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Hello and welcome to It Takes Two. It's musical week on Strictly and | :00:00. | :00:09. | |
have I got an all-star cast for you tonight! They're ready to razzle and | :00:10. | :00:12. | |
dazzle the judges this weekend. Patrick and his leading lady, Anya, | :00:13. | :00:17. | |
will be on the sofa. I'll be heading up the Elstree | :00:18. | :00:21. | |
Broadway to catch up with Abbey and Aljaz, and Sophie and Brendan. And | :00:22. | :00:25. | |
I'm joined by a show-stopping Friday panel line-up of comedian Rufus | :00:26. | :00:31. | |
Hound. Presenter Aled Jones. And model Victoria Silvstedt. This is | :00:32. | :00:36. | |
Strictly: It Takes Two. From London, this is Strictly It | :00:37. | :01:28. | |
Takes Two. Please welcome your host, Zoe Ball! | :01:29. | :01:42. | |
# One winning combination # Every move that she makes... # | :01:43. | :01:52. | |
Hello! Hello and welcome to It Takes Two. | :01:53. | :01:58. | |
It's just over 24 hours and minutes till curtains up in Elstree. But, | :01:59. | :02:02. | |
before we go on, a warning for those at home. I must inform you that the | :02:03. | :02:05. | |
following programme contains musical puns that some viewers may find | :02:06. | :02:08. | |
ridiculous. Anyway, the show must go on. Tomorrow night Patrick and Anya | :02:09. | :02:12. | |
will be taking on the Charleston. I'll be chatting to them in just a | :02:13. | :02:15. | |
minute, but first, let's remind ourselves of last weekend's action. | :02:16. | :02:21. | |
Oxygen! Please, help me! You put a lot in there. It is just a shame you | :02:22. | :02:25. | |
don't look as comfortable. I expect so much from you now and I want to | :02:26. | :02:30. | |
see you here in four weeks' time. I didn't like the ending thing. That | :02:31. | :02:34. | |
was ugly. Listen, it is not your best but it's certainly not your | :02:35. | :02:39. | |
worst. You actually put a lot into it. You were hard, you worked hard | :02:40. | :02:47. | |
to hold your shape. You will come back and redeem yourself. Your head | :02:48. | :02:53. | |
position is bothering me in hold. It was unclear. You are falling between | :02:54. | :03:02. | |
two stools for me. It felt fantastic really. Very good. Please welcome | :03:03. | :03:12. | |
Patrick and Anya! Hello my darlings. Firstly, can we say Anya happy | :03:13. | :03:19. | |
Thanksgiving? Thank you. But get any pumpkin pie yesterday? No, we | :03:20. | :03:24. | |
celebrated with sushi. Deep fried. Thank you though. Well done last | :03:25. | :03:30. | |
week, your Viennese waltz was utility stunning. Len was show | :03:31. | :03:36. | |
charming, describing it as the good, the bad and the ugly. Thank you Len. | :03:37. | :03:41. | |
Patrick, did you enjoy it on the floor? I loved it. I really love | :03:42. | :03:45. | |
doing it, so that was key for me. What do you particularly love about | :03:46. | :03:51. | |
it? The lyrical fluidity of the whole thing, where you keep moving | :03:52. | :03:56. | |
and it is smooth and you keep going round and round the floor. And the | :03:57. | :04:01. | |
control when you do get it right, it is beautiful. You are teaching him | :04:02. | :04:06. | |
so well. Let's talk about liftgate and the lift that wasn't a lift or | :04:07. | :04:12. | |
was it a lift? Craig was on the show and all the pros say it wasn't a | :04:13. | :04:17. | |
lift. Craig has said he will apologise if he was wrong. I would | :04:18. | :04:23. | |
love to say there was no lift at all times. No, my foot is on the floor. | :04:24. | :04:27. | |
It is clearly on the floor. Would you like the apology in writing or | :04:28. | :04:34. | |
in wine? We will have that for you. No, I don't need an apology. He said | :04:35. | :04:40. | |
he had quite a bit of a bad angle, so this is what happens. But | :04:41. | :04:46. | |
standing anyway -- stunning anyway. The judges weren't happy with the | :04:47. | :04:50. | |
ending, like, what was this bit and that bit? It was beautiful for the | :04:51. | :04:54. | |
rest of us watching? To be honest with you, looking back I wouldn't | :04:55. | :05:02. | |
change it. The name of the song was A New Day Has Come and it needed to | :05:03. | :05:05. | |
be bigger of the. A New Day Has Come and it needed to | :05:06. | :05:13. | |
be bigger of the It needed sense to the rest of us. Everyone is entitled | :05:14. | :05:18. | |
to their opinions. You took the criticism very well on the show, but | :05:19. | :05:22. | |
the judges need to watch out and better not give you any low scores. | :05:23. | :05:24. | |
Let this be a warning. You have a tutor teaching. It was | :05:25. | :05:42. | |
horrible and you have to do it again. | :05:43. | :06:06. | |
I'm too tired. She's so strong and powerful. | :06:07. | :06:16. | |
APPLAUSE That was so good. Magical. Our VT team are so much fun. That's | :06:17. | :06:29. | |
great. Would you like a VHS of that to take home? Yes please. Do they | :06:30. | :06:34. | |
still exist. Tomorrow is the Charleston. How confident are you | :06:35. | :06:38. | |
feeling, Patrick? I love it. I was a little apprehensive. In terms of the | :06:39. | :06:42. | |
musicals, the numbers that everyone was going to get, I was excited I | :06:43. | :06:46. | |
would get something Hollywood and my kind of thing that I love to watch | :06:47. | :06:51. | |
Gene Kelly and I got Chitty Chitty Bang Bang. I thought, oh, OK. But | :06:52. | :06:56. | |
the choreography and the version of the music they put together... It is | :06:57. | :07:01. | |
fantastic. Let's have a little listen and the child will come out | :07:02. | :07:06. | |
in all of us. # And you Chitty Chitty Bang Bang, | :07:07. | :07:13. | |
Chitty Chitty Bang Bang this is what we'll do... # | :07:14. | :07:17. | |
As long as the child catcher isn't around. Craig? Just skidding! Karen | :07:18. | :07:21. | |
Hardy says this has been the series of the Charleston. Do you feel any | :07:22. | :07:25. | |
pressure? You've got to follow quite a few Chancellors that have gone | :07:26. | :07:31. | |
before, or are you like, no, this is musicals week and we are dancing to | :07:32. | :07:36. | |
Chitty Chitty Bang Bang? We are so lucky to get the Charleston on | :07:37. | :07:41. | |
musical week. It is very iconic, so I want to do justice to the song and | :07:42. | :07:44. | |
the movie, so we are trying to keep it traditional. Obviously theatre | :07:45. | :07:48. | |
needs to be big and smiles and character, so we hope to put that | :07:49. | :07:53. | |
in. Absolutely. For me it's been great doing the Charleston. That | :07:54. | :08:01. | |
style is fantastic. Sophie's Charleston with Brendan for me was | :08:02. | :08:05. | |
one of the dances of the series. So to try to do another Charleston in a | :08:06. | :08:10. | |
similar style... It is definitely going to be different. I want wait. | :08:11. | :08:14. | |
And you came from musical as. Isn't that where you started in your | :08:15. | :08:20. | |
career? The am-dram, before I went to drama school, from 14 I did | :08:21. | :08:24. | |
musical as, one every year. I was lucky enough to play Danny duck o in | :08:25. | :08:37. | |
-- Devony Zuko in Greece. -- Danny Zuko in Grease. I love musicals so | :08:38. | :08:42. | |
much. Will there be any car-related | :08:43. | :08:51. | |
choreography at all? A little. So Sort of, kind of, in a roundabout | :08:52. | :08:56. | |
kind of way. They are saying nothing. Ian when he was looking at | :08:57. | :09:01. | |
the training room footage on Wednesday was saying he thought your | :09:02. | :09:06. | |
matching choreography moves were brilliant and he was hoping you | :09:07. | :09:10. | |
might get some 10s this week. What do you make of that? What did you | :09:11. | :09:19. | |
say? Hello! We want it to go well and to be smooth. That's the goal - | :09:20. | :09:25. | |
to just bring the joy and energy and technique, a lot of technique. I'm | :09:26. | :09:31. | |
just going to enjoy it. You are going to make a lovely Truly Scrump | :09:32. | :09:47. | |
eruptous -- scrum ous. Last week Lucky the pup predicted Natalie and | :09:48. | :09:51. | |
Artem would be the box office hitment hurrah. Let's see which guy | :09:52. | :09:53. | |
and doll he's chosen this week. I thought that top hat smelled a bit | :09:54. | :10:36. | |
funny earlier on. He thinks Abbey and Aljaz will be bathing in West | :10:37. | :10:43. | |
Side glory tomorrow night. Earlier I Mary Poppinsed up to Elstree to | :10:44. | :10:47. | |
catch up with some of our celebrity chore cuss line. Over to my | :10:48. | :10:52. | |
understudy. It's me in the big studio. Musicals | :10:53. | :10:57. | |
week, I've told you before how excited I am. I want to cut a few | :10:58. | :11:03. | |
moves. Look who is over here, it is Abbey and Aljaz. Hello my darlings. | :11:04. | :11:08. | |
How are you? How are you feeling about your salsa? Still excited. I | :11:09. | :11:14. | |
love the song and that disco vibe. It is quite scary. You practise it | :11:15. | :11:18. | |
in the studio and it is just the two of you and when you bring it into | :11:19. | :11:24. | |
the studio and have to do it in front of everybody... It is scary | :11:25. | :11:29. | |
and fun. We have dancers as well. It is like a proper disco dream. How | :11:30. | :11:37. | |
did rehearsal go? It could have gone better. Yes, for the first one in | :11:38. | :11:43. | |
studio was good. Any little thing you need to work on before tomorrow? | :11:44. | :11:48. | |
It is the commitment. You come in, the first run, different steps and | :11:49. | :11:53. | |
it is a different room. We need to make sure the steps are here and | :11:54. | :11:56. | |
after she gets comfortable with that we need to make sure the commitment | :11:57. | :12:03. | |
and the face... And I'm leaving it late to learn the steps, the day | :12:04. | :12:08. | |
before. How are your shoes? Don't zoom in. My shoes are good. These | :12:09. | :12:14. | |
are my old shoes. They'll all be buying the Abbey Crouch outfit. They | :12:15. | :12:21. | |
are all scraped. It will be good. Do the others give you any tips. Do the | :12:22. | :12:28. | |
celebrities say if you do this and do that? Yes, everybody's great. | :12:29. | :12:32. | |
Most people have done all the dances now. It is like, what did you do on | :12:33. | :12:37. | |
your one, give us tips, and the promise are always willing to help. | :12:38. | :12:41. | |
You've got such a great number tomorrow night. You get yourselves | :12:42. | :12:49. | |
ready. Have a nosey along here. It looks scruffy when nobody is here | :12:50. | :12:53. | |
but it will be posh by Saturday night. Here's Sophie and Brendan. | :12:54. | :12:58. | |
What happened since I last saw you? You come into the studio on a | :12:59. | :13:01. | |
Friday. Have you had a go on the floor of your Viennese waltz? Yes. | :13:02. | :13:07. | |
How did it go? It was really cool, but there's so many spins at the | :13:08. | :13:12. | |
end, I saw all the studio lights going around and around. Do you have | :13:13. | :13:16. | |
to hold Sophie up dead? I tend to remember Ian holding me steady a | :13:17. | :13:22. | |
bit. We go around a lot at the end. Have you counted how many times? I | :13:23. | :13:27. | |
think it is 12. It is that moment of, are you on balance, have I got | :13:28. | :13:33. | |
you, have you got me, can we stand? And hopefully over to Brucie | :13:34. | :13:38. | |
upright. When you come in and do rehearsals on a Friday, do you watch | :13:39. | :13:43. | |
everyone else's rehearsals? How scared do you get when you see other | :13:44. | :13:48. | |
people's work? It is not scary. It is lovely. It is nice seeing the | :13:49. | :13:51. | |
fruits of everybody's labour. You are such a good family. Everyone | :13:52. | :13:58. | |
gets on really well. That's true. Who are your best buddies? Legal | :13:59. | :14:04. | |
everyone. There's nobody I haven't got on with really. You have to vote | :14:05. | :14:09. | |
for your favourites of course. Any props this week? It is musicals. | :14:10. | :14:14. | |
Musicals week is a big week. There is a lot going on. It is one of | :14:15. | :14:19. | |
those epic ones where the audience look forward to it, we look forward | :14:20. | :14:25. | |
to it. It is proptastic. I've seen some stuff I want to steal for my | :14:26. | :14:30. | |
house actually. Have you seen your coast afternoons? Yes. -- have you | :14:31. | :14:38. | |
seen your costumes? Yes. We are dancing to The Sound Of Music, so | :14:39. | :14:46. | |
I'm in a nightie. I'm a nun and they always have a spark costume on. I | :14:47. | :14:52. | |
went to a con vent school and I can vouch for that. There might be Von | :14:53. | :14:58. | |
Trapp action going on. You guys get ready and do whatever you have to | :14:59. | :15:02. | |
do. Good luck tomorrow. Enjoy the show you lot. Because you've been so | :15:03. | :15:07. | |
good all week, here especially for you a snippet of Abbey and Aljaz's | :15:08. | :15:10. | |
salsa. CHEERING AND APPLAUSE | :15:11. | :15:46. | |
Are they singing, "What you doing in your bed?" That's what I thought. We | :15:47. | :15:53. | |
are arguing over the Bee Gees lyrics. Back the Ball. I don't know | :15:54. | :16:00. | |
who she is but she's very annoying. After nine it is safe to say our | :16:01. | :16:05. | |
couples have got to know each other very well, but how do they feel | :16:06. | :16:07. | |
about their partners? Kevin is brilliant and he's been so, | :16:08. | :16:19. | |
so good and so patient, I can't believe it. He's just been | :16:20. | :16:25. | |
brilliant. Susanna is great to get on with. She's become like a best | :16:26. | :16:29. | |
mate. We are on this journey together and it means a lot. Iveta, | :16:30. | :16:34. | |
apart from being an amazing dancer, is a brilliant teacher, because | :16:35. | :16:39. | |
she's got such patience. I reform really happy I got paired with Mark. | :16:40. | :16:44. | |
He's the perfect partner for me. It is just so enjoyable. I don't want | :16:45. | :16:49. | |
this series to ever end. Artem sees your potential and wants the | :16:50. | :16:53. | |
absolute best for you, so he's got a really lovely way of working where | :16:54. | :16:59. | |
he can see what you could be. I definitely feel like I made a good | :17:00. | :17:04. | |
friend, with my partner. I honestly cannot imagine even for a second in | :17:05. | :17:07. | |
my head to be partnered with anybody else. Ola's been amazing. One of the | :17:08. | :17:12. | |
hardest things I find in dancing is the smiling. When I'm looking atoll | :17:13. | :17:18. | |
la I find it easy, as she's got a face that makes you smile. I have a | :17:19. | :17:23. | |
lovely friend in Ashley and he tries so hard to make me proud of him and | :17:24. | :17:31. | |
that's really lovely. It's been really nice to work with somebody | :17:32. | :17:36. | |
who knows so well not how to teach but what I'm going through. Brendan | :17:37. | :17:40. | |
is the best partner I could have had. Sophie is a delightful girl. | :17:41. | :17:45. | |
She comes in with the best attitude you would possibly ask for every | :17:46. | :17:49. | |
day. You couldn't ask for more than she's giving me. I love Aljaz. He is | :17:50. | :17:55. | |
just an amazing person and I really enjoy every second of rehearsals | :17:56. | :17:59. | |
with him. I think I've bonded really well with Abbey. We have become | :18:00. | :18:03. | |
really good friends. I can't wait for the season to go on and we are | :18:04. | :18:07. | |
going to get even better and better. Patrick is an awesome partner, a | :18:08. | :18:11. | |
really great person to work with. I just want to thank him, because he's | :18:12. | :18:17. | |
truly doing a superb job. I love dancing with annia. I can't imagine | :18:18. | :18:21. | |
being partnered with anyone else. She is pretty special, so thank you. | :18:22. | :18:30. | |
It is getting pretty emotional. That's how they feel about each | :18:31. | :18:33. | |
other but how do our next guests rate them? It is our fabulous Friday | :18:34. | :18:47. | |
Panel. It is Rufus Hound, Aled Jones and Victoria Silvstedt. Look at you | :18:48. | :18:53. | |
three! Hello! What a lovely threesome. I love the cardigan. The | :18:54. | :18:59. | |
big chill's on its way. You are doing the Christmas show and you've | :19:00. | :19:07. | |
got Flavia, you lucky man. Allised since this was announced was people | :19:08. | :19:11. | |
I haven't known - men I haven't known for years - getting in contact | :19:12. | :19:15. | |
asking for various contact details and measurements. It is utterly | :19:16. | :19:20. | |
inappropriate. How ridiculous. I've been bombarded. How's the training | :19:21. | :19:25. | |
going? It is going very well. We are at that point where we kind of know | :19:26. | :19:29. | |
what it is. I didn't think it would be going as well as it is. It is the | :19:30. | :19:34. | |
Christmas show, so you can get away with a bit more. Have a bit more | :19:35. | :19:39. | |
fun. Victoria, is you are here promoting your lingerie range, but | :19:40. | :19:44. | |
you were of course on the Italian Dancing With The Stars. I was. "Ooh | :19:45. | :19:49. | |
la la". I was doing a salsa, a special appearance for the first | :19:50. | :19:53. | |
episode. The Italians do it the naughty style. Oh yes! I've seen | :19:54. | :19:59. | |
that. "Ooh la la", but it was fun. I got three hours to practise before | :20:00. | :20:04. | |
the live show. That's all? My feet were bleeding. I had bluesers but I | :20:05. | :20:09. | |
can't believe how much fun it was. Do you remember your score? I got a | :20:10. | :20:13. | |
lot different was the first show though. The worst was a 5. I got 5, | :20:14. | :20:21. | |
7 and 8. Not bad for a first. It was a lot of who la-hole la style. Aled | :20:22. | :20:32. | |
a, as a veteran of Strictly, who are you loving this year? I'm loving | :20:33. | :20:38. | |
Brendan and Sophie. I think... That could be taken out of context. I do | :20:39. | :20:42. | |
love Brendan, but you knew that anyway. I think they are great. But | :20:43. | :20:48. | |
everyone's pretty good, it is much better than when I did it. That's | :20:49. | :20:52. | |
what I say. We didn't do anything did we? ? Love your Christmas single | :20:53. | :20:58. | |
with Sir Terry Wogan. Thank you. You're the only one. What is it? A | :20:59. | :21:04. | |
Perry Como song. It is beautiful. You should buy it. We are going to | :21:05. | :21:11. | |
start with Mark and Iveta. They are doing the Samba. Victoria, Mark has | :21:12. | :21:14. | |
been in the bottom two for three weeks in a row. Looking at this in | :21:15. | :21:19. | |
training, can he avoid the bottom two this week? I do think so. He's a | :21:20. | :21:26. | |
hard worker, obviously. It is all about personality and feelings. He | :21:27. | :21:31. | |
is passionate, he's a fighter. The reason they got the claw is they are | :21:32. | :21:37. | |
dancing to this from the Lion King. I think they are going to be dressed | :21:38. | :21:42. | |
as little lions. It is going to be glorious. What do you think to all | :21:43. | :21:48. | |
of that rolled into together? It is quite a long thing. Mark makes an | :21:49. | :21:54. | |
incredible point about what's changed with Strictly viewers series | :21:55. | :21:57. | |
on series, right? We know the judges have to mark the dancing, so he | :21:58. | :22:02. | |
scores very lowly, but it was meant to be that you at home voted for | :22:03. | :22:08. | |
what you enjoyed the most. I think what's changed is that year on year | :22:09. | :22:13. | |
people at home have become armchair experts and they are now voting for | :22:14. | :22:17. | |
technique. Everyone who watches marsh says, I loved it, but I'm not | :22:18. | :22:22. | |
voting for it, because there was no rise and fall. A and he stays in. | :22:23. | :22:27. | |
The judges then vote with their hearts not their heads and he stays | :22:28. | :22:32. | |
because of that. He is a big Teddy bear. Natalie and Artem are doing | :22:33. | :22:40. | |
the American smooth. They are dancing to Jennifer Hudson's song | :22:41. | :22:46. | |
from Dreamgirls. Aled, could they be top of the leaderboard again this | :22:47. | :22:50. | |
week? Looking at that, it is perfect. It is difficult to tell who | :22:51. | :22:53. | |
is the professional dancer and who isn't. There isn't a mistake in it | :22:54. | :22:58. | |
already, and that was a day ago. I think they are perfect. What do you | :22:59. | :23:02. | |
think, having a little look at them there Victoria? I was asking who is | :23:03. | :23:07. | |
the professional there, because it is too perfect. My God. Incredible. | :23:08. | :23:12. | |
We need to see some mistakes, so people can say yes! Or dress up like | :23:13. | :23:20. | |
little lions. Ashley and Ola are doing a rumba. Last week's waltz | :23:21. | :23:28. | |
made him the top-rank male of the show. What do you reckon? Due | :23:29. | :23:32. | |
remember when Strictly started there was a lot of talk about the men | :23:33. | :23:38. | |
looking like men and not dancing like ladies. I think there ask a bit | :23:39. | :23:41. | |
of floppy hand there. You have to own it a bit more, especially with | :23:42. | :23:48. | |
Ola Jordan. The reason James is like he is because he is married to that! | :23:49. | :23:56. | |
You know what I mean. Let's hear their music. You don't know A Whole | :23:57. | :24:06. | |
New World? It is a bit wet. For a rumba it is meant to be sexy isn't | :24:07. | :24:12. | |
it? It is musicals week. He is a brilliant dancer but I agree with | :24:13. | :24:17. | |
you. He looked a bit stiff. He needs to be a bit more naughty. Be a man | :24:18. | :24:22. | |
and be naughty. There is no reason it won't be brilliant. Just between | :24:23. | :24:27. | |
when that was filmed and tomorrow, he's got to find it. Ashley, take | :24:28. | :24:31. | |
note! LAUGHTER I love you all. They are | :24:32. | :24:36. | |
doing a quickstep last week. Last week the cha-cha-cha wasn't great | :24:37. | :24:39. | |
with the judges. Victoria, what do you make of this for a quickstep? Do | :24:40. | :24:44. | |
you like these two? I like it. She is entertaining to watch, it is fun, | :24:45. | :24:49. | |
and she is enjoying it. And technique? I don't know much about | :24:50. | :24:54. | |
the quickstep, is it supposed to be fast? This is from singing in the | :24:55. | :25:00. | |
rain. It's a done deal. Show hands. I'm going to sit on them. Stop! Do | :25:01. | :25:07. | |
you like Susanna and Kevin? I think they are brilliant and that song | :25:08. | :25:10. | |
suits the dance. It will get everyone on their feet. Guaranteed. | :25:11. | :25:16. | |
And the quickstep works with compact people, little short and sharp... | :25:17. | :25:22. | |
And she's got that in spades. Abbey and Aljaz are doing a salsa. We need | :25:23. | :25:26. | |
the music when looking at the training. They are dancing to the | :25:27. | :25:33. | |
bingies from -- to the begees from Saturday Night Fever. Rufus, is she | :25:34. | :25:38. | |
looking in control in this? Looking at this, this is one of those | :25:39. | :25:42. | |
classic cases of somebody who joined the competition and you went, with | :25:43. | :25:46. | |
yeah, I will give you week five, but week on week has got stronger and | :25:47. | :25:50. | |
stronger. That's somebody going all out to win. She's not mucking about | :25:51. | :25:56. | |
now. What's changed? What has changed? You tell me. I don't know! | :25:57. | :26:02. | |
I think they want to win. It is getting near the final. People | :26:03. | :26:06. | |
really want to win. You did the salsa on dancing with the stars. | :26:07. | :26:10. | |
What do you need? It is all about the feeling. The you have to feel | :26:11. | :26:14. | |
it. It is about had hips and the feeling. "Ooh la la". I love Abbey | :26:15. | :26:20. | |
and I think she will do great. Sophie and Brendan are doing a | :26:21. | :26:28. | |
Viennese waltz. This is to My Favourite Things from The Sound Of | :26:29. | :26:32. | |
Music. Look at that! Beautiful. Aled, the judges thought her rumba | :26:33. | :26:37. | |
was a bit cold. Is this Viennese waltz looking warmer to you? I think | :26:38. | :26:42. | |
they were wrong. I loved it. She is so elegant. I think this is really | :26:43. | :26:46. | |
going to suit her. A genius choice of song. They look like they are | :26:47. | :26:50. | |
having a good time. Beautiful. Roof use, sound of music, will it be a | :26:51. | :26:53. | |
winner with the judges, do you think? The thing about Sophie Ellis | :26:54. | :26:59. | |
Becks ster is as a pop star it was a bit removed. Murder on the | :27:00. | :27:04. | |
dancefloor is emotionless. It is not that she is a wonderful, warm, | :27:05. | :27:09. | |
loving human being, but she is just a bit like that. If that's who you | :27:10. | :27:14. | |
are and that's the dance you bring us, that can be a true reflection of | :27:15. | :27:24. | |
of who you are. Do you like that? That's alright isn't it? That's what | :27:25. | :27:29. | |
she is like. I love him. Patrick and Anya are doing the Charleston. They | :27:30. | :27:35. | |
are dancing to Chitty Chitty Bang Bang. Did you Potts? I did. Everyone | :27:36. | :27:49. | |
will enjoy that. They looked really good. Victoria, do you like the look | :27:50. | :27:54. | |
of Patrick? I love Patrick. He is definitely going to get one 10 out | :27:55. | :27:59. | |
of this. You are the second person to say that this week. Rufus, do you | :28:00. | :28:05. | |
like? Charlestons this year have blown everybody apart. Brilliant. | :28:06. | :28:11. | |
And this, if this joins the league of great Charlestons this series, I | :28:12. | :28:14. | |
think he again could emerge as somebody who has gone on a real - | :28:15. | :28:21. | |
hate the word, I'm going to say the J word - journey. He said it! Who | :28:22. | :28:26. | |
would you like to see lift the trophy this year Rufus? Well, that's | :28:27. | :28:33. | |
a tricky question. I think Susanna will win it, because she is totemic | :28:34. | :28:38. | |
of the people who like this show. Victoria? I will go with Patrick. | :28:39. | :28:46. | |
Nice. Aled? Sophie and Brendan. Good luck with the Christmas show. | :28:47. | :28:51. | |
Thank you so much for | :28:52. | :29:01. |