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On It Takes Two tonight, there's me, Caroline, with | :00:07. | :00:08. | |
There's also me, Mark, and my amazing partner, Karen. | :00:09. | :00:15. | |
Let's not forget me, Scott, with my lovely partner, Joanne from Grimsby. | :00:16. | :00:18. | |
And finally there's me, The talented and dashing Ian Waite, | :00:19. | :00:21. | |
Oh, are we on? Right, it's time for It Takes Two. | :00:22. | :01:29. | |
Hello and welcome live to It Takes Two. | :01:30. | :01:31. | |
Here are our Class of 2014, and our board has obviously been inspiring. | :01:32. | :01:35. | |
Susan Drew and Jo from Truro College - hats off to you - look at this! | :01:36. | :01:40. | |
Well, we've got another show full of Strictly exclusives to fulfill | :01:41. | :01:53. | |
Kicking us off, they had the daunting task of opening Friday's | :01:54. | :02:03. | |
It's TV presenter Caroline Flack and her partner, Pasha. | :02:04. | :02:22. | |
CHEERING Come on! An entrance to Shaggy. Good | :02:23. | :02:33. | |
to see you. Hi Caroline. Oh my Lord, you were so amazing on Saturday | :02:34. | :02:38. | |
night, I spat my teeth through my teeth. Welcome to It Takes Two. | :02:39. | :02:43. | |
After your dance the other night, Len said, always good to start a | :02:44. | :02:48. | |
show with a bit of champagne. The one thing we do here on It Takes Two | :02:49. | :02:54. | |
is listen to uncle Len. Can we have a round of applause for this. His | :02:55. | :03:08. | |
own shorts! Let's sit back and enjoy your performance again. So good. | :03:09. | :03:15. | |
Love you Weedo. A great debut. Your arms are so expressive. You can | :03:16. | :03:19. | |
reach and pull and spin and you can drop. My kind of girl. You | :03:20. | :03:28. | |
definitely are one natural performer and one natural dancer. I've got to | :03:29. | :03:33. | |
be honest, some of your lines need finishing properly, but I thought | :03:34. | :03:40. | |
you did a fantastic job. Sparkly, fizzy, sweet Caroline. That was | :03:41. | :03:55. | |
terrific. 6, 7, 7, 7. And it's over! CHEERING | :03:56. | :04:00. | |
A minor emergency. This isn't really champagne, it is apple juice and | :04:01. | :04:06. | |
Caroline is allergic to apple juice. How petrified were you on Friday | :04:07. | :04:10. | |
night? Just before the music started, the title music, we were | :04:11. | :04:13. | |
standing behind the stage and everybody was queuing on the stairs, | :04:14. | :04:19. | |
I couldn't get my words out. Pasha started doing the shimmy, so I | :04:20. | :04:23. | |
started shimmying. It was quite nice. You were amazing on the floor. | :04:24. | :04:27. | |
Being a presenter you are probably used to being in control, so was it | :04:28. | :04:33. | |
strange to go out there and have to let go of all of that and just | :04:34. | :04:38. | |
dance? Yes, usually my job is to get the best of somebody else and it is | :04:39. | :04:41. | |
about the other person and suddenly... It was my job. To get | :04:42. | :04:46. | |
the best out of me. But you did so brilliantly. The judges were talking | :04:47. | :04:52. | |
about a lack of happen action. On the comments on Twitter people said, | :04:53. | :04:57. | |
rubbish, you had amazing hip action. Pasha, can you demonstrate what the | :04:58. | :05:01. | |
hip action is like in a cha-cha? Usually it is quite strong. You go | :05:02. | :05:06. | |
from side to side. That's nice. They were looking for something like | :05:07. | :05:10. | |
that, maybe something like that. That will do! Pasha, very good. Are | :05:11. | :05:19. | |
you alright ladies? Were you at all worried that Caroline would be so | :05:20. | :05:25. | |
nervous, she had a serious face and she needed a cheeky face for | :05:26. | :05:29. | |
cha-cha. In rehearsals you can be perfect and you come out there... I | :05:30. | :05:34. | |
think you managed it quite well. The audience made me smile. As soon as I | :05:35. | :05:39. | |
got on the floor, weirdly I looked in one place and it was my twin | :05:40. | :05:44. | |
sister. She sat there and looked at me and smiled and from that moment, | :05:45. | :05:49. | |
I thought it was brilliant. That's a twin thing. Can't you contact each | :05:50. | :05:55. | |
other for different counties and stuff like that. You need that every | :05:56. | :06:00. | |
week. Bruno and Craig said they wanted more hip action, but the | :06:01. | :06:04. | |
fringe on that dress was incredible. Were you really pleased with her | :06:05. | :06:08. | |
performance? I was over the Moon with the performance. Like I said, | :06:09. | :06:12. | |
you never know what's going to happen - it's live. She had never | :06:13. | :06:17. | |
danced before in front of millions of people, so my biggest fear was, | :06:18. | :06:21. | |
what if she freezes up and stay there is and does nothing? Nothing? | :06:22. | :06:26. | |
Your girl didn't let you down. I loved a tweet from you, which I | :06:27. | :06:29. | |
can't read out on television. Talking about your worries and | :06:30. | :06:34. | |
concerns with the tango Oh yes. How is it going? It is so hard. I | :06:35. | :06:39. | |
thought the cha-cha was hard but this makes the cha-cha feels like | :06:40. | :06:45. | |
the Macarena. I'm quite bouncy in general as a person, always bouncing | :06:46. | :06:50. | |
up and down, but the tango is like bang, bang, the whole time. I wish I | :06:51. | :06:58. | |
could count how many times you said that... Good luck this weekend. | :06:59. | :07:01. | |
Pasha and Caroline! It's time now to take | :07:02. | :07:09. | |
a weekly sneaky peaky inside the rehearsal rooms of our Strictly | :07:10. | :07:12. | |
stars as we welcome back Ian Waite CHEERING AND APPLAUSE Chee Yes, it's | :07:13. | :07:30. | |
the most hotly anticipated return since Cats. Ian Waite is here! Hello | :07:31. | :07:37. | |
baby. I've got a bit of a sweat on. Look, we've got new tricks. You look | :07:38. | :07:41. | |
like Johnny from Dirty Dancing. I like that. Let's start with Frankie | :07:42. | :07:46. | |
and Kevin. A winning waltz from them last week. This week they've got a | :07:47. | :07:52. | |
Charleston. How is it looking? It looks really good. Last week was | :07:53. | :07:57. | |
superb. We've got lots of typical Charleston steps, the crossover. | :07:58. | :08:05. | |
There's lots of acting going on. I wanted to point out the feet and | :08:06. | :08:10. | |
ankles. You know I like the girls to wear their shoes. It is my pet hate, | :08:11. | :08:17. | |
if they don't wear their shoes, they can't get used to it. Frankie | :08:18. | :08:21. | |
sometimes is weak in the ankles. She has to work on those. With the | :08:22. | :08:26. | |
crossovers, she needs to swivel them and make them stronger. She's a | :08:27. | :08:34. | |
brilliant dancer. Steve was commanding in his tango last week. | :08:35. | :08:39. | |
Are we going to see his cheeky side in his cha-cha? I loved him last | :08:40. | :08:45. | |
week. The cha-cha-cha is light and cheeky. He's a bit ploddy at the | :08:46. | :08:51. | |
moment. I would like him to straighten his knees so he gets | :08:52. | :08:56. | |
straight legs and stretches his arms out a bit more. Darcey mentioned | :08:57. | :09:00. | |
that he sometimes looks like his arms are bent all the time. His guns | :09:01. | :09:07. | |
are so huge. They are so big. A lot of love for our next couple, Scott | :09:08. | :09:15. | |
and Joe an. -- Joanne. They are doing the tango this week. What I | :09:16. | :09:20. | |
love about Scott is he gives it 100%. You could see that last week. | :09:21. | :09:26. | |
Week. I do like his pout there. Check that face out. He's not | :09:27. | :09:32. | |
letting it go. He is like Nemo or something. What I want to emphasise | :09:33. | :09:39. | |
here, I want to go in with the legs. What he needs to do is get down in | :09:40. | :09:44. | |
the knees, so that in tango you are always low. Sometimes he goes up a | :09:45. | :09:50. | |
little bit and s get down in the knees, so that in tango you are | :09:51. | :09:52. | |
always low. Sometimes he goes up a little bit and his legends are true | :09:53. | :09:55. | |
-- his legs are too straight and he looks widen. He's here, you can tell | :09:56. | :10:03. | |
him in person. I will. Trent Trent, some people reckon is your little | :10:04. | :10:08. | |
brother. He looks like me. Maybe he is my long lost son. I'm old enough. | :10:09. | :10:13. | |
They are doing the waltz. How are they looking? You can see Trent | :10:14. | :10:18. | |
smiling his head off. He looks like the cat that's got the cream. She is | :10:19. | :10:23. | |
fantastic. She's got great arms. She's going to be really good. What | :10:24. | :10:28. | |
I do want her to do is I would like her to create a little bit... Hold | :10:29. | :10:36. | |
on a second. The wand is back! I want her to create that vas section | :10:37. | :10:47. | |
shape, and her head is going to ack! I want her to create that vas | :10:48. | :10:50. | |
section shape, and her head is going to be the flower -- create that vase | :10:51. | :10:58. | |
shape. From me it's an 8. Gregg and Aliona. He had a sticky start but | :10:59. | :11:03. | |
this week he's doing a Charleston and he's very good at it, I hear. | :11:04. | :11:10. | |
I'm pleasantly surprised. He is nowhere near as bad as we thought he | :11:11. | :11:16. | |
would be. He's up on the balls of his feet, swivelling his feet, | :11:17. | :11:20. | |
pointing his toes. And he's in time. I think he's doing a really good job | :11:21. | :11:26. | |
here. It could be a shock to a lot of people. Sunetra and Brendan had | :11:27. | :11:33. | |
ballroom last week. This week she is doing Latin. Is she a natural? Not | :11:34. | :11:38. | |
yet. To be fair, this is their first day's training. She's got to start | :11:39. | :11:44. | |
straightening those legs. We'll stop it here and I will highlight it. | :11:45. | :11:51. | |
This area here, she's got turned-in feet. If you are stepping across | :11:52. | :11:54. | |
into a checking action, turn your foot out. First day, so she is | :11:55. | :12:04. | |
mapping it throug Caroline and Pasha, her tango there. She was | :12:05. | :12:10. | |
flawless last week. How good is this tango? I nicknamed her Caroli Thwack | :12:11. | :12:18. | |
because she was whacking that cha-cha-cha out. The tango is great | :12:19. | :12:23. | |
for her. The only thing I would say is posture. She's in the wrong place | :12:24. | :12:28. | |
there. If I can demonstrate with you. Feel free. I want her to point | :12:29. | :12:34. | |
that foot, keep your knees bent and lift that hip up. That gets the girl | :12:35. | :12:39. | |
over to that side, so I have a clear way. You can see over my shoulder. I | :12:40. | :12:45. | |
see what you mean. So she isn't straight in front of him. Can I turn | :12:46. | :12:49. | |
around again? Thanks Ian. You'll be back a little | :12:50. | :12:52. | |
later on. Next up, | :12:53. | :12:55. | |
the judges unanimously agreed his performance was "entertaining" on | :12:56. | :12:57. | |
Friday - which is the main thing. It's our resident DJ, the brilliant | :12:58. | :12:59. | |
Scott Mills and his partner, Joanne. Hiya. Welcome. How are you Clifton? | :13:00. | :13:33. | |
I'm excited to see you here. I saw you here once when you were six and | :13:34. | :13:39. | |
you came to visit Kevin and now you are all grown up. Let's remind | :13:40. | :13:44. | |
ourselves of your cha-cha. It's the sort of dance that would be better | :13:45. | :13:48. | |
on the radio I think. Your footwork was poor. Not a lot of hip action. A | :13:49. | :13:53. | |
Zimmer frame, darling, has more movement than I saw there. The vibe | :13:54. | :14:01. | |
was there. The robotic, the newer ot, I the euphoric... What I was | :14:02. | :14:05. | |
really impressed with was you attacked it and you came out and | :14:06. | :14:15. | |
sold it. 2, 4, 5, 5. I thought you were brilliant. I'm so pleased. | :14:16. | :14:21. | |
CHEERING How relieved were you that it was | :14:22. | :14:25. | |
done that first one? I know how nervous you were? Obviously the | :14:26. | :14:29. | |
second show was on Saturday and I saw people like Mark going through | :14:30. | :14:33. | |
it and I was like, I know exactly how you feel. On Saturday all I had | :14:34. | :14:38. | |
to do was walk down some steps and laugh. It felt like I was on | :14:39. | :14:42. | |
holiday. At least I got it over with on Friday. This Saturday you have to | :14:43. | :14:50. | |
wait for 15 couples. Craig said, naughty Craig, a Zimmer frame had | :14:51. | :14:54. | |
more movement. When you have worked really hard, does it hurt when you | :14:55. | :14:58. | |
hear that? I was a bit upset but you can't let that affect you. Now the | :14:59. | :15:03. | |
process is really rapid and you've got four days to learn something | :15:04. | :15:09. | |
new. We've attacked it. New week, new dance. Hello Joanne from. | :15:10. | :15:14. | |
Grimsby's other finest export. I'm so excited about you being on the | :15:15. | :15:18. | |
show. You two really wanted to partner up didn't you? We really. | :15:19. | :15:24. | |
Let 's get to know you a little bit better, Joanne. My name is Joanne | :15:25. | :15:31. | |
Clifton and I'm the current world ballroom show dance shun and I'm | :15:32. | :15:37. | |
Kevin's list sister. Dancing runs through my family. I've taught loads | :15:38. | :15:42. | |
of beginners before and I always get the best out of them. A new | :15:43. | :15:46. | |
professional won last year, so there's no reason why I can't do the | :15:47. | :15:56. | |
same this year. She is like a proper champ. How has your experience been | :15:57. | :15:59. | |
so far and how is your big Brother treating you? I've been loving it. I | :16:00. | :16:05. | |
said to my mum being on Strictly with my family Kevin and Karen, I'm | :16:06. | :16:09. | |
having the best time. And you have a new adopted brother. Yes, a Big | :16:10. | :16:16. | |
Brother. What did you think of Scott's performance? That was the | :16:17. | :16:21. | |
best he has done the cha-cha, he was either doing the steps right or with | :16:22. | :16:25. | |
a face like that or doing it like that but doing the steps all wrong | :16:26. | :16:29. | |
but he got it all right. Good for the first time. Not bad first time | :16:30. | :16:35. | |
out. It's all about the journey. You will get better. You have a message | :16:36. | :16:39. | |
from Robbie Williams. Has he seen the dance and giving you a critique? | :16:40. | :16:43. | |
He's on tour in Australia which is why in the VT he did there is lots | :16:44. | :16:50. | |
of shoes and clothes behind him because he's doing his swing tour in | :16:51. | :16:54. | |
Perth. I know he would have seen this. Hi, Robbie, if you are | :16:55. | :17:00. | |
watching. I know you have lots of fun in the training room because our | :17:01. | :17:04. | |
spies have been watching you will stop in fact, so much fun it's | :17:05. | :17:05. | |
ridiculous. LAUGHTER | :17:06. | :17:13. | |
I'm having a lot of fun and Joanne is brilliant because we laugh all | :17:14. | :17:17. | |
the time and we get on really well. LAUGHTER | :17:18. | :17:24. | |
I'm finding it quite hard so sometimes the latter kind of breaks | :17:25. | :17:26. | |
up the panic that I'm feeling. LAUGHTER | :17:27. | :17:35. | |
U2 are so cute together. We have seen a little bit of your tango | :17:36. | :17:41. | |
practice. You were saying keep down on your knees. That's a really good | :17:42. | :17:46. | |
tip because the last thing Joe said to me was after practising today and | :17:47. | :17:51. | |
now we need to do it lower. We are doing that all day tomorrow. Good | :17:52. | :17:57. | |
luck tomorrow. Good luck this weekend. Scott and Joanne! | :17:58. | :18:02. | |
APPLAUSE Now, over here, because it's time to | :18:03. | :18:09. | |
get my wand out, I get a wand out, we don't call it a wand, we call it | :18:10. | :18:15. | |
a giant crayon. Let's have a look at the next bunch and what they are | :18:16. | :18:20. | |
doing this week. I loved Judy's waltz and I think she loved it more | :18:21. | :18:26. | |
than anyone else. How is she taking to the cha-cha-cha? Like a duck to | :18:27. | :18:30. | |
water? I wouldn't say like a duck to water, it's a challenge to her but | :18:31. | :18:35. | |
Anton has been clever with the usage of props. She has a lovely towel | :18:36. | :18:40. | |
that she will use as a prop. Are we using a towel on the show? Last week | :18:41. | :18:45. | |
when watching the show my note about Judy was hands, hands, Hants. For | :18:46. | :18:51. | |
me, look at her hand there, it looks like she's going to play tennis with | :18:52. | :18:56. | |
it. -- hands. It looks like she was going to hit eight tennis ball with | :18:57. | :19:00. | |
her arms splayed. You have to keep your palms down to the floor and | :19:01. | :19:04. | |
back from down and that finger down like this. Nice hands. That's what | :19:05. | :19:10. | |
you want. Onto our power couple, Simon and Kristina. They are doing a | :19:11. | :19:15. | |
tango this week and I think it will be good. Stonking jive last week. I | :19:16. | :19:20. | |
love that word. He's doing absolutely brilliantly and he's | :19:21. | :19:24. | |
doing some lovely heel leads will stop the only thing I'd say about | :19:25. | :19:29. | |
Simon, as he closes, did you see that? He went up, he stays down and | :19:30. | :19:33. | |
then as he closes he goes up, bobbing up, so he wants to go slow, | :19:34. | :19:39. | |
quick, stay, down. Have you got that, Scott? Stay down, Scott, at | :19:40. | :19:47. | |
all times. Mark and Karen are doing and American smooth. Everybody loves | :19:48. | :19:52. | |
the smooth dance and Mark is a bit of an Essex smoothie. He reminds me | :19:53. | :19:55. | |
of Nick Berry, that little twinkle in his eyes. He's embraced this | :19:56. | :20:00. | |
ballroom which is nice to see. I thought he was under marked last | :20:01. | :20:04. | |
week, he was much better than the judges gave him. What I love about | :20:05. | :20:08. | |
Mark is this face he has, he had the best face last week, the best | :20:09. | :20:12. | |
smiles. Out of all of the boys he was smiling the most all the way | :20:13. | :20:15. | |
through. He looked like he enjoyed it all the way through. Let's give | :20:16. | :20:23. | |
him one of those. Alison and Ali Ash are doing a foxtrot. This hold | :20:24. | :20:32. | |
looked promising. She is lovely, releasing her toes, she has | :20:33. | :20:37. | |
obviously been working on her head because you can see she has her chin | :20:38. | :20:41. | |
up in the air and shaping lovely. What I see here is as you can see | :20:42. | :20:46. | |
there is lots of gaps going on. You could get a double-decker bus | :20:47. | :20:50. | |
through there. Not good? She looks like she is in a different county to | :20:51. | :20:55. | |
him. This is early days. It is early days and obviously she will work on | :20:56. | :20:59. | |
that and once she has the steps. It is difficult to say. How did you not | :21:00. | :21:07. | |
get that close to -- could you not get that close to Aljaz? What is he | :21:08. | :21:14. | |
wearing here? It looks like he's about to swim the channel covered in | :21:15. | :21:19. | |
goose fat. I really enjoyed his dance last week. There is loads of | :21:20. | :21:24. | |
content in this. Obviously Natalie has been giving him lots of content. | :21:25. | :21:28. | |
She could have easily not done that but she has done that, so good on | :21:29. | :21:33. | |
her. What I'd like to do is highlight this. Look at you with | :21:34. | :21:40. | |
your new tools. In the top half he is tending to hunch so he needs to | :21:41. | :21:43. | |
get his shoulders back, open the chest and chin up. And then he will | :21:44. | :21:49. | |
be all right. Then he will be a bargain. I don't know why! Look at | :21:50. | :21:55. | |
you and your Flash tools. I hope he's wearing the gangster green | :21:56. | :21:58. | |
beanie. Jennifer and Tristan are doing the waltz. How is Jennifer | :21:59. | :22:04. | |
doing? On the first watch through I thought they were dancing the paso | :22:05. | :22:08. | |
doble because it looks like they are doing the walks of a paso doble, but | :22:09. | :22:14. | |
apparently it is a waltzed. So I don't know. This is their first | :22:15. | :22:18. | |
stage. They are just walking through it. I would like to see lovely | :22:19. | :22:24. | |
closes of the waltz, the characteristics of it so I'd love to | :22:25. | :22:33. | |
see that. Thom and a better, lucky, always classy, she's incredible. All | :22:34. | :22:40. | |
I can say is hot, hot, hot, awesome. He's already looking very | :22:41. | :22:44. | |
loose and he's got the right character for it. But did you see | :22:45. | :22:48. | |
that, he just missed it but he changes on the spins, he changes his | :22:49. | :22:52. | |
hands which is difficult to do at this stage at this level. He starts | :22:53. | :22:56. | |
with his right and then onto his left and then onto his right again | :22:57. | :23:02. | |
which quite amazing. From the, I think this couple will get eight | :23:03. | :23:11. | |
from Ian Waite. Jake and Jeanette, his tango was magnificent, his salsa | :23:12. | :23:15. | |
is looking equally good. They are looking fantastic. There is lots of | :23:16. | :23:20. | |
sharp, slick salsa moves. What I'd like them to do is have a little bit | :23:21. | :23:25. | |
more rhythm in the body. Do you want to demonstrate that? I'm not sure if | :23:26. | :23:27. | |
I can but what am I doing? to demonstrate that? I'm not sure if | :23:28. | :23:34. | |
and back, one, two, three, one, two, three but I want your | :23:35. | :23:37. | |
and back, one, two, three, one, two, smooth, smooth in the body. That's | :23:38. | :23:44. | |
too sharp. You carry on behind me. Isn't he good. Ian Waite, I love | :23:45. | :23:47. | |
that man. We all have to disagree - | :23:48. | :23:48. | |
it looked all Wright to me. It's Essex boy Mark Wright | :23:49. | :23:56. | |
and his partner Karen! I say! What an entrance! I like | :23:57. | :24:24. | |
that. How are you doing? I'm doing all right and all the better for | :24:25. | :24:28. | |
seeing the two of you. Lovely to see you hot lips. Shall we remind | :24:29. | :24:36. | |
ourselves of your performance. I like what you've got. You have huts | :24:37. | :24:41. | |
bar. I didn't think you were such a confident performer. It was stilted, | :24:42. | :24:49. | |
your hands were flat. You have to calm down, keep on time and take out | :24:50. | :24:54. | |
the Free Willy. You definitely have a future in this competition and | :24:55. | :25:04. | |
will go far. Five. Seven. Six. Not bad. But it was tough. It is so | :25:05. | :25:12. | |
tough. I really felt for you. Can I say we have taken a poll on the | :25:13. | :25:15. | |
streets of London and everybody loved your Free Willy. It was | :25:16. | :25:19. | |
amazing. We are hoping you perhaps have more tricks up your sleeve, | :25:20. | :25:24. | |
Mark. I'm not a great dancer in the club, I'm quite shy, have been one | :25:25. | :25:30. | |
step, to step and the Free Willy. I will go for something subtle. I know | :25:31. | :25:37. | |
that you think he can do this and he can do that, but you were emotional | :25:38. | :25:41. | |
after going up to talk to Claude after all of that waiting and you | :25:42. | :25:46. | |
looked like you might have a little cry and probably needed a cuddle. Do | :25:47. | :25:50. | |
you wear your heart on your sleeve? I do wear my heart on my sleeve | :25:51. | :25:54. | |
because I found it tough. Like everyone else it's been a big | :25:55. | :25:58. | |
challenge for me and before the nerves were so intense and I thought | :25:59. | :26:01. | |
I wasn't going to get through it and as soon as I got through it they | :26:02. | :26:05. | |
showed a little shot on the screen and I was like I did it and she was | :26:06. | :26:10. | |
nervous for me as well and the so thing -- the whole thing was so | :26:11. | :26:15. | |
intense but I didn't cry. You can cry on television as a man, people | :26:16. | :26:19. | |
will love you more for it. The judges thought towards the end Mark | :26:20. | :26:25. | |
got overexcited. How was it for you? He was freaked out before we walked | :26:26. | :26:29. | |
out, which calmed me down but when I saw his face light up and he was | :26:30. | :26:33. | |
just smiling and get going it got me going, and I thought I don't care if | :26:34. | :26:39. | |
your timing is off I don't care! His little smile was making me blush and | :26:40. | :26:43. | |
I loved it. I thought he did fantastic and I'm proud of him | :26:44. | :26:47. | |
because this toy is working so hard. I'm really proud of that | :26:48. | :26:51. | |
performance. I'm getting emotional now and it's only Wednesday. What | :26:52. | :26:55. | |
did nanny Pat think? Did she make you a celebratory present? They are | :26:56. | :27:04. | |
pinching themselves and I'm pinching myself, as long as I stay in the | :27:05. | :27:08. | |
competition they are happy. What did your friends from Essex think about | :27:09. | :27:11. | |
you dancing on the television in a vest? What you can imagine. They | :27:12. | :27:18. | |
ripped me a little bit. Maybe more glitter on it and sequins. That's | :27:19. | :27:23. | |
what happens and steadily and steadily you will be completely | :27:24. | :27:32. | |
blinged. Do you think yourself as quite laid-back? I suppose so but | :27:33. | :27:37. | |
when I come to this kind of dancing stuff and hear the music in front of | :27:38. | :27:41. | |
an audience I got myself so excited. At first I thought I didn't want to | :27:42. | :27:46. | |
do this but as soon as I heard the first clap I was like, yeah, you | :27:47. | :27:51. | |
want some. We saw you getting frustrated in the training room. He | :27:52. | :27:55. | |
gets cranky and start shouting and stomping around. There is so much to | :27:56. | :28:01. | |
think about and my bum cheeks are so sore. I want to say it's really fun | :28:02. | :28:04. | |
but at the moment it's not really fun. And I'm hurting everywhere | :28:05. | :28:11. | |
already. Shut up! Nice and easy. It's not nice and easy! This is | :28:12. | :28:19. | |
hard. I want to go home... APPLAUSE | :28:20. | :28:26. | |
Amazing. I'm such a whinger. You are not a whinger at all. Tel is one | :28:27. | :28:30. | |
thing about your American smooth. I have to relax and it has to be | :28:31. | :28:36. | |
romantic and beautiful. Heal, toe, toe. I think you will stay in the | :28:37. | :28:44. | |
competition a long time. Tomorrow we will have Gregg Wallace, | :28:45. | :28:50. | |
muscle-bound wild man Steve Backshall, | :28:51. | :28:59. | |
Mrs Brown's Boys's Jennifer Gibney and all | :29:00. | :29:01. | |
MUSIC: One by Johnny Cash | :29:02. | :29:07. |