Browse content similar to Episode 40. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to It Takes Two. We have got the Friday feeling! They | :00:00. | :00:10. | |
brought Dodge City to Blackpool with their paso doble, Ashley and Ola are | :00:11. | :00:16. | |
here. I will be heading toel tree to catch up with Susanna and Kevin, | :00:17. | :00:21. | |
Mark and Iveta - give them a wave - and a wonderful Friday Panel line-up | :00:22. | :00:26. | |
for you. Jenny Eclair, Gabrielle and he's sick of Tess get k the Strictly | :00:27. | :00:33. | |
action, Mr Vernon Kay! This is Strictly: It Takes Two. It is going | :00:34. | :00:35. | |
to be fun. From London, this is Strictly: It | :00:36. | :01:22. | |
Takes Two. Please welcome your host, Zoe Ball. | :01:23. | :01:25. | |
Hi. Welcome to It Takes Two. It is Friday. In just over 23 hours and 57 | :01:26. | :01:36. | |
minutes and 38 seconds, our next Strictly fix will take place. Ashley | :01:37. | :01:42. | |
and Ola will be tackling a waltz. I will be chatting to them in a | :01:43. | :01:46. | |
moment. Here is a reminder of their Western themed paso. You had that | :01:47. | :01:51. | |
attack, you created some strong lines, the shaping in the arms. By | :01:52. | :01:56. | |
the end, it went a little bit for me. I'm surprised how powerfully you | :01:57. | :02:07. | |
danced that paso. Well done! The Lone Ranger is back! That was | :02:08. | :02:14. | |
powerful. Plenty of thrust! I'm into the bizarre and extraordinary and I | :02:15. | :02:22. | |
thought that was extraordinary! 8. 9. 9. 9! Yes! We brought the Wild | :02:23. | :02:37. | |
West to the ballroom! Oh yes. Please welcome Ashley and Ola. APPLAUSE | :02:38. | :02:44. | |
How good were you two last weekend? It was amazing. Our PA was | :02:45. | :02:52. | |
commenting on your chest. Was that all you? I was all man! That was the | :02:53. | :02:59. | |
spraying! It was very nice. I loved your outfits. What an incredible | :03:00. | :03:02. | |
performance. Did you have a great time? It was incredible. The | :03:03. | :03:07. | |
atmosphere was - we did the first group dance and it was like being at | :03:08. | :03:11. | |
a footie match. The whole night, there was such an energy in there. | :03:12. | :03:15. | |
We had a standing ovation. It was magical. I know. You could really | :03:16. | :03:20. | |
feel that through the telly. Your Karen was there, looking beautiful. | :03:21. | :03:25. | |
Yes, she was. She only had a baby ten minutes ago! The week before, | :03:26. | :03:29. | |
you got 35 for your quickstep. You got quite a bit of critique from the | :03:30. | :03:34. | |
judges. This week, praise and still only 35. Would you have liked a | :03:35. | :03:40. | |
couple of more points? Yeah, maybe a few more points would be nice. I | :03:41. | :03:46. | |
mean, the comments were great. Ashley's improving every week. That | :03:47. | :03:49. | |
is the most important thing for me. You know, the comments from the | :03:50. | :03:55. | |
judges were really good. And I'm a bit disappointed with Craig's | :03:56. | :03:59. | |
comment about the style of the cowboy theme because he's sort of | :04:00. | :04:05. | |
not sometimes our choice of what we do. When the producers and the team | :04:06. | :04:09. | |
tells us we would like you to do a cowboy theme, we go with it and I do | :04:10. | :04:12. | |
the best I can with the music and song. OK. I was a little bit | :04:13. | :04:17. | |
disappointed with that. Apart from that, it was perfect. You did so | :04:18. | :04:21. | |
brilliantly. That cape work was amazing. Phillippa said online that | :04:22. | :04:26. | |
her husband, who is a fan, said you should have had a Clint poncho! The | :04:27. | :04:35. | |
dastardly cowboy that you played so brilliantly, as Hollyoaks Darren, | :04:36. | :04:40. | |
has he helped with creating some of these characters? I don't think | :04:41. | :04:43. | |
about Darren when I'm dancing Strictly Come Dancing at all, | :04:44. | :04:47. | |
funnily enough! Inside, I'm dying. On the outside, I'm a cowboy! It is | :04:48. | :04:55. | |
working. Let's talk about Darcey. She was saying, she wanted a bit | :04:56. | :05:00. | |
more dramatic kill. I know! What did you make of that? He wasn't supposed | :05:01. | :05:06. | |
to kill me. I wanted to deaden her a little and then drag her off! Numb | :05:07. | :05:11. | |
her! Drag her, but it didn't look good. The thing is, right, 35, a | :05:12. | :05:17. | |
great score, but still mid-table. Everybody is getting so good. I | :05:18. | :05:20. | |
know. Can you feel the competition hotting up around you? The | :05:21. | :05:24. | |
competition is so hot. They are so good. There's a lot of pressure in | :05:25. | :05:29. | |
training. We really want to improve every week. Yes. The good thing is, | :05:30. | :05:34. | |
I haven't gone backwards. This is good. If I can keep improving or | :05:35. | :05:38. | |
stay where I am, I will be happy, I think. He is doing well. You are | :05:39. | :05:44. | |
doing SO well! Back to ballroom tomorrow. It is a waltz for you. How | :05:45. | :05:48. | |
has the training gone this week? It's - the first training session | :05:49. | :05:52. | |
was a relief because after doing the Viennese waltz, I felt like I knew | :05:53. | :05:55. | |
some of the steps and in some ways, I thought this is alright. Then, | :05:56. | :06:00. | |
because it's such a slow dance, it is the detail. The one thing I have | :06:01. | :06:04. | |
not had time to do in the past is polish the dance. This week, I have | :06:05. | :06:09. | |
had to do that. It sends you a bit mental. It is such a slow dance and | :06:10. | :06:15. | |
slow song, very romantic. Every single hiccup, it is magnified so | :06:16. | :06:19. | |
you really have to make sure that the technique is beautiful and | :06:20. | :06:24. | |
perfect. Yes, we should mention the whole romantic idea of the waltz. It | :06:25. | :06:28. | |
does seem that that has been a bit of a struggle for Ashley in training | :06:29. | :06:29. | |
this week. This is very funny. It is not very romantic! You are | :06:30. | :06:45. | |
dancing with an angel! Cuddle. Cuddle. Cuddle. LAUGHTER I'm an | :06:46. | :07:00. | |
angel. You just pushed an angel! No! Ow! Stop it! This is still about ME! | :07:01. | :07:06. | |
It is always about YOU! When is it going to be about ME? It wasn't me. | :07:07. | :07:16. | |
I didn't do it. Romantic, I say! OK, I have to go because he is messing | :07:17. | :07:24. | |
up his steps, bye. Love you! James Jordan always on the line! He is. | :07:25. | :07:30. | |
Bless him. Brilliant, well done to him for last Friday on our show. He | :07:31. | :07:34. | |
did a great job. This week, we saw in your training VT yesterday that | :07:35. | :07:38. | |
the posture nightmare is back a little bit. Yes. It is back to get | :07:39. | :07:43. | |
you. It won't be back on Saturday. Of course not(!) We have really | :07:44. | :07:48. | |
worked on it. We are working on the posture, the technique and I really | :07:49. | :07:55. | |
hope he is not going to be doing that on Saturday. I realised I was | :07:56. | :08:00. | |
sat there like THAT. This is your music. You will be dancing to | :08:01. | :08:05. | |
Claudia Streza's version of this song - I have no idea who she is. | :08:06. | :08:10. | |
# And I... # Supersized song, you are dancing with an angel, big | :08:11. | :08:15. | |
movements... What more do you want? I have it all! You are such a lucky | :08:16. | :08:22. | |
boy. I am. Always smiling, happy. Sorry? How much are you looking | :08:23. | :08:26. | |
forward to it tomorrow? I can't wait. I really can't. This week is | :08:27. | :08:31. | |
sort of everything. Everything I have learnt so far, I have to put on | :08:32. | :08:34. | |
show and prove that I am learning and I'm taking it in and the | :08:35. | :08:39. | |
pressure is on. So, I can only do my best. Enjoy it. You are doing | :08:40. | :08:44. | |
brilliantly. Ashley and Ola, have a great time tomorrow night. Love to | :08:45. | :08:49. | |
James as well. Thank you. APPLAUSE Now, when it comes to predicting who | :08:50. | :08:53. | |
will top the leaderboard each week, our predictive pup's psychic powers | :08:54. | :09:03. | |
have been off. She just smacked him! This week, will Lucky get lucky? You | :09:04. | :09:06. | |
know what I mean! So Lucky the Predictive Pup thinks | :09:07. | :09:50. | |
Natalie and Artem will top the leaderboard. Could be right. Tune in | :09:51. | :09:53. | |
tomorrow. Earlier on today, I gatecrashed the last-minute | :09:54. | :09:56. | |
rehearsals in the Strictly studio. Here is what happened. Over to you, | :09:57. | :10:02. | |
Zoe Two. I know it is in here somewhere! | :10:03. | :10:09. | |
Where is it? Ah! I knew it. Craig's 10! I will give it a dust and I will | :10:10. | :10:13. | |
leave it on the top for Saturday. How are you? Come over here and you | :10:14. | :10:16. | |
will find a lady who has put the sparkle into Breakfast News and the | :10:17. | :10:21. | |
man who has put Grimsby on the map, Susanna and Kevin. How are you? | :10:22. | :10:27. | |
Hello, sparkly lady. You weren't loving the cha cha cha the last time | :10:28. | :10:31. | |
I saw you. Have you falling in love with it at last? Have you grasped | :10:32. | :10:35. | |
it? We are still not friends. Are you ever going to be friends? You | :10:36. | :10:39. | |
know what? I hope by Saturday night we are lovers. I do, too! I have | :10:40. | :10:46. | |
fallen in love with every dance I've donees with -- done with Kevin. It's | :10:47. | :10:53. | |
never taken quite so long. It's an unrequainted love on cha cha's | :10:54. | :10:56. | |
behalf. I'm not giving it at the moment. Wait for tomorrow and the | :10:57. | :10:59. | |
band and the music and the hip action... Exactly. Also, when you | :11:00. | :11:04. | |
come into the studio and you get to try it out for the first time on a | :11:05. | :11:08. | |
Friday, are there any last-minute mishaps, things that you need to | :11:09. | :11:12. | |
adapt or change? How honest do you want to be? Friday is always like - | :11:13. | :11:18. | |
the first three days of our week are messy and difficult. Thursday goes | :11:19. | :11:22. | |
well. We go right, we are ready. Friday, it takes about ten steps | :11:23. | :11:26. | |
backwards every single week. I know. Then we have to practice a bit more | :11:27. | :11:29. | |
and bring it back for Saturday. Friday is the mishap itself! I | :11:30. | :11:34. | |
remember that. When Ian used to bring me into the studio, and the | :11:35. | :11:40. | |
nerves go and the legs go and it starts to drop from your mind. Who | :11:41. | :11:44. | |
is the naughtest when you come in on Friday? You get to see Mark and | :11:45. | :11:48. | |
Abbey and all the pros. Who mucks about the most, who is the | :11:49. | :11:53. | |
naughtiest? Probably, for me, Patrick's quite naughty. Is he? Even | :11:54. | :11:58. | |
now, he is just doing naughty steps behind you! Look at him, we know | :11:59. | :12:04. | |
your game! LAUGHTER You can pretend you are practising. What have you | :12:05. | :12:09. | |
got to do for the rest of the day? What have we got to do? We have to | :12:10. | :12:13. | |
rehearse the walking down the stairs and stuff. Walking? Have you got | :12:14. | :12:18. | |
that yet? It is difficult for Susanna to walk. We know. It takes a | :12:19. | :12:23. | |
lot of time for tanning. How many dips do you have? About 11! In order | :12:24. | :12:31. | |
to look like a matador! Listen, good luck with the cha cha cha. I know by | :12:32. | :12:34. | |
tomorrow night, it will be one of your favourites. Kevin and Susanna! | :12:35. | :12:40. | |
Thank you. If we tiptoe along here, would you believe it, it is Mark and | :12:41. | :12:47. | |
Iveta. Hello. How are you? Good. Is there a bit of facial hair there? I | :12:48. | :12:54. | |
got covered in a cream pie - it is my rugged look! Iveta, be honest, | :12:55. | :12:59. | |
have you been gobbling Mark's grapes all week? Stop it! Well, grapes are | :13:00. | :13:07. | |
mine! I knew it. I knew this would happen. Friday, you come into the | :13:08. | :13:12. | |
studio for the first time - it is quite scary when you take the dance | :13:13. | :13:16. | |
to the floor. You were talking about the rise and fall of your foxtrot | :13:17. | :13:19. | |
and how you hadn't quite mastered it. Have you got it? Are you rising | :13:20. | :13:23. | |
when you should rise and falling when you should fall? I am doing my | :13:24. | :13:28. | |
best, yes. As with all these dances, there are so many things to | :13:29. | :13:32. | |
remember. I did get a good job from Iveta the other day, so that must | :13:33. | :13:36. | |
mean I was alright. We will have to make one of those machines with the | :13:37. | :13:48. | |
Iveta speech on! Ringtones! When you come down, is there anything you | :13:49. | :13:52. | |
have to change? Usually, no. I know the size of the floor. I try to | :13:53. | :13:56. | |
choreograph the routine according to the dancefloor. I don't want to make | :13:57. | :14:01. | |
it any more stressful for Mark by changing things. We work through it | :14:02. | :14:06. | |
to make sure everything fits. Usually, where we rehearse is | :14:07. | :14:10. | |
smaller. I pre-plan the routine so we don't have to make changes. No | :14:11. | :14:15. | |
changes. I have left the backflip in! Good. Have you spoken to your | :14:16. | :14:20. | |
mate, Dave? We miss him. You used to talk every week. He rang me this | :14:21. | :14:31. | |
morning. I need to call him back. He is in good form. Good, less. Any | :14:32. | :14:36. | |
gossip backstage? Anyone misbehaving? You said you have been | :14:37. | :14:42. | |
covered in custard pies. Anything else happening this morning? No, | :14:43. | :14:46. | |
it's been really boring this morning. Nothing I can tell you. I | :14:47. | :14:53. | |
think Patrick tried to kick me in the lead early on. He is vicious, | :14:54. | :14:59. | |
naughty boy. Everybody has been voting and watching and paying | :15:00. | :15:02. | |
attention and even doing some dancing at home. Would you be so | :15:03. | :15:07. | |
kind and give our viewers and exclusive peek of your foxtrot? We | :15:08. | :15:14. | |
will have a go. Could we have a round of applause? Especially for | :15:15. | :15:51. | |
He has got the rise and you, here they are. Enjoy. | :15:52. | :15:57. | |
He has got the rise and show. Now it's back | :15:58. | :16:19. | |
He has got the rise and everyone has been hard to say | :16:20. | :16:19. | |
He has got the rise and goodbye to because, even at the | :16:20. | :16:19. | |
beginning, goodbye to because, even at the | :16:20. | :16:23. | |
most of us and that's a hard thing. He hasn't had the chance to | :16:24. | :16:32. | |
most of us and that's a hard thing. goodbye to would have to be James | :16:33. | :16:32. | |
and Vanessa. goodbye to would have to be James | :16:33. | :16:53. | |
other so it's hard every week when somebody goes home. Saying goodbye | :16:54. | :16:58. | |
to Deborah Meaden was very tough. I felt she was brilliant, doing | :16:59. | :17:05. | |
fantastically well. A real shame. Robin is my best friend on the show. | :17:06. | :17:10. | |
Whenever he left, it was very difficult for them it was quite an | :17:11. | :17:14. | |
unexpected exit, as well. I lost a really good friend, Rachel, so it's | :17:15. | :17:19. | |
definitely a bittersweet moment when you are so happy you got through, | :17:20. | :17:23. | |
but also really sad you have lost one of your friends. For somebody to | :17:24. | :17:28. | |
not get to finish the process, you feel very sad for them, because you | :17:29. | :17:32. | |
know how it would affect you if you went out. A moment which gets me | :17:33. | :17:38. | |
every time is when a couple of choreographed dance to the leading | :17:39. | :17:41. | |
music. That makes me feel really heartbreaking and weepy. I was | :17:42. | :17:46. | |
absolutely gutted I wasn't the two say goodbye to Dave, actually. Oh | :17:47. | :17:54. | |
dear. I miss Dave terribly. It's a more boring place without him, shall | :17:55. | :17:58. | |
we say, because he is just something else. To say goodbye is hard. You | :17:59. | :18:05. | |
have got to bond with everyone in that competition. We all get on very | :18:06. | :18:11. | |
well. Fiona sparkled with her love of Strictly Come Dancing. She is the | :18:12. | :18:15. | |
biggest fan, it's such a shame she is no longer part of the show. I | :18:16. | :18:19. | |
don't like it. The worst part is saying goodbye to people every week. | :18:20. | :18:24. | |
I'm going to miss everybody. I'm already missing all of them. It's | :18:25. | :18:29. | |
very hard to say goodbye to each couple every week because everyone | :18:30. | :18:33. | |
is like one big family. I would hope so we would stay in touch, you know. | :18:34. | :18:38. | |
This is what this experience is about, making friends and staying in | :18:39. | :18:46. | |
touch. Gird your loins. So almost Friday panel time and this week | :18:47. | :18:50. | |
we're joined by one of Britain's greatest soul voices. After a few | :18:51. | :18:53. | |
years out of the spotlight, Gabrielle's back with a new album. | :18:54. | :18:54. | |
Here's a little snippet. Wake up in the morning # On the way | :18:55. | :19:15. | |
back... I think that could be a Rumba. Please welcome tonight's | :19:16. | :19:19. | |
glittering Friday panel line up of Gabrielle, Vernon Kay and Jenny | :19:20. | :19:20. | |
Eclair! MUSIC: "Everybody Dance" by Chic. | :19:21. | :19:27. | |
Let's see what our celebs have in store for us tomorrow. Hello, my | :19:28. | :19:33. | |
lovelies. Watch that, the step. Welcome. You are back with a new | :19:34. | :19:41. | |
album, Gabrielle. It's a collection of songs from the last 20 years. | :19:42. | :19:47. | |
I've also been remixing seven songs, a remake featuring Naughty Boy. He | :19:48. | :19:59. | |
is the loveliest man. I love him. Officially, very naughty. And | :20:00. | :20:06. | |
officially, lovely. OK, Vernon, you are a very loyal fan of Strictly and | :20:07. | :20:11. | |
have lived through every moment with Tess. Who has impressed you this | :20:12. | :20:15. | |
series so far? It's a tough one because generally the standard is | :20:16. | :20:19. | |
very high this year. I think we have got some good boys but there's a | :20:20. | :20:23. | |
couple of girls who might just nip it and pick up the butterball. Any | :20:24. | :20:30. | |
names? The two we will see today, the girls do the Latin. A little | :20:31. | :20:36. | |
clue for you at home. Jenny, hello, gorgeous. That is a beautiful top, | :20:37. | :20:44. | |
you are wearing. I know. Did you steal it? I borrowed it. Half the | :20:45. | :20:52. | |
couples are gone, do you think the right people are still in the | :20:53. | :20:55. | |
competition? Yes, you can't Samba any more. The proper dancing people | :20:56. | :21:01. | |
are left. That you can't muck around any more. The terrific standard for | :21:02. | :21:07. | |
them we see Susanna Reid first thing in the morning doing the news. | :21:08. | :21:14. | |
You're getting very dramatic on the sofa. First up we have Sophie and | :21:15. | :21:23. | |
Brendan's Rumba. The dance of love. Lastly, the quickstep saw her back | :21:24. | :21:27. | |
to their best. She had a couple of dodgy weeks. Can she keep the | :21:28. | :21:33. | |
momentum up with this dance? Yes, especially at she dances like she | :21:34. | :21:37. | |
did last week. She was gracious and just floated. I wish I could be like | :21:38. | :21:42. | |
that. Certainly, I think she's lovely, and Brendan got a good one | :21:43. | :21:47. | |
there. The judges want more welly from their sometimes for the last | :21:48. | :21:50. | |
week she gave it everything at Blackpool. Is she giving it enough | :21:51. | :21:54. | |
for this dance? I know whether judges are coming from. We are at | :21:55. | :22:00. | |
the stage in Strictly where you have to be sharp and there's no blimp | :22:01. | :22:04. | |
that in the dance. Sophie's Halloween performance was | :22:05. | :22:11. | |
disappointing. It wasn't sharp and crisp and on point. I've delay Craig | :22:12. | :22:19. | |
Revel Horwood! That I feel like. I think she needs to step up her game | :22:20. | :22:22. | |
and she knows what to do. She's not stupid. This is what they are | :22:23. | :22:35. | |
dancing to. Will You Still Love Me Tomorrow by Amy Winehouse. Would you | :22:36. | :22:43. | |
like to run but with Brendan? I don't that he would want to dance | :22:44. | :22:47. | |
with me. I'm like a fridge freezer and can barely walk along the room. | :22:48. | :22:52. | |
Let's talk about Abbey and Aljaz. They have got the Paso Doble this | :22:53. | :23:02. | |
week. Can she do it again? I think she is one of the girls I was | :23:03. | :23:06. | |
referring to have a real chance. She could pick up a trophy at the end of | :23:07. | :23:10. | |
the season. I like the way they danced around that column there. | :23:11. | :23:15. | |
That takes great skill. I think Abbey just gets better and better. | :23:16. | :23:20. | |
It's amazing how she's quite a quiet person but so good. I think she's | :23:21. | :23:24. | |
using dance as a way of expression. I love the way he talks. This is the | :23:25. | :23:32. | |
music they are dancing to. # You've got the love to see me through. #. | :23:33. | :23:41. | |
She slipped down to fourth of issues than contender for you? I think so. | :23:42. | :23:47. | |
I wonder if this is a career move because she looks lovely dancing | :23:48. | :23:53. | |
around. She's very quiet but she expresses herself. The fact she | :23:54. | :23:58. | |
knows the heat is on, I think she will bring it. Now Natalie and | :23:59. | :24:05. | |
Artem's Tango. Vernon, Natalie has topped the leaderboard on six | :24:06. | :24:10. | |
occasions. She is so good. You can't take that away from her. You know | :24:11. | :24:14. | |
she's never going to flop halfway through and start cantering around. | :24:15. | :24:20. | |
She did a couple of weeks ago on the dance floor! I would like to see | :24:21. | :24:24. | |
somebody actually loses halfway through. And just start cantering. | :24:25. | :24:34. | |
Freestyle. It could happen. Mum at a wedding dance. They are dancing to | :24:35. | :24:42. | |
Rhianna. I walked into their dressing room early on and I found | :24:43. | :24:48. | |
Jenny McClair twerking. It was quite a sight. I was trying to do my | :24:49. | :24:55. | |
shoelace up. Would you like to see her dancing to Rhianna? Is that | :24:56. | :25:04. | |
twerking? Twerking in plants. -- pants. Now Patrick and Anya's | :25:05. | :25:09. | |
Viennese Waltz. 37 for his American Smooth. Kindly match it with this | :25:10. | :25:17. | |
Viennese Waltz? -- canny match it? Most definitely. She is lost. He | :25:18. | :25:26. | |
does it for me in every which way, I have got to say that. He has got the | :25:27. | :25:30. | |
moves, the body. My kids are watching. He is definitely one to | :25:31. | :25:38. | |
watch. When Craig mentions him, and says something nice, which he really | :25:39. | :25:43. | |
said anything nice, I think he is my personal winner for the it's | :25:44. | :25:48. | |
interesting Craig called him his favourite male dancer. I don't think | :25:49. | :25:53. | |
he's ever done that, said specifically, saying you are my male | :25:54. | :25:58. | |
dancer of the season. He's never done that. This is "A New Day Has | :25:59. | :26:09. | |
Come" by Celine Dion. My producer's favourite Celine track. It is | :26:10. | :26:15. | |
beautiful. Two under few weeks with wardrobe malfunctions. Can they get | :26:16. | :26:19. | |
it right this week? He sailed through them, what a professional. | :26:20. | :26:26. | |
She got it stuck on her high heel. Like a bird getting stuck in the | :26:27. | :26:34. | |
nest. More of that. Now Ben and Kristina's Charleston. There is a | :26:35. | :26:42. | |
strong man feel to this dance. Does that excite you? It looks like he | :26:43. | :26:49. | |
could pick up a truck. The Charleston, that's very fast, isn't | :26:50. | :26:54. | |
it? And comedy. I will look forward to that and I will watch with | :26:55. | :27:00. | |
interest. What do you reckon to his lifts? Is that enough to keep going? | :27:01. | :27:06. | |
It's definitely not enough. He has got to have good footwork. Len and | :27:07. | :27:12. | |
Craig will be looking at that, how quickly can give up the dance. He | :27:13. | :27:16. | |
has got a great teacher. She is very good. Karen Hardy called it the year | :27:17. | :27:22. | |
at the Charleston with amazing numbers. Do you think this could | :27:23. | :27:29. | |
rank with the girls? I don't want to sit on the fence but maybe I will. | :27:30. | :27:34. | |
You know, they need to pull up their socks, most definitely, but they | :27:35. | :27:40. | |
have done a few amazing things. Yeah, really. Sophie, as well. He is | :27:41. | :27:48. | |
a big lump. Now Ashley and Ola's Waltz. Patrick has started to | :27:49. | :27:53. | |
eclipse him in the last couple of weeks. How is his posture? It looks | :27:54. | :28:00. | |
good. Both the boys are doing well. Ashley is doing the ballroom as | :28:01. | :28:08. | |
well. We saw Patrick as well. And the two favourite girls are doing | :28:09. | :28:11. | |
Latin so it will be a great comparison. I like it when you can | :28:12. | :28:16. | |
see how they are full to very quickly, Suzanne and the Cha Cha | :28:17. | :28:28. | |
Cha. What do you reckon? She is so equipped, isn't she? She will put | :28:29. | :28:32. | |
her mind to it and work hard and nail it. The winner for you? I think | :28:33. | :28:45. | |
Ashley. One of the girls. It's hard but I would say Sophie. Thank you so | :28:46. | :28:50. | |
much. You have been absolutely gorgeous. Let's hear it for Vernon | :28:51. | :28:53. | |
Kay, Jenny Eclair and Gabrielle! That's all for this week. Don't | :28:54. | :28:57. | |
forget to tune in to Strictly Come Dancing tomorrow on BBC One at 6.30. | :28:58. | :29:00. | |
I'm back on Monday when I'll | :29:01. | :29:01. |