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Hello dance lovers. It's Friday. This is It Takes Two. We are kicking | :00:08. | :00:14. | |
off your weekend with hopefully a brilliant show. Ashley and Ola will | :00:15. | :00:19. | |
be here. I will be heading to Elstree to catch up with the gossip | :00:20. | :00:23. | |
with Susanna and Kevin and I am joined by John Barrowman, the | :00:24. | :00:28. | |
gorgeous Emma Willis, From London, this is Strictly: It | :00:29. | :01:26. | |
Takes Two. Please welcome your host Zoe Ball! | :01:27. | :01:33. | |
APPLAUSE AND CHEERING Hello. Welcome to It Takes Two. It's | :01:34. | :01:38. | |
just 23 hours, 58 minutes and 29 seconds until our couples take to | :01:39. | :01:40. | |
the dance floor seconds until our couples take to | :01:41. | :01:59. | |
how long have you been there? This is where Hayley sits in the band. If | :02:00. | :02:07. | |
you come down here, an amazing girl who did a Charleston last week. It's | :02:08. | :02:12. | |
Susanna and Kevin. Nice to see you. Hello, nice to see you, too. After | :02:13. | :02:21. | |
the hilarity of Teen Wolf and Hallowe'en. You are the only one who | :02:22. | :02:24. | |
didn't have to dress up in full make-up and hair. Well done. 34 | :02:25. | :02:28. | |
points and you retained your place on the board. Were you expecting | :02:29. | :02:34. | |
that? No! Oh my goodness, it's always such a sense of jeopardy when | :02:35. | :02:40. | |
you go out. It's complicated and there was potential for it to go | :02:41. | :02:42. | |
wrong. Fantastic to get that many points. Brilliant. Well done. Yes, | :02:43. | :02:48. | |
well done both of you. The judges said your enjoyment is such a | :02:49. | :02:50. | |
pleasure said your enjoyment is such a | :02:51. | :03:08. | |
horrid bit of Saturday night. Are they getting better? Not really. You | :03:09. | :03:13. | |
think you are getting more adept at dealing with them but they still | :03:14. | :03:17. | |
come to grab you at that moment. They do affect your performance a | :03:18. | :03:20. | |
little bit. You have to think about them positively and use them. Yes, | :03:21. | :03:25. | |
of course. Sometimes if your legs go you can't actually move your leg. | :03:26. | :03:30. | |
The only criticism from the judges was that Susanna needs to improve | :03:31. | :03:35. | |
her crispness. Is this something you have taken on board? This week we | :03:36. | :03:38. | |
worked more than any other week on a lot of the technical type stuff | :03:39. | :03:43. | |
especially for this week because it's a slow dance you are more | :03:44. | :03:47. | |
exposed to the technique. So polishing it all the time this week | :03:48. | :03:52. | |
more than ever. You are doing a waltz to this song. | :03:53. | :03:54. | |
# You light up my life... waltz to this song. | :03:55. | :04:19. | |
bit... Yeah, it does make you go... You are going to be a Princess | :04:20. | :04:24. | |
again. When you do a ballroom dance everyone is like, she's a Princess. | :04:25. | :04:28. | |
Is it nice to have a break from the fastness of the flicks and kicks and | :04:29. | :04:35. | |
jumps of a Charleston? Is it easier for you? Does it make it easier for | :04:36. | :04:41. | |
you? It hasn't looked gentle for most of the week, no! Nor like a | :04:42. | :04:48. | |
Princess, I expect! Today went well, I was happy. He is full of cold. | :04:49. | :04:56. | |
This poor man. Every time he holds me his palms are like this. They're | :04:57. | :04:58. | |
dropping like flies. We have an A so much technique that we have done | :04:59. | :05:30. | |
this week. There's one word that strikes mere into my -- strikes fear | :05:31. | :05:38. | |
into my heart is technique. The judges want to see that. There's | :05:39. | :05:44. | |
been a lot of chat about hold and how long people are in hold and | :05:45. | :05:48. | |
whether junction are happy. Are you going -- judges are happy. Are you | :05:49. | :05:53. | |
going to be keeping Len happy? We are definitely in hold for most of | :05:54. | :05:57. | |
the dance, absolutely. It's a traditional waltz. Good. That will | :05:58. | :06:00. | |
keep everybody happy. We won't be doing illegal lifts. That's what he | :06:01. | :06:05. | |
was talking about last week, as well. They're starting to really | :06:06. | :06:10. | |
judge on these. This is what brings scores down. It's important for you | :06:11. | :06:13. | |
guys to get through this week. I know for you, because next week is | :06:14. | :06:18. | |
an important week. know for you, because next week is | :06:19. | :06:39. | |
be really special. Oh my goodness... Don't feel the pressure, love. Don't | :06:40. | :06:44. | |
let him down! I know how important it is to you. Fingers crossed. My | :06:45. | :06:49. | |
nan and grandad used to dance there. It's a magical place. The training | :06:50. | :06:54. | |
is paying off, we have read in the papers you have lost weight. Is that | :06:55. | :06:58. | |
true? I have lost half a stone. Go on, girl! I know what that means. | :06:59. | :07:05. | |
It's mostly through nerves and sweating. You are doing BBC | :07:06. | :07:10. | |
Breakfast News and training and you have your kids and your chap. A lot | :07:11. | :07:14. | |
going on. You probably don't have time to stop and eat. You are right. | :07:15. | :07:18. | |
I need to eat more food and put it straight back on. I have been | :07:19. | :07:23. | |
nervous about Kevin lifting me, I thought maybe I needed to lose half | :07:24. | :07:28. | |
a stone to a stone. Have you noticed the difference? I don't notice | :07:29. | :07:29. | |
a stone to a stone. Have you noticed about this at home. It's really | :07:30. | :07:47. | |
special. It's lovely. Will you be freshly shaven this weekend, Kevin? | :07:48. | :07:52. | |
Yeah, shaved it all off this week. I grew it especially. I can't believe | :07:53. | :07:56. | |
how quickly you grew that overnight. People like that wolfish look. Will | :07:57. | :08:01. | |
you do us the honours and give us a glimpse of your waltz? Everyone's | :08:02. | :08:06. | |
been really good. Go on. I might end up crying! Don't set us off. Let me | :08:07. | :08:13. | |
hold your lovely coat. That's what Kevin had on his face last week. Let | :08:14. | :08:18. | |
them set themselves up. You have all been good this week you can have a | :08:19. | :08:23. | |
peak at Susanna and Kevin's beautiful waltz. | :08:24. | :08:56. | |
Oh! I don't know about you but I have gone goosepimply. Now back to | :08:57. | :09:10. | |
her in the studio. I am not keen on her! It's six weeks to the final | :09:11. | :09:12. | |
which means our remaining celebrities have made it to the | :09:13. | :09:18. | |
halfway mark. Hurrah! How are they feeling about that? I can't quite | :09:19. | :09:25. | |
believe that I have got to the halfway mark. I am absolutely | :09:26. | :09:29. | |
thrilled, of course, that I am still here. It's kwond my expectations -- | :09:30. | :09:32. | |
beyond my expectations. It's completely rocked my world. I would | :09:33. | :09:35. | |
love to go all the way. It's something I would like to try - try | :09:36. | :09:41. | |
every dance and every minute of this show. I am proud of myself because I | :09:42. | :09:45. | |
have come quite a fair way. I am loving it. When you love something | :09:46. | :09:47. | |
and enjoy it you want to learn fantastic feeling. I am so, so | :09:48. | :10:08. | |
pleased. But it's really down to Kevin. He's been just brilliant. It | :10:09. | :10:15. | |
exceeded my expectation, I have had a great time, I have to say and I | :10:16. | :10:19. | |
have learned so much about dancing, about being outside my comfort zone. | :10:20. | :10:23. | |
I am a little bit proud of myself to make it this far, yeah. You never | :10:24. | :10:28. | |
know when your journey's over. You can't take it for granted. You have | :10:29. | :10:35. | |
to treat every dance as if it's your last. I basically take one dance at | :10:36. | :10:40. | |
a time. So be here at the halfway mark is pretty good, I think. I have | :10:41. | :10:45. | |
already sort of slightly surpassed my expectations. So, I am very proud | :10:46. | :10:49. | |
and excited to still be dancing and I won't waste the opportunity. I | :10:50. | :10:55. | |
have improved loads. If I am brutally honest I didn't think I | :10:56. | :10:57. | |
would make it this far. You brutally honest I didn't think I | :10:58. | :11:16. | |
he thinks will be top of the board this week? | :11:17. | :11:53. | |
Lucky thinks Anton and Fiona will hit the top spot. Fingers crossed or | :11:54. | :12:03. | |
he is out! Time to meet the panel. Suggs, Emma Willis and John | :12:04. | :12:06. | |
Barrowman! Suggs, Emma Willis and John | :12:07. | :12:27. | |
have ever felt more integrated in anything, it was a beautiful thing. | :12:28. | :12:33. | |
Let's remind ourselves of Iveta dancing around you with her groovy | :12:34. | :12:35. | |
hair. # They will always still be there. | :12:36. | :12:49. | |
You should take them on the road with you. I do too. I wanted to take | :12:50. | :12:54. | |
the whole set. One of those moments when the planets Clwyd in a success | :12:55. | :13:08. | |
-- collide in a Goodway. Who has impressed you? Mark. I didn't know | :13:09. | :13:11. | |
what to expect, if I am honest in the beginning. I think he's got | :13:12. | :13:16. | |
great rhythm. He really enjoys it and gets stuck in. I don't think | :13:17. | :13:35. | |
great rhythm. He really enjoys it It's great. We are in the daytime | :13:36. | :13:39. | |
line-up. Fantastic. Let's move on to this stuff! You are desperate to get | :13:40. | :13:46. | |
started. We will start with Patrick and Anya. They had a quickstep. This | :13:47. | :13:49. | |
week they're doing an American smooth. Let's look at them in | :13:50. | :13:54. | |
training. Suggs, what do you think of this? Beautiful. Yeah. Patrick | :13:55. | :14:00. | |
really has been coming on in the proverbial leaps and bounds. You are | :14:01. | :14:04. | |
studying his rise and fall there. Indeed. They're dancing to Harry | :14:05. | :14:14. | |
Connick Junior. # It had to be you. Barrowman starts singing, help us! | :14:15. | :14:18. | |
Emma, great song from a great movie. How good could this be? I think it | :14:19. | :14:23. | |
will be really good. I have been trying to get pointers from John. I | :14:24. | :14:25. | |
am not trying to get pointers from John. I | :14:26. | :14:45. | |
He never really finishes a move. Always finish the line. What's great | :14:46. | :14:51. | |
also is you have three different opinions. It's a great way to look | :14:52. | :14:56. | |
at it and learn. Natalie and Artem. It was tens for them last week. Here | :14:57. | :15:02. | |
they are. They're doing a jive to Proud Mary. Could this be a full | :15:03. | :15:07. | |
house, are you a fan, John? I am a fan of Tina Turner. She has to be | :15:08. | :15:15. | |
careful because she's kind of in a way peaked too soon for me. I like | :15:16. | :15:18. | |
to see something with progression. She's already right there. She's | :15:19. | :15:23. | |
very good. There's other people that are making that progression and | :15:24. | :15:26. | |
changes that may trump her. I personally think she's going to be | :15:27. | :15:30. | |
out in about two weeks. Really! That's big talk. Even this week or | :15:31. | :15:36. | |
next week. There's going to be an upset. Doesn't matter. For some | :15:37. | :15:37. | |
reason upset. Doesn't matter. For some | :15:38. | :15:55. | |
about Ben and Kristina. They're doing a jive this week. Emma, when | :15:56. | :16:00. | |
you look at a butch bloke like this are you surprised at how well he can | :16:01. | :16:03. | |
dance or not impressed? John can't even look! To be honest, how can | :16:04. | :16:11. | |
that not impress you? How can Ben not impress you? John's taken by | :16:12. | :16:22. | |
him. These two are in agreement on this. Suggs, are you taken by him | :16:23. | :16:26. | |
and what do you think of his dancing, that's what we should | :16:27. | :16:30. | |
discuss. These two aren't talking about his dancing. You know, he is a | :16:31. | :16:38. | |
big man. I have to say he is relatively sprightly for someone | :16:39. | :16:42. | |
that big. I wouldn't like to do that and probably couldn't. # Sweet | :16:43. | :16:46. | |
dreams... some bounce into the steps. | :16:47. | :17:09. | |
Kristina, knowing her... You danced with her, did you win a Christmas | :17:10. | :17:13. | |
special? I won the Christmas special, I think. Don't have the | :17:14. | :17:18. | |
trophy! She knows how to choreograph for guys like that. She really did | :17:19. | :17:22. | |
an exceptional job last week. He is someone you need to watch. He might | :17:23. | :17:27. | |
surprise us all and might take the trophy. I love all this! Sophie and | :17:28. | :17:34. | |
Brendan are doing the Argentina tango. First time anyone has done it | :17:35. | :17:41. | |
this series. It will be a version of this: # Sweet dreams. I love the | :17:42. | :17:46. | |
tango. From the glance at this performance I do feel, as I think | :17:47. | :17:55. | |
the judges do, she needs to give it more pizazz is the word I am | :17:56. | :17:57. | |
thinking of. It's more pizazz is the word I am | :17:58. | :18:17. | |
little bit. An energy drink before she goes on. She's relaxed. She | :18:18. | :18:23. | |
moves very well. But she's just a bit maybe too chilled and needs to | :18:24. | :18:30. | |
heighten everything a little bit. Say your piece. Three shots of | :18:31. | :18:36. | |
espresso and chuck your shoulders back and you will be fine. Dave and | :18:37. | :18:42. | |
Karen are doing a tango to The Proclaimers. This is his tango face. | :18:43. | :18:46. | |
I want honesty from you now. He is trying his hardest, is this a | :18:47. | :18:51. | |
winning week for Dave? They're saying he is putting character into | :18:52. | :18:55. | |
his face, I am not sure which character. It's Laurel or Hardy. I | :18:56. | :19:00. | |
am not seeing a lot of intensity there. Obviously he is trying very | :19:01. | :19:02. | |
hard, yeah. I am not really getting that face, no. Emma, people love | :19:03. | :19:07. | |
him. What do you think? I really like | :19:08. | :19:07. | |
him. What do you think? I really constructive criticism. It's great | :19:08. | :19:28. | |
he enjoys it but what's going to happen someone's a good dancer will | :19:29. | :19:32. | |
get voted out because he will be kept in. This is a show about | :19:33. | :19:36. | |
dancing. Part-personality, but the majority is about dancing. Don't | :19:37. | :19:42. | |
like someone maybe Artem and... Don't let them get knocked out | :19:43. | :19:46. | |
because someone is having a good time. All right. That's your | :19:47. | :19:49. | |
opinion. Let's look at Abbey and Aljaz. They were a big shocker in | :19:50. | :19:53. | |
the dance-off last week. Were you as shocked as the rest of us, Emma? I | :19:54. | :19:57. | |
was, I love Abbey. She's beautiful to watch. She's a great dancer. I | :19:58. | :20:03. | |
feel for her with her nerves and would like to see her go all the | :20:04. | :20:08. | |
way. She improves every week. This week she fought back. They've the | :20:09. | :20:15. | |
tune of the night, possibly. Cabaret. They're doing the | :20:16. | :20:16. | |
Charleston. They can't She would thoroughly enjoy it. This | :20:17. | :20:36. | |
is one of these situations where someone who is progressing and | :20:37. | :20:39. | |
growing watching that journey, this is exactly what's happening with | :20:40. | :20:42. | |
this couple. It's the journey, the progression. I really think she can | :20:43. | :20:47. | |
go far too. Abbey is a lovely girl. Lovely dancer. One of your | :20:48. | :20:53. | |
favourites, Emma, Mark and Iveta, they're doing the rumba. Iveta will | :20:54. | :20:59. | |
be wearing a gold catsuit and Mark will be a Bond villain. I want to | :21:00. | :21:07. | |
see them the other way around. Him in the gold. After watching him do | :21:08. | :21:12. | |
MC Mammer, he is stitch -- Hammer, he is such a good sport and up for | :21:13. | :21:21. | |
it. He has good timing and quite fluid, I feel. I look at John when I | :21:22. | :21:25. | |
make these comments. This is someone enjoying their time | :21:26. | :21:45. | |
make these comments. This is someone week. Last week they said she was | :21:46. | :21:52. | |
off time. Can she bring out a paso attitude? Dancing to Blur. I thought | :21:53. | :22:04. | |
I had heard and seen it all in my life. But... You know, either one of | :22:05. | :22:08. | |
those two things is hard to imagine. But the two combined is mind-blowing | :22:09. | :22:15. | |
for me, I have to say. It's beyond my comprehension. Who would you like | :22:16. | :22:20. | |
to see lift the trophy, Suggs? I am keen on Dave. I like Dave. Emma? One | :22:21. | :22:29. | |
name, please. Just one? Not two? No. Abbey. John? Ben and Kristina. OK. | :22:30. | :22:34. | |
Thank you so much. What a joy, please come back. Suggs, Emma and | :22:35. | :22:36. | |
John! attracted to the evil Ashley. That's | :22:37. | :22:59. | |
good. That really suits you. It's the detail missing. It's all there | :23:00. | :23:08. | |
but there are little faults that somehow don't get you to the next | :23:09. | :23:14. | |
level. I know you can and you will. Aggressive, dark, mysterious, I | :23:15. | :23:28. | |
really loved it. 33! Top score so far. Buzzing. Come on! | :23:29. | :23:34. | |
How good were they? Please welcome Ashley and Olo. -- Ola. Don't you | :23:35. | :23:43. | |
look saucy in your glasses! My teacher. Happy faces for Hallowe'en | :23:44. | :23:44. | |
for the two of you. You broke the teacher. Happy faces for Hallowe'en | :23:45. | :24:06. | |
have improved, at last. Ola, it was your first 9 since week two. Have | :24:07. | :24:09. | |
you been making the choreography harder? It does seem all the pros | :24:10. | :24:14. | |
are making things trickier? I have been tougher on Ashley, yes. We | :24:15. | :24:18. | |
worked really hard with not getting as many hours as everyone else but | :24:19. | :24:22. | |
we work really hard. So when we get into the studio I am pushing Ashley | :24:23. | :24:29. | |
as much as I can and the routine was quite hard. Yeah, working hard, | :24:30. | :24:33. | |
yeah. He can take the pressure. Darcey was attracted to the evil | :24:34. | :24:37. | |
Ashley. Craig also loved the aggressive dark side. I guess you | :24:38. | :24:43. | |
have had a bit of practice with Darren in Hollyoaks. Was it good to | :24:44. | :24:46. | |
do that role play? It's lovely to take on a character. It let's you | :24:47. | :24:50. | |
forget about you. You think you are someone else and that distracts you | :24:51. | :24:53. | |
from actually what's going on. That's exactly what a few other | :24:54. | :24:55. | |
people have said. You get into this bad! How is that going this week? We | :24:56. | :25:16. | |
worked really hard on posture, I can promise you that. We have so | :25:17. | :25:21. | |
hopefully we can get it right on Saturday. I am going to get it right | :25:22. | :25:25. | |
this week. We are going to be positive. We love to support our | :25:26. | :25:30. | |
dancers. We have had engineers work on this tricky contraption here. | :25:31. | :25:35. | |
This is your own glitterball broom. When you are at Hollyoaks and | :25:36. | :25:39. | |
getting breaks you can work on your posture and sweep up afterwards. I | :25:40. | :25:45. | |
might get James to do the housework. He is not busy at the moment, he | :25:46. | :25:52. | |
might as well. OK. Now Ola is often known as being bossy in the training | :25:53. | :25:56. | |
room. It seems this year things have reversed. I am worried you will let | :25:57. | :26:00. | |
me down on this dance. From the top, let's smash it. Do the whole thing | :26:01. | :26:06. | |
for me. What, me? Yeah, you. I am scared. | :26:07. | :26:24. | |
yourself. Good. What I wanted. Right, let's do it. Do it again. | :26:25. | :26:36. | |
From the top. OK. Any good? No, the second one. This is my dance class! | :26:37. | :26:44. | |
Sorry. I like it. The tables... I should be wearing them. I am the | :26:45. | :26:47. | |
teacher. You are the boss. It's the quickstep this week which is going | :26:48. | :26:52. | |
to be good for you. How is it going? It's really hard. I keep saying if | :26:53. | :26:57. | |
the tango was a 200-piece puzzle this is like 500. There's so many | :26:58. | :27:03. | |
steps. I thought what, are you for real? There's a lot of content. I | :27:04. | :27:07. | |
wanted to do a proper quickstep from beginning to end. No messing about. | :27:08. | :27:11. | |
It's full-on. Hopefully Ashley can keep the posture up and the head up | :27:12. | :27:14. | |
and he is going to be amazing. Even and he is going to be amazing. Even | :27:15. | :27:34. | |
Serious faces last week. This week more fun although complication down | :27:35. | :27:39. | |
here. Is it tricky? Yeah, but it's fun because it's fast. You feel like | :27:40. | :27:42. | |
you are running. It's a strange dance. Not sure if he loves it just | :27:43. | :27:47. | |
yet. Maybe by the end of tomorrow night you will love it. You have | :27:48. | :27:52. | |
done lots of fast dances, how is that stamina? The hard thing for me | :27:53. | :27:56. | |
is doing a full day at work and get there at night, it's the focus. | :27:57. | :28:00. | |
That's why I was doing that, trying to be like, come on, we are doing | :28:01. | :28:04. | |
this! Trying to tell yourself. It was false. Trying to keep on top of | :28:05. | :28:12. | |
it. Claudia said you have 11 children and 19 jobs, it's not that | :28:13. | :28:16. | |
much of an exaggeration, how are you coping? I want to say a massive | :28:17. | :28:22. | |
thank you to my fiancee, without her I couldn't do it. She is at home | :28:23. | :28:25. | |
with the kids. I couldn't do it. She is at home | :28:26. | :28:44. | |
please! It's the motherland of ballroom dancing. Go on, posture. | :28:45. | :28:48. | |
It's going to be brilliant. Ashley and Ola everybody! | :28:49. | :28:52. | |
APPLAUSE AND CHEERING That's all we have time for. Don't | :28:53. | :28:58. | |
forget to tune into Strictly tomorrow night 6.30pm BBC1. I am | :28:59. | :29:02. | |
back on Monday with the next couple to | :29:03. | :29:03. |