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Welcome to It Takes Two. It is Monday and we are kicking of the | :00:00. | :00:11. | |
week with a great line-up. Despite a first class attempt, the judges put | :00:12. | :00:16. | |
them on the first plane home. Say goodbye to Fiona and Anton. Joining | :00:17. | :00:24. | |
them, Sophie and Brendan. He is no tramp. He might have been | :00:25. | :00:30. | |
the only jud not to have given a top score, but we give him ten out of | :00:31. | :00:34. | |
ten anyway, Craig Revel Horwood is here. This is Strictly: It Takes | :00:35. | :00:40. | |
Two. . | :00:41. | :01:18. | |
Live from London, this Strictly: It Takes Two. Please welcome your host, | :01:19. | :01:29. | |
Zoe Ball. Hello and welcome to Monday's It | :01:30. | :01:35. | |
Takes Two. What a spectacular weekend it was as our couples danced | :01:36. | :01:43. | |
in Blackpool's famous Tower Ballroom. In case you missed any of | :01:44. | :01:48. | |
the action, here are our Strictly headlines. | :01:49. | :01:52. | |
Good evening. Here is the news. There were ruffled feathers on the | :01:53. | :01:57. | |
dance floor, but it wasn't because of the judges! | :01:58. | :02:04. | |
What a professional, you are. The way you got out of it and carried on | :02:05. | :02:13. | |
was wonderful. Not many people can really do it as well as that. | :02:14. | :02:15. | |
Believe me. It is about the recovery. Len | :02:16. | :02:22. | |
decided to dust off his ten paddle as he dished out the ten score not | :02:23. | :02:32. | |
once, not twice, but trice. From Len, the ten! | :02:33. | :02:44. | |
Ten. Spectacular. Ten. And he has been talking about it for | :02:45. | :02:49. | |
weeks and it seems that Mark's power of persuasion paid off as Iveta let | :02:50. | :02:55. | |
him use his signature move, the dinosaur! | :02:56. | :03:03. | |
Oh, we loved it. Thank you, Mark. Those were the Strictly headlines. | :03:04. | :03:12. | |
Thank you very much. There it is. And if all that is | :03:13. | :03:17. | |
still not enough, here is some exclusive footage from behind the | :03:18. | :03:21. | |
scenes. Aren't we good to you? We are so good. | :03:22. | :03:33. | |
Welcome to Blackpool. You can hardly feel the buzz. You | :03:34. | :03:38. | |
can hardly feel the magic of it. Bring on tonight. | :03:39. | :03:46. | |
It feels great because it is one of the most beautiful ballrooms you can | :03:47. | :03:53. | |
dance in. It is cold up in Blackpool. So I | :03:54. | :03:58. | |
just thought we brought some little heaters. Come on you. | :03:59. | :04:10. | |
Did you think you were going to be out on the Blackpool floor with the | :04:11. | :04:16. | |
Strictly lot dancing around like lunatics? It is great, isn't it? Do | :04:17. | :04:21. | |
you think I am ea better dancer than Brendan? | :04:22. | :04:28. | |
No! Blackpool! We have 80 dancers in. It | :04:29. | :04:38. | |
is a wee bit of a squeeze in here. This is the sorry corridor. If you | :04:39. | :04:43. | |
look down the corridor, it is very tight and when people walk through | :04:44. | :04:48. | |
all the time, people are trying to stop them, sorry. Stay here for a | :04:49. | :04:53. | |
little bit and see how many people actually say sorry when they walk | :04:54. | :05:11. | |
past. I don't understand it. Sorry. Sorry. It is mine and Mark's | :05:12. | :05:23. | |
birthday today. Happy birthday. You made 60 cakes. I wasn't sure what | :05:24. | :05:28. | |
you liked! This is a pin. This is another pin. What is in? Where are | :05:29. | :05:33. | |
we living? I concur. I was on here trying to have a little snooze, you | :05:34. | :05:39. | |
know, and of course, I got up and voila! I have a microphone taped on | :05:40. | :05:53. | |
to my shoes so every time I stamp and make flamenco noise, it will | :05:54. | :06:03. | |
make some noise! It is show time! | :06:04. | :06:12. | |
I'm nervous. I'm looking forward to it. Good luck, everybody. The whole | :06:13. | :06:24. | |
show is going on without you. The nine couples are dancing down the | :06:25. | :06:28. | |
pier. Oh yes. Unfortunately one is going to drop of the end. Sink | :06:29. | :06:38. | |
without trace. Oh no! This is Strictly Come Dancing. | :06:39. | :06:46. | |
Nice to see you, to see you. Oh, what a weekend, but it was time | :06:47. | :06:50. | |
for someone to fly the Strictly nest on Saturday. They are here now, | :06:51. | :06:57. | |
please welcome Fiona and Anton. Oh hello, you gorgeous, gorgeous | :06:58. | :07:02. | |
monkeys. I am so sorry to see you go, can I just say Fiona, you looked | :07:03. | :07:06. | |
stunning out on the dance floor and I thought you were so gracious last | :07:07. | :07:12. | |
night and I thought you took that so well. You were wonderful. How are | :07:13. | :07:15. | |
you feeling today? I feel fine, thank you. I just had the most | :07:16. | :07:19. | |
amazing adventure and as I said, it is like being at the best party in | :07:20. | :07:23. | |
the world. I have had people making me look glorious and beautiful | :07:24. | :07:28. | |
costumes and make-up and hair and everybody just spoils you to death. | :07:29. | :07:32. | |
So for the last few months, I have been on a sort of different planet. | :07:33. | :07:41. | |
You have. I like it. I want to be on that planet. It was your first dance | :07:42. | :07:46. | |
off as well, Anton, how confident did you feel going into the | :07:47. | :07:51. | |
dance-off against Mark and Iveta? Well, you want to give it your best | :07:52. | :07:57. | |
shot. You don't want to invite your opponent into next week and not try | :07:58. | :08:02. | |
your best. I felt we could do a good job. I was pleased with the first | :08:03. | :08:06. | |
performance and I loved the dance and it looked incredible. So I was, | :08:07. | :08:12. | |
you know, happy with the way we felt about it, but Mark's dance was | :08:13. | :08:17. | |
great. Mark and Iveta, it was a tremendous number. It is so hard, I | :08:18. | :08:20. | |
think, at this point, it is getting harder and harder for the judges to | :08:21. | :08:24. | |
choose and also your second highest score of the series, how wonderful | :08:25. | :08:28. | |
to go out on such a high? Well, I think we really went out with a | :08:29. | :08:33. | |
bang, because Blackpool the whole experience was an extraordinary show | :08:34. | :08:37. | |
because we were in o two of the group dances and I had three | :08:38. | :08:41. | |
magnificent costumes to wear and the show was unbelievable and we had a | :08:42. | :08:45. | |
really lovely score. Mark was incredible in the dance-off and he | :08:46. | :08:48. | |
didn't go wrong and I did so, you know, the judges were right. | :08:49. | :08:56. | |
Oh, bless you. Anton, you are Mr Ballroom, how happy were you to take | :08:57. | :08:59. | |
Fiona to Blackpool and have that experience? Well, I was thrill | :09:00. | :09:03. | |
because it is a part of Strictly Come Dancing, going to Blackpool, | :09:04. | :09:07. | |
dancing at Blackpool and Fiona has been a Strictly Come Dancing fan | :09:08. | :09:10. | |
since the beginning so to do Strictly Come Dancing and also to | :09:11. | :09:13. | |
get to Blackpool and for me to be able to do a ballroom dance, the | :09:14. | :09:18. | |
American Smooth is like a little bit of a cherry on the cake, it was just | :09:19. | :09:22. | |
perfect. It really, really was. You didn't | :09:23. | :09:25. | |
manage the lift in the dress rehearsal and we know you were | :09:26. | :09:28. | |
scared about doing it. How much of a fear did you have as it was | :09:29. | :09:31. | |
approaching during the dance? Well, that's the problem. If you think, " | :09:32. | :09:35. | |
I can do this. I can do this. I have done it a million times in | :09:36. | :09:40. | |
rehearsals. " In the dress run, I didn't pull it off and Anton | :09:41. | :09:46. | |
couldn't see where my leg was! And then when we, on the night, I | :09:47. | :09:50. | |
thought, just go for it and it wasn't great. It is my fault. But | :09:51. | :09:54. | |
then you did it again and the best bit was in your final waltz, after | :09:55. | :10:01. | |
we said goodbye, I love you, you were going, "Come on." It was | :10:02. | :10:06. | |
stunning. Let's have have a look at your Strictly story. The dancer who | :10:07. | :10:12. | |
will make you shaken and maybe a little bit stirred is Anton. | :10:13. | :10:17. | |
My dreams came true when I was partenered up with Anton, I'm such a | :10:18. | :10:25. | |
lucky girl. She is just a joy to be in in the studio. Enthusiastic, | :10:26. | :10:29. | |
bubbly and fun so we're going to have a great time. | :10:30. | :10:32. | |
Mr Wonderful, that's you. I love him. | :10:33. | :10:40. | |
It is lovely to see Anton actually dancing this series! Well, there | :10:41. | :10:46. | |
were one or two little incidents, but he was as sharp as a lemon tart. | :10:47. | :10:50. | |
I didn't think I was that nervous, but it really kicked in big time. I | :10:51. | :10:55. | |
thought this was going to be a wa you can in the park, but it is more | :10:56. | :10:59. | |
complicated and technical than I thought it was going to be. Kick and | :11:00. | :11:05. | |
point and kick and point. I thought you were very good up | :11:06. | :11:09. | |
until the point you kicked Anton in the shin! You cannot go wrong | :11:10. | :11:14. | |
anymore. He is right, I can't afford to go wrong. I have been better | :11:15. | :11:19. | |
rating myself for the last few days for letting Anton down. It is | :11:20. | :11:24. | |
important I don't do that again. I thought the whole thing was | :11:25. | :11:29. | |
extremely eloquent and beautifully done. | :11:30. | :11:34. | |
APPLAUSE I was thrilled we got 28 points. I | :11:35. | :11:37. | |
don't think I have had 28 points in the last three series added | :11:38. | :11:42. | |
together! I'm hoping that my rumba will be enough to get my through. | :11:43. | :11:53. | |
You do lose focus, you have got to survive so bring out the fight in | :11:54. | :11:57. | |
you next time. I don't know what's wrong with me. I get out there and I | :11:58. | :12:00. | |
just go to bits. Fortunately, we got the opportunity | :12:01. | :12:04. | |
to come back this week and do the quickstep. What did I get wrong? | :12:05. | :12:09. | |
Nothing. It was all perfect. I am feeling so much happier. It is | :12:10. | :12:15. | |
coming. Lovely. Fiona is finally putting on the glitz. High spirit in | :12:16. | :12:20. | |
high society. Such flair. Your best dance. Seven. Eight. Positive mental | :12:21. | :12:30. | |
attitude. Anton and I have become very good | :12:31. | :12:33. | |
friends. We have a very similar sense of humour. He just cracks me | :12:34. | :12:41. | |
up. We are going to be friends for life whether she likes it or not | :12:42. | :12:45. | |
quite frankly. The whole dance was just too light | :12:46. | :12:51. | |
and well-behaved. That's the way I was brought up. The great thing | :12:52. | :12:55. | |
about Fiona, she really does want to improve. | :12:56. | :13:00. | |
Oh, Fiona, I like your dark side. When you go dark and aggressive. I'm | :13:01. | :13:05. | |
thrilled I'm going to Blackpool, to step inside that beautiful ballroom | :13:06. | :13:10. | |
will probably take my breath away. The attitude was first class. The | :13:11. | :13:14. | |
movement business class and the lift was a little bit economy. Never! | :13:15. | :13:21. | |
Never. Judges, it is time to decide. I would like to save Fiona and | :13:22. | :13:29. | |
Anton? Mark and Iveta. Mark and Iveta. I have had the best time | :13:30. | :13:33. | |
simply because of you. You are the most lovely person I could have | :13:34. | :13:37. | |
possibly met. You are gorgeous and I love you and I so hope you have | :13:38. | :13:41. | |
enjoyed it because I have he a enjoyed it and you are a star. | :13:42. | :13:48. | |
APPLAUSE Isn't it wonderful when you see how | :13:49. | :13:52. | |
many incredible dances you have done. Anton, how proud are you? | :13:53. | :13:58. | |
Well, I am emore newsly proud because -- enormously proud. There | :13:59. | :14:03. | |
is so much to enjoy. To come back to the beginning when you can't do a | :14:04. | :14:06. | |
step and you are racked by nerves. The numbers were great numbers, you | :14:07. | :14:12. | |
know. Stunning. They were super numbers, floor spins and lifts and | :14:13. | :14:16. | |
lots of content. You have been tremendous and you should give | :14:17. | :14:20. | |
yourself a huge, you should look back on it fondly and be proud of | :14:21. | :14:23. | |
yourself because you have done a lot of dancing and tremendously well. So | :14:24. | :14:28. | |
well done you. Thank you, I have had the best time. Was there a dance you | :14:29. | :14:34. | |
hadn't had a chance to do? Well, I would like to do the salsa. Who | :14:35. | :14:43. | |
would you like to see go and lift the glitter trophy? Tony. I have two | :14:44. | :14:50. | |
favourites. Abbey is one because she is my adopted daughter and when we | :14:51. | :14:54. | |
went out, she came up to me and said, "Mummy." But I would love | :14:55. | :15:00. | |
Sophie to win. She is stunning. She is stunning. And Anton? I don't | :15:01. | :15:06. | |
care. I would like to see old Brendan. Go on, son. Do it again. | :15:07. | :15:13. | |
Come on. Go on, Brendan. You have been a true lady. You are such a joy | :15:14. | :15:18. | |
and a true gentleman. We shall miss your faces around these parts. Well | :15:19. | :15:25. | |
done, Fiona and Anton. Thank you very much. Well done, thank you. | :15:26. | :15:28. | |
I don't want to say goodbye to anybody. In a minute, Craig will be | :15:29. | :15:32. | |
sharing his views from Saturday's night's performances, but can you | :15:33. | :15:36. | |
tell me who this former celebrity contestant is? I have no idea. | :15:37. | :16:07. | |
Find out later if you got that right. On Saturday night, he had | :16:08. | :16:14. | |
everyone talking about his lacklustre scores. It is time to | :16:15. | :16:17. | |
find out what he was playing at. Please welcome the gorgeous, Craig | :16:18. | :16:21. | |
Revel Horwood. APPLAUSE | :16:22. | :16:23. | |
Hello darling. Hello darling. How much did you enjoy your trip to the | :16:24. | :16:27. | |
seaside? I loved it. It was really great. It was so exciting, I thought | :16:28. | :16:32. | |
the opening number was sensational. It really was. All the dances took | :16:33. | :16:37. | |
ages, the big frocks and everything. It really set the mood and what a | :16:38. | :16:43. | |
night of dancing. You were the only judge not to, to save Fiona, were | :16:44. | :16:48. | |
you cross with the other judges? Yes, only because I thought there | :16:49. | :16:51. | |
was more content in her dance. That's all. I mean, I know she went | :16:52. | :16:56. | |
wrong in the soft shoe section, but that was small in comparison to how | :16:57. | :17:00. | |
much actual dancing was in her routine and I thought she danced, | :17:01. | :17:03. | |
you know, the majority of that dance extremely well. So in my opinion, | :17:04. | :17:08. | |
and it is only my opinion, I thought they were the better of the two. OK, | :17:09. | :17:13. | |
well she took it very graciously. Let's discuss the dance on Saturday | :17:14. | :17:25. | |
night. Abbey and Ali. Did she really deserve the seven and tell me what | :17:26. | :17:29. | |
wrong in your eyes? Well, her frame as I said was loose and she was | :17:30. | :17:33. | |
dancing with it and that's unfortunate because you really | :17:34. | :17:37. | |
should not be dancing with your frame throughout. There was a lot of | :17:38. | :17:44. | |
gapping going on. She did a little run, run and both, you know, the | :17:45. | :17:50. | |
couple does a leap at the same time and her frame collapsed at that | :17:51. | :17:54. | |
point and I thought to be honest, it was only worth a seven. And I mean, | :17:55. | :17:59. | |
I was horrified to look down the line of judges when the tens came | :18:00. | :18:03. | |
out because we know not what anybody else is scoring because I was really | :18:04. | :18:10. | |
amazed. Really. I was taken a back actually. You have explained | :18:11. | :18:12. | |
yourself. That's fine. Natalie and Artem and their Charleston. You | :18:13. | :18:16. | |
called it sensational. You didn't have any criticism. Maybe they | :18:17. | :18:20. | |
didn't have time, but again, no ten from you. How could you fault this? | :18:21. | :18:25. | |
Well, I faulted in respect to not the dancing, so much as the | :18:26. | :18:29. | |
personality and the quirky nature of that dance. Now, in every dance, | :18:30. | :18:33. | |
Zoe, whether it be a tango, whether it be a Charleston or any dance you | :18:34. | :18:37. | |
have to bring a certain character to it. I feel that she was a little bit | :18:38. | :18:42. | |
too clean on her feet and I know that sounds odd, but I felt it was | :18:43. | :18:47. | |
just too precise, too clean and it wasn't quirky enough. I know that's | :18:48. | :18:52. | |
weird... It is so impossible. You need to be more... You need to be a | :18:53. | :18:56. | |
little hunch of shoulder and a little bit quirkier. | :18:57. | :19:03. | |
If she hunched her shoulders, you would have gone, "Hunched soldiers." | :19:04. | :19:17. | |
Now this couple. There was the wardrobe mall fuption. That | :19:18. | :19:20. | |
shouldn't have happened and sometimes it does. It probably | :19:21. | :19:24. | |
through him a little bit. He went wrong I think twice and you know, I | :19:25. | :19:31. | |
just didn't think it was, you know, up there. He is fantastic and I am | :19:32. | :19:36. | |
not attacking them when I'm giving them low scores, it is not my fault | :19:37. | :19:40. | |
they are dancing badly. I can only have an opinion about what I see. | :19:41. | :19:47. | |
Yes. I have got numbers from ranging from one to ten so as you know and I | :19:48. | :19:55. | |
like to use them! A one and a zero. Suzanna and Kevin and their paso | :19:56. | :20:01. | |
doble. You called it fabulous. Yeah. Again. No ten. What was missing for | :20:02. | :20:07. | |
you? Any detail? Style. Right. It was the style of the whole thing. | :20:08. | :20:11. | |
She has got all the steps there and it is almost there, but it just | :20:12. | :20:17. | |
needs to be a little more, she needs to be prouder. She is fantastic, I | :20:18. | :20:20. | |
love her, but I don't know whether she is going to ever be a ten girl. | :20:21. | :20:27. | |
Really? I'm just flagging that. For me. Don't listen, Suzanna. Mark and | :20:28. | :20:32. | |
Iveta and their jive. Here is where you were very grumpy. He went out | :20:33. | :20:36. | |
and gave it that performance and you gave him a five which, it seemed so | :20:37. | :20:42. | |
harsh? I know, it seems harsh, but life unfortunately is never fair, is | :20:43. | :20:47. | |
it? You know, this was... I am glad you weren't my dad. It is tough out | :20:48. | :20:53. | |
there. Deal with it. It is tough out there and dancing is one of the | :20:54. | :20:57. | |
toughest professions in the world. I grew up as a dancer and I was | :20:58. | :21:01. | |
whipped into shape. Let's not go into that now? I enjoyed that sort | :21:02. | :21:07. | |
of thing normally, but I have got to say, you know you have to take it | :21:08. | :21:10. | |
professionally and you have got to be able to take the criticism and if | :21:11. | :21:13. | |
you don't know what's wrong with your dancing and if you know, I | :21:14. | :21:17. | |
really don't want to be lying to people out there. It is nice to know | :21:18. | :21:19. | |
what is happening with request your body so you can come back and be | :21:20. | :21:25. | |
amazing the week after. Ben and Kristina and their American smooth | :21:26. | :21:29. | |
and your criticism of Ben, you wanted to see more smile when he is | :21:30. | :21:33. | |
out of hold? Every time, he released from hold, his arms were very | :21:34. | :21:37. | |
juvenile, if you like. You know, they were naive and by that, I mean | :21:38. | :21:43. | |
there was no stretch, no shaping, no art tistry, no form to them and he | :21:44. | :21:50. | |
really does need to work on that. Dancing isn't just about the partner | :21:51. | :21:53. | |
work, when you are out of hold, you have got to look spectacular. He | :21:54. | :21:57. | |
could learn a lot by watching a couple of movies by Fred Astaire. | :21:58. | :22:08. | |
Well, I am glad you enjoyed your weekend away. Lovely to have you | :22:09. | :22:12. | |
here. Craig Revel Horwood. APPLAUSE | :22:13. | :22:14. | |
Earlier, we tested your Strickly knowledge, it is time to see if you | :22:15. | :22:27. | |
got it right. I was on Strict ly in 2010. | :22:28. | :22:34. | |
It me, Peter Shilton. It is Peter Shilton. On Saturday | :22:35. | :22:39. | |
night, their quickstep kicked the show off with a bang. We will be | :22:40. | :22:43. | |
talking to them in a minute, but let's remind ourselves of Sophie and | :22:44. | :22:48. | |
Brendan's weekend in Blackpool. I think this place really works its | :22:49. | :22:52. | |
magic because your performance level tonight my darling was so much | :22:53. | :22:57. | |
better. I thought it was a little bit loose, a little bit jagged, the | :22:58. | :23:01. | |
whole dance, but I have to agree with Bruno, the story telling was | :23:02. | :23:06. | |
absolutely ten phenomenal. You were flying around that. Your hair was | :23:07. | :23:11. | |
wafting out like you were walking down the prom on a windy arch. It | :23:12. | :23:16. | |
was absolutely spot on. You came alive. It is a spirited and | :23:17. | :23:21. | |
energetic dance. Divine. Well done. Seven. Nine. | :23:22. | :23:25. | |
It was just brilliant. I thought you were going to come out and shine and | :23:26. | :23:28. | |
you did more than that. Shocked. I'm so proud. | :23:29. | :23:37. | |
Please welcome Sophie ands Brendan. APPLAUSE | :23:38. | :23:39. | |
What an opening to the show, you looked glorious and your hair looked | :23:40. | :23:43. | |
stunning and I love that bit when you leaped into the boys arms. Was | :23:44. | :23:48. | |
it a total thrill? It was. The whole thing actually. Just before I | :23:49. | :23:54. | |
danced, I was very, very nervous and actually the little VT they showed | :23:55. | :23:59. | |
with my mum and I, I don't want to waste this real one off, dancing in | :24:00. | :24:04. | |
Blackpool ballroom by being nervous and I really want to enjoy this. I | :24:05. | :24:09. | |
thought this is my quickstep, take it or leave it. I was sat watching | :24:10. | :24:15. | |
you with my mum and we looked at each other. Brendan, how amazing was | :24:16. | :24:19. | |
it for you guys and how nervous, were you opening the show? There is | :24:20. | :24:23. | |
an added pressure to opening the show. There is a big responsibility | :24:24. | :24:27. | |
and it is an honour because generally I think the show want a | :24:28. | :24:32. | |
big opener and a big closer so you are the chosen one and do it right. | :24:33. | :24:39. | |
Generally we use the beginning of the show to get focussed, we didn't | :24:40. | :24:44. | |
have that time. It is like bang, do it. I loved the dance. I felt | :24:45. | :24:47. | |
magnificent out there. I was so proud of this one and yeah, nailed | :24:48. | :24:52. | |
it. I kno You could feel thatmed coulding through the tele box and | :24:53. | :24:56. | |
the judges loved your story telling as well. Was that something to thank | :24:57. | :25:00. | |
your mum for as well? Yeah, it was helpful actually of. It was really | :25:01. | :25:03. | |
helpful and she brought along photos as well of me when I was small and | :25:04. | :25:08. | |
saying, she showed me them and said this little person wouldn't be | :25:09. | :25:12. | |
frightened to go out there and do it and she got teary again because she | :25:13. | :25:17. | |
does that all the time and I was really touched by how much she had | :25:18. | :25:21. | |
put into the advice she wanted to give me. I thought I should have | :25:22. | :25:26. | |
asked her earlier. There was criticism of your top | :25:27. | :25:28. | |
line, you were going so fast around that floor and it was so intricate, | :25:29. | :25:32. | |
is this something that happens with the speed and everything? It | :25:33. | :25:34. | |
probably happened because I started on the Monday! I haven't really | :25:35. | :25:41. | |
learned how to do it yet. I will persevere. If I get the opportunity | :25:42. | :25:45. | |
to do another ballroom, the frame will be my first port of call, not | :25:46. | :25:48. | |
the last and always concentrate on the footwork and I leave the line to | :25:49. | :25:54. | |
the last bit, but I will put my shaping in first, I promise. It is a | :25:55. | :26:02. | |
lot to learn in a short space of time. She has the frame, but it is | :26:03. | :26:06. | |
maintaining the frame. I thought goodness me, that's a bit fast. I | :26:07. | :26:11. | |
should have slowed it down a little bit. I says that in hindsight. Bless | :26:12. | :26:17. | |
you. The dance floor wasn't as big as you hoped for, apparently, they | :26:18. | :26:21. | |
made it smaller. Were you worried about colliding with the props and | :26:22. | :26:26. | |
the audience? You picture the Blackpool ballroom and with the | :26:27. | :26:32. | |
audience seats, it was a big space, but I had choreographed this | :26:33. | :26:36. | |
ballroom that was towards Manchester and p back! We will just turn this | :26:37. | :26:41. | |
around and it worked because it kept us nice and compact. Yeah, lovely. | :26:42. | :26:45. | |
Well, you may have enjoyed being out on the smaller dance floor of | :26:46. | :26:50. | |
Blackpool, but it does seem that perhaps, you might be going a little | :26:51. | :26:54. | |
crazy during training. It happens to the best of them. Never. | :26:55. | :26:58. | |
I don't think Brendan is going crazy at all. | :26:59. | :27:06. | |
Can you see my snake? Boom. Boom. Oh dear. It is going to | :27:07. | :27:19. | |
be a long week! What was the question? | :27:20. | :27:28. | |
I could feel something buzzing, but there was nothing there! | :27:29. | :27:36. | |
You have been doing this programme too long, Brendan. Can you tie your | :27:37. | :27:45. | |
snake in a naught? That's the question. There is a question. The | :27:46. | :27:49. | |
men with the white coats are waiting. It is rumba for you guys | :27:50. | :27:53. | |
this week. How has the first day of training gone? Can I answer that? | :27:54. | :27:58. | |
Yeah, go on. I felt very, very good in the first rumba session and you | :27:59. | :28:03. | |
don't often feel that way. It is a very slow, it leaves you very | :28:04. | :28:09. | |
exposed, expose yourself my dear, it was great. In a certain way. What do | :28:10. | :28:12. | |
you think the biggest challenge will be with this dance this week for | :28:13. | :28:17. | |
Sophie? It is very much about the believing and presenting a rumba | :28:18. | :28:22. | |
that's very emotional so you want to be able to put that out on the floor | :28:23. | :28:26. | |
for everybody to see. It is a tough one because you feel quite | :28:27. | :28:30. | |
vulnerable. Slow. He has confidence. This is good. Good luck this week. | :28:31. | :28:33. | |
You were glorious on Saturday. Sophie and Brendan. | :28:34. | :28:37. | |
APPLAUSE That's all we have time for today. A | :28:38. | :28:47. | |
big thank you to all of my guests. Tomorrow, I'll be joined by saved | :28:48. | :28:51. | |
couple Mark and Iveta and samba survivors Patrick and Anya. Plus | :28:52. | :28:53. | |
Karen Hardy is back with her choreography corner. That's at | :28:54. | :28:56. | |
6.30pm, but, if you are watching in Scotland, we will be on at 11.20pm. | :28:57. | :28:59. | |
Good night. | :29:00. | :29:01. |