Episode 48 Strictly - It Takes Two


Episode 48

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Welcome to Wednesday's edition. Have I got a show for you tonight? Yes, I

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have. It is Patrick and his glamorous passenger. Rocking a

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rather nice jumper. She is here to take on her fellow professionals

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with a shipload of drunken sailors. As we approach another weekend of

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Dantz, Ian is back with his Wednesday warm up. What more could

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we ask for? This is steadily come dancing it takes two. -- Strictly

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Come Dancing. Live from London, this is Strictly

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It Takes Two. Welcome to Wednesday's It Takes Two,

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another packed show. Let's get cracking. Turn the heating down

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because you will not need it. It will get toasty and here with the

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Wednesday warm up. Better already. He is here, Ian

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Waite. You are looking gorgeous. I have brought my fan club with me. I

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know. It is his mother. What a brilliant weekend. I think one of

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the best we have ever seen. Who stood out? I loved it. Abbey Clancy

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did really well, but I loved Patrick Robinson. The Charleston was made

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for him. I told you earlier on, I said they would get ten out of ten.

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Let us look at what people are doing this week. We will start with Sophie

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Ellis-Bextor and Brendan Cole, who do a tango this week. The judges

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picked up on her neck position during the stunning Viennese waltz.

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Are we seeing an improvement on her neck position? It is a struggle to

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hold that position for that long. Even the professional dancers have

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had the same problem. I have stopped it here because it is almost like

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she is doing the opposite. She is actually bringing her head into

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stretch that side of the net. That is the problem. Unfortunately she is

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doing it the other way. Overcompensating. I think so. She

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needs to get it back out that way and keep both sides strong. The

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shoulder needs to go down a little bit to keep it more normal. I don't

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even know which side it should be. They were doing a salsa, they were

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bottom to last weekend. I'll either hips looking? I would like to see a

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bit more. What I do love is all those transitions and the arm

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movements here, fantastically fast. Fluid, slip, great bands for him. --

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break dancing. He needs more action in his hips. I would like to see

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this area improved. When he does the Samba, he needs to keep it compact.

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He does tend to have long limbs that kind of go out of control. Try and

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keep it more compact. Natalie is doing this this week. Are we seeing

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enough? This is a totally different story. There is lots of paso doble

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in here. And Artem is so great, such a brilliant choreographer. What I

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would like to see from her... I would like her to get her arms out a

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little bit more. This is her first day of training. We can forgive her

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for that, but she needs to make sure she is shaping the body and creating

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space. That is where it comes from, shaping the arms. Looking promising.

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Susanna and Kevin are doing an Argentine Tango. How is she getting

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on with the food work? It is very intricate. Part of this are very

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intricate. It is an interesting one because I don't think Kevin has ever

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done Argentine tango as far as I know. It is new for him as well. I

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have slowed this section down because I want you to see how

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intricate this food patronise. There she goes I'll little bit wrong. --

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foot pattern is. She kicks the food away, but it is a long chain of

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steps. If you don't get it right it can go wrong. -- foot. One step

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wrong, fatal. To be honest, it is a little bit like the quick step for

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her. She needs to match him perfectly. That is a clue to the

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music but I will say no more. Abbey and Aljaz are doing the Viennese

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waltz. Her last was stunning and I imagine this will be wonderful. What

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did you think of Saturday? I love their Dantz. She did a fantastic

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Dantz. The characterisation was great. The red dress was stunning.

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For me, the salsa needed a little bit more quality to it. A little bit

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more compact. I gave her a nine. I thought it was great. I loved it.

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How is the Viennese waltz? Beautiful, stunning. She is in

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exactly the right place. I want to show you this bit. I am going to

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zoom in because it is so good. Look at her body positioning. We do not

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normally see the likes of this because they just cannot get their

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bodies in this position. She has a lovely long neck, look at that. It

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almost looks like Natalie. She looks fantastic. Well done. Brilliant

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shaping, loads of space. Patrick and Anya are doing our room but -- -- a

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rumba. How are they looking? Because of Patrick's schedule they have not

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had as many hours but they are doing a great job. Can you imagine how

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good he would be if he had more hours? As far as this is concerned,

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it is very difficult for the man. It is all about exposing the lady. He

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is doing nothing but supporting the lady. Doing a brilliant job. I

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thought we could try that. Shall we give it a go? What you do is... Step

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across the left foot. Then you are going to do this. That is it. What

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do you do? Getup. Obviously not like that. Let's talk about the

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Swingathon this week. Tell us what they will do. There will be a slight

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change. The first 30 seconds will be choreographed. Then it will go into

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freestyle. That means they can incorporate jive, rock and roll,

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swing, West Coast swing. Then it will be a free for all. I cannot

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wait. Last week we caught up with Natalie

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Lowe with only ten days to go until the big day. It was time to check in

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with them again when they went further . I am really excited about

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seeing my costume. It will help us visualise what it will be like on

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the day. I am probably a little bit apprehensive but hopefully it will

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not be too bad. I'm sure we will have something suitable. I am one of

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the cost to managers and today I will be fitting them for their

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wedding dance. This is quite an experience. We will be checking that

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they look fabulous. This is where the costumes are made. First, we

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need to try a few looks. Fantastic. You look amazing in that. I fitted

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in her dress. I never thought I would see myself in a sequinned or

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sparkly shirt. It was a new experience. It has been a dream come

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true trying on the real dresses. She looked almost as happy as she did

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when she met Anton du Beke. That is incredible. We have tried the frocks

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on, how about trying on your actual dresses? That would be great. I am

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not having a dress, am I? Are you ready? Very smart. Does it fit OK?

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Really well. I was a bit worried, I did not want too many sequins or

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sparkles. I was very happy with what was produced. We will adjust the

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trousers. When you wear the proper outfit you look the part, so I think

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it will really help with the performance on the night. There you

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go. You are stunning already. I think having this design is out of

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the world. We will try this option. We decided it would look better with

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a bit of sleeve so I was not so exposed at the top and she took the

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scissors to the bottom of the dress. Is this what you do on the main

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show? Yes, I am often doing this. We go through the same process. It is

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often last-minute. Little twirl. Beautiful. No dress is complete

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without crystals. It is gorgeous. I have two dresses which is pretty

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amazing. I must be one of the luckiest rides out there. -- brides.

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Yesterday, we launched the 2013 challenge. It is time to welcome our

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third challenger. Please give it up.

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Welcome back to the show. How excited are you to be taking part in

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the challenge? I am back. Of course because you did not have a chance to

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do it last year. In case anyone missed yesterday, here is a reminder

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of the challenge. This is a challenge to set a

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Guinness world record for the most drunken sailor dance steps in 30

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seconds. One challenge, one goal, 30 seconds. I am joined by

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choreographer Richard and Guinness world record adjudicator Elizabeth.

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The drunken sailor is across step behind, I stepped to the side and

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then a replacement of weight to the starting fruit. They need to make

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sure they cross behind and replaced the weight. They need to concentrate

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on the rhythm because one foot wrong and it could all be over. This

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challenge is very physical. They are going to need stamina. Just 30

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seconds stands in the way of our professionals. The prize is a world

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record. The battle may begin. Thank you. Looking at that, do you have

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high hopes for this challenge? I think I should have been

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disqualified. You are saying this ahead. Why? I didn't have my heels

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on so I did it in flats. You're supposed to kiss the floor with your

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heel when you step back. On the first and third step. I did not put

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my heels down. Let's find out. The difficulty of this challenge is

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to actually do the step fast but also do it properly. I will attempt

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to do the best technique I can, the fastest I can. Welcome. Thank you.

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Are you ready for this challenge? I am very excited. I going to aim for

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technique, try to do the best I can as fast as I can. Good luck. Please

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take to the floor. Well done! I noticed you did not put

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your heels down. Was that purposeful? I should have wore

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heels. You looked comfortable. I thought it was a good attempt. I am

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not sure if I am going to get the record but I feel quite good about

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my performance. It has been fun. Well done! Was it harder than you

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thought it was going to be? I was playing a jive song in my head. That

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must have helped. Have you ever tried to do those all in a row

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before? Yes, yes. When I would practice. Yesterday, the top of the

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leaderboard was 61. Do you think you have beaten it? No. Let's find out.

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But that it was watched back by official adjudicators in slow motion

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to verify every single one to make sure they were accurate. Now the

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moment of truth. Aliona, I can reveal that you scored...

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46 with no disqualifications. See! Let's have a look and see where that

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puts you on the leaderboard. There we go. TED

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-- Aljaz Skorjanec is top of the leaderboard. We will find out how

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Brendan gets on tomorrow. Now it is time to catch up with the outfits.

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Hi, I am in the workshop where all the magic happens. I am standing

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next to the very gorgeous and ever so talented Dickie, who makes us

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ladies look absolutely superb on Saturday night. We are here to talk

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dresses. First of all, this is going to be the Viennese waltz dress for

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Abbey. I have been told it is very traditional and very romantic. Why

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are the skirts shorter? What is your inspiration behind that? You are

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probably thinking that no one is better for the celebrity ladies

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because it would help to cover any mishaps. We have gone for a shorter

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length so they feel more comfortable and will not get heels caught. It

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has made them feel more comfortable during the performance. The

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silhouette has been flattering and the girls have enjoyed them. It does

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take the pressure off knowing they will not get a heel caught in the

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back of the skirt. Now we will move on to the paso doble dress. I am

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jealous that she gets to wear this. They are all looking quite raw

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because you are coming to visit us early on in the week. Will you have

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more blink through this? These are all crystal applications and the

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dress will be covered in gold crystal. That will all be cold

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running through into the skirt. Absolutely stunning! I love a big

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skirt. I always want more. The more the better. Now, the influence of

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Artem 's outfit. He will have some high waisted Latin trousers.

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Possibly no top. This is the base of where we will start with the paso

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doble jacket. Artem, no top. That does not sound like him. Lots of

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gold embellishment but no top. We like that, ladies. Now for the

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swing. There were skirts flying everywhere. How do you make everyone

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stand out without one being more than another? We have to be fair

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when we do this number. A much more generic look throughout the group

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number. Everyone will have an individual colour but that is where

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it will end. The silhouette will be the same for all. Here we have a

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purple and a red belt. You may find we have a blue and a purple with

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different under skirts. This is from another frock. There is lots of

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frost underneath although this is not the actual skirt. What will the

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boys be wearing? The boys, at the moment, we do know. We have not

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actually cut them. The shirt colour will either correspond with the

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frock or the belt. It is so exciting on Friday to try on your dress. Then

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the dress run on the Saturday, which is always very exciting. I am off

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and gone by then so you are left to it. Frantically doing last-minute

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alterations. I have had a sneak peek at Susannah 's dress. It is

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exquisite. I wish I was wearing it. She is doing the Argentine Tango

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said the skirt is much shorter. It needs to be a non-stretch fabric so,

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if the heel does get caught, it does not stay in it. She will either rip

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herself out of it or she will not get caught at all - hopefully. Thank

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you for having me here today. I have had an absolute ball. I will throw

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back to you, Zoe. See you later. Thank you. On Saturday night there

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was a flashing, banging and walloping on the dance floor as we

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had the Charleston. Let's see the show stopping performance. That was

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full of flash, bank, wallop. It was fantastic! You have won it! Such

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difficult timing but that was amazing. You have set the mark so

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high tonight. It was extremely fast. That whole routine was spectacular.

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Three tens! Please welcome Patrick and Anya. It was also on Saturday

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night. Well done to you. The higher score and so well deserved. Did you

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know you had a hit on your hands, Patrick? I just went for it. You

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did. In the end, it was Chitty Chitty

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Bang Bang. It built and built. By the end, we were like that! Three

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tens and an eight from Craig. Should it have been four? In my book, you

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always get a ten. In the words of your son, you smashed it. It was an

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amazing performance. I could not have asked for anything more. I

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think it did deserve a full house. The judges were seriously impressed

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with the speed of it. Where you worried that Patrick would not be

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able to keep up with you? He could not at first but slowly and surely

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he got it together, we got it together. It was an extremely

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difficult routine. All the lists I put in our believed I would do with

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a professional partner. I did not know that. I did not tell him that.

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If she told you at the beginning, you would feel defeated. Your

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background of musicals, we mentioned it last week, did that all come back

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to you? I played Danny in Greece when I was 16, 17. It was just going

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back in their hands just rewinding and going there. -- ack in their and

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just rewinding. Patrick is a serious and genetic actor. Played the

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cheering, man. Get the other plug. I am only watching. Come on! Get out!

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Will she stay up there? I wake up early before daylight this morning.

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Can we cut? Marvellous, wonderful, smashing. Superb, great! That is

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what she has to cope with day after day. It is so good. This week, for

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you, it is the romantic rumba. What has the training been like? The

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Rumba! I could not. I just could not rumba. Seriously. I could not hold

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on to anything. The music was not grabbing me. Let's hear your music.

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It is Bruno Mars. The thing is, it is very different in speed to

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everything else you have been doing. Sometimes something fast is really

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difficult but when you slow things down, it is quite exposing. It is

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the control, sustained control. It is like having the strength and

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fluidity but without movement. You had to do so much but not very much

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at all. To this day, I have two say it is the most challenging week so

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far. How is the two being -- how is it going to being in love? It is the

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physical I am struggling with a bit. We are trying to develop the

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chemistry. It just needs to be a story. It is a love story. You will

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get there. I have total confidence. This week, it is the swingathon. You

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do a minute and a half and in training you are doing it again and

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again. Keeping it going is the tricky thing, sustaining it. Have

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you got any tricks planned? Just a tad. We try to have fun. I got it

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from him. They are his words. We are going to have fun. I want to bring

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the energy of it. Definitely a couple of tricks, some swing and

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some jive. It would be good. What I am seeing, Patrick, it is looking

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good. Have faith! Good luck for this weekend. Then you are in the

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semifinal. That is it for today. A big thank you to all our guests. We

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will chat to the director of choreography and have all

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