Browse content similar to Episode 26. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight we have the Thriller zombies of Halloween, Jeremy and Karen. | :00:00. | :00:09. | |
The corpse bride herself, Natalie Lowe. | :00:10. | :00:14. | |
And the ghosts of Strictly past, Kirsty and Brendan. | :00:15. | :00:16. | |
Live from London, this is Strictly: It Takes Two. Please welcome your | :00:17. | :01:26. | |
post, Zoe Ball. Hello and welcome to It Takes Two. | :01:27. | :01:27. | |
Our Halloween weekend came to a frosty finish last night as the grim | :01:28. | :01:30. | |
reaper swooped in and stole away our beloved Kirsty and Brendan. | :01:31. | :01:33. | |
Luckily, their afterlife begins right here. | :01:34. | :01:38. | |
Plus the enchanting Natalie Lowe is here and ready to scrutinise | :01:39. | :01:45. | |
Now, unfortunately Kirsty and Brendan are unable to join us | :01:46. | :01:53. | |
live this evening but I did catch up with them earlier today to discuss | :01:54. | :01:56. | |
# This place is coming like a ghost town. | :01:57. | :02:09. | |
# Bands won't play no more. I know, it's like a you're here, but | :02:10. | :02:38. | |
boo. How are feeling? I feel really sad. I kind of wasn't ready to go, | :02:39. | :02:45. | |
to be honest. But I do feel that Jamelia was better in the dance-off. | :02:46. | :02:52. | |
So I didn't want to send anyone else out but it's sad. You feel quite | :02:53. | :02:56. | |
deflated. For three months now, we have been hard at it, training, | :02:57. | :03:01. | |
trying to be the best we can, and then it comes to your time and as | :03:02. | :03:06. | |
much as you think, philosophically, it's our time, you still go, oh! | :03:07. | :03:11. | |
Disappointing, but throughout the run, I think a great job and | :03:12. | :03:15. | |
something to be really proud of. It is not an easy show to do. Did you | :03:16. | :03:22. | |
enjoy the Charleston? It was a cheeky number. I loved it. I thought | :03:23. | :03:28. | |
it was fun. I enjoyed all cheeky number. I loved it. I thought | :03:29. | :03:31. | |
components of the left and cheeky number. I loved it. I thought | :03:32. | :03:33. | |
music. But we did make cheeky number. I loved it. I thought | :03:34. | :03:39. | |
the first run. I made a mistake because I crossed my hands over. I | :03:40. | :03:44. | |
have never done that ever before. Don't ask me what went on, I just | :03:45. | :03:48. | |
won't like that and he could clearly not pick me up. So I did that, and | :03:49. | :03:54. | |
we made the best of it, I did get back into it. Lots of praise from | :03:55. | :03:57. | |
the judges about how you recovered. A lot of people would have just | :03:58. | :04:04. | |
gone, I'm out of here. Well, I was used to the thought process because | :04:05. | :04:08. | |
Brendan had said to me with the Charleston you have got to keep the | :04:09. | :04:12. | |
energy high, because you start to lose it a little bit because it is a | :04:13. | :04:17. | |
tiring dance. So I just thought, you have to get back into it and get on | :04:18. | :04:21. | |
with it, just like you would as if you were feeling like you were | :04:22. | :04:27. | |
flaking out a bit. The judges give you criticism and you always took it | :04:28. | :04:31. | |
on board. I think you were hard on yourself during your training. I | :04:32. | :04:35. | |
know how hard you have tried. Have you enjoyed your experience? I have | :04:36. | :04:41. | |
loved it. The thing with me, I put everything into everything I do. | :04:42. | :04:46. | |
That is... And also, I have never danced before so I knew I had to | :04:47. | :04:49. | |
work hard. And I have enjoyed every minute. Brendan is amazing, such a | :04:50. | :04:53. | |
great friend, I knew, lovely friend. And all of the people, all the | :04:54. | :05:00. | |
dancers on the other contestants, it has just been such a lovely family | :05:01. | :05:03. | |
and that is the bit I am going to mess. The camaraderie is amazing. On | :05:04. | :05:09. | |
Friday, I get really excited in the morning. I'm going to miss that, | :05:10. | :05:13. | |
that is making me quite sad to think about. What was your favourite | :05:14. | :05:19. | |
dance? Because there have been some beautiful ones. The Viennese waltz | :05:20. | :05:23. | |
was stunning and I loved the Lady and the Tramp. I loved the Viennese | :05:24. | :05:27. | |
waltz, but I actually loved doing the salsa. I love that dance. Just | :05:28. | :05:35. | |
letting rip. It was an early dance and it was not the best but I loved | :05:36. | :05:43. | |
it. It was quite a good memory. Also, because the week before had | :05:44. | :05:46. | |
been the first week and I was so nervous about the dance, and I | :05:47. | :05:50. | |
thought sort of thought, you have to really do something. And we did go | :05:51. | :05:57. | |
scary lefts and things. I nearly knocked him off his feet. I loved | :05:58. | :06:04. | |
it. Brendan, what was your personal favourite? Probably the American | :06:05. | :06:09. | |
smooth. I loved the train. We had limited training, so we threw | :06:10. | :06:13. | |
everything at it. And I think that is the thing, with a process like | :06:14. | :06:17. | |
this. You get respect for somebody when you see how they work. Kirsty | :06:18. | :06:25. | |
was not afraid to get stuck in and that made me happy. The way you | :06:26. | :06:30. | |
turned the process, when we started I was not hopeful because she had | :06:31. | :06:35. | |
not danced before and she was very stiff and scared. She was scared of | :06:36. | :06:41. | |
it. But once we turned the corner, some of the fear disappearing, she | :06:42. | :06:48. | |
started to become a dancer and that is exciting, that is as good as | :06:49. | :06:51. | |
someone like Jay getting a ten that week. The step from here to here is | :06:52. | :06:56. | |
fantastic and I was really proud of that. That particular dance, in | :06:57. | :07:03. | |
particular, the was a smoothness, a softening. It was not quite there | :07:04. | :07:09. | |
for the show but there was some. And that is the live show. So many | :07:10. | :07:14. | |
people are really sad to leave the competition. Including Harry Judd, | :07:15. | :07:17. | |
who said, well done, you were awesome. We have a little present | :07:18. | :07:21. | |
for you to take away, your Strictly story. Who would you like to see | :07:22. | :07:29. | |
take the trophy? If you had to choose? I couldn't possibly say. | :07:30. | :07:33. | |
There are so many great dancers and people are moving all the time. Tell | :07:34. | :07:42. | |
me about it. Thank you for being so much fun. You have been amazing. | :07:43. | :07:46. | |
Kirsty and Brenton. Thank you to everybody who supported us. And here | :07:47. | :07:55. | |
is the Strictly story. The man giving you a sporting chance... | :07:56. | :08:02. | |
Brendan. Brendan's and was fabulous. I am nervous but I don't want to let | :08:03. | :08:06. | |
the nerves take over. Your feet were all over the place. She does this... | :08:07. | :08:16. | |
I just want to have fun and show everybody I have got confidence. The | :08:17. | :08:26. | |
lifts were terrific. Well done. I am a dancing dog tonight. Great | :08:27. | :08:31. | |
improvement. I got a little tangled up with my tale. Tales are going to | :08:32. | :08:38. | |
do that. I don't like this step, I don't like it. I don't care. I'm not | :08:39. | :08:42. | |
sure we have worked out who is the boss yet. It was like my ally, tasty | :08:43. | :08:47. | |
and places but there are always funny bits floating about. -- it was | :08:48. | :08:55. | |
like paella. I think he's going to have to start shouting at me. Do you | :08:56. | :08:59. | |
really want that from Brendan? Lovely, I think we are quite good. | :09:00. | :09:05. | |
You are amazing. Actually, you were dancing tonight. I can do it. I'm | :09:06. | :09:14. | |
just not ready to go. That was scary. It's not going wrong or | :09:15. | :09:20. | |
making mistakes, it is how you cope with them and I thought you coped | :09:21. | :09:31. | |
very well. Three... Five. Five. Four. I would like to save Jamelia | :09:32. | :09:41. | |
and Tristan. Jamelia and Tristan. It has been a wonderful experience | :09:42. | :09:45. | |
but I want to say thank you to Brendan, who has been incredible. I | :09:46. | :09:49. | |
have seen somebody who has had no dance experience become quite the | :09:50. | :09:51. | |
performer. I am so proud of you. Well done. Always sad to see people | :09:52. | :10:01. | |
go. Now, the armchair critics were out | :10:02. | :10:03. | |
in force on social media over the weekend | :10:04. | :10:05. | |
and obviously if it's a famous Dragon's Den star Deborah Meaden | :10:06. | :10:08. | |
shared this. Much love and respect for Jason. | :10:09. | :10:22. | |
Check this out. Googlebox favourites, the adoreable | :10:23. | :10:27. | |
couple Leon and June shared I feel like I should curtsy for | :10:28. | :10:42. | |
them. I feel like they should be knighted. | :10:43. | :10:44. | |
It was indeed a spooky show with some people getting more | :10:45. | :10:46. | |
And quite a few of you were shocked by the strange looking bride who was | :10:47. | :11:04. | |
unveiled during the opening group dance on Saturday night. | :11:05. | :11:06. | |
Craig Revel Horwood there in all his glory as the blushing bride. | :11:07. | :11:25. | |
It's safe to say that this weekend's Halloween shows were a triumph | :11:26. | :11:30. | |
of creepy creativity, and naturally we were right there | :11:31. | :11:33. | |
# Darkness falls across the land. # And though you fight to stay | :11:34. | :11:49. | |
alive. # Your body starts to shake. | :11:50. | :12:06. | |
I have many phobias. I am scared of horses, polystyrene... Spiders. This | :12:07. | :12:22. | |
person here. I am scared of dancing in front of millions of people. When | :12:23. | :12:31. | |
I am standing next to Glenn and I see his muscles ripple, that scares | :12:32. | :12:42. | |
me. It is Halloween week, and I am going to scare someone. Let's go. I | :12:43. | :12:50. | |
am arachnid phobic. That's not very nice! It must be the most | :12:51. | :13:01. | |
challenging of all the Strictlys for the make-up team. I am Christian. I | :13:02. | :13:09. | |
did that for Charles II. Halloween is an opportunity for everyone to | :13:10. | :13:12. | |
look out they would like to look every day. I am a beast. I look | :13:13. | :13:20. | |
ridiculous but I am a ghost. I am a money but sort of Egyptian. Excuse | :13:21. | :13:26. | |
me, I have something stuck to my neck... I look a little scary. This | :13:27. | :13:36. | |
is the biggest show so far. That is my heart. | :13:37. | :13:50. | |
I just wanted to give you a hug. We're about to go live to the nation | :13:51. | :14:00. | |
for stroke we come dancing's Halloween special. -- Strictly Come | :14:01. | :14:10. | |
Dancing. Did anyone else think that Pasha looked a bit like Simon | :14:11. | :14:11. | |
Cowell? Now, while Karen Hardy is absent | :14:12. | :14:13. | |
from ballroom duty, the ever radiant Natalie Lowe is here to share her | :14:14. | :14:16. | |
expertise on the weekend's dances. Welcome to our little | :14:17. | :14:27. | |
Choreography Corner. You were an amazing corpse bride at | :14:28. | :14:36. | |
the weekend. You were an amazing corpse bride at | :14:37. | :14:42. | |
show. I didn't recognise myself. Where you surprised by the results? | :14:43. | :14:57. | |
I am surprised every week. Shock exit. I am sorry to see Kirsty go, | :14:58. | :15:03. | |
she is amazing. Jamelia, I didn't expect to see in the bottom two. She | :15:04. | :15:11. | |
is working hard, she gets there. She comes out firing each week. I don't | :15:12. | :15:16. | |
want to see her in the bottom. True friendships do develop in the | :15:17. | :15:19. | |
training room. You haven't been dancing with Ainsley for about a | :15:20. | :15:25. | |
week, what impact did he have on your life? Ainsley, if you are | :15:26. | :15:33. | |
watching, love you. He is amazing, inspiring and worldly. Has taught me | :15:34. | :15:37. | |
about life experience and things like that, we became really good | :15:38. | :15:38. | |
mates. I miss him. like that, we became really good | :15:39. | :15:45. | |
and his energy. But we're going out on Thursday for a day trip. Which is | :15:46. | :15:53. | |
good to hear. The judge's leader board is changing from week to week. | :15:54. | :15:58. | |
Ex-different couples have been in the top in the last few weeks. Does | :15:59. | :16:05. | |
it make it an open game? I cannot call it. Helen, Anita, Georgia, | :16:06. | :16:12. | |
everyone. The two boys who were left, Peter Andre, Jeremy, I love. | :16:13. | :16:24. | |
He is one of my favourites. He is watching you always. Let's talk | :16:25. | :16:28. | |
about Helen and Aljaz. watching you always. Let's talk | :16:29. | :16:37. | |
anyone look so good dressed as a mummy rushed to my creativity for | :16:38. | :16:42. | |
this routine? I love this, I saw it in the dress | :16:43. | :16:45. | |
this routine? I love this, I saw it shining, enjoying it, she was | :16:46. | :16:51. | |
enjoying it. Bit of a mishap, and I think it might have thrown her | :16:52. | :16:57. | |
confidence. It is one of the hardest things. Demonstration time. Here we | :16:58. | :17:05. | |
go. With a samba role, you have to knees, but you have to go with | :17:06. | :17:09. | |
straight legs and you bend forward with straight legs. Then forward and | :17:10. | :17:15. | |
then a rotation. She has lovely straight legs. How is it at full | :17:16. | :17:27. | |
speed. Done with a partner behind you. Kellie and Kevin and their paso | :17:28. | :17:37. | |
doble a. Harry Potter. It is really ambitious this routine, so much fun. | :17:38. | :17:42. | |
Great scores and they are doing brilliantly. Len said he thought the | :17:43. | :17:50. | |
dancing on the table was a distraction, what do you think? I | :17:51. | :17:53. | |
don't agree. The choreography and Kevin is doing a genius job. Kellie | :17:54. | :18:02. | |
can do it, she can handle it. She is firing, attacking across the floor | :18:03. | :18:08. | |
and she came out owning it. The table... Given anyone else, probably | :18:09. | :18:12. | |
would have struggled. She coped with it regularly. She has brought her | :18:13. | :18:22. | |
own skirt. Kellie, instead of grabbing it from here, it you need a | :18:23. | :18:28. | |
bit of articulation through the hands. It wasn't as flamenco as it | :18:29. | :18:35. | |
could have been, but when you do this, you get in here and it just | :18:36. | :18:41. | |
give the skirt more movement. If you don't have the skirt that long... | :18:42. | :18:48. | |
You could try with a tablecloth. Jamelia and Tristan and the jive. | :18:49. | :18:56. | |
Ended up middle of the table. Then they criticised her footwork a bit. | :18:57. | :19:01. | |
What can you tell us about her footwork and what should she be | :19:02. | :19:05. | |
doing? It is a shame she is in the dance off. She gives it more in the | :19:06. | :19:11. | |
dance off and that is what I want to see next week, I want her to come | :19:12. | :19:15. | |
out and treat her first performance like it is the dance. Little bit | :19:16. | :19:19. | |
flat-footed, but she needs to believe in herself, bit more | :19:20. | :19:24. | |
confidence, straighten those legs a bit more in the jive and she will be | :19:25. | :19:28. | |
flying. Georgia and Giovanni, giving us an awesome T. Top of the | :19:29. | :19:32. | |
leaderboard. Why us an awesome T. Top of the | :19:33. | :19:42. | |
impressive? She came out beaming, top of the leaderboard, she had no | :19:43. | :19:47. | |
heel leads in the leg, her frame was gorgeous. In these pivots, we have | :19:48. | :19:53. | |
slowed them down. You can see there is no distorting in the neck. Pivots | :19:54. | :20:02. | |
are very difficult for the female. Some people come in, but she stayed | :20:03. | :20:08. | |
out. She is coming out of her shell and she found her place on the | :20:09. | :20:15. | |
floor. Jeremy and Karen and their salsa, which was epic. Everybody on | :20:16. | :20:21. | |
their feet. The judges still gave him a bit of a hard time, is there | :20:22. | :20:27. | |
anything else Jeremy needs to do? No, he just needs to be Jeremy, he | :20:28. | :20:31. | |
is fantastic. The best thing about Jeremy is he commits to everything. | :20:32. | :20:36. | |
The choreography, the steps, he gives it his all. I love it. His | :20:37. | :20:43. | |
timing is impeccable. His timing is perfect, isn't it? Karen feels | :20:44. | :20:50. | |
confident. Just smaller steps in the south to keep it more compact but, I | :20:51. | :20:56. | |
love you, Jeremy. We will see more of Natalie Lowe in the coming weeks. | :20:57. | :21:09. | |
It seems it is even spread across the pond, he is the Kansas City | :21:10. | :21:13. | |
Chiefs cheerleaders giving it a go at Wembley over the weekend. We are | :21:14. | :21:17. | |
excited to do the Strictly. Remember to keep sending | :21:18. | :21:46. | |
in your entries of 'The Strictly' to be in with a chance to win those | :21:47. | :21:49. | |
coveted Blackpool tickets. For more information head over | :21:50. | :21:53. | |
to the Strictly website. Now, they may have danced as the | :21:54. | :21:56. | |
undead on Saturday night, but they always bring the life and soul to | :21:57. | :22:00. | |
our sofas, it's Jeremy and Karen! We are absolutely loving it. Even | :22:01. | :22:27. | |
your dancing on the intro, how fantastic you were at the weekend. | :22:28. | :22:31. | |
For a few moments on Saturday night you were top | :22:32. | :22:34. | |
I remember calling for Claudia to stop the show. Also, there is a | :22:35. | :22:53. | |
Karen that exists in the normal world and then there is Alcan knee | :22:54. | :22:59. | |
Karen. She had Claudia in a headlock. I thought the show might | :23:00. | :23:11. | |
be stopped at that point. Your reaction to the four from Craig. | :23:12. | :23:23. | |
Scores are in. Craig Revel Horwood, four. Goodness me, how amazing was | :23:24. | :23:32. | |
that moment for both of you? It was radiant, we know we are not | :23:33. | :23:38. | |
improving fast enough to win, but there is a bit of forward motion and | :23:39. | :23:43. | |
I think we can really build now. We have gone to a four. A four from | :23:44. | :23:53. | |
Craig! Karen, your face. We are absolutely thrilled to get a four. | :23:54. | :23:58. | |
She has lost her voice from shouting so much. It was the best moment | :23:59. | :24:03. | |
because that is what we have been aiming for. Next week, hopefully a | :24:04. | :24:10. | |
5? I am going to pass out. She will have to be carried away on a | :24:11. | :24:15. | |
stretcher. Listening to curse the early on, less her, I love her. The | :24:16. | :24:23. | |
camaraderie between us, we're not competing against each other, we are | :24:24. | :24:27. | |
competing against ourselves. It is a battle against yourself as the | :24:28. | :24:32. | |
celebrity dancer. You are trying to improve on what you did last week. | :24:33. | :24:41. | |
22, your joint highest score. Darcey said your timing is improving and | :24:42. | :24:46. | |
she called you nimble. Karen, you must be thrilled, how was training | :24:47. | :24:49. | |
last week, you must be pleased with him? The whole Thriller section was | :24:50. | :25:00. | |
great, he is improving. He is listening even more, constantly | :25:01. | :25:07. | |
practising. I have never seen anybody practice so much as this | :25:08. | :25:12. | |
young man over here. He practices in his sleep, in the bathtub, in the | :25:13. | :25:16. | |
bathroom, everywhere I see him. Actually, I don't see him in the | :25:17. | :25:21. | |
bathroom. I found a little spot in the lobby on the first floor in | :25:22. | :25:26. | |
Elstree Studios where we broadcast from and I had headphones on and I | :25:27. | :25:30. | |
was just going round and round. People were just walking past. Craig | :25:31. | :25:37. | |
Walker passed and didn't even give me a second glance. It is the worry | :25:38. | :25:41. | |
of going into the absence on the dance floor and not knowing the next | :25:42. | :25:46. | |
move. Amazingly your body does work it out. Memory, muscle memory. | :25:47. | :25:51. | |
move. Amazingly your body does work Despite the fund, you do take your | :25:52. | :25:57. | |
dance training seriously. You posted a wonderful video online this week | :25:58. | :26:03. | |
in answer to your critics. Until I am voted out I will always work at | :26:04. | :26:08. | |
getting better, I will always try. I will always be back in the gym. I am | :26:09. | :26:12. | |
going back to see Karen again now. will always be back in the gym. I am | :26:13. | :26:16. | |
Eight or nine hours a day, I will always walk. The fact I'm not the | :26:17. | :26:20. | |
best is not a always walk. The fact I'm not the | :26:21. | :26:25. | |
That is true at live, just because you cannot win, doesn't mean you | :26:26. | :26:33. | |
don't work. Such a good point. There was a slight troll person, it was a | :26:34. | :26:37. | |
gentle reply to was a slight troll person, it was a | :26:38. | :26:43. | |
who are eight and 11, I don't want them to think that I worked out I | :26:44. | :26:50. | |
couldn't win so I stopped trying. I put it on Facebook and then | :26:51. | :26:56. | |
couldn't win so I stopped trying. I later it had a | :26:57. | :26:56. | |
couldn't win so I stopped trying. I there is a message to the | :26:57. | :26:58. | |
non-winners. there is a message to the | :26:59. | :27:16. | |
T? Do the head bit. Do it again. We are practising like crazy. It is the | :27:17. | :27:25. | |
whole dance. Len mentioned Jeremy's awkward charm. For a Tango, what | :27:26. | :27:33. | |
character does he have to take on? Give me the face. Something like | :27:34. | :27:40. | |
that. It is a bit like that. Our Tango will be proud. It is unused | :27:41. | :27:49. | |
space. Journalists do that face a lot. It will be OK. The Tango | :27:50. | :27:59. | |
action? The frame and the heel leads! It is so good. We had two | :28:00. | :28:07. | |
hours today and I was impressed. I said, Jeremy, have you dance before? | :28:08. | :28:16. | |
Looking at this village spot from the balcony watching the show, some | :28:17. | :28:21. | |
of my favourite dancers have been the Tango. Katie on the first week | :28:22. | :28:30. | |
was so good. It is the news face, but a lot of character in it, in the | :28:31. | :28:35. | |
Tango. I have been looking forward to learning it. We cannot wait to | :28:36. | :28:36. | |
see you too. Jeremy and Karen! That's all we have time | :28:37. | :28:43. | |
for tonight my friends. Joining us tomorrow we have Peter | :28:44. | :28:46. | |
and Janette and dance off survivors for the third time, | :28:47. | :28:48. | |
Jamelia and Tristan. Plus, Joanne Clifton takes | :28:49. | :28:50. | |
the Choreography Corner hot seat to cast her critical eye over | :28:51. | :28:52. | |
our lovely couples. ..and I shall try not to rupture | :28:53. | :28:54. | |
this mood of serenity by shovelling this down too | :28:55. | :29:09. | |
rambunctiously - | :29:10. | :29:13. |