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Is it time? I have been waiting for this. We are back! | :00:41. | :01:31. | |
We're back and we're live for a brand spanking new series | :01:32. | :01:39. | |
So if you haven't already, dig out your sequins, | :01:40. | :01:53. | |
lather yourself in fake tan and join us for the next 12 weeks for all | :01:54. | :01:56. | |
We've got 15 totally amazing new celebs and their partners, | :01:57. | :02:05. | |
Alison and Aljaz, Simon and Kristina and Judy and Anton. | :02:06. | :02:20. | |
Plus, back by popular demand, it's Dame Karen Hardy. | :02:21. | :02:27. | |
And our celebrities are not the only thing that's new this year. | :02:28. | :02:30. | |
Before we meet tonight's guests, let's take | :02:31. | :02:42. | |
a look back at what proved to be an incredible first weekend full of | :02:43. | :02:45. | |
Ladies and gentlemen, are you ready? It is always nice to start the night | :02:46. | :03:03. | |
with a glass of champagne. That was sparkly, fizzy, effervescent...! It | :03:04. | :03:17. | |
was cheeky, it was fun. I am impressed, actually. You want to | :03:18. | :03:24. | |
watch, definitely. I thought for a very difficult times you did very | :03:25. | :03:34. | |
well. The robotic, neurotic, euphoric... Or was it Pixie? I | :03:35. | :03:43. | |
thought that was terrific. I think you had a future in this | :03:44. | :03:48. | |
competition. You will go far. That is one of the most confident | :03:49. | :03:52. | |
performances for the first time I think I have ever seen. The wild | :03:53. | :04:01. | |
one! Somewhere between Popeye and Marlon Brando! I was exhausted | :04:02. | :04:09. | |
watching you. So much energy. And you gave that, you really did. You | :04:10. | :04:16. | |
were so caring. You are treating her as if she was made of glass. Like a | :04:17. | :04:23. | |
child on its first dance. The operation is over, the patient is | :04:24. | :04:26. | |
still alive. You will be back next week and I look forward to seeing | :04:27. | :04:31. | |
you. It did leave a lingering sweet aftertaste. A beautiful feeling | :04:32. | :04:38. | |
throughout the dance. You are a joy to watch. You have such a wonderful | :04:39. | :04:44. | |
spring he bounds. It is like a frisky rabbit! -- springy bounce. | :04:45. | :04:50. | |
She doesn't need an excuse to get up early each morning, | :04:51. | :04:55. | |
but we've given her a very good one - a certain six foot Slovenian! | :04:56. | :04:59. | |
It's Alison Hammond and her dancing dreamboat, Aljaz Skorjanec. | :05:00. | :05:14. | |
Hello, gorgeous! He smells really good. It is like musty spice. I like | :05:15. | :05:45. | |
it. It is like cats and it! On the show you were television joy. Were | :05:46. | :05:50. | |
you loving it? Isle, Zoe, it was brilliant. I just loved it. I went | :05:51. | :05:59. | |
into another zone. It was like my alter ego. You were so good. What | :06:00. | :06:06. | |
did your boy make of it all? Did he enjoy it? He is the coolest kid in | :06:07. | :06:11. | |
school because his mum is doing strictly come dancing. He loves it. | :06:12. | :06:19. | |
He was glued, apparently. Afterwards he rang me and said I was the best. | :06:20. | :06:27. | |
The judges were so full of praise for you. And Craig said something | :06:28. | :06:33. | |
positive. He said it was the most confidence for a week one performer | :06:34. | :06:39. | |
he has ever seen. Bass must make you feel great -- -- that must make you | :06:40. | :06:44. | |
feel great. I was just enjoying it. I wanted to enjoy it. For me, it was | :06:45. | :06:49. | |
like it was just me and you in the rehearsal room. When he looks at you | :06:50. | :06:57. | |
like that, it makes my knees go funny! Alleluia, Ali as! You are the | :06:58. | :07:09. | |
reigning champion. High expectations of you. Good first week. The film | :07:10. | :07:17. | |
the pressure? Always. You never know what is going to go right or wrong. | :07:18. | :07:20. | |
It is always a high expectation for older of the professionals. But | :07:21. | :07:24. | |
coming back as a champion, more sometimes. We are having so much | :07:25. | :07:29. | |
fun. Honestly, it is going to be a right. I have to say, when you were | :07:30. | :07:35. | |
in the training room, we are watching you 20 47, we are in your | :07:36. | :07:42. | |
knicker drawer and everything! There is a little something that is | :07:43. | :07:45. | |
hindering your concentration just a little bit. | :07:46. | :07:56. | |
Well! He is one beautiful guide, isn't he? Hot! I get distracted by | :07:57. | :08:16. | |
your body. I love when you do that. Oh, my God! I don't want to take my | :08:17. | :08:21. | |
eyes off you. Is there any where you can make yourself ugly? Do that and | :08:22. | :08:30. | |
I will go away! He is so good. I hear he is not all | :08:31. | :08:42. | |
perfect? He does have sweaty palms. If you remember at the end of the | :08:43. | :08:47. | |
dance he had to go through my legs, and sometimes he slipped out of my | :08:48. | :08:51. | |
hands. He is so slippery. The one thing that had to go was my long | :08:52. | :08:57. | |
nails. I was gutted. I could not gripping. They are a bit clammy now. | :08:58. | :09:09. | |
Nobody could possibly be perfect. Foxtrot this week, how is it going? | :09:10. | :09:16. | |
It is a hard one for me. Obviously my body is not made for a foxtrot. | :09:17. | :09:23. | |
My body is made for a Latin. We have only done a couple of hours today. | :09:24. | :09:33. | |
We have got the frame going on. If what I saw you doing after two hours | :09:34. | :09:38. | |
earlier was it, you are going to be good. | :09:39. | :09:44. | |
After weeks of training, our 15 couples took to the dance floor at | :09:45. | :09:47. | |
There were nerves a plenty and, as always, the It Takes Two team | :09:48. | :09:52. | |
were lurking backstage to capture all the drama as it happened. | :09:53. | :10:02. | |
I don't usually get nervous. But for this I am really nervous. | :10:03. | :10:19. | |
Still going wrong little bit. But it is better than it was yesterday. | :10:20. | :10:30. | |
I realised the hair was a bit too heavy to spin. I feel nervous for | :10:31. | :10:35. | |
the comments of the judges because I am not the best dancer here. I have | :10:36. | :10:40. | |
a lot to learn. But surely that is the idea? I am feeling a bit | :10:41. | :10:51. | |
nervous. I have seen at the start of Tim's number there are some new | :10:52. | :10:54. | |
shoes on the table. I am superstitious. May I wish everybody | :10:55. | :10:57. | |
good luck. I am the kind one. I didn't fall over. I didn't make a | :10:58. | :11:26. | |
complete idiot of myself, yet. I am feeling a bit more nervous. I will | :11:27. | :11:34. | |
not sleep tonight. I will try. See you later. | :11:35. | :11:44. | |
I could not sleep. Could not stop thinking about it. As long as I am | :11:45. | :11:48. | |
not the last person on tonight. I will be a gibbering wreck if I am. | :11:49. | :12:00. | |
I need more billing, I need Morse sequence. Straightaway she is on it. | :12:01. | :12:09. | |
-- I need Morse sequence. It has made me more nervous, I think. Shall | :12:10. | :12:14. | |
we put this down? May give us bad luck. | :12:15. | :12:19. | |
We can do this. We can get from start to finish and not fall down. I | :12:20. | :12:26. | |
love Simon's dance. I wanted to get up there and dance with him. I am | :12:27. | :12:35. | |
struggling with my nervous big-time. -- nervous. | :12:36. | :12:39. | |
Last night was like an hors d'oeuvre. Now we are onto the | :12:40. | :12:49. | |
course. Ten minutes to showtime. I am dancing! We're going to dance | :12:50. | :12:59. | |
together whether you like it or not! I don't want my routine going | :13:00. | :13:02. | |
through my head right now. I do not want to overthink it. | :13:03. | :13:15. | |
Everyone did such an amazing job. This whole first two days has been | :13:16. | :13:22. | |
brilliant. Brilliant. I loved every second of it. I cannot wait until | :13:23. | :13:29. | |
the next one. I love the way Gregg kissed Scott on | :13:30. | :13:31. | |
his head. As a member of Blue, | :13:32. | :13:33. | |
he's one quarter of one of He's used to dreaming of number one, | :13:34. | :13:38. | |
but now all he wants is It's Simon Webbe and his partner, | :13:39. | :13:42. | |
Kristina Rihanoff. Hello, my darlings! Welcome to the | :13:43. | :14:12. | |
show. Thanks for seeing us at such short notice. Jumping Jack Flash, | :14:13. | :14:18. | |
that was epic, your performance. And you had to wait right until the end. | :14:19. | :14:24. | |
It was so good. You seemed to be a little bit disappointed. Why? | :14:25. | :14:30. | |
Because technique has been drummed into me. That is exactly what the | :14:31. | :14:36. | |
judges said I did not have. I don't know what he is talking about! I am | :14:37. | :14:42. | |
so proud of you. To do this jive at this level in the first week, it is | :14:43. | :14:47. | |
amazing. After I saw back, I was smiling. I think there is so much to | :14:48. | :14:57. | |
worry about me show. The judges loved your choreography. You do not | :14:58. | :15:06. | |
skimp. You through so much in there on the first week. I just got | :15:07. | :15:12. | |
excited. Working with Simon has been a dream come true. He is so great. | :15:13. | :15:18. | |
He is a good pupil. He listens, he tries hard. Yes, boss. I am the | :15:19. | :15:27. | |
boss. Is she a bit scary in the training room? Scary to yes. When | :15:28. | :15:34. | |
she puts her hands on her hips and looks up at me. I have to come down | :15:35. | :15:40. | |
to her level and asked if she is giving me a dirty look. It is just | :15:41. | :15:47. | |
as she looks at people! -- how she looks at people. Is he a good pupil? | :15:48. | :15:53. | |
Amazing. I'm so grateful for the opportunity to work with someone | :15:54. | :15:57. | |
like Simon. We concentrate, we work hard, but he has a great sense of | :15:58. | :16:02. | |
humour. He cracks some jokes. It is a great environment to work in. | :16:03. | :16:10. | |
It was so lovely to see the boys cheering you on. How different is | :16:11. | :16:17. | |
it? When you go on a big stage... I won't sing! | :16:18. | :16:25. | |
When you're in a band, you've got other people to rely on. If you mess | :16:26. | :16:30. | |
up, people don't really notice. When it is by myself, I am exposed. What | :16:31. | :16:36. | |
is nice is the only person I heard was Anthony - go on, son! | :16:37. | :16:43. | |
I hope they will come every week. Get them on the Friday panel as | :16:44. | :16:46. | |
well. Liam has asked. He's fallen in love | :16:47. | :16:53. | |
with about ten dancers. This week it is the tango for you. A totally | :16:54. | :16:58. | |
different feel. How is he taking to it? We tried a couple of steps. We | :16:59. | :17:03. | |
have not had much time. He's doing well. It is just about the character | :17:04. | :17:08. | |
really. He's a very happy personality. The tango has to be | :17:09. | :17:15. | |
very aggressive and very moody. So: It is not you! | :17:16. | :17:21. | |
Moody, maybe! Give us a moody face. I can imagine you having a trap | :17:22. | :17:24. | |
trum. Oh! | :17:25. | :17:29. | |
Hang on a minute! It is going to be good! | :17:30. | :17:37. | |
APPLAUSE I tell you... She was a professional dancer on the show for | :17:38. | :17:42. | |
four years and won in 2006. Yes, the excitement is building to an | :17:43. | :17:50. | |
almighty climax in the studio as the former World Masters Champion | :17:51. | :17:56. | |
returns to Choreography Corner - it is Karen Hardy. | :17:57. | :18:04. | |
APPLAUSE Come on, lady! She's back! Do you like the cushions? It was | :18:05. | :18:17. | |
nothing to do with me! Who is responsible for this? He knitted | :18:18. | :18:24. | |
them himself! Can I say, I have missed you. How have you been? I | :18:25. | :18:29. | |
have been well. So well, people might think I have been eating lots | :18:30. | :18:33. | |
of pies, I have not. I am delighted to announce - today I am officially | :18:34. | :18:36. | |
20 weeks pregnant. Yes! | :18:37. | :18:46. | |
If you have any strange cravings we have many things - congratulations. | :18:47. | :18:50. | |
You look well, you look amazing. 15 couples to get through. We'll have a | :18:51. | :18:54. | |
double dose. Friday's couples today and tomorrow we will talk about | :18:55. | :19:02. | |
Saturday's couples. Let's start off with Caroline Fire-Cracker Flack. So | :19:03. | :19:07. | |
good. As soon as she slapped her thighs. I was like, when a woman | :19:08. | :19:13. | |
slaps her thighs, she means business. They winged and moaned | :19:14. | :19:18. | |
about a mistake. Why did they pick up on that? Why didn't they pick up | :19:19. | :19:22. | |
on, look at the speed of the turn! Look at those legs. What Pasha can | :19:23. | :19:28. | |
do with those legs I can not begin to tell you. Think I a dark horse | :19:29. | :19:33. | |
for me. I never thought it would be Caroline opening up Strictly 2014. | :19:34. | :19:37. | |
She stole the show for me. First class. | :19:38. | :19:43. | |
Come on, girl! Now, on to our proper chap - Tim and Natally - I love him. | :19:44. | :19:49. | |
He is glorious. The judges gave him a hard time about poor footwork. | :19:50. | :19:53. | |
Talk me through the performance. It is week one. I love this man. He is | :19:54. | :19:58. | |
beautiful. You know what, everybody will have bad footwork. We all know | :19:59. | :20:03. | |
and for those who are only getting into Strictly Come Dancing, Latin | :20:04. | :20:07. | |
should be toe-leads. He was doing heels. Then Craig went on about the | :20:08. | :20:11. | |
gating action, which is what we see here - New York actions, which is | :20:12. | :20:17. | |
when we're in harmony with our partners and opening out together. | :20:18. | :20:21. | |
We should brush our legs. It did look like he was riding a horse, but | :20:22. | :20:25. | |
it is week one! He is a gorgeous gentleman. Do you | :20:26. | :20:29. | |
know what I love most? The personality between these two. It | :20:30. | :20:32. | |
reminded me of Bill and I when we were together and the public loved | :20:33. | :20:36. | |
chemistry like that. He could be here for a while. Let's talk about | :20:37. | :20:40. | |
someone they are calling the dark horse of this competition - he wowed | :20:41. | :20:45. | |
everybody - Jake and Jeanett - what a tango! Len was saying such great | :20:46. | :20:52. | |
Corrieing graphy and a lot of steps to -- choreography and lots of | :20:53. | :21:01. | |
steps... Drags, the head flicks and the drama. The pivots, that is what | :21:02. | :21:11. | |
I saw. He nailed them fantastically. We had beautiful foot swivels, but | :21:12. | :21:16. | |
the drama was amazing. So, I am, do you know what - shall we do a dance | :21:17. | :21:23. | |
demo here. Look, while I can. I have got to shake my little booty around! | :21:24. | :21:31. | |
Side view! The official mirror ball is here. | :21:32. | :21:37. | |
Tango - what was interesting is how clever the professionals are with | :21:38. | :21:42. | |
their choreography. Tango should be in the knees, very, very low. We are | :21:43. | :21:47. | |
not always aware of the technical foot position, of where one foot | :21:48. | :21:49. | |
should be placed in front of the other one. I know your tango was | :21:50. | :21:55. | |
incredible. What was interesting... 1968 that was! So long ago! Jake was | :21:56. | :22:04. | |
quite high. You could argue was he stomping? What I loved is how clever | :22:05. | :22:12. | |
is Jeanett with the choreography. He just got whipped up into the whole | :22:13. | :22:20. | |
emotion. Loved it. Judy and Anton - a class coupling if ever I saw one. | :22:21. | :22:25. | |
Lots of judges are saying the waltz is a very difficult dance. How did | :22:26. | :22:31. | |
she do? For some reason people will say she's the Marmite lady. You will | :22:32. | :22:36. | |
love her or not warm to her. She is so an gel lick. She is gorgeous. I | :22:37. | :22:43. | |
had to pop in the bagpipe there. It was gorgeous. What you need to look | :22:44. | :22:46. | |
at is this freeze moment here. They talked a lot about her top line. Do | :22:47. | :22:50. | |
you know what, again, it is week one. They picked on Tim's feet and | :22:51. | :22:56. | |
Judy's top line. Can you see the crowning? That is what we talk about | :22:57. | :23:00. | |
- the lady needs to be pulled all the way back. We want the elbows | :23:01. | :23:04. | |
lovely and wide and in front of our body at all times. In the beginning, | :23:05. | :23:09. | |
when the nerves that would have been going on. I know - it is so | :23:10. | :23:16. | |
frightening. I think Anton was loving dancing to the man with the | :23:17. | :23:21. | |
bagpipes. He was in a World Championship moment and forgot about | :23:22. | :23:26. | |
Judy at that moment. She is gorgeous and is a sports lady. She will not | :23:27. | :23:31. | |
like being told she is wrong. I know you are this chap's number one fan - | :23:32. | :23:37. | |
Scott Mills, we adore him. Bottom of the leaderboard on Friday. Did he | :23:38. | :23:41. | |
deserve this? I am smiling. I am happy with what he did. I am a | :23:42. | :23:48. | |
massive fan. I was telling everybody when they launched he was going to | :23:49. | :23:52. | |
be on the show. When you resort to air punching, it is not good. So, of | :23:53. | :23:59. | |
simple - we have to find his me Joe. He's in the music -- mojo. He's in | :24:00. | :24:06. | |
the music world! Pixie - three seconds. How did she do? Amazing. | :24:07. | :24:12. | |
Hips flicking, legs flicking A gorgeous new parter in. Bring on the | :24:13. | :24:19. | |
choreography! Congratulations on your news! See | :24:20. | :24:24. | |
you tomorrow. Yummy mummy - love that. She is used to being the | :24:25. | :24:30. | |
coach. Let's find out what it is like to have the tennis tables | :24:31. | :24:37. | |
turned. We have our beef cake - it is Anton du Beke. | :24:38. | :24:44. | |
Hello, my darlings! Welcome, welcome! Lovely to meet you. Well | :24:45. | :25:04. | |
done. Can I just say, loved your performance on Saturday. Judy, the | :25:05. | :25:08. | |
best thing - you were smiling throughout. Even when the judges | :25:09. | :25:12. | |
were giving you a hard time you were still smiling. Did you have a | :25:13. | :25:16. | |
thoroughly good time out there? I had the best time. I thought I was | :25:17. | :25:22. | |
going to be dreadful. My goal was to not trip and I worried about | :25:23. | :25:26. | |
forgetting the sequence. But to go out there and the bagpipes, and my | :25:27. | :25:31. | |
amazing partner, in his kilt, it was just a dream. It is quite | :25:32. | :25:36. | |
overwhelming! Little old me! | :25:37. | :25:41. | |
Did your lovely boys, Andy and Jamie - did they see the show? What did | :25:42. | :25:48. | |
they make of it? Jamie's wife recorded it with their phone off the | :25:49. | :25:52. | |
television. The boys were away. When I woke up the next morning they had | :25:53. | :25:56. | |
seen it. Jamie said to me, don't worry about the marks, mum, it is | :25:57. | :26:02. | |
important not to peak so early. I love that support. And Anton, how | :26:03. | :26:06. | |
did you think that Judy did on the floor? Craig said he felt you were | :26:07. | :26:11. | |
dragging her around the floor. W retort? I thought she was Best In | :26:12. | :26:16. | |
Show. How beautiful: I thought we looked | :26:17. | :26:23. | |
amazing. We! You with the thing and the hair and | :26:24. | :26:28. | |
everything... Beautiful! Tartan sash... How did you enjoy the | :26:29. | :26:39. | |
kilt? I I enjoyed the updraft! How pleased were you with Judy? You | :26:40. | :26:43. | |
cannot explain what that is like - that first week in front of the | :26:44. | :26:47. | |
judges. You think you know the routine. Suddenly Dedicoat's voice | :26:48. | :26:53. | |
comes on. And then you are off. It is the most nerve-racking thing in | :26:54. | :26:56. | |
the world. You cannot prepare for that. But I thought Judy did | :26:57. | :27:03. | |
incredibly well. She was calmed and danced nicely. I was really pleased. | :27:04. | :27:08. | |
Never danced before, or perhaps that may be a little porky because today | :27:09. | :27:12. | |
we saw this incredible photograph. Look! Who is that? Is it Anton? How | :27:13. | :27:20. | |
old were you there? Even. Shortly before my mum was asked to remove me | :27:21. | :27:25. | |
from the dance class for being disruptive. Fantastic! I knew you | :27:26. | :27:30. | |
were a bit naughty like that. This week you move on from the waltz to | :27:31. | :27:34. | |
the cha-cha-cha. Tell me how that is going? What do you have in store for | :27:35. | :27:39. | |
Judy? We have a lovely thing prepared. We have some | :27:40. | :27:49. | |
towel-ography. We are going full out. I might employ the kilt again - | :27:50. | :27:55. | |
I don't know. I am thinking of you in a kilt drying your... No, it | :27:56. | :27:59. | |
won't be that! Keep that thought. How do you feel | :28:00. | :28:03. | |
about the Latin? We have only just started. I like the speed of it. He | :28:04. | :28:08. | |
tells me I have got to be flirty and sexy and that is not really my | :28:09. | :28:11. | |
thing. The biggest challenge for me is the heels. I am used to being in | :28:12. | :28:16. | |
trainers. Being high newspaper the shoes, I find it difficult to keep | :28:17. | :28:20. | |
my balance. That is a big challenge. It has been good fun so far. I think | :28:21. | :28:26. | |
you do it really well. She has great pins. | :28:27. | :28:31. | |
And she makes a lovely line with the legs and the shoes. It is great. I | :28:32. | :28:34. | |
am looking forward to this. Enjoy it. I love you as a couple. | :28:35. | :28:44. | |
Join us tomorrow at the same time when I'll be | :28:45. | :28:50. | |
chatting to pop princess Pixie Lott, Rugby hunk Thom Evans and | :28:51. | :28:53. | |
Plus Karen Hardy returns for a second helping | :28:54. | :28:57. |