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Don't worry, Zoe, it's me, Michael Flatley. | :00:00. | :00:15. | |
This must be a dream, because Michael Flatley can't | :00:16. | :00:19. | |
Live from London, please welcome your host, Zoe Ball. | :00:20. | :01:25. | |
We are just two days away from the scariest dancing | :01:26. | :01:31. | |
Yes, it's the Strictly Halloween special! | :01:32. | :01:41. | |
Well, we have a scream of a line-up tonight! | :01:42. | :01:43. | |
Officially the least scary people in the world, | :01:44. | :01:50. | |
The devilishly good-looking Mr Ian Waite! | :01:51. | :01:54. | |
The ladies behind this weekend's spooky hair | :01:55. | :01:56. | |
and make-up, the two Lisas, also known as the Strictly Glam Squad! | :01:57. | :02:02. | |
And also, this is no trick, it's a real treat. | :02:03. | :02:04. | |
Lord Of The Dance, Michael Flatley is here! | :02:05. | :02:16. | |
down below so well in her salsa that she should change her surname | :02:17. | :02:29. | |
How much fun was it to start the show with that dance last week? | :02:30. | :02:47. | |
How much fun was it to start the was terrifying. It was good fun but | :02:48. | :02:47. | |
so scary. Everyone leaves you at the was terrifying. It was good fun but | :02:48. | :02:50. | |
beginning and you are like, stay! was terrifying. It was good fun but | :02:51. | :02:55. | |
You have not been on first before. We have been fourth and fifth. Once | :02:56. | :03:00. | |
it is done, you can kick back and relax. After this dance, you | :03:01. | :03:06. | |
discovered you have a new famous fan. Game Joan Collins. Oh, yes! I | :03:07. | :03:14. | |
know, how amazing is that? I came off from doing the dance and had | :03:15. | :03:19. | |
these messages and I was saying, Joan Collins has tweeted me. Did you | :03:20. | :03:25. | |
know who Joan Collins was? Of course. Well done as well. Lennon | :03:26. | :03:36. | |
was talking about how she was shaking her assets, and a lot of | :03:37. | :03:40. | |
solo work for Georgia in this dance. Are you impressed with how well | :03:41. | :03:45. | |
she's doing out there alone? She did a good job. When you dance in | :03:46. | :03:51. | |
couples, for sure. As a man, can lead my partner everywhere, but when | :03:52. | :03:56. | |
you have solos, side-by-side... I kept looking at him, what are we | :03:57. | :04:04. | |
doing? She did really well. She did really well. Not too much praise yet | :04:05. | :04:12. | |
because you want more out of her. I love you with the dickie bow. Let's | :04:13. | :04:18. | |
talk about your spins. I've counted | :04:19. | :04:23. | |
and you did six spins in a row You often see people do the dirty | :04:24. | :04:40. | |
dancing left, but with hands-on shoulders. You did that. | :04:41. | :04:46. | |
Unbelievable! That was the first time it went that well. I went, we | :04:47. | :04:55. | |
are doing it! How do you do that? Are you rigid in your arms and legs? | :04:56. | :05:04. | |
Jim, Jim. I must do more squats. It is time for Halloween and you are | :05:05. | :05:06. | |
dancing to this. MUSIC: | :05:07. | :05:07. | |
Ghostbusters Theme Tune. I think we are both going to be | :05:08. | :05:31. | |
Ghostbusters. I hope you have the guns and everything. It would be | :05:32. | :05:35. | |
amazing. Do you get excited about finding out what you are wearing? | :05:36. | :05:41. | |
Definitely. The costume team is phenomenal. And the make up team. It | :05:42. | :05:47. | |
comes together. Halloween, I was really excited because you know you | :05:48. | :05:53. | |
are going to get something mint. Mint. I will be using that on radio | :05:54. | :05:58. | |
two tomorrow. How is your Tango coming together? We saw a bit of you | :05:59. | :06:04. | |
struggling and I know how you feel. It is so emotional. I cannot feel my | :06:05. | :06:10. | |
neck today. I woke up and I could not reach for my alarm. It has been | :06:11. | :06:17. | |
hard this week but it is good. They will love you for that. Good luck | :06:18. | :06:23. | |
with Ghostbusters. We know you will be brilliant. Georgia and Giovanni. | :06:24. | :06:29. | |
Now, I spy a horned devil over there waiting to warm me up. | :06:30. | :06:40. | |
I lost my teeth so I a vegetarian Dracula. I love the. We were hoping | :06:41. | :07:01. | |
for a spider or pumpkin, but this is better. Hold on May two, my wand is | :07:02. | :07:11. | |
stuck. We have five couples for you to get your teeth into. Carol and | :07:12. | :07:24. | |
Pasha are doing the rumba. Have you got any notes? A lovely coal | :07:25. | :07:29. | |
allowance step. I just made that up. -- koala. I would like to use her | :07:30. | :07:36. | |
legs a little more. It is stumping at the moment. The swivels were not | :07:37. | :07:42. | |
bad. Here, I will put in some arrows. Every time Carol stands on a | :07:43. | :07:51. | |
leg, she needs to straighten her knees, like this. I think we should | :07:52. | :08:03. | |
make you up every week. Get the knees straight. We will be talking | :08:04. | :08:08. | |
to Carol and Pasha shortly. Jamelia and Tristan are doing the time warp | :08:09. | :08:14. | |
as a jive, great fun for Halloween. Is it looking good? I love the song, | :08:15. | :08:19. | |
so it should be great. Her knees are to bent, for me. At the end, she | :08:20. | :08:27. | |
needs to straighten her knees. We are looking at this area. If we are | :08:28. | :08:34. | |
side-by-side, doing a jive action. Side, close, side, straighten. Pasha | :08:35. | :08:44. | |
is giving me a funny look from the wings. You need to get the bounce. I | :08:45. | :08:52. | |
have seized up. Peter and Janette are doing a foxtrot. It sounds | :08:53. | :08:56. | |
romantic and we love his hat. How is it looking? The F tips are quite | :08:57. | :09:03. | |
nice. There was some lovely footwork later on. -- the F bits. He does a | :09:04. | :09:14. | |
lovely turn. The issue I have is here. You can see he has gone up in | :09:15. | :09:21. | |
his shoulders. He has done a step outside her and he has gone like | :09:22. | :09:25. | |
that. He has done it in a couple of places, not just there. He has to | :09:26. | :09:30. | |
arise in the but feet not in the shoulders, which should stay down, | :09:31. | :09:37. | |
darling. Jeremy and Karen are dancing to thriller. They are doing | :09:38. | :09:43. | |
a salsa. I am so excited. Tell me it is going to be brilliant. Jeremy's | :09:44. | :09:49. | |
salsa looks quite good, and those are three words I never thought I | :09:50. | :09:54. | |
would say! He is going for it, he is loose in the hips. It is a bit | :09:55. | :09:59. | |
plodding, he needs to be on the balls of his feet. But I love this | :10:00. | :10:05. | |
here. Look at his hand and everything and his facial | :10:06. | :10:08. | |
expression. I think he will get into character on this answer and it will | :10:09. | :10:13. | |
be good for him. It will suit his character, whatever that may be. Is | :10:14. | :10:19. | |
he going to go the full Michael Jackson, I hope so. Jay and Aliona, | :10:20. | :10:26. | |
and American smooth for them. Little red riding hood is the theme. Is it | :10:27. | :10:32. | |
looking spotless? The movement is going well. She is perfectly on him. | :10:33. | :10:39. | |
I can see no daylight between them. It is rather smooth. The only issue | :10:40. | :10:44. | |
is that they just did a lovely drop ronde there, and the only issue I | :10:45. | :10:51. | |
have is here with the shoulder. He has dropped the shoulder, dropped | :10:52. | :10:55. | |
the elbow and it is bringing the shoulder forwards. That is not how | :10:56. | :11:01. | |
we want him to look. He dropped this elbow and the shoulder has gone | :11:02. | :11:08. | |
forward. It is impossible to see it! Thanks a lot, Ian. Right, back to | :11:09. | :11:16. | |
Transylvania, Ian Waite. Now, let's catch up with how Helen | :11:17. | :11:18. | |
and Aljaz, and Jamelia and Tristan and see how they are getting | :11:19. | :11:21. | |
on with their monstrous moves. This week we are doing a samba for | :11:22. | :11:36. | |
Halloween. I am petrified. Apparently it is like a salsa but | :11:37. | :11:39. | |
really hard because it has technique. It is hard, a lot of | :11:40. | :11:50. | |
hips. One... A lot of bounce action and rhythm. I definitely feel out of | :11:51. | :11:54. | |
my comfort zone on the Latin numbers. That is awful. We are going | :11:55. | :12:00. | |
to put in a lot of hours and try to get the samba as good as it can be. | :12:01. | :12:08. | |
Leave me alone! This week, we are doing the jive, | :12:09. | :12:12. | |
very high energy and lots of fancy footwork. The jive is difficult for | :12:13. | :12:18. | |
some people because it is physical. We will be properly knackered after | :12:19. | :12:23. | |
this. Anyone who has been tuning in may know that fitness is not my bag | :12:24. | :12:29. | |
and I am tired already. It is about making it as much fun as possible | :12:30. | :12:33. | |
and doing the best job that we can. That will look wicked if I can get | :12:34. | :12:35. | |
it right. When I get it right! Every week, our Strictly stars hit | :12:36. | :12:38. | |
the dance floor looking flawless. However, this week, | :12:39. | :12:41. | |
some of them will look But, fear not, | :12:42. | :12:43. | |
it's all in the name of Halloween. You're in charge of the Strictly | :12:44. | :13:01. | |
make-up. How do you make our beautiful | :13:02. | :13:22. | |
contestants look awful for Halloween? It is tricky because we | :13:23. | :13:27. | |
want them to look beautiful because we are Strictly, but we use a lot of | :13:28. | :13:32. | |
shading and white make up and ghoulish colours to make them look | :13:33. | :13:35. | |
gorgeous but still deathly and a bit ghoulish. Lots of glitter. You have | :13:36. | :13:43. | |
gone crazy with glitter. Lisa, how difficult is it for you to do their | :13:44. | :13:46. | |
hair and get it to stay in place when they are spinning and doing | :13:47. | :13:53. | |
those staccato head moves? Basically, hundreds of hairpins, | :13:54. | :13:58. | |
glue, staple gun, anything. Often, we stitch it in so it will stay in | :13:59. | :14:06. | |
place. Here is an eater -- Anita Rani. Talk us through her make up. | :14:07. | :14:15. | |
place. Here is an eater -- Anita We will use bright, bold, clashing | :14:16. | :14:19. | |
colours to create the character. You can see on the sketch we will clash | :14:20. | :14:22. | |
the purple against green fodder which look. And the thick eyeliner | :14:23. | :14:27. | |
with glitter. She has the perfect by shape for that. She looks stunning | :14:28. | :14:34. | |
with the eyeliner. She can take a lot of make up on her eyes. It will | :14:35. | :14:37. | |
be a great look for her. And she lot of make up on her eyes. It will | :14:38. | :14:43. | |
also has horns. Talk us through how you create this look. Rather than | :14:44. | :14:50. | |
the generic headdress, we wanted to be creative, so we made horns out of | :14:51. | :14:53. | |
wire cages and covered them in hair. be creative, so we made horns out of | :14:54. | :15:02. | |
this hair. They are really liked. How do you attach them? We will | :15:03. | :15:08. | |
stitch them in. It is fine until she How do you attach them? We will | :15:09. | :15:13. | |
wants to go home. This looks very much like Frankenstein's monster. | :15:14. | :15:18. | |
Who will be looking like this? That will be Pasha and this will be | :15:19. | :15:23. | |
Carol. He loves a bit of green. I remember him as Schreck. Again, we | :15:24. | :15:30. | |
have the green face, lots of shading, lots of grey and black. | :15:31. | :15:37. | |
Around the eyes, really dark. We get that heavy line across the forehead. | :15:38. | :15:43. | |
He will be happy about that! And we were actually use the bolts. And the | :15:44. | :15:52. | |
lovely Carol will be very pale. The bride of Frankenstein. Pale skin and | :15:53. | :15:55. | |
some glitter iridescence on her face. Glittery eyeliner and the | :15:56. | :16:03. | |
browser will be structured, harsh. And a bit of patchwork down here as | :16:04. | :16:08. | |
if she has been sewn up. What about the hair? Pasha will just have his | :16:09. | :16:20. | |
own hair but squared up. Carol is a work in process. We have a wig for | :16:21. | :16:22. | |
her. And over here we have | :16:23. | :16:28. | |
a special guest waiting for us! You may not recognise her, but I can | :16:29. | :16:31. | |
assure you, under all the make-up is How are you feeling in? | :16:32. | :16:46. | |
I am not sure. Talk me through this look? | :16:47. | :16:53. | |
This is for the group number. She is the corpse bride look. Dark eye make | :16:54. | :16:58. | |
up to the eyebrow, to make it look hollow. | :16:59. | :17:04. | |
Glitter on the eyebrow. Some structure with the shading as I | :17:05. | :17:08. | |
talked about before. A pot of glitter and we blew it into | :17:09. | :17:14. | |
her face! Do close your eyes first! | :17:15. | :17:18. | |
What about her hair? This is a wake. Making it secure. | :17:19. | :17:27. | |
She throws her head everywhere. I have seen it from those low terms. | :17:28. | :17:33. | |
Finishing it with accessories. Does it feel comfortable? | :17:34. | :17:34. | |
Yes. Your partner in crime Vicky Gill | :17:35. | :17:39. | |
will be revealing some of the horrifying costumes live | :17:40. | :17:41. | |
from Elstree tomorrow. Good luck for Saturday, | :17:42. | :17:43. | |
Lisa Armstrong and Lisa Davey! Next up tonight, even though she'll | :17:44. | :17:54. | |
have a sinister look on Saturday thanks to the Glam Squad, | :17:55. | :17:59. | |
her smile will still shine through. What you think of your looks? I love | :18:00. | :18:30. | |
it, they are fantastic, the team. Originally, you were meant to be | :18:31. | :18:35. | |
green. Let us go back to Saturday night. | :18:36. | :18:38. | |
You took my breath away. Your Viennese waltz was beautiful | :18:39. | :18:39. | |
on Saturday. In that dress, to that music? | :18:40. | :18:51. | |
Sensational, so graceful and elegant. | :18:52. | :18:56. | |
I always say Pasha puts together the most beautiful choreography. She | :18:57. | :19:00. | |
does. Special. You will have that forever. Miranda | :19:01. | :19:08. | |
Hart was loving you on Twitter. Miranda saying how brilliant you | :19:09. | :19:09. | |
are. You got your second highest score | :19:10. | :19:10. | |
of the series, 21. Do you set yourself | :19:11. | :19:13. | |
a target with your score? Usually we aim for 40. I didn't tell | :19:14. | :19:26. | |
you before. That is coming. | :19:27. | :19:28. | |
You got a four from Craig, and he said he felt that Pasha was | :19:29. | :19:32. | |
just pushing you around those pivots a little bit. | :19:33. | :19:34. | |
It went passed so quickly. I wasn't aware of Pasha pushing me. If Craig | :19:35. | :19:47. | |
said, he properly did. It was just lovely. Were you | :19:48. | :19:53. | |
pushing? No, not at all, gliding around. | :19:54. | :19:53. | |
Smooth and flowing. There were a lot | :19:54. | :19:55. | |
of positive comments too. Len said it was a very nice, stylish | :19:56. | :19:57. | |
Viennese waltz, and gave you a six. Dancing! I think, from his point of | :19:58. | :20:13. | |
view, Len said it, Carol has never danced before, and he saw a huge | :20:14. | :20:18. | |
improvement and he judged on that, from last week and this week. Huge | :20:19. | :20:20. | |
improvement, good score. You are dancing the dance of love, | :20:21. | :20:37. | |
how are you finding the Rumba? Brilliant fun. I have muscles in my | :20:38. | :20:44. | |
arms I didn't know. He makes me stretch through to my fingers. | :20:45. | :20:48. | |
She is taking it on board. Rumba is often quite an intimate | :20:49. | :20:54. | |
dance, and you'd think by now Slide your leg, you with me. I am | :20:55. | :21:06. | |
blushing. I wish the air conditioning would come on now. | :21:07. | :21:14. | |
You have to be so close and personal. You enjoyed that secretly? | :21:15. | :21:16. | |
Yes. Finally, Carol, | :21:17. | :21:22. | |
for those kids and parents going trick or treating at the weekend, | :21:23. | :21:24. | |
will the weather be good for them? Not too bad, it could be a lot | :21:25. | :21:32. | |
worse. Let us remind ourselves last | :21:33. | :21:39. | |
Halloween when Pasha was dressed as that. We called you Carlos. It was | :21:40. | :21:43. | |
so good. Good luck this weekend. | :21:44. | :21:45. | |
Now, Carol, what are you doing at 6pm tomorrow? | :21:46. | :21:51. | |
I'll be having my tea, and watching It Takes Two, of course! | :21:52. | :21:53. | |
We catch up with Vicky Gill live in the Strictly studio for a peek at | :21:54. | :22:11. | |
this spectacular costume show. Jay takes a ride. Karen Hardy cooks | :22:12. | :22:21. | |
up the perfect Halloween potion. It takes to, live on Friday, at 6pm. | :22:22. | :22:24. | |
Right, we all know that Pasha is the reigning Strictly king, | :22:25. | :22:26. | |
thanks to his win with Caroline Flack last year. | :22:27. | :22:28. | |
But there's one man who trumps even that title. | :22:29. | :22:31. | |
And the man behind the phenomenon is here. | :22:32. | :23:08. | |
Very quickly, I've just realised where Usain Bolt got his inspiration | :23:09. | :23:18. | |
When did you begin doing that pose, and why? | :23:19. | :23:27. | |
Since the mid-19 70s, a long time. I am older than you think. | :23:28. | :23:35. | |
It must be flattering to see him doing it. It is amazing. | :23:36. | :23:39. | |
He is such a star. Isn't it funny that both of us are probably the | :23:40. | :23:45. | |
fastest feet in the world, aside from David Beckham. I would like to | :23:46. | :23:47. | |
see you do a job swatch -- swap. Now, as a seasoned dance legend, | :23:48. | :23:52. | |
which of the couples have impressed I love them all. Can I say briefly, | :23:53. | :24:03. | |
the professionals, they also impressive, every night. | :24:04. | :24:07. | |
They are. Season after season. Nobody will ever know how hard they | :24:08. | :24:11. | |
work to make the celebrities look so great. | :24:12. | :24:16. | |
I love Daniel O'Donnell. He has gone back. | :24:17. | :24:20. | |
We miss him. He got a bit nervous. I know him. He is such a gentleman. | :24:21. | :24:26. | |
Katie was great. Jeremy. I could name them all. | :24:27. | :24:28. | |
You embody showmanship. How do our celebrities go from being competent | :24:29. | :24:33. | |
Yes, you see, if they want to win this, and I think everyone is in | :24:34. | :24:47. | |
with a shot still, I think it is about presentation, not just the | :24:48. | :24:52. | |
steps. The judges will be looking for somebody who comes alive under | :24:53. | :24:55. | |
the lights. It is quite exciting, you cannot | :24:56. | :24:57. | |
tell who. Dangerous Games is not only | :24:58. | :24:57. | |
your 20th year doing Lord Of The You know, it is just time, I want to | :24:58. | :25:15. | |
spend more time with my wife and son. I have new interests, I am | :25:16. | :25:21. | |
painting, doing television work. Moving on to something new. We are | :25:22. | :25:26. | |
finishing on Broadway, I will be opening their next Saturday. We are | :25:27. | :25:31. | |
wrapped the London Playhouse with some of the greatest dancers in the | :25:32. | :25:36. | |
world, James Keegan. Some fabulous dancers. I would like to invite the | :25:37. | :25:42. | |
whole of England to see them. We will all be there. | :25:43. | :25:43. | |
We don't know yet, you never know. Young lads will take over now. | :25:44. | :25:53. | |
If you were a judge on Strictly, what would you be looking for? | :25:54. | :25:58. | |
I would be looking for that star quality, somebody who knows how to | :25:59. | :26:07. | |
come alive under that light, a bit of passion and power. From what I | :26:08. | :26:13. | |
have seen, I think nerves to play a big part. Len will be looking | :26:14. | :26:18. | |
carefully at that. If you could let go a bit of the nerves and just | :26:19. | :26:21. | |
perform, nobody is watching. | :26:22. | :26:30. | |
Any advice for aspiring dancers? Work hard, follow your dream, you | :26:31. | :26:35. | |
can have anything in the world. Great advice. | :26:36. | :26:40. | |
Well, we have some keen students waiting for a lesson from the | :26:41. | :26:46. | |
Lord Of The Dance, and you can tap 35 times per second. | :26:47. | :26:50. | |
Mr Ian Waite, and two of your principle dancers, | :26:51. | :26:56. | |
Guys, have any of you learnt Irish dancing before? | :26:57. | :27:07. | |
No, and I have killer heels on. Georgia? No. | :27:08. | :27:12. | |
Well, Michael, what can you teach this lot in about a minute? | :27:13. | :27:17. | |
James, will you show them this one set for me. | :27:18. | :27:26. | |
That is nice and easy! James, can you show us inched slow | :27:27. | :27:34. | |
motion? -- in slow motion. Here we go. Bang, up. Try that, | :27:35. | :27:43. | |
everybody? Three four, and back. Left foot, | :27:44. | :27:51. | |
same again. And we repeat it. Not bad at all. | :27:52. | :27:58. | |
Shall we try doing that to some music? | :27:59. | :28:09. | |
Number one, one, two, three, four. Let us do it to music. | :28:10. | :28:13. | |
Here we go. Come on, Carol, Georgia. | :28:14. | :28:19. | |
Here we go. Off we go. A huge thank-you to all | :28:20. | :28:31. | |
of our guests. Don't forget to tune in tomorrow | :28:32. | :28:36. | |
at the earlier time of 6pm for an hour-long show, when I'll be joined | :28:37. | :28:39. | |
by my star studded Friday panel. Plus, Kirsty and Brendan, | :28:40. | :28:42. | |
Helen and Aljaz, And we'll be looking at the spooky | :28:43. | :28:44. | |
costumes, ahead of Saturday's show with Vicky Gill, live from | :28:45. | :28:48. | |
the Strictly studios at Elstree. Give it up, Michael Flatley and our | :28:49. | :28:55. | |
dancers! | :28:56. | :28:57. |