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A Hell lone and welcome to It Takes Two. It's Friday -- hello. | :00:00. | :00:10. | |
For your delectation, they quick stepped their way to the | :00:11. | :00:12. | |
quarter-finals, Susanna and Kevin will be here. Plus we'll be seeing | :00:13. | :00:18. | |
how Anton du Beke got on with this year's Pro Challenge. James Jordan | :00:19. | :00:24. | |
met up with Patrick and Anya and Ola and Ashley. There they are. And my | :00:25. | :00:28. | |
fabulous Friday panellists are presenter, Stephen Mulhern, singer, | :00:29. | :00:34. | |
Heidi Range and the return of Stats Man, Russell Grant. Hooray. This is, | :00:35. | :00:37. | |
It Takes Two. I think! LEAR From London, this is Strictly, | :00:38. | :01:27. | |
It Takes Two. Please welcome your host - Zoe Ball. | :01:28. | :01:31. | |
Welcome to It Takes Two. It's 24 hours, 38 minutes and 27 seconds | :01:32. | :01:39. | |
until Saturday's quarter-final extravaganza. If last week's | :01:40. | :01:42. | |
performances are anything to go by, we are most definitely in for a | :01:43. | :01:46. | |
treat. So excited. After wowing us all with their speeding quickstep, | :01:47. | :01:51. | |
Susanna ina Kevin are very keen to keep up the momentum with their next | :01:52. | :01:55. | |
dance. Let's remind ourselves of their brilliant weekend. News flash | :01:56. | :02:02. | |
- musical night on Strictly come dancing, Susanna Reid closed the | :02:03. | :02:06. | |
show with a blockbuster of a quickstep. You capture the spirit of | :02:07. | :02:11. | |
the film perfectly. You were so light on your feet. It was a shame | :02:12. | :02:15. | |
there was a couple of mistakes. I thought the footwork was rather | :02:16. | :02:21. | |
sloppy, I have to be honest. You were completely out of sync with one | :02:22. | :02:25. | |
another over here when you were doing the kick stuff. 7. What? 8 9. | :02:26. | :02:33. | |
9. Thank you. I feel so upset. I feel | :02:34. | :02:39. | |
ridiculously upset. Don't worry about it. She is awesome and makes | :02:40. | :02:43. | |
me proud every single week. She has nothing to worry about. | :02:44. | :02:50. | |
No leaping over sofa's this evening, just sitting on them. -- over sofas | :02:51. | :02:53. | |
this evening. Oh, I hate seeing people upset like | :02:54. | :02:58. | |
that. Let's think about what Bruno said, he said "Newsreader by day, | :02:59. | :03:03. | |
musical superstar by night", remember that. A lovely thing to say | :03:04. | :03:08. | |
Fantastic. You sound like a dancing superhero. How was it being Debbie | :03:09. | :03:14. | |
Reynolds out on the floor? Well, it was fantastic but definitely Debbie | :03:15. | :03:19. | |
Reynolds with feet of clay. I love watching this bit. This was | :03:20. | :03:23. | |
brilliant. There was so much energy. The choreography was fantastic. I | :03:24. | :03:27. | |
did definitely make a slip-up. It was so ironic. I don't know whether | :03:28. | :03:32. | |
it happened to you but you can have seven perfect rehearsals when it | :03:33. | :03:35. | |
goes, bang, bang, bang and is brilliant and then it is all about | :03:36. | :03:39. | |
how you perform on the night. That one moment. It is frustrating, you | :03:40. | :03:43. | |
cannot take it back. But you know what, you cannot concentrate on it. | :03:44. | :03:46. | |
You can't come off the dancefloor and think - that went wrong, you | :03:47. | :03:50. | |
have to look at the 95% of the routine that went right. Exactly. | :03:51. | :03:54. | |
Which is what you should do. You have taught her well. Karen Hardy | :03:55. | :03:59. | |
said when she was on Choreography Corner on Tuesday that you had | :04:00. | :04:03. | |
really pushed Susanna to amazing standard at this. So many moves you | :04:04. | :04:07. | |
gave her. And that was a bit of a GM bell but it paid off. Is it | :04:08. | :04:10. | |
important to push at this stage in the competition? Always. That has | :04:11. | :04:13. | |
been our thing from the beginning. We have always said to each other - | :04:14. | :04:17. | |
we are either going to go for it, or we are not. You might as well take | :04:18. | :04:21. | |
the bull by the horns and go to the maximum that we possibly K if it | :04:22. | :04:24. | |
goes wrong, at least we have gone out and had a great time and smashed | :04:25. | :04:29. | |
it, in our opinion. Exactly. That is fine. An incredible score of 33. | :04:30. | :04:34. | |
When Craig gave you a 7, Bruno was so angry, this happened. 7. What? | :04:35. | :04:45. | |
I'm going to leave. 99. -- 9. 9. Thank you. I mean, how | :04:46. | :04:54. | |
furious they were with Craig and they weren't the only ones. Kev, | :04:55. | :05:00. | |
were you worried. You finished second-bottom on the leaderboard. | :05:01. | :05:05. | |
Were you worried you were in the dance-off? We were convinced. We | :05:06. | :05:09. | |
weren't worrying, are we or aren't we, we were practising out the back, | :05:10. | :05:13. | |
the little step that went wrong, over and over again, ready for the | :05:14. | :05:16. | |
dance-off. We were convinced. I was looking forward to getting it right. | :05:17. | :05:21. | |
You were saved because everybody loved you, which was brilliant. When | :05:22. | :05:24. | |
we go back to the training room, it does seem you have your work cut out | :05:25. | :05:29. | |
for yu slightly, Kevin, week-in, week-out, Susania, it is the same | :05:30. | :05:31. | |
old story, take a Today she hates everything. Just do | :05:32. | :05:43. | |
the step for now. I can't do it. I hate this bit of the dance. You ut | :05:44. | :05:49. | |
hate this bit of the week. For the most part of the day she will be | :05:50. | :05:53. | |
hating everything and be pressed out Tuesday morning, I hate most things. | :05:54. | :05:57. | |
Then with go for lunch and when we come back it'll click a little bit. | :05:58. | :06:03. | |
Got it, done. On Wednesday she will be saying - I've got to get this | :06:04. | :06:07. | |
dance down, we'll be wasting time. I have five minutes, and I have to go. | :06:08. | :06:13. | |
Can we do it one more time? Can you do it without the chat It won't go | :06:14. | :06:19. | |
right the first time, and she will be annoyed about that. You are | :06:20. | :06:22. | |
painting a beautiful picture of me. Thursday will be a beautiful day. | :06:23. | :06:28. | |
Nice. By the end of Thursday she'll go - I really like this routine. | :06:29. | :06:34. | |
LAUGHTER Beautiful. It is the same every | :06:35. | :06:40. | |
week. So good. So Thursday was yesterday. By the end of last night, | :06:41. | :06:45. | |
how did you feel about the Argentine tango? Oh, completely obsessed with | :06:46. | :06:50. | |
it, in love with it. It is amazing. It is so intense. It is pretty | :06:51. | :06:55. | |
full-on physically. We trained really hard yesterday and, yeah, it | :06:56. | :07:01. | |
felt fantastic. Good. I mean, Kev you are a ten-dance specialist which | :07:02. | :07:07. | |
doesn't include Argentine tango, so this is new for you, as well. Yes, | :07:08. | :07:13. | |
scary. Good choice for the quarter-final. How is he doing? | :07:14. | :07:18. | |
Amazing. If he was doing it with somebody who can dance, he would be | :07:19. | :07:22. | |
10s. Trust me, Susanna is better than me at the moment. Let's listen | :07:23. | :07:27. | |
to your music. Wow, Michael Jackson, can you give | :07:28. | :07:35. | |
me your best, hee, hee. I love T only Sophie and Brendan have done | :07:36. | :07:39. | |
one this series, so you can go out there and pull out all the tricks, | :07:40. | :07:44. | |
no-one has seen them before. That is exciting. That does help. If there | :07:45. | :07:47. | |
had been ten already, there would be nothing left to show anybody. So the | :07:48. | :07:51. | |
fact that there has only been one, it helps and it helps with the fact | :07:52. | :07:56. | |
I haven't done it before. And you have torn up the rule book, thrown | :07:57. | :08:00. | |
out all the expectations. I'm excited. Of course, the swing-a-thon | :08:01. | :08:04. | |
this weekend, as well. All of you out on the floor for the first time | :08:05. | :08:07. | |
together to be judged alongside each other. Do you have any tricks up | :08:08. | :08:14. | |
your sleeves? I've got Kevin. No-one else has that. He is the jive king. | :08:15. | :08:19. | |
He is brilliant. Look at him. You love the jive, one of your frafts. | :08:20. | :08:24. | |
Surely it'll stand you in good stead. We will do what we always do | :08:25. | :08:28. | |
and go out there and blast it with energy and have a great time and | :08:29. | :08:32. | |
hope that it works. It puts a huge smile on my face | :08:33. | :08:36. | |
because I'm dancing with Kev. Believe, I love it. Both of you in | :08:37. | :08:43. | |
scar et. Good luck this weekend. Susanna and Kevin. | :08:44. | :08:45. | |
APPLAUSE Now Friday and that can only mean | :08:46. | :08:49. | |
one thing, a little trip to Elstree to look around on the set and check | :08:50. | :08:54. | |
in on rehearsals. Earlier today James Jordan met up with Ashley and | :08:55. | :08:57. | |
Ola and Patrick and annia. Here is what happened. James, over to you, | :08:58. | :09:03. | |
darling. Here I am back on the main Strictly set, somewhere | :09:04. | :09:06. | |
unfortunately I haven't been able to be for the last couple of weeks | :09:07. | :09:09. | |
because of my back. I'm devastated about it. But what I can do, is I | :09:10. | :09:13. | |
can give you an insight to what is going to happen tomorrow night on | :09:14. | :09:16. | |
Strictly come dancing, quarter-finals and look who is here, | :09:17. | :09:26. | |
Patrick, Anya, Ashley... Hello. All right, will have. | :09:27. | :09:29. | |
-- love. Guys, I will start with you, you are | :09:30. | :09:33. | |
dancing the rumba. This is traditionally a very difficult dance | :09:34. | :09:38. | |
for the man. Yes. It is very slow, very... Controlled. Sustained, oh my | :09:39. | :09:44. | |
goodness How has your week been, guys? It has honestly been the most | :09:45. | :09:51. | |
challenging week. This one had a little bit of a hard time of picking | :09:52. | :09:58. | |
up the rhyth The rhythm and the feeling. It is kind of off the beat | :09:59. | :10:02. | |
but it isn't, there is a pulse going through it and I couldn't get on the | :10:03. | :10:06. | |
pulse. Listen to him. And guys, you are dancing the Sal sacks the | :10:07. | :10:10. | |
opposite end of the spectrum -- the salsa. How has your week been? Very | :10:11. | :10:16. | |
tough. Very tough. Hard work but we have got here now. Loved it, though. | :10:17. | :10:22. | |
It is going to be brilliant. Ashley, 35 points? No, I won't beat | :10:23. | :10:29. | |
that. I will be on the same one this weekend. That's what I do best. Hay, | :10:30. | :10:35. | |
if it is not broke, don't fix it Guys you are all dancing the swing | :10:36. | :10:39. | |
-a-thon. The first time you will have all six couples on the floor at | :10:40. | :10:43. | |
the same time. Dancing the Lindy hop, the jive, things like that. It | :10:44. | :10:47. | |
is fun, I have done it twice before. Don't rub it in Do you have any | :10:48. | :10:53. | |
tactics? Just dance with each other and have fun and energy. Anya is | :10:54. | :10:59. | |
going to keep talking to me, that's T Who do you think is your strongest | :11:00. | :11:04. | |
competition in the swing-a-thon? Everyone. My feet And Ashley. I'm | :11:05. | :11:09. | |
her biggest competition in this. I don't know if you knew it. You are | :11:10. | :11:13. | |
the last two guys left in the competition. Four girls and you are | :11:14. | :11:17. | |
the only two guys. Are you going to be sticking together? Absolutely. | :11:18. | :11:24. | |
The thing is, as a professional male dancer, if I'm on the floor, we | :11:25. | :11:28. | |
lead, we have floor craft. I will be pushing and shoving you. Are you | :11:29. | :11:37. | |
ready for that? "Ish"? We are. Listen, it is the quarter-finals. | :11:38. | :11:41. | |
Are you excited and ready for tomorrow night? Do you feel you will | :11:42. | :11:45. | |
go out and create great performances. Well, James, I need | :11:46. | :11:50. | |
another three weeks. What can you do? Unfortunately I did see your | :11:51. | :11:57. | |
rumba. I think it looks amazing. I haven't seen your salsa but you will | :11:58. | :12:03. | |
give us a glimpse in a minute. 35-plus this one. Are you looking | :12:04. | :12:07. | |
most forward to your individual dances or the swig-a-thon? A little | :12:08. | :12:11. | |
bit of both. Just kind of taking one dance at a time. Salsa. I'm looking | :12:12. | :12:22. | |
forward to my salsa. I want to do my salsa. I heard you had a bruise on | :12:23. | :12:28. | |
your arm. A bad boy bruise. She signed it. I'm going to auction it | :12:29. | :12:32. | |
after the show Guys, you are going to go and show us your amazing | :12:33. | :12:37. | |
salsa. Give us a little glimpse. Have you guys seen this yet? No. You | :12:38. | :12:44. | |
You don't know if it is any good. All we know, is that it is a 35. | :12:45. | :12:49. | |
Still pretty good. 35 is really good. | :12:50. | :13:18. | |
Music do the Conga by Gloria Estefan. | :13:19. | :13:25. | |
Very good. You will see more of that tomorrow night. All I can say, Zoe, | :13:26. | :13:30. | |
back to you in the studio. Thank you, James, you gorgeous, | :13:31. | :13:47. | |
cheeky monkey. Time for our next contender for the Pro Challenge, | :13:48. | :13:52. | |
please welcome back to the It Takes Two fold, Mr Anton du Beke. Oh, look | :13:53. | :14:01. | |
at the way you float in. Hello darling. Look at me with all this | :14:02. | :14:06. | |
space on the sofa. I've never had such luxury. I might sit like this. | :14:07. | :14:14. | |
However you like. Now, now, now, you are known to all as the king of the | :14:15. | :14:19. | |
ballroom, surely a load of poseky drunken sailors will be a walk in | :14:20. | :14:24. | |
the park for you. Ha, ha, ha, that remains to be seen. It does. A | :14:25. | :14:34. | |
double reverse spin much more. That was one of my favourite moves. Did | :14:35. | :14:40. | |
you get much practice beforehand? Seconds. I had a private lesson from | :14:41. | :14:45. | |
Iain Waite T worked wonders. I fell you what, I felt all sort of | :14:46. | :14:50. | |
fabulous and tickly. Before we look at Anton's afoam Attempt. Let's look | :14:51. | :14:55. | |
at the leaderboard. I'm calling it that so far. | :14:56. | :15:01. | |
There we are: Brendan Cole up there, with 71. Brendan Cole, 71. He has | :15:02. | :15:07. | |
never moved so fast in all his life. He did it in socks. Socks? He would | :15:08. | :15:15. | |
slipping and sliding. You would have to ban him. Apparently completely | :15:16. | :15:20. | |
acceptable by the adjudicator. We shall find out how Anton got on. Are | :15:21. | :15:33. | |
you ready? Oh... Take it away. I'm feeling good. It is my first Pro | :15:34. | :15:36. | |
Challenge, certainly for a long time. Up against some of the new | :15:37. | :15:40. | |
guys. Bring them on. That's what I say. I'm very determined to be top | :15:41. | :15:45. | |
of this leaderboard. I think this challenge is made for me. Look out, | :15:46. | :15:52. | |
pros, Anton is back in town! Ah, Anton. Hello. Welcome. You are the | :15:53. | :15:58. | |
most experienced. Indeed I amount nchtsd professional Do you Do you | :15:59. | :16:02. | |
think you can beat the youngsters? I think I could do, if I don't I shall | :16:03. | :16:07. | |
get a big stick. Thank you Anton, good luck. Thank you. Please take to | :16:08. | :16:13. | |
the floor. I'll count you down for the world record. Three, two, one, | :16:14. | :16:15. | |
go... Three, two, one, stop. Well done. | :16:16. | :16:51. | |
How did that feel? Did it feel longer than you expected? It often | :16:52. | :16:55. | |
does, actually. I think that's the warmth in the room. Well, I think | :16:56. | :16:59. | |
there is a little bit of leg burn going on but there was a muddle of | :17:00. | :17:02. | |
steps. I think we'll have to take it away and analyse T but I think you | :17:03. | :17:09. | |
did a really good job, very fast. I'm impressed. That's what I was | :17:10. | :17:13. | |
after, speed. I was motoring through that. It was good. I enjoyed it, | :17:14. | :17:17. | |
more than I thought I would. Fast, fast. Were they actually your legs. | :17:18. | :17:21. | |
There was steam coming off the floor Michael flatly did that for me. Do | :17:22. | :17:25. | |
you think you have done enough to beat Brendan Cole? Do you know, he | :17:26. | :17:30. | |
is a tough act to follow, Brendan of Cole. If I can get anywhere near | :17:31. | :17:34. | |
him, that would be enough for me. You will be happy. I will be happy. | :17:35. | :17:38. | |
Well, remember after each of the professionals had made their | :17:39. | :17:42. | |
attempt, the footage was watched back in slow motion to verify. Every | :17:43. | :17:48. | |
single one, to make sure they were accurate. Anton, I can tell you now | :17:49. | :17:53. | |
- you had five disqualified. Do you know, that could be the difference. | :17:54. | :17:56. | |
I know which five. They must have been the ones they couldn't see. | :17:57. | :18:05. | |
That was the blur. Anton, I can reveal that you | :18:06. | :18:07. | |
scored... 72. That's unbelievable. Top of the | :18:08. | :18:26. | |
leaderboard. How do you feel about that? Oh, please tell me Brendan is | :18:27. | :18:33. | |
here now. He has run, he has fled. He is devastated and weeping | :18:34. | :18:38. | |
probably. I'm going to lay back here in a smug, superior way. You can see | :18:39. | :18:43. | |
it in print and you can enjoy every moment. Look at that. You are the | :18:44. | :18:47. | |
one to beat. Look at that. You still have to see Janette, Pasha, and | :18:48. | :18:53. | |
Kevin and Karen. We don't need to see them. That right there is all we | :18:54. | :18:58. | |
need to see. Can we wrap it up? Thank you everyone for coming. Give | :18:59. | :19:04. | |
me the trophy. At least I'm on the top of the leaderboard, the first in | :19:05. | :19:07. | |
my life. You noticed when that happened? When I was on my own. All | :19:08. | :19:14. | |
I'm saying. Thank you very much partners, but you were rubbish. | :19:15. | :19:20. | |
Oh, he is so happy. For two weeks in a row Lucky the Pup has correctly | :19:21. | :19:25. | |
predicted who has topped the leaderboard. It is with bated breath | :19:26. | :19:29. | |
that we await his next prediction. Can he make it a hat-trick? Du Bece | :19:30. | :19:47. | |
is at the top, would you believe it? -- du Beke. | :19:48. | :20:12. | |
Oh, Snoop luky Pup, thinks Patrick and Anya will be top of the | :20:13. | :20:20. | |
leaderboard. He might be right. Time now for the Friday final. Please | :20:21. | :20:25. | |
will you welcome, hugely, big round of applause, Stephen Mulhern, Heidi | :20:26. | :20:32. | |
Range and Russell Grant. It here they are. Come on, I love | :20:33. | :20:38. | |
you. Hello, lovely. Hello gorgeous one. Welcome, welcome, welcome. How | :20:39. | :20:44. | |
are you? Give us a bit of glitter. Can I have the pink one? The pink | :20:45. | :20:49. | |
one. Thanks, love. We have missed you. You are doing panto in | :20:50. | :20:58. | |
Kettering. Dwarf dwarf dwarf - Snow White and the Seven Dwarfs. I am in | :20:59. | :21:05. | |
Lighthouse Kettering and I've been doing a lot of dance steps. What do | :21:06. | :21:15. | |
you think series so great so far? Less novelty acts. You have the | :21:16. | :21:20. | |
likes of Dave and Mark, I smile with them, don't laugh at them. Now I | :21:21. | :21:24. | |
think it is a serious competition. Someone said to me - do you watch | :21:25. | :21:31. | |
it? I'm not going to come on here and say - oh, really? What is his | :21:32. | :21:37. | |
name, the Lady in Red, guy, Chris deberg. He didn't watch at all. | :21:38. | :21:43. | |
We have last nine couples so far, do you think the right people have gone | :21:44. | :21:50. | |
and the right stayed. I think we have the right ones, I do miss | :21:51. | :21:54. | |
Julian, though. It was his face every week. But I think the strong | :21:55. | :21:58. | |
ones are the ones that are left. Great stuff. Let's start with | :21:59. | :22:02. | |
Patrick and Anya and their rum BA there has been a bit of -- and their | :22:03. | :22:07. | |
rumba. There has been disagreement about whether a rumba should be | :22:08. | :22:11. | |
raunchy or tell a love story. What do you want from Patrick? Argentine | :22:12. | :22:16. | |
tango is raunchy and passionate, I want love. I want all that love that | :22:17. | :22:22. | |
comes, that expression, you know, you know... The way we are. I know | :22:23. | :22:27. | |
what you mean. We are like this all the time All the time. | :22:28. | :22:32. | |
Rumba hips. They are dancing to Bruno Mars, we'll have a listen. | :22:33. | :22:38. | |
Heidi, does this say rumba do you, immediately To says love, | :22:39. | :22:43. | |
definitely. Which is what you need. Look at Stephen's head there. He is | :22:44. | :22:49. | |
amazing. I didn't even do that. It just happened. Three tense last week | :22:50. | :22:52. | |
with their Charleston. Do you think they can go one better this week? | :22:53. | :22:57. | |
The thing with Patrick is this... For me, he doesn't make me want to | :22:58. | :23:02. | |
pick up the phone and vote. Really, why is that? I don't know what it | :23:03. | :23:05. | |
is. I look at the others and Susanna and I go - do you know what, you | :23:06. | :23:10. | |
have had a real journey and I want to vote for her but he doesn't give | :23:11. | :23:15. | |
me anything that I go - he is a bit too hard for me. He is not very | :23:16. | :23:20. | |
giving. He has to win you over. Maybe tomorrow's rumba could be the | :23:21. | :23:24. | |
one. Sophie and Brendan are doing a tanning yoe. Here there are in | :23:25. | :23:29. | |
training. Last week she was back in form with a Viennese waltz. The | :23:30. | :23:34. | |
judges loved her Argentine tango. Can she bring fire and passion? | :23:35. | :23:39. | |
Definitely. Has been giving it her all. Her confidence is growing. She | :23:40. | :23:43. | |
has to believe in herself. She is one of the strongest dancers. I'll | :23:44. | :23:49. | |
put the music on. She gets marked too low. This has been said. I think | :23:50. | :23:53. | |
she is better than what the judges make her out to be. She should get | :23:54. | :23:58. | |
better scores. What about doing a tango to Imagine, does that work? | :23:59. | :24:04. | |
You are asking for a professional answer, now, aren't you? I'm sure T | :24:05. | :24:11. | |
Let's talk about Abbey and Aljaz. This week they are doing a Viennese | :24:12. | :24:16. | |
waltz. Will it be a whirl or a comeback after getting 40 out of 40. | :24:17. | :24:22. | |
I adore her and I think they are elegance and sheer beauty will just | :24:23. | :24:27. | |
carry her around from Richmond on Thames to Vienna. A long way. | :24:28. | :24:36. | |
It is stunning. Ian Waite is saying her neckline is really good. I said. | :24:37. | :24:41. | |
I said it was like a swan. Gentleman probably the perfect couple, aren't | :24:42. | :24:46. | |
they? I have to sit opposite them sometimes you don't know where to | :24:47. | :24:49. | |
look. They are so hand some. They are dancing to Tom Jones. Come on. | :24:50. | :24:52. | |
Zbll # My, my, my Delilah... # | :24:53. | :24:59. | |
Terrible choice. I knew I would be doing it on my own. It's karaoke | :25:00. | :25:06. | |
Strictly, so wrong. Surely when they were putting the songs together they | :25:07. | :25:11. | |
should have said - why? I went - why. You don't think this is right? | :25:12. | :25:16. | |
No, I think karaoke Strictly. The music has to lift and carry you. | :25:17. | :25:21. | |
Flavia and I every week we deliberated about the music. That | :25:22. | :25:24. | |
does not say whatever they are trying tos. . -- trying to. A | :25:25. | :25:31. | |
Viennese waltz. Natalie and Artem are doing a paso doble. Last week he | :25:32. | :25:35. | |
got in trouble with Len because there wasn't enough foxtrot for his | :25:36. | :25:39. | |
American smooth. Do you think with this music, let's hear it, | :25:40. | :25:43. | |
tradition, they can win him back? With the music, it does help. | :25:44. | :25:49. | |
Whether it is dance or magic or comedy, the music helps. | :25:50. | :25:54. | |
Interestingly, Patrick - and we had the conference, tell them what you | :25:55. | :25:58. | |
said -... I think she is an incredible dancer, probably the | :25:59. | :26:02. | |
strongest but I don't endear towards Natalie. Why? What is missing | :26:03. | :26:08. | |
Possibly she is too good. I haven't watched one week and gone - that's | :26:09. | :26:12. | |
amazing, last week she wasn't that good. She has been consistent. It is | :26:13. | :26:17. | |
not a bad thing. The reality is that in this competition. It is the | :26:18. | :26:21. | |
personality as well. You are want to see that travelling. With Abbey and | :26:22. | :26:29. | |
Sophie you think - go on. Maybe she is too good. Susanna and Kevin are | :26:30. | :26:35. | |
doing an Argentine tanning goe. This is only the second this series. | :26:36. | :26:40. | |
Sophie and Brendan did the first. Howdy think it is looking? I have | :26:41. | :26:45. | |
had a look and although I didn't do it on the show, I have watched it. | :26:46. | :26:52. | |
It needs more passion, it needs - when they do the ganchos, it needs | :26:53. | :26:57. | |
more flicks, you know what I mean. It needs some kind of... Play the | :26:58. | :27:03. | |
music and do that face Clinching bottoms. He knows what he is talking | :27:04. | :27:07. | |
about. Intensity is what I want. They had a setback with their | :27:08. | :27:09. | |
quickstep. Do you think this could get them back on top form? I love | :27:10. | :27:14. | |
this couple. I think when Kevin came on board I thought - what is he | :27:15. | :27:18. | |
going to be like? He is not like the other male dancers. He seems to have | :27:19. | :27:22. | |
grown and grown. As a couple, do you know what, for me, they are the ones | :27:23. | :27:29. | |
to watch. Ahhh. So lovely. I'm writing that down. Ashley and Ola | :27:30. | :27:33. | |
are doing a salsa. They are doing the party dance. Will he get | :27:34. | :27:37. | |
everyone on his feet and what do you reckon to his hip action? They look | :27:38. | :27:42. | |
good. I like the song they are doing it to. Which is this. This is where | :27:43. | :27:52. | |
it works, traditional music. They are writing his name down. Would you | :27:53. | :27:59. | |
do this? Strictly? We've had this conversation. It is the one reality | :28:00. | :28:04. | |
show where if you can't do t you are stuffed. When you are on ice you can | :28:05. | :28:10. | |
make up an excuse - I'm on ice. I guess there is nothing to hide | :28:11. | :28:12. | |
behind. Exactly. All right. Who would you | :28:13. | :28:18. | |
like to see lift the glitterball, Russell? One of the girls, Susanna | :28:19. | :28:24. | |
or Abbey, I think. Abbey. Stephen? Not who I want to, who will. Susanna | :28:25. | :28:32. | |
and Kevin. Standing by that. Thank you so much. Russell and Heidi and | :28:33. | :28:36. | |
Stephen. That's all we have got time for today. Thank you to all my | :28:37. | :28:40. | |
guests. On Monday I will be commiserating with the next couple | :28:41. | :28:44. | |
to be eliminated plus, Mr Bruno Tonioli will be on that sofa, no | :28:45. | :28:48. | |
doubt lying down and on show. Don't forget to tune in tomorrow night at | :28:49. | :28:54. | |
7.10pm. If you can't wait that long, tune into Radio Two tonight at | :28:55. | :29:00. | |
8.00pm to hear me and Craig doing a very good show about Strictly music. | :29:01. | :29:01. |