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Hello and welcome to Wednesday's edition of It Takes Two. | :00:00. | :00:09. | |
They smoothly paso'd their way into the final - Sophie and Brendan are | :00:10. | :00:15. | |
here! Our wedding couple tied the knot on | :00:16. | :00:21. | |
Friday. Were they able to pull off the big dance? Natalie's here to | :00:22. | :00:24. | |
tell all. And as we look forward to Saturday's | :00:25. | :00:28. | |
finale, Ian's back with a bumper Wednesday Warm Up. | :00:29. | :00:31. | |
This is Strictly: It Takes Two. Life from London, this is Strictly | :00:32. | :01:22. | |
It Takes two. Please welcome your host, Zoe Ball! | :01:23. | :01:29. | |
CHEERING AND APPLAUSE Hello and welcome to Wednesday's It | :01:30. | :01:33. | |
Takes Two. Just three more sleeps until Saturday's final and our | :01:34. | :01:36. | |
couples are all training hard on not one, not two, but three showstopping | :01:37. | :01:43. | |
dances. I feel a Wednesday Warm Up coming on. I think that's what it | :01:44. | :01:57. | |
is. It's my favourite man apart from my husband, Ian Waite! | :01:58. | :02:04. | |
CHEERING And there's Ryan Gosling and a few others. Ian, it is the | :02:05. | :02:10. | |
final on Saturday. It is. Ened our last Wednesday Warm Up. I know! It | :02:11. | :02:16. | |
is sad. On Saturday the couples will be tackling a dance picked by the | :02:17. | :02:22. | |
judges and a show dance, and after that we lose one couple and the | :02:23. | :02:25. | |
three remaining finalists will perform their own favourite dance | :02:26. | :02:29. | |
from the series and then we'll have a winner. Let's look at the show | :02:30. | :02:35. | |
dances. So exciting. No rurals. They can do leaps, jumps, props, anything | :02:36. | :02:42. | |
they like. How important is it? Is very important. It will be the | :02:43. | :02:46. | |
second number, the it will be just about when people vote. The votes | :02:47. | :02:50. | |
open up after the show dance, so it is best that you are in people's | :02:51. | :02:54. | |
minds and they are thinking wow, that was amazing. Unleash the wand, | :02:55. | :03:02. | |
if you would, Sir. Ho, ho, ho. Thank you! Abbey and Aljaz are doing their | :03:03. | :03:08. | |
show dance to Guns N' Roses. Brilliant. We can't listen to it but | :03:09. | :03:14. | |
we can look at their training. We are not showing the tricks and | :03:15. | :03:21. | |
stunts. It looks like it is a paso doble. They are normally very | :03:22. | :03:25. | |
dramatic. No doubt this will be, and a rock song, so it will be adding to | :03:26. | :03:32. | |
the drama. I want to point out she's using her skirt here, a lot of | :03:33. | :03:38. | |
skirtography - new word. She needs to do that really positively and | :03:39. | :03:44. | |
really emphasise it 100% if she is going to do that. It's a show dance, | :03:45. | :03:49. | |
so they've got to go for it. I'm hoping Aljaz will be wearing a slash | :03:50. | :03:57. | |
shirt and top hat. But it is unlikely. They are dancing to | :03:58. | :04:04. | |
Steppin' Out With My Baby by Fred Astaire. It is very Fred and Ginger, | :04:05. | :04:12. | |
a lot of side by side stuff. . They've got canes, and who wouldn't? | :04:13. | :04:18. | |
I want toism ties how great their matching arms are and their matching | :04:19. | :04:24. | |
legs. Brilliant. Top students. This is what they need at this stage. She | :04:25. | :04:29. | |
needs to patch him perfectly, especially in the side by side. | :04:30. | :04:35. | |
Brilliant work. Susanna and Kevin are doing their dance to the Moulin | :04:36. | :04:45. | |
Rouge version. It will be emotional. Something that will connect with the | :04:46. | :04:49. | |
audience and make them vote. All of this stuff is solo, intricate | :04:50. | :04:55. | |
armography. Beautifully done by Susanna there. Earlier I notice | :04:56. | :05:05. | |
because it's a waltz that they are bringing back the pivots that they | :05:06. | :05:13. | |
did seven weeks ago. Or was it week seven? They were pivoting all the | :05:14. | :05:19. | |
way around the floor. It is a great feature in this number. If it works, | :05:20. | :05:24. | |
bring it back. Sophie and Brendan are doing their show dance to a | :05:25. | :05:33. | |
Whitney Houston classic, Wanna Dance With Somebody. I danced to it in | :05:34. | :05:38. | |
series two with Denise Lewis. And what happened? In those days it was | :05:39. | :05:43. | |
called the freestyle, not a show dance. Did you win? No, we were | :05:44. | :05:49. | |
second. Let's look at this clip. Sophie needs to work on her core. | :05:50. | :05:54. | |
She needs to be positive and needs to be a little bit more - in a way, | :05:55. | :06:02. | |
to lead him more, to take control, go for it and be a little bit in | :06:03. | :06:07. | |
front of him. I know we say follow, I want her to follow but I want her | :06:08. | :06:12. | |
to take initiative and go for it. She did on Saturday. Please don't go | :06:13. | :06:18. | |
far. We'll have a second dose of Ian later on. | :06:19. | :06:28. | |
CHEERING So, as we've just seen, the couples | :06:29. | :06:32. | |
are working hard for the final. But it was their impressive paso and | :06:33. | :06:35. | |
American smooth that booked Brendan and Sophie a place. I'll be chatting | :06:36. | :06:38. | |
to them in a moment, but first here's a reminder of Saturday's | :06:39. | :06:41. | |
semifinal. You gave power I haven't seen you give to a dance before. For | :06:42. | :06:46. | |
me it was starchy and looked a bit of Spanish line. The content, the | :06:47. | :06:50. | |
passion and the intent in delivering it was incredible, Sophie. You've | :06:51. | :06:54. | |
done what one of always asked of you. Come out here and kill it and | :06:55. | :06:57. | |
you did it. Let's do another dance. A beautiful | :06:58. | :07:09. | |
flow to it. There was an elegance and a sophisticationment Sophie, | :07:10. | :07:13. | |
this is your dance. Those three lifts from the top the middle and | :07:14. | :07:17. | |
then the bottom, it was so grateful. You came in and out of them | :07:18. | :07:22. | |
seamlessly. Your best performance to date. | :07:23. | :07:33. | |
Tonight wasn't about doing enough to get to the final but that we made it | :07:34. | :07:41. | |
to the semifinal. Please welcome Sophie and Brendan! Two such | :07:42. | :07:47. | |
super-stylish performances on Saturday night. We are starting with | :07:48. | :07:50. | |
the fire and the passion of your paso doble. Bruno said you made | :07:51. | :07:55. | |
yourself proud here. How delighted were you at the end of that dance? | :07:56. | :08:01. | |
It felt incredible. . That moment where we finished, I still had my | :08:02. | :08:08. | |
eyes closed and I heard the cloud erupt into applause is a moment I | :08:09. | :08:18. | |
will I will Treasury ture. -- treasure. Sophie had a dress | :08:19. | :08:24. | |
malfunction at the start, her dress popped open at the top, so she was | :08:25. | :08:32. | |
thinking about that... It could have been memorable for all the wrong | :08:33. | :08:37. | |
reasons. My Lord, it could have been extra points! Yes! The audience were | :08:38. | :08:44. | |
on their feet, the judges loving the drama you brought to that dance. . | :08:45. | :08:49. | |
Do you feel you've conquered any performance issues you might have | :08:50. | :08:53. | |
had with that? It was a big moment for me. That's been something I've | :08:54. | :08:58. | |
struggled with a bit over the weeks, so to have that aspect praised meant | :08:59. | :09:03. | |
a lot to me. It was something I tried... So much of the paso is | :09:04. | :09:09. | |
about the attitude and the drama, and it was there. Your American | :09:10. | :09:14. | |
smooth, Brendan coming down the bannisters like that, how did you | :09:15. | :09:19. | |
get health and safety to sign off on that? They never did, but true to | :09:20. | :09:26. | |
myself I did it anyway. I wanted a magical number for that person | :09:27. | :09:29. | |
smooth. It is very important that you take the audience watching on a | :09:30. | :09:34. | |
bit of a journey with you. You want them to be involved with everything | :09:35. | :09:37. | |
you are doing. With a gorgeous piece of music, you slide down the | :09:38. | :09:42. | |
bannisters, Sophie hit her position and we started dancing. It was a | :09:43. | :09:46. | |
magical moment on Strictly. We had two extremes of emotions on that | :09:47. | :09:51. | |
night. Very intense, and you got your first ten. Boy, have you had to | :09:52. | :09:56. | |
wait for that? It must have been to brilliant. It was so pretty, such a | :09:57. | :10:02. | |
good thing. I wanted a ten for me but for Brendan too. He's given me | :10:03. | :10:06. | |
every week the tools to get that ten but I wasn't quite hitting it. You | :10:07. | :10:10. | |
have been it hadding it for weeks, my dear. You have. And Craig was a | :10:11. | :10:16. | |
bit more reserved, muttering about you being out of hold. What do you | :10:17. | :10:22. | |
think when you hear, that come on, Craig, give them more than an eight? | :10:23. | :10:27. | |
Everyone's got their agenda on this show. It is a good score. It is! I | :10:28. | :10:33. | |
like it would be comparable to other things happening on the show. I | :10:34. | :10:36. | |
think they've been extra picky for Sophie and I, for whatever reason, I | :10:37. | :10:41. | |
take it as a positive, as I think they see something in Sophie that's | :10:42. | :10:45. | |
very capable and able. She's a magnificent dancer and a magnificent | :10:46. | :10:51. | |
person to be on the show. . They want the best for her. If it means | :10:52. | :10:55. | |
marking her down with an eight, fine. And we made the final anyway. | :10:56. | :11:03. | |
It is all good. You have been training I think for 78 weeks now. | :11:04. | :11:11. | |
Is that all? It is 13 weeks. Drive, drive. Soft, soft, soft. This is | :11:12. | :11:26. | |
serious. Hup! Switch. Come on, woman. Is there a way to make it so | :11:27. | :11:34. | |
it doesn't hurt? No. OK. But I'm prepared to have pain for my art. | :11:35. | :11:39. | |
Why are we doing it so fast? That's brilliant. Oh, God. Flip ing heck! | :11:40. | :11:55. | |
Heck! That's funny. That poor girl's been put through torture for weeks. | :11:56. | :12:00. | |
But it is worth it. This weekend the final, three dance Tass. First of | :12:01. | :12:03. | |
all the judges have chosen to see your Viennese waltz again, which we | :12:04. | :12:09. | |
are thrilled about. This is from The Sound Of Music. Are you pleased they | :12:10. | :12:13. | |
chose this, Sophie? Yes, this was a very special moment for me first | :12:14. | :12:16. | |
time around. It is such a lovely dance. It's the essence of Strictly. | :12:17. | :12:22. | |
I would never have done a Viennese waltz anywhere else? Why not? I | :12:23. | :12:27. | |
don't understand! It felt glorious, so I'm very much looking forward to | :12:28. | :12:31. | |
it. The judges were talking afterwards about your neckline. Is | :12:32. | :12:35. | |
that something you've worked on? Very much so. You want it to be as | :12:36. | :12:41. | |
perfect as it can be and you want the judges to be on your side. As | :12:42. | :12:45. | |
much as the public have allowed us to be in the final, the judges have | :12:46. | :12:48. | |
given their marks to get us there as well. You want them to be going, | :12:49. | :12:53. | |
that was the best thing we've seen tonight. It means a lot to you when | :12:54. | :12:58. | |
you've put in the hours. I'm hoping that, come the final, it reaches a | :12:59. | :13:03. | |
pinnacle for us. And it is that point where if we don't make it | :13:04. | :13:07. | |
through to the next point and don't get to do our Charleston... We want | :13:08. | :13:11. | |
to see that again. The quickly, will your show dance. Whitney Houston, | :13:12. | :13:15. | |
Wanna Dance With Somebody. Why did you choose that one? Because it is | :13:16. | :13:19. | |
Saturday night, it is the final, the we want the ultimate party track and | :13:20. | :13:23. | |
have a lovely time on that dancefloor. Can you tell us | :13:24. | :13:28. | |
anything? It's a dance. Thank you. That's all I need to know. And | :13:29. | :13:32. | |
again, we get to see that Charleston. If we get through to the | :13:33. | :13:36. | |
last bit. Everybody has to vote. Last time you got almost perfect | :13:37. | :13:43. | |
scores. That was week three when you did this. Week two. Will you be able | :13:44. | :13:49. | |
to improve on that? Who cares? I will be having a ball. We danced it | :13:50. | :13:53. | |
the first time in rehearsal as yesterday. I was blown away by it. | :13:54. | :14:02. | |
She dances like and I feel silly next to her, that's how good she is. | :14:03. | :14:07. | |
Good luck this week. Three incredible dances. We'll see you on | :14:08. | :14:12. | |
Friday and in the meantime, get working! Sophie and Brendan! | :14:13. | :14:17. | |
CHEERING Now, we may have already mentioned | :14:18. | :14:20. | |
that this series of Strictly reaches its finale on Saturday. But fear | :14:21. | :14:24. | |
not, there's a special edition of Strictly on Christmas Day. We took a | :14:25. | :14:27. | |
sneak peek as they were filming their big opening number. Take a | :14:28. | :14:36. | |
look. So here we are Lapland UK for our special Christmas show. Still | :14:37. | :14:41. | |
glitzy, but with my very nice spotty boots. I'm going to dance my way | :14:42. | :14:49. | |
around the beautiful forest. It is a very exciting trip. The main reason | :14:50. | :14:56. | |
for it is to reveal the six celebrities on the Christmas show. | :14:57. | :15:02. | |
We've got huskies, Santa's sleigh. It is going to be fantastic. I'm | :15:03. | :15:12. | |
slow getting Strictlified, is that the word? I do need more glamour in | :15:13. | :15:20. | |
my life, so you find me here on day one of filming the Strictly shaving | :15:21. | :15:27. | |
out of a bucket! Here I am with a snow machine I've not really used | :15:28. | :15:32. | |
before. I think that's two settings. Either very little snow or foam | :15:33. | :15:40. | |
party. And, action! Lots of energy. I've got Robin looking after me and | :15:41. | :15:45. | |
we are bringing our own brand of special Christmas magic. | :15:46. | :15:53. | |
We had a bit of high jinks. We did. I had a whole bucket of snow for | :15:54. | :15:59. | |
lunch. Your lip gloss was amazing afterwards. That's cute. Love it. | :16:00. | :16:07. | |
The pro dancers, when they do it, it is classy. But when you are not | :16:08. | :16:11. | |
really that person, you feel like Hugh going... And that's less cool. | :16:12. | :16:18. | |
We are about to do the final sequence, a big dance number, | :16:19. | :16:22. | |
two-and-a-half minutes. We've got the celebrities, the pros. We've got | :16:23. | :16:27. | |
the lights and we've got moonlight. It will look magical. Now we are | :16:28. | :16:32. | |
getting into the evening you can see how pretty everything looks. It is | :16:33. | :16:37. | |
snowing and there's twinkly lights. Wow! Look at that! ! Isn't it | :16:38. | :16:49. | |
pretty? Look, we can do fake snow. Let it snow, let it snow, let it | :16:50. | :16:57. | |
snow. Once we've met on the celebrities, the everybody dances | :16:58. | :17:02. | |
towards the finale, on the ice Rick. -- ice rink. | :17:03. | :17:09. | |
When I came to Strictly I was in awe of how useful the sets are, and | :17:10. | :17:13. | |
Strictly puts the show into business. I'm trying to keep warm. | :17:14. | :17:19. | |
And in the next couple of minutes we have to take our jackets off and | :17:20. | :17:24. | |
dance. Show business style. We've reached the end of the day's | :17:25. | :17:29. | |
filming, and we are going to do the finale. It is going to be so | :17:30. | :17:33. | |
incredible you won't believe your eyes but you've got to wait for | :17:34. | :17:37. | |
Christmas Day, like a beautiful present ready to unwrap. So It Takes | :17:38. | :17:45. | |
two, turn this off! Three words - Rufus Hound's tattoos. | :17:46. | :17:52. | |
I say! And you can watch Strictly's | :17:53. | :17:55. | |
Christmas Special on BBC One at 5.00pm on Christmas Day. | :17:56. | :17:58. | |
So, Mel and Gordon's big day finally arrived last week, and of course all | :17:59. | :18:02. | |
eyes were on their first dance. Did their two months of intense dance | :18:03. | :18:05. | |
training pay off? Here with her final report is Miss Natalie Lowe. ! | :18:06. | :18:12. | |
CHEERING Hello my darling. Hello! We've seen you get quite emotional | :18:13. | :18:17. | |
during this process. How were you on the big day itself? I'm emotional | :18:18. | :18:22. | |
now. My heart's pounding, because I haven't seen the dance back, but it | :18:23. | :18:26. | |
was the most magical day. I was emotional, proud, honoured to be | :18:27. | :18:33. | |
there. It was the perfect wedding with in every way. A I got emotional | :18:34. | :18:37. | |
watching this film earlier. This is how their day started. | :18:38. | :18:43. | |
Mel and Gordon's big day has finally arrived and I can't tell you how | :18:44. | :18:47. | |
excited I am. All the guests are arriving. . I'm going to get my | :18:48. | :18:54. | |
seat. I'm feeling really excited today. We've had done the planning | :18:55. | :18:58. | |
and had all the stress. It is nice that it is here at last and we can | :18:59. | :19:04. | |
properly enjoy it. When I first saw Mel I was just | :19:05. | :19:12. | |
blown away. Simply stunning. Melanie and Gordon have made their marriage | :19:13. | :19:16. | |
vows to each other. They have declared their marriage by the | :19:17. | :19:20. | |
joining of hands and by the giving and receiving of rings. I therefore | :19:21. | :19:25. | |
proclaim that they are husband and wife. | :19:26. | :19:29. | |
APPLAUSE My favourite part of the ceremony | :19:30. | :19:34. | |
was the very end, when they walked back down the aisle hand in hand as | :19:35. | :19:38. | |
husband and wife. That was just beautiful. It feel quite surreal | :19:39. | :19:47. | |
that we are now husband and wife, but it is a great feeling. Too. I'm | :19:48. | :19:52. | |
a bit nervous, because the church is done but we've got the dance to do | :19:53. | :19:56. | |
tonight, so the pressure is on. Isn't it beautiful? And Gordon was | :19:57. | :20:02. | |
in a kilt! Weddings always make me cry. That was the easy bit. Yes. | :20:03. | :20:07. | |
Just the big dance to come. You've been working with them for months | :20:08. | :20:11. | |
now. Did you feel confident they were going to nail the performance | :20:12. | :20:14. | |
in front of their family and friends? I really did. The day | :20:15. | :20:17. | |
couldn't have gone any better. It was a great vibe. The family and | :20:18. | :20:21. | |
friends were extremely supportive. Everyone was egging them on to do | :20:22. | :20:26. | |
well and to do their best, to enjoy the moment. I knew they would. Did | :20:27. | :20:31. | |
you manage to cram in any last minute rehearsals? Yes, we did two | :20:32. | :20:38. | |
or three run-through and things that Gordon wasn't really getting, it | :20:39. | :20:43. | |
call came together at the right time. I think everybody is dying to | :20:44. | :20:48. | |
see this. This is Mel and Gordon pulling off the biggest wedding | :20:49. | :20:56. | |
dance you've seen. My mind was going at 1 million miles per hour. It was | :20:57. | :20:59. | |
really terrifying knowing that everybody was there and that was the | :21:00. | :21:01. | |
big moment. # Some people wait a lifetime for a | :21:02. | :21:51. | |
moment like this #. When we finished the waltz, everyone | :21:52. | :21:55. | |
thought that was it, and then people realised we were doing more. It was | :21:56. | :21:57. | |
electric. I had never experienced anything | :21:58. | :22:18. | |
like that. To be up there, to be the people that everybody was looking at | :22:19. | :22:28. | |
and cheering on was astonishing. For two people that had never danced | :22:29. | :22:33. | |
before, I'm so proud they could pull out that performance as well as they | :22:34. | :22:39. | |
did tonight. MUSIC: My First, My Last, My | :22:40. | :22:46. | |
Everything. It means everything to me. 12 weeks ago we were like a | :22:47. | :22:53. | |
normal couple. Our wedding day was incredibly special anyway but this | :22:54. | :23:02. | |
has just made it so much better. CHEERING AND APPLAUSE | :23:03. | :23:14. | |
Oh my goodness. I thought it was going to be good but never thought | :23:15. | :23:19. | |
in a million years it would be THAT good. They were having the time of | :23:20. | :23:27. | |
their lives and look happy on that dancefloor. I give them a ten. I've | :23:28. | :23:35. | |
just performed a Strictly dance in a Strictly dress, on Strictly - it is | :23:36. | :23:39. | |
a dream come true. CHEERING Come on, Mel and Gordon. | :23:40. | :23:44. | |
I'm so proud of them. We saw that lady saying she thought it would be | :23:45. | :23:49. | |
good but not that good. How good was it to sit there and see people's | :23:50. | :23:54. | |
reaction to it? Just watching that back, it is so overwhelming. They | :23:55. | :24:02. | |
did so well. You taught them well. Which part of the dance did you | :24:03. | :24:05. | |
think the crowd were most impressed with? I think when Gordon went into | :24:06. | :24:12. | |
ballroom hold. People weren't expecting that. They can relate that | :24:13. | :24:16. | |
to Strictly Come Dancing and when it went from the waltz into the cha-cha | :24:17. | :24:22. | |
and the lifts, everyone was so loud and encouraging. They were so good. | :24:23. | :24:26. | |
Are they going to keep up the dancing? I think they will get a | :24:27. | :24:30. | |
chance to do this again. You've worked with all kinds of dancers on | :24:31. | :24:37. | |
the show. How special was it to work with Mel and Gordon? I didn't get to | :24:38. | :24:43. | |
come on Strictly this year, so for me it was the most rewarding and | :24:44. | :24:49. | |
fulfilling job I've been given. You did an incredible job Natalie. Thank | :24:50. | :24:58. | |
you for showing us. Merry Christmas! APPLAUSE So, from one big day to | :24:59. | :25:02. | |
another - time now to look at even more dances we can enjoy in | :25:03. | :25:05. | |
Saturday's Strictly final. It's time to welcome back Ian Waite. | :25:06. | :25:14. | |
Here he is. Darling Mr Ian Waite. It is all very emotional. The wedding | :25:15. | :25:24. | |
and then my last Wednesday Warm Up. What are we going to do on | :25:25. | :25:30. | |
Wednesday? Come round and we'll do the show with puppets. Why would the | :25:31. | :25:34. | |
judges choose a certain dance? They are picking a dance that they loved | :25:35. | :25:39. | |
but they think the celebrity can improve on. They might have had | :25:40. | :25:44. | |
something which with Sophie's neck, or something that might not have | :25:45. | :25:48. | |
been so good, that they can improve on. Brilliant. One last time, the | :25:49. | :25:58. | |
unleash the wand. We can't look at Abbey and Aljaz's | :25:59. | :26:03. | |
judges' pick, because they've been working on the show dance, but they | :26:04. | :26:06. | |
are doing their waltz from week one, which was stunning. Natalie and | :26:07. | :26:12. | |
Artem, the judges wicked their cha-cha, from week one. She got 31. | :26:13. | :26:19. | |
Surely 12 weeks on she will have got the hip action nailed? It is | :26:20. | :26:23. | |
difficult to tell, because on this clip they are doing lots of swivels. | :26:24. | :26:28. | |
From what I can see, it is really slick. The only way you can do that | :26:29. | :26:33. | |
is if you have the right connection. What I want to show you is she has | :26:34. | :26:40. | |
dropped el Bose into the -- elbows into the body. | :26:41. | :26:47. | |
Push down and survive el back. In and out of the connection, like | :26:48. | :26:55. | |
that. That's a good work-out. Try that at home. The quickstep, how is | :26:56. | :27:07. | |
it looking for Susanna and Kevin? I think they will be pleased to be | :27:08. | :27:12. | |
doing this dance. First time around Susanna was slower than Kevin and | :27:13. | :27:18. | |
didn't match his foot patterns, but now she's more accomplished as a | :27:19. | :27:22. | |
dancer, this is a great number for them. I love the song and the | :27:23. | :27:27. | |
character. Anything with Gene Kelly has my vote. It is a fun number. | :27:28. | :27:36. | |
Sophie and Brendan, the judges have chosen their Viennese waltz, from | :27:37. | :27:42. | |
musicals week. My Favourite Things. She's really worked on her neckline. | :27:43. | :27:48. | |
They are looking really good. She really has taken it on board. She's | :27:49. | :27:52. | |
stretching out to the corners of the room. Over the rainbow. She is | :27:53. | :27:59. | |
looking over the rainbow. If you look here, and it is not easy to | :28:00. | :28:05. | |
get. I want to zoom in and show you how to get that. The you've got to | :28:06. | :28:11. | |
get the shoulders down. And she's got to think long neck both sides of | :28:12. | :28:16. | |
the neck. And she's got to be looking out over his shoulder. Over | :28:17. | :28:21. | |
the rainbow and out of the window. It's been a joy to have you warming | :28:22. | :28:28. | |
up on Wednesdays. Ian Waite, my master and commander. | :28:29. | :28:34. | |
CHEERING. I'm going to miss him. That's it for today. A big thank you | :28:35. | :28:38. | |
to all of my guests. Tomorrow, Susanna and Kevin join me on the | :28:39. | :28:41. | |
sofa along with a special panel made up of our finalists' friends. Plus, | :28:42. | :28:45. | |
Vicky Gill drops in one last time to give us a sneak peek of the amazing | :28:46. | :28:50. | |
costumes we can expect for the final. See you at 6.30pm. Goodnight. | :28:51. | :28:54. |