Episode 2 Strictly - It Takes Two


Episode 2

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Hello. We will be chatting to the charming Tim and Natalie. Also, the

:00:00.:00:13.

gorgeous Pixie and Trent. Check out the shorts! You look amazing. Also

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tonight, it will be the... Oh! Hello. Thom and Iveta. I'm going to

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have a lie down! From London, this is Strictly: It

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Takes Two. Please welcome your host, Zoe Ball!

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APPLAUSE Hello. And welcome to It Takes Two.

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As always, we will be bringing you bang up-to-date with the Strictly

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backstage gossip, the tears, the tantrums, the twirls and the tangos.

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Karen Hardy is here to shed some light on any choreography quibbles

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from Saturday's show. First to join us on the sofa, it is pop princess

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Pixie Lott and new boy, Trent Whiddon.

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APPLAUSE # Girls just want to have fun. End

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# Welcome to the show. Total props for

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a seriously jumping jive. It was incredible. You certainly impressed

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the judges. Let's remind ourselves. Another great debut. I do feel,

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though, because you have so much ability, I could have seen a lot

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more leg action and bounce. I can't wait to see what you will do next.

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What I'm saying is, it wasn't perfect. It was great. A lot of

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energy. Lots of content. I thought that was terrific.

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7. 6. 7 7. When did you first watch it back? I

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tried to watch it on the way home in the car. It was like a little

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YouTube clip and they were so blurry. I got my friend to get her

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mum to film on her phone. When it came through, it was so pixelated!

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Get in! Sorry. I couldn't see it. It was worth the wait. And Craig said

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he thought something happened. Was there something? It was. They are

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going to show it now! Oh man! That was the little bit I was dreading. I

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was fine in the rehearsals. On the day, I was like, Trent, that bit, my

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foot kept going sticky! I was, like, I don't know, freaking out. There

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was a high kick. And I was nervous. It is so fast, I couldn't get the

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high kick in. It takes a while to get unthere. -- up there. You have

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got long legs? I freaked out. So I thought it would slip by the judges,

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but it didn't. The thing is, that was the tiniest bit. The standard is

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so good, they will be quite picky? I didn't realise they would be on the

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first week. I know. Everybody was so good that they were forced to do

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that. Shall we get to know Trent a little better? We don't know much

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about him. Have a look at this. I love your jacket. I'm a dance

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champion from Australia and I'm super-excited to be here on

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Strictly. Since I was a kid, I have trained in ballroom, Latin, jazz,

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hip-hop, ballet, you name it, I have done it. I love dancing because that

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is where I am free to be myself. Becoming a professional dancer was

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ridiculously hard. I have come to take the Glitterball! That is

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fighting talk. He is serious about this. How difficult was that routine

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for him to give you first week? Jive is notoriously difficult and the

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speed of it. Was that difficult for you to learn? Jive is a really hard

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one. Apparently, they are all hard. I have to wait and see what is in

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store. But I think because it is so I have to wait and see what is in

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fast and, like, after every time I would do it, I would get so out of

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breath. Sitting on the floor... I collapsed each time at the end. But,

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yeah, it is really fast and also when Darcey was saying, "I want to

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see more bounce." It is like that bounce that you have to capture.

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There is a lot in there, you have the nerves, the energy, the speed of

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it and the bounce. You two will be great. Next week, the waltz. How is

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that going? Have you tried it out yet? What do you think? We had our

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first trial today of learning the routine. Yes. And I think it's a

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beautiful dance. I really, really want to get it right. I feel, like,

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Darcey would like this one. She is like a ballerina. So, I want to make

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sure that we don't let her down. It is so hard with the posture and now

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I know how technical they are, I can't do any slip-ups. You did the

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waltz. Ian always used to say, he would push my head up. If he has

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terrible breath, you will be fine! That is one of the tips we are going

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to use. I love your energy. You two are adorable. Welcome to the show,

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Trent. Good luck with your waltz. Pixie and Trent. Thank you.

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APPLAUSE Now, if you like us are already

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missing the glitz, the glamour, the sparkle and the Spandex and can't

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wait until Saturday night, we have a treat for you now. This is a look

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behind-the-scenes of the most glamorous shoot in town. Roll the

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titles. Action! It is my first step with my

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scary teacher. I don't know what I'm doing. We

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shoot it against a green-screen because I can replace the background

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with the ballrooms and the scenes which make up the title sequence. If

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we mess it up, we are looking rubbish for the whole series!

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With the cheesy grin. Of course! Get away! It's fun. It is like starting

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a brand-new job and you don't know what it is about. Trying to look as

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effortless and stylish as possible. Whether I do that is another thing.

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That was so sharp, I almost cut myself! I'm loving my first day as a

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Strictly couple. It is like I have a temporary girl, maybe for a few

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months! Action! I'm in Janette's hands. She is the boss. I'm happy.

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I'm on his lap! Cut! So, at the moment, we are behind-the-scenes on

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the idents, the bit where they say this is Alison and Aljaz. She really

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enjoys dancing. It should be a good series. I'm making the lights smash!

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He makes me laugh so much. I really struggle to do anything without

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giggling. Definitely going to need to work on my kicks. He is showing

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me up! APPLAUSE

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Weren't they beautiful? He's big, he's brave and he's got great ball

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skills - three things that will not help in the ballroom! They do make

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him a hell of a catch! We are delighted to welcome Thom Evans and

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Iveta Lukosiute! APPLAUSE

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# What a man # What a man. #

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I enjoyed your wonderful waltz at the weekend. It was stunning. How

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did it feel out there, Thom? It was amazing. I was happy to get through

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it. I felt like I kind of let my nerves get the better of me. It was

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such an amazing experience, you know, the band, the audience,

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awesome. It was. You got carried away. Then the judges said that

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perhaps you played it a bit safe. Was that a bit of a blow when you

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have had that lovely moment and you hear something like that? I think I

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- I looked quite - I slightly messed up a bit which Craig picked up on.

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I'm happy to get through it. It was such a lovely experience to dance

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with her. She makes it very easy. Iveta. She is hot! We love her.

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Let's remind ourselves of your performance at the weekend. It was a

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bit careful in places, but I do understand that. You want to get it

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neat and dainty. It was so kind, so caring. You tried so hard to get

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everything right. I found it almost moving. I think you let Iveta down

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slightly when you did that promenade turn with her. But I did love it. 5.

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6. 6. . -- 6. Good job. Week one is done.

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APPLAUSE She said good job. I have missed

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you. I'm so excited to see you again. Craig was saying that maybe

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Thom didn't take control. I find it hard to believe that Thom would not

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take control of the situation. What did you think? I think Thom did take

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control and he was there for me all the time. I think for the first

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dance he had a very tough job to do because he had to be not in the

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comfort zone, half his arms, leading the lady, know where to go, think of

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the footwork. And also not look at me for comfort. I'm the only friend

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on the dancefloor. He had to look at a different direction. He's been

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told to. It's a very tough job. I'm very, very proud that he

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accomplished all the things we worked on, so he was there and he

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didn't let me down and he did amazing and I am very proud of him.

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That was like an Oscar speech! I love it. She is right. After, when

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you dance, you get to look at each other. With ballroom, you have to

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look off. Whenever I have danced with a girl in the past, I like to

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look at them. If we were dancing, I would look at you. Stop! And it

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was... Not if, when! I'm kidding. Any way, how is training going

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together? How is it in the training room? Is he a good boy? Does he

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listen to you? He's a very good boy. He listens. He does everything I

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say. Yes, he is a very hard worker. He is very attentive. Very focussed.

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He is an athlete. So I think our training is very similar, so it is

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very easy for me to work with Thom and I'm sure it's vice versa. The

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sportsmen and dancers, they have a similar mentality. We have had a

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look into your training room. It does seem that Iveta, your dance

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analogy gets lost in translation. Have a look. Star Trek ears. Like

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Star Trek ears. All the time. It is like holding twins, use your inner

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thighs, like magnets. In the movie theatre, when you go excuse me,

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excuse me. Like a fruit punch. I do like a fruit punch. It looks like a

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Martini glass. Legs like an expensive car, what do you call

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them, the balloon starts like... Deflating. Don't deflate! APPLAUSE

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Iveta, you make me die laughing! Doesn't it help? It does. I like the

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way my favourite is where she says body. It is like from a Bruce Willis

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film, Die Hard. This week, from the waltz, to the salsa. It is a sexy

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dance. It must be hard to make Thom be sexy(!) How is it going? Are you

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crying? I am. I cannot wait to do the salsa. For me, just the up tempo

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song will really bring out the sexiness in me as Bruno was talking

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about. I felt like the waltz, it was hard to do that, especially in the

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first dance. I can't wait. Let it rip! Come on, Thom! It will be

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brilliant. Are you promising? He is a very fun guy. In salsa, you will

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get to see his fun side of his personality besides the sexiness and

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his looks. I am looking forward... I love you two! Good luck this

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weekend. Thom and Iveta! APPLAUSE Null it is time to take a

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closer look at those Saturday night performances and who better to talk

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us through the good, the bad, the down right dis-aaa-strous, it is the

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queen of choreography herself, Karen Hardy.

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Oh and a shimmy! What more could you want? Pillows are back! If they

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offend you, you can turn them around. That's an interesting shot.

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Is that me thinking about Craig? Clearly! Let's talk about Saturday.

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We will talk about the opening to the show, the gorgeous Mark Wright.

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The judges said it had too much energy. Is that possible? You

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The judges said it had too much never have too much energy. Week

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one, all that energy will be building up. You have to let it go.

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one, all that energy will be For me, this was a chance for Karen

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to really show off and pressurise some of the competitors. This is

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what my man can do! Potentially, it wasn't too much energy. There could

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have been a lot more content. OK. What did you think of his

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caterpillar? I loved it. For those of us that remember Darren Gough

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doing that, that was brilliant. Technically, like Mark, not as

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strong, but he captivated the audience. That is what we will see

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with another Mark and Karen. OK. Aljaz and Alison. The judges loved

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Alison's energy. She was wonderful out there. A few comments on flat

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footwork. They are picky. This is a woman that is a real woman and I

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have chosen the step here, the Cuban break into the back, her energy, her

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rhythm. Rhythm, if we remember, means a regular occurrence of

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accented beats. Her body just oozes rhythm. It just keeps ticking away,

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so talking about ticking away, I will get up and tick for two seconds

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on our little dancefloor! Come on. We will look at those Cuban breaks.

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What we normally get week one is this. And we have seen some of them

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do it. Oh no, not Alison. She had the lovely feet going. She had the

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ticking of her body, the body was oozing and she was just loving it. I

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could watch you do that all night. We have to move on. The feet will

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improve. They weren't complaining, they were saying it needs improving.

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Good stuff. Let's talk about our wild man and his serious tango,

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Steve and Ola. His muscles were a massive talking point amongst the

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judges. Can there be such a thing as too big? Never! Look at these

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muscles. Now, we are talking about a tango here which does mean the hold

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comes a bit further around the lady, so rightly so, he's got this hold

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right, he's crowning a little bit. Look at the pivots. To control Ola

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takes a strongman. -- strong man. I think that will grow. Later on in

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the ballroom, when the tail suit is on, he needs to round back a bit.

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Bring on the muscles. Thom and Iveta. The judges said he played it

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a bit too safe? I will never say anything bad about this man. The

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looks alone. Look at him. What we have to remember, waltz week one for

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a man is never a winner. Look at this. This beautiful standing spin.

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The team work between them already. The connection between the two of

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them. Maybe it was a bit quiet, but watch out what is going to come.

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It's a sportsman. You teach a sportsman technique, they store it

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and they will use it time and time again. They will get stronger and

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stronger and that is what we will see with Thom. OK. Sunetra and

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Brendan. Bruno says she has a wonderful bendy back. Her hold was a

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bit wobbly. It is really hard to demonstrate. I have been working

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closely with Scotty in the editing room. He has done a lovely piece of

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work. She was really strong. This is a feisty lady. We will freeze here,

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can you see where the wobble started to kick in? We have the frame that's

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wobbling and Brendan's hand has had to come right the way around her

:19:46.:19:49.

back. What will happen, as they go into the next step now, she will try

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to recover, but there is a lovely slow motion that I have picked up,

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see her hand wobbling around? She pulls it back. She recovers. She

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corrected herself. Great. She pulls that top line in. We must not

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overlook this lady. She a tough character on her TV show. We will

:20:09.:20:11.

see great things from her. Go, Sunetra! Let's talk about Gregg. And

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his cha cha cha with Aliona. Stop it! There were good bits in it. I

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love you, Gregg. Tell me what you made of his performance. I think

:20:28.:20:33.

this is a case of the cat's got the cream. Look at the bit I have got

:20:34.:20:37.

here. He just cannot take his eyes off of Aliona. He is all gooey. When

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we know him in another show, he is just bullying and, you know, he's

:20:44.:20:48.

got to get on and - he can't take his eyes off her. He's got to start

:20:49.:20:52.

practising what he preaches. He has to get tough. He has to pull in.

:20:53.:20:56.

He's got to give Aliona a run for her money. She will get much more

:20:57.:21:00.

excited then and then we will have a feisty two. OK. Frankie and Kevin.

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This was a beautiful moment. Bruno was so moved he was almost crying.

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Would you agree. Stunning? This is week one. She's been on tour, poor

:21:13.:21:16.

Kevin must have been running around all over the place. I have picked up

:21:17.:21:20.

this piece here. We are talking about the top line. She does a

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beautiful top line. She does the head roll and manages to maintain

:21:24.:21:29.

that gorgeous line and, oh, I just - what was accompanied with this, was

:21:30.:21:32.

not only the technical strength but the emotion and the pure innocence

:21:33.:21:37.

of it. It was just beautiful. We don't normally see it as gorgeous as

:21:38.:21:41.

that on week one. I know. Stunning. Well done, Frankie. Simon and

:21:42.:21:45.

Kristina. Huge amount of choreography in their jive. Simon

:21:46.:21:49.

did so well. The judges did pick up a little it bit on Simon's lack of

:21:50.:21:52.

point and retreat in his feet. What more can you tell us about that? I

:21:53.:21:56.

am here to defend our celebrities today. He was fantastic. If any of

:21:57.:22:00.

those judges start picking on him, they will have to contend with me!

:22:01.:22:06.

This kicking, I normally show you side by side. He is kicking in hold

:22:07.:22:11.

and then he's building up to a trick where normally the girls will go

:22:12.:22:15.

through the legs, but, no, he goes through, he does a flick as well.

:22:16.:22:20.

Fantastic. When - so everyone is clear, we don't overextend when we

:22:21.:22:24.

kick. He did it perfectly. You keep the feet lovely and soft. Otherwise,

:22:25.:22:28.

if they are too rigid, the timing of the kick will go wrong. So he kept

:22:29.:22:33.

it lovely and free. If he had a bit more time, we could have had that

:22:34.:22:37.

retreat that they talked about. A little bit higher. They are

:22:38.:22:41.

nit-picking because it was so good. Standards are so high. Yes. Jennifer

:22:42.:22:48.

and Tristan. Jennifer was marked quite low, where did she go wrong? I

:22:49.:22:53.

think it came under the nice category. In marketing, you want to

:22:54.:23:01.

be fantastic or a di-sa-ster. She's so nice. And it means you will fall

:23:02.:23:07.

in the middle and she gets tense. This is really hard. But it is a

:23:08.:23:12.

wake-up call probably to her. I am hoping next week she will come back

:23:13.:23:16.

and go I realise how hard this show is and I'm in the running for it.

:23:17.:23:21.

That is her one week chance to get up and fight back. Thank you so

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much. Look after yourself and your precious cargo. See you next week.

:23:28.:23:31.

APPLAUSE They love you a lot. Having

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accumulated the most hours of training last week, our next pair

:23:35.:23:39.

had mixed reviews on Friday but they did make Bruno cry with joy. Please

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welcome Tim and Natalie. APPLAUSE

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# It's about the money # The money. #

:23:58.:24:06.

Hello, my darling. Welcome, legs! So lovely to have you back. Hello,

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chaps. Claudia said I would love you. Look at you. You are gorgeous.

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You are so far away. Whose legs are you talking about? Well, your legs!

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And look at your socks! They are marvellous. Shall we remind

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ourselves of your incredible performance at the weekend? Wasn't

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that fantastic? It was. It was cheeky. Fun. Surprisingly

:24:32.:24:37.

entertaining. If you can sell this, you can sell anything! Your gait, my

:24:38.:24:45.

entertaining. If you can sell this, darling, is extremely wide. Looked

:24:46.:24:47.

like you were wearing a soiled nappy.

:24:48.:24:53.

You come out full on with personality and you gave it

:24:54.:25:05.

everything! 3. 5. 5. 5. We got three 5s. We did!

:25:06.:25:12.

APPLAUSE Tim, the nation absolutely loved you

:25:13.:25:15.

out on that dancefloor. Even yourself, when you came off, you

:25:16.:25:18.

were like, that was fantastic! It was. It was so good. To do the whole

:25:19.:25:30.

thing without falling over, it was an achievement! Were you hoping the

:25:31.:25:33.

judges would agree with you? Naturally. He who punches first,

:25:34.:25:40.

survives. Most of them agreed. They did. Most of them agreed. Well, one.

:25:41.:25:47.

You entertained everyone. Everybody - the judges did enjoy it. Craig

:25:48.:25:50.

came in with a comment and by your own admission, it was a little bit

:25:51.:25:55.

below the belt? I felt anything connected with the underwear should

:25:56.:25:58.

not be mentioned on this quality of show. Never mind about that. That is

:25:59.:26:04.

history. And in fact if you unpick the embroidery of what he was

:26:05.:26:09.

saying, he was criticising some steps and kind of legs being in the

:26:10.:26:13.

wrong place which is perfectly fair, I think. Fair criticism. Yes. Taken

:26:14.:26:20.

on board. We will improve. We will. Sorry, I will improve! She can try.

:26:21.:26:26.

Lovely to have you back on the show. Thank you. We missed you last year.

:26:27.:26:32.

It is wonderful to have you back. They were talking about Tim's gait.

:26:33.:26:35.

What is wrong with Tim's gait, if anything? Can it be fixed? Anything

:26:36.:26:39.

can be improved and worked on. I was so proud that we got through the

:26:40.:26:43.

routine and we had an amazing time doing it. We have got a great dance

:26:44.:26:47.

this week, which will help improve that. And we have been working loads

:26:48.:26:51.

on technique and we will take anything that the judges, especially

:26:52.:26:56.

Craig, as constructive criticism and take it on board. And do as much as

:26:57.:27:00.

we can, really. That is what is so lovely about this girl. You can only

:27:01.:27:05.

go forward, onwards and upwards. The exciting thing for you, Natalie, is

:27:06.:27:11.

when you are in the training room, Tim comes in with some of his own

:27:12.:27:14.

moves for you to try out. His unique moves! Have a look. Tim has got this

:27:15.:27:23.

cool kind of quirky freestyle, it is so awesome! It is something I have

:27:24.:27:32.

never seen before. I love it. Like Mick Jagger but better! Funky! I'm

:27:33.:27:36.

known for being incredibly sexy and confident(!) You do come alive when

:27:37.:27:43.

you've got... Rhythm! APPLAUSE

:27:44.:27:49.

You are fast becoming a favourite. This week, you are doing the waltz.

:27:50.:27:54.

How is it going? We havele only just started. And I'm trying to get to

:27:55.:27:58.

grips with my hold. That is my beg problem at the moment. Yeah. What do

:27:59.:28:04.

you mean, yeah? To come from a cha cha, where you have not had to think

:28:05.:28:07.

about frame or anything, it is difficult. Like I say, it is early

:28:08.:28:14.

days! I'm trying the hold. Then the business with the feet. She said the

:28:15.:28:17.

most important thing is the hold. So we got to grips with the hold. Then

:28:18.:28:21.

she said what about the feet? I said you never told me anything about the

:28:22.:28:25.

feet! I cannot wait, ladies and gentlemen. It is going to be

:28:26.:28:28.

wonderful. Tim, Natalie, good luck with your waltz. You are terrific!

:28:29.:28:35.

Tim and Natalie! A massive thanks to all of tonight's guests. Tune in

:28:36.:28:43.

tomorrow, I will be joined by Scott Mills, the cha-cha-mazing Caroline

:28:44.:28:46.

Flack and hoping to keep his emotions in check, the gorgeous Mark

:28:47.:28:49.

Wright, plus their professional partners and my old mate will be

:28:50.:28:53.

here with his Wednesday Warm-Up, Ian wait. Will you join us tomorrow?

:28:54.:28:56.

Yes? ALL: Yes!

:28:57.:29:00.

That went Alfie Wickers

:29:01.:29:03.

is the baddest teacher. There is no way you would actually

:29:04.:29:05.

put our lives at risk.

:29:06.:29:22.

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