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Welcome to It Takes Two. It's Thursday and in store for you | :00:00. | :00:08. | |
tonight: We'll have the very latest training room updates from all of | :00:09. | :00:12. | |
our couples, an exclusive look at the weekend's frocks with Vicky | :00:13. | :00:15. | |
Gill. Plus, they've put Rumba-gate behind them, and with Musical Week | :00:16. | :00:19. | |
looming, the show must go on. Sophie and Brendan are here! They gave us a | :00:20. | :00:23. | |
top-quality Tango that took them to the top of the leaderboard. This | :00:24. | :00:28. | |
week they're hoping for an encore. It's Natalie and Artem! And always | :00:29. | :00:33. | |
worth a standing ovation, our First Lady of the judging panel is back, | :00:34. | :00:38. | |
it's Darcey Bussell! This is Strictly It Takes Two. Ly Come | :00:39. | :01:02. | |
Dancing Strictly Come Dancing ? | :01:03. | :01:28. | |
COMMENTATOR: From London, this is It Takes Two. Please welcome your host, | :01:29. | :01:32. | |
Zoe Ball. Welcome to It Takes Two. | :01:33. | :01:36. | |
It is Thursday. It means that time is running out for the couples to | :01:37. | :01:40. | |
perfect the routines before the opening night at Musical Week. Here | :01:41. | :01:46. | |
to premiere the glamorous gowns that the competitors are wearing it is | :01:47. | :01:53. | |
Vicky Gill. Hello my lovely. Now, Musical Week, does it mean as much | :01:54. | :01:57. | |
to you in the wardrobe department as it does to us? We are slightly over | :01:58. | :02:06. | |
hysterical and excited? It does! What does it mean. | :02:07. | :02:09. | |
We have to make sure that the musical is in reference to the dance | :02:10. | :02:15. | |
and the musical. So it has to suit the needs of the dance but adding | :02:16. | :02:20. | |
the Strictly sparkle and making sure it is lots of fun. And | :02:21. | :02:24. | |
performance-led. Is it a fun theme? Yes. We always | :02:25. | :02:29. | |
have a laugh. This week is no exception. | :02:30. | :02:33. | |
How do you combine the typical Strictliness to the frocks without | :02:34. | :02:37. | |
it getting too daft with the theme? We have to be careful. Otherwise it | :02:38. | :02:41. | |
would be a fancy dress. And we would be getting carried away and the show | :02:42. | :02:46. | |
would not be the same! We have to hold back and make sure that the | :02:47. | :02:50. | |
performance garment is really the lead so that they can do the | :02:51. | :02:54. | |
Quickstep or the Charleston or whatever that they are doing. | :02:55. | :02:58. | |
And still look brilliant. Right. Now, let's pull the rope here! I | :02:59. | :03:05. | |
think we have worked on this. Failure! Massive failure. Right this | :03:06. | :03:12. | |
looks incredible, who does it belong to? This is Iveta's cos tomb. I am | :03:13. | :03:22. | |
not sure but she is a lioness. So lots of feathers, lots of bounce and | :03:23. | :03:27. | |
fun in the routine. Lots of fringe which has not been trimmed yet. | :03:28. | :03:34. | |
Will Iveta make you trim that shorter? Probably. They like nice | :03:35. | :03:39. | |
long leg lines, so that will probably go up. And we have a tail. | :03:40. | :03:47. | |
There is a tail! ! He she gets to wag around. Does this mean that Mark | :03:48. | :03:52. | |
is to be dressed as a lion as well? Sort of... A big mane? Lots of | :03:53. | :04:01. | |
feather around the top of the chirt and a crown. Probably a tail by the | :04:02. | :04:05. | |
time we get to Saturday. He will look very cute. | :04:06. | :04:13. | |
Now, this is not really moonwalking but it is just a walk backwards. | :04:14. | :04:19. | |
Whose frock is this? This is beautiful. | :04:20. | :04:22. | |
This is Anya's Charleston dress. What we are trying to do is to adapt | :04:23. | :04:26. | |
the theme and the mood of the Charleston. It has the big puffy | :04:27. | :04:30. | |
sleeves. They are dancing to Chitty Chitty | :04:31. | :04:40. | |
Bang Bang. She is being Truly Scrumptious. | :04:41. | :04:42. | |
Yes. She may be a little scared of the | :04:43. | :04:45. | |
sleeves. Why? Well I think I would! But it is | :04:46. | :04:52. | |
a Strictly garment. Obviously it is the colour and the length not so | :04:53. | :04:56. | |
long as she is doing Charleston. Knowing Anya it will be energy | :04:57. | :05:01. | |
gettic and lots of tricks. And Patrick, what is he wearing? For | :05:02. | :05:07. | |
the guys there is a real mix of tone and fabrics. We will have tuition | :05:08. | :05:15. | |
feeds that don't strobe and colour combinations of chocolate browns and | :05:16. | :05:19. | |
pale greens. So exciting! Right, let's have a | :05:20. | :05:25. | |
look at Ola's dress. She is doing a Rumba. She is known for wearing cat | :05:26. | :05:30. | |
suits on the Rumba. What is it this week? Again with the musical theme, | :05:31. | :05:38. | |
the cat suit does not suit the role, but the trousers here are with a | :05:39. | :05:46. | |
little flare and a balloon shape to them. I'm sure that oil krar will | :05:47. | :05:52. | |
get to wear a cat suit in the coming weeks, but this is a bit of a cross. | :05:53. | :05:56. | |
I love how much is cut from the sides. Very exciting. This is the | :05:57. | :05:59. | |
material here. Yep, these are blue. There will be | :06:00. | :06:07. | |
more gold and silver linked in with this. So down the edging and down | :06:08. | :06:14. | |
the back, that will be very gold. And Ashley will be dressed as | :06:15. | :06:19. | |
Aladdin? He is I'm not sure if he will enjoy it. | :06:20. | :06:23. | |
He looks incredible. He had his chest out and looked great! I'm sure | :06:24. | :06:28. | |
it will be out. Susanna is doing a Quickstep with | :06:29. | :06:35. | |
Kevin. She is being Debbie Reynolds from Singing in the Rain. Singing | :06:36. | :06:42. | |
Good Morning. What about the dress? The dress is relevant to the tone | :06:43. | :06:46. | |
and the dress of the film. We have tried to use similar style lines but | :06:47. | :06:50. | |
longer as they are doing the Quickstep. I have chosen the | :06:51. | :06:58. | |
colours, purple, lilac and silver. Stunning. Quite an awesome week. Do | :06:59. | :07:07. | |
you make yourself a little cos tomb for watching the show with? That | :07:08. | :07:12. | |
would be telling! Great stuff. Give it up for Vicky Gill. Now, time to | :07:13. | :07:20. | |
look at the rave reviews and looking at who will could be panned by the | :07:21. | :07:27. | |
judges. We are dancing salsa. Latin is the least favourite. I prefer | :07:28. | :07:30. | |
being held. This will be a challenging week. I don't feel | :07:31. | :07:36. | |
confident or comfortable. The Latin dances you are out on your own and | :07:37. | :07:42. | |
wiggle the hips, it goes through me. I just can't do that step. | :07:43. | :07:49. | |
It is a Musical Week. It has to be so defined. I have to make sure that | :07:50. | :07:56. | |
A bhshgs bey has fun with all of the steps. | :07:57. | :07:58. | |
I will have to go out there and give it my all and be hopefully kept in | :07:59. | :08:07. | |
another week! This week I have the Rumba. . | :08:08. | :08:12. | |
The key elements in Rumba are the beautiful footwork. Lovely hips, | :08:13. | :08:16. | |
lufl arms and the passion between two people. | :08:17. | :08:21. | |
There must be the chemistry between the partners. With me, first. You | :08:22. | :08:25. | |
are losing the moment. We have a few trick steps. I need | :08:26. | :08:31. | |
Ashley's support. If he is not there for me, it will go wrong. | :08:32. | :08:35. | |
Because of the size difference, I am finding it hard to get as low as I | :08:36. | :08:40. | |
need to be. Don't do that. That looks like an old man. Do that. | :08:41. | :08:46. | |
The Rumba is going to be brilliant this week. I can't wait. | :08:47. | :08:55. | |
We are dancing the American Smooth. I'm really disorientated. It's the | :08:56. | :09:02. | |
same step, slow, quick, quick, slow. It is time to pay attention to the | :09:03. | :09:06. | |
smaller details instead of getting the steps right. We are at the stage | :09:07. | :09:11. | |
of the game, I know that I am being picky but... There is always an | :09:12. | :09:16. | |
element of fear and danger with any step, never mind a lift. It is | :09:17. | :09:22. | |
mainly being graceful throughout it. It is easy to be graceful with two | :09:23. | :09:28. | |
feet on the ground and in control to an extent, but when some of the | :09:29. | :09:31. | |
control is taken away from you it is harder to go with it. | :09:32. | :09:39. | |
All about being graceful! Please, welcome Natalie and Artem! Well done | :09:40. | :09:48. | |
you table-topping Tango people! And can I say congratulations to Lucky | :09:49. | :09:51. | |
the Chihuahua, who finally got it right and predicted you would be the | :09:52. | :09:57. | |
top. He is saved. Now, all of the judges were saying how pernickety | :09:58. | :10:02. | |
they would be, but Natalie you still got 37 when they were being | :10:03. | :10:06. | |
pernickety. How happy were you after the Tango? Slighted! I managed to | :10:07. | :10:14. | |
step through the dress. I will blame the dress, whether I stepped through | :10:15. | :10:18. | |
it or not. I will definitely go with the dress. It was a technical dance | :10:19. | :10:24. | |
for us, so I was delighted. I didn't notice you go wrong at all! | :10:25. | :10:31. | |
Camera angles. Nice pif outs at the beginning, | :10:32. | :10:34. | |
Artem. Showing off. Very good. How happy were you? The tango is one of | :10:35. | :10:42. | |
your favourites? Did you see how angry I was during that video? ! | :10:43. | :10:50. | |
That is what you look like all the time! How happy were you? Very | :10:51. | :10:55. | |
happy. In the dangerous run it did not go well at all. So I thought, if | :10:56. | :11:00. | |
it is going to go like that, it will be a disaster, but I thought it went | :11:01. | :11:04. | |
well. So I was happy. Craig gave a list of criticisms, you | :11:05. | :11:11. | |
think but then he still gave you a nine. Would it be nice to start you | :11:12. | :11:17. | |
with something positive? He said he would be picky. I was braced for it | :11:18. | :11:24. | |
I didn't mind. I will learn from it. Were you miffed that he said it | :11:25. | :11:28. | |
lacked drama as an actress. I mean you were giving it your all! ! You | :11:29. | :11:36. | |
were probably scared of me. You guys have amassed 300 hours of | :11:37. | :11:42. | |
training since you started this. I think that is a round of applause. | :11:43. | :11:48. | |
Are you not sick of his little face yet, Natalie? ! I have gone through | :11:49. | :11:55. | |
sick and come out of the other end. After 300 hours, confusion still | :11:56. | :12:01. | |
reigns in the training room. Have a little look. | :12:02. | :12:09. | |
Think of it seven, belonging to the gowns. I am struggling to put it | :12:10. | :12:15. | |
together to make it make shens. I am confusing. I think that the | :12:16. | :12:21. | |
challenge is to have a concept. Facilitate the choreography to the | :12:22. | :12:27. | |
concept and facilitate with the judges for the kwoefy. | :12:28. | :12:33. | |
I don't know what I am doing? ! One, two, three, two, two, two, three. It | :12:34. | :12:39. | |
should be easy to get that, actually. | :12:40. | :12:44. | |
Should be easy, he says! Let's have fun, he says. | :12:45. | :12:49. | |
Clear as mud! Good. See? Perfect! I love the way we | :12:50. | :12:57. | |
understand each other! Now, American Smooth this week in Musical's Week | :12:58. | :13:03. | |
this is the first chance to tackle really big lifts. How are they | :13:04. | :13:08. | |
going? You saw it. They are still about there. I don't think they are | :13:09. | :13:13. | |
further from what you have seen already. | :13:14. | :13:16. | |
I know it is Artem's face, though! In this Musical Week, you have a big | :13:17. | :13:43. | |
song. Let's take a look... Brilliant! It is Artem's face it is | :13:44. | :13:53. | |
hysterical! If you could turn up the music! You are dancing to Dream | :13:54. | :14:03. | |
Girls. It is a big tune. It is a ? I am still deciding on how to do that | :14:04. | :14:05. | |
one. We are still working on Thursday! I | :14:06. | :14:11. | |
heard a rumour you had tried a trapeze to get you used to a big | :14:12. | :14:17. | |
lift? How did it go? I would rather throw myself off a 30-foot ledge | :14:18. | :14:27. | |
than do the lifts! It is that bad? ! Maybe throw yourself on to Artem and | :14:28. | :14:33. | |
see if he can carry you. I think throw in the trapeze and see | :14:34. | :14:41. | |
how they dance! Listen, good luck with the American Smooth. I love | :14:42. | :14:46. | |
that clip. It is my favourite clip. In a moment I'm chatting to | :14:47. | :14:52. | |
DarceBussell but first it is back to training for you all. With the big | :14:53. | :14:57. | |
night looming, will it be the final curtain, or will our judges have you | :14:58. | :15:03. | |
singing from the rooftops? This week is a Musical Week, we are dancing | :15:04. | :15:09. | |
Samba. It is a bounce action. I am doing the best for Iveta and going | :15:10. | :15:13. | |
for it. Through the ankles and the knees. | :15:14. | :15:17. | |
Snie I want to learn how to Samba. That is the joy. Learning the dance, | :15:18. | :15:22. | |
doing it the best you can. Finish with open legs. Keep the | :15:23. | :15:31. | |
frame. We are doing with the Latin, working with arm extensions. He is | :15:32. | :15:36. | |
doing it very well. I have the feeling he will do it very well. | :15:37. | :15:43. | |
I never taught that step! I will give it 100% and do the best that I | :15:44. | :15:47. | |
can. Left, right, left... We are dancing | :15:48. | :15:56. | |
the Charleston. The Charleston is a very quick | :15:57. | :16:00. | |
dance. People don't realise how quick it is. You have to make it | :16:01. | :16:05. | |
look effortless. Just a bit quicker than I | :16:06. | :16:11. | |
anticipated! It is a technical dance. | :16:12. | :16:15. | |
The one basic step repeats itself over and over again. It is a civil | :16:16. | :16:23. | |
in the footwork. We have to work at this, because that was a bit flat! | :16:24. | :16:28. | |
This dance must be big in every way. It needs to be quirky and fun. So | :16:29. | :16:33. | |
light in the eyes and a sparkle going, yeah, it is great! Oh, my | :16:34. | :16:40. | |
days! That that's great! Patrick that looks good. Time for a woman | :16:41. | :16:45. | |
who will always get top billing in our eyes. Not just because it is | :16:46. | :16:53. | |
Musical Week but because she is great. Please, welcome Darcey | :16:54. | :16:56. | |
Bussell. Give us a shimmy. I like the shoes. Look at those! Look at | :16:57. | :17:02. | |
those! And a lovely leg kick too. Welcome back. | :17:03. | :17:06. | |
Last week, a little bit of a dip in everyone's scores. | :17:07. | :17:12. | |
Oh, yes. Len, had had his say, what are you, Darcey Bussell, looking for | :17:13. | :17:18. | |
in the couples in the lead-up to the Final? Well, it is not just about | :17:19. | :17:23. | |
technique and getting it right, but it is the overall performance. They | :17:24. | :17:28. | |
have to act it, perform, they have to finish off everything | :17:29. | :17:30. | |
beautifully. I think that there should be no | :17:31. | :17:34. | |
fuzzy edges, but it is difficult now. | :17:35. | :17:35. | |
It is difficult. There are a lot of very, very good | :17:36. | :17:40. | |
ones. Really good but they are also | :17:41. | :17:46. | |
exhausted. We have lost eight, who do you miss on the dance floor on a | :17:47. | :17:51. | |
Saturday evening? I loved Deborah Meaden. There was a smile constantly | :17:52. | :17:55. | |
on her face all the way through. This is what the show is about. She | :17:56. | :17:58. | |
had no expectations of what she would be like. She was terrified and | :17:59. | :18:04. | |
then loved every bit of it. Admittedly, loving Robin. He is an | :18:05. | :18:10. | |
amazing teach efr. She wanted to learn every week. It showed. | :18:11. | :18:16. | |
And even though she's not here, she is still supporting the dancers. | :18:17. | :18:20. | |
Now, who are the front runners now and has it changed? For me I think | :18:21. | :18:28. | |
Natalie and Patrick were always on top from the beginning. I noticed | :18:29. | :18:35. | |
that natural ability. And he never shows nerves. That is an art. Even | :18:36. | :18:41. | |
if they were nervous, to be able to I'd hide it from the beginning, but | :18:42. | :18:45. | |
I think that they are strong. It is a natural ability to be able to | :18:46. | :18:49. | |
relax on the dance floor, when you are thrown something knew each week, | :18:50. | :18:54. | |
to be comfortable with the music. To listen to your professional partner. | :18:55. | :18:58. | |
Maybe it is the actors in them. Let's talk about Patrick. He | :18:59. | :19:02. | |
received his first and so far only 10 of the series from you for his | :19:03. | :19:07. | |
American Smooth. What stood out for you? I think that the style all the | :19:08. | :19:13. | |
way through. So in sink. They mirrored each other. It was a | :19:14. | :19:18. | |
brilliant piece of choreography. It was a joy to watch. So much in it | :19:19. | :19:23. | |
that he achieved. It was a shame at the end there was a fault with the | :19:24. | :19:27. | |
dress but even how they pulled it off, to save it, I was so impressed | :19:28. | :19:34. | |
with that. That is a really professional thing to do. | :19:35. | :19:38. | |
I loved you standing up to give them that ten. | :19:39. | :19:42. | |
The dance had everything. His personality came out. He is very | :19:43. | :19:46. | |
natural and musical. Which of the celebrities surprised | :19:47. | :19:52. | |
you or improved the most? It's difficult. So many have. Admittedly. | :19:53. | :19:59. | |
Susanna was the most unpredictable. Being a news reader, you don't | :20:00. | :20:05. | |
expect her to be a performer, but she is very comfortable to come out | :20:06. | :20:10. | |
and perform. To smile and pull things off and to hide technical | :20:11. | :20:16. | |
difficulties, but here she is stunning in this waltz. I think that | :20:17. | :20:22. | |
she has incredible confidence in Kevin. They are a beautiful | :20:23. | :20:26. | |
partnership. There is a little bit of magic when they get on the dance | :20:27. | :20:30. | |
floor, but I was surprised she can pick up the steps from the | :20:31. | :20:36. | |
beginning. She found that easy. I think she said she would write them | :20:37. | :20:40. | |
down to remember them but she has never gone wrong. | :20:41. | :20:48. | |
Let's not jinx her! The last time you said you loved Sophie's | :20:49. | :20:54. | |
Charleston and David's Cha Cha Cha. Which have you enjoyed lately? | :20:55. | :21:00. | |
Theres have been lots. Sophie's Quickstep in Blackpool. | :21:01. | :21:04. | |
That was beautiful. The glimpse of what she had with the clarl | :21:05. | :21:14. | |
Chancellor came back again. -- the glimpse of what she had with | :21:15. | :21:21. | |
the Charleston came back again. She flows and looks natural and of | :21:22. | :21:26. | |
course Brendan's choreography. He will come in and lick your face | :21:27. | :21:30. | |
in a minute. It works. She is unique with so much | :21:31. | :21:35. | |
ability and grace and elegance. It is refined. I really love watching | :21:36. | :21:41. | |
her dance. I want her to have more confidence in herself and to be more | :21:42. | :21:47. | |
showy. Maybe show off. Be a bit cocky about it. | :21:48. | :21:54. | |
Thank you very much. Enjoy the next Strictly. Our Musical | :21:55. | :21:59. | |
Week will be amazing. Darcey Bussell! We are all about bit | :22:00. | :22:04. | |
jazz hands here. Time for the final trip to the training room with each | :22:05. | :22:08. | |
of the remaining couples to ensure that their performances are more | :22:09. | :22:14. | |
West End than Dead End. This week it is Week and we are | :22:15. | :22:24. | |
dancing the Quickstep. A couple of issues, slide, hop, hop, slide. | :22:25. | :22:29. | |
You have a spring. The steps I get my head around and then we do it to | :22:30. | :22:35. | |
speed it is so quick, I'm surprised how quick. | :22:36. | :22:38. | |
It is getting there. She is working really hard. | :22:39. | :22:46. | |
I hate this step! Legs are still what we have to work on. You will | :22:47. | :22:49. | |
get it. It has steps in it which are | :22:50. | :22:55. | |
counterintuitive. So there are challenges in there. I will have to | :22:56. | :23:00. | |
keep my brain working faster than my feet. | :23:01. | :23:09. | |
This week Brendan and I are dancing a Viennese waltz. It is beautiful. | :23:10. | :23:15. | |
Very graceful. I really love Strictly. Now you have added the | :23:16. | :23:20. | |
extra layer of Musicals, that I also adore. I knew that the Waltz meant a | :23:21. | :23:29. | |
lot of spinning but wow, there are a lot of spins in it. | :23:30. | :23:34. | |
There are about 12 pif outs in a row. Really? ! The pif outs and | :23:35. | :23:40. | |
turns are definitely making me dizzy, but I also really enjoy it. | :23:41. | :23:46. | |
It is a fun feeling. I just don't know if I am doing it with flair. Or | :23:47. | :23:54. | |
just someone grinning like a maniac. Mreeshgs welcome Sophie and Brendan. | :23:55. | :24:01. | |
Hello, darlings. Congratulations on the beautiful Rumba. Some of the | :24:02. | :24:05. | |
moves were stunning. We will discuss the drama, but how was the | :24:06. | :24:08. | |
performance for you, Sophie, did you love it? I really did. From the | :24:09. | :24:14. | |
start the Rumba was the one I was a bit intimidated by. I have seen some | :24:15. | :24:20. | |
that is slightly freaked me out. And this one really didn't. | :24:21. | :24:27. | |
I think that Brentan's coffey is -- choreography is gorge you. -- | :24:28. | :24:33. | |
gorgeous. I really enjoyed it. Well, what frustrated you the most | :24:34. | :24:42. | |
about the judges' comments? When bueno started going on about a | :24:43. | :24:48. | |
dirty, raunchy Rumba. For me that is misguided and understood and show as | :24:49. | :24:51. | |
lack of understanding of what we are trying to do. So to put 25 hours | :24:52. | :24:56. | |
into a dance and then for somebody else to be wanting something | :24:57. | :25:00. | |
different is frustrating. I think that Sophie danced the Rumba mrafsh | :25:01. | :25:05. | |
lousily. It was so beautiful and elegant and there was a chemistry. | :25:06. | :25:10. | |
For somebody to say there is no chemistry. It was like, hello, I | :25:11. | :25:15. | |
have just felt it. It is a frustrating thing. | :25:16. | :25:21. | |
I am not that upset about it. Well, the people at home, the | :25:22. | :25:26. | |
people, there are a lot of them were in agreement with you. Andrea said: | :25:27. | :25:34. | |
I loved it. It gave me goose bumps. They do talk rubbish some times. | :25:35. | :25:41. | |
And: Brendan is right. Why cheapen something so beautiful! Thank you | :25:42. | :25:46. | |
very much. Sophie, you mentioned how your | :25:47. | :25:53. | |
husband Richard likes that style of Rumba. Does he and your sons have | :25:54. | :25:59. | |
input to your dancing? Do they give you ideas? What do they make of your | :26:00. | :26:05. | |
beautiful dancing? They have been supportive. It was nice to watch the | :26:06. | :26:11. | |
Rumba without flinching. I knew that my dad and granny were watches at | :26:12. | :26:19. | |
home. It was intimate. It was nothing about it that was not that | :26:20. | :26:22. | |
intense. I have to talk with Richard, I get him to come in and | :26:23. | :26:28. | |
watch. He said it was a good Rumba. Strictly has taken over your whole | :26:29. | :26:33. | |
life, it does when you are a contestant. We have noticed you are | :26:34. | :26:38. | |
in your own Strictly world. You do feel you are in the Strictly | :26:39. | :26:42. | |
bubble. Sometimes of it is of happiness. | :26:43. | :26:50. | |
Sometimes it is a bit of misery. Where am I? What is happening? I | :26:51. | :26:57. | |
will be having a conversation with someone then, dancing, trying a | :26:58. | :27:02. | |
step. Whatever the song is, I am singing it all the time. | :27:03. | :27:12. | |
My eldest has a phrase for it, where he sees me doing this, he will say | :27:13. | :27:16. | |
I'm trapped in the Strictly world again. I am trapped in the Strictly | :27:17. | :27:30. | |
world! I am! Isn't that clever? ! I love how they do that. The VT team | :27:31. | :27:38. | |
are so great. The Viennese waltz, how easy is it to go were a Rumba to | :27:39. | :27:47. | |
a singing nun? Logical! Let's hope I don't put the raunch into this | :27:48. | :27:50. | |
week's dance. It is what they want. We should do it. | :27:51. | :27:56. | |
I am loving this. Musicals to me, they are synonymous with joy, so is | :27:57. | :28:03. | |
dancing and Strictly. So Brendan has to put up with me being year foric | :28:04. | :28:09. | |
to the brink of madness. Let's hear your music... | :28:10. | :28:23. | |
# Rain drops and roses and bright-coloured kittens... There is | :28:24. | :28:29. | |
a magic about this. On the staging week you want the massive impact. It | :28:30. | :28:34. | |
has this beauty and spinning around. It is lovely. | :28:35. | :28:40. | |
It is making me emotional. Will you be dressed as a nun? And will you be | :28:41. | :28:49. | |
Captain von Trapp? I want to be the Maria where she is dressed up on the | :28:50. | :28:56. | |
mountain-top. Good luck, Sophie and Brendan! | :28:57. | :29:02. | |
That's it for today. Thanks to all of my guests. Join me here tomorrow | :29:03. | :29:11. | |
where I will be talking to Patrick and Anya. Plus the Friday panel | :29:12. | :29:23. |