Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
. Welcome to Tuesday's It Takes Two. What a line-up tonight. It was | :00:07. | :00:14. | |
almost time for him to go, go, go. Julienne is here with his partner | :00:14. | :00:20. | |
Janette. We love Rachel and Pasha. | :00:20. | :00:27. | |
They are here too. They got a standing ovation with their dance, | :00:27. | :00:33. | |
it's Mark. And the rises and falls will be | :00:33. | :00:35. | |
talked about with Karen Hardy. From London, this is strictly: It | :00:35. | :01:28. | |
Takes Two. Please welcome your host, Zoe Ball. | :01:28. | :01:36. | |
Hello, welcome to It Takes Two. With the weekend over, the celebrities | :01:36. | :01:40. | |
are already back training hard. For one couple, there are signs of | :01:40. | :01:43. | |
relief after the events of Sunday night. Julienne and Janette survived | :01:43. | :01:46. | |
the dreaded dance-off with their tango. Here is a reminder of what | :01:47. | :01:59. | |
happened. The feet were the wrong place at the | :01:59. | :02:03. | |
wrong time. I didn't know if I was watching a tango or a paso. The | :02:03. | :02:10. | |
posture, I'm afraid, is ghastly. Not your best, darling. Better than | :02:10. | :02:19. | |
last week? No. We did, we did it! | :02:19. | :02:24. | |
I'm very proud and more than anything, you went out there and you | :02:24. | :02:29. | |
were strong and involved and that's what I wanted. | :02:29. | :02:32. | |
Yeah... You will find out which of you will be back to dance again next | :02:32. | :02:35. | |
week. I would like to see julienne and | :02:35. | :02:42. | |
Janette. Julienne and Janette Julienne and Janette. | :02:42. | :02:46. | |
So Sunday saw them almost tango but they live to dance another day, | :02:46. | :02:53. | |
julienne and Janette are here! Tremendous tango efforts on Saturday | :02:53. | :02:57. | |
night and your jutt fits were outstanding. Awesome. Were you a bit | :02:57. | :03:08. | |
gutted to be in the last two -- outfits | :03:09. | :03:11. | |
Nothing can Brett pair you for being in the bottom two. I was shocked, I | :03:11. | :03:16. | |
was like, oh, all of a sudden this is the reality of the show -- | :03:16. | :03:21. | |
nothing can prepare you for being in the bottom two. You have to pull | :03:21. | :03:26. | |
yourself over and do it again. How did you think he did? I was um | :03:26. | :03:30. | |
pressed. He went out and danced again and he said, whatever happens | :03:30. | :03:35. | |
happens, I enjoyed myself and it was fun. Must feel good though when all | :03:35. | :03:44. | |
the judges say that they would have saved you. That must give you | :03:44. | :03:48. | |
encouragement? That is great. At the end of the day, I'm learning how to | :03:48. | :03:51. | |
dance, I'm not the best and every week I want to get better and to | :03:51. | :03:53. | |
prove to people and the judges that week I want to get better and to | :03:53. | :03:57. | |
I'm learning and getting better with the dance. | :03:57. | :04:00. | |
We should talk about the fact that last week you put in the same amount | :04:00. | :04:05. | |
of hours, you were top of the hours of training, you and Natalie put in | :04:05. | :04:09. | |
what, I think 33.5 hours, that's a lot of hours. You have another job | :04:09. | :04:14. | |
to do as well. Do you think it paid off? No! | :04:14. | :04:22. | |
Considering the hours we danced, I should be top of the leaderboard, | :04:22. | :04:26. | |
I'm almost at the bottom. It's so slow, it takes me so long to learn | :04:26. | :04:31. | |
the moves, it's like trying to get my brain and head jinxed together. | :04:31. | :04:36. | |
Janette watches for hours going, move your foot! Some people are | :04:36. | :04:41. | |
naturally much better dancers immediately, aren't they. | :04:41. | :04:47. | |
He has time figuring out his left from right, shoulders from elbow. | :04:47. | :04:53. | |
He's like, it was not that finger, but the other one. | :04:53. | :04:57. | |
Also quite a dramatic weekend for you, Janette. | :04:57. | :05:03. | |
Artem whacked you in the nose. My lovely professional partner. That | :05:03. | :05:11. | |
must have really hurt? It did. If you freeze it, you can see the blood | :05:11. | :05:17. | |
on Artem's chest and on the floor. Fans of the show will be checking | :05:17. | :05:22. | |
that out now. Julienne, you are used to being in the public eye, but not | :05:22. | :05:26. | |
performing. Are you shocked at how tough the whole thing is? I find it | :05:27. | :05:32. | |
really difficult. When you're there, on the set, | :05:32. | :05:37. | |
hundreds of thousands of people are there watching, you come in as this | :05:37. | :05:41. | |
character, the scary and daunting and it's something totally new to | :05:41. | :05:46. | |
me. There's that thing that you have to | :05:46. | :05:51. | |
act butch, be strong with tango and I'm like, it's not me at all but | :05:51. | :05:54. | |
I'll try. You are doing a lot of steps in there and the steps were | :05:54. | :05:58. | |
really, really good. How is this his concentration and | :05:58. | :06:05. | |
focus? Much bet they are week, I have to admit. I was impressed. He | :06:05. | :06:11. | |
picked up the steps better. The first week was done so he was like, | :06:11. | :06:15. | |
right. I definitely saw massive improvement | :06:15. | :06:19. | |
in everywhere, his dancing and ability to pick things up. It was | :06:19. | :06:22. | |
much better. Just listen to Janette. This week, t | :06:22. | :06:28. | |
love week. You were doing a romantic dance of the jive. So romantic. We | :06:28. | :06:33. | |
have made you something very special dance of the jive. So romantic. We | :06:33. | :06:36. | |
when you get sweaty with the jive. It's your very own sweatband. 25,000 | :06:36. | :06:48. | |
crystals on that! You see, you jive-tastic julienne, you. Julienne | :06:48. | :06:54. | |
and Janette, everybody! APPLAUSE | :06:54. | :06:56. | |
15 couples danced on Saturday. There's plenty ofder youing radio | :06:56. | :07:01. | |
fill to talk about and we have Karen Hardy with us -- plenty of | :07:01. | :07:05. | |
choreography. Welcome, Karen! | :07:05. | :07:17. | |
APPLAUSE You look gorgeous, as always. Dance | :07:17. | :07:21. | |
marathon session on Saturday, great show, let's start with Vanessa and | :07:22. | :07:28. | |
James and their waltz. Incredibly emotional that moved the judges. | :07:28. | :07:32. | |
Seems mean to pick on the finer details. Why didn't she get higher | :07:32. | :07:36. | |
points? We have got to pick on the finer details to help her because if | :07:36. | :07:39. | |
we take this section I've got here, it's the beginning of the dance and | :07:39. | :07:43. | |
we can see the emotion. She's been told to control herself and I love | :07:43. | :07:47. | |
that. But if she's not learning the discipline, the basics, we need the | :07:47. | :07:52. | |
swing, we need movement in this dance. Even though she's doing the | :07:52. | :07:56. | |
basics here which were lovely, they weren't strong, they are not going | :07:56. | :07:58. | |
basics here which were lovely, they to help her in the long run. We want | :07:58. | :08:02. | |
her to stay in the show. So I need her to get driving to the basics, | :08:02. | :08:06. | |
don't worry about the emotion, she will get that. That's easy. She's | :08:06. | :08:16. | |
got to learn to dance. Susannah and Kevin, they got lots of | :08:17. | :08:25. | |
plenty nice comments. But comments about Susannah's frame? That frame | :08:25. | :08:30. | |
comes in early, so think like a picture frame, four corners, we need | :08:30. | :08:34. | |
two Elle lows and two knees, that's the formation and the foundation of | :08:34. | :08:38. | |
the frame, then you just think about moving your centre. Don't think | :08:38. | :08:42. | |
about moving the top. If we have a look what Susanna Reid was doing | :08:42. | :08:46. | |
here, it begins, even on the twisting actions, the arm also get | :08:46. | :08:50. | |
carried away. It's really flood and moving. Each kick, the frame is | :08:50. | :08:53. | |
moving that. Should be locked in and should only be the legs moving. | :08:53. | :08:58. | |
From the legs and not up here. Should. Disturbing the frame at all. | :08:58. | :09:09. | |
OK. Sophie and Brendan. | :09:09. | :09:12. | |
This lady is the Queen of cool. Unruffled in any way. Look at her. | :09:12. | :09:17. | |
But she delivers the most impeccable timings. She's keeping up with | :09:17. | :09:21. | |
Brendan and together they are the most incredible team. This is my | :09:21. | :09:26. | |
favourite part, the knees, the feet flicking, everything aculate timing. | :09:27. | :09:32. | |
First class. Brendan's incredible choreography, he said he didn't want | :09:32. | :09:37. | |
a typical charleston. What did he do that was different? A lot of the | :09:37. | :09:42. | |
lift work. There is the flipping backwards and forwards, but do you | :09:42. | :09:46. | |
know what, I think it's our first professional going for a double | :09:46. | :09:57. | |
crown. How exciting. | :09:57. | :10:00. | |
The judges enjoyed Deborah's performance, but Craig thought her | :10:00. | :10:05. | |
New Yorkers were a bit different. They were a bit stompy. It's a step | :10:05. | :10:14. | |
that we've got to nail. The feet are facing the wrong way. | :10:14. | :10:18. | |
I'll do a demonstration. It needs facing the wrong way. | :10:18. | :10:25. | |
change direction. Stops where we are going and moves us back again. | :10:25. | :10:29. | |
Simple, step in, turn the foot out, lock the knee in and it releases us. | :10:29. | :10:34. | |
We don't want to see a bent knee or a turned in knee. There we go. | :10:34. | :10:39. | |
Simple as that! Simple. Before feck. Fiona and Anton in the | :10:39. | :10:48. | |
cha-cha-cha -- perfect. Darcey loved the triple into the flank. Explain | :10:48. | :10:56. | |
what that means? -- Plank. We'll get straight into it with the | :10:56. | :10:59. | |
demonstration. She's doing a lot of work. There's twists, changes. He's | :10:59. | :11:04. | |
putting the arms in, getting the emotion and the drop. We are going | :11:04. | :11:09. | |
to get a turn, another drop and into the plank. That takes a lot of work. | :11:09. | :11:14. | |
Normally, we'd see the professionals picking up and Anton made it look | :11:14. | :11:18. | |
like she was a feather, so that shows me again, seeked week running, | :11:18. | :11:24. | |
she's doing a lot of work herself. I'm secretly impressed. Don't tell | :11:24. | :11:29. | |
anyone! Natalie in her waltz. Craig admired | :11:29. | :11:36. | |
her head rolls. Were you impressed? Absolutely. Lock the frame in, work | :11:36. | :11:40. | |
from your centre. The head, they say, is the third of our body | :11:40. | :11:43. | |
weight. You get the head positioning wrong and everything will fall after | :11:43. | :11:47. | |
it. This gorgeous young lady, as we are going to see, she doesn't just | :11:47. | :11:52. | |
gently turn the head, she throws it into double action. There is the | :11:52. | :11:56. | |
gentle movement and here it comes, whoosh, and it speeds up. She could | :11:56. | :12:00. | |
have fallen away from Artem, she could have pulled him over, made him | :12:00. | :12:06. | |
run the steps wrong. Flawless. Week two! | :12:06. | :12:11. | |
I know. Seriously impressive. The cha-cha-cha, again praises for | :12:11. | :12:17. | |
these two. Brendan said she threw her free hand away? We still have a | :12:17. | :12:22. | |
frame. One thing I teach my students is, if in does, stick 'em out. Stick | :12:22. | :12:29. | |
the arms out. In ballroom, we can easily see the frame in. Latin, we | :12:29. | :12:33. | |
need to see it as well. If the elbows are moving, it disrupts the | :12:33. | :12:38. | |
picture, so quite simply, if in doubt, stick those arms right out. | :12:38. | :12:43. | |
OK, if in doubt. So if I keep doing that, you will know that I'm... At | :12:43. | :12:48. | |
the moment, she doesn't want them floppy and flimsy. Rachel and Pasha | :12:48. | :12:55. | |
and the salsa. Darcey said she thought it was wishy-washy? It needs | :12:55. | :13:04. | |
sex appeal. She's gone into the step where Pasha's going to grab her by | :13:04. | :13:08. | |
the arm, whoosh, we are in a nightclub in Cuba and then, she | :13:08. | :13:12. | |
comes up all gooey eye and completely lost. She needs sex | :13:12. | :13:17. | |
appeal, angle and the womanly instinct. I've talked about this and | :13:17. | :13:20. | |
will talk about it again in the future, bang the angles in, a few | :13:20. | :13:26. | |
elbows and attitude and she'll look amazing. Believe in herself a bit? | :13:26. | :13:32. | |
Yes. Must be hard to concentrate when you dance with Pasha. | :13:32. | :13:37. | |
Talk about the boys later on. After a strong start with last | :13:37. | :13:41. | |
week's waltz, it was a case of lots of sugar but not enough spice, as | :13:41. | :13:45. | |
Rachel and Pasha tackled the salsa. Here is what happened. You have to | :13:45. | :13:55. | |
come out and wow us a bit more. There is lot of sugar but not a lot | :13:55. | :14:01. | |
of spice. Worst thing is your balance. You look like you are going | :14:01. | :14:04. | |
to drop on the floor every five seconds. It gives me a hard attack. | :14:04. | :14:09. | |
I thought the lift was messy. It was at times very, very awkward. I had | :14:09. | :14:21. | |
fun! Good girl! Lots of sugar and not enough spice. | :14:21. | :14:27. | |
Some people don't like spice. I loved it, it was completely fun. | :14:27. | :14:39. | |
Give it up for Rachel and Pasha. How was it for you, salsa lady on | :14:39. | :14:43. | |
Saturday night? Have you watched it back? What did you think? Well, I | :14:43. | :14:48. | |
did struggle with the salsa, I'm not going to lie, but I had fun, I did | :14:48. | :14:52. | |
enjoy it. That's what we set out to do and that's what I did. You could | :14:53. | :14:58. | |
tell you were enjoying it out there, 27 week one and then down to 20. Is | :14:58. | :15:04. | |
that didisappointing or are you going to worry about it? We had | :15:04. | :15:08. | |
longer for the first one. I wanted to do the waltz. I really enjoyed | :15:08. | :15:10. | |
the ballroom and Latin doesn't come to do the waltz. I really enjoyed | :15:10. | :15:15. | |
naturally, it's not in my body yet. Need a few more weeks. | :15:15. | :15:23. | |
Pash, sometimes Rachel can be quick to dismiss herself, but how | :15:23. | :15:29. | |
difficult was it for you to coax the sexy girl out of her? It was | :15:29. | :15:34. | |
definitely a process. She feels more comfortable with walls and it's nice | :15:34. | :15:38. | |
and smooth and in salsa suddenly she has to confront me and I want her | :15:38. | :15:43. | |
toe do that and get out of that shell and be wild in a way. | :15:43. | :15:49. | |
Be poptively wanton really isn't it? That's a way of putting it! Fur not | :15:49. | :15:57. | |
naturally like that, the hard -- positively wanton. | :15:57. | :16:00. | |
Craig made comments about the slug, the insult. Very mean. Stuart | :16:00. | :16:04. | |
watching said news for Craig: Sorted a few slugs in my time and they | :16:05. | :16:09. | |
never looked as good as Rachel, take that! Any consolation? Brilliant, | :16:09. | :16:13. | |
yes. Didn't take it literally, but that's | :16:13. | :16:19. | |
good to know. Pasha would not give up on trying to | :16:19. | :16:23. | |
coax the sexy woman out of you. He gave you a shimmy master class even. | :16:23. | :16:25. | |
Lovely! Bring your shoulders up to your ears | :16:25. | :16:35. | |
and push them back and down. Forward and up to your ears, back and down. | :16:35. | :16:40. | |
The goal is to go as high as you can with your shoulder towards your ear. | :16:40. | :16:46. | |
One, two, higher, come on. Now you are going to push one of the | :16:46. | :16:50. | |
shoulders forward towards the mirror, keep your arms out of it. | :16:50. | :16:56. | |
Weapon I say forward, it means one shoulder goes forward, the other, in | :16:56. | :17:00. | |
order to show the difference, needs to go back, because otherwise you | :17:00. | :17:09. | |
won't see the difference. Less arms. | :17:09. | :17:24. | |
Surely that's sexy salsa. Yeah. OK. LAUGHTER | :17:24. | :17:28. | |
He's shaking his head. It just ended up, shimmy, shimmy, | :17:28. | :17:33. | |
shimmy. All of that and like that. Out of the frying pan, into the | :17:33. | :17:38. | |
fire, possibly. Because you've got double Latin. Yes. They've given you | :17:38. | :17:43. | |
what this week? Cha-cha-cha. How is it going so far? Going very well | :17:43. | :17:51. | |
actually. Rachel came prepared. She got some chocolate, dark chocolate | :17:51. | :17:55. | |
with some chilli peppers the bring some spice into the system. So we | :17:55. | :17:58. | |
are working on it. I like it. | :17:58. | :18:05. | |
Len wants more wow, more welly and now he wants more wow again. What | :18:05. | :18:10. | |
are you going to do to give him some wow this week? You are going to give | :18:10. | :18:14. | |
him wow? Yes. I'm just going to listen to this one. What are we | :18:14. | :18:21. | |
going to do? ! Straight legs. He doesn't seem to know. You are busy | :18:21. | :18:27. | |
with training. You have the Gadget Show and Countdown. How is it | :18:27. | :18:33. | |
squeezing into your day? I'm busy at the moment, no such thing as days | :18:33. | :18:39. | |
off, shame sleep is getting in the way of training. She would train all | :18:39. | :18:43. | |
day long. Sometimes I'm there in body but not spirit so I have 7. 30 | :18:43. | :18:48. | |
call times in work up at Birmingham, then finish at 7, straight to | :18:48. | :18:52. | |
training. Keep going no, it's paying off. Good luck with the cha-cha-cha | :18:52. | :18:57. | |
and the wowing of Len. Thank you. Spectacular! Rachel and Pasha. | :18:57. | :19:05. | |
APPLAUSE Oh, Karen's gone over the girls, | :19:05. | :19:09. | |
time to break down the boys, with round two of Choreography Corner. | :19:09. | :19:24. | |
Karen's back. Let's get straight down to it. Dave | :19:24. | :19:29. | |
and car none their American smooth. Judges appreciate the fun factor. | :19:29. | :19:33. | |
You can't not love him when he's on the dance floor, Dave. But they | :19:34. | :19:37. | |
weren't impressed. What do you think? This man's got to become the | :19:37. | :19:41. | |
master of movement. We got a beautiful shadow position where he | :19:41. | :19:43. | |
should be driving across the dance beautiful shadow position where he | :19:43. | :19:47. | |
floor and he's hardly moving at all. I love the comedy, but we've got to | :19:47. | :19:55. | |
get him dancing in these early weeks. | :19:55. | :19:58. | |
Darcey wasn't keen on the lift off the chair? Yes, if you look, the | :19:58. | :20:06. | |
lift was OK, it wasn't too bad. But it's now, he's like carrying a sack | :20:06. | :20:11. | |
of spuds, he's not even dancing. If you've got Grace Kelly up there, you | :20:11. | :20:18. | |
should be waltzing across the dance floor showing her off. He's got to | :20:18. | :20:20. | |
should be waltzing across the dance master how to move. We know he's got | :20:20. | :20:23. | |
showmanship. OK. Patrick and Anya and their | :20:24. | :20:28. | |
tango. The judges liked it but Len said could have been a bit more | :20:29. | :20:34. | |
compact? Yes, a couple of things. I was confused because I think his | :20:34. | :20:38. | |
frame is lovely and compact, as we can see here. I think his head was | :20:38. | :20:42. | |
flicking really quite strong. What I picked up on, a little technique | :20:42. | :20:47. | |
there, there, again he's not mastering the technical steps, a | :20:47. | :20:59. | |
chassay. They are in so many dances. Three steps, one, two, three, one, | :20:59. | :21:06. | |
two, three, that's it. He'll do one and then a little mess, then the | :21:06. | :21:11. | |
timing's are gone. I disagreed with the judges there, | :21:11. | :21:16. | |
great top line, going wrong downstairs. Ben back to the - again | :21:16. | :21:24. | |
back to the basics. Ashley and Ola with their smooth, were you | :21:24. | :21:27. | |
impressed? Blown away. This gentleman last week | :21:27. | :21:32. | |
I thought was stiff and I was very uncomfortable. Then we see this. | :21:32. | :21:35. | |
Now, I'm sorry to pick this out because there are a few little | :21:35. | :21:39. | |
mistakes, but I looked straight over it because of his elegance and | :21:39. | :21:42. | |
drive. The best thing of all, talked about the frame with the girls, he's | :21:42. | :21:47. | |
going from frame into open. Back into frame. Back into open. And he | :21:47. | :21:53. | |
nailed it. Slightly news to adjust his head position, he's crowning a | :21:53. | :21:57. | |
bit, but absolutely loved thatlet dance. Well done Ashley. Ben and | :21:57. | :22:05. | |
Kristina. Craig commented that his rugby bottom was protruding, was | :22:05. | :22:10. | |
that a problem? Did you note theys? He's getting the fundamentals in. | :22:10. | :22:14. | |
He's got a lovely top line, setting the frame in, we can work on the | :22:14. | :22:19. | |
movement a bit more: . What he's got to do is drive his dancing straight | :22:19. | :22:24. | |
the way through and not be afraid, as though he's going into a rack, | :22:24. | :22:33. | |
you know, full guns. Confidence, I guess, that will build? Absolutely. | :22:33. | :22:43. | |
Leave us with an ISM for this week? If in doubt, stick 'em out. Don't be | :22:43. | :22:48. | |
so cheeky. Until next week, Karen Hardy! | :22:48. | :23:02. | |
I'll be chatting to Mark and Iveta about their dance in a moment. | :23:02. | :23:08. | |
Heavily endo you knowsed with character. | :23:08. | :23:13. | |
It didn't resemble a salsa but we take charge and it's a fab | :23:13. | :23:17. | |
performance. Through the darkest clouds, a ray of | :23:17. | :23:22. | |
sunshine appears. You are a joy to watch. Loved it. | :23:22. | :23:32. | |
I thought we were dog salsa, little steps. I thought so too. Dance is an | :23:32. | :23:39. | |
expression of music through your body, so we did express it the way | :23:39. | :23:47. | |
we felt it. You tell 'em Iveta, yes. Mark and Iveta are here! | :23:47. | :23:49. | |
I have to say, you were a triumph, Mark and Iveta are here! | :23:49. | :23:55. | |
the two of you, on Saturday. The audience went crazy, as they did | :23:55. | :23:58. | |
across the nation. Len and Bruno danced. Were you having as much full | :23:58. | :24:02. | |
as it looked like you were having -- fun? Yes, it was brilliant. It's one | :24:02. | :24:11. | |
of those things, we got the Austin Powers mixed with salsa thing. We | :24:11. | :24:18. | |
had a ball, didn't we? You looked like you were. Through all the | :24:18. | :24:20. | |
craziness, your face all the way through was like, I'm taking it | :24:20. | :24:23. | |
craziness, your face all the way seriously,s brilliant. You got a | :24:23. | :24:26. | |
standing ovation, then you got a lower mark than last week. Were you | :24:26. | :24:30. | |
might haved by that, was it frustrating? I'll ignore that and | :24:30. | :24:34. | |
listen to the comments, the comments are great, then scores sometimes | :24:34. | :24:39. | |
don't tally, but that's the programme, isn't it? Yes. Listen to | :24:39. | :24:43. | |
the good remarks and move on? Absolutely. Iveta, Darcey and Bruno | :24:43. | :24:48. | |
wanted more salsa. What do you say Absolutely. Iveta, Darcey and Bruno | :24:48. | :24:52. | |
to that? Was there enough in there? The song is a bit more upbeat. It's | :24:52. | :24:59. | |
pretty fast so it was difficult to add more hip actions and get down, | :24:59. | :25:04. | |
so... It was fast all right. It was really fast. I did hear that in | :25:04. | :25:08. | |
rehearsals last week you were having trouble getting to the end of it | :25:08. | :25:15. | |
because it was so tough? Yes, I don't know if it was suitable for | :25:15. | :25:24. | |
salsa, was it. Slightly spicier. We did use the | :25:24. | :25:30. | |
figures from salsa. We added some other things to have more fun. | :25:30. | :25:36. | |
That's why they were standing on their feet. They adored it. | :25:36. | :25:43. | |
Story-telling is becoming a bit of a signature with Mark's dancing. You | :25:43. | :25:48. | |
want to prove he can do the dance as well because you are technically | :25:48. | :25:51. | |
very good. Do you think there is a concern the performance might take | :25:51. | :25:54. | |
over and the judges might not see the technical side too. Is that the | :25:54. | :25:59. | |
danger? It's good Mark has something special about him and he should use | :25:59. | :26:02. | |
it because that's his strength but I'm focussing more on dancing and I | :26:02. | :26:05. | |
it because that's his strength but do want to show how good he is as a | :26:05. | :26:12. | |
dancer. So dancing is a priority. Iveta said first off, let's have | :26:12. | :26:18. | |
some fun, tell a story but make sure the steps you do are good steps. You | :26:18. | :26:22. | |
always have been concerned about making sure that we dance properly. | :26:22. | :26:27. | |
And you are. Thank you. Keep it up. We like it. Speaking of Iveta, we | :26:28. | :26:30. | |
And you are. Thank you. Keep it up. haven't been able to help but notice | :26:30. | :26:34. | |
in the training footage that it seems your own performance might be | :26:34. | :26:42. | |
slightly distracting. Look at this! Introducing Iveta's new album, | :26:43. | :26:48. | |
featuring songs such as... # I'm so excited | :26:48. | :26:58. | |
# Good, so bad, I got you # Since you took your love away | :26:58. | :27:07. | |
# When I was young # I never needed anyone | :27:07. | :27:15. | |
#... # Remastered for your listening | :27:15. | :27:20. | |
pleasure. It's worked, I'm ready. The album does not exist and is not | :27:20. | :27:27. | |
available to buy anywhere ever fact! We want more of that! | :27:27. | :27:33. | |
This week let's talk about romance. It's the week of love and you guys | :27:33. | :27:37. | |
have a great dance. He's gone! | :27:37. | :27:39. | |
LAUGHTER We may need backup. You have | :27:39. | :27:43. | |
American smooth which is a joy. How is it going? Pull yourselves | :27:43. | :27:49. | |
together! Yes, it's completely different to | :27:49. | :27:52. | |
salsa, it's back into hold and control and much slower, so it has | :27:52. | :27:57. | |
different problems but we are going to go for it, aren't we? She can't | :27:57. | :28:02. | |
actually speak. Can we have a song, please? | :28:02. | :28:06. | |
You have given Mark some tricky choreography and he's carried it off | :28:06. | :28:11. | |
brilliantly. I'm sure you are not going to let up on him? Yes, every | :28:11. | :28:16. | |
Monday I hear the same thing, this is so much harder than the dance | :28:16. | :28:22. | |
before. But he does that every single Monday, so we think, that's | :28:22. | :28:25. | |
fine then, tomorrow will be OK. He's like an emthat cup in dancing and I | :28:25. | :28:33. | |
keep pouring and it goes into his body on Tuesday. | :28:33. | :28:37. | |
It will do by Saturday. You are a wonder together. Brilliant. Can't | :28:37. | :28:43. | |
wait to see your American smooth on Saturday. That is it for today. Big | :28:43. | :28:46. | |
thank you to all my guests. Tomorrow, Sophie and Brendan, | :28:46. | :28:51. | |
Vanessa and James and car enand Dave will be here. | :28:51. | :28:54. | |
More with the special wand too. | :28:54. | :28:57. |