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Ss Hello, dance lovers, welcome to It Takes Two. It's Monday. What a | :00:13. | :00:17. | |
show I have for you today. The final bell may have tolled for them as | :00:18. | :00:20. | |
they became the latest couple to leave the competition. Big Ben and | :00:21. | :00:25. | |
Kristina are here to say goodbye! We'll give them cuddles. They kicked | :00:26. | :00:32. | |
off the festivities with a cha-cha-cha, it's Susannah and | :00:33. | :00:38. | |
Kevin! And if nit-picking was an art form, this man would be nothing sort | :00:39. | :00:42. | |
of a masterpiece. Tonight, what a line-up. It's Strictly It Takes Two. | :00:43. | :00:45. | |
It's gooing to be good! Live from London, this is Strictly, | :00:46. | :01:30. | |
It Takes Two! Please welcome your host, Zoe Ball! | :01:31. | :01:38. | |
CHEERING AND APPLAUSE Not quite sure what that is, like a | :01:39. | :01:42. | |
dinosaur! Welcome to Monday's It Takes Two. A glorious weekend of | :01:43. | :01:46. | |
dancing. The couples pulled out all the stops to make sure they made it | :01:47. | :01:50. | |
through another week. It was fantastic. In case you missed it, | :01:51. | :01:53. | |
where were you? You are in trouble! Here are the Strictly headlines. | :01:54. | :01:59. | |
Good evening. Here is the news. Thank you very much! Despite dancing | :02:00. | :02:03. | |
a rumba, there was no love lost between Brendan and the judges. They | :02:04. | :02:07. | |
deemed his performance this weekend with Sophie lacking in chemistry. | :02:08. | :02:12. | |
What? ! Brendan was of course not amused. | :02:13. | :02:19. | |
Didn't have enough chemistry for me. I totally agree with Len. I like my | :02:20. | :02:26. | |
rumba a bit more launchier. I don't want to give filthy rumbas, I just | :02:27. | :02:31. | |
want to do a lovely, clean, beautiful classic rumba. We | :02:32. | :02:35. | |
delivered that, we felt. Bless him! Well said. Strictly proved it had | :02:36. | :02:39. | |
the right recipe for success when it teamed up with the Great British | :02:40. | :02:44. | |
Bake Off Mary Berry in a show-stopping performance on Sunday | :02:45. | :02:51. | |
night. Love that Berry. # If I knew you were coming I'd have | :02:52. | :03:05. | |
baked a cake... # Merry Berry, I salute you! | :03:06. | :03:09. | |
Keen to make sure his big moment was not half baked, we caught Craig | :03:10. | :03:14. | |
backstage practising his lines. Really cute. | :03:15. | :03:18. | |
Ready, set, bake! Just practising my lines. Ready, set, bake... . Ready, | :03:19. | :03:29. | |
set, bake. Oh no. Bake! Baulk. Bless him. | :03:30. | :03:34. | |
So cute. Love the little hat. Finally, this Christmas, six | :03:35. | :03:36. | |
brand-new celebrities will take to the floor for the much-anticipated | :03:37. | :03:40. | |
Strictly Christmas special. Would you like to hear the line-up, ladies | :03:41. | :03:44. | |
and gentlemen? For the ladies, we have my old maid, Radio Two DJ Sarah | :03:45. | :03:51. | |
Cox, Rochelle Hughes from the Saturdays and is it EP, yes, musical | :03:52. | :03:57. | |
Theatre Royalty, Elaine Page. She's good! And the boys, it's Rufus | :03:58. | :04:09. | |
Hound, fat Boy from EastEnders and former Bros Star, Matt Goss. BBC One | :04:10. | :04:14. | |
on Christmas Day will be a cracker. Those are the headlines, I thank | :04:15. | :04:19. | |
you, good night. If that wasn't enough, here is our | :04:20. | :04:23. | |
exclusive footage from behind-the-scenes. Little treat just | :04:24. | :04:28. | |
for you. Hi. Morning. Good moshing -- | :04:29. | :04:35. | |
morning. Last week in Blackpool, there was tents flying around like | :04:36. | :04:38. | |
you wouldn't believe. It was a tent fest. But now we are back, will it | :04:39. | :04:47. | |
happen again? Five feeling a bit like a giddy kip they are week. The | :04:48. | :04:51. | |
tango is great. I feel like I probably need to be a bit more | :04:52. | :04:57. | |
fierce. Just punch Ali in the face full force and it went whack. That's | :04:58. | :05:02. | |
strong passion. He's been getting on my nerves this week so I felt like | :05:03. | :05:08. | |
he needed it. Mark has a bed and that's one thing we are all jealous | :05:09. | :05:15. | |
of, especially me. I thought, I'm always tired, so I can remedy it | :05:16. | :05:20. | |
with having a sleep. It's all the rage. | :05:21. | :05:27. | |
There you go. Physio Room. Fabulous Rachel looks | :05:28. | :05:39. | |
after us. I've got a stiffness in the neck. Cuff a look at that? No | :05:40. | :05:44. | |
problem. Let's have a little look. Do you mind taking your top off for | :05:45. | :05:49. | |
me. Hang on, get out, I'm getting my kit off. Off you go, you can't see | :05:50. | :05:53. | |
this. What are you going to do when | :05:54. | :05:57. | |
Strictly is over? I'll be very sad. Call me is what you are going to do? | :05:58. | :06:05. | |
People neat a support -- need a a support network after they've | :06:06. | :06:11. | |
finished. Look who it is, scary Mary, make sure there is no soggy | :06:12. | :06:19. | |
buns! We are doing a group number and the theme was a Bake Off. This | :06:20. | :06:31. | |
seems like a perfectly good cake for me to eat. Not happy! We can whip | :06:32. | :06:40. | |
together a meal. Look at that, darling, we are putting Mary Berry | :06:41. | :06:46. | |
to shame. You do such a lovely sponge. I can do your hair. | :06:47. | :06:54. | |
Absolutely lovely. Strictly is lovely, you never know what will | :06:55. | :06:59. | |
happen next. It's lovely and so beautiful and sparkly. | :07:00. | :07:05. | |
Oh, no, don't kiss me with red lipstick. I'm being stitched into my | :07:06. | :07:11. | |
outfit because I wriggle around way too much and if I don't get stitched | :07:12. | :07:16. | |
in, it will all fall off live on television and Strictly 2013 will be | :07:17. | :07:22. | |
ruined. Four minutes, four minutes before we go live. | :07:23. | :07:36. | |
Here we go, here we go. Come on! 30 seconds. Good luck. Go for it. | :07:37. | :07:46. | |
What a brilliant show. We like the way he worked it, but sadly it | :07:47. | :07:52. | |
wasn't enough for the judges. Please will you welcome strong man Benn | :07:53. | :08:00. | |
Cohen and Kristina muscles Rihanoff. Hello you lovely two. We didn't want | :08:01. | :08:06. | |
to see you two here. What a shocker. How are you feeling today? Actually, | :08:07. | :08:10. | |
I could look back with no regrets, I had a great time, had a blast and | :08:11. | :08:15. | |
Kristina's been great, had the patience of a saint. I dropped her, | :08:16. | :08:19. | |
bruised her, trod on her toes and I've learned to dance a little so | :08:20. | :08:23. | |
I've had a great time. You've learned to dance a lot. Wait until | :08:24. | :08:28. | |
you see your story and how you have improved, it's amazing. You said the | :08:29. | :08:32. | |
charleston was out of your comfort zone. But you went for it on the | :08:33. | :08:39. | |
floor. It went brilliantly. What did you think of the dance? Actually I | :08:40. | :08:44. | |
felt like it was the only time I've danced to the music because I've | :08:45. | :08:47. | |
never really been able to hear the music all the time, I've always gone | :08:48. | :08:52. | |
off Kristina's timing. Yes, that's true. It's the first time I've hit | :08:53. | :08:57. | |
the beat and I filt the timing of that was really good. I thought that | :08:58. | :09:00. | |
was probably my best dance. The only disappointing thing is, not going | :09:01. | :09:05. | |
out because I've had a Downing Street time, was being bottom of the | :09:06. | :09:10. | |
leaderboard -- great time. There is no regrets. There is lots of people | :09:11. | :09:15. | |
online saying that you were undermarked. Mary, Patricia, Jessica | :09:16. | :09:20. | |
and Paul are going to miss you sand said you were undermarked. You said | :09:21. | :09:24. | |
this of your American Smooth. Did you think Ben deserved to be in the | :09:25. | :09:29. | |
bottom on Saturday Not at all, I agree it was his best dance. He | :09:30. | :09:34. | |
performed great and the steps were all there. I know because of his | :09:35. | :09:38. | |
tearing problem music was always an issue and it was truly the one | :09:39. | :09:43. | |
performance when he danced side by side with me in time to the music so | :09:44. | :09:47. | |
it was heartbreaking to see the marks. I actually didn't know what | :09:48. | :09:51. | |
to say to him afterwards, I just kept saying, I'm so sorry. He worked | :09:52. | :09:56. | |
so, so hard. Mark was in the bottom two again for the third time. How | :09:57. | :10:01. | |
did you feel going into the dance-off with Mark? It was only | :10:02. | :10:06. | |
going to be this week or next I felt for me. I felt like I was on | :10:07. | :10:11. | |
borrowed time. It's like a dance competition now. Yes, that's what | :10:12. | :10:15. | |
the show is, but it's got quite tense! Yes, you feel that backstage | :10:16. | :10:20. | |
but Mark's great. He's a really good friend of mine. It was like, go out | :10:21. | :10:24. | |
there, do your best and see whatp whats. -- what happens. On the | :10:25. | :10:32. | |
actual dance itself, it was a really hard dance but I made mistakes and | :10:33. | :10:37. | |
deserved to go. How gutted are you to leave four weeks before the | :10:38. | :10:44. | |
final? So annoying. It is sad but I was thinking, when I've got to learn | :10:45. | :10:48. | |
two dances in one week, I'm going together be in some serious trouble. | :10:49. | :10:53. | |
There are other things leading up to the final where I was thinking, I'm | :10:54. | :10:57. | |
not going to be able to cope with that. But it's amazing how you cope | :10:58. | :11:00. | |
and get on with it, but the thought of it, I was thinking, I don't know | :11:01. | :11:05. | |
about this. Let us see how much you have improved. Here is your Strictly | :11:06. | :11:10. | |
story. So oh, no. It's brilliant. The lady you will be tackling is... | :11:11. | :11:16. | |
Kristina! When I was told about Ben, I was so excite and happy, hopefully | :11:17. | :11:21. | |
Ben is going to grow into a beautiful swan. From the word go, | :11:22. | :11:25. | |
I've been a bit like the rabbit in the headlights really. I've got my | :11:26. | :11:33. | |
work cut out. As a first go, full of glitz. The first dance in front of | :11:34. | :11:40. | |
everyone. I'm really proud of you. I wake up having a nightmare about the | :11:41. | :11:46. | |
waltz. This way. My nemesis at the moment. Great improvement. Yay, | :11:47. | :11:54. | |
thank you so much, lovely waltz. You are a good teacher. This week, I'm | :11:55. | :12:01. | |
dancing the rumba. I've got to get a bit sexy. Notoriously very difficult | :12:02. | :12:06. | |
for celebrity boys. I'm willing you to dance very well | :12:07. | :12:19. | |
and, you know what, you did! Yeah... ! Woo-hoo. All I can do is give it | :12:20. | :12:26. | |
100% and hopefully that's enough. I said to Ben, this is your time to | :12:27. | :12:30. | |
let go and have fun on the dance floor. And he did exactly that. So | :12:31. | :12:35. | |
I'm really proud of him. You are having fun. I love it! | :12:36. | :12:44. | |
We got three 8s. I'm really starting to enjoy this now. I'm having a | :12:45. | :12:56. | |
great time. Smile no problem now. What you did you did well. It's a | :12:57. | :13:01. | |
tough dance, guys, well done. It's about challenging and pushing | :13:02. | :13:04. | |
yourself. Hopefully we can take it a step further in the paso doble. We | :13:05. | :13:12. | |
need to make sure he has the activeness. Slightly distracted. I | :13:13. | :13:20. | |
was hoping for fireworks but unfortunately there were none. It | :13:21. | :13:28. | |
was an explosion. Explosion! Thank you, thank you, thank you. I love | :13:29. | :13:35. | |
dancing with Kristina. She's got the patience of a saint. She's driving | :13:36. | :13:40. | |
me insane. Again. Again. Again. Again. My favourite word is again. I | :13:41. | :13:45. | |
put him through a boot camp. Hands, frame, elbows. Argh. Argh. Not heavy | :13:46. | :13:54. | |
handed at all! It was a bit like a trifle, fruity up top and a bit of | :13:55. | :13:59. | |
sponge down the bottom. For me, it was a bit too laboured, as I | :14:00. | :14:06. | |
expected. It is important not to let Kristina and myself down. My belief | :14:07. | :14:10. | |
will be always bigger than his doubt so I know it's going to be great. | :14:11. | :14:15. | |
Ben, you really carried that off, especially all the lifts. Big Ben is | :14:16. | :14:21. | |
back in the ballroom! We are over the moon. Can't imagine dancing with | :14:22. | :14:27. | |
anyone else. It's been so rewarding. Nice to have someone really to hold | :14:28. | :14:31. | |
your hand through it. She's been fantastic. The attack into the lifts | :14:32. | :14:37. | |
was brilliant. It did lack a bit of freedom in the movement. I would | :14:38. | :14:42. | |
like to say Ben and Kristina. Mark and Yvette that. Mark and Yvette | :14:43. | :14:53. | |
that. -- I Iveta. I respect and admire you so much, I had the best | :14:54. | :14:59. | |
time. Oh, I think she needs a cuddle. You | :15:00. | :15:05. | |
were inconsolable on Sunday. How much are you going to miss dancing | :15:06. | :15:11. | |
with Ben? A lot. I'm going to miss dancing myself a lot. Dancing with | :15:12. | :15:16. | |
Kristina, to come from nothing and I really did struggle early doors - aw | :15:17. | :15:25. | |
- that... Give me my box of tissues! It was really like pulling teeth | :15:26. | :15:30. | |
sometimes and I've had a great time, a great experience and ultimately I | :15:31. | :15:36. | |
came on to build awareness of my foundation, which is the Stand Up | :15:37. | :15:40. | |
Foundation and people are aware of what I do after rugby now. I've had | :15:41. | :15:45. | |
an incredible journey and the support has been amazing. Will you | :15:46. | :15:49. | |
be dancing with your wife now, can you teach her a few ballroom moves | :15:50. | :15:53. | |
there? Careful what you say there? ! It's not the right time for that. | :15:54. | :15:58. | |
OK. Yeah, maybe, why not. Who are you rooting for? Who do you want to | :15:59. | :16:02. | |
see win? I think Susannah's got a good chance, it will be a tight | :16:03. | :16:06. | |
final. Really good quality dancers. I think it's for the girls this | :16:07. | :16:10. | |
year, I think it's either Susannah or one of the girls left there, but | :16:11. | :16:15. | |
I think Susannah has it all to win. We've loved having you both on the | :16:16. | :16:20. | |
show, we'll miss you a lot. Go crazy for Ben and Kristina. Thanks, guys. | :16:21. | :16:26. | |
CHEERING AND APPLAUSE Time now for another guess who. | :16:27. | :16:30. | |
Which former structly star do you think this is? | :16:31. | :17:01. | |
Who could it be? Saturday night turped into a cha-cha-cha-challenge | :17:02. | :17:08. | |
for my next guests after they got a hip hounding from the judges. | :17:09. | :17:11. | |
Susannah and Kevin will be joining me after this reminder of their | :17:12. | :17:15. | |
brilliant performance. Timing throughout very, very good. | :17:16. | :17:20. | |
For me, it was all a little bit moneysy, darling. -- mumsy. It's a | :17:21. | :17:24. | |
difficult dance but you still gave 100%. It was lovely. Your problem in | :17:25. | :17:30. | |
this dance was your leg action. You didn't get the straightened leg and | :17:31. | :17:35. | |
you lost hip action because of that. Your performances fly off the | :17:36. | :17:39. | |
shelves like mince pies at Christmas. | :17:40. | :17:49. | |
Bit more subdued this week. Can't control the judges or anything else. | :17:50. | :17:55. | |
All we can do is go out and have a great time and do our best. I can't | :17:56. | :18:00. | |
even control my legs. Really proud of you. Please welcome Susannah and | :18:01. | :18:04. | |
Kevin! CHEERING AND APPLAUSE | :18:05. | :18:09. | |
Hello, my darlings. You did say last week... Happy birthday, by the way. | :18:10. | :18:14. | |
Thank you. Love you. You said the cha can cha-cha was not your friend. | :18:15. | :18:18. | |
You gave it your all. Will you be sending Christmas cards to each | :18:19. | :18:23. | |
other? I've lost the cha-cha-cha's phone number. Kevin, did you enjoy | :18:24. | :18:29. | |
your flirt with Darcey at the top of the routine like that? Terrified to | :18:30. | :18:34. | |
be honest, still a bit in awe of her, prima ballerina and everything | :18:35. | :18:39. | |
and I don't have any moves. It was more just me going like that and | :18:40. | :18:46. | |
looking. Fancy a cider. Len said the dance was acceptable, rather than | :18:47. | :18:49. | |
exceptional. You have had so many great comments over the weeks and so | :18:50. | :18:52. | |
many great dances. Did that bother you a little bit, Kev? Yes. I don't | :18:53. | :18:59. | |
like the word "acceptable". I would rather it was a disaster. We always | :19:00. | :19:04. | |
talk about that. We either want it to be amazing and brilliant or a | :19:05. | :19:09. | |
complete disaster because it means we have gone for an extreme. | :19:10. | :19:14. | |
Acceptable is like it's forgettable. Don't say that! Just for me. I | :19:15. | :19:18. | |
really loved it. And the thing is that, I totally accept I don't snap | :19:19. | :19:23. | |
my legs into position and clearly my hips weren't doing the right thing, | :19:24. | :19:26. | |
but what I loved was that we just went out there and we just had a | :19:27. | :19:33. | |
great time, hilarious fun. It was great and I really loved it. Your | :19:34. | :19:38. | |
facial expressions were a joy to behold, Suzanne nasmt they were | :19:39. | :19:42. | |
amazing. What character did you give to yourself because I could see you | :19:43. | :19:47. | |
working it there, come on, sister? The thing is, because I didn't | :19:48. | :19:51. | |
naturally love the cha-cha-cha, I pretended I did and then something | :19:52. | :19:55. | |
else just came out, yeah, went a bit kind of wild. I like that look about | :19:56. | :20:01. | |
you. Len did say at the beginning of the show he was going to get picky | :20:02. | :20:04. | |
because they were getting closer to the final. Did that worry you, did | :20:05. | :20:08. | |
you start thinking, hang on a minute? Yes, when someone at the | :20:09. | :20:12. | |
beginning goes, I'm going to get picky, you think, here we go, here | :20:13. | :20:17. | |
we go, so definitely. It's getting towards the latter stages of the | :20:18. | :20:19. | |
competition and they are not going to let anything go now. Perfectly | :20:20. | :20:23. | |
reasonable, I suppose. The great thing as well about you, Susannah, | :20:24. | :20:27. | |
in training last week, feigning it a bit of a struggle, but she had a | :20:28. | :20:31. | |
brilliant way of distracting herself from dealing with it all. Have a | :20:32. | :20:35. | |
look. I ask her just to walk in a straight line and she's just messing | :20:36. | :20:41. | |
about. I would love it if you did some cha-cha-cha whack walks. OK. I | :20:42. | :20:47. | |
hate these shoes. I can't cha-cha-cha but I can do that that. | :20:48. | :20:51. | |
This isn't really going to benefit us in the competition. | :20:52. | :21:00. | |
# We should be dancing, yeah... # Wasting a lot of time, the more time | :21:01. | :21:08. | |
we waste, the less cha-cha-cha I have to do! | :21:09. | :21:12. | |
Naughty Susannah. Maybe that was part of the problem. Impressive crab | :21:13. | :21:17. | |
manoeuvre there. This week, quickstep, no walking, lots of | :21:18. | :21:22. | |
hopping, back in the ballroom are you excited? We had a terrific day | :21:23. | :21:27. | |
today, didn't we? Normally Mondays are... Horrible. Moody Mondays, but | :21:28. | :21:32. | |
it was lovely. Kevin's cog radio fill is, as ever, an absolute dream | :21:33. | :21:44. | |
re choreography. What do you think Susannah might struggle with this | :21:45. | :21:49. | |
week? We have had a really good first day which is brilliant but | :21:50. | :21:54. | |
scaring me a little bit. Usually it comes together Tuesday and | :21:55. | :21:58. | |
Wednesday. So I hope we are not brilliant first then it goes wrong. | :21:59. | :22:02. | |
She seems to be taking to it so far today, don't you? Yes. Lovely music. | :22:03. | :22:11. | |
Yes. You did let slip to Claudia actually that it's from Singing in | :22:12. | :22:16. | |
the Rain. You have emerged as strong | :22:17. | :22:19. | |
contenders in this competition. What do you make of that, Kevin? I sort | :22:20. | :22:24. | |
of don't want to talk about it. Let's move on then. It was lovely of | :22:25. | :22:29. | |
Chris teen na and Ben to say such lovely things. | :22:30. | :22:33. | |
We have only been top of the leaderboard once so I don't know. | :22:34. | :22:37. | |
Keep going. I think the cha-cha-cha lowers everything. It's gone, this | :22:38. | :22:42. | |
week quickstep, enjoy it, good luck. Susannah and Kevin! | :22:43. | :22:46. | |
We are going to see you tomorrow with Karen. You are going to give us | :22:47. | :22:51. | |
a waltz master class. Yes. Earlier on, we teased you for shots of a | :22:52. | :22:55. | |
former Strictly celebrity. Time to see if you were right. | :22:56. | :23:09. | |
Did you guess who it was? Yes, it was me, the snowman. Aled Jones from | :23:10. | :23:18. | |
series 2, not Julian Clary. Aled Jones, a lovely, lovely man. | :23:19. | :23:23. | |
Time now for a man whose very name strikes fear into the heart of any | :23:24. | :23:26. | |
celebrity. Put your hands together, making sure your thumbs are in the | :23:27. | :23:31. | |
right position, or he'll get cross, please welcome the inscrewable Craig | :23:32. | :23:40. | |
Revel Horwood. Half the highs of Blackpool, your judges seemed to be | :23:41. | :23:44. | |
frugal with your scores on Saturday night. It's been the same throughout | :23:45. | :23:47. | |
the entire series, can I just say that. Thank you. Point taken. We did | :23:48. | :23:51. | |
say goodbye to Ben and Kristina, you vote #20ed save them in the | :23:52. | :23:55. | |
dance-off. Why was that? I liked the dance and I it had a lot of content. | :23:56. | :24:01. | |
They both went wrong, so I just negated that fact anyway. He took | :24:02. | :24:09. | |
the note about crossing with the swivel. He wasn't completely | :24:10. | :24:14. | |
crossing and did it better the second time. All right. Ashley and | :24:15. | :24:19. | |
Ola. Then waltz. You made a great point saying Ashley coped well with | :24:20. | :24:24. | |
the cross phasing in spite of the difficult music? Yes, that means you | :24:25. | :24:32. | |
are not just simply doing steps side close and then making a forward step | :24:33. | :24:38. | |
on the downbeat of the barb. Waltzing is in three fold, darling. | :24:39. | :24:45. | |
The downbeat is what you look for, but they were cross phrasing which | :24:46. | :24:49. | |
is gorgeous. And difficult to do? Yes, difficult to stay in time. Mark | :24:50. | :24:55. | |
and Iveta. Mark's never got higher than a seven from you. Can't seem to | :24:56. | :24:59. | |
do right from you, although it's still a good score? Seven is rather | :25:00. | :25:03. | |
high actually. Do you think he's improving? I think he is actually | :25:04. | :25:08. | |
reaching some sort of plateau. I'm scared he's going to run out of | :25:09. | :25:13. | |
ideas, you know. His dancing has improved because he's learning as | :25:14. | :25:18. | |
he's go you through which is magnificent, which is what the show | :25:19. | :25:22. | |
is all about. But I don't know what he can really do to actually fly in | :25:23. | :25:30. | |
the competition. Unless it's comedy-driven or actor-driven, you | :25:31. | :25:34. | |
know, he's suffering I think, technically, compared to people like | :25:35. | :25:38. | |
Natalie, compared to people like Susannah, you know. Who are up | :25:39. | :25:47. | |
there. Yes, the tough. Really tough. Rumba-gate, Sophie and Brendan. You | :25:48. | :25:50. | |
found this cold. What did you make of Brendan's point that the rumba | :25:51. | :25:56. | |
doesn't have to be raunchy? He has a valid point. The rumba does not have | :25:57. | :26:00. | |
to be raunchy. It can be sexy, doesn't have to be sex-driven. | :26:01. | :26:07. | |
Shouldn't be that sense yous but needs to have a communication which | :26:08. | :26:11. | |
I think is what Len and myself were trying to say. There was almost a | :26:12. | :26:17. | |
steely coldness between them at times, it went in and out. Sometimes | :26:18. | :26:21. | |
she'd relax and smile and I can see the story unfoldings, then suddenly | :26:22. | :26:26. | |
she'd do something technical like her spins and the face went cold as | :26:27. | :26:33. | |
steel, she looked nervous and it looked really, really bad. You have | :26:34. | :26:36. | |
got to be able to connect with your partner and work with them and it | :26:37. | :26:40. | |
should be a form that is free-flowing. That wasn't. She is | :26:41. | :26:46. | |
quite stiff in a way. So you want more movement and to keep it going? | :26:47. | :26:50. | |
A bit more hip action would have been gorgeous. It's mainly the | :26:51. | :26:54. | |
connection between them that I think was missing. I kind of understand. | :26:55. | :26:59. | |
Patrick and Anya and the Viennese waltz. The bit at the end. You said | :27:00. | :27:05. | |
there was a lift. We have slow-mowed it down. Which is the bit that we | :27:06. | :27:08. | |
are talking about? This bit here? This is where I thought it came off | :27:09. | :27:14. | |
the floor. Is it off the floor? No. Not at all. Not off the familiar at | :27:15. | :27:20. | |
all. I looked at this in great detail because I'm sitting at a very | :27:21. | :27:25. | |
different angle than the camera. Excuses, excuses, revel Horwood. Are | :27:26. | :27:32. | |
you accepting that you are wrong? If I'm wrong, I'll make a national | :27:33. | :27:37. | |
apology. Come on! If I find and discover another camera angle | :27:38. | :27:43. | |
darling that exposes that... Anyway, the rule is, one foot on the | :27:44. | :27:48. | |
familiar at all times and you can have a minor moment of it lifting | :27:49. | :27:52. | |
off because it goes back on in real competitions. But still... I'm | :27:53. | :27:57. | |
looking. I know. Natalie and Artem and the tango, you gave her a 9. | :27:58. | :28:02. | |
Three criticisms, one the hand, her hopping and lack of drama, but she | :28:03. | :28:06. | |
still got a 9 so you must have loved a lot about it? Tiny little things | :28:07. | :28:11. | |
and on occasion they did flip up on to his back and the palm should be | :28:12. | :28:15. | |
facing the floor the whole time. Like that. Exactly. That was that | :28:16. | :28:21. | |
point. She did hop around which is not great. It would have got a 10 if | :28:22. | :28:27. | |
those things hadn't have been a problem. What did you think of the | :28:28. | :28:33. | |
paso? It was great. Easy liked the introduction of new music as well | :28:34. | :28:37. | |
and working glaens music so I would say well done. Susannah and Kevin? | :28:38. | :28:43. | |
You know I love them! As always, a pleasure, Craig Revel Horwood! | :28:44. | :28:49. | |
Who almost admitted that he was wrong there! That's all we have time | :28:50. | :28:54. | |
for there. Tomorrow I'll be joined by Mark and I ETA, Ola will be | :28:55. | :29:05. | |
flying solo while Ashley is busy. -- Iveta. Karen is back too. Bye. | :29:06. | :29:07. |