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Hello and welcome to It Takes Two. What a weekend! Saturday saw him | :00:00. | :00:12. | |
crowned Lion King, but sadly his reign on Strictly has come to an | :00:13. | :00:15. | |
end. Mark and Iveta say their goodbyes. | :00:16. | :00:20. | |
We don't want them to go! Love them. Their super salsa created a Disco | :00:21. | :00:27. | |
Inferno. Here to talk 10s are Abbey and Aljaz. And it's just as well he | :00:28. | :00:31. | |
finally found his 10 paddle, as this is the last time he'll join us this | :00:32. | :00:36. | |
series - Craig will be here. This is Strictly It Takes Two. | :00:37. | :01:22. | |
Live from London, this is Strictly It Takes Two. Please welcome Zoe | :01:23. | :01:28. | |
Ball. Hello and welcome to It Takes Two. | :01:29. | :01:35. | |
This weekend saw tears, tantrums and 10s as the competition hotted up | :01:36. | :01:42. | |
even further. In case you were foolish enough to miss any of it, | :01:43. | :01:46. | |
here are the Strictly headlines. It was brilliant! | :01:47. | :01:52. | |
Good evening and here is the news. Strictly's musical extravaganza | :01:53. | :01:56. | |
reached Saturday Night Fever pitch as Abbey's salsa blew away all of | :01:57. | :02:00. | |
the judges. Yes, Craig's mothballed 10 paddle finally made an | :02:01. | :02:01. | |
appearance. Well, Craig might have given Abbey a | :02:02. | :02:28. | |
10, but he didn't score quite so highly with his own spin across the | :02:29. | :02:30. | |
floor. There is one judge missing. Where's | :02:31. | :02:35. | |
Craig? I'm going to mark you for your | :02:36. | :02:58. | |
entrance. I'll give you two. That's more than I deserve! And there was | :02:59. | :03:02. | |
drama on the dance floor after Natalie's American smooth wasn't | :03:03. | :03:04. | |
quite smooth enough for Len. Too much swooshing, apparently. | :03:05. | :03:15. | |
For me, the dance got lost in the performance. Not enough foxtrot. And | :03:16. | :03:24. | |
finally, the make-up room was alive with the Sound of Music on Saturday. | :03:25. | :03:33. | |
Or something like it. # Brown paper packages tied up with | :03:34. | :03:39. | |
string. These are a few of my favourite things. | :03:40. | :03:44. | |
# When the dog bites, when the bee stings, when I'm feeling sad. I | :03:45. | :03:52. | |
simply remember my favourite things... | :03:53. | :03:56. | |
# And those were the Strictly Headlines. | :03:57. | :03:59. | |
And now even more backstage gossip. Here's all the action from behind | :04:00. | :04:04. | |
the scenes. I believe something is going on | :04:05. | :04:17. | |
today. # Oh, what a beautiful morning. It | :04:18. | :04:29. | |
is musical week! I am a secret jazz hander. I love musicals. There is a | :04:30. | :04:36. | |
danger of feeling like there is a lot of pressure on you when you get | :04:37. | :04:40. | |
to this stage of the competition. But this week, everyone just feels | :04:41. | :04:49. | |
very happy. Patrick is flying! I want that car for Christmas. It is | :04:50. | :04:55. | |
really energetic, very busy and quick, and heaps of fun. It is | :04:56. | :05:01. | |
lovely having the dancers, because it fills the stage out and takes the | :05:02. | :05:03. | |
attention off me. It is going to be a very big night. | :05:04. | :05:10. | |
Hair and make up! My little boy at home is very | :05:11. | :05:23. | |
excited about daddy flying on a magic carpet. I've lost my make-up | :05:24. | :05:35. | |
artist. How about this. This is what my mum used to do. I think that is | :05:36. | :05:42. | |
the right colour! UR in the wrong, Brendan Cole. | :05:43. | :05:49. | |
I am currently having a tale sewn onto my costume. | :05:50. | :05:59. | |
I have a feeling that tonight might be the night when we see for 10s. | :06:00. | :06:14. | |
Welcome to the Jungle. These are our little sexy animals. We are doing | :06:15. | :06:22. | |
the lion king. It is going to be the best party, with the biggest amount | :06:23. | :06:28. | |
of cheese. # I'm singing in the rain. What a | :06:29. | :06:31. | |
glorious feeling. I'm hoping we see 10s tonight. | :06:32. | :06:38. | |
Fingers crossed, darling. Showtime! I think before you go on stage, | :06:39. | :07:01. | |
you're trying to hold every interview so that you can let it out | :07:02. | :07:08. | |
on stage. It is musicals week on Strictly Come Dancing. | :07:09. | :07:14. | |
What a night! He'll always be the Lion in our pride. It's time to say | :07:15. | :07:22. | |
Hakuna Matata to Mark and Iveta. APPLAUSE | :07:23. | :07:31. | |
Commiserations on last night's exit. It has been such a joy watching the | :07:32. | :07:35. | |
two of you dance on the show. How are you feeling today? I feel good. | :07:36. | :07:46. | |
I was having such a fantastic time. I wanted to go out on a high, and we | :07:47. | :07:52. | |
did that. We had a great week, and I feel good about the whole thing. You | :07:53. | :07:56. | |
have been such an incredible fighter. You had to go through the | :07:57. | :08:03. | |
dance-off so many times and still survived. Did you have a feeling | :08:04. | :08:08. | |
that this might be the week? You feel that every week, and it was | :08:09. | :08:14. | |
getting tough, so to get to the last seven was amazing. We went for it, | :08:15. | :08:19. | |
but you have to have that in your mind that it might happen. And did | :08:20. | :08:26. | |
we see a little appearance of the dinosaur? It was such a beautiful | :08:27. | :08:35. | |
moment. And very emotional. That will become legend across the | :08:36. | :08:39. | |
country. And quite an emotional departure, Iveta. Yes. Whether you | :08:40. | :08:48. | |
make the final or go out earlier, you never want this to end. It is | :08:49. | :08:57. | |
emotional. Let's not start yet! Don't look him in the eye. Craig's | :08:58. | :09:03. | |
perhaps been your fiercest critic, but even he gave you positive | :09:04. | :09:06. | |
comments on Saturday. We saw you tear up - how much did it mean to | :09:07. | :09:11. | |
you? It was such a shock, because I was expecting him to be really harsh | :09:12. | :09:16. | |
again, and he was so lovely. I was fine going up the stairs, and when I | :09:17. | :09:23. | |
got to the top, I couldn't talk. I think it means something that | :09:24. | :09:26. | |
because Craig is quite harsh, when he does say something nice, you know | :09:27. | :09:32. | |
he genuinely means it. He really does mean it, which is why it gives | :09:33. | :09:42. | |
you such pleasure. Now, you have done ten weeks of dancing on very | :09:43. | :09:47. | |
bad knees. What happens now you're out of the competition? We are going | :09:48. | :09:52. | |
to do the tour, and then I will go and have keyhole surgery. If I can | :09:53. | :09:57. | |
survive this, I can survive the tour. | :09:58. | :10:05. | |
Let's have a look at your strictly story. | :10:06. | :10:11. | |
You are going to be sharing the dance with Iveta. | :10:12. | :10:17. | |
I want to show that may be big people can move a bit. You danced it | :10:18. | :10:27. | |
actually rather well. This week we are dancing a salsa, and I am | :10:28. | :10:32. | |
nervous, because I have to find my inner sex God. Show me your sexy | :10:33. | :10:40. | |
face. I am 47, overweight with a dodgy knee. | :10:41. | :10:46. | |
It is being able to do the dance with those judges staring at you, | :10:47. | :10:49. | |
under the lights, the audience there. I have never experienced | :10:50. | :10:55. | |
nerves like it. Iveta is a brilliant teacher. If he makes a mistake, I | :10:56. | :11:03. | |
will break him. Sometimes my stomach hurts from laughing. We really have | :11:04. | :11:05. | |
a good time. You capture the essence of every | :11:06. | :11:20. | |
dance. You get it. And that's great. He is brilliant. No, you are. | :11:21. | :11:26. | |
I can throw some shapes. I can bust some moves. I was made for | :11:27. | :11:35. | |
cha-cha-cha. It was unique, different, memorable and very, very | :11:36. | :11:41. | |
funny. I just want to enjoy what I do. My goal is to show Mark's | :11:42. | :11:48. | |
ability to dance. Not his ability to act, because we know he can do that. | :11:49. | :11:53. | |
You danced it simply, effectively and with feeling and emotion, and | :11:54. | :11:59. | |
that was beautiful. If I am brutally honest, I didn't think I would make | :12:00. | :12:04. | |
it this far. I do think I have improved, and I'm enjoying it. Did | :12:05. | :12:11. | |
you see my astronaut? Did you see him fly? He was amazing. | :12:12. | :12:23. | |
# It's too late to apologise. Iveta is an amazing friend. She has | :12:24. | :12:28. | |
got such a wicked sense of humour. I can't imagine doing strictly with | :12:29. | :12:31. | |
anyone else. It is just so enjoyable. I don't | :12:32. | :12:40. | |
want the series to ever end. You tried Goldfinger, and ended up a | :12:41. | :12:46. | |
fish finger. I knew that I would end up in the dance-off, and I felt like | :12:47. | :12:53. | |
I let Iveta down. She deserves the best from me, and that is what she | :12:54. | :12:56. | |
is going to get. We will have some fun this week. I know it is | :12:57. | :13:03. | |
entertaining, I do know that. I am really looking for a lot more | :13:04. | :13:08. | |
technique. The couple I would like to save is Mark and Iveta. Mark and | :13:09. | :13:12. | |
Iveta. I thought that was our last chance, | :13:13. | :13:17. | |
so I was thrilled. You start this journey with someone, and you do get | :13:18. | :13:24. | |
really close. Just let me get the steps. You have been trained, but | :13:25. | :13:32. | |
never tamed. There are always little cheeky moments that make it. It | :13:33. | :13:39. | |
makes me feel like a warrior. In my head, I thought that was it for me. | :13:40. | :13:45. | |
Thankfully, the judges saved me. From where I started to get to hear, | :13:46. | :13:50. | |
it is just such a lovely feeling. I am going to have fun this week, I | :13:51. | :13:54. | |
think. That is what it's all about for me. I think that really is | :13:55. | :14:01. | |
technically your best to date. You are a great big bundle of joy to | :14:02. | :14:10. | |
watch. Well done. I would like to save Ashley and bowler. | :14:11. | :14:17. | |
It is an honour to work with you. It is an honour to teach you. We will | :14:18. | :14:27. | |
have a sitcom together and continue laughing! Honestly, thank you. It | :14:28. | :14:31. | |
was the best first season. It was perfect. I could not wish for | :14:32. | :14:34. | |
anything else. I love you. Oh, my goodness. We can't wait for | :14:35. | :14:48. | |
the sitcom! What do you think made the two of you hit it off so well? I | :14:49. | :14:55. | |
think a lot of it is to do with the fact that I couldn't dance. I | :14:56. | :15:02. | |
couldn't dance constantly. We would dance for ten minutes and then have | :15:03. | :15:06. | |
to sit for ten minutes on my knees recovered. And so we would mess | :15:07. | :15:12. | |
about. And the thing about Iveta, she just has such a great sense of | :15:13. | :15:17. | |
humour. We have loved having you on the show. Who would you like to see | :15:18. | :15:25. | |
go on and win? I have to say, they are all lovely people. I wouldn't | :15:26. | :15:30. | |
like to say. They are all so good, I couldn't call it. I don't want to | :15:31. | :15:39. | |
say. Iveta, will you do us a favour. One more time, say jellyfish. | :15:40. | :15:46. | |
Jellyfish. And can I say, quickly, thank you for you and It Takes Two, | :15:47. | :15:52. | |
because it has been brilliant. Don't start. Everybody please give it up | :15:53. | :15:58. | |
for Mark and Iveta! We will miss them. | :15:59. | :16:07. | |
I don't think any couple has ever had that reaction on the show | :16:08. | :16:14. | |
before! Mark will always have a place in our hearts on It Takes Two. | :16:15. | :16:18. | |
In a couple of years, you might be lucky enough to star in one of these | :16:19. | :16:21. | |
little gems, it's time for Guess who. | :16:22. | :16:50. | |
Who was that? Saturday saw disco diva at leaderboard with a 70s | :16:51. | :17:00. | |
themed salsa that scored the perfect 40. Here is a reminder. | :17:01. | :17:06. | |
That was great! You were dancing between two professional girls. I | :17:07. | :17:18. | |
could not tell the difference. Absolutely amazing. | :17:19. | :17:26. | |
Mesmerising performance. You are losing confidence in the Latin. A | :17:27. | :17:33. | |
5-star routine. -- losing confidence. | :17:34. | :17:37. | |
I cannot believe we got four tends! I am gobsmacked! Well done, you! | :17:38. | :17:49. | |
Lucky the Predictive Pup was right again! Please welcome Abbey and | :17:50. | :18:00. | |
Aljaz. Can I just say, that was awesome on Saturday night will stop | :18:01. | :18:03. | |
I think there is only one couple ever before that have got 44 salsa. | :18:04. | :18:14. | |
-- 40 four a salsa. How much did you enjoy it? I loved it, everyone was | :18:15. | :18:21. | |
amazing. I thought we have to go out and pretend we are in that disco. | :18:22. | :18:27. | |
And look at what happened, what did Peter think, your mum and dad? Pete | :18:28. | :18:33. | |
finished his football and legged it down to the studio and watched us, | :18:34. | :18:38. | |
my mum and everyone was going crazy. I put the loudspeaker in the | :18:39. | :18:44. | |
room. I am not surprised at all. It looked joyous to perform. Is that | :18:45. | :18:48. | |
part of the success, because it was so much fun to do? We actually | :18:49. | :18:54. | |
struggled in rehearsals, doing it. The Latin isn't my favourite. But I | :18:55. | :18:59. | |
think you have two forget about that and not at a mental block on | :19:00. | :19:03. | |
yourself, how can you not have funded Saturday night Fever? Those | :19:04. | :19:09. | |
outfits! And him dancing in a white suit, my lord! You must have known | :19:10. | :19:13. | |
you had done well, when did you think a clean sweep was coming? It | :19:14. | :19:20. | |
was such a full on salsa, the whole way through I kept thinking, what's | :19:21. | :19:25. | |
next? Every time I saw her was like... I was like, that's good! | :19:26. | :19:33. | |
It's so fast, and you were there with the other pro dancers, you | :19:34. | :19:38. | |
looked incredible. You were saying the always preferred the ballroom. | :19:39. | :19:41. | |
How did you tackle the salsa, knowing that Abbey has always | :19:42. | :19:46. | |
preferred the ballroom? I told her it was the ballroom! She is a | :19:47. | :19:53. | |
natural in ballroom. But I think the salsa, as it was a disco salsa, | :19:54. | :19:58. | |
every single disco move, she did it better than me! You do all the moves | :19:59. | :20:06. | |
we all love! Said this week you go to the view news walks, back to | :20:07. | :20:10. | |
ballroom again. How do you follow 40? I am not even thinking, I want | :20:11. | :20:17. | |
to go out and do my best again, I'm desperate to go back to the ballroom | :20:18. | :20:21. | |
dancers, and I love watching people do the Viennese walks. I just don't | :20:22. | :20:27. | |
think you can focus on the scores, it will just put you off, it's only | :20:28. | :20:33. | |
down from here! You got 40! I am more excited than she is. If you go | :20:34. | :20:37. | |
back ten weeks, a lifetime ago, the first week, you did a walks that was | :20:38. | :20:45. | |
a standout. Will she take from the foundations of that? Yes! Of course, | :20:46. | :20:55. | |
it is very similar, if not the same, the steps are similar as well. | :20:56. | :21:01. | |
Just a bit faster. I think she will tackle the view news waltz very | :21:02. | :21:14. | |
well. -- Viennese. You've also got the swing-a-thon on Saturday. How | :21:15. | :21:21. | |
will you train for this? Elbows! I can't wait to do it. A great change, | :21:22. | :21:32. | |
actually. And Aljaz, how are you going to keep her attention this | :21:33. | :21:38. | |
week? Keeper focused? I need to think about something new every week | :21:39. | :21:41. | |
must I don't know. We haven't started this week yet. Sophie was | :21:42. | :21:48. | |
sick today, so I couldn't go back into rehearsals. She had it on week | :21:49. | :21:55. | |
one, I was up all might with her, cleaning sick up from everywhere! -- | :21:56. | :22:03. | |
up all night. They spring back, don't they, babies? We are going to | :22:04. | :22:11. | |
train extra hard tomorrow. You were awesome on Saturday night, good luck | :22:12. | :22:19. | |
with your Viennese waltz. Time to reveal who's features have been | :22:20. | :22:24. | |
obscured by the dodgy camera, did you get it? | :22:25. | :22:34. | |
It's me! I danced with the lovely Ola Jordan in 2009. It was quite | :22:35. | :22:46. | |
tricky, wasn't it? I have grown a couple of genes since then. As he is | :22:47. | :22:52. | |
about to tread the boards in pantomime, this is his last | :22:53. | :22:56. | |
appearance in the studio! Give it up for Craig Revel Horwood! | :22:57. | :23:02. | |
Look at you, so rightly! Like a swan, gliding in. Highest scores on | :23:03. | :23:16. | |
Saturday night, it was awesome. So exciting. It was ready to see the | :23:17. | :23:21. | |
standard of the dancing, I was really excited myself. I don't say | :23:22. | :23:30. | |
that often. Let's start with Abbey and Aljaz, you did say it was | :23:31. | :23:34. | |
amazing. Is there anything more... Look at that! What I loved about | :23:35. | :23:41. | |
Abbey is the fact that she took complete ownership of the dance | :23:42. | :23:46. | |
floor. She played the leading lady and just when you see her dancing | :23:47. | :23:49. | |
with the professionals, she was really standing out as something | :23:50. | :23:56. | |
special. It wasn't until the very, very end, the last move, that I | :23:57. | :24:01. | |
could actually think, could I give it a ten? And I thought, absolutely. | :24:02. | :24:08. | |
My finger was harbouring. Still! To the last minute! I just absolutely | :24:09. | :24:17. | |
loved it. And so glad to see your paddle. Ashley found himself in the | :24:18. | :24:23. | |
dance off for the first time, were you surprised? I was, but someone | :24:24. | :24:30. | |
has to be in the dance off, and it was out of him or Susanna. I was | :24:31. | :24:35. | |
thinking it would be one of those two. I was still shocked, but he did | :24:36. | :24:43. | |
very well, I gave him a technical note about expression through the | :24:44. | :24:48. | |
arms, when he was out of any hold or lift and he went ahead and did | :24:49. | :24:52. | |
that. I thought he was great. He has learnt and developed so much over | :24:53. | :24:59. | |
the series, it's a delight to watch. Patrick and Anya and their | :25:00. | :25:04. | |
Charleston. He did say he lost a bit of stability in the lobster claw | :25:05. | :25:11. | |
left! I totally love that. He was very fast. It was hard to keep up | :25:12. | :25:17. | |
the him. But he managed it, he was a bit flat-footed, but that lift is | :25:18. | :25:23. | |
where you take the girl up and you twist, on the preparation, he just | :25:24. | :25:30. | |
lost a little bit of his centre and his core, and that happened to | :25:31. | :25:38. | |
shuffle his beat a bit. I felt it didn't matter direct play in front | :25:39. | :25:43. | |
of him. I think the centrifugal force swept her too far across. But | :25:44. | :25:55. | |
small, tiny details. Fantastic. I haven't stopped grinning since | :25:56. | :26:00. | |
Saturday. Susanna and Kevin and the quick step, such a strong weekend, | :26:01. | :26:04. | |
deceive and second, incredible, will she bounce back? I think she can | :26:05. | :26:11. | |
bounce back, she has the mental capacity to get on with it, forget | :26:12. | :26:15. | |
that ever happened and then come in and give us something extraordinary | :26:16. | :26:19. | |
and stunning. That's what I love about her, she brings her | :26:20. | :26:24. | |
personality, her smile, curvaceous must, to the floor. That's what all | :26:25. | :26:32. | |
the people at home are loving. The Viennese waltz, the highest score, | :26:33. | :26:40. | |
what made this so magical? Number one, the music, number two, the | :26:41. | :26:45. | |
look. Just the fact that they are beautifully in sync with one | :26:46. | :26:49. | |
another. The only thing I could say about it is the chin was almost | :26:50. | :26:54. | |
gravitating towards the shoulder too much. You have to keep your head and | :26:55. | :26:57. | |
left but I think it was going back a little bit and she was losing her | :26:58. | :27:01. | |
neck ever so slightly. These are minor, ridiculous details. But is | :27:02. | :27:07. | |
that time in the competition. We have to nit-pick otherwise you can't | :27:08. | :27:13. | |
differentiate between one couple or another and the people at home | :27:14. | :27:16. | |
really want to know why I'm giving an eight or nine. Natalie and RTM | :27:17. | :27:24. | |
and their American Smooth, you said you would like to have seen more in | :27:25. | :27:30. | |
hold? How much of an American Smooth should be in hold? 70% in, 30 visit | :27:31. | :27:38. | |
out and read lifts. I just think we missed that in hold moment. Lennon | :27:39. | :27:44. | |
was right when he pointed that out, there wasn't very much in hold at | :27:45. | :27:49. | |
all. I thought it was in immaculately danced dance, I loved | :27:50. | :27:57. | |
her in it, but sadly, I couldn't award the ten for it because of | :27:58. | :28:05. | |
that. You did say that her bras... For the brass were second to none. | :28:06. | :28:17. | |
Port de bras goes up, a cross, it's how you use your arms. She does do | :28:18. | :28:23. | |
that beautifully. She does drop her head each time she goes into a lift. | :28:24. | :28:35. | |
All extremely strong dancers left. I would say yes, it's going to be | :28:36. | :28:40. | |
really difficult for the judges now, because it's becoming even | :28:41. | :28:46. | |
Stephen. It's going to be up to our wonderful public at home to choose | :28:47. | :28:51. | |
the right person. I don't think it will be a judges choice at all this | :28:52. | :28:57. | |
year. They are all travelling full steam ahead and it's so exciting. We | :28:58. | :29:02. | |
shall miss you on Monday but good luck! It's my last one, darling! And | :29:03. | :29:11. | |
extract huge round of applause for Craig Revel Horwood. That's it for | :29:12. | :29:15. | |
today, thanks to all of my gorgeous guest. I am back at 6:30pm tomorrow. | :29:16. | :29:24. | |
Aljaz and Ola return. | :29:25. | :29:26. |