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Tonight I'm joined by Jamelia and Tristan. | :00:00. | :00:07. | |
Plus, right here, right now, we're going to answer | :00:08. | :00:14. | |
What on Earth was in that top secret briefcase? | :00:15. | :00:20. | |
Are you sure you really want to know? | :00:21. | :00:22. | |
A banana. A state to cover a couple of notes and a spot the pen. | :00:23. | :00:36. | |
What else did you think was in there? | :00:37. | :01:25. | |
From London, this is Strictly - It Takes Two, this is your host, Zoe | :01:26. | :01:29. | |
Ball! We've got another surprise expert | :01:30. | :01:30. | |
in Choreography Corner. And we've got these three answering | :01:31. | :01:42. | |
your no-holds-barred questions. But, before that, | :01:43. | :01:48. | |
let's meet our first couple. They've done the double and | :01:49. | :01:53. | |
survived the dance-off yet again. Hello, and welcome, | :01:54. | :01:55. | |
Jamelia and Tristan! Feel the love in the room for you | :01:56. | :02:16. | |
tonight. You've survived the dance-off | :02:17. | :02:20. | |
for the second time. Have you recovered | :02:21. | :02:22. | |
from all the drama? Do you know what? For maybe half an | :02:23. | :02:35. | |
hour after being in the dance off, you are a bubble of devastation. | :02:36. | :02:40. | |
Then you get over it, especially when you get through. You pick | :02:41. | :02:46. | |
yourself up, stop moping, I will win again and dance and other week. | :02:47. | :02:51. | |
Ainslie said it was like being on a fairground, on a roller-coaster. | :02:52. | :02:56. | |
Last week, your best score, second joint leader, this week, you had a | :02:57. | :03:01. | |
hard time. Is that hard? Every week is a | :03:02. | :03:05. | |
different dance and you have to accept that. | :03:06. | :03:09. | |
I could be great at the charleston but I am doing the foxtrot which is | :03:10. | :03:15. | |
completely different, the technique, everything about it. | :03:16. | :03:19. | |
You get marked on your dance as it is. I have seen it happen to others. | :03:20. | :03:26. | |
Your foxtrot wasn't dreadful at all, a really beautiful foxtrot. Just | :03:27. | :03:31. | |
those little bits. That's just from me! | :03:32. | :03:37. | |
You go up against Ainslie in the dance-off, your mate. Did you do it | :03:38. | :03:41. | |
any differently the second time around? | :03:42. | :03:46. | |
I absolutely love Ainslie. It was horrible to go up against him, or | :03:47. | :03:51. | |
anyone. The second time around, you have to | :03:52. | :03:57. | |
understand, I have the world's best cheerleader beside me at all times. | :03:58. | :04:11. | |
Man leader! Tristan is literally, I felt like a | :04:12. | :04:16. | |
doughnut, I am in the dance-off, but Tristan said, you will be fine. | :04:17. | :04:23. | |
You guys can't hear him that I can. I took on board what the judges were | :04:24. | :04:29. | |
saying, be positive, a positive mental attitude. Tristan is | :04:30. | :04:33. | |
brilliant at bringing that out. Tristan can use it with me on a | :04:34. | :04:40. | |
Monday morning? And say, brilliant if you can do this. How do you keep | :04:41. | :04:44. | |
this positive attitude? Being a competitor and darts, I | :04:45. | :04:49. | |
guess you get used to not winning, not that you didn't ever not when! | :04:50. | :04:54. | |
Thank you! Is it something you have to deal | :04:55. | :04:59. | |
with as a dancer? Yes, you have to deal with that with | :05:00. | :05:03. | |
everything. Only one person can win something. | :05:04. | :05:09. | |
It is unfortunate when you do something you like and it is | :05:10. | :05:13. | |
dictated by whether you win or lose. You have to be happy with | :05:14. | :05:18. | |
improvement. You can only affect whether you are | :05:19. | :05:21. | |
better or worse than the last time. That is how you have to approach | :05:22. | :05:25. | |
every week and keep a smile on your face. If it doesn't work out as a | :05:26. | :05:30. | |
dancer for you, you should be a life coach! | :05:31. | :05:38. | |
Let us talk about the illegal list, breaking the law! What are you like! | :05:39. | :05:44. | |
Let us have a look. This apparently is an illegal list, here we go. | :05:45. | :05:52. | |
Feet off the floor. Just to rub it in! In slow motion. And the foot is | :05:53. | :06:00. | |
on the floor. Was that supposed to happen? | :06:01. | :06:06. | |
Yes. Can I say something. The first time we did an illegal list was when | :06:07. | :06:11. | |
Craig mentioned it, that is the first I knew. | :06:12. | :06:17. | |
Do you know what? That was not a left. A list is something you can't | :06:18. | :06:22. | |
do on your own. That was not persisted. | :06:23. | :06:27. | |
What that was, she jumped a little bit, that is grand. | :06:28. | :06:35. | |
It is one of those songs, a very slow song, I wasn't the biggest fan | :06:36. | :06:41. | |
of it. I needed something to happen in the middle of it. Step, step, got | :06:42. | :06:48. | |
carried away. It is only a left... What do you mean? Only a lift if you | :06:49. | :06:55. | |
can't do it on your own. We understand... | :06:56. | :07:00. | |
I will put in a list this week and show you the difference. | :07:01. | :07:02. | |
There were lots of people on social media who loved your performance. | :07:03. | :07:06. | |
are improving and your positivity and beaming smile makes me smile. | :07:07. | :07:12. | |
We were all crying with Jamelia here. Thought she did really well! | :07:13. | :07:17. | |
She is our Irish interest, now Daniel is gone. | :07:18. | :07:26. | |
but graceful. Repeat after me, Jamelia, you can do it! | :07:27. | :07:39. | |
This week, what are you doing for Halloween? A jive. What can you tell | :07:40. | :08:01. | |
me about it? It is going well. | :08:02. | :08:08. | |
It is fast, very fast. She hasn't cried yet. Halloween is | :08:09. | :08:13. | |
always a great week, a little bit of dressing up and fun. | :08:14. | :08:19. | |
A fun jive, looking forward to it. As Bob said, you can do it. Jimmy | :08:20. | :08:22. | |
Leah and Tristan! Now, we've had some pretty special | :08:23. | :08:29. | |
group dances on Strictly But, this week, | :08:30. | :08:31. | |
it promises to be a spooktacular Get it Halloween and that means one | :08:32. | :08:43. | |
thing, trick or treat. -- it is Halloween. | :08:44. | :08:50. | |
In this group number, I am playing a very ugly groom. It is a nightmare. | :08:51. | :08:57. | |
A lot of spooky creeping in this routine. | :08:58. | :09:04. | |
Then it is amazing, I keep watching the probate, and then we come on. We | :09:05. | :09:11. | |
are having fun. It is good, nice thoughts are with everybody | :09:12. | :09:12. | |
altogether. Got to go. Let me tell you, I thought we were | :09:13. | :09:25. | |
going to have a slow waltz around. They have put on the fastest music I | :09:26. | :09:31. | |
have ever heard in my life. The others are great. | :09:32. | :09:35. | |
I don't even know what day it is at the moment. | :09:36. | :09:38. | |
I am really hoping this dance is a treat. | :09:39. | :09:42. | |
30 people out there, moving together. | :09:43. | :09:45. | |
If it is not a cheat, it could be a check, you know what happens then. | :09:46. | :09:52. | |
This is celebrities and pro dancers all attempting to do choreography | :09:53. | :09:57. | |
together. At the moment, I would say it is a complete disaster! | :09:58. | :10:01. | |
Hopefully on the night it will come together. But, who knows? It is | :10:02. | :10:09. | |
Halloween, anything can happen! It looks utterly brilliant. | :10:10. | :10:11. | |
I spy with my little eye a flashing jukebox that only plays | :10:12. | :10:14. | |
short exclusive bursts of music that our couples will be | :10:15. | :10:16. | |
It must be time for Tunes On Tuesday! | :10:17. | :10:30. | |
This weekend on Strictly, it's Halloween, so, | :10:31. | :10:37. | |
what songs will be scaring the heebie-jeebies out of us? | :10:38. | :10:39. | |
MUSIC: Thriller. | :10:40. | :10:45. | |
According to the Guinness Book Of World Records, the largest number of | :10:46. | :11:02. | |
people to ever dance the Thriller routine at the same time is 13,597. | :11:03. | :11:06. | |
So, which one of our couples will be hoping to | :11:07. | :11:08. | |
CREW: Ooh! | :11:09. | :11:18. | |
Yes, it's Jeremy and Karen who will be salsa-ing to that. | :11:19. | :11:23. | |
This is The Phantom Of The Opera, of course. | :11:24. | :11:35. | |
This calls for a mysteriously masked man. | :11:36. | :11:43. | |
Stat fans, did you know that each West End performance of | :11:44. | :11:56. | |
The Phantom uses 230 costumes, 281 candles and 250kg of dry ice? | :11:57. | :12:04. | |
But who will be dancing to it on Saturday. | :12:05. | :12:06. | |
Let's move on to our last song, and this one is | :12:07. | :12:30. | |
It's I Think I Love You, by The Partridge Family. | :12:31. | :12:45. | |
Fans of '70s American, music-based TV sitcoms will know | :12:46. | :12:48. | |
that The Partridge Family was a series starring Shirley Jones | :12:49. | :12:50. | |
It was about five siblings who embarked on a musical career | :12:51. | :12:59. | |
together, and they only went on to sell over 25 million records. | :13:00. | :13:03. | |
So, which one of our lovely couples is dancing to this? | :13:04. | :13:05. | |
CREW: Ooh! | :13:06. | :13:12. | |
If you want to find out what music the rest of our couples are dancing | :13:13. | :13:21. | |
It's all OK now, rest on my shoulder. | :13:22. | :13:33. | |
Now, Karen Hardy isn't with us this week. | :13:34. | :13:35. | |
I've heard she's on some ex-Strictly champions retreat. | :13:36. | :13:36. | |
But, fear not, because we've got a familiar face | :13:37. | :13:39. | |
She's been part of the Strictly family for the past eight years, | :13:40. | :13:43. | |
Fine, I'll put you out of your misery. | :13:44. | :13:47. | |
Yes, making the hot seat even hotter today is pro-dancer, | :13:48. | :13:55. | |
Firstly, how has your week been since we lost you | :13:56. | :14:04. | |
It was so sad, he called me on Saturday and said he | :14:05. | :14:27. | |
Starting salsa,. with Georgia and Giovanni. | :14:28. | :14:28. | |
They got 31 points, the same as last week. | :14:29. | :14:30. | |
Craig said her preparation into lifts is poor, | :14:31. | :14:32. | |
Look at head dancing, straight into the lift, feet are tight and neat. | :14:33. | :14:42. | |
Not wobbling or anything. I completely disagree with Craig, I | :14:43. | :14:44. | |
don't know what he was talking about. This to me as an amateur she | :14:45. | :14:49. | |
did a fantastic job with very difficult lifts. There were go, well | :14:50. | :14:55. | |
done Georgia. We have to remember they are amateurs. Just learning. | :14:56. | :14:59. | |
29 points, their second lowest of the series. | :15:00. | :15:06. | |
Bruno said Peter tends to be clipped, and the rumba has to have | :15:07. | :15:12. | |
You can shed light on all of that for us. What he meant is that the | :15:13. | :15:20. | |
hips have to go nonstop from side to side. He is doing the coca Radz here | :15:21. | :15:25. | |
and he does a bit of hip action but he has to stop. There has to be | :15:26. | :15:30. | |
continuation from steps to step. The Rumba is a notoriously difficult | :15:31. | :15:35. | |
dance for mail celebrities. They feel exposed and uncomfortable. It | :15:36. | :15:38. | |
is only week five, he is trying, down the line I am sure he will be a | :15:39. | :15:43. | |
lot better. I would like to do a little demonstration. Kristina, | :15:44. | :15:49. | |
please do! It has to go from side to side. Even if we close off we keep | :15:50. | :15:55. | |
going, with our hips. That is what Bruno meant. Never stop that. Never | :15:56. | :16:02. | |
a stillness, always a motion. Keep that going all the time. John the | :16:03. | :16:07. | |
cameraman is doing it constantly. Keep going. | :16:08. | :16:08. | |
Their paso scored 33 points, Darcey said Jay had the best arms | :16:09. | :16:20. | |
I kind of agree with both of them. Look at this position, drops his | :16:21. | :16:36. | |
arms. Back to a hold. I think it is glass half full, half empty. Len saw | :16:37. | :16:48. | |
him drop arms. So there is a transition from one to another and | :16:49. | :16:52. | |
it has to be fought over at all times. Arms should never be dropped. | :16:53. | :17:00. | |
We expect a lot from Jay. We are a bit harsh. We want perfection from | :17:01. | :17:02. | |
him, which will come, I'm sure. They dropped 12 points | :17:03. | :17:04. | |
from last week, getting 21. Darcey said it was messy in places, | :17:05. | :17:07. | |
and the timing wasn't great. They had an unfortunate couple of | :17:08. | :17:16. | |
incidents, what did you make of it? I saw the dance in the dress run and | :17:17. | :17:20. | |
I thought it was fantastic. She forgot to spin into her first left, | :17:21. | :17:23. | |
made a mistake, and from that point I think she never really recovered. | :17:24. | :17:27. | |
Because once you do a mistake in the live show, you start doubting | :17:28. | :17:30. | |
everything, being unsure of everything. That has messed them up, | :17:31. | :17:34. | |
because the beginning of the dance was really good. She kept her basic | :17:35. | :17:38. | |
very tight and clean. But like I said once you make a mistake it is | :17:39. | :17:42. | |
really hard to recover for amateurs. They don't really know how to get | :17:43. | :17:45. | |
back into the rhythm of the dance. It is really sad. I do think she | :17:46. | :17:48. | |
feels more comfortable in ballroom dance. This is an unfortunate thing, | :17:49. | :17:53. | |
she needs to believe in herself and let herself go a little bit more. | :17:54. | :17:56. | |
And don't give herself such a hard time because it was still a great | :17:57. | :17:58. | |
dance. And finally, | :17:59. | :17:58. | |
Kellie and Kevin's jive. It was at a later on this. We are | :17:59. | :18:06. | |
about to speak to them, 35 points, joint highest of the week that Helen | :18:07. | :18:11. | |
and Ali Ash will stop Craig said it could have done with a bit more | :18:12. | :18:15. | |
traction in the leg. What does that mean? I have chosen this bit because | :18:16. | :18:26. | |
they are so much in sync. It is very hard. But the that clear positions. | :18:27. | :18:33. | |
I think what he meant was in jazz and Sambu, our body weight slightly | :18:34. | :18:36. | |
more forward on the balls of the feet. We are slightly lower in the | :18:37. | :18:42. | |
centre, because the music is very fast. We have to keep our legs | :18:43. | :18:48. | |
underneath the body. Another demonstration! APPLAUSE | :18:49. | :18:52. | |
In Rumba and chat chat we stay upright and in Sambu and jive, we | :18:53. | :18:57. | |
moved to the ball of the feet, so our diaphragm is a bit forward as | :18:58. | :19:00. | |
well. When we do the kicks, the links go back and kind of retractor | :19:01. | :19:04. | |
like a yo-yo. So that is what we do, that is what he meant, have to go | :19:05. | :19:09. | |
back a little bit higher. That was probably missing towards the end of | :19:10. | :19:13. | |
the dance. Again, such an energetic dance and they did fantastically. To | :19:14. | :19:17. | |
me, a very good performance and I love the look. I was so jealous of | :19:18. | :19:29. | |
that hat on Kellie! Will you come back and do more for us, Christina? | :19:30. | :19:32. | |
Are someone should say that dancing on | :19:33. | :19:52. | |
telly is not a best way to keep a low profile. It is Kellie and Kevin. | :19:53. | :20:00. | |
Hello, and welcome, Kellie and Kevin! | :20:01. | :20:02. | |
Well done, super, smashing a great, that jive was. How tough was it to | :20:03. | :20:14. | |
learn that and be so brilliant, Kellie? I still have no voice from | :20:15. | :20:19. | |
Saturday night because of screaming so much! It was a really hard week, | :20:20. | :20:24. | |
our hardest week, without a doubt. It was just a relentless routine. I | :20:25. | :20:28. | |
loved it, I really loved it, but it is one of those routines that | :20:29. | :20:33. | |
because it was so quick, many run-throughs, especially on a | :20:34. | :20:37. | |
Friday, I didn't do it right once. It is that moment before you go | :20:38. | :20:41. | |
live, and you think please, please let this one go right, please, | :20:42. | :20:44. | |
please. So it is just at the end when you see me screaming like a | :20:45. | :20:48. | |
lunatic, it is because I am so relieved that it is done and I | :20:49. | :20:52. | |
didn't mess it up! That is the other thing people don't appreciate, the | :20:53. | :20:55. | |
speed of that, to rehearse that again and again takes it out of you. | :20:56. | :21:00. | |
The stamina you need. And we are doing all of our rehearsals in the | :21:01. | :21:03. | |
evening because I am working all day at the moment, so we were rehearsing | :21:04. | :21:07. | |
from 7pm to about half past ten at night. Doing that at ten o'clock at | :21:08. | :21:12. | |
night, it is hard, isn't it? I was exhausted as well! Kevin at what | :21:13. | :21:17. | |
point last week did you think Hang on, she has got it? Did you ever | :21:18. | :21:21. | |
tell her brilliant or just keep hanging? I do know if there was that | :21:22. | :21:30. | |
point for most of the week! No, it was a struggle of a week. Maybe | :21:31. | :21:36. | |
Thursday night? Kellie got this look in her eye on Thursday night and I | :21:37. | :21:39. | |
can tell when she is really on form, because when we start to practice | :21:40. | :21:43. | |
she has this look in her eye where she goes like that. I think she is | :21:44. | :21:46. | |
going to do it. And it went a bit wrong when we practice it on Friday, | :21:47. | :21:50. | |
then she had that look again on Saturday, and I thought it could go | :21:51. | :21:56. | |
well today. She smashed it. Shall we take a minute to celebrate finally, | :21:57. | :21:59. | |
top of the leaderboard! CHEERING Lieu macro who knew? | :22:00. | :22:07. | |
When you are up, care of, icons, is dancing. You are sharing that with | :22:08. | :22:12. | |
your lovely friend, Helen out of the top. Did your heart burst with | :22:13. | :22:18. | |
pride, Len said rewind, you wanted to see it again, Darcey said | :22:19. | :22:26. | |
extraordinary. They were all lovely, when Len said I would love to see | :22:27. | :22:29. | |
that again, I thought oh no you wouldn't, I can't do it again! It is | :22:30. | :22:33. | |
amazing to be joint top of the leaderboard. We never expected that. | :22:34. | :22:38. | |
I have said it before but I don't feel like I am part of a | :22:39. | :22:41. | |
competition, just part of a dancing show. So the whole scoring, | :22:42. | :22:45. | |
leaderboard thing sort of feels like, I don't know, it feels | :22:46. | :22:48. | |
slightly outside of what we are doing. I am just there to learn this | :22:49. | :22:53. | |
routine, do to the best we can and whatever happens kind of happens. It | :22:54. | :22:57. | |
is lovely. Those comments were amazing and overwhelming, but next | :22:58. | :23:02. | |
week it is a whole new week. That is the great thing in a way, that we | :23:03. | :23:05. | |
just all start again and we are all on the same... It is exciting. OK, | :23:06. | :23:13. | |
paso doble, for Halloween, we know that you are the paso doble King, | :23:14. | :23:20. | |
effectively. I thought he was the jive King! That was until J | :23:21. | :23:26. | |
McGuinness piped up! Yes, Kevin who? Don't feel the pressure, he does | :23:27. | :23:30. | |
quite well in this dance. It could be brilliant. I have my toughest | :23:31. | :23:34. | |
week yet. We have no time this week, like none. Do you want me to go and | :23:35. | :23:41. | |
fill in in Eastenders. Would you? That would be great. Danny Dyer | :23:42. | :23:50. | |
would love it. Any costumes, any hints? Two words. Harry Potter! | :23:51. | :24:02. | |
APPLAUSE We thought you spend a lot of time, | :24:03. | :24:06. | |
you do get much time to learn your lines stop Kent has been Danny Dyer | :24:07. | :24:11. | |
in rehearsals. We thought we would love to see a bit of Kevin De Bruyne | :24:12. | :24:17. | |
Eastenders. And this is a genuine EastEnders | :24:18. | :24:25. | |
scene just after the Carters first And that leaves me with Shirley who, | :24:26. | :24:29. | |
at the time, everyone thought was Mick's sister | :24:30. | :24:34. | |
when in fact she was his mother! You have got the first line. If | :24:35. | :24:43. | |
anyone says Noel Edmonds, they get a slap. The bar was empty, all of | :24:44. | :24:52. | |
them, how money people drinking here yesterday, a million? The Moons had | :24:53. | :24:59. | |
a deal on it, a drink a pound. Now she tells us, weren't you one of | :25:00. | :25:07. | |
those people? Tina was here and all. What we do now? I will be keen as | :25:08. | :25:14. | |
well. We are almost out of spirits, comeback with some snacks! You work | :25:15. | :25:22. | |
in a! Worked! We need it on thick, you can do that for us, right? | :25:23. | :25:27. | |
LAUGHTER I think that was brilliant! APPLAUSE | :25:28. | :25:34. | |
We will do that every week. We will leave you to do the East End as from | :25:35. | :25:37. | |
now on. Good luck with your paso doble. You always brilliant. Good | :25:38. | :25:46. | |
luck, Kellie and Kevin! I apologise, I'm so sorry. At the weekend, social | :25:47. | :25:52. | |
media was going into meltdown. So many questions, let's be quick. | :25:53. | :26:15. | |
Molly wants to know how do you achieve the perfect ballroom hold? | :26:16. | :26:19. | |
If my hand was a claw I would go like that in his belly to strengthen | :26:20. | :26:33. | |
his back. Here's over shoulders over hips over the middle of the foot. | :26:34. | :26:40. | |
Then lift the arms up. And this is what is most important. They have | :26:41. | :26:51. | |
got to be really strong! Impressive! Look at that! Sometimes you have to | :26:52. | :26:56. | |
be strong! Beautiful, well demonstrated, I like that! APPLAUSE | :26:57. | :27:03. | |
Denise asked if you were not pro dancers, what would your job they? | :27:04. | :27:11. | |
Kevin? Professional rest. I would be Glenda in. Tristan? Fire man. Stop | :27:12. | :27:17. | |
it! Gail wants to know, | :27:18. | :27:18. | |
what is the most difficult thing to To teach Kellie, just to walk. Every | :27:19. | :27:30. | |
time I say just war, four walks she goes yes, like this. Tristan? I | :27:31. | :27:40. | |
don't really know, it depends on the dance I suppose. Confidence. And Jo, | :27:41. | :27:48. | |
Lizzie wants to know who inspired you to be a dancer? That would be my | :27:49. | :27:54. | |
big brother, Kevin. Who inspired you, Kevin? Tristan. Tristan? I am | :27:55. | :28:06. | |
going to say no one. But this is the truth, I do love Kevin's dancing, I | :28:07. | :28:09. | |
have always said he is my favourite dancer, and I better say Anton, | :28:10. | :28:13. | |
because he loses his mind when I don't say him! Kevin Anderson. And | :28:14. | :28:21. | |
Joanne, my famous -- favourite female dancer. | :28:22. | :28:23. | |
Let's hear it for Jo, Kevin and Tristan. | :28:24. | :28:25. | |
A big thank you to all of our guests. | :28:26. | :28:29. | |
Tune in tomorrow when I'll be joined by Peter | :28:30. | :28:31. | |
Plus, Ian Waite will be here for his mid-week warm-up. | :28:32. | :28:35. | |
Coming up next on BBC Two is former Strictly | :28:36. | :28:38. | |
favourite, Matt Baker, who hosts the World Gymnastics Championships, | :28:39. | :28:40. | |
where former champion Louis Smith will be competing later this week. | :28:41. | :28:43. |