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# They are creepy and they are kooky, mysterious and spooky. The | :00:20. | :00:27. | |
Adam's family. # The House is a museum where people | :00:28. | :00:34. | |
come and see them. # The Addams family. | :00:35. | :00:47. | |
# So get which's shawl on. # We are going to make a call on the | :00:48. | :00:50. | |
Addams family. Live from London this is Strictly, | :00:51. | :01:38. | |
It Takes Two. Hello. Hello and welcome to | :01:39. | :01:55. | |
It Takes Twoooooo! It's Friday and it's almost | :01:56. | :01:56. | |
Halloween which means you're in Tonight we've got | :01:57. | :01:59. | |
a few creepy critters who've crawled And it wouldn't be Halloween without | :02:00. | :02:03. | |
the three witches, aka the Friday Panel, | :02:04. | :02:30. | |
and boy have we got a wicked bunch. Starting with former Strictly | :02:31. | :02:34. | |
favourite, Anita Dobson, celebrity superfan, Marian Keyes, | :02:35. | :02:36. | |
and the man with the highest high Plus, these four monsters, Jack | :02:37. | :02:39. | |
Pack, will be singing us out at the end of the show with | :02:40. | :02:48. | |
a classic Halloween song. Guys, you can take those masks | :02:49. | :02:52. | |
off now. And we've got one other mysterious | :02:53. | :02:55. | |
creature on the prowl at the Strictly studios this week | :02:56. | :03:00. | |
but who is it? It is me, the graduate of The | :03:01. | :03:13. | |
Strictly come dancing class of 2009 in the cheap seats. Rehearsals are | :03:14. | :03:21. | |
well and underweight and Jay and Aliona are rehearsing their American | :03:22. | :03:26. | |
smooth foxtrot. They are dancing to Little Red Riding Hood. Join me | :03:27. | :03:37. | |
later, I will be talking to two of the couples and we will be meeting | :03:38. | :03:42. | |
the wardrobe department to find out what our celebrities are wearing for | :03:43. | :03:47. | |
the Halloween special, and we will also be testing some paranormal | :03:48. | :03:48. | |
pyrotechnic kit. Right, | :03:49. | :03:52. | |
time to chat to our first couple. At the weekend they were | :03:53. | :03:54. | |
on cloud nine. No, literally they were, they got | :03:55. | :03:56. | |
their first 9's of the series. Welcome. Sorry about the money. | :03:57. | :04:37. | |
Isn't he beautiful? That is what I like to call him, beautiful. What a | :04:38. | :04:43. | |
frock, what a performance and what a score. Your quickstep was out of | :04:44. | :04:48. | |
this world. Did you realise early in the week the quick step was going to | :04:49. | :04:54. | |
be your best dance? Know, and I did not understand what it was and I did | :04:55. | :04:58. | |
not understand it when I was doing it, but it was a complete fluke. | :04:59. | :05:06. | |
not understand it when I was doing can't have been. Congratulations, | :05:07. | :05:09. | |
you got the first great's fab-u-lous of the series! You must have been | :05:10. | :05:16. | |
thrilled with that. That was the best bit of the night. Was that | :05:17. | :05:22. | |
better than getting nine? We said it would be nice to get one 9 and we | :05:23. | :05:29. | |
got three. We are not going to give them back. How impressed were you | :05:30. | :05:35. | |
when Helen's performance? It was such a hard dance when it got to the | :05:36. | :05:40. | |
steps because there are so many steps and changes in the shape and | :05:41. | :05:44. | |
she handled all of it and I was so impressed. | :05:45. | :05:54. | |
she handled all of it and I was so second. How good will it feel when | :05:55. | :05:55. | |
she handled all of it and I was so Len Goodman gives you an nine or a | :05:56. | :06:03. | |
ten? I cannot wait. It will happen. There is the chance tomorrow. | :06:04. | :06:15. | |
ten? I cannot wait. It will happen. of every couple's done so far to | :06:16. | :06:19. | |
ten? I cannot wait. It will happen. who has the most points overall. | :06:20. | :06:20. | |
This calls for a little game of who has the most points overall. | :06:21. | :06:27. | |
higher or lower. These are all the scores you have from the judges. You | :06:28. | :06:38. | |
have got 157 points. R Kellie and Kevin higher or lower in scores? | :06:39. | :06:40. | |
Higher. Let's find out. Lower. I Kevin higher or lower in scores? | :06:41. | :06:53. | |
know you are surprised. What about Jay and Aliona? You say higher. OK, | :06:54. | :07:06. | |
Peter and Janette, higher or lower? Jay and Aliona? You say higher. OK, | :07:07. | :07:19. | |
Lower. It means Helen and Aljaz, you have the most points from the judges | :07:20. | :07:25. | |
so far this series. Let's hope, because tomorrow is another show. Is | :07:26. | :07:32. | |
this the place you thought you would be in? No, Jenny Riley every week I | :07:33. | :07:36. | |
think this is the week I will be in the dance off or get low scores, so | :07:37. | :07:41. | |
the fact that has not happened yet... A lot of pressure. I hate to | :07:42. | :07:48. | |
bring this up, Aljaz, but we have been concerned. Are you worried | :07:49. | :07:54. | |
bring this up, Aljaz, but we have about... The curse of Halloween? You | :07:55. | :08:00. | |
have had a bit of trouble and have been in the dance off twice on | :08:01. | :08:04. | |
Halloween. Can this be the year you break that close? I have not been on | :08:05. | :08:13. | |
Strictly more than that, so, yes. Yes, I think it is time. Third time | :08:14. | :08:15. | |
lucky. Plus there is a curse Yes, I think it is time. Third time | :08:16. | :08:28. | |
both of my partners started with a. Abbey Clancy and Alison. Good | :08:29. | :08:35. | |
evening if you are watching. Samba for Halloween, how is it going? It | :08:36. | :08:40. | |
is really fun, we have had a load of fun. The | :08:41. | :08:44. | |
is really fun, we have had a load of great. But I do feel very British | :08:45. | :08:48. | |
when I am doing all the Latin stuff. I feel the most British I | :08:49. | :08:56. | |
ever do when I shape my hips. She is getting better and better. Every | :08:57. | :09:03. | |
single Latin dance is different, but Samba you really need to go into it | :09:04. | :09:10. | |
and Helen is doing a great job. It is so confusing. You have to do the | :09:11. | :09:17. | |
front and back and the sides. It is so technical and it does not make | :09:18. | :09:22. | |
sense. There are no rules and every dancer a different rule. Yes. Who | :09:23. | :09:30. | |
are you most forward looking to seeing tomorrow night out of your | :09:31. | :09:37. | |
friends? Everyone. Janette and Peter always put on a good show and it is | :09:38. | :09:43. | |
always amazing and dramatic. The Halloween show is one of the best | :09:44. | :09:53. | |
shows. And Anton and Katie's paso doble to Phantom Of The Opera. And | :09:54. | :09:57. | |
you can always borrow our mummy. So these two are ready for tomorrow | :09:58. | :10:02. | |
but what about our other couples. Lucky for you we've got many eyes | :10:03. | :10:05. | |
spying on their every move The next dance is the salsa and I am | :10:06. | :10:19. | |
trying to find out what it is. We are having fun with this dance, but | :10:20. | :10:26. | |
the detail is extreme. Karen and I are working so hard and it is | :10:27. | :10:32. | |
definitely a competition with a C. Every now and then things go a bit | :10:33. | :10:36. | |
wrong, but it is all coming together slowly. By Saturday I will be ready. | :10:37. | :10:50. | |
This week we are going to dance the tango. Tic Tac. The tango is | :10:51. | :10:56. | |
difficult because I am small and I go on my tip toes. T is everything | :10:57. | :11:07. | |
about impact, drama and passion. It is quite fiddly footwork and I keep | :11:08. | :11:11. | |
kicking him. Hopefully I will not do that on Saturday. Shall we find out | :11:12. | :11:23. | |
what is happening in the studios? Yes, rehearsals are finished for the | :11:24. | :11:28. | |
day. First up were the pros. Take a look at this. They all look pretty | :11:29. | :11:34. | |
impressive if you ask me. Lots of spinning and nice footwork, but they | :11:35. | :11:40. | |
looked a bit scruffy if you ask me. But that is just my opinion. Some | :11:41. | :11:46. | |
people have stayed behind. Hello to you all. How are rehearsals going? | :11:47. | :11:51. | |
Good, we have got that Friday feeling, people. You said earlier | :11:52. | :11:57. | |
you were going to dress up as Harry Potter. I thought it was a joke, but | :11:58. | :12:04. | |
it is not real. So who are you dressing up in the Harry Potter | :12:05. | :12:09. | |
franchise as? Is it Hedwig? Fighting talk. I am Ron Weasley. What can you | :12:10. | :12:21. | |
tell us about your routine? It is a paso doble and it is a Harry Potter | :12:22. | :12:26. | |
theme and a lot can go wrong. There is a lot of jumping on tables. That | :12:27. | :12:34. | |
sounds good. What about you? What is your dance this week? We are doing a | :12:35. | :12:42. | |
jive and we are doing it to The Time Warp. And we have got a lot of | :12:43. | :12:48. | |
things popping up. Lots of costumes and make-up and suspenders? | :12:49. | :12:57. | |
Possibly. I cannot wait. Not those ones. There is no way I am wearing | :12:58. | :13:06. | |
that. You did end up in the dance off and I know how horrible that is | :13:07. | :13:09. | |
from my three weeks in the competition, two of which were in | :13:10. | :13:13. | |
the dance off. Does that put pressure on you a little bit more | :13:14. | :13:19. | |
going into tomorrow's show? Not really. Each week you have to come | :13:20. | :13:23. | |
back with a positive attitude every time. It will be what it is going to | :13:24. | :13:32. | |
be. Good for you. You never want to get sent home in the week where you | :13:33. | :13:43. | |
look weird. You will get remembered in that one. Talk about going home | :13:44. | :13:50. | |
in a costume and looking weird, if that was to happen, Kevin, and I | :13:51. | :13:55. | |
have seen your costume, do you enjoy getting into character? I love that, | :13:56. | :14:03. | |
I love themed week. The boys love it. We have got a competition for | :14:04. | :14:11. | |
you, lads. Jamelia you are not doing this. There is a good reason. We | :14:12. | :14:16. | |
thought it might be a bit unhygienic. It is Halloween, so | :14:17. | :14:20. | |
let's do a bobbing Apple competition. You have got 30 | :14:21. | :14:21. | |
seconds. Go! I think we'd better go back to you! | :14:22. | :14:53. | |
Just when you think you can't love Tristan and Kevin any more. | :14:54. | :14:59. | |
Hang on a minute, double, double, toil and trouble. | :15:00. | :15:01. | |
Please welcome, Anita Dobson, Louie Spence and Marian Keyes. | :15:02. | :15:06. | |
Hello, my beautiful darlings. Is it fun to be back? Do you have fond | :15:07. | :15:17. | |
memories of Halloween with gorgeous Robin? I love is doing the tango and | :15:18. | :15:23. | |
I loved Halloween. It was something to get your teeth into, the | :15:24. | :15:27. | |
character, the theme, the Whigs. Louis, as a class cancer, -- dans, | :15:28. | :15:39. | |
what are you thinking of the technique and standard this year? | :15:40. | :15:43. | |
This year, there is fabulous technique and the standard has | :15:44. | :15:49. | |
really been pushed. Jay is just phenomenal. Every style he seems to | :15:50. | :15:54. | |
do, he does it with such elegance and grace. Helen is stunning, | :15:55. | :16:00. | |
utterly stunning. And Peter is great. I love Peter Andre. These | :16:01. | :16:05. | |
guys, in different ways and with different styles, they have up to | :16:06. | :16:09. | |
the standard of the show. They are fantastic. A round of applause for | :16:10. | :16:17. | |
Marian's shoes. I will come to you in a minute, Marian. Let's talk | :16:18. | :16:24. | |
about Georgia and Giovanni. This week they are doing ghostbusters, | :16:25. | :16:30. | |
the tango. Have a look. Anita, you did the tango. How do the skills | :16:31. | :16:36. | |
look to you? Very good. What is the key to a good tango? Sharpness and | :16:37. | :16:41. | |
definition. The terms of the head. That is the key. Also, it is | :16:42. | :16:47. | |
important that they work together. The problem is when one of them, | :16:48. | :16:52. | |
when the professional is on it and the celebrity slips back. It is | :16:53. | :16:56. | |
really important to try to mirror them and do it exactly. Having | :16:57. | :17:00. | |
that's a mystery is what makes it look like perfection. Can it ever be | :17:01. | :17:04. | |
the other way round? -- having that symmetry. Absolutely. For me, I | :17:05. | :17:11. | |
think there was that one performance from Jade which they could have both | :17:12. | :17:16. | |
been professional. So good. You liking Georgia and Giovanni? They | :17:17. | :17:23. | |
are like a pair of puppies. They are adorable. I worry, since Len told | :17:24. | :17:31. | |
off Giovanni, I am anxious. I'm keen that they get the football right -- | :17:32. | :17:37. | |
fieldwork writing cases head start spinning. But is brilliant. The | :17:38. | :17:45. | |
standard is so high. And everyone is really working. Even where people | :17:46. | :17:50. | |
have work commitments are putting in the hours. When you see on Saturday | :17:51. | :17:53. | |
night that these guys are putting The Times... Let's talk about Carol | :17:54. | :18:02. | |
and Pasha. They are doing a rumba. A tricky dance. How can she improve | :18:03. | :18:08. | |
her scores? Are you all right over? Pasha... Yes, he is lovely. What you | :18:09. | :18:16. | |
think of the skills? Rumba is a horrible dance. They call it the | :18:17. | :18:22. | |
dance of love but it is the dams of the dysfunctional relationship. I | :18:23. | :18:26. | |
don't love you any more, so I will lure | :18:27. | :18:29. | |
don't love you any more, so I will dancing. It is awful. | :18:30. | :18:35. | |
don't love you any more, so I will pull. And I'm glad the song | :18:36. | :18:39. | |
don't love you any more, so I will romantic. -- not very rumba. I love | :18:40. | :18:44. | |
the rumba. When it is done well. But unfortunately,... I am a little bit | :18:45. | :18:49. | |
worried. I can tell. The hips look a little bit... He is making the | :18:50. | :19:00. | |
worrying face. Kevin and Kellie are doing a Harry Potter themed passage. | :19:01. | :19:05. | |
He is great at the hazard of late. What do you think? Kelly is great, | :19:06. | :19:16. | |
really a contender. They look great together. They are both sharp and | :19:17. | :19:17. | |
upbeat, and I together. They are both sharp and | :19:18. | :19:26. | |
fantastic. They have a good chance. The pasodoble is really about the | :19:27. | :19:32. | |
man being in the lead. Although Kelly has shone, she is going to | :19:33. | :19:37. | |
have two be in control. She is going to have to work much harder, because | :19:38. | :19:43. | |
there is a guy with all of this, giving out all that action. Any | :19:44. | :19:47. | |
minute, we're going to get Louise bench cleavage. She will have to | :19:48. | :20:00. | |
work really hard. Helen is doing the samba. You got | :20:01. | :20:02. | |
work really hard. Helen is doing the How does this look? We are loving | :20:03. | :20:07. | |
the leggings. I love what she is wearing. I want to get that outfit. | :20:08. | :20:11. | |
You would look great on this. What do you think, Marian. I know that up | :20:12. | :20:20. | |
with a double bounce action but this looks really good. It is funny, | :20:21. | :20:27. | |
because she said she was scared every week but then she delivers | :20:28. | :20:30. | |
these incredible performances. She is brilliant. Like she said herself, | :20:31. | :20:34. | |
she needs is brilliant. Like she said herself, | :20:35. | :20:37. | |
down and just whip it out, and let it go. I think you should have a | :20:38. | :20:47. | |
moderator before you go on. Jay and Ali on our doing the foxtrot. Feast | :20:48. | :20:51. | |
your eyes. Something to do with red riding hood. He is being the Wolf. | :20:52. | :21:01. | |
This looks pretty good. Look how lifted he is. He did a lovely Rhonda | :21:02. | :21:12. | |
John. And he does not cut it short. When he does it, come on what I'm | :21:13. | :21:20. | |
saying, some people cut things short. He will lose every moment of | :21:21. | :21:34. | |
it. ... Louis It Takes Two! Jamelia and Tristan. They are doing the time | :21:35. | :21:45. | |
warp. It is a jive. Can they stay out of the dance off this week. Yes. | :21:46. | :21:55. | |
She is much happier with the lap dancers. And I think she is very | :21:56. | :21:58. | |
responsive to the music. It is such a great song. I am so looking | :21:59. | :22:03. | |
forward to it at the end of the dams when Tristan says, I am knackered. | :22:04. | :22:09. | |
Hopefully she will say it as well. They could practice it tomorrow. | :22:10. | :22:14. | |
This would be my tip to them. They will be writing them down. They will | :22:15. | :22:17. | |
be back for the second half later on. | :22:18. | :22:32. | |
The best thing about the dance is that the celebrities are coming | :22:33. | :22:37. | |
along for the right. Let's have some fun. We're doing the Halloween | :22:38. | :22:43. | |
special group dance. Brendan and Napoli, it is the end of their | :22:44. | :22:46. | |
wedding vows and an eagle to the reception and all of a sudden the | :22:47. | :22:49. | |
celebrities get into the party and it gets of hand. | :22:50. | :22:59. | |
Hi, Joel. There are a lot of things going on in this routine. It is a | :23:00. | :23:09. | |
nightmare. It is like being back at school but the most fun school ever | :23:10. | :23:13. | |
because all we are doing is jumping around. I know I am supposed to be | :23:14. | :23:16. | |
the paying attention, but I am having so much fun. This is actually | :23:17. | :23:25. | |
a scary dance, not just because it is Halloween. It is scary because | :23:26. | :23:29. | |
you are never more than two feet away from the nearest professional | :23:30. | :23:32. | |
and if you make a mistake, even a tiny one, they are on it. One two, | :23:33. | :23:40. | |
three and stop. It has been really good fun today. I am getting the | :23:41. | :23:45. | |
dance with Karen. Actually, both of us are extremely excited about | :23:46. | :23:47. | |
that. Overexcited, you could call it. So much could go wrong. So much | :23:48. | :23:56. | |
is going wrong. I can see lots of people peering up and doing | :23:57. | :24:02. | |
choreography. I don't think letting me freestyle is such a wise idea. # | :24:03. | :24:09. | |
Like a bat out of hell, I'll be gone when the morning comes. Come on, | :24:10. | :24:12. | |
guys, this is useless... They spun their way up | :24:13. | :24:25. | |
the leaderboard with their Viennese Waltz, | :24:26. | :24:38. | |
getting their highest score so far. Down, Ja-Cheol! What address. It | :24:39. | :25:16. | |
doesn't smell great, my dress. It is quite warm. Let's take a moment to | :25:17. | :25:22. | |
dwell on your beautiful Viennese waltz last week. Let's remind | :25:23. | :25:27. | |
ourselves, the judges loved this transformation. Look at you, like a | :25:28. | :25:31. | |
different person. What changed last week? We worked really hard and I | :25:32. | :25:38. | |
think after the dance off, I just felt different. I thought, I need to | :25:39. | :25:42. | |
approach this differently and I have to have more confidence, just relax | :25:43. | :25:47. | |
more. I thought I would go for it. Also, I was in character. This | :25:48. | :25:54. | |
helps. You told me that early on and I didn't listen. And now she | :25:55. | :25:59. | |
understands, this must be good news. She walks on the floor, I am | :26:00. | :26:05. | |
dancer. If you are going to be a boxer, but your fists up and | :26:06. | :26:09. | |
pretends to be a boxer. I don't know the technique but you have two good | :26:10. | :26:14. | |
yourself in the position and make it look like you belong there and you | :26:15. | :26:18. | |
can deliver an amazing performance. And she definitely did that. And it | :26:19. | :26:23. | |
worked. Did you see the change in training last week, Brendan? When | :26:24. | :26:26. | |
did you think she was going to be really good? I noticed the change | :26:27. | :26:34. | |
from the dance off. I saw her change in mentality on the floor. Right | :26:35. | :26:39. | |
from that moment, she was there. When she came into training, I felt | :26:40. | :26:43. | |
like she was going to attack it. So instead of mucking around and saying | :26:44. | :26:53. | |
that she can do it, it was like, right, I am going to get it. And you | :26:54. | :26:56. | |
have to have that belief that you can do it. I think when you go into | :26:57. | :27:03. | |
the dance off, it is really scary because you have to do it again and | :27:04. | :27:09. | |
I wanted to stay. I think the more you stay in this show, the hungrier | :27:10. | :27:18. | |
you get for it, in a nice way. I am not expecting to win but I love it. | :27:19. | :27:22. | |
You know what I mean, I enjoy it. I love it. It is such a great | :27:23. | :27:29. | |
experience. The lovely thing for us, we are not just staying here. Even | :27:30. | :27:32. | |
with a dip, it doesn't matter. We're going up. How is the Charleston? I | :27:33. | :27:44. | |
have seen the training footage and it looks really good. It is really | :27:45. | :27:50. | |
fun. And it is one of those dances, it is such a wonderful dance, that | :27:51. | :27:53. | |
you have seen before and you would love to have a go at. Then you just | :27:54. | :28:01. | |
get it, and it is quite fun. And we're doing lots of lifts which are | :28:02. | :28:09. | |
going very well. We started the week with our girl going, I can't do | :28:10. | :28:11. | |
this. 20 minutes in she went, hang about, and right from that moment, | :28:12. | :28:15. | |
that was the change. And you can see that in the footage, she is looking | :28:16. | :28:18. | |
really good and we have to keep that belief. It is very easy to read the | :28:19. | :28:24. | |
performance slide. I want that performance at the end. It is a | :28:25. | :28:31. | |
high-energy dance. When you come out of lifts, is exhausting. And then | :28:32. | :28:39. | |
you have to switch back in. The judges were quite critical last week | :28:40. | :28:43. | |
of the transitions before and after. It is so important to hold yourself, | :28:44. | :28:49. | |
land, with your feet together. And then you are straight back in. Yes, | :28:50. | :28:58. | |
Brendan, whatever you say. I'd wish to alarm you but we have noticed, | :28:59. | :29:03. | |
along with Ali as, you have been a victim of the Halloween. We did find | :29:04. | :29:13. | |
one tenuous thing. -- Tabak. You have | :29:14. | :29:14. | |
one tenuous thing. -- Tabak. You few weeks. It is pretty | :29:15. | :29:21. | |
one tenuous thing. -- Tabak. You same look for all three. Halloween | :29:22. | :29:23. | |
is my favourite show of the entire series. It is the best. We love it. | :29:24. | :29:29. | |
You are going to love it, you guys. As it is Halloween, we thought we | :29:30. | :29:33. | |
would get Guido to bring on the following. Interesting outfit he has | :29:34. | :29:39. | |
gone for this year. A Halloween mash up. Is it a trick or treat? It is a | :29:40. | :29:47. | |
trick. You are in for a money makeover. -- mummy. Brendan, you are | :29:48. | :30:00. | |
going to be mummified. You have 30 seconds to mummified Brendan Cole. | :30:01. | :30:23. | |
This is a disaster! Do you need somehow? Well done. I have to say, | :30:24. | :30:37. | |
Sarah and Becky, don't they look amazing? Brendan not quite so much. | :30:38. | :30:45. | |
Good luck to Kirsty tomorrow night with the Charleston. Thank you. | :30:46. | :30:52. | |
Right, it's time to check in with Strictly Towers. | :30:53. | :30:54. | |
Yesterday we missed out on Vicky Gill in the studio | :30:55. | :30:56. | |
but fear not as Rav is with her now for a full dressing down. | :30:57. | :31:02. | |
Yes, as it is Halloween we are doing Putting On The Blitz. When it is | :31:03. | :31:14. | |
Halloween how does it work between yourselves, the hair and the make | :31:15. | :31:21. | |
up? We all find out about how we are going to pass the buck. That is | :31:22. | :31:26. | |
definitely a hearing thing. We bat it around a little bit, but we have | :31:27. | :31:32. | |
fun on the way. We have got three costumes for Halloween. Whose is | :31:33. | :31:40. | |
this? This is Kirsty's press with Brendan and the Charleston. Being | :31:41. | :31:44. | |
Halloween we have got a spider theme. It was actually made for | :31:45. | :31:53. | |
someone else on previous weeks. Anton? Once it was decorated we felt | :31:54. | :31:59. | |
its home was in Halloween week and it was taken away and kept for this | :32:00. | :32:03. | |
week. Lots of movement in the skirts and hopefully she will have a lot of | :32:04. | :32:10. | |
fun. Let's move on to this very impressive looking dress. Who is | :32:11. | :32:17. | |
this for? This one is for Anita. You will have to guess the theme. You | :32:18. | :32:21. | |
will see on Saturday night. There are a lot of feathers. We have been | :32:22. | :32:27. | |
talking about how we maintain this high neckline. There is a lot of | :32:28. | :32:34. | |
talking about how we maintain this stitching. There is criminally in | :32:35. | :32:35. | |
the hem. Tell me stitching. There is criminally in | :32:36. | :32:40. | |
crystals, either individual? Yes, they are. They were sown on one at a | :32:41. | :32:47. | |
time. We have got about 2000 crystals. They are jet stones. Not | :32:48. | :32:56. | |
time. We have got about 2000 that I know anything about crystals | :32:57. | :33:00. | |
and dresses. Tell us about the dresses. We are having a lot of fun | :33:01. | :33:06. | |
with the costumes, but they still have to | :33:07. | :33:12. | |
with the costumes, but they still there it goes. Who is this for? This | :33:13. | :33:18. | |
is for Helen and as you can guess she is going to be a money. There | :33:19. | :33:23. | |
will be slashes around the body and maybe a bit more tied into her hair | :33:24. | :33:31. | |
detail. Is there more skirt? Yes, because it is Samba. We cannot go | :33:32. | :33:36. | |
without saying hello to your team. without saying hello to your team. | :33:37. | :33:43. | |
Who are they? We have got Sue in the corner and I do not know who this | :33:44. | :33:51. | |
one is! Back to you. I love his blue hair. | :33:52. | :33:51. | |
They've had more ups and downs than the Grim Reaper's yoyo. | :33:52. | :33:57. | |
Look at you. Get back. I love that dress. That is | :33:58. | :34:34. | |
beautiful. Can I say, you looked so hot last weekend in that incredible | :34:35. | :34:40. | |
dress doing your shimmy. Let's remind ourselves. Did you borrow | :34:41. | :34:47. | |
that shirt from my husband? Did you enjoy yourself? We had a ball. I say | :34:48. | :34:54. | |
it every time, but we did. It was a great week and a great song and I | :34:55. | :34:58. | |
get chucked around quite a lot. We made a few mistakes, I am not going | :34:59. | :35:04. | |
to live. You had a lovely time on your Caribbean cruise and you go | :35:05. | :35:08. | |
over to see the judges and they ruin it. Were you a little bit | :35:09. | :35:15. | |
heartbroken? I am not going to pretend it is nice to hear somebody | :35:16. | :35:20. | |
say it was dreadful, that is a direct quote. It was not all I was | :35:21. | :35:29. | |
hoping for. No. That is what happens, so what can you do? Anton, | :35:30. | :35:36. | |
the judges were not too kind. How did you feel? I was disappointed as | :35:37. | :35:44. | |
well. When we are dancing my indication as to how well it is | :35:45. | :35:50. | |
going is when I can feel comfortable. Hello, this is going | :35:51. | :35:54. | |
quite nice. That is a nice dress. I wish I had changed my shirt. When it | :35:55. | :36:00. | |
is not going well there is intense concentration on your face and you | :36:01. | :36:03. | |
think there could be a nasty incident. But this week I felt | :36:04. | :36:07. | |
comfortable and the lifts were well will stop we might have missed time | :36:08. | :36:12. | |
to the second one and if they had complained about that, I would have | :36:13. | :36:16. | |
been happy, but they wrote the whole thing off. It was better than the | :36:17. | :36:24. | |
cha-cha, I felt. Exactly. When the judges say they think you are better | :36:25. | :36:29. | |
at ballroom and Latin, how will you prove them wrong? That will have to | :36:30. | :36:35. | |
be tomorrow. We are doing the paso doble tomorrow which will be epic. | :36:36. | :36:43. | |
It is going to be epic. We have the Phantom Of The Opera sitting | :36:44. | :36:56. | |
opposite us. Oh, all that. This is his dream come true commie he wrote | :36:57. | :37:02. | |
to Santa asking to do this. Lord Andrew, it is my audition. How is | :37:03. | :37:12. | |
the paso doble going? It has been going good. Ladies and gentlemen, | :37:13. | :37:22. | |
this is the training. I think you should wear all-black more often. | :37:23. | :37:27. | |
Look at him. You are not wearing a tie. As well as Aljaz and Brendan, | :37:28. | :37:37. | |
you also have been a victim of... The curse of Halloween. There have | :37:38. | :37:42. | |
been three Halloweens where you have been at the bottom. First with Ann | :37:43. | :37:53. | |
Widdecombe and Nancy Dallaglio and also Judy Murray. I feel this year | :37:54. | :37:58. | |
the trend is going to buck. Yes, you are right. What are the main thing | :37:59. | :38:03. | |
is Katie needs to remember tomorrow? Drama, stay in character, | :38:04. | :38:15. | |
timing and attitude. Have you got that? I have written it down. And | :38:16. | :38:23. | |
the steps. On Friday traditionally we get one of our professional | :38:24. | :38:29. | |
dancers up to dance. We are going to have a very special dance off. Do we | :38:30. | :38:40. | |
have any volunteers in the audience? Oh, yes. Anton, up you get. You look | :38:41. | :38:46. | |
a little bit stiff. I am slightly concerned. Ballroom came, you go | :38:47. | :38:55. | |
first. What do you want us to do? # Moon River... | :38:56. | :39:08. | |
That is why he is the king of ballroom. OK, see if you can top | :39:09. | :39:14. | |
that. Oh, my lord. That is amazing. Katie, | :39:15. | :39:37. | |
it is up to you. Did you see what he did with his arms? Do not try that | :39:38. | :39:43. | |
at home. Katie, who is the winner? Be careful. He is quite scary and I | :39:44. | :39:50. | |
do not want to get on his wrong side, however I know which side my | :39:51. | :39:56. | |
bread is buttered. You are the winner. Thank you very much. What a | :39:57. | :40:05. | |
good judge you are. Why can't we have four like you tomorrow? It is | :40:06. | :40:09. | |
Katie and Anton. Now, Strictly's resident chauffeur | :40:10. | :40:14. | |
has been chokka block this week. Halloween's a busy time on the | :40:15. | :40:16. | |
roads. But I had a word to see if he # Don't blame it on the sunshine, | :40:17. | :40:34. | |
don't blame it on the moonlight... Welcome. Listen, do you think you | :40:35. | :40:42. | |
will take up dancing? Will singing take a back seat? I love dancing, | :40:43. | :40:48. | |
but I will always feel like a singer. What do you think of this? | :40:49. | :41:05. | |
This takes me back. Are we off? Imagine you are in a Spanish island. | :41:06. | :41:19. | |
# The universe will never be the same, I am glad you came. | :41:20. | :41:27. | |
Has the band disbanded? We take the party line, we are on a hiatus. But | :41:28. | :41:34. | |
at the moment I have got some fancy footwork to think about. Anton, good | :41:35. | :41:41. | |
morning. How are you, my dear? Good to see you. Isn't he doing well? | :41:42. | :41:52. | |
Thank you ever so much. Goodbye. I love you, darling. I have got | :41:53. | :41:57. | |
another piece of music which somebody told me was the first piece | :41:58. | :42:05. | |
of music you ever purchased. # Stick it in the ignition. | :42:06. | :42:14. | |
This is one of the # Stick it in the ignition. | :42:15. | :42:18. | |
loved. I liked # Stick it in the ignition. | :42:19. | :42:24. | |
This is like a dream come true. # Stick it in the ignition. | :42:25. | :42:32. | |
all right? Perfect. Look after my storm it. Take care. See you soon. | :42:33. | :42:45. | |
Right, our terrifying trio are back. than Strictly. | :42:46. | :42:54. | |
Please welcome our Friday Panel - Anita Dobson, | :42:55. | :42:56. | |
It is so good to have you here and if you had not come on, your fans | :42:57. | :43:08. | |
would have stormed the studio. They love you. I love the show as well. | :43:09. | :43:15. | |
Let's talk about Jeremy and Karen who are doing a salsa. That is my | :43:16. | :43:25. | |
absolute favourite dance. Let's have a look at them in training. I love | :43:26. | :43:33. | |
him. I am hoping he will get the full outfit. What can he do to get | :43:34. | :43:38. | |
Craig on his side? Could this be the week? Anita? I think it could be a | :43:39. | :43:43. | |
lost cause. But week? Anita? I think it could be a | :43:44. | :43:54. | |
loved. People love him. Absolute entertainment. He is not the best, | :43:55. | :43:59. | |
but he is thoroughly enjoying it. Jake is fantastic, but I enjoy | :44:00. | :44:09. | |
watching Jeremy as much as Jerry because he is having so much fun. | :44:10. | :44:12. | |
Sometimes when people are not because he is having so much fun. | :44:13. | :44:20. | |
good you think they will go, but he is having fun. I love his | :44:21. | :44:25. | |
awkwardness. Anita and Gleb are doing a waltz, and she | :44:26. | :44:27. | |
awkwardness. Anita and Gleb are she has never been at the top of the | :44:28. | :44:32. | |
leaderboard. What does she have to do? I think she has done | :44:33. | :44:37. | |
fantastically and everything she has done she has thrown herself into an | :44:38. | :44:44. | |
the problem is the finishing bits, the lines, the arms, the | :44:45. | :44:49. | |
transition. She gives it 100%, but she has to be precise and clean. | :44:50. | :44:56. | |
transition. She gives it 100%, but Finesse. Gleb can do whatever he | :44:57. | :45:05. | |
likes. I was so disappointed with Gleb because we have got another | :45:06. | :45:11. | |
Russian and he does not say dancing like Pasha does and he is not from | :45:12. | :45:18. | |
Russia at all, I think. I will have a word with him, you want him to | :45:19. | :45:24. | |
sound more Russian. Let's have a look at the paso doble and do you | :45:25. | :45:27. | |
think Katie is on form this week? Whatever she does, she has such | :45:28. | :45:37. | |
elegance and grace. Even if the judges don't agree, she is such a | :45:38. | :45:40. | |
pleasure to watch because she has this aura of absolute authority | :45:41. | :45:46. | |
about her. She is so elegant. And she has the best legs I have seen on | :45:47. | :45:52. | |
Strictly. Absolutely. I think that is looking good. Have you been | :45:53. | :45:59. | |
watching her and enjoying it? She is lovely and she's always smiling. She | :46:00. | :46:09. | |
is a good posh bird. You could take her to the ambassadors house and she | :46:10. | :46:13. | |
would not make a show of view. She would not steal the canapes. Let's | :46:14. | :46:18. | |
talk about Peter and Jeanette. Peter has been very consistent. He has | :46:19. | :46:23. | |
been getting great scores. Are we in for another good performance here? | :46:24. | :46:29. | |
I'm looking at the decorations and I think that Peter did them himself. | :46:30. | :46:35. | |
He probably got up at 20 past two. He is the hardest working man in | :46:36. | :46:42. | |
Strictly. He wanted more than anyone. I think there is a danger | :46:43. | :46:45. | |
that he might explode. He needs to calm down a little bit. He needs to | :46:46. | :46:48. | |
enjoy himself a little more and stop thinking about it so much. He is a | :46:49. | :46:53. | |
little stiff. I love what he does. But as you can see, he is very | :46:54. | :46:57. | |
rigid. When they talk about his shoulder rising, it does. You were | :46:58. | :47:00. | |
just about to perform and you have all that adrenaline. Literally, this | :47:01. | :47:05. | |
will happen. And that is what he has got to do. Although he has to have | :47:06. | :47:12. | |
this holds, he has two relax, like he is in control. And it is a big | :47:13. | :47:18. | |
ask. My heart goes out to him, because you can see he wants to | :47:19. | :47:23. | |
succeed, and he is good. He has a lot of competition with Jay. He | :47:24. | :47:28. | |
might want it too much. Christie and Brendan and the Charleston. Here | :47:29. | :47:33. | |
they are, very expressive dance. She looks like she's having lots of fun. | :47:34. | :47:39. | |
How is she coping? Last week, she did the beautiful Viennese waltz, | :47:40. | :47:46. | |
and this is a good fun dance to come back after a good week. She looks as | :47:47. | :47:50. | |
though she is relaxed. I had a go out there, doing the Charleston, and | :47:51. | :47:54. | |
I think it will be a good week for her. I like to see people where you | :47:55. | :48:00. | |
can see the improvement. I like to see that it is the people's show. It | :48:01. | :48:07. | |
is about people learning the dance. Who wind up in the Strictly an | :48:08. | :48:13. | |
afterlife tomorrow? Who was going? Who is getting the chop. It's a | :48:14. | :48:19. | |
tough one. I think Carol and Jeremy might have a hard time. Because they | :48:20. | :48:24. | |
have a lot of good competition. But they are such lovely people. You | :48:25. | :48:27. | |
really want to will them on. They are lovely. And Carol does a great | :48:28. | :48:32. | |
job with the weather but I don't think she can rumba. Would you think | :48:33. | :48:41. | |
is going home? I love her but I think it is going to be Carol. Thank | :48:42. | :48:49. | |
you to our Friday panel. Strictly fans will know that the competition | :48:50. | :48:53. | |
is now open to submit your version of the Strictly dance for a chance | :48:54. | :48:58. | |
to win two tickets to the show. Do you know the Strictly? I invented! | :48:59. | :49:13. | |
Louis Spence, show us. Here we go. And whilst he does that, let's see | :49:14. | :49:16. | |
what yours looks like. You are all brilliant. Particularly | :49:17. | :50:06. | |
loving the farmers. The competition is still open | :50:07. | :50:09. | |
so keep sending in your version Right, let's head back to | :50:10. | :50:12. | |
the Strictly Studios to see where As it is Halloween, the pyrotechnics | :50:13. | :50:29. | |
and special effects teams have been working overtime. This is the lady | :50:30. | :50:33. | |
in charge of it all. What is your job? I am the special effects | :50:34. | :50:37. | |
supervisor. I am in charge of all the pyrotechnics, the confetti, all | :50:38. | :50:43. | |
of the added extra sparkles. Literally my dream job. What is this | :50:44. | :50:51. | |
in your hands? This is one of the glitter guns that will be featuring | :50:52. | :50:52. | |
on the show. Georgia and Giovanni will be using them in the dance. Do | :50:53. | :50:58. | |
you want to have a look? I would love to. I better stand back. Three, | :50:59. | :51:10. | |
two, one. That is amazing! A pretty cool toy. And tell me about dry ice. | :51:11. | :51:18. | |
What is that? This is a low smoke effect. It provides clouds of smoke | :51:19. | :51:23. | |
on the floor in the studio. And you will get a spooky effect? Not ideal | :51:24. | :51:29. | |
outside because it is very affected by the wind. In the studio, we are | :51:30. | :51:35. | |
very aware of the air conditioning, and making sure that the doors are | :51:36. | :51:40. | |
closed. Just one dance tomorrow? Two. And we can't let you go without | :51:41. | :51:46. | |
mentioning these beautiful flames. These are part of the effect as | :51:47. | :51:50. | |
well. These are gas lamps that will be used in the group dance tomorrow. | :51:51. | :51:54. | |
Brilliant. You have literally got my dream job. I think that deserves a | :51:55. | :52:00. | |
round of applause. We love your work, Jenny. Back to you, Zoe. | :52:01. | :52:09. | |
Lovely to have you back, Rav, making things explode, what a fun job. | :52:10. | :52:12. | |
Now, there's been some pretty memorable Halloween performances on | :52:13. | :52:14. | |
Strictly over the years and if you were wondering how our pros conjure | :52:15. | :52:18. | |
up the perfect bloodcurdling routine, wonder no more. | :52:19. | :52:29. | |
I was wondering when you would arrive. Welcome to the Strictly | :52:30. | :52:36. | |
spooky lab. I am creating an yearly potion to make the perfect Strictly | :52:37. | :52:45. | |
Halloween. Halloween should be here raising the hellish. First into the | :52:46. | :52:50. | |
mixture, Heyer from Pixie and Trent's Tango from last year. -- | :52:51. | :53:01. | |
Heyer. Fire in the disco, fire in the tackle bell. Halloween is the | :53:02. | :53:10. | |
perfect time for fun and this fiery performance did not disappoint. Next | :53:11. | :53:32. | |
into the mixture, a shimmy of grant. Our portion need some wicked wings | :53:33. | :53:38. | |
to take flight on Halloween night. This, in the form of Hollywood | :53:39. | :53:42. | |
lands, the bill which the audience with her American smooth. -- Holly | :53:43. | :53:59. | |
Valance. And we must add an essence of the most terrifying of all | :54:00. | :54:06. | |
performances. Nothing is scarier than the lowest scoring dance in | :54:07. | :54:10. | |
Halloween history. It is Nancy Dell'Olio's stiff as a corpse | :54:11. | :54:12. | |
performance with Anton. No Halloween would be complete | :54:13. | :54:39. | |
without a witch. In goes the cruel and bloodcurdling critique of Craig. | :54:40. | :54:48. | |
Haphazard... Appalling... Basic, an absolute disaster... At least he | :54:49. | :55:01. | |
knows how to make an entrance. My creation is complete. The perfect | :55:02. | :55:08. | |
Strictly Halloween in a bottle. There is only one thing for it. | :55:09. | :55:10. | |
Bottoms up. As it worked? I don't feel anything. | :55:11. | :55:31. | |
Oh, well. Thank you, Karen Hardy. Who are you most looking | :55:32. | :55:35. | |
seeing tomorrow? Which performance? I had to pick from so many fabulous | :55:36. | :55:46. | |
people. Ali Anna and Jay. -- Tabak. I'm going to go with Kirsty. I want | :55:47. | :55:53. | |
to see what she was doing. I want to see Kirsty. A big thanks to all my | :55:54. | :55:54. | |
lovely guests. Make sure you watch Strictly | :55:55. | :55:55. | |
tomorrow at 6.35 on BBC1. I'll be back | :55:56. | :55:58. | |
on Monday with the unlucky couple to To play us out, | :55:59. | :56:00. | |
from their debut album out today, it's the frightfully good Jack Pack, | :56:01. | :56:06. | |
with I Put A Spell On You. # I put a spell on you | :56:07. | :56:11. | |
because you're mine. # You better stop | :56:12. | :56:48. | |
the things that you do. # The way you're | :56:49. | :56:53. | |
always running round. # I just can't stand it, | :56:54. | :57:10. | |
the way you always put me down. # I put a spell on you | :57:11. | :57:16. | |
because you're mine. # You better stop | :57:17. | :57:43. | |
the things that you do. # The way you're | :57:44. | :57:51. | |
always running round. # I just can't stand it, | :57:52. | :58:08. | |
the way you always put me down. # I put a spell on you | :58:09. | :58:16. | |
because you're mine. | :58:17. | :58:32. |