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Hello. It may be a new week but as always I have yet another glittering | :00:00. | :00:09. | |
line-up for you. It was a different kind of swing for him on Saturday. | :00:09. | :00:14. | |
Sadly it fell below par. Tony and Aliona are here to say bye. It was | :00:14. | :00:18. | |
all go with their tango on Saturday, they're here to tell us more in | :00:18. | :00:22. | |
detail. It's Susanna and Kevin. Monday would not be Monday without | :00:22. | :00:28. | |
the fabulously fruity Craig Revel Horwood. This is It Takes Two! | :00:28. | :01:12. | |
Live from London, this is Strictly: It Takes Two. Please welcome your | :01:12. | :01:24. | |
host Zoe Ball. APPLAUSE | :01:24. | :01:26. | |
What a lovely crowd. Welcome to It Takes Two. What a weekend it was | :01:26. | :01:30. | |
with the first dreaded elimination of the series. In case you missed | :01:30. | :01:34. | |
any action, as if you could, here are the headlines. | :01:34. | :01:43. | |
Good evening. Here is the news. Brendan's Charleston debut came to a | :01:43. | :01:48. | |
spectacular end as he and his partner Sophie swung and swivelled | :01:48. | :02:00. | |
their way to 36 points. Wow! The Charleston is made for you. That was | :02:00. | :02:04. | |
fit, darling. It was awesome. It was almost a view | :02:04. | :02:17. | |
to a spill as Fiona Fullerton was left shaken and stirred after | :02:17. | :02:18. | |
missing a few steps. Ouch! I thought you were very good up to | :02:18. | :02:29. | |
the point you kicked Anton in the shin. Was it the nerves? Yeah. Bless | :02:29. | :02:39. | |
her. As if being in the bottom two wasn't enough of a knock to Janette, | :02:39. | :02:44. | |
she then took one on the nose during the professional dancers' routine. | :02:45. | :02:51. | |
Can we have a medic, please! It's just sore. Bleeding a bit. There was | :02:51. | :02:57. | |
blood on Artem's chest. Blood on the dancefloor for real. It's OK, | :02:57. | :03:01. | |
another day in the job. We get physical, it hams. The -- it | :03:01. | :03:05. | |
happens. The show must go on. What a pro. Breaking news, it seems that | :03:06. | :03:10. | |
James Jordan may be feeling a little intimidated by the new boys. | :03:10. | :03:14. | |
Obviously no one knows who they are yet. I can't even remember their | :03:14. | :03:21. | |
names. Who are these people? Who are these people? Is it because you feel | :03:22. | :03:26. | |
pressure from new boys you put make-up and eyeliner on perfectly? | :03:26. | :03:32. | |
The new ones are younger than us. Speak for yourself. How old are you? | :03:32. | :03:38. | |
Much younger than us, yeah! There we go. Cheeky, these were the | :03:38. | :03:47. | |
headlines. Now If -- now f that hasn't quite quenched your thirst | :03:47. | :03:52. | |
for Strictly gossip, here's what went on behind the scenes. | :03:52. | :04:00. | |
Morning. Elimination week. Someone's going | :04:00. | :04:03. | |
home. I am going to do my best, Len. No | :04:03. | :04:10. | |
thumbs. Just do your best. I never look at your feet, I like to watch | :04:10. | :04:21. | |
your hair wafting along. This is band call. First time you get to | :04:21. | :04:25. | |
hear the music with the orchestra and the whole band and singers. | :04:26. | :04:31. | |
I always love this part of the day because you get to see everyone | :04:31. | :04:35. | |
else's dance and get to see how they've transformed as a person. | :04:36. | :04:39. | |
Everyone's dance is different. I have seen Mark this week, he is | :04:39. | :04:40. | |
doing the salsa, as well. His have seen Mark this week, he is | :04:40. | :04:42. | |
character is totally in it. That's what I need to focus on, bring some | :04:43. | :04:48. | |
somebodyingy -- bring some sexy character, because he has that | :04:48. | :04:49. | |
nailed. Julien I haven't seen before. In | :04:49. | :05:01. | |
control a bit, he was in control of his woman there. Good. Gorgeous, | :05:01. | :05:15. | |
isn't it? I love it. We can't aim for young and Virginal, let's face | :05:15. | :05:20. | |
it. We are going for youth, that's what I am going for. I am used to | :05:20. | :05:26. | |
multi-tasking. This takes it to ridiculous levels. When they try to | :05:26. | :05:33. | |
do my lipstick it doesn't go so well with the tuna. Come in! This is my | :05:33. | :05:39. | |
dressing room. I am just chilling before the live show. Yikes! Scary | :05:39. | :05:51. | |
monsters Ual all you need for proper dance something your shoes. | :05:51. | :05:55. | |
Under-Reith this -- underneath this robe absolutely nothing. I don't | :05:55. | :05:59. | |
know if it's a good idea. It's freezing! Apparently there was going | :05:59. | :06:06. | |
to be one person doing this but they said I was a two-man job. | :06:06. | :06:15. | |
Ten minutes, please, folks. Ten minutes to show time! This week's | :06:15. | :06:22. | |
different because you know somebody's going home. Whoever it | :06:22. | :06:26. | |
is, I will miss them. But I hope it's not me. It's always going to be | :06:26. | :06:32. | |
this terrifying, I think. It's simple. Great performances, with | :06:32. | :06:36. | |
great technique, you're into the next round. Lovely, come on! I am | :06:36. | :06:43. | |
standing next to him because he is cool, calm and collected and I am | :06:44. | :06:48. | |
hoping it will rub off on me. On the outside, yeah. Guys, back stage, | :06:48. | :06:53. | |
please! I haven't my dance partner, it's like I am doing this one on my | :06:53. | :07:08. | |
own. So scared! This is it now. This is the last moment before the live | :07:08. | :07:13. | |
show of the night where somebody gets eliminated. Good evening, | :07:13. | :07:19. | |
ladies and gentlemen. Welcome to Strictly Come Dancing. I am still | :07:19. | :07:29. | |
recovering from Pasha in his dressing gown. He gave it his all, | :07:29. | :07:33. | |
and we thought his golfing Charleston was spot on but it didn't | :07:33. | :07:40. | |
get him into the club. Please give it up for Tony and Aliona. First of | :07:40. | :07:44. | |
all, well done. It's never easy to be the first one out. Nobody wants | :07:45. | :07:49. | |
to go. Are you surprised to be here, Tony, at this point? You know, I | :07:49. | :07:55. | |
didn't go there - in my mind I was taking it as it came. It was | :07:55. | :08:01. | |
didn't go there - in my mind I was exhausting, the training and -- the | :08:01. | :08:05. | |
training and I did my best and I was in it to do my best. More than that, | :08:05. | :08:09. | |
one can't do. Obviously, part of me's disappointed but I am shocked | :08:09. | :08:15. | |
with the standard of dance and the disciplines these people have. I | :08:15. | :08:19. | |
mean, it was amazing. It really is, it's a lot of work. A birdie told me | :08:19. | :08:24. | |
half an hour before you had to do the Charleston you were thinking | :08:24. | :08:29. | |
about running away. I mean, you are strutting your stuff in front of ten | :08:29. | :08:34. | |
million people and I was not wanting to screw up on the moves and let | :08:34. | :08:40. | |
alone all the nuances, you know, the feet and doing everything correctly. | :08:40. | :08:45. | |
You taught him well, Aliona. He is doing it now. I was doing it in my | :08:45. | :08:51. | |
sleep! The judges choose Julien and Janette over you two. Do you think | :08:51. | :08:54. | |
they made the right decision, was it a fair decision? I think it's up to | :08:55. | :08:59. | |
the judges. I know we did our absolute best. I am so proud of | :08:59. | :09:06. | |
Tony. I mean, he gave his 200%. I think he did an impossible job. I am | :09:06. | :09:11. | |
really, really proud of him. You came out and did the Charleston | :09:11. | :09:15. | |
which is a tricky dance. It's so energetic. It's so much bounce. To | :09:15. | :09:19. | |
get lower points than the week before, was that tough? It was OK. I | :09:19. | :09:22. | |
know that we didn't mess up. That before, was that tough? It was OK. I | :09:22. | :09:27. | |
was important for us. To do the routine, beginning to end, without | :09:27. | :09:32. | |
messing up. So we accomplished our goal, we are very pleased. So many | :09:32. | :09:37. | |
people were loving you at home. So many comments came in. Claire had | :09:37. | :09:43. | |
this to say, I think little Tony is adorable. I can't listen to the | :09:43. | :09:47. | |
judges being nasty to him. I want to give him a big hug. Lots of comments | :09:47. | :09:52. | |
like that. Let's look, we have enjoyed having you on the show, | :09:52. | :09:56. | |
let's look at why you were so fabulous. The dancer hoping to take | :09:56. | :10:02. | |
you a fair way in the competition, it's Aliona! Aliona and I are | :10:02. | :10:06. | |
getting on great. She's a nice lady and she's got the patience of Job, | :10:06. | :10:13. | |
she needs it with me, I have to say. Tony's definitely a fighter. He is | :10:13. | :10:21. | |
struggling but he is not giving up. I thought I had good balance. The | :10:21. | :10:25. | |
pros make it look easy, let's put it that way. There's more to it than | :10:25. | :10:32. | |
meets the eye. It was littered with error and mistakes. A bit of a | :10:32. | :10:38. | |
dis-aah-ster, I would say! You are the spirit of this show. Coming out | :10:38. | :10:48. | |
and having a go. At 69 it's an extreme physical | :10:48. | :10:53. | |
challenge. None of this is easy. | :10:53. | :10:59. | |
I need to fill my lungs again! Weirdly, he is connecting with the | :10:59. | :11:05. | |
Charleston. That's better, yes. Which I am very pleased with. Your | :11:05. | :11:13. | |
confidence, you hit each lift. So much better than last week. I would | :11:13. | :11:18. | |
like to save Julien and Janette. Julien and Janette. Julien and | :11:18. | :11:23. | |
Janette. Tony, you are my sweet lovely | :11:23. | :11:26. | |
gentleman. Thank you so much for being my partner. You have done | :11:27. | :11:30. | |
absolutely brilliantly. You worked so hard. I am so proud of you. Thank | :11:30. | :11:33. | |
you so much for being my partner. Ah! It's beautiful. Tony, have a | :11:33. | :11:50. | |
tissue, if you want. We saw your beautiful grandchildren supporting | :11:50. | :11:53. | |
you. Are you going to go home and show them a few Charleston moves? I | :11:53. | :11:57. | |
am going to go home. One wants me to take her to dance classes. We are | :11:57. | :12:03. | |
going to do it, you know. For no other reason, the work you have to | :12:04. | :12:08. | |
do, so a few pounds... Keeps you trim. We are going to do it. | :12:08. | :12:11. | |
Definitely when we get back. You have been such a gentleman. Thank | :12:12. | :12:15. | |
you, Aliona and Tony! APPLAUSE | :12:15. | :12:20. | |
Now for all those who pride themselves on their Strictly | :12:20. | :12:23. | |
knowledge I have a challenge for you. Can you tell me who this former | :12:23. | :12:26. | |
celebrity dancer is? Good luck. You can find out later if you got it | :12:26. | :13:05. | |
right. On Saturday he was full of praise for some dancers, gorgeous, | :13:05. | :13:08. | |
fantastic, breathtaking were words he used. He even smiled. Let's see | :13:08. | :13:12. | |
if he can keep up with the compliments, although it's unlikely, | :13:12. | :13:19. | |
it's Craig Revel Horwood! Give me a little shimmy! And a | :13:19. | :13:24. | |
perfect landing. Absolutely. Can I just say what a great show on | :13:24. | :13:28. | |
Saturday. Well done to Tess and Claudia. The show was great. It was | :13:28. | :13:31. | |
brilliant. Fingers crossed Bruce will be back at the weekend. The | :13:31. | :13:35. | |
girls did brilliant, though. Let's start with the boys. Top of the | :13:35. | :13:40. | |
leaderboard for the boys, Ashley and Ola. It was glorious. The American | :13:40. | :13:45. | |
smooth. What did you love about it? What I loved was the content, I did | :13:45. | :13:49. | |
say that on the night. There was a lot of material in there that was | :13:49. | :13:53. | |
just fantastic. I don't, however, like his hands. Sometimes he places | :13:53. | :13:58. | |
them beautifully and other times they're absolutely disastrous. How | :13:58. | :14:02. | |
can a hand be disastrous? By doing that. That's a nasty end of line. | :14:02. | :14:06. | |
You want to extend the line. You want it to be long and lean. And | :14:06. | :14:12. | |
delicious. He was trying. He does need to point his toes. He has | :14:12. | :14:17. | |
spectacular rhythm, which is great. That's a good start. He is tipping | :14:17. | :14:22. | |
on style, which I am delighted with. At least we have some sort of male | :14:22. | :14:26. | |
celebrity that's going to do it, apart from Patrick. Oh! Let's speak | :14:26. | :14:33. | |
about Dave and Karen. Dave did the unthinkable on the show on Saturday, | :14:34. | :14:38. | |
he made you smile. He did! He does make me smile. I get on well with | :14:38. | :14:42. | |
him back stage. We have a real laugh together and it's a hoot. Out there | :14:42. | :14:46. | |
you have to understand I am wearing a judge's hat and I have to be | :14:46. | :14:49. | |
honest so at least they improve for the next week. I am not going to say | :14:49. | :14:53. | |
oh, that was wonderful, darling. And then they come back next week with | :14:53. | :14:57. | |
all the same horrendous problems and it's worse. I want them to be good | :14:57. | :15:02. | |
and that's why I am so hard on them. What do you want from Dave? Some | :15:02. | :15:05. | |
dancing. OK. Patrick and Anya. A What do you want from Dave? Some | :15:05. | :15:16. | |
mixture of views from him. Were you impressed overall with the tango? I | :15:16. | :15:21. | |
was, he did very well. Lovely hand shape there on her back which I am | :15:21. | :15:25. | |
loving. It had drive, intent, purpose. He really is moving about | :15:25. | :15:29. | |
the floor really well. I can just see him improving beyond. Julien and | :15:29. | :15:39. | |
Janette narrowly -- narrowly missed the elimination. Were you surprised | :15:39. | :15:43. | |
to see them low down? I wasn't at all. Look at that thumb! I have an | :15:43. | :15:49. | |
aversion to them. That's a perfect example. He was leaning all the way | :15:49. | :15:54. | |
over the top of her. He really needs to get that posture going. That is | :15:54. | :15:58. | |
what is going to make it look like something. He is committed, I will | :15:58. | :16:02. | |
give him that. He did the most training I think. He is | :16:02. | :16:07. | |
enthusiastic, we know that. That enthusiasm has to be put into the | :16:07. | :16:12. | |
dance and the technique. OK next week he will do his best. Mark and | :16:12. | :16:17. | |
Iveta and the salsa. The crowd went crackers for this, standing ovation. | :16:17. | :16:20. | |
It was a joy to watch. Almost had the same effect on you. He is an | :16:20. | :16:24. | |
entertainer and he provides light entertainment to the dancing which I | :16:24. | :16:28. | |
think is great. It's the serious stuff that he is going to have | :16:28. | :16:34. | |
difficulty with. It's fine to give it large and big it all up and be | :16:34. | :16:38. | |
energetic and full of life and determination and be a fantastic | :16:38. | :16:44. | |
actor and great comedian. But you still have to in this competition be | :16:44. | :16:47. | |
actor and great comedian. But you good at the technical side if you | :16:47. | :16:51. | |
are going to win the value, anything above sixes from the judges really. | :16:51. | :16:56. | |
It's technique. Ben and Kristina and the waltz. You wanted more | :16:56. | :16:59. | |
personality from Ben. Is he holding out on you, Craig? Yes! He had a | :16:59. | :17:04. | |
glimmer of it. I was thinking oh, he smiled, he is into it. This is a | :17:04. | :17:09. | |
changed man. Suddenly self-consciousness took over. An out | :17:09. | :17:13. | |
of body experience, he started watching himself from above, judging | :17:13. | :17:19. | |
himself, the face went plain. Then the whole dance completely fell | :17:19. | :17:24. | |
through the floor. It was such a shame. I want him to do brilliantly. | :17:24. | :17:31. | |
I want to see all of that, but unfortunately, he can't let nerves | :17:31. | :17:33. | |
I want to see all of that, but get in his way. I know he does get | :17:33. | :17:36. | |
very nervous because I was speaking to him and he really does. That's | :17:36. | :17:39. | |
something we all have to be able to control. He can't get - if he can't | :17:39. | :17:44. | |
get that under control he will not go further in the competition. Do it | :17:44. | :17:49. | |
for Craig, Ben! I love that, that's the boys. We will discuss the ladies | :17:49. | :17:53. | |
in a bit. Craig Revel Horwood everybody. | :17:53. | :18:00. | |
After their amazing jive last week Susanna and Kevin had a lot to live | :18:00. | :18:03. | |
up to but that's exactly what they did. | :18:03. | :18:10. | |
You put the go in tango there. Your frame sometimes is loose. You have | :18:10. | :18:16. | |
to get that stronger. But so far, so fabulous. You were raising your | :18:16. | :18:22. | |
right shoulder and that was very rigid. The whole dance, on a whole, | :18:22. | :18:29. | |
was very, very good. You should give up your day job. You have got it. | :18:29. | :18:36. | |
You are such a genius. You are! I just do what you tell me. Susanna | :18:36. | :18:40. | |
puts the go in tango and I put the tan in tango. Three 8s, second | :18:40. | :18:49. | |
dance. That's amazing. Well con -- well done, partner. Please welcome | :18:49. | :18:55. | |
Susanna and Kevin! Well done. You did it again, lady. | :18:55. | :19:00. | |
Look at you. A top tango, you must have been thrilled with the scores. | :19:00. | :19:04. | |
Are you still coming down? I think it was you helping me and Kevin to | :19:04. | :19:10. | |
practise our faces last week. That's what did it. You inspired me. I am | :19:10. | :19:15. | |
glad to be of service at some point. I will come here more often. I will | :19:15. | :19:22. | |
give you more advice later. Susanna took to the jive and tamed the | :19:22. | :19:29. | |
tango. Is this anything she can't handle? Keeps surprising me. We have | :19:29. | :19:36. | |
a laugh in training, the jive we do have fun and the tango we have to | :19:36. | :19:41. | |
get serious and I didn't know whether we would be able to pull it | :19:41. | :19:46. | |
out on the night and the camera went on Susanna. Like steam! She scared | :19:46. | :19:51. | |
me a little bit. That's fierce! But perfect. I can't wait to see you | :19:51. | :20:00. | |
Paso Doble. Love the high fashion, the ponytail. What was the concept? | :20:00. | :20:04. | |
Anna who does the amazing hair decided to go crazy with this and | :20:04. | :20:12. | |
the make-up needed fierce eyes. It was like a whole Armiary that I put | :20:12. | :20:22. | |
on -- armoury that I put on. Much love and respect for you two online. | :20:22. | :20:28. | |
Let's see exhibit A. Susanna was fantastic. She looks | :20:28. | :20:33. | |
gorgeous and danced wonderfully. Thanks. So good to hear. It's | :20:33. | :20:40. | |
fantastic. Were you less nervous this week or | :20:40. | :20:43. | |
did you make the fatal mistake of calling your mum before the show? | :20:43. | :20:46. | |
did you make the fatal mistake of didn't make the schoolboy error of | :20:46. | :20:50. | |
calling my mum this time. No, I was more nervous because it was the | :20:50. | :20:54. | |
eliminations. Yeah, I was stood like this with Susanna and there's | :20:54. | :21:01. | |
probably still marks in her arm. His heart was beating like a rabbit. Did | :21:01. | :21:08. | |
you stroke him and calm him down? Darcey said give up your day job. | :21:08. | :21:12. | |
That's praise indeed, surely. What a lovely thing to say. I couldn't | :21:12. | :21:17. | |
leave Bill there. I have to go back to him. We love Bill. He was on the | :21:18. | :21:23. | |
series I was on, love that man. It's not just Susanna who seems to have | :21:23. | :21:27. | |
discovered a hidden talent. Kevin here has secret skills of his own. | :21:27. | :21:31. | |
Look at this. You see Kevin and imagine him to be | :21:31. | :21:35. | |
a certain way and he brings out this comedian or impressionist. Well, | :21:35. | :21:46. | |
Susanna, it was sensual and sexual and sassy and super! | :21:46. | :21:52. | |
A little more extension, yeah. I am asking the question, do you | :21:52. | :21:59. | |
understand? Yeah. I am not sure about that mucking | :21:59. | :22:04. | |
about at the beginning, it was all sizzle and no sausage. Ah, shut up. | :22:04. | :22:14. | |
Dull, dull, dull! If he is in a good mood? | :22:14. | :22:25. | |
Not bad. Honestly, if I have a brilliant | :22:25. | :22:29. | |
impressionist in the room that's all you want to see. I wish we could see | :22:29. | :22:36. | |
Craig's face across the studio. Let's get serious. It's love week. | :22:36. | :22:41. | |
For you guys a Viennese waltz. The judges were talking about your | :22:41. | :22:43. | |
frame, are you going to work on judges were talking about your | :22:43. | :22:46. | |
that? Yeah, I think one of the reasons why we get on so well is we | :22:46. | :22:51. | |
are similar in that when we have a focus we will go 100% and more into | :22:51. | :22:56. | |
that, so because the tango was so attacking we tended to really attack | :22:56. | :23:04. | |
it like 150%. So maybe it was a little too much, too much attack in | :23:04. | :23:08. | |
the frame. The danger in the waltz, it's supposed to be soft, I am | :23:08. | :23:12. | |
worried we are going to continue like that. -- We are going to be | :23:12. | :23:17. | |
like that. Good luck. Your boyser here tonight. -- your boys are here | :23:17. | :23:21. | |
tonight and they're proud of their mummy. Good luck at the weekend. | :23:21. | :23:26. | |
Now, earlier I set you a challenge. Did you guess who that former | :23:26. | :23:30. | |
celebrity dancer was? Let's find out. | :23:30. | :23:40. | |
In the first series of Strictly Come Dancing I finished as runner-up to | :23:40. | :23:52. | |
Natasha. It's please, Chris Parker. Chris Parker's Paso Doble was one of | :23:52. | :23:57. | |
the best things I ever saw on the show. He is back to discuss the | :23:58. | :24:05. | |
girls, after that funny impression by Kevin. Yes, dull, dull, dull, I | :24:05. | :24:09. | |
will get him, darling with the scores next week! Let's talk about | :24:09. | :24:14. | |
Sophie and Brendan's wonderful Charleston. The nine came out for | :24:14. | :24:18. | |
the first time in week two. Completely shocked. It was | :24:18. | :24:22. | |
magnificent! So perfect. I can't tell you. The only reason it didn't | :24:22. | :24:29. | |
get tens is because there was one little miss. The positives | :24:29. | :24:36. | |
outweighed the negatives. She is amazing. I could not believe it. I | :24:36. | :24:40. | |
know. Glorious. It's one of those dances that's going to be remembered | :24:40. | :24:43. | |
forever. If I was casting a movie and I had to have a leading Flapper | :24:43. | :24:49. | |
girl she would be it. We will done to Brendan. Deborah and Robin doing | :24:49. | :24:54. | |
the cha-cha-cha, you said she was a joy to watch because she enjoys | :24:55. | :24:59. | |
herself. You weren't happy with her New Yorks. She turns her feet in and | :24:59. | :25:02. | |
doesn't work on a straight leg. You are meant to go forward and place | :25:02. | :25:06. | |
your foot turned out with a straight leg. She was missing that. She had | :25:06. | :25:10. | |
all the flavour of it, the essence and heart of it. Don't forget I am | :25:10. | :25:16. | |
there to judge and not give love and nurture and embrace all these | :25:16. | :25:19. | |
celebrities, darling. They need to know what's wrong! I would hate her | :25:19. | :25:24. | |
to come back and be doing the same ghastly mistakes again. This | :25:24. | :25:35. | |
properly moved you, this waltz with Natalie and Artem. He is | :25:35. | :25:46. | |
magnificent, she's magnificent. They are - you would swear she had done | :25:46. | :25:54. | |
ballroom all her life. Rachel and Pasha and their salsa. You said | :25:54. | :25:59. | |
Rachel was like a slug in salt. That seemed harsh. Tell me why. She was, | :25:59. | :26:03. | |
darling. Her central core, you have to be able to isolate the hips and | :26:03. | :26:08. | |
you have to be able to keep... Stop it! Keep the body controlled, as | :26:08. | :26:15. | |
well. Unfortunately, everything was working with and against each other, | :26:15. | :26:20. | |
so the whole thing was going. There wasn't a proper sort of core there | :26:20. | :26:28. | |
holding the shapes together. She ended up Wrighting around like -- | :26:28. | :26:34. | |
writhing around like a slug in salt. Abbey and Aljaz's cha-cha-cha. She | :26:34. | :26:40. | |
gives it a go and works to the best of her ability. I think she's got | :26:40. | :26:44. | |
enormous amount of promise. Not only because she looks fantastic but | :26:44. | :26:47. | |
because she gets into it and actually she's doing it rather well. | :26:47. | :26:51. | |
She could go further I think with it, it was a little bit tame, I | :26:51. | :26:57. | |
thought. It could be more wild. Her first Latin dance, though. We will | :26:57. | :27:02. | |
see her get wild, I am sure. Fiona and Anton which was going great | :27:02. | :27:07. | |
until the bit... She stepped off on the wrong leg and kicked his shin | :27:07. | :27:11. | |
and it all went wrong after that. You see. Unfortunately, these things | :27:11. | :27:15. | |
happen. Professionals are able to cover and mask those things up and | :27:15. | :27:19. | |
get out of those situations. They're able to get back on the right foot | :27:19. | :27:23. | |
at the right time or wait another bar for the music and start again. | :27:23. | :27:27. | |
Unfortunately, she's not experienced enough to do that and she's left | :27:27. | :27:32. | |
alone a little bit, so it was unfortunate. I did think the judges | :27:32. | :27:36. | |
were harsher on her. I really liked her. She did a good job to that | :27:36. | :27:44. | |
point. She will move on from that. Stay strong, Fiona. Vanessa and | :27:44. | :27:48. | |
James and her waltz. I was crying watching the film before with this. | :27:48. | :27:53. | |
Did you see an improvement? Yeah, there was. She's in hold. That's | :27:53. | :27:57. | |
easier. She's going to find it difficult out of hold, as - that's | :27:57. | :28:02. | |
always going to be her big challenge. Her heart and her mind | :28:02. | :28:07. | |
and her spirit was in this and that's half the battle. If you act | :28:07. | :28:11. | |
through the dance, then the people at home don't see the messy feet. | :28:11. | :28:15. | |
They don't see technique. They get swept away with the emotion. That's | :28:15. | :28:19. | |
what is lovely about it. Fantastic. By the way, we had a vote last week | :28:19. | :28:23. | |
about which judge our viewers would most like to see dance on the show. | :28:23. | :28:28. | |
You won, by a long shot. Can we arrange it, please? Will do you it? | :28:28. | :28:34. | |
Once I have had my hip op, darling. Once I have hip recovery I will | :28:34. | :28:38. | |
dance. On the show, we have that in writing! | :28:38. | :28:40. | |
APPLAUSE AND CHEERING Good luck with that op. That's all | :28:40. | :28:44. | |
we have time for, thank you to all my guests. Tomorrow I will be here | :28:44. | :28:49. | |
with the saved couple, Julien and Janette, and Rachel and Pasha and | :28:49. | :28:54. | |
Mark and Iveta and Karen with her Choreography Corner. See you then, | :28:54. | :28:56. | |
Mark and Iveta and Karen with her good night. | :28:56. | :29:00. |