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Hello, welcome to It Takes Two. For your entertainment tonight, we have | :00:07. | :00:13. | |
the very latest training updates, plus they gave us 1 million | :00:14. | :00:17. | |
different faces now -- this weekend. Suzanne and Kevin are here. Yippee! | :00:18. | :00:25. | |
If you have decided you can decide on your winner, let my extra special | :00:26. | :00:30. | |
Thursday panellists give you a hand. We have Natalie's friend and Corrie | :00:31. | :00:35. | |
star Alan Halsall. Susanna it is near Riise -- newsreader Sophie | :00:36. | :00:38. | |
Raworth. Back in the glitter done again for Sophie. It is Kimberley | :00:39. | :00:47. | |
Walsh. It is only Mr Abbey Clancy himself, Peter Crouch is here! And | :00:48. | :00:52. | |
the crowd goes wild. This is Strictly It Takes Two. | :00:53. | :01:37. | |
Live from London, this is Strictly It Takes Two. Please welcome your | :01:38. | :01:43. | |
host, Zoe Ball. CHEERING AND APPLAUSE | :01:44. | :01:51. | |
Hello and welcome to the penultimate It Takes Two of the series. I know, | :01:52. | :01:55. | |
what am I going to do with my time pressure drive my husband mantle. In | :01:56. | :02:00. | |
the next 47 hours and 58 minutes and 35 seconds we will be one step | :02:01. | :02:04. | |
closer to finding out who will lift that coveted Glitterball Trophy. Who | :02:05. | :02:09. | |
is it going to be? It could be anyone. In a moment I will be joined | :02:10. | :02:13. | |
by the costume designer Vicky Gill, but first, let's look at how that -- | :02:14. | :02:17. | |
how Abbey and Natalie are getting on in there last week of training. The | :02:18. | :02:23. | |
first dance has been picked by the judges and it is the waltz. It is | :02:24. | :02:29. | |
such a slow dance. It is so exposed. Anything can go wrong. There were | :02:30. | :02:32. | |
loads of mistakes throughout the dance but the one that sticks out | :02:33. | :02:38. | |
the most is when I had to do a kick. Abbey has improved so much. She has | :02:39. | :02:41. | |
better posture and a better frame, her footwork is better. She is -- | :02:42. | :02:48. | |
she understands the ballroom dancing way better than she did in the first | :02:49. | :02:53. | |
week. The judges will be harsher. They will pick up on every single | :02:54. | :02:56. | |
detail. I don't think anything will go wrong but we can only hope and | :02:57. | :03:01. | |
rehearse for the best. Do I feel like I am better at it now? There is | :03:02. | :03:05. | |
dad definitely added pressure because there are three dances and | :03:06. | :03:09. | |
the showdowns has to be a show stopper. The showdowns is definitely | :03:10. | :03:17. | |
going to be the most difficult and challenging dance for Abbey so far. | :03:18. | :03:23. | |
-- show dance. Handbag, handbag. It is going to be a mixture of paso | :03:24. | :03:28. | |
doble and tango. We are definitely feeling the pressure to make ours as | :03:29. | :03:34. | |
good as we can. Hopefully we will have a cry. There is loads of lifts | :03:35. | :03:39. | |
and hard steps. I hope I didn't push her to far in terms of choreography. | :03:40. | :03:47. | |
We will see. I am broken! My favourite dance of the series would | :03:48. | :03:52. | |
have to be our quickstep. It was definitely the hardest routine she | :03:53. | :03:57. | |
has done. Step hop on a posture. I forgot how hard this dance was. We | :03:58. | :04:04. | |
were dancing Blackpool, which was an incredible experience. It needs to | :04:05. | :04:08. | |
be even sharper, more defined and even stronger. It needs to be so | :04:09. | :04:14. | |
concise and extended. Keep your posture up, smile all the way | :04:15. | :04:20. | |
through. We need to just get it more precise, the hold and the posture | :04:21. | :04:28. | |
better. We should be fine. Our first dance has been chosen by the judges | :04:29. | :04:34. | |
and is the cha-cha-cha. The last time we did this dance we got a | :04:35. | :04:39. | |
score of 31. A great first week score but obviously that allows for | :04:40. | :04:42. | |
the potential 9-point improvement. My hip action, my footwork was | :04:43. | :04:47. | |
picked up on last time. This time she needs to go out there and just | :04:48. | :04:55. | |
smash it, really. Beyond that leg. With this cha-cha-cha it needs to be | :04:56. | :05:03. | |
epic. Our show dance, there will be thrills and hopefully not too many | :05:04. | :05:08. | |
spills. We are chucking everything in there. There is going to be a | :05:09. | :05:14. | |
quickstep, a bit of tap and a bit of jive to finish it off. The show | :05:15. | :05:22. | |
dance has a real high expectation to it. There will be a few props, a lot | :05:23. | :05:27. | |
of things can go wrong. You have to attack it with gusto or it can look | :05:28. | :05:31. | |
really weak. It is the climax of the series. The American smooth for my | :05:32. | :05:36. | |
favourite dances somewhat of a controversial choice because Len was | :05:37. | :05:42. | |
not a massive fan. It didn't feel like American smooth to me. It | :05:43. | :05:47. | |
wasn't so much about how Natalie danced the dance, it was more about | :05:48. | :05:52. | |
Len did not like my routine. I loved the swirling. When we did it last | :05:53. | :05:57. | |
time it felt like I was doing a scene in the film. The way it moved, | :05:58. | :06:03. | |
the way it made me feel. It was very emotional the first time so doing | :06:04. | :06:07. | |
that last dance in the series it will be probably more emotional than | :06:08. | :06:13. | |
the first time. It is the final week, so my next guest is throwing | :06:14. | :06:18. | |
in as many ruffles, crystals and godets on the costumes while she | :06:19. | :06:23. | |
still can. Please welcome the costume designer extraordinaire, | :06:24. | :06:24. | |
Vicky Gill. CHEERING AND APPLAUSE | :06:25. | :06:30. | |
You are one popular lady. So many people write letters and send you | :06:31. | :06:37. | |
designs, quite a few. It has been quite sweet really. A popular lady. | :06:38. | :06:41. | |
It is nearly the final. Have you booked your cruise? I would like to | :06:42. | :06:45. | |
go on a cruise but I am not. The sofa is good enough. How has this | :06:46. | :06:51. | |
series compared to previous years? We have had more group dances and | :06:52. | :06:54. | |
extra numbers so it has been more work. It has been really enjoyable | :06:55. | :06:58. | |
so it is not a problem with more work. Everyone on the team is | :06:59. | :07:03. | |
exhausted. We have had loads of fun but we are looking forward to the | :07:04. | :07:08. | |
weekend and Santa. Everybody gets to do their showdowns which we are so | :07:09. | :07:11. | |
excited about and they get to wear a costume which they have never won | :07:12. | :07:15. | |
before -- show dance. Are there any rules with costumes? It is quite | :07:16. | :07:20. | |
hard, we have a short space of time to do it and they are all nervous. | :07:21. | :07:26. | |
Often they don't want to give me an inkling about what they are going to | :07:27. | :07:29. | |
do in case it jinxes their progress into the final. It all happened on | :07:30. | :07:33. | |
Monday morning, had texts and e-mails and phone calls about what | :07:34. | :07:36. | |
they are doing. We are trying to make their wishes come true in terms | :07:37. | :07:41. | |
of the performance in how they work it and hopefully we are putting a | :07:42. | :07:44. | |
stamp on something we have not yet seen before on Strictly. Otherwise | :07:45. | :07:49. | |
we would be looking at the same. It is top secret, you are not allowed | :07:50. | :07:54. | |
to tell me. We are going to go to the dresses. It is like Swan Lake. | :07:55. | :07:59. | |
There have been some incredible outfits. We will look at some of | :08:00. | :08:04. | |
your favourites. Abbey first of all, this was her tango dress in | :08:05. | :08:08. | |
weak four. Why did you love this so much? She looks glorious -- | :08:09. | :08:14. | |
glorious. She is a beautiful girl and looks great in the frocks and I | :08:15. | :08:19. | |
was watching at home. From lighting to the performance she was really | :08:20. | :08:22. | |
strong, the colour looked strong and I enjoyed the simple lines. The | :08:23. | :08:27. | |
colour was doing the work but her performance drove it forward and it | :08:28. | :08:32. | |
was successful all round. Her legs came through, the splits. It is a | :08:33. | :08:38. | |
bit torn because it has lived another life already. Did she go out | :08:39. | :08:43. | |
on the town after the show? Lots of people ask me what happens to the | :08:44. | :08:47. | |
dresses afterwards. Do they get to keep them, do they get sold? They | :08:48. | :08:52. | |
don't get to keep them. Once they have done it they think, that is | :08:53. | :08:55. | |
enough. They go on to live another life. At the moment UK Strictly as | :08:56. | :09:01. | |
the first place you see the frocks but they will go to France and the | :09:02. | :09:06. | |
Lebanon. Into the New Year. They get used again. They cost quite a lot to | :09:07. | :09:10. | |
buy. Susanna has never won the stress on the show. Talk me through. | :09:11. | :09:15. | |
The reason I brought this along, we made early in the run and it is a | :09:16. | :09:20. | |
copy of her silver which you see in the titles every week and this set | :09:21. | :09:24. | |
the mood for Susanna's look throughout the show. I enjoyed | :09:25. | :09:29. | |
making dresses for her. She is often not sure but 20 minutes into the | :09:30. | :09:35. | |
fitting, she is with me. Her signature design... The one | :09:36. | :09:39. | |
shouldered net flying, singed in waste of, -- the nipped in waste. | :09:40. | :09:50. | |
The colours are vibrant. We opted for the silver. Let's look at | :09:51. | :09:56. | |
Natalie's waltz dress from week two. Again, they are so individual, the | :09:57. | :10:01. | |
ladies, such different styles. The reason I chose this dresses because | :10:02. | :10:06. | |
people think, why that one? All the dresses have been more elaborate, | :10:07. | :10:09. | |
but this line and Silhouette worked really well for Natalie. Really | :10:10. | :10:16. | |
simple shape, simple neckline, halter straps. It worked | :10:17. | :10:20. | |
beautifully. That is where it comes into play, when we watch it live, | :10:21. | :10:24. | |
and you see the whole performance. Does it work for the performance? | :10:25. | :10:31. | |
Finally, Sophie's dress. This is the epitome of Strictly Come Dancing. | :10:32. | :10:36. | |
This was from her foxtrot in week four. What can you tell us about the | :10:37. | :10:40. | |
stress? There are lots of crystals on it and from Sophie's perspective | :10:41. | :10:48. | |
had skin tone, her body shape, she is so delicate and beautiful, long | :10:49. | :10:53. | |
lines over the hip. I thought it was really pleasant to watch. Elegant. | :10:54. | :10:57. | |
Pleasant, the understatement of the year. The feathers at the bottom, | :10:58. | :11:02. | |
she pivoted around. The kick at the bottom is quite low for a ballroom | :11:03. | :11:08. | |
dress but it works really well. It was a little surprised, a little | :11:09. | :11:14. | |
flash of pink. If anyone wanted to buy this dress, how much would it | :11:15. | :11:18. | |
cost? Really expensive, around ?3000. A nice little stocking | :11:19. | :11:24. | |
filler! Can I just say on behalf of everyone watching and the crew on | :11:25. | :11:27. | |
the show, you have done sterling work. I know there are millions of | :11:28. | :11:34. | |
you, well done and Merry Christmas. Thank you. | :11:35. | :11:38. | |
APPLAUSE So excited to see what they are | :11:39. | :11:42. | |
wearing at the weekend. Let's find out how Sophie is getting on. My | :11:43. | :11:50. | |
first dance in the final as the judges' choice, the Viennese waltz. | :11:51. | :11:55. | |
It has got to look effortless and beautiful. Lovely. I am pretty | :11:56. | :11:59. | |
excited about the judges' choice. It is a real chance to step up and | :12:00. | :12:02. | |
bring those tiny little finishing touches. Chinn, where is it? One | :12:03. | :12:08. | |
clear message from the judges, I needed to sort out my neck | :12:09. | :12:13. | |
particularly in the pivots. That is what I am going to sort out. That | :12:14. | :12:19. | |
way. There are not many options with the footwork, so there is quite a | :12:20. | :12:23. | |
lot of repetition. It is hard to always remember exactly where you | :12:24. | :12:26. | |
are. Hopefully at this point I am so at ballroom, I can just follow | :12:27. | :12:30. | |
Brendan. That is what I should be able to do by now. The show dance, I | :12:31. | :12:35. | |
made it to the final and now, look at me dance. You are allowed to do | :12:36. | :12:40. | |
whatever you like. There are no rules. You can do as many lifts and | :12:41. | :12:45. | |
twirls and whatever you feel like. I want it to be a celebration, a | :12:46. | :12:48. | |
culmination of things that Sophie and I have done together. Brendan | :12:49. | :12:54. | |
has invited me to bring ideas to the table in the choreography. Like | :12:55. | :13:00. | |
stops, he put one of those in, so very kind but possibly risky. Our! | :13:01. | :13:08. | |
What happened? When you dance the show dance, it might be your last | :13:09. | :13:12. | |
dance so you have to go for it, really. Our favourite dance, a | :13:13. | :13:18. | |
fantastic Charleston. I loved it. Are we took risks with the dancing | :13:19. | :13:22. | |
and it paid off and felt really good. Sophie came alive, she | :13:23. | :13:26. | |
outperformed me. I would love to see her do it again. There are elements | :13:27. | :13:31. | |
of precision that I could improve on. I made a mistake in its early | :13:32. | :13:36. | |
on. I think it is just bringing that same attitude really, maybe a little | :13:37. | :13:41. | |
bit more confidence. The Charleston got four nine!. It would be cool to | :13:42. | :13:50. | |
see some ten! In there. It will be so good. The last 12 weeks have been | :13:51. | :13:55. | |
mainly about impressing the judges but on Saturday night it is you guys | :13:56. | :13:59. | |
at home who have the ultimate say. Here to help you make the important | :14:00. | :14:03. | |
decision of who deserves the Strictly title are some people who | :14:04. | :14:08. | |
know our finalists very well indeed. Campaigning for Natalie, it is | :14:09. | :14:10. | |
Corrie's and up. APPLAUSE | :14:11. | :14:15. | |
Welcome. -- Alan Halsall. For Sophie, Kimberley Walsh. | :14:16. | :14:21. | |
APPLAUSE For Susanna, newsreader Sophie | :14:22. | :14:22. | |
Raworth. APPLAUSE | :14:23. | :14:28. | |
And Abbey was my corner, her husband, Peter Crouch. Let's talk | :14:29. | :14:38. | |
about Natalie. She has done brilliantly. Last week, she was in | :14:39. | :14:43. | |
the bottom two, did it not occur confidence? I am sure it has. She | :14:44. | :14:49. | |
loves the show, she is loving being part of the show and to be in the | :14:50. | :14:54. | |
bottom two after getting 40 points on the first arms has not her | :14:55. | :14:57. | |
confidence, but she will come back fighting. How much joy has Strictly | :14:58. | :15:05. | |
brought into Sophie's live? I cannot believe how much she is loving | :15:06. | :15:09. | |
this. She has taken to it like a duck to water and I have loved | :15:10. | :15:14. | |
watching her grave. I can relate to her, where she is coming from. -- | :15:15. | :15:22. | |
watching her grow. Sophie, you did a Christmas special? It was children | :15:23. | :15:31. | |
indeed. What has the secret beam to Susanna's success? -- Children In | :15:32. | :15:38. | |
Need Appeal. People have really taken to that, how much she has | :15:39. | :15:43. | |
loved it. I trained for the marathon with Susanna and she works hard. If | :15:44. | :15:47. | |
she sets her sights on something, she will do it. She is a woman of | :15:48. | :15:55. | |
steel. How far has Abbey come? Have you seen much of her these last few | :15:56. | :16:05. | |
weeks? I saw her once two weeks ago! She has been tremendous. I did not | :16:06. | :16:10. | |
realise how good she was. I have seen her throw some shapes, but | :16:11. | :16:15. | |
never as accomplished as this. We can have a look at some of the | :16:16. | :16:20. | |
dances. One they chose to perform again. Natalie and Artem have chosen | :16:21. | :16:30. | |
the American smooth. Did this bring a tear to your eye? It did. It is an | :16:31. | :16:37. | |
emotional dance. She is an amazing actress and it comes across in this | :16:38. | :16:42. | |
dance. Although they did not get top marks, hopefully, this time they | :16:43. | :16:49. | |
well. It is beautiful. Natalie is brilliant. The judges say sometimes | :16:50. | :16:54. | |
she uses personality. Have we seen the real Natalie? It is funny for me | :16:55. | :17:02. | |
to watch as a viewer, I know the real Natalie, and she is so much | :17:03. | :17:07. | |
fun. Her personality is like her hair, big and bubbly. I do not think | :17:08. | :17:16. | |
that has been shown. I hope people can vote for her. I sometimes | :17:17. | :17:22. | |
think, do people distinguish her from Kirsty? Sophie and Brendan | :17:23. | :17:32. | |
chose the Charleston. Did it make the judges' expectations too high? | :17:33. | :17:39. | |
It is tough if you get a high score early on because the pressure is | :17:40. | :17:43. | |
on. You feel if you do not get that score, you have failed. I thought | :17:44. | :17:49. | |
this dance was incredible. She suited it so well. Lovely to watch. | :17:50. | :17:56. | |
Susanna and Kevin have chosen the paso doble. They got 39 out of 40. | :17:57. | :18:04. | |
The highest score to date at that point. How much confidence do you | :18:05. | :18:11. | |
think this gave Susanna? It was the loudest cheer we have heard. The | :18:12. | :18:18. | |
audience loved it. I think it was a massive turning point. It gives you | :18:19. | :18:22. | |
confidence to do that well. Craig said she would never get a ten. Will | :18:23. | :18:28. | |
he change his mind? I think she will do it. Abbey. Doing the quickstep | :18:29. | :18:37. | |
with Aljaz. What did you love about watching her do this dance? I am | :18:38. | :18:43. | |
proud every week, but Blackpool, it is a special place to go and watch. | :18:44. | :18:49. | |
I thought she nailed it. It was perfect. The first 40 of the | :18:50. | :18:57. | |
series. It was a special night. Has it made you emotional? Did you cry? | :18:58. | :19:05. | |
The first was probably the most emotional. I did not see that | :19:06. | :19:13. | |
coming. Before we go, we will give you ten seconds to tell people why | :19:14. | :19:17. | |
they should vote for your friends, Y. For Natalie. Ten seconds. Please | :19:18. | :19:25. | |
vote for Natalie, she is an amazing dancer, the judges have said it, she | :19:26. | :19:30. | |
is gifted, her personality is amazing and she is a beautiful | :19:31. | :19:37. | |
woman. I love her loads. Kimberley. Ten seconds. I think you should vote | :19:38. | :19:45. | |
for Sophie because she has been on the biggest journey, she is not a | :19:46. | :19:49. | |
natural dancer but she has improved the most. She is a beautiful person. | :19:50. | :19:59. | |
Sophie, Susanna. Vote for Susanna because she has worked so hard. She | :20:00. | :20:04. | |
has had so much public support and she wants to show the public it was | :20:05. | :20:08. | |
worth backing her and she wants to do it for Kevin from Grimsby. | :20:09. | :20:15. | |
Finally, Peter. Your Christmas depends on how well you do this. I | :20:16. | :20:21. | |
am nervous excavation mark boat for Abbey because she has done so well | :20:22. | :20:26. | |
will stop right from the start, she has improved. Please, time go | :20:27. | :20:34. | |
faster! Can I ask you, if she wins, will you do the robot dance? If she | :20:35. | :20:41. | |
wins, of course. Will you do the running man if Natalie wins? I will. | :20:42. | :20:53. | |
Brilliant work. In a moment I will chat to Susanna and Kevin from | :20:54. | :20:57. | |
Grimsby. We will first look at how the week in the training room has | :20:58. | :21:02. | |
gone. The first dance is the judges' choice, the quickstep. On the night | :21:03. | :21:08. | |
I performed it, I messed up a couple of steps and it was noticed by the | :21:09. | :21:15. | |
judges. Going over the sofa, we almost fell over it and we cannot | :21:16. | :21:20. | |
get that wrong. I am worried about getting flustered about the tricky | :21:21. | :21:25. | |
footwork. I need to be confident and relaxed and I need to tell myself it | :21:26. | :21:30. | |
is going to go right. The difference between a show dance and the other | :21:31. | :21:36. | |
dances is that the rule book is thrown out. While that is exciting, | :21:37. | :21:42. | |
it is also with its own challenges. It has a large chunk of ballroom and | :21:43. | :21:50. | |
I love dancing ballroom with Kevin. Susanna is a beautifully emotional | :21:51. | :21:55. | |
performer and a brilliantly technical dancer, more than people | :21:56. | :22:04. | |
would believe. The show John -- the show dance is what the public look | :22:05. | :22:08. | |
forward to and there is a lot riding on this dance people are waiting | :22:09. | :22:16. | |
for. For the final dance, we are doing our paso doble. Kevin and I | :22:17. | :22:22. | |
chose it because we think it is the dance we have most loved dancing | :22:23. | :22:28. | |
together. Last time we danced it, it was one of the greatest nights of my | :22:29. | :22:34. | |
life. We got the highest score, the first time I had a ten. Craig gave | :22:35. | :22:40. | |
us a nine and he said he would not give us a ten. I would love to get a | :22:41. | :22:46. | |
ten from Craig. You mention the shaping and that is what we have two | :22:47. | :22:52. | |
work on. If he gave us a ten in the final, I do not think I would be | :22:53. | :22:59. | |
able to control myself. It is Susanna and Kevin. It is getting | :23:00. | :23:09. | |
emotional. You made it to the final. The F, a difficult dance, | :23:10. | :23:18. | |
technically. -- the foxtrot. I loved it. Kevin in his glasses. That is | :23:19. | :23:24. | |
what people want to see. We got a lovely response from the judges, | :23:25. | :23:29. | |
which surprised me. The judges have been critical of Susanna in the past | :23:30. | :23:35. | |
couple of weeks. Darcey said that she shone again on Saturday. What is | :23:36. | :23:39. | |
it about this dance that suited her? It was more down to Susanna. | :23:40. | :23:45. | |
There had been a couple of weeks when the judges came down on her and | :23:46. | :23:49. | |
she decided she was not going to take that. She fought back and | :23:50. | :23:53. | |
worked ridiculously hard and it is down to her work ethic. You went on | :23:54. | :24:00. | |
to do the salsa. The last chance to impress before going through to the | :24:01. | :24:03. | |
final. Were you worried about that, the Latin dance? I was so excited. | :24:04. | :24:10. | |
It was like looking forward to the big party at the end. It was our | :24:11. | :24:18. | |
party dance. Look at that. You made it look effortless. How much | :24:19. | :24:25. | |
training did that take? We have been always all or nothing and we thought | :24:26. | :24:28. | |
we had to make an impression and went for a big lift. The judges said | :24:29. | :24:34. | |
it was a little bit messy, but is that the nature of the salsa, that | :24:35. | :24:39. | |
it does not have to be structured? It is a club dance. I have had | :24:40. | :24:44. | |
messages from salsa dancers saying well done for doing a proper salsa. | :24:45. | :24:51. | |
It is supposed to be down and dirty. Susanna let it go. It is getting | :24:52. | :25:00. | |
heated. In the training room, it is all about control. What did I do? | :25:01. | :25:13. | |
You took the man's position. It is not that I am controlling, or | :25:14. | :25:24. | |
anything. Your bum was like that. Give a bit more and be closer. You | :25:25. | :25:29. | |
are out of time. Better when we do it in my time. Shall we start | :25:30. | :25:34. | |
again? Let's do that. I am helping you out. Thanks. I do not like the | :25:35. | :25:45. | |
throw with that left-hand. Susanna maybe has a better idea. We should | :25:46. | :25:54. | |
do something more. Something bigger. We were going to go with two, three, | :25:55. | :26:02. | |
cha-cha-cha. I am all ears. The student has become the teacher. Hell | :26:03. | :26:14. | |
areas. -- hilarious. You could be performing up to three dances and | :26:15. | :26:19. | |
the judges chose for you to do the quickstep again. Are you excited to | :26:20. | :26:22. | |
have another chance to be Debbie Reynolds? I am really excited. It is | :26:23. | :26:33. | |
a brilliant quickstep. And there was just a moment in the original | :26:34. | :26:37. | |
performance when it did not go quite right and I see it as a fantastic | :26:38. | :26:43. | |
opportunity to do it properly. Are you doing as it was originally | :26:44. | :26:51. | |
choreographed? Are used rubbing it back? There will be no stripping it | :26:52. | :27:00. | |
back. It is the final. You are doing the paso doble. An incredible | :27:01. | :27:06. | |
moment. We will see Kevin, doing his lunges again. He got a nine last | :27:07. | :27:12. | |
time from Craig. What would it be like to get a ten? In the film I | :27:13. | :27:19. | |
said if Craig gave me a ten I would find it uncontrollable. I am finding | :27:20. | :27:25. | |
it uncontrollable watching it again. It has been an emotional day. It is | :27:26. | :27:30. | |
the last day of trading today and the thought of going out and doing | :27:31. | :27:34. | |
that thrilling dance with Kevin, it makes me feel quite... We may need | :27:35. | :27:43. | |
the tissues. The judges have said you are a classic all-rounder but | :27:44. | :27:47. | |
you need to work on finishing the movements. Have you been doing some | :27:48. | :27:53. | |
polishing? Definitely. Because it is the final, as well as energy, it has | :27:54. | :27:58. | |
to be finished and polished. Especially with this show dance, it | :27:59. | :28:05. | |
is slower. Let's talk about the show dance. This is the music. Think of | :28:06. | :28:18. | |
Moulin Rouge. Will we be seeing Susanna going up in the air? Big | :28:19. | :28:28. | |
lifts? We will be doing lifts. It is important to have some. It does not | :28:29. | :28:34. | |
have to be all tricks, it has to be about the dancing, but we want to go | :28:35. | :28:37. | |
all out and we have a big one planned. What is the most | :28:38. | :28:44. | |
nerve-racking thing about this weekend? We will be in tears. I | :28:45. | :28:50. | |
think it is holding it together. You know what it is like. You cannot | :28:51. | :28:54. | |
describe it. It is an intense experience. Particularly the show | :28:55. | :29:01. | |
dance with that piece of music, it is very emotional. Whatever happens | :29:02. | :29:05. | |
on Saturday, I will enjoy every moment. I will get to dance with | :29:06. | :29:12. | |
Kevin for the last time on the show. We cannot wait. Susanna and Kevin. | :29:13. | :29:21. | |
That is it for today. Thanks to my guests. Make sure you tune in | :29:22. | :29:31. | |
tomorrow for the fabulous final hour-long special. The whole class | :29:32. | :29:33. |