Episode 7 Strictly - It Takes Two


Episode 7

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LineFromTo

. Welcome to Tuesday's It Takes Two. What a line-up tonight. It was

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almost time for him to go, go, go. Julienne is here with his partner

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Janette. We love Rachel and Pasha.

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They are here too. They got a standing ovation with their dance,

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it's Mark. And the rises and falls will be

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talked about with Karen Hardy. From London, this is strictly: It

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Takes Two. Please welcome your host, Zoe Ball.

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Hello, welcome to It Takes Two. With the weekend over, the celebrities

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are already back training hard. For one couple, there are signs of

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relief after the events of Sunday night. Julienne and Janette survived

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the dreaded dance-off with their tango. Here is a reminder of what

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happened. The feet were the wrong place at the

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wrong time. I didn't know if I was watching a tango or a paso. The

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posture, I'm afraid, is ghastly. Not your best, darling. Better than

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last week? No. We did, we did it!

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I'm very proud and more than anything, you went out there and you

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were strong and involved and that's what I wanted.

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Yeah... You will find out which of you will be back to dance again next

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week. I would like to see julienne and

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Janette. Julienne and Janette Julienne and Janette.

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So Sunday saw them almost tango but they live to dance another day,

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julienne and Janette are here! Tremendous tango efforts on Saturday

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night and your jutt fits were outstanding. Awesome. Were you a bit

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gutted to be in the last two -- outfits

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Nothing can Brett pair you for being in the bottom two. I was shocked, I

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was like, oh, all of a sudden this is the reality of the show --

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nothing can prepare you for being in the bottom two. You have to pull

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yourself over and do it again. How did you think he did? I was um

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pressed. He went out and danced again and he said, whatever happens

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happens, I enjoyed myself and it was fun. Must feel good though when all

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the judges say that they would have saved you. That must give you

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encouragement? That is great. At the end of the day, I'm learning how to

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dance, I'm not the best and every week I want to get better and to

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prove to people and the judges that week I want to get better and to

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I'm learning and getting better with the dance.

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We should talk about the fact that last week you put in the same amount

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of hours, you were top of the hours of training, you and Natalie put in

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what, I think 33.5 hours, that's a lot of hours. You have another job

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to do as well. Do you think it paid off? No!

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Considering the hours we danced, I should be top of the leaderboard,

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I'm almost at the bottom. It's so slow, it takes me so long to learn

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the moves, it's like trying to get my brain and head jinxed together.

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Janette watches for hours going, move your foot! Some people are

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naturally much better dancers immediately, aren't they.

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He has time figuring out his left from right, shoulders from elbow.

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He's like, it was not that finger, but the other one.

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Also quite a dramatic weekend for you, Janette.

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Artem whacked you in the nose. My lovely professional partner. That

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must have really hurt? It did. If you freeze it, you can see the blood

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on Artem's chest and on the floor. Fans of the show will be checking

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that out now. Julienne, you are used to being in the public eye, but not

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performing. Are you shocked at how tough the whole thing is? I find it

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really difficult. When you're there, on the set,

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hundreds of thousands of people are there watching, you come in as this

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character, the scary and daunting and it's something totally new to

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me. There's that thing that you have to

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act butch, be strong with tango and I'm like, it's not me at all but

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I'll try. You are doing a lot of steps in there and the steps were

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really, really good. How is this his concentration and

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focus? Much bet they are week, I have to admit. I was impressed. He

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picked up the steps better. The first week was done so he was like,

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right. I definitely saw massive improvement

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in everywhere, his dancing and ability to pick things up. It was

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much better. Just listen to Janette. This week, t

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love week. You were doing a romantic dance of the jive. So romantic. We

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have made you something very special dance of the jive. So romantic. We

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when you get sweaty with the jive. It's your very own sweatband. 25,000

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crystals on that! You see, you jive-tastic julienne, you. Julienne

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and Janette, everybody! APPLAUSE

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15 couples danced on Saturday. There's plenty ofder youing radio

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fill to talk about and we have Karen Hardy with us -- plenty of

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choreography. Welcome, Karen!

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APPLAUSE You look gorgeous, as always. Dance

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marathon session on Saturday, great show, let's start with Vanessa and

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James and their waltz. Incredibly emotional that moved the judges.

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Seems mean to pick on the finer details. Why didn't she get higher

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points? We have got to pick on the finer details to help her because if

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we take this section I've got here, it's the beginning of the dance and

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we can see the emotion. She's been told to control herself and I love

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that. But if she's not learning the discipline, the basics, we need the

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swing, we need movement in this dance. Even though she's doing the

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basics here which were lovely, they weren't strong, they are not going

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basics here which were lovely, they to help her in the long run. We want

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her to stay in the show. So I need her to get driving to the basics,

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don't worry about the emotion, she will get that. That's easy. She's

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got to learn to dance. Susannah and Kevin, they got lots of

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plenty nice comments. But comments about Susannah's frame? That frame

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comes in early, so think like a picture frame, four corners, we need

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two Elle lows and two knees, that's the formation and the foundation of

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the frame, then you just think about moving your centre. Don't think

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about moving the top. If we have a look what Susanna Reid was doing

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here, it begins, even on the twisting actions, the arm also get

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carried away. It's really flood and moving. Each kick, the frame is

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moving that. Should be locked in and should only be the legs moving.

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From the legs and not up here. Should. Disturbing the frame at all.

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OK. Sophie and Brendan.

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This lady is the Queen of cool. Unruffled in any way. Look at her.

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But she delivers the most impeccable timings. She's keeping up with

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Brendan and together they are the most incredible team. This is my

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favourite part, the knees, the feet flicking, everything aculate timing.

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First class. Brendan's incredible choreography, he said he didn't want

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a typical charleston. What did he do that was different? A lot of the

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lift work. There is the flipping backwards and forwards, but do you

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know what, I think it's our first professional going for a double

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crown. How exciting.

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The judges enjoyed Deborah's performance, but Craig thought her

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New Yorkers were a bit different. They were a bit stompy. It's a step

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that we've got to nail. The feet are facing the wrong way.

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I'll do a demonstration. It needs facing the wrong way.

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change direction. Stops where we are going and moves us back again.

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Simple, step in, turn the foot out, lock the knee in and it releases us.

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We don't want to see a bent knee or a turned in knee. There we go.

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Simple as that! Simple. Before feck. Fiona and Anton in the

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cha-cha-cha -- perfect. Darcey loved the triple into the flank. Explain

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what that means? -- Plank. We'll get straight into it with the

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demonstration. She's doing a lot of work. There's twists, changes. He's

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putting the arms in, getting the emotion and the drop. We are going

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to get a turn, another drop and into the plank. That takes a lot of work.

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Normally, we'd see the professionals picking up and Anton made it look

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like she was a feather, so that shows me again, seeked week running,

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she's doing a lot of work herself. I'm secretly impressed. Don't tell

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anyone! Natalie in her waltz. Craig admired

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her head rolls. Were you impressed? Absolutely. Lock the frame in, work

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from your centre. The head, they say, is the third of our body

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weight. You get the head positioning wrong and everything will fall after

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it. This gorgeous young lady, as we are going to see, she doesn't just

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gently turn the head, she throws it into double action. There is the

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gentle movement and here it comes, whoosh, and it speeds up. She could

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have fallen away from Artem, she could have pulled him over, made him

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run the steps wrong. Flawless. Week two!

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I know. Seriously impressive. The cha-cha-cha, again praises for

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these two. Brendan said she threw her free hand away? We still have a

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frame. One thing I teach my students is, if in does, stick 'em out. Stick

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the arms out. In ballroom, we can easily see the frame in. Latin, we

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need to see it as well. If the elbows are moving, it disrupts the

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picture, so quite simply, if in doubt, stick those arms right out.

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OK, if in doubt. So if I keep doing that, you will know that I'm... At

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the moment, she doesn't want them floppy and flimsy. Rachel and Pasha

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and the salsa. Darcey said she thought it was wishy-washy? It needs

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sex appeal. She's gone into the step where Pasha's going to grab her by

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the arm, whoosh, we are in a nightclub in Cuba and then, she

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comes up all gooey eye and completely lost. She needs sex

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appeal, angle and the womanly instinct. I've talked about this and

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will talk about it again in the future, bang the angles in, a few

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elbows and attitude and she'll look amazing. Believe in herself a bit?

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Yes. Must be hard to concentrate when you dance with Pasha.

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Talk about the boys later on. After a strong start with last

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week's waltz, it was a case of lots of sugar but not enough spice, as

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Rachel and Pasha tackled the salsa. Here is what happened. You have to

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come out and wow us a bit more. There is lot of sugar but not a lot

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of spice. Worst thing is your balance. You look like you are going

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to drop on the floor every five seconds. It gives me a hard attack.

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I thought the lift was messy. It was at times very, very awkward. I had

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fun! Good girl! Lots of sugar and not enough spice.

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Some people don't like spice. I loved it, it was completely fun.

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Give it up for Rachel and Pasha. How was it for you, salsa lady on

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Saturday night? Have you watched it back? What did you think? Well, I

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did struggle with the salsa, I'm not going to lie, but I had fun, I did

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enjoy it. That's what we set out to do and that's what I did. You could

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tell you were enjoying it out there, 27 week one and then down to 20. Is

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that didisappointing or are you going to worry about it? We had

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longer for the first one. I wanted to do the waltz. I really enjoyed

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the ballroom and Latin doesn't come to do the waltz. I really enjoyed

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naturally, it's not in my body yet. Need a few more weeks.

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Pash, sometimes Rachel can be quick to dismiss herself, but how

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difficult was it for you to coax the sexy girl out of her? It was

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definitely a process. She feels more comfortable with walls and it's nice

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and smooth and in salsa suddenly she has to confront me and I want her

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toe do that and get out of that shell and be wild in a way.

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Be poptively wanton really isn't it? That's a way of putting it! Fur not

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naturally like that, the hard -- positively wanton.

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Craig made comments about the slug, the insult. Very mean. Stuart

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watching said news for Craig: Sorted a few slugs in my time and they

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never looked as good as Rachel, take that! Any consolation? Brilliant,

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yes. Didn't take it literally, but that's

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good to know. Pasha would not give up on trying to

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coax the sexy woman out of you. He gave you a shimmy master class even.

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Lovely! Bring your shoulders up to your ears

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and push them back and down. Forward and up to your ears, back and down.

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The goal is to go as high as you can with your shoulder towards your ear.

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One, two, higher, come on. Now you are going to push one of the

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shoulders forward towards the mirror, keep your arms out of it.

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Weapon I say forward, it means one shoulder goes forward, the other, in

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order to show the difference, needs to go back, because otherwise you

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won't see the difference. Less arms.

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Surely that's sexy salsa. Yeah. OK. LAUGHTER

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He's shaking his head. It just ended up, shimmy, shimmy,

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shimmy. All of that and like that. Out of the frying pan, into the

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fire, possibly. Because you've got double Latin. Yes. They've given you

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what this week? Cha-cha-cha. How is it going so far? Going very well

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actually. Rachel came prepared. She got some chocolate, dark chocolate

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with some chilli peppers the bring some spice into the system. So we

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are working on it. I like it.

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Len wants more wow, more welly and now he wants more wow again. What

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are you going to do to give him some wow this week? You are going to give

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him wow? Yes. I'm just going to listen to this one. What are we

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going to do? ! Straight legs. He doesn't seem to know. You are busy

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with training. You have the Gadget Show and Countdown. How is it

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squeezing into your day? I'm busy at the moment, no such thing as days

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off, shame sleep is getting in the way of training. She would train all

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day long. Sometimes I'm there in body but not spirit so I have 7. 30

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call times in work up at Birmingham, then finish at 7, straight to

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training. Keep going no, it's paying off. Good luck with the cha-cha-cha

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and the wowing of Len. Thank you. Spectacular! Rachel and Pasha.

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APPLAUSE Oh, Karen's gone over the girls,

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time to break down the boys, with round two of Choreography Corner.

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Karen's back. Let's get straight down to it. Dave

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and car none their American smooth. Judges appreciate the fun factor.

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You can't not love him when he's on the dance floor, Dave. But they

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weren't impressed. What do you think? This man's got to become the

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master of movement. We got a beautiful shadow position where he

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should be driving across the dance beautiful shadow position where he

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floor and he's hardly moving at all. I love the comedy, but we've got to

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get him dancing in these early weeks.

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Darcey wasn't keen on the lift off the chair? Yes, if you look, the

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lift was OK, it wasn't too bad. But it's now, he's like carrying a sack

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of spuds, he's not even dancing. If you've got Grace Kelly up there, you

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should be waltzing across the dance floor showing her off. He's got to

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should be waltzing across the dance master how to move. We know he's got

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showmanship. OK. Patrick and Anya and their

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tango. The judges liked it but Len said could have been a bit more

:20:29.:20:34.

compact? Yes, a couple of things. I was confused because I think his

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frame is lovely and compact, as we can see here. I think his head was

:20:38.:20:42.

flicking really quite strong. What I picked up on, a little technique

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there, there, again he's not mastering the technical steps, a

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chassay. They are in so many dances. Three steps, one, two, three, one,

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two, three, that's it. He'll do one and then a little mess, then the

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timing's are gone. I disagreed with the judges there,

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great top line, going wrong downstairs. Ben back to the - again

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back to the basics. Ashley and Ola with their smooth, were you

:21:24.:21:27.

impressed? Blown away. This gentleman last week

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I thought was stiff and I was very uncomfortable. Then we see this.

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Now, I'm sorry to pick this out because there are a few little

:21:35.:21:39.

mistakes, but I looked straight over it because of his elegance and

:21:39.:21:42.

drive. The best thing of all, talked about the frame with the girls, he's

:21:42.:21:47.

going from frame into open. Back into frame. Back into open. And he

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nailed it. Slightly news to adjust his head position, he's crowning a

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bit, but absolutely loved thatlet dance. Well done Ashley. Ben and

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Kristina. Craig commented that his rugby bottom was protruding, was

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that a problem? Did you note theys? He's getting the fundamentals in.

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He's got a lovely top line, setting the frame in, we can work on the

:22:14.:22:19.

movement a bit more: . What he's got to do is drive his dancing straight

:22:19.:22:24.

the way through and not be afraid, as though he's going into a rack,

:22:24.:22:33.

you know, full guns. Confidence, I guess, that will build? Absolutely.

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Leave us with an ISM for this week? If in doubt, stick 'em out. Don't be

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so cheeky. Until next week, Karen Hardy!

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I'll be chatting to Mark and Iveta about their dance in a moment.

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Heavily endo you knowsed with character.

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It didn't resemble a salsa but we take charge and it's a fab

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performance. Through the darkest clouds, a ray of

:23:17.:23:22.

sunshine appears. You are a joy to watch. Loved it.

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I thought we were dog salsa, little steps. I thought so too. Dance is an

:23:32.:23:39.

expression of music through your body, so we did express it the way

:23:39.:23:47.

we felt it. You tell 'em Iveta, yes. Mark and Iveta are here!

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I have to say, you were a triumph, Mark and Iveta are here!

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the two of you, on Saturday. The audience went crazy, as they did

:23:55.:23:58.

across the nation. Len and Bruno danced. Were you having as much full

:23:58.:24:02.

as it looked like you were having -- fun? Yes, it was brilliant. It's one

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of those things, we got the Austin Powers mixed with salsa thing. We

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had a ball, didn't we? You looked like you were. Through all the

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craziness, your face all the way through was like, I'm taking it

:24:20.:24:23.

craziness, your face all the way seriously,s brilliant. You got a

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standing ovation, then you got a lower mark than last week. Were you

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might haved by that, was it frustrating? I'll ignore that and

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listen to the comments, the comments are great, then scores sometimes

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don't tally, but that's the programme, isn't it? Yes. Listen to

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the good remarks and move on? Absolutely. Iveta, Darcey and Bruno

:24:43.:24:48.

wanted more salsa. What do you say Absolutely. Iveta, Darcey and Bruno

:24:48.:24:52.

to that? Was there enough in there? The song is a bit more upbeat. It's

:24:52.:24:59.

pretty fast so it was difficult to add more hip actions and get down,

:24:59.:25:04.

so... It was fast all right. It was really fast. I did hear that in

:25:04.:25:08.

rehearsals last week you were having trouble getting to the end of it

:25:08.:25:15.

because it was so tough? Yes, I don't know if it was suitable for

:25:15.:25:24.

salsa, was it. Slightly spicier. We did use the

:25:24.:25:30.

figures from salsa. We added some other things to have more fun.

:25:30.:25:36.

That's why they were standing on their feet. They adored it.

:25:36.:25:43.

Story-telling is becoming a bit of a signature with Mark's dancing. You

:25:43.:25:48.

want to prove he can do the dance as well because you are technically

:25:48.:25:51.

very good. Do you think there is a concern the performance might take

:25:51.:25:54.

over and the judges might not see the technical side too. Is that the

:25:54.:25:59.

danger? It's good Mark has something special about him and he should use

:25:59.:26:02.

it because that's his strength but I'm focussing more on dancing and I

:26:02.:26:05.

it because that's his strength but do want to show how good he is as a

:26:05.:26:12.

dancer. So dancing is a priority. Iveta said first off, let's have

:26:12.:26:18.

some fun, tell a story but make sure the steps you do are good steps. You

:26:18.:26:22.

always have been concerned about making sure that we dance properly.

:26:22.:26:27.

And you are. Thank you. Keep it up. We like it. Speaking of Iveta, we

:26:28.:26:30.

And you are. Thank you. Keep it up. haven't been able to help but notice

:26:30.:26:34.

in the training footage that it seems your own performance might be

:26:34.:26:42.

slightly distracting. Look at this! Introducing Iveta's new album,

:26:43.:26:48.

featuring songs such as... # I'm so excited

:26:48.:26:58.

# Good, so bad, I got you # Since you took your love away

:26:58.:27:07.

# When I was young # I never needed anyone

:27:07.:27:15.

#... # Remastered for your listening

:27:15.:27:20.

pleasure. It's worked, I'm ready. The album does not exist and is not

:27:20.:27:27.

available to buy anywhere ever fact! We want more of that!

:27:27.:27:33.

This week let's talk about romance. It's the week of love and you guys

:27:33.:27:37.

have a great dance. He's gone!

:27:37.:27:39.

LAUGHTER We may need backup. You have

:27:39.:27:43.

American smooth which is a joy. How is it going? Pull yourselves

:27:43.:27:49.

together! Yes, it's completely different to

:27:49.:27:52.

salsa, it's back into hold and control and much slower, so it has

:27:52.:27:57.

different problems but we are going to go for it, aren't we? She can't

:27:57.:28:02.

actually speak. Can we have a song, please?

:28:02.:28:06.

You have given Mark some tricky choreography and he's carried it off

:28:06.:28:11.

brilliantly. I'm sure you are not going to let up on him? Yes, every

:28:11.:28:16.

Monday I hear the same thing, this is so much harder than the dance

:28:16.:28:22.

before. But he does that every single Monday, so we think, that's

:28:22.:28:25.

fine then, tomorrow will be OK. He's like an emthat cup in dancing and I

:28:25.:28:33.

keep pouring and it goes into his body on Tuesday.

:28:33.:28:37.

It will do by Saturday. You are a wonder together. Brilliant. Can't

:28:37.:28:43.

wait to see your American smooth on Saturday. That is it for today. Big

:28:43.:28:46.

thank you to all my guests. Tomorrow, Sophie and Brendan,

:28:46.:28:51.

Vanessa and James and car enand Dave will be here.

:28:51.:28:54.

More with the special wand too.

:28:54.:28:57.

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