Browse content similar to Episode 30. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's Friday and we've all the big names coming into our | :00:00. | :00:00. | |
And our Friday Panel: Alexander Armstrong, | :00:07. | :00:21. | |
I'm on the list. Alan Ball, Johnny Ball, your name isn't on the list. | :00:22. | :00:44. | |
Let's not kick off, where you go. This is outrageous! Not in those | :00:45. | :00:54. | |
trainers, and all right, love. Please welcome your host, Zoe Ball. | :00:55. | :01:40. | |
CHEERING Hello and welcome to | :01:41. | :01:47. | |
Friday's It Takes Two. We may be half way through | :01:48. | :01:53. | |
the series, Have a look at our VIP area, | :01:54. | :01:55. | |
it's crammed. I'll be speaking to that lot in a | :01:56. | :02:04. | |
bit so don't tire yourselves out. There's definitely | :02:05. | :02:15. | |
a party atmosphere here tonight, but how are things over at the | :02:16. | :02:17. | |
Strictly Studios in Elstree? Hi, it's Vanessa. I am back here for | :02:18. | :02:30. | |
the first time since 2013, I can't believe it. Peter Andre dancing in a | :02:31. | :02:34. | |
You will see Jeremy and Karen rehearsing. | :02:35. | :02:36. | |
Tomorrow night they're dancing the Tango to Go West | :02:37. | :02:38. | |
Stick with me, baby. I will be talking tango with Jeremy and Karen | :02:39. | :02:53. | |
tanning with Ali Ash and tailoring with the lovely Vicky Gill. Lovely | :02:54. | :02:58. | |
to have her back. Right, first up tonight they gave | :02:59. | :03:00. | |
their Harry Potter-themed paso everything they had on Saturday | :03:01. | :03:02. | |
night, Hogwarts and all. Welcome Kellie and Kevin. Princess | :03:03. | :03:41. | |
Leya, Hermione, you are having far too much fun. I am. Unbelievable, | :03:42. | :03:48. | |
how was your paso? I loved it, we had the best time. We had a blast. I | :03:49. | :03:55. | |
was pleased we managed to negotiate fireworks and a table and we had an | :03:56. | :04:03. | |
explosion. You couldn't have had any more in there. Was dancing on top of | :04:04. | :04:10. | |
the scary? It was narrow. The first time we rehearsed with the table was | :04:11. | :04:14. | |
the day before on Friday and they set it up in a tent, next door to | :04:15. | :04:20. | |
the studio. It was that table, but we have two benches that were quite | :04:21. | :04:25. | |
narrow on two legs either end. The first time we went through it, I | :04:26. | :04:29. | |
stepped off onto the bench and the bench went from under me and broke | :04:30. | :04:35. | |
and I landed on my bottom. Have we got it on video? No! Sadly it was | :04:36. | :04:42. | |
only Kevin and I in the win but I have never seen Kevin Clifton look | :04:43. | :04:46. | |
so worried in my life -- in the room. I was expecting tens for that | :04:47. | :04:49. | |
dance. LAUGHTER I don't mean to cry laughing but did | :04:50. | :04:56. | |
you hurt yourself? Luckily my bottom cushion the blow. There is nothing | :04:57. | :05:00. | |
on that bottom. So skilled, how was last week, perfecting the paso? I | :05:01. | :05:05. | |
will be we honest, I wish I had more time. To practice. I really felt, I | :05:06. | :05:12. | |
loved it, we had a great time but I feel like if I had a bit more time | :05:13. | :05:16. | |
to actually get to grips with the dance itself, I probably could have | :05:17. | :05:21. | |
done a better job. You need to stop sleeping! LAUGHTER | :05:22. | :05:24. | |
Honestly, she is not taking it seriously enough. Kevin, Star Wars, | :05:25. | :05:31. | |
Harry Potter. We are working our way through your favourite films, what | :05:32. | :05:34. | |
is your next fancy dress up? We are excited. I am lucky that Kellie goes | :05:35. | :05:40. | |
along with my crazy ideas. I have told him I will not be a wrestler. | :05:41. | :05:46. | |
She said no to that. Star Wars and Harry Potter. I have always dream of | :05:47. | :05:55. | |
dressing up as the fresh Prince. The Carlton dance. Can you work that | :05:56. | :06:01. | |
into musical week? 28 points, 7 from the judges, were you disappointed, | :06:02. | :06:03. | |
it is not a terrible score but after working, did you think he is? It is | :06:04. | :06:12. | |
a difficult one. For me, I felt disappointed, slightly disappointed, | :06:13. | :06:16. | |
for Kevin more than myself. I felt like because he is the paso king and | :06:17. | :06:20. | |
all of that. I thought, I have let you down. Did she let you down? That | :06:21. | :06:27. | |
is ridiculous, she was amazing. You were absolutely amazing. He is | :06:28. | :06:30. | |
loving dancing with you. CHEERING Let's talk about this, we absolutely | :06:31. | :06:40. | |
loved it, this week you are slowing it down, two very fast dancers, paso | :06:41. | :06:42. | |
and the jive. As it been quite nice it down, two very fast dancers, paso | :06:43. | :06:46. | |
to do a waltz and take down the pace, not that it is easy because it | :06:47. | :06:51. | |
is not? It is not easy, it is difficult. I have really enjoyed it | :06:52. | :06:58. | |
until last night. O no. Classic Take That. Hang on. What do we think, it | :06:59. | :07:05. | |
looks good. What happened last night? I struggle. I had a run of | :07:06. | :07:10. | |
training sessions where I felt like... Everything went wrong. You | :07:11. | :07:15. | |
know when you feel you have learned it and then it all goes out the | :07:16. | :07:18. | |
window and you have forgotten everything. I did not get in the | :07:19. | :07:24. | |
right position, my pivots was awful. I felt frustrated and really sad. | :07:25. | :07:28. | |
But that's good because it is out I felt frustrated and really sad. | :07:29. | :07:36. | |
the way. I'm all good, today. We are not -- we love a story with a happy | :07:37. | :07:42. | |
ending. Is it a tear-jerker, I am already on the edge? I hope so. I | :07:43. | :07:46. | |
hope people won't cry because it is bad. It is lovely. I don't want to | :07:47. | :07:53. | |
go down the really sad root of IR Megyn Kellie sad apparently. We | :07:54. | :07:55. | |
tried to put a Megyn Kellie sad apparently. We | :07:56. | :08:01. | |
than love, hate, we are breaking up. We are moving house. Love Ain't Here | :08:02. | :08:09. | |
Anymore. Just going down the road. We are still together. You obviously | :08:10. | :08:14. | |
thought about me. We noticed how you deal with Kellie's training room | :08:15. | :08:19. | |
frustrations very well, he showered her with smiles and happiness. | :08:20. | :08:20. | |
Enjoy. LAUGHTER I don't think I should be on the | :08:21. | :08:35. | |
television, any more. Gosh! Let me see that happy face. I want to get | :08:36. | :08:41. | |
it right. Don't give me that grumpy face. LAUGHTER | :08:42. | :08:47. | |
And again. LAUGHTER APPLAUSE | :08:48. | :08:53. | |
He is amazing I have to tell you, last night, when I really felt like | :08:54. | :08:59. | |
it was all going wrong, the song is Take That Love Ain't Here Anymore. | :09:00. | :09:03. | |
Kevin sang to me, Take That Love Ain't Here Anymore. | :09:04. | :09:07. | |
dance, Kellie is awesome at the How can you not smile when that is | :09:08. | :09:20. | |
happening? We cannot wait. Good luck tomorrow night, Kellie and Kevin. | :09:21. | :09:21. | |
APPLAUSE APPLAUSE | :09:22. | :09:41. | |
Sorry, Kellie. Norman, I hope you don't mind. LAUGHTER | :09:42. | :09:46. | |
Thank you. I'm getting quite hot. Now, so far our couples have | :09:47. | :09:49. | |
performed six routines, but there's no rest for | :09:50. | :09:51. | |
the wicked as Georgia and Jeremy are This week, Samba. Bouncy. Hips. | :09:52. | :10:11. | |
There are quite a few part I am struggling with because it is so | :10:12. | :10:16. | |
fast. That was really throwing me, the direction. It is about having | :10:17. | :10:20. | |
the energy on the night to keep it until the end. I am 24 and I feel | :10:21. | :10:25. | |
50. I have bruises on my arm, wounds. My legs are killing, but it | :10:26. | :10:27. | |
will be worth it, I am sure. This week we are dancing the tango. | :10:28. | :10:42. | |
God. Karen has got a really nasty, lost her voice, thing. She has given | :10:43. | :10:47. | |
me a film of my part. Does this look bizarre? I bet it is really funny. | :10:48. | :10:52. | |
It is quite hard to dance while holding a phone. There is a lot of | :10:53. | :10:55. | |
work that needs to go into the technical aspects of the tango. You | :10:56. | :10:59. | |
look a bit frail, you need to be rock solid. I am pushing for Jeremy | :11:00. | :11:04. | |
to keep that frame absolutely impeccable. Look up. There is a lot | :11:05. | :11:09. | |
of responsibility. If I started to sag here, there is nothing she can | :11:10. | :11:10. | |
do. Let's head back to the Strictly | :11:11. | :11:13. | |
studios to see what mischief Vanessa Here I am in make up work right a | :11:14. | :11:24. | |
lot of the magic of strictly happens. I am with Jeremy and Karen. | :11:25. | :11:32. | |
Hello, how are you? I am doing fine. I have watched you rehearse. I had | :11:33. | :11:37. | |
been sworn to secrecy. You are halfway through Strictly, did you | :11:38. | :11:40. | |
think this would happen? No, I didn't and it is down to my | :11:41. | :11:44. | |
teacher. Making small improvements and I am loving it so much, I am | :11:45. | :11:49. | |
loving learning. This dance that we are doing is a tango, hard to show | :11:50. | :11:55. | |
joy in a tango. I wonder what that facial expression was, maybe you can | :11:56. | :11:59. | |
edit files, what were you trying to convey with that face? Stern. You | :12:00. | :12:05. | |
don't want to brood in a couple of times. He has to be proud. Give me | :12:06. | :12:12. | |
proud. That's right. Proud. We saw you attempt at the tango face. It | :12:13. | :12:18. | |
was a bit... Slightly misfired last time. Could you show us how it has | :12:19. | :12:23. | |
improved. Last time I was trying to do a news face and this time it is | :12:24. | :12:29. | |
like that, is that working? Did me a smile with the tango face. We want | :12:30. | :12:33. | |
to bring that smile in. But then a stern face. LAUGHTER | :12:34. | :12:41. | |
It doesn't work if you laugh. We will do it together. I'm impressed. | :12:42. | :12:48. | |
That is completely different on a level from last time. Normally, we | :12:49. | :12:53. | |
are supposed to be serious journalists. If you are interviewing | :12:54. | :12:56. | |
yourself at this point in your journey because this is an epic | :12:57. | :13:00. | |
odyssey you are making, what would you ask yourself? You are wearing a | :13:01. | :13:04. | |
cowboy costume and I famously did a graphic some years back when I was | :13:05. | :13:08. | |
in a cowboy hat and I got panned for it in an election. I was thinking | :13:09. | :13:13. | |
this is awkward for me and Karen said to me I will give you something | :13:14. | :13:16. | |
to do, I guarantee you had never done it before, where a cowboy hat | :13:17. | :13:22. | |
on TV and I'm afraid I had. This is bringing back that graphic. It is | :13:23. | :13:26. | |
wonderful to see the set and the lights and everything working | :13:27. | :13:30. | |
together, in service of the dance. It is stuff I have never done | :13:31. | :13:34. | |
before. Has he got the true grit to make something magical out of the | :13:35. | :13:40. | |
tango? He is an absolute legend. Everything I choreographed he always | :13:41. | :13:43. | |
brings out the best of it. Every time it is a home run for me. With | :13:44. | :13:49. | |
Jeremy. When I did Strictly, you could feel fine until you are right | :13:50. | :13:52. | |
for the Jets rehearsal and see what the people rehearsing, have you seen | :13:53. | :13:56. | |
anyone else rehearse? Karen has advised me not to look too closely. | :13:57. | :14:00. | |
I saw Peter Andre rehearsing and I could tell it was going well and I | :14:01. | :14:05. | |
looked away. This dance doesn't have a lift and one of the things that I | :14:06. | :14:09. | |
find the scariest and you are probably the same, is when you get | :14:10. | :14:13. | |
lifted all you have to lift the person. We had a death drop last | :14:14. | :14:17. | |
time and I said to Karen, why is it called that and she said if you drop | :14:18. | :14:22. | |
me I am dead. No lift, this time. Reassurance in that. I had some | :14:23. | :14:25. | |
quickfire questions because a bonfire night, Jeremy, who is the | :14:26. | :14:33. | |
loudest celebrity this year? Iwan always talking in a lovely way. Who | :14:34. | :14:39. | |
is the most competitive couple? Oh! That's hard. They hide it well. Not | :14:40. | :14:48. | |
sure. Too diplomatic. If you could listen to just one album for the | :14:49. | :14:50. | |
rest of your life, would you Peter Andre The Platinum Collection | :14:51. | :14:58. | |
or Daniel O'Donnell The Inspiration choose Green you don't even mention | :14:59. | :15:05. | |
the wanted. Peter, because he is still in. That was so diplomatic. | :15:06. | :15:13. | |
Now, we're halfway through the series, and with some classic | :15:14. | :15:15. | |
routines already in the Strictly history books, it's time to preview | :15:16. | :15:20. | |
what is coming your way this weekend with my Friday Panel. | :15:21. | :15:23. | |
Please welcome, Alexander Armstrong, Lisa Faulkner and Rufus Hound. | :15:24. | :15:34. | |
Calmed down. The exciting thing this year, Alexander, and you looked | :15:35. | :15:42. | |
delightful. I am hosting a snooker tournament! Is that they are taking | :15:43. | :15:47. | |
turns at the top. Does it make it more exciting that there is no clear | :15:48. | :15:57. | |
favourite? Do you look at trends. Anita, having a fantastic time. It | :15:58. | :16:06. | |
is hard to call. It is. We have the Argentine tango. The first. Do you | :16:07. | :16:14. | |
Argentine tango? No? What a shame. I imagine you and Richard doing an | :16:15. | :16:20. | |
Argentine tango. He would rose. What has been your highlight? One of my | :16:21. | :16:27. | |
highlights was Helen being Marilyn Monroe. She was beautiful. She | :16:28. | :16:34. | |
danced to I want to be loved by you. She was beautiful. I sat there | :16:35. | :16:42. | |
and... She is one to watch. She is very good. At the top a lot. We have | :16:43. | :16:51. | |
a trained dancer among us. APPLAUSE. Cheryl Cole is now a thing | :16:52. | :16:58. | |
of legend. Brilliant. As a professional dancer, Rufus, who has | :16:59. | :17:09. | |
impressed you this series? The God's honest truth, we are at that | :17:10. | :17:14. | |
stage when we know the rubbish ones and we know the good ones and I have | :17:15. | :17:18. | |
not decided which of the good ones is my favourite but there are | :17:19. | :17:22. | |
rubbish ones I was fond of who bit the dust early. He went to soon? I | :17:23. | :17:27. | |
quite fancy to seeing more of Ainsley Harriott. I would like | :17:28. | :17:35. | |
somebody you can see the joy of dancing in their eyes. Coming | :17:36. | :17:39. | |
through in their performances. Technically it was all over the | :17:40. | :17:45. | |
place. Dancing is the vertical expression of horizontal desire and | :17:46. | :17:51. | |
you felt that with Ainsley Harriott. Kellie and Kevin, feast your eyes. | :17:52. | :18:04. | |
They are doing a waltz to Take That. Beautiful frame. Lovely. Waltz. | :18:05. | :18:12. | |
Katie had a brilliant week with hers. It can sometimes awaken the | :18:13. | :18:19. | |
Viennese in people. If anybody has seen my fear -- Viennese. With a | :18:20. | :18:29. | |
bite mark edit, I will have it later! It could be a good week for | :18:30. | :18:34. | |
them. I love Kellie and Kevin. Last week and they were amazing. Believe | :18:35. | :18:39. | |
my daughter was watching because it was all Harry Potter and she was | :18:40. | :18:41. | |
excited. -- Billy. What do you was all Harry Potter and she was | :18:42. | :18:57. | |
of Katie, this is her quickstep? 42nd Street. If you cannot excel | :18:58. | :19:04. | |
with Anton du Beke in a quickstep, get off the show. If you are doing a | :19:05. | :19:13. | |
Latin dance with Anton du Beke, you are not necessarily entirely | :19:14. | :19:17. | |
responsible for the outcome. But in the hands of Anton du Beke, a | :19:18. | :19:22. | |
quickstep... And you can tell it is all the things a quickstep should be | :19:23. | :19:26. | |
to be pleasing. That will be smashing. You have not got to worry | :19:27. | :19:31. | |
to be pleasing. That will be about that. Top | :19:32. | :19:33. | |
to be pleasing. That will be will go as far as saying probably | :19:34. | :19:38. | |
top two. Remember that, ladies and gentlemen. Jamelia and Tristan | :19:39. | :19:47. | |
having an interesting time. Viennese waltz. Will she stay out of the | :19:48. | :19:53. | |
bottom two? Do you think it will be a repeat performance? I feel for | :19:54. | :19:59. | |
Jamelia. She is doing well, she looks beautiful. Being in the bottom | :20:00. | :20:04. | |
two for two weeks must knock your confidence and I do not know how on | :20:05. | :20:09. | |
Monday you think, I must start again. I feel sorry for her because | :20:10. | :20:16. | |
she is doing well. People love a waltz. The viewers at home love a | :20:17. | :20:25. | |
waltz. Will you be voting? Yes! They say that now... What would it | :20:26. | :20:31. | |
do to your confidence, Alexander? I don't know what you do to get around | :20:32. | :20:38. | |
that because it is about boys, is it there, or there, I forget -- poise. | :20:39. | :20:49. | |
Helen and Aljaz. A rumba, this week, which can be a bit weird. They are | :20:50. | :20:55. | |
dancing to Adele and she is pretty amazing. I think it will be | :20:56. | :21:01. | |
special. Are you moved? I am moved. Helen dances so well. Look at this. | :21:02. | :21:05. | |
This I think is a Helen dances so well. Look at this. | :21:06. | :21:10. | |
The rumba, you can get good points for the rumba. Yes, it is hard to | :21:11. | :21:19. | |
remember a good rumba. That looks like a gold standard. They might be | :21:20. | :21:21. | |
looking at top marks. like a gold standard. They might be | :21:22. | :21:35. | |
the bottom of the leaderboard, but like a gold standard. They might be | :21:36. | :21:42. | |
why. Why is she so high up in the people'shearts? Because she goes for | :21:43. | :21:48. | |
it. I saw her earlier and said, do you feel sick on a Friday night, | :21:49. | :21:53. | |
thinking about Saturday? She said yes, but I love it. It is so nice to | :21:54. | :21:58. | |
see how everybody is excited by it and she goes for it. Go, Carol. If | :21:59. | :22:07. | |
you like the music the couples are dancing to, go to the website for | :22:08. | :22:12. | |
these Strictly playlist. The panel will be back later. And singing, as | :22:13. | :22:21. | |
well. Finally. The BBC received my letters. In green pen! When, oh when | :22:22. | :22:32. | |
well. Finally. The BBC received my Strictly It Takes Two? I pay my | :22:33. | :22:33. | |
licence fee! Now, our pros have been working | :22:34. | :22:36. | |
on something very special to mark I am at group dance training and we | :22:37. | :22:52. | |
are taking a trip into the 1940s. It is a jive, really fast, feet going | :22:53. | :23:02. | |
at 1 million mph. What you will see is flicks and kicks and to do that | :23:03. | :23:11. | |
you have to lift your thigh and flicked back foot. A lot of basic | :23:12. | :23:20. | |
step. Once it starts, it is full on. They really go for it in this | :23:21. | :23:26. | |
number. They are at home with this dance. They know this dance. I have | :23:27. | :23:36. | |
no idea what is happening. Kick and drunken sailor. | :23:37. | :23:43. | |
In this dance me and my friends have been flown in to entertain the | :23:44. | :23:46. | |
troops and I am actually going to sing. That is it for group dance | :23:47. | :23:53. | |
training. Make sure you tune in on Sunday I cannot wait for you to see | :23:54. | :23:59. | |
it. Thank you very much and well done to kneel the choreographer with | :24:00. | :24:03. | |
the red hair, he is the world professional American show dance | :24:04. | :24:06. | |
champion. APPLAUSE. Nice work. | :24:07. | :24:09. | |
Next up, Craig said their rumba was more like | :24:10. | :24:11. | |
Hello, my darlings. Welcome, welcome. Can I say top marks on your | :24:12. | :24:47. | |
outfits on Saturday, they were incredible. You were smiling | :24:48. | :24:54. | |
throughout the dance. How much fun was it? You've got a bit shy with | :24:55. | :25:02. | |
the rumba. It was brilliant doing the dance. The costumes were | :25:03. | :25:08. | |
awesome, as always, but particularly during Halloween. How heavy was that | :25:09. | :25:16. | |
how? Very heavy. The judges were less than kind. Two from Craig. | :25:17. | :25:25. | |
Naughty Craig. Carol, it does not matter what, you smile throughout. | :25:26. | :25:29. | |
Is there a little bit of you inside thinking, oh, no? Sometimes I wish | :25:30. | :25:39. | |
it was a 12 rather than a two. 12! That would be nice. It is good fun. | :25:40. | :25:46. | |
Learning to dance with Pasha, what a privilege. I love it. You can feel | :25:47. | :25:54. | |
it. All the ladies in the front row saying yes, also. The judges were | :25:55. | :26:02. | |
harsh on Carol, do you feel protective? Yes, she is doing so | :26:03. | :26:10. | |
well and improving so much and when somebody says otherwise, they had | :26:11. | :26:15. | |
better deal with me. I like the idea may be in the bar later it is Len | :26:16. | :26:22. | |
Goodman, could you step outside? If you make it to the bar! Len was | :26:23. | :26:33. | |
harsh on you, as well. Pasha, have you ever mention to | :26:34. | :26:37. | |
Carol you must not step forward on the heels during the time you have | :26:38. | :26:41. | |
been trading her this week? It is my fault. It is totally forbidden. You | :26:42. | :26:50. | |
cannot walk on your heels. It is ball flat. That was in the coffin, | :26:51. | :26:58. | |
the footwork, for me. You do teach about the footwork. I thought it was | :26:59. | :27:02. | |
gracious of you to say it was your fault. People have to realise that | :27:03. | :27:09. | |
as Carol said, when she came to Strictly she had two left feet. Now | :27:10. | :27:15. | |
she has left and right. A great improvement. Now we start learning | :27:16. | :27:23. | |
and using the fact there is a heel and toe. It is so good to see you. | :27:24. | :27:28. | |
This week we move onto the American smooth. Shania Twain. Shall we | :27:29. | :27:37. | |
hear... How much fun are you having this week? It is such good fun. | :27:38. | :27:48. | |
There are ups and downs. There is plenty of this. Show us, Carol. That | :27:49. | :27:58. | |
is your best move. Do it the whole routine. Could this be Carol's | :27:59. | :28:05. | |
dance? Absolutely, yes, it is a strong character. Carol gets into | :28:06. | :28:10. | |
it. No one can stop her. I am excited. Christmas is only 48 days | :28:11. | :28:17. | |
away. You have given a new meaning to the term Carol singing. Grab your | :28:18. | :28:30. | |
copy of Carol's hotly anticipated Warm Front. Groove on down to | :28:31. | :28:45. | |
Carol's tunes. SHE SINGS. Whatever the forecast, this will | :28:46. | :28:51. | |
brighten up your day. Carol Kirkwood's Warm Front. | :28:52. | :29:08. | |
Twerky with Kirkie! Can you sign this? Even though you are at the | :29:09. | :29:12. | |
bottom of the leaderboard, the public love you. That must fill your | :29:13. | :29:18. | |
heart with pride. Thank you so much to everyone voting for us. It is | :29:19. | :29:23. | |
brilliant. Anybody in the audience voting? | :29:24. | :29:28. | |
Yes! They say that now... Can you give us | :29:29. | :29:33. | |
a weather run down for the weekend. Tomorrow during the day, wet and | :29:34. | :29:38. | |
windy, but by the time the bonfires are unlit and fireworks displays, it | :29:39. | :29:43. | |
should be clear. Maybe a breeze in the North and Scotland, but beyond | :29:44. | :29:47. | |
that, it should be fine. But nobody will be going to these, they will be | :29:48. | :29:53. | |
watching Strictly. How are you feeling at the halfway point, are | :29:54. | :29:56. | |
you pleased with Carol's progress? The progress is amazing stop if it | :29:57. | :30:06. | |
is only halfway I cannot wait. Good luck tomorrow with your American | :30:07. | :30:10. | |
smooth. Gorgeous, as always, Carol and Pasha. | :30:11. | :30:13. | |
Now, let's see how preparations are going for tomorrow's show back | :30:14. | :30:16. | |
Vanessa, are you there, hallow my darling. There is one thing | :30:17. | :30:27. | |
everybody involved in struggling Mac is used to. | :30:28. | :30:28. | |
That smell of biscuits can only mean one thing, fake tan! | :30:29. | :30:31. | |
I'm here in the Strictly tanning room with our | :30:32. | :30:34. | |
Michaella, how does someone become a tanning expert? | :30:35. | :30:38. | |
I trained as a beauty therapist and then did some training in tanning | :30:39. | :30:45. | |
and here I am, four years on. It is almost a religious obligation, you | :30:46. | :30:50. | |
cannot not get one. Not really. We are here for body confidence. What | :30:51. | :30:56. | |
does that mean? They get a second skin so they look healthy and with a | :30:57. | :31:00. | |
globe. Do you have to persuade some celebrities, it is a bit shy, you | :31:01. | :31:04. | |
have to take off pretty much all your clothes. Yes, the pros do a | :31:05. | :31:09. | |
good job, they persuade the celebs it is OK and it makes them feel | :31:10. | :31:14. | |
safe. Rumour has it, some celebs and pros have one dip, some double-dip | :31:15. | :31:19. | |
and some go even further. In my year, Susanna Reid went for the | :31:20. | :31:24. | |
quadruple dip. It is about skin tones, we go with what they look | :31:25. | :31:28. | |
like naturally and enhance the natural colour. There are different | :31:29. | :31:31. | |
towns with different names including O'Reilly? Yes, Ecuador and result. | :31:32. | :31:38. | |
Light, medium and dark. Brazil is pretty dark to have a tan. | :31:39. | :31:44. | |
Absolutely. You get to see virtually everyone in the nude. | :31:45. | :31:47. | |
Unfortunately, I have the miserable job of seeing Aljaz show... Show us | :31:48. | :31:55. | |
what you will do. Brazil and I want to smell like cookies. Let me move | :31:56. | :32:00. | |
back while she does this a little bit. This view | :32:01. | :32:06. | |
back while she does this a little am enjoying it. It is cold. Are you | :32:07. | :32:13. | |
suffering or enjoying it? I tend to love it now. INTERFERENCE when Streb | :32:14. | :32:21. | |
is not on, I don't do it normally. -- when Strictly. You feel pampered | :32:22. | :32:28. | |
and lovely? Yeah. You look pampered and lovely. I can't wait to smell | :32:29. | :32:33. | |
like cookie. Give me your arm. He does! | :32:34. | :32:38. | |
It's freezing! What do you think? You look like burnished mahogany in | :32:39. | :32:50. | |
the best possible way. INAUDIBLE I love it. Even the camera was | :32:51. | :32:56. | |
melting down during that. At the sight of Aljaz half naked. I hate | :32:57. | :32:59. | |
you. Craig liked the story telling. | :33:00. | :33:00. | |
my next guests Maleficent-themed Darcey thought it was | :33:01. | :33:03. | |
incredibly enjoyable. It's like a wedding! Anita and Gleb, | :33:04. | :33:09. | |
Wellcome. It's like a wedding! Anita and Gleb, | :33:10. | :33:45. | |
astounding, your performance. Flying down in your wings. How difficult is | :33:46. | :33:50. | |
astounding, your performance. Flying it to dance with little horns on | :33:51. | :33:52. | |
your head? It is hard enough to learn the waltz and then the amazing | :33:53. | :33:55. | |
make-up and costume people stitched them into my hair. They are made out | :33:56. | :34:02. | |
of chicken wire, with fake hair. Georgia stitched them into my hair, | :34:03. | :34:04. | |
they were Georgia stitched them into my hair, | :34:05. | :34:08. | |
my head and there was one move I had to do that and the horns just took | :34:09. | :34:09. | |
my head and there was one move I had me around. Like a demented | :34:10. | :34:15. | |
fairground ride. You had to go on your tip toes to get your arms. The | :34:16. | :34:21. | |
homes kept the posture. Horns every week. Stapled onto the head. Len | :34:22. | :34:29. | |
aside, he gave you a good score even though he said he didn't understand | :34:30. | :34:32. | |
the story, the judges were entranced by the character and theme, that | :34:33. | :34:35. | |
must help in getting into a performance? Halloween is a real | :34:36. | :34:42. | |
moment in Strictly, everybody is excited weeks before it has even | :34:43. | :34:46. | |
started. I will always have that Maleficent moment, I will always be | :34:47. | :34:51. | |
Ryder on Strictly and coming down in those wings was brilliant -- the | :34:52. | :34:56. | |
Maleficent. The Prince with the hair extensions. At first I wasn't sure | :34:57. | :35:01. | |
and in the end, I said yes, I like that. Anything. 29, great scores but | :35:02. | :35:08. | |
six from Craig, what do you need to get more from Craig? What did he not | :35:09. | :35:13. | |
see, what did he want? I liked the fact that he liked the character and | :35:14. | :35:17. | |
that Anita stayed in the character, that was the most important thing | :35:18. | :35:23. | |
for Halloween. When Len said we did a beautiful waltz, she did a | :35:24. | :35:26. | |
beautiful waltz are combining those two opinions together makes a | :35:27. | :35:34. | |
perfect score. That's great. I have this weird, kind of, positive filter | :35:35. | :35:39. | |
in my year. I don't mind the critique. I am learning. It is a new | :35:40. | :35:43. | |
thing for me, I will never turn up and be perfect. You will. You will! | :35:44. | :35:52. | |
Positive. I remember Craig saying you are capable. I thought, yes, OK. | :35:53. | :35:59. | |
Take that! Len said your footwork was fabulous, that is the best | :36:00. | :36:02. | |
condiment apart from a tan from Len, which I think you will get. -- best | :36:03. | :36:10. | |
complements. The Lord God of ballroom said that my footwork was | :36:11. | :36:15. | |
great in the waltz. That will be on his card, Lord God, Len Goodman. | :36:16. | :36:20. | |
This week, Gleb onto the fast and the furious. Tell me how she is | :36:21. | :36:25. | |
doing in the jive. She is doing great. We need a bit more speed. And | :36:26. | :36:32. | |
her knees, lift them all and keep the bounce throughout the whole | :36:33. | :36:36. | |
routine. It is a character, we are playing a character. We are both | :36:37. | :36:44. | |
Strictly cleaners. Very glamorous. Cleaning service. I get it, washing | :36:45. | :36:52. | |
up. The Boy Does Nothing. It will be fun. How is the jive, it is | :36:53. | :36:57. | |
brilliant, but exhausting? You need to do it again and again. Just when | :36:58. | :37:01. | |
you thought you knew what payment, the jive comes along. Really? It is | :37:02. | :37:07. | |
really difficult -- pain meant. This will be Maestri Ki experience every | :37:08. | :37:13. | |
week. Gleb gets a lump of clay and turns it into something together and | :37:14. | :37:17. | |
we moulded into a performance on Saturday night. The jive is super | :37:18. | :37:22. | |
difficult, knees up. I love it. I love the energy and the music. Good | :37:23. | :37:29. | |
energy in training. Alesha Dixon. What is Gleb's training technique | :37:30. | :37:32. | |
question might yes sir. How honest should I be? Seriously honest. He is | :37:33. | :37:40. | |
Russian, he is strict. He is a strict teacher, but we work well | :37:41. | :37:44. | |
together, we have good energy. When we are in the training room, we both | :37:45. | :37:48. | |
train hard together, we have too. I don't have the option of resting, | :37:49. | :37:56. | |
their week... We have to. I reward you with water sometimes. She is | :37:57. | :38:01. | |
allowed to use the bathroom. And I can get coffee. I love rewards like | :38:02. | :38:07. | |
that. We will now see exactly how much you have retained your dance | :38:08. | :38:12. | |
knowledge, Anita with a little quiz. You have to sit over here next to | :38:13. | :38:17. | |
me, Gleb, just there. I arranged this is especially. How are you? It | :38:18. | :38:23. | |
is quite simple. It is gratuitous now. | :38:24. | :38:28. | |
You have to person some headphones on and she will do some dancing and | :38:29. | :38:33. | |
you will have headphones on with music and you have to guess what | :38:34. | :38:38. | |
dance that she is doing. That you have done. Do you remember them? | :38:39. | :38:46. | |
Let's see. S Club seven. Here is your first dance. The music is | :38:47. | :38:47. | |
coming. Charleston. He has taught her so | :38:48. | :38:51. | |
well. We got it. Waltz. I can never tire of that | :38:52. | :39:20. | |
move. Here's another one. Keep your headphones on. Cha-cha. So good. | :39:21. | :39:30. | |
Love this game. One more is that it? The last one. | :39:31. | :39:36. | |
Not bad at all. How impressed? My girl! I was taught by the best. I | :39:37. | :39:53. | |
give you a ten. Good luck tomorrow, you are amazing. Anita and Gleb! | :39:54. | :39:55. | |
CHEERING Now, time for Robin Windsor to | :39:56. | :39:57. | |
continue his jaunt through the Hi, history fans, I will show you | :39:58. | :40:12. | |
some of the best moments from strictly. We have already seen great | :40:13. | :40:18. | |
moments from the show with letters A-I. Let's get cracking with the J. | :40:19. | :40:25. | |
J is for the judges' entrances, and they know how to make an entrance. | :40:26. | :40:31. | |
They have stormed into the Strictly ballroom, strutting their stuff for | :40:32. | :40:37. | |
a few years now. Just showing us they still have the moves in their | :40:38. | :40:39. | |
lockers. K is for Casey Casey. There has been a lot of love shared | :40:40. | :40:49. | |
on the strictly dance for and a lot offered. Who can forget the cheeky | :40:50. | :40:53. | |
passions between Gavin Henson and Bruno? And then Ben Cohen and Craig. | :40:54. | :40:58. | |
Who also got to kiss Mark Wright. Of course, husband and wife, Kevin | :40:59. | :41:11. | |
and Karen. They are so loved up. Get a room! | :41:12. | :41:16. | |
L is for Len, he's the king of the one-liners. I haven't seen movement | :41:17. | :41:22. | |
like that since the film sea biscuit. It had more polished than | :41:23. | :41:27. | |
another ten front door. Shut up, close the door and call me Mary! | :41:28. | :41:32. | |
Here's what he looks like on the very first show. He hasn't aged a | :41:33. | :41:36. | |
day. You have the right attitude, bit of fun, marvellous. | :41:37. | :41:43. | |
M is the malfunction. Wardrobe malfunction. Do you ever when Alison | :41:44. | :41:51. | |
Hammond's dress covered Ali Ash's face in last year's special? She | :41:52. | :41:53. | |
could not stop laughing. LAUGHTER | :41:54. | :41:58. | |
Nor could I. N is for Natasha Kaplinsky. She was | :41:59. | :42:11. | |
our very first winner of Stricker, dancing. | :42:12. | :42:15. | |
The house. You are crying. There is no way I thought I was going to cry, | :42:16. | :42:25. | |
but I blew it so much. You are honestly amazing. | :42:26. | :42:28. | |
Mark, you got me totes emosh. I'm having a moment. Back to you, Zoe. | :42:29. | :42:40. | |
Don't set me off. Alexander Armstrong, | :42:41. | :42:46. | |
Lisa Faulkner and Rufus Hound. We must discuss the rest of the | :42:47. | :42:56. | |
couples, let's have a look at Anita and Gleb. They are doing rather | :42:57. | :43:02. | |
marvellously, they are doing a jive, Strictly cleaners they have | :43:03. | :43:06. | |
exclusively revealed, how is this looking? Alexander? That looks just | :43:07. | :43:12. | |
beautiful, look at Anita, fabulous, having fun. The jive you need the | :43:13. | :43:17. | |
technique. Once you have mastered that, which incidentally I think she | :43:18. | :43:22. | |
has, you can then really just throw your weight into it and have fun. A | :43:23. | :43:27. | |
deep intake of breath. The jive sued the small people. They always excel. | :43:28. | :43:37. | |
And she is diddy. She can get that speed. Flicks and tricks and kicks | :43:38. | :43:43. | |
and twirls. She is built for it. Speroni legs. Do you like Gleb? | :43:44. | :43:48. | |
and twirls. She is built for it. was told on the way in that these | :43:49. | :43:52. | |
women would rip me limb from limb if I said he was of the most handsome | :43:53. | :43:57. | |
man on earth. He is the most handsome man on earth. APPLAUSE | :43:58. | :44:02. | |
Let's talk about Jeremy Vine and Karen Clifton. Dancing at tango to | :44:03. | :44:08. | |
The Village People. It does not get more camp than this. Look at his | :44:09. | :44:16. | |
face. I love him! I love him. Are you feeling the love for Jeremy, | :44:17. | :44:22. | |
like the nation? I love Jeremy. He is a real trier. I can't believe | :44:23. | :44:23. | |
that he is doing it. is a real trier. I can't believe | :44:24. | :44:30. | |
you hear Jeremy Vine will be in Strictly and I want to listen to him | :44:31. | :44:34. | |
every day and I was like, my God, really because I could not imagine | :44:35. | :44:36. | |
him dancing and he is That is what you have to love. Every | :44:37. | :44:48. | |
time he dances, it is extraordinary. It is like Gujarat giving birth. | :44:49. | :44:50. | |
Part of you thinks It is like Gujarat giving birth. | :44:51. | :44:54. | |
away but the other half is fascinating, to see what those limbs | :44:55. | :45:05. | |
end up becoming -- giraffe. And now, Volare, Georgia and Giovanni. | :45:06. | :45:16. | |
Here is the pocket rocket. She is bouncy, up and down. | :45:17. | :45:21. | |
Here is the pocket rocket. She is rehearsal, let alone the bells and | :45:22. | :45:26. | |
Here is the pocket rocket. She is tend to go out, | :45:27. | :45:31. | |
Here is the pocket rocket. She is what dance you get and some | :45:32. | :45:33. | |
Here is the pocket rocket. She is are not your dance and | :45:34. | :45:36. | |
Here is the pocket rocket. She is that is her dance. They are smiling | :45:37. | :45:41. | |
all the way through. Do you like the samba? I know lots about the samba | :45:42. | :45:48. | |
all the way through. Do you like the and I fancy doing it. Only last week | :45:49. | :45:48. | |
I spotted Georgia and thought, and I fancy doing it. Only last week | :45:49. | :45:54. | |
she is a real contender. Suddenly, and I fancy doing it. Only last week | :45:55. | :45:57. | |
it is the time for people to pop out and I am looking forward to her | :45:58. | :46:10. | |
dance. She looks ace. Let's move on to Jay and Aliona. The first | :46:11. | :46:13. | |
Argentine tango. They hold back a to Jay and Aliona. The first | :46:14. | :46:22. | |
for Jay. We remember Simon and Kristina last year and there is, it | :46:23. | :46:26. | |
was excellent. Looking at this footage, has he got what it takes? | :46:27. | :46:31. | |
Look at the smoulder. It is very restrained. I am in furthering | :46:32. | :46:41. | |
something from this. I think a lot of footwork will be going on, I am | :46:42. | :46:47. | |
guessing. I think they are deliberately not unleashing | :46:48. | :46:54. | |
something. Do you know what I mean? That has been edited because | :46:55. | :46:57. | |
something very special is going to happen tomorrow. I do hope you are | :46:58. | :47:05. | |
right. We will be so disappointed! Those are the actual outfits they | :47:06. | :47:09. | |
will be wearing! Are you impressed with Jay? I probably should not say | :47:10. | :47:16. | |
this but to be honest, hairdressers up and down the country should be | :47:17. | :47:22. | |
grateful to Jay. You looked at him on week one and thought, you are | :47:23. | :47:26. | |
finished. He had the haircut and you thought, why are you so handsome? | :47:27. | :47:31. | |
Where have these beautiful arms come from? He has incredible poise, and | :47:32. | :47:37. | |
it comes from the core. The movement is driven by the heart. He is | :47:38. | :47:44. | |
exquisite to watch. With that hair, previously, all you were doing was | :47:45. | :47:51. | |
looking at the hair and going, no. I think he is getting more handsome | :47:52. | :47:56. | |
every week. I feel we are watching him become a man. I think I am | :47:57. | :48:01. | |
watching a woman who wants to watch him becoming a man. You do not even | :48:02. | :48:08. | |
know! Peter and Janette doing the Charleston to Basement Jaxx, Do Your | :48:09. | :48:15. | |
Thing. Lovely Peter Andre. You are a huge fan of beta, Lisa. I love | :48:16. | :48:24. | |
Peter. I think he is brilliant. He has only been top of the leaderboard | :48:25. | :48:31. | |
once. Week one. I think the judges know he is really very good and so | :48:32. | :48:39. | |
they are saving him. Last week I think Len said you have this street | :48:40. | :48:46. | |
dance thing. Not everything is a street dance. And suddenly you have | :48:47. | :48:52. | |
the popping a locking cupboard this is his dance. Chop, chop. You need | :48:53. | :48:59. | |
to give me a name. We have got to the stage when you cannot separate | :49:00. | :49:08. | |
the front runners. I hope it is not Jeremy, but... I hope it is not | :49:09. | :49:13. | |
going to be Jamelia. I hope for her she will not be at the bottom two. | :49:14. | :49:20. | |
You have to go with form. You have knocked on the door twice, the third | :49:21. | :49:25. | |
time, they are going to open it! Haven't they been wonderful? Find | :49:26. | :49:31. | |
out how our couples do tomorrow 6:30pm, with Tess and Claudio. Let's | :49:32. | :49:38. | |
hear it for Lisa, Alexander and Rufus. | :49:39. | :49:39. | |
Right, for the final time, let's head back to the Strictly studios | :49:40. | :49:46. | |
I am back in the Strictly bubble and do not want to leave. Earlier I | :49:47. | :49:58. | |
watched Jamelia and Tristan rehearsing. | :49:59. | :50:16. | |
How gorgeous. I am in wardrobe with Vicky Gill. How you? What is that | :50:17. | :50:24. | |
beautiful dress? We had sketches of this last night and so in the flesh. | :50:25. | :50:29. | |
Georgia was the first fitting and we were jumping for joy because it fit | :50:30. | :50:33. | |
perfectly and she liked it and the executives passed it. We are really | :50:34. | :50:38. | |
happy. This is for the samba. This is it in the flesh. They can see how | :50:39. | :50:46. | |
tiny it is, just like her. She is tiny. Gorgeous. What is this | :50:47. | :50:53. | |
peculiar looking thing? We have been busy. We ran out of time on Gleb and | :50:54. | :50:58. | |
we just had to buy a boiler suit and that hat to do! I do not believe | :50:59. | :51:04. | |
you, that never happens on Strictly. Their concept requires this kind of | :51:05. | :51:09. | |
look. I am not sure I am allowed to say. That is why we have a boiler | :51:10. | :51:16. | |
suit. I think the clue is The Boy Does Nothing, isn't that the clue? | :51:17. | :51:23. | |
There is something that says men's pants. May I? I have led a sheltered | :51:24. | :51:30. | |
life. Use those? They are huge! , I take those own? They are quite | :51:31. | :51:36. | |
remarkable. There are little ones. And socks. It has been great hanging | :51:37. | :51:41. | |
out. And Q for having me. Lovely to see you, also. Zoe Ball, I have had | :51:42. | :51:48. | |
a ball. Big kiss. Now, dance plays a major part | :51:49. | :51:55. | |
in many people's lives, In a special film for Remembrance | :51:56. | :51:57. | |
Day, our very own Natalie Lowe took a trip to meet a special couple who | :51:58. | :52:02. | |
have kept dancing through Remembrance Day marks a sacrifice | :52:03. | :52:22. | |
that service men and women all over the Commonwealth has made since the | :52:23. | :52:25. | |
First World War and subsequent conflicts. I am in Coventry, which | :52:26. | :52:30. | |
was one of the most heavily bombed cities in Britain and today I will | :52:31. | :52:37. | |
introduce you to a wonderful couple who have been married for 71 years, | :52:38. | :52:44. | |
Ron and Gladys, who have lived through it all. You were in Coventry | :52:45. | :52:51. | |
in the 1940s. How was that? It was horrible. Everywhere you went, | :52:52. | :52:57. | |
devastation. People gathered what they could and got a trolley, | :52:58. | :53:02. | |
bicycle, that is about all they had. What a state they were in. In the | :53:03. | :53:09. | |
years following the bombings, Ron volunteered for the RAF as a Eric | :53:10. | :53:14. | |
Garner for the coastal guard. Our mission was to keep German | :53:15. | :53:18. | |
submarines under the water, or shoot any on the top, if you could see | :53:19. | :53:22. | |
them. Tell me about your brothers, who were part of the war. One was in | :53:23. | :53:29. | |
the Army, the other in the Davie, another in the Marines -- in the | :53:30. | :53:40. | |
Navy. It was a sad time for his mother. Ron was away six months? | :53:41. | :53:46. | |
Yes. That was the hardest part. Wondering if he would come back. It | :53:47. | :53:53. | |
was during his time in the RAF that Ron met Gladys. Tell me how you met. | :53:54. | :53:58. | |
I was home on leave and went to the pub with my friend and I said look | :53:59. | :54:05. | |
at that blonde, fantastic! I got up and asked her to come out with me | :54:06. | :54:10. | |
and she came and that was it. It was love at first sight. We have been | :54:11. | :54:15. | |
together ever since. You like to dance? We do like dancing. The dance | :54:16. | :54:21. | |
halls in those days used to be full. I bet! Live bands. Do you like slow | :54:22. | :54:30. | |
dancing? The quickstep. We did it years ago. I cannot move as fast as | :54:31. | :54:40. | |
I used to. After 71 years, the couple are still dancing every week | :54:41. | :54:43. | |
at their tea dance, when they meet old friends, learn new moves and | :54:44. | :54:52. | |
reignite their lifelong passion for dance and each other. | :54:53. | :54:56. | |
What is the key to 71 years of marriage? Looking up to each other. | :54:57. | :55:03. | |
And going out dancing. Willing to accept your differences, that is the | :55:04. | :55:09. | |
most important. Gladys, what does Remembrance Day | :55:10. | :55:14. | |
mean? The end of the war, all the people we knew coming back all | :55:15. | :55:21. | |
right, that was the main thing. Ron and Gladys are an amazing couple and | :55:22. | :55:25. | |
an inspiration to us all. Through love and war. | :55:26. | :55:35. | |
A special thanks to Ron and Gladys for being part of that film | :55:36. | :55:38. | |
Now, to play us out with the wartime favourite, | :55:39. | :55:42. | |
A Nightingale Sang In Berkeley Square is Alexander Armstrong. | :55:43. | :55:47. | |
# When two lovers meet in Mayfair So the legends tell | :55:48. | :56:00. | |
# Songbirds sing And winter turns to spring | :56:01. | :56:07. | |
# Every winding street in Mayfair Falls beneath the spell | :56:08. | :56:17. | |
# I know such enchantment can be Cos it happened one evening to me | :56:18. | :56:30. | |
# That certain night The night we met | :56:31. | :56:34. | |
# There were angels dining at the Ritz | :56:35. | :56:45. | |
# And a nightingale sang in Berkeley Square | :56:46. | :56:57. | |
# That when you turned and smiled at me | :56:58. | :57:13. | |
# A nightingale sang in Berkeley Square | :57:14. | :57:26. | |
# The moon that lingered over London town | :57:27. | :57:31. | |
# How could he know We two were so in love | :57:32. | :57:42. | |
# The whole darn world seemed upside down | :57:43. | :58:01. | |
# Homewood step was just a slight. # And like an echo far-away # A | :58:02. | :58:24. | |
nightingale sang in Berkeley Square. | :58:25. | :58:29. | |
# I know because I was there. # That night in Berkeley Square. | :58:30. | :58:46. | |
Join us on BBC One for a truly epic night of entertainment, | :58:47. | :59:04. | |
featuring your favourite stars and shows. | :59:05. | :59:08. |