Browse content similar to Episode 23. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's just so spooky and not scary at all. | :00:00. | :00:21. | |
Live from London, this is Strictly it takes to! Please welcome your | :00:22. | :01:11. | |
host, Zoe Ball! Waiting patiently | :01:12. | :01:14. | |
in our scary basement of cobwebs this evening we have Anita and Gleb, | :01:15. | :01:18. | |
plus Peter and Janette. There they are. Look! Watch the big | :01:19. | :01:30. | |
spider! The full moon | :01:31. | :01:35. | |
of Halloween is almost upon us and tonight we take an exclusive | :01:36. | :01:37. | |
look at our couples in training with But first, their tango on Saturday | :01:38. | :01:40. | |
night had the judges comparing them May they live long and prosper | :01:41. | :01:44. | |
for another week. Your tango on Saturday night was one | :01:45. | :02:14. | |
of the most amazing dancers of the night. So clever, you clever Queen | :02:15. | :02:18. | |
of Klingons! More amazing praise and 32, | :02:19. | :02:22. | |
your highest score of the series. Yet you always seem | :02:23. | :02:24. | |
a bit surprised by the praise. I just never have any clue, I mean, | :02:25. | :02:38. | |
none of us do, but I have no concept of how I have performed. Did it look | :02:39. | :02:43. | |
good? Did it look real? I enjoyed it and you hope the training comes | :02:44. | :02:47. | |
together and you do what you have been practising. Look at you. Your | :02:48. | :02:54. | |
hand on his back. They always go on about hands and the positioning and | :02:55. | :03:00. | |
stuff. It is glorious. Obviously, the judges have high expectation, | :03:01. | :03:05. | |
you want to do well in the competition, people are dropping | :03:06. | :03:09. | |
like flies, we are getting closer to Blackpool. How was the pressure? We | :03:10. | :03:16. | |
take it each week at a time. The tango was our personal best but then | :03:17. | :03:20. | |
you go back into the training room on Monday and you start from square | :03:21. | :03:24. | |
one again. It is just about progress. You just hope that we will | :03:25. | :03:30. | |
keep going and keep going better. That could catch on. Everyone was | :03:31. | :03:40. | |
saying you look like Guy of Gisborne in Robin Hood Prints of Cammack | :03:41. | :03:47. | |
receives. And also Poldark. We explained who that was. -- Robin | :03:48. | :03:51. | |
Hood Prince of thieves. Your choreography is always full | :03:52. | :03:54. | |
of drama and passion. What makes you so confident | :03:55. | :03:56. | |
in Anita? Every Monday I come in and say this | :03:57. | :04:07. | |
is what we are doing and she says OK. Do you ever think you are | :04:08. | :04:13. | |
pushing her too far? We do change a lot and we simplify. I am working | :04:14. | :04:20. | |
with her what suits her the most. Covering the minuses and bringing | :04:21. | :04:25. | |
out the pluses. Don't be so hard on yourself! | :04:26. | :04:27. | |
The only criticism from the judges was for a little moment when you | :04:28. | :04:30. | |
Did you know what they meant? You know what your body is doing. It is | :04:31. | :04:42. | |
live, it is so nerve wracking, it is so terrifying and you just hope it | :04:43. | :04:52. | |
comes together. As the weeks go on, are the nerves any less? No, it will | :04:53. | :04:56. | |
be the same every week. It is brilliant and I am having the best | :04:57. | :05:00. | |
time learning to dance but I think every week will be difficult and | :05:01. | :05:03. | |
every week will be terrifying. I have to just make sure I am looking | :05:04. | :05:09. | |
at Gleb. That is very difficult for anybody to do! | :05:10. | :05:12. | |
You got the seal of approval from Strictly royalty on Saturday night | :05:13. | :05:15. | |
as the legendary Arlene Phillips shared this on social media. | :05:16. | :05:17. | |
"I know it's late to say it but Gleb and Anita smashed it tonight. | :05:18. | :05:21. | |
Are people stopping you in the street and saying, you are good? | :05:22. | :05:34. | |
Just means the world when people say things like that. Someone said this | :05:35. | :05:37. | |
morning you are doing a great job, did you know you could dance like | :05:38. | :05:42. | |
that? I said no, thank you! All the people coming to see us is brilliant | :05:43. | :05:47. | |
and it boosts you. And then go back to the training room and Gleb knocks | :05:48. | :05:49. | |
it out and says, come on! It's been reported this week that | :05:50. | :05:54. | |
you want even skimpier costumes Honestly, when in your life would | :05:55. | :06:04. | |
you wear clothes like this? They are fantastic. On Country file, it is | :06:05. | :06:11. | |
the new me! My first outfit I said, where is the rest of it, guys? Now I | :06:12. | :06:17. | |
am saying, can I reveal a bit more? I am just going for it, feet first. | :06:18. | :06:24. | |
You are wearing quite a lot of clothes on Saturday, Gleb. | :06:25. | :06:26. | |
Well, it's not just Anita who enjoys the world of high style. | :06:27. | :06:32. | |
I just love these pants. Who wears double shorts? I just made a hole in | :06:33. | :06:44. | |
my pants. My pants are ruined now. I'm wearing a hat and a jacket. I am | :06:45. | :06:51. | |
so cool. Hello, you are on the Strictly. It is all supposed to be | :06:52. | :06:59. | |
sequins. You are killing it. CHEERING | :07:00. | :07:06. | |
There he is, our lovely backstreet boy. He had his favourite training | :07:07. | :07:11. | |
pants on today and he said, any to I love these pants and I said yes, you | :07:12. | :07:17. | |
have only told me 75 times! Why is that? Of a comfortable? They are | :07:18. | :07:21. | |
comfortable and I do not look as bad as I could look in some other pants. | :07:22. | :07:27. | |
Oh my goodness me! I don't think you could look bad in anything, Gleb. | :07:28. | :07:30. | |
This week you have a Halloween inspired waltz. | :07:31. | :07:31. | |
Are you keeping things simple and classic? | :07:32. | :07:37. | |
It is going to be spooky, Zoe! It is a beautiful song, the theme I am | :07:38. | :07:44. | |
delighted with. Tell me more about the theme? I am going to be | :07:45. | :07:55. | |
Maleficent. In my mind I'm going to be Angelina Jolie. Maleficent, super | :07:56. | :08:02. | |
spooky, really dramatic. The song is Lana Del Rey Once Upon A Dream. That | :08:03. | :08:08. | |
is really haunting. How is the technique coming on? Are you happy | :08:09. | :08:16. | |
with Anita? It was great! Brilliant. Well, it is a process. I hope by | :08:17. | :08:20. | |
Saturday we are going to smash it, as we did in the tango but it is a | :08:21. | :08:27. | |
lot of work. Standard ballroom dances like tango, the waltz and the | :08:28. | :08:31. | |
foxtrot, they are really difficult because you are on hold and you have | :08:32. | :08:36. | |
to move as one body, keeping the shape, keeping your shoulders and do | :08:37. | :08:43. | |
the opposite steps from each other so it is difficult. I am looking | :08:44. | :08:49. | |
forward to it. I have heard there will be flying. Good luck on | :08:50. | :08:50. | |
Saturday, Anita and Gleb! As our spooky Halloween weekend | :08:51. | :08:56. | |
draws eerily closer, let's see how our couples are | :08:57. | :08:58. | |
getting along in training. The run but that we are learning, it | :08:59. | :09:06. | |
is brilliant. I love it. The hip action and a bit of sway. Rumba is | :09:07. | :09:11. | |
one of the most difficult dances to make it look good. It is slow and | :09:12. | :09:16. | |
requires a lot of technique. The energy in the fingers. When do we do | :09:17. | :09:23. | |
sleepy dance? Never. A concept is creating a bit of a monster which is | :09:24. | :09:36. | |
Pasha, sewing him together, bringing him to life. | :09:37. | :09:39. | |
I am quite positive about this one. We will be doing an American smooth | :09:40. | :09:45. | |
themed foxtrot. The whole character is very driven. It is very playful | :09:46. | :09:57. | |
to sneak around the ballroom floor. It is the first time we are doing | :09:58. | :10:03. | |
lifts. She wants it quick, quick, quick! The thing I'm finding hardest | :10:04. | :10:08. | |
is the foxtrot steps. If I can keep my brain on top of that then the | :10:09. | :10:15. | |
rest of it seems to be flowing. Go nice and stop. | :10:16. | :10:18. | |
Intense training all round. Let's see what our werewolf of the waltz | :10:19. | :10:21. | |
You horny little devil. You could have made an effort or something for | :10:22. | :10:49. | |
Halloween. You can save that for later when you need to hurry me | :10:50. | :10:54. | |
along. You are wrecking the set with your massive Cape! I'm being | :10:55. | :10:59. | |
attacked by the stones behind me. Carry on, it is live TV! | :11:00. | :11:02. | |
Were you surprised at the outcome of the dance off on Sunday? | :11:03. | :11:09. | |
A little bit because I love Ainslie and I did not think it was his time | :11:10. | :11:21. | |
to go. He is a great dancer with a great personality, such a shame to | :11:22. | :11:25. | |
see him go. What about the couples were left? Should anybody be | :11:26. | :11:29. | |
worried? I think Jeremy should be worried because he's always bottom | :11:30. | :11:33. | |
of the Leader Board and he cannot rely on the public forever. And also | :11:34. | :11:37. | |
Katie, when she is doing the Latin dance she needs to up her game. | :11:38. | :11:45. | |
Kirsty and Brendan got their highest score of the series on Saturday. | :11:46. | :11:50. | |
Are you seeing a transformation with this couple? | :11:51. | :11:55. | |
So far, for Kirsty it has been her confidence which is stopping her | :11:56. | :12:03. | |
getting the eighth and she wants to get like the other people. And there | :12:04. | :12:07. | |
are few people that she needs to work on get those eights and nines. | :12:08. | :12:19. | |
If I'd just go here. Yes, darling! You can see Brendan's he'll is | :12:20. | :12:23. | |
coming off the floor in these kicks in the Charleston and Kirsty's arm, | :12:24. | :12:28. | |
I know it seems like a small detail but the judges will pick up on this. | :12:29. | :12:33. | |
This is later on in the competition and you have got to get all of these | :12:34. | :12:37. | |
things right. From the very get go, she has got to be doing that. | :12:38. | :12:44. | |
Katie and Anton are taking on a Phantom of the Opera inspired | :12:45. | :12:48. | |
Their salsa last week failed to excite the judges. | :12:49. | :12:52. | |
I really like this music, it is a great story. She has got the shaping | :12:53. | :13:00. | |
of the arms as you can see here, but she has got to be careful that she | :13:01. | :13:05. | |
doesn't start looking stiff. There is a point when you hold your body | :13:06. | :13:12. | |
for pasta Doble but you do not want to be stiff. Your body has got to | :13:13. | :13:21. | |
continue shaping, even when you are here -- paso doble. I just want to | :13:22. | :13:27. | |
point out this bit here. Sometimes she goes into lines and she has | :13:28. | :13:31. | |
beautiful feet and legs and she is ballet trained. We should never have | :13:32. | :13:36. | |
a situation like this where she has a ugly feet and legs. It is the way | :13:37. | :13:40. | |
she is positioning them. They need to be turned out at all times. Latin | :13:41. | :13:46. | |
especially, you can turn the feet out. They should look nice. OK, | :13:47. | :13:55. | |
taken on board. Helen and Aljaz are top of the Leader Board, can they | :13:56. | :14:00. | |
continue with their success this week with a samba for Halloween? | :14:01. | :14:05. | |
Samba is all about bending the knee is to get that rhythm in the hips | :14:06. | :14:10. | |
and body. She is doing this in places. It will be a struggle for | :14:11. | :14:14. | |
her because she is so pulled up and she likes to straight in places. It | :14:15. | :14:20. | |
will be a struggle for her because she is so pulled up and she likes to | :14:21. | :14:23. | |
straighten the legs. They are doing a lovely whisk. Shall we do it | :14:24. | :14:28. | |
together? I feel underdressed! Bend and bend. A1, A2, one, two. You are | :14:29. | :14:36. | |
bending so the hips are coming under. Then you are pushing back and | :14:37. | :14:40. | |
the hips are going back and back forward. You're getting a double hip | :14:41. | :14:45. | |
swinging forward and back. It is different from the other dances but | :14:46. | :14:51. | |
there is a reaction in the body. Do that. It is like this. | :14:52. | :14:57. | |
And neater and Gleb, brilliant tango at the weekend, loved it. Very | :14:58. | :15:06. | |
intense, dynamic performances. This week a waltz, are you impressed with | :15:07. | :15:12. | |
what you see? I love what I see. What I love is from here, I have | :15:13. | :15:18. | |
slowed it down, the lovely arms that they use. Not just the arms, the | :15:19. | :15:23. | |
finishing off of the arms, which is continuous. They do a spin, then | :15:24. | :15:30. | |
Anita continues the arm movement and continues the arm movement and | :15:31. | :15:34. | |
continues the arm movement. It just goes on and on and on. It is | :15:35. | :15:39. | |
beautiful. It is lovely. I am not sure what the firm is doing up. | :15:40. | :15:43. | |
Let's move on to Kellie and Cabinet. Joint top of the leaderboard. -- | :15:44. | :15:55. | |
Kellie and Kevin. They are very good. This is only Monday's footage. | :15:56. | :16:00. | |
There is some sort of Harry Potter footage, I think Kevin would look | :16:01. | :16:05. | |
perfect with the round spectacles as Harry Potter. There is a plain piece | :16:06. | :16:13. | |
of wall in the way, so I thought we were decorated. We will put on some | :16:14. | :16:20. | |
attractive witches! When she does these arms, she has got a lovely | :16:21. | :16:25. | |
cove, bending into the Nir Bitton more, but the hand is turned up. -- | :16:26. | :16:31. | |
bending into the Meeme a bit more. If she is going to do paso doble, | :16:32. | :16:38. | |
let's create that shape. He takes it so seriously, wearing better outfit, | :16:39. | :16:43. | |
it is perfect! I had to top last year. The pumpkin. Georgia and | :16:44. | :16:51. | |
Giovanni, they are dancing to Ghostbusters. It is a tango, is it | :16:52. | :16:56. | |
looking brilliant? The God I love this song, I think it will be great. | :16:57. | :17:01. | |
They are dancing so well. -- I love this song. Look at this, right? Look | :17:02. | :17:14. | |
at this? That is leading with the toe. She is doing about everywhere | :17:15. | :17:22. | |
in this tango. Uncle Len will not like it. If they want those higher | :17:23. | :17:26. | |
marks, because they have not been at the top, she has to lead with her | :17:27. | :17:30. | |
heel in the tango, it is the fundamental of every tango. Mays, | :17:31. | :17:36. | |
strong heel leads. Then uncle Len will be on side. Georgia has been | :17:37. | :17:51. | |
struggling a little bit. Oh! I hate this dance! I am actually broken. | :17:52. | :18:04. | |
Toe, back, neck, person, confidence. Oh, Georgia, I remember times like | :18:05. | :18:09. | |
that. You can't master the dance, keep the faith. We will find out | :18:10. | :18:13. | |
what was going on with Georgia and Giovanni when they join us tomorrow. | :18:14. | :18:18. | |
Imagine what Ian Waite will be wearing tomorrow! Ian Waite! | :18:19. | :18:21. | |
APPLAUSE The talent of the Strictly hair | :18:22. | :18:23. | |
and make-up team knows no bounds. Here's a little trick | :18:24. | :18:26. | |
of the trade for glittery eyes. I am Briony, and I am part of the | :18:27. | :18:38. | |
make-up team on Strictly Come Dancing. My trick of the trade | :18:39. | :18:42. | |
involves eye shadow and glitter. That is very important and Strictly. | :18:43. | :18:48. | |
Often you start make-up with your foundation, on Strictly, because we | :18:49. | :18:51. | |
use a lot of pigment in glitter, we do the eyes first, then met -- then | :18:52. | :18:56. | |
wipe clean any of the mess that has dropped and then to the base, then | :18:57. | :18:58. | |
it is flawless. That is my trick. Tomorrow we will have the Strictly | :18:59. | :19:04. | |
hair and make-up team live in the studio, giving us | :19:05. | :19:07. | |
a preview of their devilish plans Now, the whirlwind of joy that we | :19:08. | :19:09. | |
fondly call The Strictly is taking Latest recruits include world | :19:10. | :19:14. | |
champion rowers and airline staff. Well done to the GB Rowing Team | :19:15. | :19:42. | |
and our enthusiastic airline staff Well, don't fret because through | :19:43. | :20:17. | |
the magic of television I bring you a little tutorial from | :20:18. | :20:27. | |
Russell Grant and Joanne Clifton. Samba planes, samba points, | :20:28. | :20:45. | |
charleston, charleston, samba points, samba points, shimmy, two, | :20:46. | :20:52. | |
three, four, boy's hand, girl's hand, less you, bounce in, bounce | :20:53. | :21:01. | |
out, owns in, and out, Russell Grant, float with Anton, beginning. | :21:02. | :21:07. | |
Samba points, samba points, charleston, charleston, samba | :21:08. | :21:14. | |
points, samba points, shimmy, boy's hand, girl's hand, lassoo, and Judy | :21:15. | :21:25. | |
Murray, Judy Murray, handbag, Brucie. Enters your version of The | :21:26. | :21:34. | |
Strictly and you could win two tickets to Strictly in black tool on | :21:35. | :21:38. | |
the 21st of November, it is the best show. -- in Blackpool. | :21:39. | :21:47. | |
Now, he was the first male celebrity to tackle the rumba on Saturday | :21:48. | :21:50. | |
Hello, you lovely wonders! I loved your rumba on Saturday, the first | :21:51. | :22:12. | |
boy to tackle it. It was really sensitive and very, very beautiful. | :22:13. | :22:14. | |
Why do you think people find it so scary? | :22:15. | :22:19. | |
And so hard? The rumba? Well... Because it is! Let me explain. For | :22:20. | :22:29. | |
example, if your legs are straight and you do the hip movement, | :22:30. | :22:34. | |
apparently that is rumba. But if you slightly bend your need, it falls | :22:35. | :22:40. | |
into salsa, is that correct? It is just where the pressure is. I have | :22:41. | :22:45. | |
got to move a bit of the hips. It was wonderful. By the way, this is | :22:46. | :22:54. | |
good. Do you like this? This is Guido. He is amazing. I am making | :22:55. | :23:01. | |
him dress up. If you want to get this, you can buy eight on the web! | :23:02. | :23:05. | |
I was waiting for its excavation mug funny guy! | :23:06. | :23:09. | |
Once again the judges commended your story telling and your emotion. | :23:10. | :23:11. | |
What were you feeling about it in your mind? I don't... It was sort of | :23:12. | :23:30. | |
like... I have no idea. I loved it, I really felt it. I don't think it | :23:31. | :23:35. | |
was a particular current. Member when Patrick Swayze, I am nowhere | :23:36. | :23:39. | |
near as good, but when he had that tenderness with his partner, and I | :23:40. | :23:46. | |
wanted that. You did! Peter Swayze! That is your new name. Janette, the | :23:47. | :23:53. | |
judges loved Peter. They said he needed a bit of continuous movement | :23:54. | :23:58. | |
throughout. What do you say? Rumba is very hard, it starts up the feeds | :23:59. | :24:03. | |
and then works open to the rest of the body. I think he had really | :24:04. | :24:07. | |
beautiful soft arms, which is good, but every now and then he would fall | :24:08. | :24:12. | |
back into his pop star clicks. So it is just about using the legs, the | :24:13. | :24:17. | |
feet and the softness in the arm throughout the entire dance. There | :24:18. | :24:23. | |
was one moment in rehearsal, he just went, yeah! I was like, Peter, it is | :24:24. | :24:30. | |
a rumba! It is true, the judges are spot-on. I always love what they | :24:31. | :24:35. | |
say. They know what they are talking about. They say things and I am | :24:36. | :24:38. | |
thinking... It is something I would say if they didn't say it. I know | :24:39. | :24:43. | |
what I'm doing, sometimes they just can't put into practice. But I know | :24:44. | :24:48. | |
the mistakes I am making, if that makes any sense. Absolutely, you | :24:49. | :24:53. | |
learn it and you learn it, but the professionals have been dancing this | :24:54. | :24:57. | |
for years, and to learn Latin four days... He did it brilliantly. 29, | :24:58. | :25:05. | |
not your highest score, not your lowest. I know you have been very | :25:06. | :25:10. | |
busy with your album out... There is no excuse! | :25:11. | :25:13. | |
What do you plan to do to raise your game? | :25:14. | :25:15. | |
How would you get the scores up? So far we have not got under a | :25:16. | :25:26. | |
seven. That is huge for me. I know that you can't hover and I know that | :25:27. | :25:30. | |
I have room to fall, that I have room to climb. This is great for us, | :25:31. | :25:35. | |
if I work harder I might be able to climb a bit. Fingers crossed. | :25:36. | :25:39. | |
You and your real life partner, Aljaz, are doing quite well | :25:40. | :25:41. | |
We have a lovely picture of you when you got engaged! You are loved up, | :25:42. | :25:52. | |
that is lovely, at what point will it get competitive between the two | :25:53. | :25:57. | |
argue? I know it sounds boring, but it does not get competitive at all. | :25:58. | :26:02. | |
I think there is so much pressure on us as professionals to come up with | :26:03. | :26:06. | |
great choreography, that we teach them properly and get to where we | :26:07. | :26:10. | |
want them to be, push them enough but not too much. There is so much | :26:11. | :26:15. | |
going on that you don't have time to be competitive. There is enough | :26:16. | :26:20. | |
pressure as it is just being part of the show. For us, it is the | :26:21. | :26:25. | |
opposite. It is nice to come home, talk to one another about the day, | :26:26. | :26:32. | |
the highs and lows. And him understanding? We just completely | :26:33. | :26:35. | |
understand what we are going through because we are both there. | :26:36. | :26:37. | |
Peter, you've probably been spending more | :26:38. | :26:38. | |
time with Janette than Aljaz lately, so you must know her pretty well. | :26:39. | :26:41. | |
Let's put that to the test shall we, with a little game we | :26:42. | :26:44. | |
Peter, we will accept your first answer only, no conferring, please! | :26:45. | :26:54. | |
Janette has never got to the final of Strictly Come Dancing, | :26:55. | :26:59. | |
I'm going to say truth. It is true, she got to the semifinal with Jake | :27:00. | :27:08. | |
Wood last year. So close. Name the Broadway show where Janette | :27:09. | :27:10. | |
and Aljaz met? Broadway is a very good place! It | :27:11. | :27:33. | |
-- Burn The Floor. | :27:34. | :27:35. | |
Janette Has Only Received A Top Score Of Straight Tens Once, | :27:36. | :27:37. | |
I will say false, because I do not know. | :27:38. | :27:41. | |
Has Janette danced at the Grammys or the Oscars? | :27:42. | :27:48. | |
You like Oscar. Let me think? I would say, yes. Which one? Yes, you | :27:49. | :27:55. | |
are right! She danced at the Oscars! What do Janette and Karen Clifton do | :27:56. | :28:14. | |
on the stairs before every show? Yes, they have a fight speaking | :28:15. | :28:16. | |
Spanish to each other. This week you have a Foxtrot to | :28:17. | :28:17. | |
the song Ghost by Ella Henderson. Is it going to be brilliant? I think | :28:18. | :28:25. | |
so, I love that already and it is the only -- it is only the second | :28:26. | :28:31. | |
day rehearsing. Keep the faith, Peter. You are so good. Peter and | :28:32. | :28:34. | |
Janette! That's all for this evening, | :28:35. | :28:36. | |
my Strictly friends. Join us tomorrow when Georgia | :28:37. | :28:38. | |
and Giovanni and Carol and Pasha will be sharing some | :28:39. | :28:40. | |
of their Halloween dance secrets. And Lord of the Dance himself | :28:41. | :28:42. | |
Michael Flatley will be Riverdancing Plus Ian Waite is back for more, | :28:43. | :28:45. | |
and we give you an exclusive peek at this weekend's | :28:46. | :28:49. | |
spooky hair and make-up looks. | :28:50. | :28:52. |