12:41. | :12:44. | |
dancing with anyone else. We're perfectly matched in temperament and | :12:45. | :12:52. | |
attitude to stuff. Your best dance to date! | :12:53. | :13:00. | |
There was improvement and that's improvement. I'm just over the moon. | :13:01. | :13:08. | |
Who would you like to save? Abbey and Aljaz. Abbey and Aljaz. I would | :13:09. | :13:17. | |
like for abbey and Aljaz to stay. Pasha, I'm going to start crying if | :13:18. | :13:19. | |
I do this for too Pasha, I'm going to start crying if | :13:20. | :13:39. | |
miss you. Bless you. I can't look at you because I'll start crying as | :13:40. | :13:42. | |
well. You've been a fan for years, to do the competition and to do it | :13:43. | :13:47. | |
with Pasha, what has the adventure meant to you? Since day one, I loved | :13:48. | :13:51. | |
it. I expected to enjoy it. But I didn't expect to love it so much. | :13:52. | :13:57. | |
Every aspect of it, I mean, the training is the best part. You get | :13:58. | :13:59. | |
to dance with Pasha every day. That's the bit I'm going to miss the | :14:00. | :14:05. | |
most. I've made amazing friends. Worn amazing outfits and amazing | :14:06. | :14:09. | |
hair. It's been so much funment and everyone in the -- fun. And everyone | :14:10. | :14:13. | |
in the whole production is fantastic. Are you rooting for now | :14:14. | :14:18. | |
in the competition? So many people. As Abbey said, we're good friends. I | :14:19. | :14:22. | |
think she's a beautiful dancer. Then I love watching Mark and Iveta. | :14:23. | :14:28. | |
They're hillarious. Ashley, everyone! It will be so sad | :14:29. | :14:50. | |
Dewey eyes for Pasha. In a moment, reunited with CRH, Craig Revel | :14:51. | :14:53. | |
Horwood, to talk about what got his blood boiling at the weekend. Before | :14:54. | :14:56. | |
that, it's time for another guess who. | :14:57. | :15:28. | |
I wonder who that could be. Time to clear the cobwebs from the | :15:29. | :15:36. | |
Hallowe'en spectacular. Here to help us, Craig Revel Horwood! | :15:37. | :15:39. | |
APPLAUSE I've missed you too. And the | :15:40. | :15:58. | |
APPLAUSE amazing job. Well done. Big round of | :15:59. | :16:03. | |
applause for Justin. Did you enjoy Hallowe'en week? I always love the | :16:04. | :16:07. | |
themed weeks. They get me going. It's great because the celebrities | :16:08. | :16:12. | |
can hide behind a little bit of it. It gives them a lot of strength and | :16:13. | :16:16. | |
confidence. That's why I like it so much. The costumes were amazing. | :16:17. | :16:19. | |
What did you think Bruno's dancing, by the way? He could have pointed | :16:20. | :16:24. | |
the foot a bit better. I wish you'd scored him. I thought he was going | :16:25. | :16:28. | |
to be showing us how to do a hip thrust, unfortunately we got an | :16:29. | :16:32. | |
entire layout, darling, which wasn't to my liking. But still. I'm glad he | :16:33. | :16:39. | |
got that off his chest. Were you as shocked about the bottom two couples | :16:40. | :16:42. | |
as everybody else? I was. I did say that on the night. But I really, who | :16:43. | :16:48. | |
is to blame? We put people in an order that we think, | :16:49. | :17:07. | |
is to blame? We put people in an was really shocking that Abbey was | :17:08. | :17:10. | |
in the bottom two, because I really thought her popularity would be such | :17:11. | :17:15. | |
that people vote. Unfortunately, if people see that someone is doing | :17:16. | :17:18. | |
great at the top of the leaderboard... They forget. Yes and | :17:19. | :17:23. | |
they vote for the underdog. That's why I wanted to remind people on the | :17:24. | :17:27. | |
Sunday show. Someone you love, you've got to votement If you love | :17:28. | :17:31. | |
them, vote for them. Let's talk about Abbey and Aljaz. You said one | :17:32. | :17:35. | |
word - impressive. Break it down for us. Tell us more and why did you | :17:36. | :17:41. | |
give it an eight? It wasn't completely there. I think she has a | :17:42. | :17:46. | |
way to go. I think there could have been more hip action. It was there | :17:47. | :17:51. | |
in essence, but all too slightly. She needs to exaggerate a bit more. | :17:52. | :17:55. | |
When she reaches she needs to reach further. There's a lot more line in | :17:56. | :17:58. | |
there that I think could be proper present. More | :17:59. | :18:18. | |
there that I think could be proper ten? I saw a couple of wobbly | :18:19. | :18:20. | |
moments. I think actually she could have had a slightly better top line | :18:21. | :18:24. | |
as well, if I'm being absolutely honest. We are being extremely hard | :18:25. | :18:30. | |
on her because she's so fantastic. She's so amazing. Off course could. | :18:31. | :18:35. | |
-- of course. There's always going to be fault somewhere. Patrick and | :18:36. | :18:40. | |
Anya and the quickstep, you loved his charleston elements, which were | :18:41. | :18:46. | |
brilliant. It was so fast. It's the incidental stuff, you know, that he | :18:47. | :18:51. | |
gave personality like all of this particular moments here. It became | :18:52. | :18:56. | |
proper char Stanny bits instead of just the foot work being charleston. | :18:57. | :19:04. | |
What he -- charlestony bits instead of just the footwork being | :19:05. | :19:08. | |
charleston. It's very different to acting. Acting is one thing, you | :19:09. | :19:10. | |
know, acting. Acting is one thing, you | :19:11. | :19:30. | |
important Aztec neeck? I think -- As technique? I think so. If someone's | :19:31. | :19:37. | |
face is a bit dull, it never comes off. Particularly in a charleston | :19:38. | :19:41. | |
where you have to be vivacious, you have to light up the stage. You can | :19:42. | :19:45. | |
get away with murder, darling, through the face. If only all the | :19:46. | :19:49. | |
celebrities out there knew that rgs darling, I promise them, we won't | :19:50. | :19:54. | |
look at their foot work. We'll be looking at the face. That will sell | :19:55. | :19:57. | |
it. Particularly to the people at home, who don't often see the full | :19:58. | :20:02. | |
body that we see as judges. I like it. Mark and Iveta and their paso | :20:03. | :20:06. | |
doble. You did say that he performed the overall dance very well. But | :20:07. | :20:10. | |
there wasn't as much paso as you'd have liked. This is all paso here. I | :20:11. | :20:15. | |
would have liked to have seen a bit more. Obviously, they had to make | :20:16. | :20:17. | |
choices. I understand those choices because he's got a disco number, | :20:18. | :20:19. | |
very, very difficult. They because he's got a disco number, | :20:20. | :20:44. | |
about, darling. Exactly! The meds are starting to kick in. You said | :20:45. | :20:50. | |
you were slightly distracted with Ben Cohen. It's difficult not to be | :20:51. | :20:55. | |
watching just the torso. Look at it now and his feet and arms. He could | :20:56. | :20:59. | |
have a lot more shaping, I've got to be honest. There could be a lot more | :21:00. | :21:04. | |
in there. For someone that really is quite blocky as a dancer, I think | :21:05. | :21:09. | |
the choreography really suited him. It was built on being blocky. I | :21:10. | :21:13. | |
would like to have seen a little bit more arch. Bruno, bless him, was | :21:14. | :21:21. | |
right. He needs to push the hips forward a little, just to create | :21:22. | :21:25. | |
that lovely Spanish line. Go there again. Dave and Karen and their | :21:26. | :21:30. | |
jive. Dave's been at the bottom of the leaderboard | :21:31. | :21:48. | |
jive. Dave's been at the bottom of love to sit back and say, "Oh, | :21:49. | :21:52. | |
darling, isn't the make up wonderful. Don't you love his hair | :21:53. | :21:57. | |
when it does that? And all the costuming." But I'm there to pick it | :21:58. | :22:00. | |
to bits really. Which you do so well. Unfortunately, there isn't | :22:01. | :22:04. | |
enough in there. He does get his timing a little bit mucked up. You | :22:05. | :22:09. | |
have to be on it. He's up against some really incredible, amazing | :22:10. | :22:15. | |
people. He really needs to start reining it in, honing in on the | :22:16. | :22:19. | |
dance and treating it seriously. I mean, keeping it fun. But treating | :22:20. | :22:24. | |
it a little more seriously. We've missed you. How we've missed you! | :22:25. | :22:29. | |
I've loved being back. Craig Revel Horwood! Bring in the crane. We have | :22:30. | :22:37. | |
to winch him out. Earlier, we teased you with a former Strictly | :22:38. | :22:40. | |
celebrity. Time to see if you were right. | :22:41. | :22:58. | |
celebrity. Time to see if you were Hello! You're right it's me, Alex | :22:59. | :23:00. | |
Jones. Hello. Thanks Alex. We love her. On | :23:01. | :23:07. | |
Saturday night, Mark and Iveta's intergalactic disco-themed paso | :23:08. | :23:10. | |
doble was a little alien to the judges, though we loved it. Here's a | :23:11. | :23:17. | |
recap of their performance. It's more space cadet than matador. | :23:18. | :23:22. | |
Fun, but not quite the right content, I think. I'm sorry. Your | :23:23. | :23:29. | |
isolation is very good. Your rhythm, as always, is fantastic. The | :23:30. | :23:33. | |
entertainment and connection and the attack is all there. Houston, we've | :23:34. | :23:38. | |
got a problem here. It was long on performance, but short on technique. | :23:39. | :23:50. | |
Did you see my astronaut fly? He was amazing. | :23:51. | :24:07. | |
Did you see my astronaut fly? He was hours nonstop. Thank you for that. | :24:08. | :24:10. | |
Congratulations on getting through another week in the competition. | :24:11. | :24:14. | |
Your first lift and what a lift it was! How was it up there amongst the | :24:15. | :24:18. | |
stars? I loved it. I could have done it again and again. Brilliant. It's | :24:19. | :24:23. | |
so good. Can you write write it in every week? I had my first diva fit. | :24:24. | :24:28. | |
When Iveta was doing the flying, I was like, I've got to do that. She | :24:29. | :24:35. | |
let you. Good girl. Disco-doble as it's being referred to, were you | :24:36. | :24:37. | |
aware that you were taking a risk with this dance? Yes. With that song | :24:38. | :24:44. | |
how can you not do disco? It's a disco song. It's a fun song. We are | :24:45. | :24:49. | |
fun. We're having fun. It was just a little bit, it wasn't a lot. Just a | :24:50. | :24:54. | |
little bit. Lots of paso content. Were you hoping for a little bit | :24:55. | :24:58. | |
more acknowledgement from the judges on that work? You always | :24:59. | :25:19. | |
good pupil? You've got to, otherwise you'd crumple. In hindsight, would | :25:20. | :25:25. | |
you do anything differently? I never look to the past and think - oh, | :25:26. | :25:30. | |
what would I do differently? It's done. I don't regret. If I make a | :25:31. | :25:35. | |
mistake, I learn. I don't think we did make a mistake. I didn't make | :25:36. | :25:40. | |
any mistakes at all. I know. I was watching closely. Len did say long | :25:41. | :25:44. | |
on performance and short on technique. How much time did you | :25:45. | :25:47. | |
actually spend perfecting the technique? You were in that studio | :25:48. | :25:52. | |
for days. Every single dance Mark does it's brand new dance. He never | :25:53. | :25:56. | |
did it in his life. Of course he's going to be short of technique. I | :25:57. | :25:59. | |
would be short of technique learning something completely different. I | :26:00. | :26:04. | |
just try to get as much of it in my body as I can. Some of it I find too | :26:05. | :26:08. | |
hard. Some of it I find body as I can. Some of it I find too | :26:09. | :26:28. | |
you have been trying desperately to put in one of your own moves for | :26:29. | :26:31. | |
weeks. I've got a request, next week, we | :26:32. | :26:38. | |
have to get this in. Dinosaur. | :26:39. | :26:46. | |
What? Oh, a dinosaur. Can we do that? Why? What I get out of this? | :26:47. | :26:54. | |
That's it. We're in. Raise your hand if you'd like to see it? See Really? | :26:55. | :27:01. | |
If we can have it in the choreography, I will give you a | :27:02. | :27:08. | |
whole packet of wine gums. Wine gums? Can I do the dinosaur in this? | :27:09. | :27:17. | |
The what? Dinosaur. Dinosaur? gums? Can I do the dinosaur in this? | :27:18. | :27:39. | |
with performance for you. Do you know what I said to her today, "Can | :27:40. | :27:46. | |
we put the dinosaur in? What did she say? She just looked at me. The | :27:47. | :27:50. | |
looks could kill. Will it be a sexy rumba or fun rumba? It's going to be | :27:51. | :27:57. | |
a proper rumba. Yeah, there will be a bit of fun in there. On the whole, | :27:58. | :28:02. | |
we're going to do a proper dance and you know, yeah. A bit of both. We've | :28:03. | :28:07. | |
been working technique today. Today was all about the foot work, | :28:08. | :28:11. | |
technique. What did you learn about the technique today, give me one | :28:12. | :28:15. | |
point, as a test. I learned that I can do the footwork on its own or | :28:16. | :28:21. | |
the hip on their own or arms on their own or put it together and | :28:22. | :28:25. | |
it's rather difficult. More dinosaur before you go. | :28:26. | :28:29. | |
So good. If we don't see that in the rumba, we'll be gutted. | :28:30. | :28:47. | |
So good. If we don't see that in the and Aljaz and talking tens with | :28:48. | :28:50. | |
Natalie and Artem. Our Karen will be here guiding me through the | :28:51. | :28:54. | |
Hallowe'en choreography. Don't miss that. See you tomorrow. Good night. | :28:55. | :29:00. |