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Karen, when we said "rehearsal" we meant for tonight's show. | :00:00. | :00:15. | |
From London, this is Strictly it takes to! Please welcome your host, | :00:16. | :01:17. | |
Zoe Ball! APPLAUSE | :01:18. | :01:20. | |
Tonight we are bringing you contenders and survivors. | :01:21. | :01:23. | |
We've got some music exclusives on this weekend's dances | :01:24. | :01:25. | |
and we take a peek at our professionals in group training. | :01:26. | :01:28. | |
Plus, the mistress of the ballroom, Karen Hardy is back | :01:29. | :01:30. | |
But first, their Charleston on Saturday night | :01:31. | :01:34. | |
opened the show and set the bar so high, that bar was interstellar. | :01:35. | :01:37. | |
APPLAUSE Unbelievable! I have to say you were | :01:38. | :02:09. | |
total firecrackers. It was a wicked Charleston. An incredible comeback | :02:10. | :02:13. | |
and a total moment in this series. Are you still on a high? Janette | :02:14. | :02:20. | |
thought I got emotional backstage, it was swept. I was so overwhelmed, | :02:21. | :02:29. | |
absolutely blown away! I just couldn't believe the way everyone | :02:30. | :02:32. | |
was dancing and the atmosphere and the pace was incredible. | :02:33. | :02:41. | |
You made it look effortless which is so hard to do with something as | :02:42. | :02:48. | |
tricky as that dance. There was a lot of complicated synchronisation | :02:49. | :02:51. | |
in that routine and he picked it up so well. I was so happy. My | :02:52. | :02:56. | |
favourite bit was the mirror bit at the start. Didn't you love her hair | :02:57. | :03:05. | |
like that. It was a need to's wig! This is the BBC, nothing gets | :03:06. | :03:13. | |
wasted. -- ammeter's wig. It was neater than your normal hairstyle. | :03:14. | :03:25. | |
38, your highest score. And the highest score of the series, ladies | :03:26. | :03:30. | |
and gentlemen! I have to say, nothing else happens from now. I | :03:31. | :03:36. | |
will cherish that moment forever. Of course I will try my best but that | :03:37. | :03:42. | |
was the moment, for me. You will have that forever and I think it | :03:43. | :03:46. | |
will go in the Strictly record books. Hopefully, in a big filing | :03:47. | :03:54. | |
cabinet! Darcey did say that she could almost have mistaken Peter for | :03:55. | :03:58. | |
a pro. That must have been music to your ears, Janette? Yes. Our goals | :03:59. | :04:04. | |
as professionals is to get our celebrity partners as good as they | :04:05. | :04:08. | |
can possibly be. When you hear a judge say something like that, that | :04:09. | :04:11. | |
they are close to the level of a professional, I could not be prouder | :04:12. | :04:20. | |
of any other compliment. It was amazing! You were in shock. And when | :04:21. | :04:24. | |
Len stood up, wasn't it an incredible moment. The first ten and | :04:25. | :04:29. | |
he stood up on his dodgy knee. How will you keep that level up, Peter? | :04:30. | :04:35. | |
We not! But it was really great fun! You can't be like that. You can | :04:36. | :04:44. | |
do it again. I'm just going to do my best. I think what I have learned | :04:45. | :04:47. | |
from this is that things are achievable which you don't think | :04:48. | :04:52. | |
they are. Once you start hovering and losing points, you have to think | :04:53. | :05:06. | |
I accept that. I think it makes the whole adventure more exciting. To be | :05:07. | :05:13. | |
at the top must fill you with such confidence? We have had some very | :05:14. | :05:18. | |
hard dances back to back like the rumba and foxtrot, so it was good to | :05:19. | :05:23. | |
do a routine which boosted your energy and woke you back up and made | :05:24. | :05:28. | |
him gain his confidence again. It is scary. No matter who you are in the | :05:29. | :05:31. | |
Scottish and, how much training you have had or have not had, going in | :05:32. | :05:36. | |
front of that many people watching to be judged is very scary. When a | :05:37. | :05:40. | |
number like this comes along, it fills your confidence and makes you | :05:41. | :05:46. | |
feel good. It is the lift and drops and timing in the mirror. You could | :05:47. | :05:48. | |
not even see each other. and timing in the mirror. You could | :05:49. | :05:54. | |
genius. The only criticism came from Craig but it is a tiny one. He said | :05:55. | :06:00. | |
perhaps he overbalanced a bit at the end. Let's see. | :06:01. | :06:02. | |
perhaps he overbalanced a bit at the the lift at the end. | :06:03. | :06:18. | |
I really thought the fireworks covered it! But you are not | :06:19. | :06:25. | |
professional dancers. That is incredible. You take the criticism | :06:26. | :06:30. | |
really well. I could see him laughing. It was so nice because | :06:31. | :06:34. | |
Craig was the one that I felt I wanted to prove to him that I had it | :06:35. | :06:39. | |
in me because he had mentioned before that you don't just want to | :06:40. | :06:45. | |
be not showing what you have got. For once, I felt he could -- I could | :06:46. | :06:52. | |
do it and he gave me and nine. I was over the moon. I could not stop | :06:53. | :06:58. | |
grinning like a Cheshire cat. I have watched it again and again. You | :06:59. | :07:02. | |
moved on to the beanies waltz. We loved the character you had for the | :07:03. | :07:04. | |
Charleston. What kind of loved the character you had for the | :07:05. | :07:14. | |
beanies waltz? Someone from Vienna. -- Viennese waltz. I am allowed to | :07:15. | :07:27. | |
smile. This routine we were saying in rehearsals, this routine is kind | :07:28. | :07:32. | |
of a dedication to his kids. It is about the love he feels for his | :07:33. | :07:36. | |
children. I said, just feel that and whatever you feel that it come out | :07:37. | :07:41. | |
through your arms and legs. The only thing I am not allowed to do in the | :07:42. | :07:46. | |
middle of the routine is say, go to bed which could happen! Brush your | :07:47. | :07:51. | |
teeth! What to think about the news that Jeremy Vine has agreed, once he | :07:52. | :07:59. | |
should get to the final, to recreate the Mysterious Girl video? | :08:00. | :08:03. | |
should get to the final, to recreate things first, I want him to get to | :08:04. | :08:04. | |
the final. I think things first, I want him to get to | :08:05. | :08:09. | |
and I'm so glad he's doing so well. If he recreates that, I am worried | :08:10. | :08:14. | |
he will put me out of work. Everyone should get into the final because I | :08:15. | :08:20. | |
would love to see that. Even if he doesn't get to the final, he is | :08:21. | :08:26. | |
doing it, I did care! Good luck on your Viennese waltz. Peter and | :08:27. | :08:27. | |
Jeannette! -- Jannette. If music be the food of love, | :08:28. | :08:35. | |
play on. It's time for Tunes on Tuesday! | :08:36. | :08:42. | |
The great Bob Marley once said, "The good thing about music is, when | :08:43. | :08:46. | |
Well, hit me with your rhythm stick Mr Jukebox | :08:47. | :08:50. | |
because we want to know what songs our couples are dancing to | :08:51. | :08:53. | |
This year marks the 30 year anniversary since the band formed. | :08:54. | :09:07. | |
But I digress, which of our couples will be dancing | :09:08. | :09:12. | |
That's right, Jamelia and Tristan will be hoping | :09:13. | :09:25. | |
the judges show a little respect to their Samba on Saturday night. | :09:26. | :09:31. | |
That's The Jam with Going Underground. | :09:32. | :09:38. | |
Although it wasn't written about the London Underground, | :09:39. | :09:43. | |
did you know London's tube travels 43 million miles every year? | :09:44. | :09:46. | |
That's right, Jeremy and Karen will be Going Underground | :09:47. | :10:04. | |
I can see Jeremy as a Mod, can't you? | :10:05. | :10:07. | |
That's Jazzy Jeff and the Fresh Prince, | :10:08. | :10:20. | |
also known as Will Smith, with Boom Shake The Room. | :10:21. | :10:24. | |
But which of our couples will be dancing to this classic? | :10:25. | :10:31. | |
Kellie and Kevin will be tackling the Samba to that. | :10:32. | :10:39. | |
If you want to find out what all of our couples will be dancing to, | :10:40. | :10:46. | |
click on the Strictly website. Can I sit down yet? I look ridiculous! | :10:47. | :10:49. | |
Now, it's like she's never been away and she's back for more. | :10:50. | :10:52. | |
I quite like it when you tell me off, I have to say. Let's talk about | :10:53. | :11:15. | |
Peter and Jeannette. The highest score for him and for them so far. | :11:16. | :11:20. | |
Utterly brilliant. Why was it so good? The great thing about | :11:21. | :11:29. | |
choreography and teamwork is it leaves a lasting memory. It is all | :11:30. | :11:34. | |
about the contouring. They were going fast into that lovely slow | :11:35. | :11:39. | |
action. There were lifts and drops. It is just the teamwork between | :11:40. | :11:44. | |
those two. And also the quality of the choreography. All the layering | :11:45. | :11:48. | |
which is going on. I am in love with it from week to week. They have to | :11:49. | :11:56. | |
keep coming back with more like it. It is all about the lasting memory. | :11:57. | :12:06. | |
Let's have a look at Helen and Aljaz's drama filled rumba. There | :12:07. | :12:12. | |
was the added drama of Len and Craig. Was there enough rumba or | :12:13. | :12:18. | |
not? There is the drama of the drag here building up at the end, | :12:19. | :12:21. | |
combined with the fundamentals of the basics and then the finish. That | :12:22. | :12:31. | |
silence. I just loved it. If she had even slightly dropped her hand, it | :12:32. | :12:36. | |
would have ruined the moment. I had to write my notes on this. What I | :12:37. | :12:43. | |
like to say, not enough fundamentals. These two are poor | :12:44. | :12:49. | |
imitation of the dance. Too much fundamentals can leave a performance | :12:50. | :12:52. | |
with no appeal. So really we are saying, it is | :12:53. | :12:57. | |
finding the balance. For Aljaz and all of our professionals, the | :12:58. | :13:01. | |
Strictly clock is ticking. They can be changing choreography even to up | :13:02. | :13:05. | |
on the day. We don't know where Aljaz was going. For me, our | :13:06. | :13:10. | |
beautiful lady, she has still got to keep working on those legs. She has | :13:11. | :13:16. | |
to be the master of seven different rumba walks. And let's talk very | :13:17. | :13:23. | |
quickly, I don't want to upset everybody at home, I just want to do | :13:24. | :13:28. | |
my demo. All the mums at home will be opening the fridge door, getting | :13:29. | :13:32. | |
the dinner out and they will be closing it again. We are going to | :13:33. | :13:35. | |
forward walk turning and then back. Seven different rumba walks they | :13:36. | :13:54. | |
have to master. They have to get it out the way. They have got it out of | :13:55. | :14:05. | |
the way, now let's get onto next. Anita and Gleb, their joys. Craig | :14:06. | :14:07. | |
think he Anita and Gleb, their joys. Craig | :14:08. | :14:12. | |
style, what did he mean? Full of energy, fast, energy, kicks but | :14:13. | :14:20. | |
Craig was on the money. Kicks and flicks first of all, straight back | :14:21. | :14:24. | |
and trainers gives the image of a rock and roll style dance and that | :14:25. | :14:27. | |
was the first thing that was probably affecting the style of the | :14:28. | :14:33. | |
dance. The second thing is we have the musical timing of a jive. Our | :14:34. | :14:38. | |
international jive is a slower slow. That means one beat, three quarters | :14:39. | :14:42. | |
of the time we stand on it. On another beat we stand there for a | :14:43. | :14:46. | |
quarter of a moment and on the final moment we stand there for a whole | :14:47. | :15:06. | |
beat. Basically one should be held for the longest amount of time. So | :15:07. | :15:08. | |
it goes one two, 12-macro. That gives us this jive style. Where it | :15:09. | :15:11. | |
was going quick, quick, quick, changes the style of the dance. | :15:12. | :15:14. | |
Craig was nit-picking but it was only a little thing. Well done to | :15:15. | :15:20. | |
them. Onto Jeremy and Karen and their Wild West tango. The audience | :15:21. | :15:28. | |
went crackers. The judges were almost speechless. Was it a good | :15:29. | :15:35. | |
tango? I am in love with the horse! That is another story. In general, | :15:36. | :15:44. | |
he is mastering it. We have the head turns very sharp. It is all about | :15:45. | :15:48. | |
the delivery of the execution. We love Jeremy. We just want to see | :15:49. | :15:56. | |
more and more of the execution now. Before the end he goes, come on! He | :15:57. | :16:06. | |
is saying Mark May. This is performance, entertainment and we | :16:07. | :16:11. | |
are seeing him going back and back again! George and Giovanni finishing | :16:12. | :16:15. | |
the show with their spicy samba. High praise, such speed, incredible | :16:16. | :16:20. | |
technique. The judges said speed may have been George's downfall. What do | :16:21. | :16:21. | |
you think? Gosh no. It is not only speed she | :16:22. | :16:31. | |
has, it is the control. You can see the slow there. You have to be so in | :16:32. | :16:37. | |
control of your legs and action, to be flying around that dance floor | :16:38. | :16:40. | |
and to be able to control the slow is incredible. I love the power of | :16:41. | :16:44. | |
her legs. The relationship between them. So much so, there is a tiny | :16:45. | :16:48. | |
little error I have picked up on. I have to do it in slow motion. A | :16:49. | :16:53. | |
simple arm. Watch now. The arm is going into the wrong position and in | :16:54. | :16:58. | |
a heartbeat, he picked it up, put it in the right position and they have | :16:59. | :17:02. | |
carried on as though nothing happened. None of us would have seen | :17:03. | :17:09. | |
that. That's how strict my eye is. But so fast, they are that in tune | :17:10. | :17:13. | |
with each other, he saw that arm going wrong, put it in the right | :17:14. | :17:17. | |
place and it looked flawless. This is how clever they all are. Thank | :17:18. | :17:21. | |
you for coming back, the wonderful Karen Hardy. | :17:22. | :17:24. | |
This week's group dance is all about the many faces of love. | :17:25. | :17:27. | |
I cannot wait for this week's group dance rehearsal. Romance has hit the | :17:28. | :17:40. | |
Strictly studio and sweeping all the pros along with it. It is a row tan | :17:41. | :17:45. | |
particular dance. A few love stories. In the dance you will | :17:46. | :17:49. | |
follow through three different relationships. It is a love story | :17:50. | :17:53. | |
initially, from the park, into the office, back into the park and | :17:54. | :17:56. | |
eventually you will see how tlinges together. We are following different | :17:57. | :17:59. | |
relationships through of the different dances. We have used | :18:00. | :18:03. | |
ballroom dancing as the medium but we wanted to use a fusion, sometimes | :18:04. | :18:07. | |
you see the Viennese waltz, sometimes the foxtrot, a little | :18:08. | :18:09. | |
contestifiry in there. It is beautiful when they come together at | :18:10. | :18:13. | |
the end. Working with Jason is probably by far one of my favourite | :18:14. | :18:17. | |
things to do. He is so involved in every aspect and every inch of the | :18:18. | :18:21. | |
routine. Five, six, seven, eight and one... He works us hard but he is | :18:22. | :18:26. | |
one of the best choreographers in the world. Coming up with these | :18:27. | :18:32. | |
ideas, it is outstanding. One or two key individuals pull it together and | :18:33. | :18:37. | |
Jason is right at the top of that. It looks like another goody. Two | :18:38. | :18:40. | |
weeks awhy they were joint first. But on Sunday night they fought | :18:41. | :18:53. | |
and survived the dance off. Dare we say | :18:54. | :18:55. | |
the word "roller-coaster"? Give them extra amounts of love, | :18:56. | :18:57. | |
Kellie and Kevin. Hello my darlings. Give them extra amounts of love, | :18:58. | :19:06. | |
Bless you, nobody saw Give them extra amounts of love, | :19:07. | :19:10. | |
the weekend. Everyone was like - what's going | :19:11. | :19:15. | |
the weekend. Everyone was like - shocked and gutted as we were all | :19:16. | :19:20. | |
the weekend. Everyone was like - surreal moment. Not because it was | :19:21. | :19:27. | |
the weekend. Everyone was like - does that mean we're through? | :19:28. | :19:32. | |
the weekend. Everyone was like - and then - I mean everyone could see | :19:33. | :19:36. | |
my face. When I watched it back I felt - oh my God, I look like I've | :19:37. | :19:42. | |
been punched in the tummy or something. It felt like all the air | :19:43. | :19:47. | |
had gone out of me. And my first thought was - don't krie, just don't | :19:48. | :19:52. | |
cry. I looked at you and you went, "Are you OK?" And I was, "I'm OK." | :19:53. | :19:58. | |
That was the hardest thing like, taking that big breath in and going | :19:59. | :20:02. | |
- right, OK, here we go, onwards and I'm going to have to try to manage | :20:03. | :20:07. | |
my nerves and all these emotions that are rushing through me and get | :20:08. | :20:10. | |
through this next bit. Because I can't afford to mess this up. That's | :20:11. | :20:14. | |
what I was thinking. All of that in a split second. In a split second. | :20:15. | :20:19. | |
And when I watched it back, seeing everyone else's faces, which of | :20:20. | :20:26. | |
course I had no idea about. They were all like - WHAT. Honestly Kev | :20:27. | :20:42. | |
first time in the dance-off, dump - first time in the dance-off. What | :20:43. | :20:46. | |
did it feel like? I felt bad. Don't. We were both in a daze. Not quite | :20:47. | :20:50. | |
sure what to do. Full credit to Kellie. She picked up and danced | :20:51. | :20:56. | |
even better in the dance-offs. I didn't, I was panicking. He was a | :20:57. | :21:01. | |
superstar. Whatever was going on for him inside, he didn't let me know | :21:02. | :21:06. | |
any of it. He was like a rock. He was like, "You can do this, we can | :21:07. | :21:11. | |
do this, it is going to be fine. I know you have this in you, don't | :21:12. | :21:16. | |
worry, it is all good." And you turned around and went - I want my | :21:17. | :21:20. | |
mum! The wonderful thing is the judges unanimously saved you. | :21:21. | :21:23. | |
mum! The wonderful thing is the said goodbye to Carole. They all | :21:24. | :21:29. | |
decided to save you. Does that give you confidence back? The judges were | :21:30. | :21:32. | |
all lovely. They were lovely right from the minute we were in the | :21:33. | :21:36. | |
dance-off. They said really lovely things and yes, of course, it was | :21:37. | :21:41. | |
great they all agreed to save us but for me t doesn't take away from the | :21:42. | :21:45. | |
fact that people didn't vote for us. You know, they didn't vote. But | :21:46. | :21:50. | |
there are all sorts of reasons why. That's hard not to take personally | :21:51. | :21:55. | |
and not to go... What have you done, people? They don't like me. You have | :21:56. | :22:00. | |
to remember that this often happens. Abbey Clancy, bottom two, went on to | :22:01. | :22:04. | |
win. I think sometimes people who are doing well, the people who have | :22:05. | :22:07. | |
less votes, I think sometimes get more votes. I don't know, you maybe | :22:08. | :22:13. | |
wrong. That's what I'm thinking. Let's talk about your right | :22:14. | :22:18. | |
shoulder, the nemesis. Get down! Let's remind ourselves of what | :22:19. | :22:22. | |
happened. Only that right shoulder. . Oh, my right shoulder has a life | :22:23. | :22:30. | |
of its own, Darcey. It has a lot of feeling. You bring it into it just | :22:31. | :22:35. | |
too much. But when we - we did talk about this with Karen Monday's show. | :22:36. | :22:39. | |
And she was like - it is only a little bit and then you correct it | :22:40. | :22:44. | |
as well Well, apparently so. Kevin probably mentions my right shoulder | :22:45. | :22:48. | |
in training, oh, how many times a session, do you reckon, 20? Probably | :22:49. | :22:54. | |
more. Probably more. Don't give me your shoulder, don't give me your | :22:55. | :22:58. | |
shoulder. I get that a lot. I don't know what it is. I don't know if it | :22:59. | :23:03. | |
is tension. I think in ballroom because you have to be out to the | :23:04. | :23:08. | |
left, I just automatically sort of do that to force myself out, rather | :23:09. | :23:12. | |
than laying back there. Karen says you have to twist here and there. | :23:13. | :23:16. | |
These are pernickity tiny things, aren't they? . Really small things. | :23:17. | :23:22. | |
What I was really pleased about, though, was Len picked up on the | :23:23. | :23:26. | |
double reverse swings and heel turns. We are working on technical | :23:27. | :23:30. | |
things. We wanted it to be a quality waltz. It is not a big, flashy, | :23:31. | :23:35. | |
showy dance, you can't throw yourself around and do lifts. You | :23:36. | :23:40. | |
have to show quality. Obviously we had done fast dances for the weeks | :23:41. | :23:44. | |
before, so we wanted to show that finesse and technique. Of course | :23:45. | :23:48. | |
there will be things here and there, but I was pleased Len picked up on | :23:49. | :23:54. | |
the quality of that. So was I. Let's leave that behind and let's move on | :23:55. | :23:59. | |
you are doing a samba to Boom Shake The Room. Come on! Is it going to be | :24:00. | :24:05. | |
like some crazy multi-coloured '90s' moment? Exactly what it is going to | :24:06. | :24:10. | |
be. Exactly. We are so excited. I said to Kevin - we can't go home, we | :24:11. | :24:15. | |
have to do next week, we have just got to do this routine. We have been | :24:16. | :24:20. | |
so excited about it. I know. And because we are fighting for our | :24:21. | :24:23. | |
lives now, we are going all out. What do you have planned then? You | :24:24. | :24:28. | |
are already excited about it now, he is going crazy with the | :24:29. | :24:32. | |
choreography, what delights can we witness? A lot of energy, full-on | :24:33. | :24:39. | |
samba and a massive ghetto blaster. I can't wait There is a lot of hip | :24:40. | :24:45. | |
action. That's what I will say a lot of hip action. Quite excited by | :24:46. | :24:49. | |
that. You were saying at the weekend you wish you had more time to | :24:50. | :24:53. | |
practise. You don't physically have any more time. You have massive | :24:54. | :24:57. | |
storylines in EastEnders at the moment. It is a really difficult | :24:58. | :25:02. | |
thing for me. I knew that I would be doing both things at the same time | :25:03. | :25:07. | |
when I said yes. I wanted to do it so much that I was - I will be fine, | :25:08. | :25:13. | |
I will be fine but my brain is reaching saturation of going - you | :25:14. | :25:16. | |
cannot remember any more routines or any more line, there is no room but | :25:17. | :25:21. | |
I'm going to have to pull it out of the bag this week because like Kevin | :25:22. | :25:25. | |
said, I feel we are really fighting now to have a place here. So, I'm | :25:26. | :25:29. | |
going to literally dance in my sleep. You know that thing you said | :25:30. | :25:33. | |
last week about not sleeping, I'm going to do that. Yes, don't bother | :25:34. | :25:36. | |
sleeping, act, dance. Don't lose heart, you are brilliant, both of | :25:37. | :25:40. | |
you. I think it is going to be great. | :25:41. | :25:42. | |
Now, Kevin is going to remain with us | :25:43. | :25:44. | |
Now, we have a tonne of questions for you both so let's get into it. | :25:45. | :26:05. | |
Niamh would like to know - how long does it take for you to learn your | :26:06. | :26:11. | |
pro routines? Oh, well we start early. We start in August and we | :26:12. | :26:18. | |
usually have a day per dance. About eight hours, isn't it? About eight | :26:19. | :26:24. | |
hours. How do you remember that? Well we don't. They all go on a | :26:25. | :26:29. | |
private website that we all have, that we can then look at and recap | :26:30. | :26:34. | |
the dance and we come in for rehearsals on Monday mornings to | :26:35. | :26:38. | |
recap it all. Who is the worst at forgetting things? Oh... . Some | :26:39. | :26:44. | |
people just don't watch the video. Janette, Charlie asks - what is your | :26:45. | :26:48. | |
favourite part of being a pro on Strictly? That's a question. I think | :26:49. | :26:53. | |
just the job in itself. I get to dance, I get to teach, I get to | :26:54. | :26:59. | |
choreograph. And on top of it all I get to do it with the love of my | :27:00. | :27:04. | |
life and some of my best and closest friends. It is just everything about | :27:05. | :27:08. | |
it is amazing. I couldn't ask for a more perfect job. It is a dream job. | :27:09. | :27:12. | |
I love everything about it. Everything, everything, everything. | :27:13. | :27:15. | |
A good answer. Kimberly wants to know - what is it like having your | :27:16. | :27:25. | |
other halves on the show? Annoying. No, it is really nice, actually. I | :27:26. | :27:30. | |
mean me and Karen love working together and Aljaz and Janette love | :27:31. | :27:34. | |
working together. For the four of us, because we are all best mates, | :27:35. | :27:42. | |
we have our own little team. We all ourselves the dream team, | :27:43. | :27:48. | |
#Dream team, the coolsome foursome. So what whoever celebrities we are | :27:49. | :27:54. | |
paired up with, they have a support team. Do you ever swap parters? We | :27:55. | :28:00. | |
do. In Blackpool Kevin and I will be dance together. High standards. Yes. | :28:01. | :28:05. | |
And Georgia asks - what is your favourite song to dance to, if you | :28:06. | :28:10. | |
are at home with Aljaz and you have some wine I don't have a favourite | :28:11. | :28:15. | |
song. Not one that makes you crack out. I like everything groovy. | :28:16. | :28:22. | |
Kevin. . Theme tune to the Muppets. Brilliant. Looking forward to seeing | :28:23. | :28:27. | |
you dancing in Blackpool. That's all we have time for tonight, | :28:28. | :28:30. | |
folks. Tomorrow Jay | :28:31. | :28:32. | |
and Aliona will be popping in, We commence our worldwide tour | :28:33. | :28:33. | |
of the various Strictly shows Plus, Ian Waite will be weighing | :28:34. | :28:37. | |
up our couples in training. Join us on BBC One for a truly epic | :28:38. | :28:48. | |
night of entertainment, | :28:49. | :28:52. |