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You have been eliminated. Yes, I also come up to Blackpool. Did you | :04:02. | :04:10. | |
come alone? No, with Al-Yash. Who else? Susannah, Brendan. Loads of us | :04:11. | :04:14. | |
were on the train. We had a great time. Pretty much all the friends? | :04:15. | :04:18. | |
Yes, everybody in the competition? Yes, a lot of people still in the | :04:19. | :04:22. | |
competition. We don't let people who aren't in the competition sit with | :04:23. | :04:27. | |
us. We are definite definitely, we had a good time. Thank you. See you | :04:28. | :04:31. | |
later. Poor James. We'll see James later | :04:32. | :04:36. | |
on. Time for the first part of the Friday panel. Please welcome Jodie | :04:37. | :04:45. | |
Prenger, Jason Donovan and Ana Matronic. Give us a shimmy. Welcome, | :04:46. | :04:56. | |
you beautiful threesome. Jase, welcome back, we have missed | :04:57. | :05:03. | |
you in the glitter dome, former Strictly finalist. You have been to | :05:04. | :05:06. | |
Blackpool. How will the dancers be feeling right now? It's quite the | :05:07. | :05:10. | |
intimidating. We were at a different stage in the competition because it | :05:11. | :05:14. | |
was part of the final, but I think everyone is getting to know their | :05:15. | :05:18. | |
partners. I think there is a lot of tension. I think the stakes are | :05:19. | :05:28. | |
getting hotter and higher. It's a big stage. Ten times the other | :05:29. | :05:39. | |
studio. You know all about the importance of chemistry. Which | :05:40. | :05:45. | |
couple has the most of it? All the cupels have it. -- couples have it. | :05:46. | :05:51. | |
There is no way you can spend all the time together and no have a | :05:52. | :05:55. | |
rapport. I'm impressed with Abbey and Al-Yash. Abbey looks like a | :05:56. | :05:59. | |
proper professional dancer. It's exciting. Yes. Jodie, who have been | :06:00. | :06:06. | |
your favourites so far? Abbey's kind of grown every single week and she's | :06:07. | :06:11. | |
beautiful. Al-Yash! I always get his name wrong, but he's brilliant. I've | :06:12. | :06:17. | |
really enjoyed him. Very handsome as well. Sophie and Brendan are going | :06:18. | :06:21. | |
to do a quickstep in Blackpool. A lot of floor to cover. Jason, do you | :06:22. | :06:26. | |
think Sophie can impress with this? You know what is what. How did she | :06:27. | :06:32. | |
look? I was disappointed with her last weekend. The Argentine tango? | :06:33. | :06:38. | |
Yes, she hits and misses sometimes and I think it's got a lot to do | :06:39. | :06:44. | |
with her size. I also think Brendan is quite forward with his leading | :06:45. | :06:48. | |
that you tend to focus on him a little bit and sometimes not her. He | :06:49. | :06:55. | |
needs to stand back? Yes, he needs to let her shine a bit because he's | :06:56. | :07:01. | |
so busy with his stuff and he's like, yeah, come on. Do you know | :07:02. | :07:05. | |
what I mean, the like he needs to chill out. Dancing to the Lady Is A | :07:06. | :07:14. | |
Tramp. Classy. So good. Tradition. I like it. Susannah and Kevin are | :07:15. | :07:19. | |
doing the Paso Doble. It's all about fire and passion. Do you think that | :07:20. | :07:24. | |
she can put in a convincing performance from what you have seen | :07:25. | :07:29. | |
so far? She seems overwhelmed in a great way because this is something | :07:30. | :07:34. | |
so sqlout side her comfort zone and she's really competent at this | :07:35. | :07:42. | |
competition. -- so outside her comfort zone. I think she'll do | :07:43. | :07:47. | |
well. The beautiful waltz and beautiful dress last week were | :07:48. | :07:50. | |
great. What about that couple? Do you think they'll impress? They are | :07:51. | :07:54. | |
sufficient lovely people. I'm finding it hard seeing that passion | :07:55. | :07:59. | |
between them. I don't know actually. I'm hoping they will do well, but I | :08:00. | :08:04. | |
don't know. This will be the music, surely it | :08:05. | :08:09. | |
will help. Do you remember your paso? I do. And I forgot it just as | :08:10. | :08:15. | |
quickly, actually. It wasn't my greatest moment. I think she's got | :08:16. | :08:18. | |
to concentrate on the character because she comes across as herself | :08:19. | :08:22. | |
all the time, which is happy, Smiley and this is a very different | :08:23. | :08:27. | |
experience. A strong strong dance. Yes. Mark and itch Iveta, how are | :08:28. | :08:39. | |
they going to do this week? Mark is going to take the judges' comments | :08:40. | :08:45. | |
to heart. He's got a fantastic partner. They have a great rapport | :08:46. | :08:49. | |
and that comes through in the dancing. If he can pull it off with | :08:50. | :08:55. | |
two bad knees, he could do well. He's got really bad knees. He's done | :08:56. | :09:00. | |
amazing. They have this tune from Hairspray. | :09:01. | :09:05. | |
# You can't stop the beat... # It's amazing. Is this going to help | :09:06. | :09:11. | |
him, Jodie, because he's been in Hairspray? It's a phenomenal song. | :09:12. | :09:16. | |
He's my guilty pleasure, I love watching his face and everything so | :09:17. | :09:19. | |
I think he'll do really well in Blackpool. Come on, Mark! Natalie | :09:20. | :09:23. | |
and Artem missed last week but they are back this week with the | :09:24. | :09:26. | |
charleston. Here they are in training. Jason, this dance is just | :09:27. | :09:31. | |
as much about expression Aztec knee? It's so hard to fault her. I try | :09:32. | :09:38. | |
hard, but you know, she works so well with Artem and he's such a | :09:39. | :09:44. | |
strong dancer himself. It's hard to see them not being top of the | :09:45. | :09:48. | |
leaderboard. I also think what happened to her last week will help | :09:49. | :09:53. | |
the situation as well. She's going to come back in. She's dancing to | :09:54. | :10:00. | |
Will I A from the Great Gatsby. Great choice. Yes and a little bit | :10:01. | :10:06. | |
of thinking outside the box for the charleston. You say associationiate | :10:07. | :10:12. | |
it with the '20s. How can she concentrate with a scarf on her | :10:13. | :10:16. | |
head? ! A lot of acting in the charleston. Is that going to help | :10:17. | :10:21. | |
her? I'm sure she's danced many a time in the Rovers to that. She's | :10:22. | :10:25. | |
brilliant. Very, very strong. I hope not being their last week is not | :10:26. | :10:29. | |
going to stop the voters voting for her. That's the one thing I'm | :10:30. | :10:33. | |
worried about. We'll see. For now, Fiona and Anton are doing an | :10:34. | :10:37. | |
American smooth. How do you think they are looking? Jason, you know | :10:38. | :10:45. | |
Anton very well. How is he doing? I think she looks great in hold. She's | :10:46. | :10:50. | |
going to do well this week I think. Her arms and the length, the | :10:51. | :10:58. | |
stretches, you know, the lines, I've lost the terminology! It's in there | :10:59. | :11:05. | |
somewhere. Dancing to Frank Sinatra. Surely it's a win-win situation. | :11:06. | :11:18. | |
Many in the ballroom in Blackpool! He performed there once, Frank | :11:19. | :11:22. | |
Sinatra. All the greats have performed there. We'll get the | :11:23. | :11:26. | |
trolley out and brink a drink and talk to the panel again later. Ana, | :11:27. | :11:31. | |
Jason and Jodie. Frank Sinatra in Blackpool, really? ! James Jr. Sudan | :11:32. | :11:37. | |
is back to see what -- James Jordan is back to show us what mischief he | :11:38. | :11:41. | |
created in the tower. This next person I'm going to speak | :11:42. | :11:46. | |
to I haven't seen nearly enough of in the past few weeks and it's | :11:47. | :11:59. | |
breaking my heart. It's Ashley and Ola! We are in Blackpool, the Mecca | :12:00. | :12:05. | |
of dance. How does it feel? It's amazing. | :12:06. | :12:10. | |
Salute incredible. I saw the ballroom, walked in there and was | :12:11. | :12:16. | |
like wow -- salute incredible -- absolutely incredible. We haven't | :12:17. | :12:20. | |
danced in it yet so it's going to be incredible. Have you spaced it out | :12:21. | :12:24. | |
correctly do you think or are you waiting to see when you go there? | :12:25. | :12:29. | |
I'm going to pray we'll be OK. I leave that in your capable hands. | :12:30. | :12:34. | |
You are dancing the paso doble. How has it been going? Good. Monday | :12:35. | :12:39. | |
Tuesday I was worried because I don't think Ashley's dance was there | :12:40. | :12:47. | |
yet. Wednesday Thursday he turned it around and I was very pleased. When | :12:48. | :12:52. | |
I started this week, I thought after doing a few dances I knew the moves | :12:53. | :12:56. | |
and the posture got it right. Then I started and it was a new Langs wadge | :12:57. | :13:02. | |
completely and I didn't have a clue. It really scared me, to be fair. The | :13:03. | :13:07. | |
Paso Doble is different to all the other Latin dances. Posture and | :13:08. | :13:14. | |
everything. It's aggressive and Ola said to me last week, Ashley's such | :13:15. | :13:19. | |
a nice guy, I think he's going to struggle with the position do | :13:20. | :13:23. | |
believe lay. Do you think -- paso doble. Do you think being an actor | :13:24. | :13:29. | |
can help you? He smile all the time. She's like "be serious! " And I am | :13:30. | :13:36. | |
like "I am! " But in the night I get in character. I enjoy that about | :13:37. | :13:40. | |
this dance. It's so strong and passionate. I can't do that a lot of | :13:41. | :13:43. | |
the time, only when I really have to. Does he look masculine? Yes. I | :13:44. | :13:54. | |
heard you have got a cowboy theme to this? Yes. It's a cowboy theme in a | :13:55. | :14:00. | |
saloon. I don't want to say too much about it. It's going to be a big | :14:01. | :14:07. | |
surprise but Ashley is a bad cowboy. Last week, you danced the quickstep. | :14:08. | :14:11. | |
You got 35 points from the judges, your highest so far. Do you think | :14:12. | :14:15. | |
you can top that? I don't know. I hope we can top | :14:16. | :14:20. | |
that. We are going to do everything possible to top it. I'm really | :14:21. | :14:26. | |
worried that I might go backwards now, that's the thing with getting a | :14:27. | :14:30. | |
high score. We got 31 three weeks in a row, then 33, 35, so it makes | :14:31. | :14:35. | |
sense really to get maybe 37 this yike? Maybe, yes. 37. That would be | :14:36. | :14:41. | |
good. If you can bank 37 now, bank it, that's what I say. I want to go | :14:42. | :14:46. | |
up! 36 will do. When you are involved in the show, I understand | :14:47. | :14:51. | |
each week you want to improve, but that's not necessarily always shown | :14:52. | :14:54. | |
by the scores because you might not suit that dance as much as you | :14:55. | :14:58. | |
suited the quick step. I haven't seen it yet, I'm excited to see your | :14:59. | :15:03. | |
dance. I'm excited for you to see it. I wish you all the best. How | :15:04. | :15:07. | |
mentally are you going to prepare for tomorrow night now? I think we | :15:08. | :15:11. | |
are prepared mentally. We are ready to go. Yes, we can do it! | :15:12. | :15:17. | |
We can do it! We are mentally prepared, yes! Good luck. I can't | :15:18. | :15:23. | |
call you Quasimodo any more because you have fixed fixedture posture. | :15:24. | :15:30. | |
I'll think of a new name for you. Good luck -- you have fixed your | :15:31. | :15:35. | |
posture. Get a room, Jordan. He's a bit good! | :15:36. | :15:41. | |
I might take the week off next week. James managed to check in with ah | :15:42. | :15:44. | |
tome see how his neck was holding up. | :15:45. | :15:51. | |
Artem, we are in Blackpool, the Tower Ballroom. You made it, I | :15:52. | :15:58. | |
didn't. How is your neck? It's OK. OK or is it... ? No, it's OK, but | :15:59. | :16:03. | |
apparently I'm the curse of Blackpool. Every time I dance in | :16:04. | :16:09. | |
Blackpool my neck is injured. Let me do the test. Stay there. Artem. It's | :16:10. | :16:16. | |
still not great though is it? Let's be honest? ! You're dancing a | :16:17. | :16:22. | |
charleston? Yes. Which is pretty full on. Actually it's the first | :16:23. | :16:26. | |
time the charleston ever been done in Blackpool. Really? Yes. That's | :16:27. | :16:33. | |
quite amazing isn't it? Yes. You are going to be in the Strictly history | :16:34. | :16:39. | |
booked? Dwre, pretty much. I think I was the first person to dance the | :16:40. | :16:44. | |
charleston? Wembley. Just saying! I got three 10s and one 9, no | :16:45. | :16:48. | |
pressure. Anyway, moving on, it's not about me, it's about you. I'm | :16:49. | :16:52. | |
slightly concerned that when you dance the charleston, you are going | :16:53. | :16:57. | |
to be like this, "it's fine, it's fine", then if anything has to move | :16:58. | :17:01. | |
to the side, are we going to be turning like this? Can you just do | :17:02. | :17:07. | |
that for me and delay the head? Yes. Go on then. Hold on, which way do I | :17:08. | :17:15. | |
go - this way. Amazing! Listen, I hope you get a speedy recovery by | :17:16. | :17:19. | |
tomorrow because we need you on top form. Good luck. Thank you. | :17:20. | :17:25. | |
Thank you. It will be OK. He's Russian, he's tough! | :17:26. | :17:32. | |
Thanks,shippy Jimmy. Vicky Gill and her team have understandably gone | :17:33. | :17:38. | |
into overdrive. All right, Jase? Thanks. She couldn't be with us in | :17:39. | :17:41. | |
the studio, but luckily, James was able to catch up with her earlier on | :17:42. | :17:47. | |
in Blackpool. Put another shrimp on the barbie. | :17:48. | :17:51. | |
Promise you won't tell anyone if I try it on? Somebody will find out if | :17:52. | :17:57. | |
you try it on. Oh, hi, Zoe, I'm here with my most favourite person in the | :17:58. | :18:03. | |
world, Vicky Gill. What have you made for me this week? That is the | :18:04. | :18:06. | |
most important question? Nothing, you are out. Go on. You are not in | :18:07. | :18:10. | |
any more. OK. Have you got anything nice to show me because it's | :18:11. | :18:15. | |
Blackpool week? Yes, but not yours. Whose is this one because I like | :18:16. | :18:20. | |
that one? This is Anya's. They are doing a Samba, a Copacabana number | :18:21. | :18:25. | |
so it's really show time, feathers, lots of gold. The skirt's not been | :18:26. | :18:30. | |
trimmed because we haven't had anyone in forfeitings yet. It will | :18:31. | :18:32. | |
be slightly different by tomorrow. Might be a bit shorter? Yes. Not a | :18:33. | :18:38. | |
lot of it already. I know. I like the back. It's nice. Very | :18:39. | :18:48. | |
Samba-like. Very nice. And this one? This one, for me, I don't know | :18:49. | :18:53. | |
anything about dress-making, but I can see that every one of these has | :18:54. | :18:57. | |
been sown on individually. They have. Who is the poor person that | :18:58. | :19:01. | |
has to do that the? Not many personally. I help out when needed. | :19:02. | :19:08. | |
A lovely man named Ash is the chief embellishment officer. He works very | :19:09. | :19:13. | |
hardlet, they have been put on individually. The beads have been | :19:14. | :19:18. | |
sown on the strips at the bottom, very time-consuming. So I can't even | :19:19. | :19:24. | |
sew a button on. This is going to pop tomorrow night once we are in | :19:25. | :19:28. | |
show time. This also caught my eye. If I was, for example, to be into | :19:29. | :19:32. | |
dresses, this would make my eyes pop because it's blue. This is for one | :19:33. | :19:39. | |
of the ballrooms? Yes, all pros and celebs have the same shape and | :19:40. | :19:43. | |
silhouette. As you can see, if you look behind you... That's nice as | :19:44. | :19:49. | |
well. Everybody is going to have a net sticky-out skirt. So pro-girls | :19:50. | :19:53. | |
and celebrity girls wearing something similar to this? Yes. | :19:54. | :19:57. | |
That's cool. That will be an exciting number because there are | :19:58. | :20:01. | |
lots of things going on. Yes, there is. But not you. We have moved on | :20:02. | :20:06. | |
from there! This week in particular being Blackpool, have you found it | :20:07. | :20:10. | |
more stressful? Tiring, not necessarily more stressful. | :20:11. | :20:16. | |
Stressed? Never. Only with you, of course. What is this? It's pick on | :20:17. | :20:21. | |
James day! Out of all these, think very quickly, which is your | :20:22. | :20:26. | |
favourite one? I think my favourite one is just because it's quite | :20:27. | :20:30. | |
simple and I think that will be Sophie's. What dance is she doing? | :20:31. | :20:36. | |
The quickstep. Brendan would be very happy with | :20:37. | :20:40. | |
that. She's going to look gorgeous in that. I think so. Zoe, from us | :20:41. | :20:44. | |
back to you! Bye! | :20:45. | :20:49. | |
Love those two. Oi, say nothing. Last week, we sent Jeanette up north | :20:50. | :20:53. | |
to find out what makes the Blackpool Tower so special. Really, I thought | :20:54. | :20:57. | |
I paid my dues. I've come to the hottest seaside in | :20:58. | :21:02. | |
the whole of the UK. It's just a little bit different from what I'm | :21:03. | :21:09. | |
used to back home in Miami, but hey, this is Blackpool! | :21:10. | :21:16. | |
This year for the sixth time, the dancers will be performing in one of | :21:17. | :21:20. | |
the oldest, most historic ballrooms of all-time, the Tower Ballroom. | :21:21. | :21:24. | |
This isn't just any ballroom. Oh, no, this has tonnes to talk about. | :21:25. | :21:33. | |
The Tower Ballroom opened to the public in 1899 as a place for ladies | :21:34. | :21:42. | |
and gents to socialise. This dance space would have been | :21:43. | :21:47. | |
packed full of cupels waltzing and foxtrotting the night away -- | :21:48. | :21:57. | |
couples. Gentlemen could not dance without a lady and disorderly | :21:58. | :22:02. | |
conduct meant immediate expulsion. Better not let James in. Over 30,000 | :22:03. | :22:11. | |
individual blocks of mahogany, oak and walnut would make up this | :22:12. | :22:17. | |
incredible 120 foot dance floor. In 1959, the entire dance floor was | :22:18. | :22:22. | |
destroyed in a fire and it took two years and ?500,000 to bring the | :22:23. | :22:27. | |
damage back to its original state. We all love Strictly for its | :22:28. | :22:31. | |
sparkle, but this place was dazzling its guests way before glitter was | :22:32. | :22:35. | |
invented. These 14 beautiful chandeliers have over 80 bulbs each | :22:36. | :22:39. | |
and once a year, they are lowered to the ground and the lights are | :22:40. | :22:44. | |
inspected and cleaned by hand. Every inch of this ballroom is a | :22:45. | :22:52. | |
work of art. There is even even an inscription by William Shakespeare | :22:53. | :22:57. | |
meaning "let me speak and I'll tell you something interesting". I'm | :22:58. | :22:59. | |
listening! With over 100 years of history, the | :23:00. | :23:11. | |
Tower Ballroom still proves to be just as popular today as it was in | :23:12. | :23:16. | |
1899. Every day, the ballroom opens its doors for a tea dance, whether | :23:17. | :23:20. | |
it's a waltz or a cup of tea and a slice of cake, these people come and | :23:21. | :23:23. | |
experience the charm of this fantastic dance space. | :23:24. | :23:30. | |
Hi. Would you like to dance? Of course. Thank you. | :23:31. | :23:34. | |
Blackpool is always a highlight in the Strictly calendar, so when you | :23:35. | :23:37. | |
are sat at home on Saturday night, take a minute to appreciate the | :23:38. | :23:41. | |
beauty of the Tower Ballroom and all of the history it holds. With 100 | :23:42. | :23:46. | |
years of ballroom under one roof, here is so many, many more. Keep | :23:47. | :23:55. | |
dancing. Thank you Jeanette. My nan and | :23:56. | :24:02. | |
grandad used to dance there, Jodie used to say. We are getting | :24:03. | :24:08. | |
emotional. Let 's talk to our panel again, Ana Matronic, Jason Donovan | :24:09. | :24:18. | |
sand Jodie Prenger. Let's talk about these two. Do you | :24:19. | :24:24. | |
think he can snatch back the male crown? He's a good actor. He's so | :24:25. | :24:31. | |
strong, his face is so serious. You like that? Who's the man. I think he | :24:32. | :24:38. | |
can do well. One thing to remember with a paso doble, if you remember, | :24:39. | :24:42. | |
Jason? Well, it wasn't my greatest moment, in fact it was my lowest | :24:43. | :24:47. | |
score but there needs to be a lot of strength and you need to be very | :24:48. | :24:53. | |
harp. -- sharp. He's overworked at the moment and Ola's probably put | :24:54. | :24:57. | |
this dance at a poignant place to get it out of the way, you know. So | :24:58. | :25:02. | |
he can move on? Yes. Dancing to Bon Jovi. | :25:03. | :25:04. | |
# Shot through the heart # And you are to blame | :25:05. | :25:10. | |
# You give love a bad name... # How do you think that will go down | :25:11. | :25:12. | |
in Blackpool What will the crowd make of it there, Ana? Strictly Come | :25:13. | :25:18. | |
Dancing is a little different than a Scissor Sisters crowd but you never | :25:19. | :25:22. | |
know and it's sometimes the most unexpected choices can be the best | :25:23. | :25:28. | |
because it just defies logic and really throws people through a loop | :25:29. | :25:31. | |
so they really look at the dancing and how they interpret it. Fingers | :25:32. | :25:37. | |
crossed. Ben and Kristina are doing an American smooth. Let us look | :25:38. | :25:42. | |
back. Hey, Jason you got 37 for your American smooth with Kristina. It's | :25:43. | :25:47. | |
all about the lifts. Can Ben lift her? He's progressed a lot and she's | :25:48. | :25:53. | |
such a great choreographer. You know, I think this is going to be | :25:54. | :25:57. | |
very interesting for these two. They are going to play very much to the | :25:58. | :26:02. | |
whole lifting. We'll see, you know. It's a tough one when you have | :26:03. | :26:07. | |
someone like Patrick in the mould doing the Samba which we'll talk | :26:08. | :26:11. | |
about. Yes. This is what they are dancing to. A bit of Alisha Keys. | :26:12. | :26:18. | |
The Viennese waltz in there. # I keep falling in and out of love | :26:19. | :26:22. | |
with you... # Craig said last week, because he's | :26:23. | :26:25. | |
so built, he'll find it hard doing the elegant arms and stuff like | :26:26. | :26:29. | |
that. Easy hope he does, he's an athlete and fingers crossed. Patrick | :26:30. | :26:35. | |
and Anya and their Samba. They are dance dancing to Barry Manilow. We | :26:36. | :26:45. | |
are all Fanilows here. These are on the way up, you know. I think it's | :26:46. | :26:50. | |
about character and personality and he's been in the background. He | :26:51. | :26:55. | |
hasn't scored as well as we thought and all of a sudden he's scored | :26:56. | :26:59. | |
well, they have chosen a great dance this week and I think he's going to | :27:00. | :27:10. | |
shine. I think that is twirking. I don't know what that is? . It's | :27:11. | :27:17. | |
shaking the bum and the hips. I was really impressed by his performance | :27:18. | :27:20. | |
last week. He was leading her and she's the celebrity and not the | :27:21. | :27:24. | |
professional and he absolutely looked like he was leading that | :27:25. | :27:29. | |
dance. He's got the command. "Command" I like that. These two are | :27:30. | :27:39. | |
best friends. Abbey and Al-Yash are doing a quick step. Will they do | :27:40. | :27:45. | |
well this week? I think she's obviously, you know, doing extremely | :27:46. | :27:49. | |
well. I think she moves well. I think the partnership there is good. | :27:50. | :27:53. | |
I would like her to concentrate on the dancing sometimes than looking | :27:54. | :27:57. | |
at the hair and all the other things that are going on. She's a little | :27:58. | :28:02. | |
girl. I like that as well, it's part of her charm but it's about your | :28:03. | :28:06. | |
personality as well. They are dancing to this. | :28:07. | :28:11. | |
# I'm walking on sunshine... # Everybody will be bopping with this | :28:12. | :28:16. | |
one. I think there is a great connection with them so that song | :28:17. | :28:21. | |
will be going well in Blackpool. Who would you like to see lift the | :28:22. | :28:26. | |
glitterball Torode any, Ana, one name. Come on? I'll go for the dark | :28:27. | :28:31. | |
horse and say Ben because he's my buddy. Jason? I would like to say | :28:32. | :28:39. | |
Ben but Patrick. Jodie? Abbey. Thank you so much, Jason, Ana and Jodie. | :28:40. | :28:44. | |
Thank you to my guests and to James and to Janet, don't forget to tune | :28:45. | :28:48. | |
in tomorrow, 6. 6.30, BBC One, Strictly Come Dancing from | :28:49. | :28:51. | |
Blackpool. I'm back on Monday, I'll be joined by the next couple to | :28:52. | :28:58. | |
leave and I'll see you later on when I join Terry for Children In Need. | :28:59. | :29:01. |