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Live from London, this is Strictly programme Max -- It Takes Two! | :00:00. | :01:13. | |
Please welcome your host, Zoe Ball! CHEERING AND APPLAUSE | :01:14. | :01:33. | |
We have got a very busy night tonight, rest your legs. | :01:34. | :01:35. | |
Welcome to our It Takes Two double bubble of fun. | :01:36. | :01:38. | |
We're with you for the next hour, and our green room is chock full | :01:39. | :01:41. | |
of beautiful faces tonight, my friends. | :01:42. | :01:43. | |
Harry Judd, Sophie Raworth and Richard Osman. | :01:44. | :01:53. | |
That is one very good-looking green room. | :01:54. | :02:00. | |
Of course, tonight is also Children In Need night, | :02:01. | :02:03. | |
and Pudsey is our very special guest of honour. | :02:04. | :02:06. | |
Throughout the show we will be looking back at some classic | :02:07. | :02:11. | |
Children In Need Strictly moments and teasing you with exclusives | :02:12. | :02:13. | |
So excited about it, I really am! We can't wait! | :02:14. | :02:30. | |
Classic Children In Need fun and frolics. | :02:31. | :02:32. | |
And we have the ravishing Joanne Clifton at Elstree Studios. | :02:33. | :02:35. | |
This week I'm going to be your pro in the know here at Elstree. | :02:36. | :02:45. | |
If you take a close look behind me, you will see Jeremy and Karen | :02:46. | :02:52. | |
rehearsing. Tomorrow they are dancing the quick step to Going | :02:53. | :02:58. | |
Underground by The Jam. I think we have everything in place for a full | :02:59. | :03:10. | |
-- fun filled night, Helen, Aljaz, Georgia, the stars of the Children | :03:11. | :03:13. | |
in Need Strictly special. We are all set, back to you for now, Zoe. | :03:14. | :03:18. | |
Now, Sunday night was the first time in weeks | :03:19. | :03:20. | |
It's onwards and upwards for Jamelia and Tristan! | :03:21. | :03:38. | |
# The only way is up... # Work it, you too might! Welcome to | :03:39. | :04:05. | |
the show, they are a lively bunch! No dance-off at the weekend! What a | :04:06. | :04:13. | |
relief! How happy were you? I was surprised, because you were like, | :04:14. | :04:17. | |
hang on, we are not in the bottom two? I have to tell you something | :04:18. | :04:23. | |
that happened, we could see the band, and the guy who was the head | :04:24. | :04:29. | |
of the band, David Arch, he had the music for Trouble up on his piano, | :04:30. | :04:33. | |
so we were like, oh well, he is getting ready. Even the band thought | :04:34. | :04:41. | |
you were going! When they said our name, we were like, what?! It must | :04:42. | :04:47. | |
be so brilliant, do not have to do that again. It was such a lovely | :04:48. | :04:52. | |
feeling, I think it is more the fact that people voted for us to stay. | :04:53. | :05:00. | |
Yeah, right? Thank you! Your second highest score that you have had, 28, | :05:01. | :05:05. | |
a really moving Viennese waltz, and you looked quite surprised when the | :05:06. | :05:15. | |
judges gave you the lovely sevens. I fell during the middle of the dance, | :05:16. | :05:20. | |
I forgot half of the routine, but they didn't notice, so it is fine! | :05:21. | :05:29. | |
We kind of blank it from here. Who left the kids are lying there?! | :05:30. | :05:37. | |
Tristan, was that your body? -- the guitar. Three times in the | :05:38. | :05:41. | |
dance-off, that must be hard, so it is good to have a boost, put you in | :05:42. | :05:47. | |
a better frame of mind. I suppose so, do you know what? That was the | :05:48. | :05:52. | |
one... It sounds a bit bad, but that was the one that I did want to do, | :05:53. | :05:57. | |
the one dance-off, because the scores were great, I don't know how | :05:58. | :06:03. | |
we got them, to be honest with you, but the scores were great, the stuff | :06:04. | :06:08. | |
we worked on was good. But in terms of the dance itself, I really wanted | :06:09. | :06:13. | |
to do it again. I think we both did, which is really weird. Don't wish | :06:14. | :06:20. | |
for it too much! About this week is the samba, we're looking forward to | :06:21. | :06:26. | |
that. And being voted through! The judges were very complimentary as | :06:27. | :06:30. | |
well. The only thing was they said more arch in the back, and obviously | :06:31. | :06:35. | |
the guitar case scenario. Did you feel a bit of a boost? Do you feel | :06:36. | :06:40. | |
your confidence growing on the dance floor? Apart from falling over, I | :06:41. | :06:44. | |
just genuinely feel that the fact that we are still here, it is mind | :06:45. | :06:49. | |
blowing, I really thought I would be gone by week three. My gosh, maybe I | :06:50. | :06:56. | |
am meant to be here! You wait, Jamelia, when you win... You first | :06:57. | :07:00. | |
came to our attention as a performer, as a pop star. When you | :07:01. | :07:05. | |
look back at your music videos, there was a lot of impressive | :07:06. | :07:07. | |
choreography. Check this. What?! That is like looking at an old | :07:08. | :07:38. | |
school photo! If you watch that video, I am out of time there as | :07:39. | :07:45. | |
well! Brilliant! Tristan, you remember that? I remember the video, | :07:46. | :07:51. | |
I didn't know that was you. Jamelia, Tristan, can you do that and move? | :07:52. | :08:00. | |
No. I have since found out that that is not dancing, definitely not. Did | :08:01. | :08:05. | |
all those moves come naturally to you? What I've found is that a lot | :08:06. | :08:10. | |
of my dancing and experience that I thought I had was all top half of | :08:11. | :08:14. | |
the body, nothing to do with footwork. We found that out in the | :08:15. | :08:19. | |
worst way possible, live to the nation. Getting better, though! It | :08:20. | :08:28. | |
is a prom night samba, I have been told, can you give us a little | :08:29. | :08:31. | |
teaser of what we might expect? That! Kind of that, look at my | :08:32. | :08:44. | |
socks, exactly. What sucks?! -- socks. Our PA hates it when Jay | :08:45. | :08:54. | |
wears socks with shorts. Why is one rolled up, one trouser leg? I kept | :08:55. | :09:02. | |
tripping on it. I kept tripping up over it. It looks a bit weird. When | :09:03. | :09:09. | |
it is rolled up, it kind of looks like leggings. It is Friday! Would | :09:10. | :09:15. | |
you say you preferred the Latin to the ballroom, Jamelia? Definitely, | :09:16. | :09:20. | |
because of that reason, because you get to use your top of a little bit | :09:21. | :09:25. | |
more. With the ballroom it is all... Rigid, uncomfortable. Are you | :09:26. | :09:31. | |
liking the samba? I am loving it, loving the theme, prom night, it is | :09:32. | :09:39. | |
fun, I love it. And how is the bouncing? I don't know! It is good. | :09:40. | :09:48. | |
We learned yesterday from your tete-a-tete with passion that your | :09:49. | :09:51. | |
past jobs have included being a landscape gardener, working in | :09:52. | :09:58. | |
banking, and he was an electrician. Have any of them inspired anything | :09:59. | :10:01. | |
in your dancing or in any routines are along the way? No. In the bank, | :10:02. | :10:09. | |
I had to sell life insurance, so that doesn't really count. I had to | :10:10. | :10:14. | |
dig deep in the garden, probably digging deep a little bit now. I am | :10:15. | :10:21. | |
only joking! Do you know what? I loved all them jobs. You are good at | :10:22. | :10:29. | |
this one. He is very good. And I am loving it even more now. Why do some | :10:30. | :10:33. | |
people sued ballroom more than Latin? And do you have a | :10:34. | :10:40. | |
preference? No, not really. For me, certainly, all the songs, if I hear | :10:41. | :10:44. | |
a song I do not know, I know if I like it or not. When you are | :10:45. | :10:48. | |
starting with someone that you really enjoy, not that you try | :10:49. | :10:55. | |
harder, but you are already in a good mood, and with the Latin ones, | :10:56. | :10:58. | |
you have a chance of dancing on your own, like you do at home. When it | :10:59. | :11:03. | |
comes to ballroom... You are saying you can dance without me. This is | :11:04. | :11:09. | |
going well! If you get through this weekend, hopefully you will be on | :11:10. | :11:21. | |
your way to Blackpool, how exciting! To reach Blackpool would be | :11:22. | :11:28. | |
amazing, I would probably burst. That may well happen, best of luck | :11:29. | :11:32. | |
this week, we love you, Jamelia and Tristan! | :11:33. | :11:37. | |
follows an array of different love stories. | :11:38. | :11:40. | |
But will the course of Strictly love run smoothly, I wonder? | :11:41. | :11:51. | |
This will definitely pull at your heartstrings, it is romantic, it is | :11:52. | :11:59. | |
about chance, fate and love. There is a lot of different types of | :12:00. | :12:03. | |
dancing, salsa, mambo, American smooth. We are trying to mix it up, | :12:04. | :12:10. | |
do something different, tell a different story, that is the | :12:11. | :12:15. | |
difficulty. Karren Brady likes her co-worker, Brendan, but he is | :12:16. | :12:23. | |
proposing to Oti. Apparently she is in love with me, but I am in love | :12:24. | :12:29. | |
with Oti. I am sad that you are proposing to somebody else, we are | :12:30. | :12:34. | |
both married! It is getting complicated. Love can mean some | :12:35. | :12:39. | |
different things to different people. Love is all-encompassing. It | :12:40. | :12:44. | |
is the way that somebody makes you feel. Just sitting on the couch | :12:45. | :12:50. | |
watching TV. A hot cup of tea with my wife next to me. Love is so many | :12:51. | :12:55. | |
things, that is why dancing is the best way to express it, you cannot | :12:56. | :13:04. | |
put it into words. Tune in this weekend to see if we have a love | :13:05. | :13:07. | |
story on our hands or a Shakespearean tragedy. Shall we take | :13:08. | :13:15. | |
a peek behind the velvet curtain of the Strictly rehearsals? Yes, I | :13:16. | :13:20. | |
spied Joanne Clifton. Thanks, Zoe. Earlier today I saw Jay and Aliona | :13:21. | :13:27. | |
practising in the studio, they are doing a foxtrot to Sam Smith's Lay | :13:28. | :13:32. | |
Me Down, and there is a lot of basic steps, which is quite difficult. He | :13:33. | :13:38. | |
looks very cool, very smooth and collected, I am looking forward to | :13:39. | :13:45. | |
it. Now, with me I am joined by the gorgeous George and Giovanni, Helen | :13:46. | :13:49. | |
and Aljaz. Nice to see you with your clothes on! OK, so, Helen, OK, | :13:50. | :13:56. | |
earlier this week Aljaz said that the tango was one of the easiest to | :13:57. | :14:02. | |
teach, but how about learning it? It hasn't been that easy to learn, | :14:03. | :14:06. | |
because he has put all the tango steps that exist into our downs. | :14:07. | :14:12. | |
Invented some new ones as well. I will be interested to see that. | :14:13. | :14:16. | |
Yours includes a lot of hats, tell us a little bit about that, what is | :14:17. | :14:21. | |
it like? It has not been easy, it has fallen off a few times this | :14:22. | :14:25. | |
week. Still good. O'Dell Giovanni any good? I think I am better. Why | :14:26. | :14:35. | |
don't we give it a go? Take this hat, not the actual had... Nice! Is | :14:36. | :14:49. | |
that it?! There you go, that is much better, that is much better. Aljaz, | :14:50. | :14:54. | |
OK, last week there was a bit of a shock, Kevin and Kellie in the | :14:55. | :15:02. | |
dance-off, what has that done to the mood? It can happen to anyone, and | :15:03. | :15:07. | |
we know it was a massive shock, because they did a brilliant job | :15:08. | :15:11. | |
with the waltz. We were close to them on the leaderboard after the | :15:12. | :15:16. | |
judges' scores, so before we were called, I was a little bit petrified | :15:17. | :15:20. | |
that we might be joining them, but it shows you that we have to do our | :15:21. | :15:24. | |
best and, you know, just hope for the best. If we don't get through, | :15:25. | :15:33. | |
smash it in the dance-off. It means nobody's safe. We are safe here. | :15:34. | :15:40. | |
Helen your Call The Midwife stars are taking to floor in the Children | :15:41. | :15:44. | |
in Need special. Have you given them any advice. I don't knowly I could. | :15:45. | :15:50. | |
They have done so well. They have done so well. I'm proud. Really | :15:51. | :15:55. | |
proud. We are excited to see it. Good luck tomorrow. Back to you, | :15:56. | :15:58. | |
Zoe. More from Joanne a little later on. | :15:59. | :16:02. | |
Over the years, Children in Need and | :16:03. | :16:05. | |
Strictly Come Dancing have waltzed together many a time to create some | :16:06. | :16:07. | |
truly golden TV moments. Welcome to Children in Need Strictly | :16:08. | :16:19. | |
come dancing. It is nice to see you to see you... Nice! If they can do | :16:20. | :16:26. | |
anything on the dance floor, the girl is a genius. I want to beat | :16:27. | :16:33. | |
Terry. Put them up. It was fantastic. That was a fantastic | :16:34. | :16:43. | |
performance for radio! Strictly Come Dancing Children in Need champions | :16:44. | :16:54. | |
are... Tonight one of McFly takes on one of the Saturdays. No, this is a | :16:55. | :17:00. | |
disaster. It is Children in Need. They can't be too harsh. They will | :17:01. | :17:04. | |
be harsh will they? It was smooth and you did a wonderful job. Well | :17:05. | :17:21. | |
done. Pudsey Bear. The winner is... Harry and Ola. For their top news | :17:22. | :17:34. | |
reader. I can't work out which one is Huh Edwards. All girls, have I | :17:35. | :17:46. | |
got news for you, you really are hot! Fabulous. Fantastic backbend, | :17:47. | :17:59. | |
but stick darling to your day job! Suzanna and robin. Ann Widdicombe, | :18:00. | :18:08. | |
Russell Grant head-to-head. Oh, come on. They're like boomerangs, we | :18:09. | :18:14. | |
chucked them out and back they have come! King Kong and Godzilla of | :18:15. | :18:24. | |
dance. Horrendously entertaining. A complete dance disaster. It was an | :18:25. | :18:32. | |
excuse for seeing you again. You are the champions 2012. There we are. | :18:33. | :18:45. | |
We have Olympic royalty on the dance floor. I can't believe you're on | :18:46. | :18:53. | |
this dance floor. You were nice on ice, be I tell you, you're good on | :18:54. | :18:59. | |
wood. My Children in Need champions are... Chris and Aliona. Jane and | :19:00. | :19:15. | |
James. Jane and James. Tonight team Glitter will take on Team Sparkle. # | :19:16. | :19:23. | |
You make me feel so young # Disyour professionals keep up with you? Just | :19:24. | :19:35. | |
about! Who is your winner. Team Sparkle. My winners are Team | :19:36. | :19:48. | |
Glitter. Team... Giving. Amazing. Amazing. I would love to say get | :19:49. | :19:56. | |
well soon to Sir Terry Wogan if he is watching. | :19:57. | :19:59. | |
? Stay tuned as later on we will be giving you an exclusive preview | :20:00. | :20:03. | |
of this year's Children In Need Strictly special featuring | :20:04. | :20:05. | |
Now, you may have recognised some of our Friday panel amongst those | :20:06. | :20:10. | |
Please welcome Harry Judd, Sophie Raworth and Richard Osman! | :20:11. | :20:13. | |
I never heard so many. Congratulations our it takes Two | :20:14. | :20:30. | |
viewers voted you best male winner ever. What does that mean tow yo? It | :20:31. | :20:36. | |
means a lot. Thank you. See you there at Children in Need, dancing | :20:37. | :20:42. | |
with Ola, that is where it began? Yes, my journey was Strictly. It was | :20:43. | :20:46. | |
terrifying to look back and see myself looking awkward and trying to | :20:47. | :20:51. | |
perform and dry mouth. It was the beginning and a lot of happy | :20:52. | :20:57. | |
memories. You went on to win and come peopled under water for under | :20:58. | :21:05. | |
water strictly, that was surreal. Sophie, some funny memories for you, | :21:06. | :21:11. | |
the news readers dancing. Everyone says who frightening sfribgt live | :21:12. | :21:17. | |
it. -- Strictly it. I have never been so frightened. Ian said I can | :21:18. | :21:21. | |
feel your heartbeating. We only had four days to practice and they | :21:22. | :21:25. | |
didn't tell us until the day before they were going to judge us | :21:26. | :21:30. | |
individually. That was mean. Suzanna Reid went on the win. You have not | :21:31. | :21:38. | |
spoken since! Richard, watching that go on, are you tempted to take the | :21:39. | :21:44. | |
dance floor yourself? Come on Richard. I would say to give you a | :21:45. | :21:51. | |
percentage, maybe zero. They both told you how terrifying it was. I | :21:52. | :21:55. | |
was talking to Harry, I said if I did it I would want to win and I | :21:56. | :21:59. | |
don't think there is any possibility that would happen. So I would feel | :22:00. | :22:05. | |
gutted. Who would you dance with? Anton. He is very good. Natalie | :22:06. | :22:12. | |
always has the... You talk about strictly a lot on seeshl media -- | :22:13. | :22:20. | |
social media what do you love about it. Is competitive, but everyone | :22:21. | :22:24. | |
enjoys themselves and there doesn't seem to be any back-biting and it is | :22:25. | :22:29. | |
glamorous and you see people getting better and better. But I love | :22:30. | :22:35. | |
watching people like Jeremy Vine. I can't care that people can't dance. | :22:36. | :22:39. | |
He could win. You don't know. Then he will be tempted. Here are our | :22:40. | :22:45. | |
couples in training and first Anita and Gleb and their quickstep. | :22:46. | :22:51. | |
They're dancing to The Pretenders. That is what I dance to for my | :22:52. | :22:57. | |
quickstep. I never heard this song, but I love it. It is a great song to | :22:58. | :23:03. | |
dance to. They're looking great and very in time. It is a hard dance. | :23:04. | :23:09. | |
You're bigging yourself up. It is really hard. You have got to be a | :23:10. | :23:15. | |
pro to do that. It was the one I'm scared about, it can feel weird | :23:16. | :23:18. | |
running about and hopping and kicking. But I love it. You know | :23:19. | :23:23. | |
people talk about the frame has to be solid and you're doing this jazzy | :23:24. | :23:27. | |
stuff. Yes. So I was glad to have it later on in the competition. But | :23:28. | :23:32. | |
they're looking great. She is brilliant. I think they're both very | :23:33. | :23:37. | |
good. I'm not going to go there. I won't fall for that. They're both | :23:38. | :23:43. | |
good and anoo that has done well. -- Anita has done well. She has got | :23:44. | :23:48. | |
better and better. She looks so confident. I'm happy to except on | :23:49. | :23:55. | |
Gleb. He is unbelievable isn't he? He is kind of annoying. Your | :23:56. | :24:02. | |
favourite Gleb move? He can do anything. A slow blink. George and | :24:03. | :24:08. | |
Giovanni. They're doing a Charleston. If you look at this you | :24:09. | :24:13. | |
will agree it is going to be brilliant. Great swivel going on | :24:14. | :24:17. | |
there. Sophie, what do you think about them? They have been brilliant | :24:18. | :24:21. | |
from the start. Every week they have been fabtastic. I -- fantastic. A | :24:22. | :24:30. | |
combas A gasp from the injury and she is doing it in her slippers. I | :24:31. | :24:36. | |
like the underdogs more. They look very impressive. When you get back | :24:37. | :24:41. | |
down the the last four, you think, they're amazing. I'm looking for | :24:42. | :24:46. | |
entertainment at the moment. I will deal with them in a few weeks time. | :24:47. | :24:59. | |
I know they're staying in. Peter and Jeanette have a Viennese waltz to | :25:00. | :25:04. | |
Cilla Black. Peter look at him. Harpry what do you think? He is | :25:05. | :25:10. | |
solid, Peter. He is not short of a great performance. That kind of rise | :25:11. | :25:16. | |
and fall needs to be a bit smoother. In my opinion. He is a champion. He | :25:17. | :25:21. | |
knows his stuff. Peter is solid and he is a great performer and you can | :25:22. | :25:29. | |
expect good stuff from him. He has topped the leaderboard. I agree with | :25:30. | :25:32. | |
the underdogs. I was going with Carol. I had a bet with her and I | :25:33. | :25:39. | |
lost it. We miss her already. She was wonderful and I was supporting | :25:40. | :25:44. | |
her and she did it with such good grace. I bet her she would be in to | :25:45. | :25:50. | |
midway through. That is why she got knocked out to get the money. Now | :25:51. | :25:57. | |
Jamelia and Tristan, they will be doing a Samba to Erasure. You | :25:58. | :26:02. | |
probably know that move. I have no idea. The Samba was terrifying. I | :26:03. | :26:07. | |
found it really hard. It is so technical and lots going on. I | :26:08. | :26:14. | |
should let Richard take over. You're a massive Jamelia fan. You said you | :26:15. | :26:19. | |
love her so much and if she gets quicked out I will console her. How? | :26:20. | :26:28. | |
I may have been drinking. I'm a huge fan, but having met Tristan he is | :26:29. | :26:32. | |
lovely. Now they're very much my favourites. You have got the Osman | :26:33. | :26:38. | |
vote tomorrow, Jamelia and Tristan. Let's look at Jeremy and Karen. | :26:39. | :26:48. | |
They're diamond miners... Doing a quickstep to Going Underground by | :26:49. | :26:51. | |
The Jam. What do you think of your mate. I have known him for such a | :26:52. | :26:57. | |
long time. I never knew he had such long legs. I want him to stay until | :26:58. | :27:01. | |
the end. I would love him to win. It would be brilliant. He is enjoying | :27:02. | :27:05. | |
it. That is what I love is people who go on and doesn't matter how | :27:06. | :27:09. | |
well or badly they do, they are loving it and he is loving it. | :27:10. | :27:14. | |
Couldn't believe when he said he was doing it. When he told me I was | :27:15. | :27:20. | |
worried. Do you want to do it? He has been a raef lacing. "-- | :27:21. | :27:26. | |
revelation. You have got to be somebody representing the people who | :27:27. | :27:29. | |
can't actually dance and all the lovely show from everyone else. So | :27:30. | :27:32. | |
fingers crossed he gets through. What do you think of Jeremy? Yes, | :27:33. | :27:37. | |
the show is about fun and family and everyone having a good time and | :27:38. | :27:41. | |
Jeremy brings that kind of light-hearted nature to it. I met | :27:42. | :27:47. | |
him at the training room. He lives around the corner. It is great to | :27:48. | :27:51. | |
see people enjoying themselves. It is a great show and he sums up that | :27:52. | :27:57. | |
fun side. Thank you so much. If you like the music you're hearing, check | :27:58. | :28:01. | |
out the Strictly play list on the web-site. More from our panel later | :28:02. | :28:13. | |
on. Show them sov love. Now for a real treat. While rummaging through | :28:14. | :28:18. | |
the Children in Need archives, we came across this little gem. Keep | :28:19. | :28:24. | |
your eyes peeled for Sophie over there, Miss Carol Kirkwood and do | :28:25. | :28:28. | |
not miss Jeremy Vine. This is brilliant. I remember this. # Listen | :28:29. | :28:36. | |
closely. But not for very much longer # Let's do the time warp | :28:37. | :28:43. | |
again! # It's just a jump to the left and then a step to the right # | :28:44. | :28:50. | |
Put your hands on your hips # Bring your knees in tight # Don't judge a | :28:51. | :29:00. | |
book by its cover # I'm not much of a man, by the light of day, but my | :29:01. | :29:14. | |
Newsnight I'm one hell of a lover! Jeremy Vine! That was quite | :29:15. | :29:20. | |
incredible. Well done Sophie. So brilliant. It was Sophie, Carol and | :29:21. | :29:29. | |
Jeremy in 2002. I was loving to Pudsey that our celebrities and | :29:30. | :29:33. | |
dancers are humans and like to air their thoughts on social media. This | :29:34. | :29:39. | |
was a bit like top of the popsing. Top of the Pops. And Kellie said | :29:40. | :29:46. | |
guess who I found in my house. Kevin Clifton chilling in The Vic. Ally | :29:47. | :29:55. | |
shared a photo of them saying tired of dancing inside. And don't forget | :29:56. | :30:00. | |
Children in Need tonight. What is in store? Thank you very much. You can | :30:01. | :30:08. | |
catch all of this tonight on BBC1. Rod Stewart, One Direction, see Lena | :30:09. | :30:18. | |
Gomez and Dame Heren Mirren and a Star Wars special. For volunteers | :30:19. | :30:27. | |
from the musics kinky boots, Beautiful and Bend it Like Beckham | :30:28. | :30:33. | |
and stepping into Terry Wogan's shoes, Sir Dermot Leary. And the | :30:34. | :30:39. | |
cast of Call The Midwife are the latest stars to take to the ballroom | :30:40. | :30:41. | |
and here is a peak. will be dancing in Call The Midwife | :30:42. | :30:49. | |
Does Strictly, and I believe she is with | :30:50. | :31:03. | |
some of the guys now. Here with me now are two of the | :31:04. | :31:08. | |
Call The Midwife stars competing for the Pudsey Glitter Ball trophy, | :31:09. | :31:11. | |
Laura Main and Jack Ashton. Hello, guys! Tell me all about it, | :31:12. | :31:26. | |
how was your Strictly experience? My goodness, it was so exciting, this | :31:27. | :31:30. | |
is my fiver and show, so to have a little go at it was just superb. | :31:31. | :31:37. | |
Were you nervous? It was absolutely terrifying, but you have got to | :31:38. | :31:40. | |
remember why you are doing it, Children in Need, so we just tried | :31:41. | :31:45. | |
to put on a good show. I was absolutely petrified, I have to say. | :31:46. | :31:51. | |
What was your favourite thing about it, the practising, the costumes, | :31:52. | :31:55. | |
the tanning? Definitely the tanning! It is the first time I have ever had | :31:56. | :32:00. | |
a spray tan, I promise, and I went in, and they said, it is very | :32:01. | :32:04. | |
discreet, they will tell you what to do. I went in, and Aljaz was in | :32:05. | :32:09. | |
there with Vanessa Feltz and a whole film crew doing a live spray tan. I | :32:10. | :32:18. | |
was standing in my pink pants, in my manly pants, yeah, and the door was | :32:19. | :32:22. | |
open the whole time, because people were coming and going, it was pretty | :32:23. | :32:27. | |
embarrassing. Well done for getting through that. How inspired were you | :32:28. | :32:33. | |
by your co-star, Helen George? She is amazing, and week after week, she | :32:34. | :32:38. | |
is just absolutely brilliant, a total inspiration, and she has been | :32:39. | :32:42. | |
so encouraging, giving us loads of tips, nice to be in her world. We | :32:43. | :32:47. | |
are all massively behind her, we think she is going to do very well, | :32:48. | :32:53. | |
and she deserves it. The Strictly audience for the special were all | :32:54. | :32:57. | |
children, tell me about that, how was it? It was amazing, I do not | :32:58. | :33:02. | |
think they were allowed to see the main show, for them, they are | :33:03. | :33:08. | |
massive fines were just around the building all day, so excited. -- | :33:09. | :33:13. | |
fans. They were asking us to sign stuff, you could see them running up | :33:14. | :33:17. | |
to their favourite dancers, it was awesome. Thank you for answering my | :33:18. | :33:23. | |
questions, watch all the action tonight on BBC One. Thank you, Jo, | :33:24. | :33:27. | |
good luck to Jack and Laura, I can't wait! Lets hope they all deliver. | :33:28. | :33:34. | |
Now, with Blackpool just around the corner, | :33:35. | :33:36. | |
rehearsals have become ever more intense. | :33:37. | :33:37. | |
Let's see how Jeremy and Peter are getting along. | :33:38. | :33:42. | |
This Viennese waltz was so graceful, so beautiful, I have got goose | :33:43. | :33:51. | |
bumps. When we get into that, oh, my God, beautiful! He is really feeling | :33:52. | :33:55. | |
the emotion that he needs to feel to do a lovely and big romantic | :33:56. | :34:00. | |
Viennese waltz. I understand. Perfect. I am allowed to smile and | :34:01. | :34:05. | |
give that a lovely and big romantic Viennese waltz. I understand. | :34:06. | :34:07. | |
Perfect. I am allowed to smile and give that emotion hop! In the sense | :34:08. | :34:21. | |
of picking up woodwork, you should be OK. I know I can do that, it is | :34:22. | :34:24. | |
driving me nuts. I really want to perform this, not just get these | :34:25. | :34:26. | |
steps right. We always have apps and downs, but | :34:27. | :34:30. | |
the upside getting longer than the downs. -- the ups are getting longer | :34:31. | :34:42. | |
than the downs. I have listened very closely to the judges. It is easier | :34:43. | :34:48. | |
than I make it look. Absolutely! The key things I need to work on my arms | :34:49. | :34:54. | |
and legs. If it feels comfortable, you are doing it wrong. We are | :34:55. | :34:58. | |
making sure his steps are nice and small so that everything will be | :34:59. | :35:02. | |
there, just the way that the judges want. I love that, if it is | :35:03. | :35:07. | |
comfortable, it is not right. Their stylish 42nd Street | :35:08. | :35:11. | |
quickstep oozed so much glamour and sophistication, | :35:12. | :35:13. | |
it almost caused a traffic jam. # Oh, heaven is a place on earth... | :35:14. | :35:41. | |
# . | :35:42. | :35:47. | |
Hello! The Queen of the Proms, the king of ballroom! I loved your 42nd | :35:48. | :35:58. | |
St, frock of the week last week, come on! She is very kind to you, | :35:59. | :36:04. | |
Vicky, she likes you. Was it a dream, did you have fun? Yes, the | :36:05. | :36:09. | |
hat and cane, I have always wanted to do that, I have always wanted to | :36:10. | :36:14. | |
be in a musical, it was lovely. Really enjoyed it, loved it. Did you | :36:15. | :36:21. | |
enjoy it, Anton? Enormously, it is such a great number to do. I cannot | :36:22. | :36:27. | |
talk while I am watching! I always look good! I know it is me! The hat | :36:28. | :36:38. | |
and a cane, I love a bit of that, and it was so great to pull it off, | :36:39. | :36:45. | |
or attempt to pull it off, I knew I could do it! -- or attempt to pull | :36:46. | :36:53. | |
it off. But I was so pleased, you are standing there, and the most | :36:54. | :36:58. | |
nervous thing is the beginning, dancing the quickstep, Katie Derham, | :36:59. | :37:06. | |
oh, my goodness! Then the music comes in, and because it was so | :37:07. | :37:11. | |
musical and really timed and accented, and everything had to be | :37:12. | :37:15. | |
together, you can get a bit nervous. It was so good, I was so thrilled | :37:16. | :37:19. | |
with it when I watched it back, it looked so clean, I was thrilled, | :37:20. | :37:25. | |
well done, well done. The judges praised you, Katie, saying how good | :37:26. | :37:33. | |
you were at taking on the complex choreography. That was not easy, was | :37:34. | :37:39. | |
it difficult to learn? It was very complicated, but we enjoyed every | :37:40. | :37:43. | |
minute. As I said on the night, it did not all go according to plan, | :37:44. | :37:48. | |
but there was a lot to pack in. What went well, I loved doing it, I did | :37:49. | :37:53. | |
enjoy it, and I enjoyed learning the routine, and I would quite like to | :37:54. | :37:58. | |
do it again! That is what Tristan was saying, he was disappointed | :37:59. | :38:04. | |
about not being in the dance-off. I didn't understand a word of that! | :38:05. | :38:07. | |
There were some dancers I never wanted to do again. You did give a | :38:08. | :38:13. | |
really complex choreography, you have great confidence in Katie's | :38:14. | :38:19. | |
capability? I do, because I think she is amazing, and she looks | :38:20. | :38:24. | |
amazing. And the thing about the choreography is that you get one go | :38:25. | :38:31. | |
to do it on the night. Sometimes you can go a bit wrong, and I do not | :38:32. | :38:35. | |
think that is the end of the world, really, as long as the performance | :38:36. | :38:39. | |
is good, and Katie's performance was great. Do it again and you will not | :38:40. | :38:44. | |
go wrong, so there is a lot going on. But I knew she could pull it | :38:45. | :38:54. | |
off, and she did. Gorges. -- gorgeous. | :38:55. | :38:57. | |
In your newspaper column last week you said that, | :38:58. | :38:59. | |
"Dancing your heart out in public is an emotional business, | :39:00. | :39:02. | |
and I refuse to get downhearted." How emotional does it get? | :39:03. | :39:04. | |
Yes, because I have worked in this funny old business for a while, I | :39:05. | :39:10. | |
have done quite a lot of live telly, I knew would would be no | :39:11. | :39:14. | |
bragging, but I did not know how much we care. -- I knew it would be | :39:15. | :39:24. | |
nerve wracking. It is such a treat being on the show that sometimes you | :39:25. | :39:28. | |
get giddy when it goes well and you get down when it doesn't. Quite | :39:29. | :39:34. | |
surprisingly emotional. But that is all part of it. Have you had a | :39:35. | :39:40. | |
little cry, Anton? Can't stop weeping! The thing is, when you are | :39:41. | :39:49. | |
doing news, you have got great composure, Katie Derham, and do you | :39:50. | :39:54. | |
ever have moments when you just think, I want to let it all out? | :39:55. | :40:00. | |
Definitely, doing news stories with children, but that is not your job. | :40:01. | :40:05. | |
This, we have to show emotion, you are expressing lots of emotion, so | :40:06. | :40:09. | |
it is a new world, but it is lovely, it is good for us. Good to let it | :40:10. | :40:15. | |
all out, everybody should be able to have a go with Anton, frankly! That | :40:16. | :40:19. | |
might have come out, everybody should be able to have a go with | :40:20. | :40:21. | |
Anton, frankly! That might have, slightly wrong! Your dance last week | :40:22. | :40:28. | |
did cause quickstep fever in the training rooms, check this out. | :40:29. | :40:47. | |
That is it! That is it. Genius! If you need some rumba... Learning from | :40:48. | :41:27. | |
the master! Or duty to anyone to quickstep? I think I had a head | :41:28. | :41:34. | |
start with Gleb, he is sort of handy, do you know what I mean? Come | :41:35. | :41:43. | |
on, Sue, into the arms of Anton du Beke. Now, you're going to start | :41:44. | :41:48. | |
with this foot over here, and you are going to go, one, two, three, | :41:49. | :41:51. | |
four... CHEERING | :41:52. | :42:24. | |
Thank you very much! Thank you, Katie, it is the rumba for you two | :42:25. | :42:32. | |
tomorrow. She might have vertigo! How has training gone? We have had a | :42:33. | :42:36. | |
lovely week, I sort of surprised myself, I really enjoyed this. I | :42:37. | :42:47. | |
know... He says you have definitely got the legs for a rumba. You are | :42:48. | :42:51. | |
pleased with this one. It is a really classical rumba, it is not | :42:52. | :42:57. | |
all bump and grind, we went for something classy and sophisticated. | :42:58. | :43:01. | |
I wanted to work very strongly on technique and leg action, because | :43:02. | :43:06. | |
you have got the best legs. Feeling a little exposed now! I think it has | :43:07. | :43:12. | |
come off wonderfully, Katie has done a tremendous job, it is really | :43:13. | :43:16. | |
stylish, showing strong technique in the rumba. Fingers crossed! Can't | :43:17. | :43:25. | |
wait! It will be emotional. Fingers crossed you get to go to Blackpool, | :43:26. | :43:37. | |
Katie and Anton! Are you all right, Sue? She has just about pulled it | :43:38. | :43:39. | |
back! The EastEnders cast | :43:40. | :43:41. | |
have always given their all when it comes to a super | :43:42. | :43:43. | |
Children In Need dance. This year they have a humdinger | :43:44. | :43:46. | |
in store for you. Today we are housing the big dance | :43:47. | :43:59. | |
for Children in Need by the cast of EastEnders. -- we are rehearsing. It | :44:00. | :44:05. | |
is like Fred Astaire and Ginger Rogers. It is very glitzy and | :44:06. | :44:11. | |
glamorous, you do not see that much an EastEnders. I am so excited about | :44:12. | :44:19. | |
it, I really am! Shona is a dark horse, she has got some tricks up | :44:20. | :44:25. | |
her sleeve. They are saying, graceful, arms, head, not popping | :44:26. | :44:31. | |
and locking. Seeing Harry dancing is hilarious, he has been doing it in a | :44:32. | :44:43. | |
bobble hat. I think Bonnie is just fantastic! It is lovely to get to | :44:44. | :44:48. | |
dance with some people that I don't even do seems with. I love this | :44:49. | :44:52. | |
routine, because I get the chance to be lifted in the air by some lovely | :44:53. | :45:02. | |
men! Trying to get the move right and my feet right is difficult. | :45:03. | :45:09. | |
These guys do it so easily and I'm, no, I can't do it. I've a cheeky tap | :45:10. | :45:18. | |
number. I get flipped upside down! You're the final piece that is going | :45:19. | :45:24. | |
to look pretty spectacular. To do something for Children in Need is | :45:25. | :45:29. | |
fantastic opportunity. I'm looking forward to it. Looks incredible. I | :45:30. | :45:39. | |
can't wait. It has been back to Elstree where Joanne is putting on | :45:40. | :45:43. | |
the glitz in wardrobe. This week we're puttin' on | :45:44. | :45:48. | |
the glitz live from Vicky's Gill's | :45:49. | :45:50. | |
second home here in wardrobe. What have you got in store | :45:51. | :45:52. | |
for us this week? This is Jeanette's dress. I'm so | :45:53. | :46:01. | |
jealous of this dress I wanted to get married in it. Janet sees it as | :46:02. | :46:09. | |
a princess dress. It looks like one. I love the skirt. Obviously Jeanette | :46:10. | :46:18. | |
is so petite we have to be careful it doesn't take her over. I'm taking | :46:19. | :46:23. | |
that dress. This is Karen's dress for their quickstep. It is so full | :46:24. | :46:31. | |
of crystals. The pros are getting their fair share of crystals. It is | :46:32. | :46:37. | |
jam packed. Is it to do with the dance? Yes they're Going | :46:38. | :46:44. | |
Underground. They're in a diamond mine. Very serious. I can't... What | :46:45. | :46:51. | |
is Zoe wearing? I don't know. What do you want? All right let's move on | :46:52. | :46:58. | |
to this. This is stunning. This is Katie's dress for her rumba. Yes. | :46:59. | :47:05. | |
Tell me about the fabric. This is one of my favourites. We have smooth | :47:06. | :47:11. | |
velvet on the base and lots of stretch so it there be lots of | :47:12. | :47:16. | |
movement. We have crystals around the bust and the neck and we have | :47:17. | :47:23. | |
red running down the back. We may have crystals tomorrow. It is the | :47:24. | :47:28. | |
kind of Latin dress I like. Very high split. And very classy. Hello. | :47:29. | :47:36. | |
We have Jeanette here. I'm jealous of your dress. I love my dress. It | :47:37. | :47:41. | |
is so beautiful. I love my dresses every week. Let's look at it again. | :47:42. | :47:46. | |
I think I get to be lucky every week. I love my dresses. I walk in | :47:47. | :47:54. | |
every Friday and I go, I love it! I'm letting you know that you're | :47:55. | :47:59. | |
going to dance once in that and I'm going to take it home. That is fine. | :48:00. | :48:04. | |
I will take it back. Thank you so much. I can't wait to see the show. | :48:05. | :48:07. | |
Back to you Zoe. Thank you, Jo. If you're hungry for more | :48:08. | :48:14. | |
backstage gossip, then click on our website | :48:15. | :48:16. | |
and sign up to the Strictly Mail. Harry Judd, Sophie Raworth | :48:17. | :48:19. | |
and Richard Osman! This week their doing a tango. Harry | :48:20. | :48:44. | |
you were brilliant at it. Is Helen good? Yes, she is one of my | :48:45. | :48:49. | |
favourites and looking like she is nailing it. Sharp lines. Is she down | :48:50. | :48:55. | |
in the knees enough? I won't get too technical, but she is looking great | :48:56. | :49:01. | |
and she is one of my favourites. Sophie do you watch Call The | :49:02. | :49:06. | |
Midwife? A bit. A bit? It is the opening titles and then... The end | :49:07. | :49:14. | |
titles. What do you think of Helen? She has been beautiful from the | :49:15. | :49:17. | |
start and she is so e-Gant and a fan it is a is the -- elegant and a | :49:18. | :49:24. | |
fantastic dancer. Richard is she a dark horse and could she win. Harry | :49:25. | :49:30. | |
said she is doing a modern song Hold Back the River. You said a votes | :49:31. | :49:35. | |
went down with a modern song. We were never aware of how many votes | :49:36. | :49:41. | |
we got. But I felt the music was important in connecting with the | :49:42. | :49:46. | |
dance and the audience. You're hearing it all week and you have got | :49:47. | :49:50. | |
to enjoy the experience. That comes across. Are you a traditionalist? I | :49:51. | :49:56. | |
found out I was. I didn't know. It first I thought I wanted to do the | :49:57. | :50:02. | |
Latin stuff. Do you think doing a tango to modern music is difficult? | :50:03. | :50:08. | |
I would not have the first clue. Thank you for your honesty. Let's | :50:09. | :50:15. | |
say yes. Now Katie and Anton who were very excited about their rumba. | :50:16. | :50:21. | |
We have seen her out-Fitna looks stunning. -- her out fit, that looks | :50:22. | :50:32. | |
stunning and they're dancing to Shirley Bassey. Never, never, never. | :50:33. | :50:40. | |
It is a slow build up. She is brilliant and classy and beautiful | :50:41. | :50:43. | |
and dances beautifully. It has got to happen. And in a dress like the | :50:44. | :50:46. | |
one she is wearing tomorrow, I think tomorrow's going to be her night. | :50:47. | :50:53. | |
Harry, did you like the rumba? It is a tough one for the men and Katie's | :50:54. | :50:57. | |
obviously got the hip action. That is the hard bit. Also slowly, | :50:58. | :51:03. | |
because it is under the microscope. If you're doing a fast dance you can | :51:04. | :51:09. | |
kind of get away it. The slower the harder. She looks like she is on the | :51:10. | :51:15. | |
way. Do you like the rumba Richard? I would have called rumba. I will | :51:16. | :51:24. | |
take it on, if Harry says rumba I say rum banana I love Anton he has | :51:25. | :51:30. | |
been a star on the show. He is to me like Fulham, he has never won | :51:31. | :51:33. | |
anything, but I would love him to. Maybe this year. Now Jay and Aliona, | :51:34. | :51:46. | |
a foxtrot to Sam Smith's Lay Me down. He has been consistent, but | :51:47. | :51:51. | |
they want more emotion from him. What do you think? He looks fairly | :51:52. | :51:55. | |
emotional there. It is hard to be in a boy band and come on Strictly. | :51:56. | :52:05. | |
They never do well. You would have to be a spectacular human being to | :52:06. | :52:11. | |
combine the two. He is very good and let's see in a while. I loved his | :52:12. | :52:17. | |
nerves at st start. He was so scared. He has built on that. Harry, | :52:18. | :52:24. | |
how do you get the emotion through. You're not used to doing that. I was | :52:25. | :52:30. | |
always behind the drums. I found the nerves I could hide behind the | :52:31. | :52:34. | |
character in the dance. That is my way of hiding the nerves and | :52:35. | :52:39. | |
focussing on the performance. I think watching Jay, he looks | :52:40. | :52:43. | |
effortless. It almost, that maybe come across like he is not | :52:44. | :52:46. | |
performing as much as people are saying. I think he is effortless and | :52:47. | :52:52. | |
brilliant to watch. How do you bring emotion out in a foxtrot? It is not | :52:53. | :53:00. | |
like the Charleston and the tango. That was the hardest bit. The | :53:01. | :53:04. | |
adrenaline and everything feels so slow and you're so aware of every | :53:05. | :53:08. | |
movement and the audience are there and the judges and you're freaking | :53:09. | :53:11. | |
out, but trying to concentrate on your steps and you feel Auk toward | :53:12. | :53:17. | |
and your -- awkward and your lips get stuck in your mouth. Don't put | :53:18. | :53:22. | |
Richard off. It sounds great. The timing it hard, but he likes like he | :53:23. | :53:29. | |
has got it down. Anyone liking Jay in the audience? Quite popular. | :53:30. | :53:42. | |
Kellie and Kevin are doing a Samba to Boom Boom Shame The Room. Watch | :53:43. | :53:52. | |
him go, Kev. Go on Kev! They're embracing this whole theme and going | :53:53. | :53:56. | |
from being in the one of two, do you think this could be a dance that can | :53:57. | :54:01. | |
see them higher up? . It was a shocker they were in the bottom two. | :54:02. | :54:06. | |
They're both very popular and the fact they're in the bottom two means | :54:07. | :54:09. | |
people will vote for them. There is no way they will be in the bottom | :54:10. | :54:14. | |
two this week. Richard Osman said so. What will you do if they're in | :54:15. | :54:22. | |
the bottom two? He can do Strictly? Yeah. I will happily come back and | :54:23. | :54:30. | |
two strictly it takes Two. That is me out of a job. What do you think? | :54:31. | :54:35. | |
I am shocked they were in the dance off. I feel for them, they must be | :54:36. | :54:40. | |
so nervous having to go back and do it again. But they're both | :54:41. | :54:43. | |
brilliant. Were you in a dance off Harry? No, but I think... There | :54:44. | :54:50. | |
wasn't a dance off in my year. They changed it. It can be a catalyst for | :54:51. | :54:57. | |
some. Alina Dixon was in the dance off. First I am asking who is not | :54:58. | :55:02. | |
getting on the bus to Blackpool and is going home on Sunday? Oh no. Such | :55:03. | :55:10. | |
a horrible question. I will say they're all brilliant. Statistically | :55:11. | :55:23. | |
Helen. Who will win? Harry? Jay and Aliona or Georgia. And Giovanni. I | :55:24. | :55:31. | |
want Anton. Jamelia and Tristan. But if it doesn't happen I'm around. | :55:32. | :55:37. | |
Harry, Sophie and Richard. This a almost it. Thank you to all our | :55:38. | :55:42. | |
wonderful guests, enjoy Children in Need and give generously and watch | :55:43. | :55:46. | |
Strictly tomorrow and I'm back on Monday. The couple to be Elim | :55:47. | :55:55. | |
eliminated will be here. To play us out it is Il Divo. | :55:56. | :59:03. | |
Tonight, BBC Children In Need and Star Wars | :59:04. | :59:08. | |
are joining forces to take you to a galaxy far, far away. | :59:09. | :59:13. | |
I just got word from the BBC. They have a task for you. | :59:14. | :59:17. |