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Hello and welcome to It Takes Two. It is Monday. I am starting your | :00:00. | :00:11. | |
week with a challenge. The judges bid them farewell on Sunday night. | :00:12. | :00:16. | |
We are not ready to let them go - don't go - it is Ashley and Ola. I | :00:17. | :00:22. | |
cannot bear it! He is about to find out how he did with his drunk | :00:23. | :00:27. | |
sailors - it is Pasha. We have missed him. What lurks around the | :00:28. | :00:32. | |
corner? A special treat here to talk us through the action - it is the | :00:33. | :00:39. | |
Italian stallion, Bruno Tonioli. Yes, please - this is Strictly - It | :00:40. | :00:43. | |
Takes Two. Live, from London, this is Strictly, | :00:44. | :01:27. | |
It Takes Two. Please welcome your host, Zoe Ball. | :01:28. | :01:35. | |
Hello. It is me. Welcome to It Takes Two. This weekend gave us swirling, | :01:36. | :01:41. | |
and swinging as our couples took on not only one dance, but the | :01:42. | :01:45. | |
swingathon. In case you missed any, here are the Strictly headlines. | :01:46. | :01:50. | |
Good evening. Here is the news. Thank you! Whilst Craig was feeling | :01:51. | :01:54. | |
the love somewhat on Saturday night, he was in such a good mood, head | :01:55. | :02:00. | |
judge, Len, was feeling feisty and did not mince his words! | :02:01. | :02:11. | |
You were like ger ma -- germafobes. Too much fafing about at the | :02:12. | :02:15. | |
beginning. I would not lie to you. You have got to love your game in -- | :02:16. | :02:21. | |
up your game in this swingathon, girl, because for me you are in | :02:22. | :02:26. | |
jeopardy thaft dance. Check this out! | :02:27. | :02:30. | |
Well, I like the fact you attempted to get some light and shade in | :02:31. | :02:36. | |
there. Occasionally I found it too intense. I thought it had light and | :02:37. | :02:44. | |
shade. I said it had... I said it had wonderful light and shade... | :02:45. | :02:53. | |
Prick up your ears, son! Oh, Len - that was terrible! | :02:54. | :02:59. | |
Finally, the return of the brilliant swingathon on Saturday night left | :03:00. | :03:02. | |
some of our celebrities wanting to stwing for the judges, frankly -- | :03:03. | :03:04. | |
swing for the judges, frankly. Will Ashley and Ola please leave the | :03:05. | :03:21. | |
floor. What? What? Will Sophie and Brendan please leave the floor? Will | :03:22. | :03:26. | |
Patrick and Anya please leave the floor. | :03:27. | :03:32. | |
The winners of the swingathon are Natalie and Artem. | :03:33. | :03:39. | |
Well deserved there. I love Len in the background going, no, this move, | :03:40. | :03:46. | |
this move. Those were the headlines. As if we were not generous enough | :03:47. | :03:52. | |
with that, here is more gossip from behind the scenes over the weekend. | :03:53. | :03:59. | |
Quarter-final. Swingathon - it's going to be one hell of a night! | :04:00. | :04:15. | |
I am just getting ready to... My bongos before my dance. I am doing | :04:16. | :04:19. | |
the best I can, with the rumba. It is one for the ladies - definitely! | :04:20. | :04:28. | |
Pretty good run through. A bit workly I is so tiring doing it twice | :04:29. | :04:32. | |
in a row. I begin and end the routine as a man ne kin. So, I have | :04:33. | :04:38. | |
to do no blinking, no wobbling about. Very jealous. Kevin being | :04:39. | :04:45. | |
Michael Jackson in his Argentine tango. One of my favourite moves. | :04:46. | :04:51. | |
This swingathon is a killer. Throwing her in the air, flipping | :04:52. | :04:55. | |
her around. It is like a crazy gym session, but over and over and over | :04:56. | :05:00. | |
again! It is amazing being on the dance floor with all the other | :05:01. | :05:03. | |
couples, having fun and dancing our heart out. You have to watch the | :05:04. | :05:11. | |
video I made for Murder On The Dance Floor. This is some competition - I | :05:12. | :05:17. | |
have done before and I won. The moral of the story - don't go by the | :05:18. | :05:25. | |
rules. So s I am a bit bored and I -- so, I am a bit bored and I have | :05:26. | :05:31. | |
zero to do. Let's sneak backstage. Dave, I didn't know where you would | :05:32. | :05:36. | |
be today! I missed you, buddy. Let's dance. Oh, you've gotten better! | :05:37. | :05:47. | |
That was really bad! That was really good! | :05:48. | :05:55. | |
No, threw it away. I never win anything! We get really spoiled here | :05:56. | :06:03. | |
at Strictly. The last layers of cement and render - trowelled on! | :06:04. | :06:14. | |
Trowelled! Busmfully trowelled on! The audience is coming in and look | :06:15. | :06:23. | |
at that! Say, hi, everybody! They're ready. Can we get everyone | :06:24. | :06:29. | |
down to the corridor for final checks. | :06:30. | :06:31. | |
It's going to be a great night. Here we go - show time. An exciting | :06:32. | :06:39. | |
show! Good luck, guys. | :06:40. | :06:51. | |
Go for it, guys. Thank you! Oh, it makes you emotional. On | :06:52. | :07:06. | |
Saturday night they got the party started with a sizzling and | :07:07. | :07:10. | |
stunt-filled salsa. Sadly, it was not enough, as they were eliminated | :07:11. | :07:14. | |
from the competition last night. Give a warm welcome for Ashley and | :07:15. | :07:17. | |
Ola. I know! Stop. I have just about | :07:18. | :07:24. | |
stopped crying. I was a mess last night. How are you feeling today | :07:25. | :07:29. | |
after your unfortunate exit? I feel like a new man I really do. I am | :07:30. | :07:34. | |
absolutely gutted. Of course I am. It has been an amazing experience. | :07:35. | :07:39. | |
It is the way the cookie crumbles. We've had a great time. It is so | :07:40. | :07:46. | |
frustrating, you are so close. Your routine was so impressive as well. | :07:47. | :07:51. | |
How dare they not vote... That lift when you ran - what were you | :07:52. | :07:55. | |
thinking, people? Look at that! I just tried to re-enact that with | :07:56. | :08:00. | |
Pasha and it didn't go well. Were you scared for your life in places? | :08:01. | :08:05. | |
I was. I've got to say we took risks in that salsa. I took risks in that | :08:06. | :08:09. | |
salsa. Because we were in the bottom two last week, I wanted to come out | :08:10. | :08:14. | |
with a bang and, we did, I think. That was the best dance for me, for | :08:15. | :08:19. | |
Ashley. We've pushed hard, really pushed hard last week I was | :08:20. | :08:23. | |
brilliant. You should be so proud of yourself. It was stunning. You put a | :08:24. | :08:29. | |
smile on Craig's face. He still didn't give you anything higher than | :08:30. | :08:36. | |
an eight - the toad. I didn't get my ten, I had have eat my bag of | :08:37. | :08:40. | |
sequins - which is what I said I would do. How frustrated were you to | :08:41. | :08:46. | |
be stuck at 35? To be stuck on 35 for five weeks in a row was | :08:47. | :08:51. | |
unimaginative. It is upsetting. You want to get better, worse, learn | :08:52. | :08:56. | |
something. It felt very dull really. Very stagnant. The swingathon, you | :08:57. | :09:01. | |
got voted second. What is going on? I said what I thought about the | :09:02. | :09:05. | |
swingathon last week on the show. I they edited it out. -- they edited | :09:06. | :09:11. | |
it out. We got ten seconds into it and they were like, you are off! | :09:12. | :09:19. | |
You hadn't even got into the swing... Let's celebrate your | :09:20. | :09:22. | |
brilliance. We have loved having you on the show. You have been awesome. | :09:23. | :09:26. | |
To watch from the beginning to the end - the improvements are amazing. | :09:27. | :09:30. | |
Shall we reveal your Strictly partner? Yes. It is Ola. | :09:31. | :09:39. | |
We get on so well. I love teaching Ashley. That's a good boy! | :09:40. | :09:46. | |
Ola thaz been amazing since day -- Ola has been amazing since day one. | :09:47. | :09:52. | |
She is patient and fair. I am very happy. Your face when you are | :09:53. | :10:04. | |
admiring Ola's Derrier - that was a picture picture picture! I missed | :10:05. | :10:09. | |
the birth of my son. He is chilling out. There's no rest for the wicked. | :10:10. | :10:15. | |
I am back in training. I am determined to do a dance that both | :10:16. | :10:18. | |
my little boys will be very proud of. You put the oh in smooth. You | :10:19. | :10:24. | |
came out - it had lovely flow. The whole thing was incredible. You will | :10:25. | :10:28. | |
go far! This has been the biggest challenge | :10:29. | :10:34. | |
of my life so far. That way! In your head you know what you want to do, | :10:35. | :10:41. | |
but you can't quite do it! You have coped well with a very difficult | :10:42. | :10:45. | |
dance. Those hip rolls were absolute flilt and I loved it! | :10:46. | :10:52. | |
-- filth. And I loved it. Taking to the floor on a Saturday night is the | :10:53. | :10:56. | |
most surreal thing that has ever happened to me. You are dancing - | :10:57. | :11:00. | |
doing something out of your comfort zone. You need more... . I am | :11:01. | :11:07. | |
frustrated with myself, definitely. Ashley has been dedicated. If I can | :11:08. | :11:12. | |
get over the nerves, then it would be the biggest buzz ever. I actually | :11:13. | :11:17. | |
found myself smiling, naturally throughout the dance. It had speed. | :11:18. | :11:27. | |
It had nfrge. It had plenty of gercher! It did! | :11:28. | :11:35. | |
I have these big, long apy arms. You should be good because your arms are | :11:36. | :11:40. | |
so long. And spaghetti legs. I look like a big jelly dancing! | :11:41. | :11:44. | |
If you want to shine, yo vu to polish. Poll -- -- you have to | :11:45. | :11:52. | |
polish. This quickstep, without a doubt is the most complicated dance | :11:53. | :11:57. | |
I've done so far. That was tailor-made! | :11:58. | :12:04. | |
Len's comment was brilliant. Can I copyright that? | :12:05. | :12:08. | |
Stop it! No! | :12:09. | :12:11. | |
Ashley is definitely a bit of a joker in the rehearsal room. It is | :12:12. | :12:17. | |
my dance class! Sorry! | :12:18. | :12:21. | |
I'm into the bizarre and extraordinary and I thought that was | :12:22. | :12:24. | |
extraordinary! A great score, but I need to break | :12:25. | :12:28. | |
into tens. Everyone else is doing it. I need to do it. Beautifully | :12:29. | :12:33. | |
handled. You glided through it with incredible poise. I have got 35 | :12:34. | :12:39. | |
points for the third week in row. I am determined to get more. | :12:40. | :12:44. | |
The pressure is really on. Don't do that - that looks like an old man. | :12:45. | :12:50. | |
Do that. I have got to get my steps right, the character right - and | :12:51. | :12:54. | |
flying on a magic carpet. What can possibly go wrong. | :12:55. | :12:59. | |
Sorry, Ola! You created some strong masculine | :13:00. | :13:06. | |
lines - well done. Finally having that red light above my head was a | :13:07. | :13:09. | |
horrible feeling. I have come this far. I don't want the journey to | :13:10. | :13:14. | |
ends. He tries so hard to make me proud. That is lovely! The whole | :13:15. | :13:20. | |
experience is just amazing. It was slick, quick, plenty of tricks. | :13:21. | :13:29. | |
Patrick and an a ya. Patrick and Anya. Patrick and Anya. I am so | :13:30. | :13:39. | |
proud of you. You did so well. I love you as a person. Good luck with | :13:40. | :13:43. | |
everything you do. You are wonderful. | :13:44. | :13:54. | |
How do you feel when you look back at how many dances you have done? | :13:55. | :14:02. | |
There was an amount of work. Have you got a favourite one? The salsa. | :14:03. | :14:10. | |
I said to Ola, please throw everything at this. I did not expect | :14:11. | :14:14. | |
her to throw that much at it. It felt great. We got it right. Are you | :14:15. | :14:19. | |
gutted to leave before the semi-finals? Really gutted. We would | :14:20. | :14:24. | |
like to be in the semi-final and final. Everyone is so good in the | :14:25. | :14:28. | |
competition. You are gutted but everyone is so good. | :14:29. | :14:31. | |
They all deserve to be there. It is so full on. Everyone is pulling out | :14:32. | :14:35. | |
the stops. You are happy for everyone as well. I am looking | :14:36. | :14:40. | |
forward to not doing two dances this week. | :14:41. | :14:51. | |
James, Mr Jordan and Karen, Mrs Taylor-Dawson to be are they excited | :14:52. | :14:58. | |
to have you back? When you take Karen dancing, I will be up for | :14:59. | :15:05. | |
babysitting duties. Call Aunty Zo. You were the only two boys in the | :15:06. | :15:10. | |
competition - Patrick is now left. Can he make it to the final with the | :15:11. | :15:15. | |
girls? He can. Come on, Patrick. You can do it. He is one of the older | :15:16. | :15:19. | |
people - I can say that without being rude. He is the older guy, he | :15:20. | :15:26. | |
is 50. He could be my dad! That would be a scandal - wow! | :15:27. | :15:31. | |
I would never say. I think everyone has been through this. From the very | :15:32. | :15:34. | |
start, I think everyone deserves to be in the final. Everyone has put | :15:35. | :15:39. | |
120% in. I want everyone to go there... . Everyone is amazing. Good | :15:40. | :15:44. | |
luck. You too. We have loved having you on the show. I'll miss, Zoe. You | :15:45. | :15:52. | |
know where I am! I told you, it would be me welling | :15:53. | :15:58. | |
up. Now it is time to test your Strictly knowledge - who could this | :15:59. | :16:00. | |
possibly be? Is it lessy Garrett? I am not sure! | :16:01. | :16:44. | |
We launched our pro-challenge. Please welcome Pasha. | :16:45. | :16:49. | |
Thank goodness you are back. Where have you been? Just around the | :16:50. | :16:54. | |
corner. All this time? I was waiting. Lovely! Are you nervous | :16:55. | :16:59. | |
about this whole pro-challenge? Just a little bit. OK, you should be, | :17:00. | :17:04. | |
Kovalev - you should be very nervous indeed. Let's remind ourselves of | :17:05. | :17:07. | |
how this challenge works. This is a challenge to set a | :17:08. | :17:21. | |
Guinness World Record. For the most drunk sailor dance steps in 30 | :17:22. | :17:24. | |
seconds. It is a cross step behind. A step to the side and then a | :17:25. | :17:28. | |
replacement of weight to the starting foot. They need to make | :17:29. | :17:33. | |
sure they cross behind and replace the weight. | :17:34. | :17:38. | |
Let the battle commence. Thank you very much. You were a runner up last | :17:39. | :17:46. | |
year. Does that add pressure. It is all about the record. You have to | :17:47. | :17:50. | |
win. You have to win! There is no other way. Let's see how you got on. | :17:51. | :17:53. | |
Good luck. Last year, I finished second. This | :17:54. | :18:04. | |
year I will go for the top. I am not worried about anything. This step | :18:05. | :18:08. | |
was down by me for 25 years now, so I am pretty sure I can do it. | :18:09. | :18:15. | |
. Very official! Hello Pasha. How are you feeling about the challenge | :18:16. | :18:19. | |
today? I am feeling great. To me, it is more about pressure of -- | :18:20. | :18:23. | |
pleasure of dance rather than a challenge. Last year, you were | :18:24. | :18:27. | |
second. Do you think you can beat it this year? Possibly. OK, then. | :18:28. | :18:34. | |
Please take to the floor. Good luck! For the record, counting you down in | :18:35. | :18:37. | |
three, two, one... Go! Stop! Well, Pasha, how did that | :18:38. | :19:18. | |
feel? Great. I can do another 30 seconds. It looked like you took | :19:19. | :19:21. | |
your time, but the quality was there. You danced beautifully. We | :19:22. | :19:27. | |
had some arm movements in there. It was not the fastest attempt, but you | :19:28. | :19:31. | |
looked great. Thank you, you may leave the floor. Thank you. I think | :19:32. | :19:37. | |
I got carried away a little with the performance side of things. If there | :19:38. | :19:42. | |
is a world record for style - I would definitely win that. Give it | :19:43. | :19:47. | |
up for Kovalev. You were going for technique there - I see. | :19:48. | :19:52. | |
Feeling artistic and kind of went for that. They were stunning. Let's | :19:53. | :19:57. | |
look at the leaderboard. Let's see how things lie at the moment. | :19:58. | :20:05. | |
You have to get 73. Confident? I think if I get half of it, I will be | :20:06. | :20:17. | |
happy. Let's look. It is time to find out. The footage was watched | :20:18. | :20:25. | |
back by adjudicators in slow motion. The moment of truth, Pasha, I can | :20:26. | :20:28. | |
reveal that you scored... 37 - with no disqualifications. No | :20:29. | :20:52. | |
disqualifications! That's amazing! 37. A lady has passed out. She's so | :20:53. | :20:59. | |
shocked. Let's see where you are - oh, no, down at the bottom. You were | :21:00. | :21:03. | |
beaten by a girl. That is not the first time. What do you think the | :21:04. | :21:06. | |
other pros will make of your efforts? I think they will | :21:07. | :21:13. | |
appreciate the beauty of my dancing. The beauty of your work. You have | :21:14. | :21:18. | |
brought shame on the Kovalev family. Leave! Now... It was not that bad! | :21:19. | :21:25. | |
We love you to pieces. Pasha... Take a bow! | :21:26. | :21:28. | |
Oh, dear. I love him - I really do. In a moment I will talk to the | :21:29. | :21:32. | |
lovely Mr Tonioli. Earlier on I asked you to guess who our mystery | :21:33. | :21:37. | |
celebrity was. Let's see if you got it right. | :21:38. | :21:42. | |
I was on Strictly Come Dancing in 2010. My partner was the delightly | :21:43. | :21:49. | |
Anton du Beke. It is I - Anne Widdecome. | :21:50. | :21:57. | |
It is I - Zoe Ball! I am so excited to see my next guest I may fall off | :21:58. | :22:04. | |
the sofa and wave my arms in the air. Please welcome Bruno Tonioli. | :22:05. | :22:10. | |
Hello, my darling. How are you? Nice to see you! Thank you so much. | :22:11. | :22:19. | |
Lovely soft jumper. Cashmere. Only the best will do! Were you shocked | :22:20. | :22:24. | |
by the results on Sunday night? Are you always shocked by the results? | :22:25. | :22:29. | |
At this stage of the competition, it is always sad to see somebody go | :22:30. | :22:33. | |
because they were both good. I said it was like choosing between | :22:34. | :22:37. | |
diamonds and pearls. It's going to be very hard. It will be harder next | :22:38. | :22:43. | |
week. It happens that personally I found Patrick's performance more | :22:44. | :22:47. | |
involving. I was more taken by it. It does not mean to say Ashley was | :22:48. | :22:54. | |
bad. They were both very, very good. It is down to splitting hairs. It is | :22:55. | :22:59. | |
so tough. Because the competition is so tight, the margin between them is | :23:00. | :23:04. | |
hardly noticeable. So, it will be very hard. It will be harder next | :23:05. | :23:09. | |
week. Is it frustrating for the judges when the public vote changes | :23:10. | :23:13. | |
the leaderboard? Personally, I feel we are doing that for the public, so | :23:14. | :23:17. | |
you have to accept their point of view. We are not doing it for | :23:18. | :23:21. | |
ourselves. If they want to see their favourite coming back, obviously | :23:22. | :23:25. | |
they have the right to do so. It becomes very hard for the judges | :23:26. | :23:29. | |
when you have two very, very good people on the dance-off. Whatever | :23:30. | :23:34. | |
you do, you will upset somebody. You will break somebody's heart. It | :23:35. | :23:39. | |
breaks my heart. As a viewer, I feel very bad. You have to make a | :23:40. | :23:44. | |
decision in a split second. Usually the performance which stays with you | :23:45. | :23:49. | |
the most is the one you go for. Susanna and Kevin and their | :23:50. | :23:54. | |
Argentine tango - you said their dance was a bit too mechanical. Talk | :23:55. | :23:59. | |
us through that. It has to have the feel of a natural conversation. It | :24:00. | :24:05. | |
is fluid. It happens - the hooks - the changes. Off he goes! It should | :24:06. | :24:14. | |
not look rehearsed. It should look improvised. That is how it happened | :24:15. | :24:19. | |
originally. It was placed - it didn't have the kind of mediate spon | :24:20. | :24:25. | |
tin theyty - that flow. She was walking around a lot. Nicely! She | :24:26. | :24:31. | |
walks beautifully. Sophie and Brendan and their tango. You were | :24:32. | :24:37. | |
impressed with bran Dan's Corrie ohhing graphy. This is -- Brendan's | :24:38. | :24:49. | |
Corrie ohhing graphy. -- choreography. I found it very | :24:50. | :24:55. | |
exciting. It was well played and the personality came across. Sometimes, | :24:56. | :25:00. | |
what she does, it is because she's so tall, especially with this move, | :25:01. | :25:05. | |
instead of finishing it, she kind of wobbles a bit. She has to get that | :25:06. | :25:14. | |
right. It has improved enormously. Come on, come on! | :25:15. | :25:20. | |
Hit me! Hit me with the next one. Abbey and Aljaz thanked their | :25:21. | :25:28. | |
Viennese -- and their Viennese waltz. Look at them - the chemistry | :25:29. | :25:33. | |
between the two of them is unsurpassed. She was beautiful. I | :25:34. | :25:37. | |
was just taken by the whole thing. That is what it is for me - the ten | :25:38. | :25:42. | |
- it is where I forget myself. I have to embrace the fantastic | :25:43. | :25:45. | |
moment. I love it when you forget yourself. More on that later! | :25:46. | :25:52. | |
Natalie and Artem. You have mentioned a slip-up. What happened? | :25:53. | :25:56. | |
At the end, it was at this end, she kind of, she did a pass and she went | :25:57. | :26:01. | |
over a bit like this. It kind of lost a bit of the strength. | :26:02. | :26:08. | |
Nevertheless, look, every placing, every position, it is just | :26:09. | :26:12. | |
beautiful. Stunning work! It is stunning. The figures, the lines. | :26:13. | :26:15. | |
The two of them are beautiful together. What did you think about | :26:16. | :26:19. | |
Len's comments about their performance? The thing is there are | :26:20. | :26:24. | |
four of us. We have to express what we feel. I just have to think about | :26:25. | :26:28. | |
myself. I cannot think about what the others are doing. My job is to | :26:29. | :26:33. | |
make a point. Hopefully I engage the public. I never say I am right, but | :26:34. | :26:37. | |
I really feel strongly about what I say. Of course, if you don't agree | :26:38. | :26:42. | |
with me, it is fine. The same things happen in the panel. They express | :26:43. | :26:45. | |
their opinion. They are entitled to do so. You have to ask him, because | :26:46. | :26:50. | |
there are four of us. We have different takes. He is here next | :26:51. | :27:00. | |
week. We will ask him. These two were in the bottom two. | :27:01. | :27:06. | |
Why weren't the viewers taken with it? Sometimes when somebody gets a | :27:07. | :27:15. | |
ten, people feel they are safe. They say, maybe we will give our backing | :27:16. | :27:22. | |
to somebody else. I am telling you - everybody - nobody is safe. The | :27:23. | :27:30. | |
margin is so small, if you don't vote, there'll be problems. And then | :27:31. | :27:34. | |
you will get cross. Then it is our fault! You have to vote. You have to | :27:35. | :27:40. | |
vote! We have seen the swingathon come back. How difficult is it for | :27:41. | :27:45. | |
you to judge six couples on the floor at the same time. You are | :27:46. | :27:48. | |
checking everything. First of all the person has to stand up for the | :27:49. | :27:53. | |
right reasons. The first thing you notice is if somebody loses timing | :27:54. | :27:58. | |
and the feet are floppy, they go off balance. The worst and the best. So | :27:59. | :28:02. | |
you have to try and always kind of identitify who is the best and who | :28:03. | :28:07. | |
is the worst and pick them that way. Between the four of us, hopefully we | :28:08. | :28:12. | |
got it right. It is difficult. I am literally scanning. I am like a | :28:13. | :28:18. | |
drone, looking! You, out! Very quickly - the semi-finals this | :28:19. | :28:23. | |
weekend. What do you want, sum up in three to five words? The margin | :28:24. | :28:30. | |
between them is almost unexistent. They have to maintain the Level Up | :28:31. | :28:34. | |
until now, but make sure they stand out. The public will vote for the | :28:35. | :28:39. | |
person who captures their imagination the most. I love it and | :28:40. | :28:46. | |
I love you. That is it for today. We have it all in. I am back tomorrow | :28:47. | :28:53. | |
at 6. 30pm. I will be joined by Patrick p, Karen Hauer and Karen | :28:54. | :28:59. | |
Hardy here to chat | :29:00. | :29:00. |