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Gop one two and up. We're going to use our backs. | :00:18. | :00:34. | |
Live from London, this is Strictly: It Takes Two! Please welcome your | :00:35. | :01:22. | |
host, Zoe Ball. Hello and welcome to Strictly: It | :01:23. | :01:33. | |
Takes Two. We are with you life for the next half-hour. Exciting stuff. | :01:34. | :01:38. | |
Tonight we will be catching up with Katie and Anton, talking about their | :01:39. | :01:42. | |
beautiful rumba last week. Vicky Gill will be giving us the gossip | :01:43. | :01:48. | |
this weekend. The first time this series, the legendary ballet beauty | :01:49. | :01:54. | |
judged Darcey Bussell is here. Russell will be getting up close and | :01:55. | :02:03. | |
personal with dancers Ginette and Natalie. Santa has come early, the | :02:04. | :02:07. | |
Strictly Christmas line-up has been revealed and we will be taking a | :02:08. | :02:15. | |
closer look. First up, let's see how I need and Peter are getting on. -- | :02:16. | :02:23. | |
how Anita and Peter are getting on. I love the feel of this dance, the | :02:24. | :02:27. | |
aggression and the passion. I spent a lot of time on the floor on this | :02:28. | :02:34. | |
dance, sliding around on my bottom. I think I'll be bruised and battered | :02:35. | :02:39. | |
before the week is out, for sure. You OK? I want to be able to do the | :02:40. | :02:49. | |
best paso I can do and a paso that everybody watching will never | :02:50. | :02:54. | |
forget. The jive is very fast paced, which I love, but there is a knot of | :02:55. | :03:00. | |
-- a lot of footwork. You can't just get the moves, you've got to get | :03:01. | :03:05. | |
them right. When I get it, it's going to be great! There's a lot to | :03:06. | :03:13. | |
learn. No, it's a step on six. This one is completely different, it's | :03:14. | :03:20. | |
down, up, down, up, head down... Oh! I aim to try and put all these bits | :03:21. | :03:24. | |
together for this weekend. I'm looking forward to it. Well done, | :03:25. | :03:31. | |
Peter. Fingers crossed. My head is still spinning from Anita hitting | :03:32. | :03:35. | |
her head on the floor! Next up, she's going to help all the couples | :03:36. | :03:40. | |
illuminate the strictly dance floor like Blackpool Tower this weekend. | :03:41. | :03:49. | |
It's Vicky Gill, everybody! We've missed your giggle in the studio for | :03:50. | :04:01. | |
the last couple of weeks. Your back. Strictly on tour, very exciting. | :04:02. | :04:05. | |
What kind of added nightmares does this bring to you? It's just a lot | :04:06. | :04:09. | |
very early on but they've done brilliantly. Big shout out for | :04:10. | :04:14. | |
everybody working on the team. Such sterling work. We've got so much to | :04:15. | :04:22. | |
get through. This is Katie's dress for the weekend in Blackpool. This | :04:23. | :04:26. | |
is an absolutely stunning dress. By the way, her dress last week was | :04:27. | :04:30. | |
incredible. One of your favourites, I'm not surprised. What can you tell | :04:31. | :04:35. | |
us about this beauty? With our lovely Katie and and and, they are | :04:36. | :04:41. | |
doing a ballroom number. We've been playing with the hemline of the | :04:42. | :04:47. | |
skirt. This is going up about two thirds of the skirt. That's almost a | :04:48. | :04:55. | |
bird! Serious feathers. We have mixed three ply boa. You've gone | :04:56. | :05:05. | |
crazy! Because she's so tall and lovely, she can take that break. | :05:06. | :05:13. | |
Crystals running through... The top line is not finished off at the | :05:14. | :05:16. | |
moment because we're going to fit it tomorrow and then we've got Crystal | :05:17. | :05:20. | |
Springs running around the back. So there will be a change, but | :05:21. | :05:23. | |
essentially this is it. I can't wait! This is Helen's Charleston | :05:24. | :05:29. | |
outfit. What is the inspiration behind this one? We're going to see | :05:30. | :05:37. | |
many Helens on the floor at the weekend! The colour was from hell, | :05:38. | :05:41. | |
we had a chat last week and for Blackpool we had a bit more time in | :05:42. | :05:45. | |
preparation, so we've tried to grant colours where we can. It's not a | :05:46. | :05:49. | |
typical Charleston dress but that's what they're going to be doing. | :05:50. | :05:53. | |
We've made sure we've got lots of fringe on the bottom. Lots of | :05:54. | :05:57. | |
ruffles, lots of wire through the ruffles. Just a bit fun really. | :05:58. | :06:02. | |
She's had a haircut, it looks amazing. We are moving on to | :06:03. | :06:12. | |
Janette's jive. Serious amounts of fringing is going on here. 45! There | :06:13. | :06:20. | |
will be loads of movement. We may trim it down when we get to fittings | :06:21. | :06:25. | |
but we won't lose a length. Very vibrant. I'm not sure it would have | :06:26. | :06:31. | |
been a keynote colour but the group colour requires lots of primary | :06:32. | :06:34. | |
colours so that is why we have yellow. Lots of movement, lots of | :06:35. | :06:41. | |
sparkle and lots of fun really. Is he going to be wearing yellow? I do | :06:42. | :06:48. | |
hope so! He would die! This is Anita's paso doble a outfit. You | :06:49. | :06:55. | |
can't always request the colours but Anita did and she will be happy to | :06:56. | :07:01. | |
know we said yes. We have some wide mesh over a base on the top. | :07:02. | :07:05. | |
Crystals running through the whole thing to her top hip line. Pleated | :07:06. | :07:13. | |
satin skirt and a long crystals it detailed down the back. It may | :07:14. | :07:20. | |
change slightly by Saturday. Baby news, good luck to one of the girls | :07:21. | :07:27. | |
on the team who is having her baby very soon. | :07:28. | :07:30. | |
CHEERING The coach to Blackpool is waiting | :07:31. | :07:37. | |
for you outside, Vicky. Off you go, bonfire | :07:38. | :07:41. | |
-- off you go, bon voyage. We are live from the home of ballroom as | :07:42. | :07:54. | |
strictly geared up to rock Blackpool. West life's Shane Filan | :07:55. | :08:04. | |
and Nadine Coyle perform a stunning duet live in the studio. | :08:05. | :08:08. | |
Thank you, hot lips. Craig called my next guest rumba and a bit | :08:09. | :08:17. | |
melodramatic. Don't worry, he's just a rebel without a cause. It's Kate | :08:18. | :08:19. | |
and Anton. Welcome Katie and Anton! I'm so | :08:20. | :08:42. | |
excited I'm clapping myself! Why not? New look sensational on | :08:43. | :08:45. | |
Saturday. Vicky was saying it was one of her favourite frocks. You | :08:46. | :08:52. | |
wore it so well. You said you were concentrating on the technique and | :08:53. | :08:56. | |
it certainly paid off. I was thrilled, I was so pleased. I was so | :08:57. | :09:00. | |
thrilled that the judges made such nice comments because we had worked | :09:01. | :09:06. | |
so hard on making it look classy and classic and sophisticated and really | :09:07. | :09:13. | |
being in the moment. Katie pulled it off and I was absolutely delighted | :09:14. | :09:16. | |
that the judges were really positive about it. I was so proud and | :09:17. | :09:21. | |
thrilled with Katie. It's such a difficult dance, such a revealing | :09:22. | :09:29. | |
dance. Especially in that dress! Did you enjoy it? You look like you were | :09:30. | :09:36. | |
loving it out there. I really did. This week I just thought you know | :09:37. | :09:40. | |
what, this is the most fantastic experience, a dance I've loved | :09:41. | :09:44. | |
learning. I thought you know what, I'm just going to go out there and | :09:45. | :09:49. | |
love it, and I did. Did you enjoy the passion? Look at you dancing | :09:50. | :09:56. | |
with Anton. Look at those legs! And back she goes. Go on, touch the | :09:57. | :10:08. | |
floor! Not many people can do that. Katie, did you enjoy that passionate | :10:09. | :10:13. | |
side to it? Yeah, it was great. You've absolutely got to go for it | :10:14. | :10:26. | |
in the rumba. As you put it pithily, no one wants to see us bump and | :10:27. | :10:31. | |
grind. How do the points help you? It is lovely when you get a bit of | :10:32. | :10:36. | |
recognition for doing a nice job. You tell yourself if it doesn't go | :10:37. | :10:42. | |
well, never mind we enjoyed it. It's lovely when the judges like it! You | :10:43. | :10:50. | |
worked so hard for that. Did your husband and the girls enjoy it? What | :10:51. | :10:55. | |
did they think? I thought they might have been hiding behind the sofa but | :10:56. | :10:59. | |
they were chuffed to bits. John was sitting there in the front row like | :11:00. | :11:05. | |
this! When you're dancing that close to someone's wife... Izod, just | :11:06. | :11:10. | |
stand over there a bit further away... It's your husband! Carreon | :11:11. | :11:20. | |
ignore that... This week you are after Blackpool with this man in the | :11:21. | :11:25. | |
dress we have just seen. It might be the best weekend you've ever had in | :11:26. | :11:30. | |
your life! Well, after getting married! What can you tell me about | :11:31. | :11:39. | |
the American... -- the American smooth. It's doing the American | :11:40. | :11:46. | |
smooth in Blackpool, with Anton. He does love and American smooth. This | :11:47. | :11:54. | |
is the music. What are you finding the hardest thing about this dance | :11:55. | :11:59. | |
to master? It's been pretty much a joy from start to finish. I've got | :12:00. | :12:04. | |
lots of boys to dance with. Several! LAUGHTER | :12:05. | :12:13. | |
So four more pro-boys to dance with. I'm looking forward to having | :12:14. | :12:17. | |
a bit more rehearsal with them tomorrow. We just haven't had much | :12:18. | :12:26. | |
chance to practice. This is what you dream of that night, isn't it, | :12:27. | :12:32. | |
Anton? Brush my teeth, top hat on, lovely! My toothbrush is a cane with | :12:33. | :12:39. | |
a bit of brush on the end! I can so believe that! Sometimes in the | :12:40. | :12:43. | |
changing room Anton forgets he has a partner. Anton has been working out | :12:44. | :12:49. | |
the routine and I have been standing around trying to be helpful. | :12:50. | :12:58. | |
If you're enjoying yourself, why stop him? I love it when your hair | :12:59. | :13:21. | |
goes like that! When Anton is slightly undone, I love that. We all | :13:22. | :13:26. | |
talk about how exciting that is. As a dancer, that sprung floor can do | :13:27. | :13:31. | |
you have two choreographed it especially because it gives you that | :13:32. | :13:34. | |
extra bounce? You didn't tell me about that! I wanted to save a bit | :13:35. | :13:41. | |
of magic! Because it's a much bigger room and you've got more tee is -- | :13:42. | :13:51. | |
more tiers and it's just a wonderful and the sphere. You sweep across the | :13:52. | :13:57. | |
floor and the crowd goes mad and everyone is singing and clapping | :13:58. | :14:01. | |
their arms and everyone is going at the right time. And I am in a top | :14:02. | :14:05. | |
hat and the boys go like! It will be an absolute standout. | :14:06. | :14:21. | |
Good luck with it. Anton, stick around, I need to borrow your | :14:22. | :14:24. | |
services to joke about the Christmas line-up. Oh really? Blackpool is | :14:25. | :14:32. | |
bringing out the childlike wonder in our strictly stars. IN CHILDREN'S | :14:33. | :14:44. | |
VOICES: Strictly is like a disco. Sometimes it makes me feel busy. I | :14:45. | :14:51. | |
get to stay up past my bedtime. This is my paso doble face. In Blackpool | :14:52. | :14:59. | |
there is a big tower. There's donkeys and ice creams. I'm excited | :15:00. | :15:05. | |
to go because I've never been there before. How cute is that! | :15:06. | :15:14. | |
Strange, but cute. Anton, you have laid the Christmas table. You are | :15:15. | :15:20. | |
here because the Christmas line-up has been revealed. I need your | :15:21. | :15:24. | |
expert opinion on our dance is. Do the honours. Our first contestant is | :15:25. | :15:34. | |
Mr Harry Judd. He won in series nine with Aliona. He will be dancing with | :15:35. | :15:38. | |
Joanne Clifton. What was so good about him? He was super. He had such | :15:39. | :15:44. | |
quality about his dancing. He finished everything so well. There | :15:45. | :15:50. | |
was never a hint that he was going to do wrong. He had great timing. | :15:51. | :15:57. | |
What dance are they doing? We don't know. Well, he will be smart. Next, | :15:58. | :16:06. | |
we have Abbey Clancy. She is back. She came first in series 11, dancing | :16:07. | :16:12. | |
with Aljaz. This time, she is with Brendan Cole. How will that be for | :16:13. | :16:21. | |
her? Frightening! Exciting. Brendan will not know what hit him. She was | :16:22. | :16:25. | |
the most beautiful ballroom dancer apart from Katie Derham that we have | :16:26. | :16:31. | |
ever had. I hope they do ballroom. Let's turn over another one. I am so | :16:32. | :16:41. | |
glad she is coming back, Alison Hammond. This time, she is dancing | :16:42. | :16:45. | |
with Robin Windsor. What do you think of them? That will be the most | :16:46. | :16:51. | |
camp thing you have ever seen. I hope they do salsa or cha-cha. She | :16:52. | :16:59. | |
can smash it up. Turn another one for me. It is Cassidy little. He is | :17:00. | :17:11. | |
dancing in the Christmas special with Natalie. They got full marks | :17:12. | :17:15. | |
for the paso doble. Will it be an advantage for him to dance with the | :17:16. | :17:19. | |
same partner? It will be lovely, because it will be familiar, but he | :17:20. | :17:23. | |
only danced one dance before, whereas the others have loads of | :17:24. | :17:29. | |
experience. I am sure there will have a great time. He was super | :17:30. | :17:33. | |
duper. It will be a tough competition. Two more to go. She is | :17:34. | :17:40. | |
coming back, Lisa Snowdon. That is awkward, she danced with Brendan. It | :17:41. | :17:46. | |
is all swapping. Lisa got incredible scores, 44 her quickstep, foxtrot | :17:47. | :17:52. | |
and cha-cha. This time, she is dancing with Pasha. Could she get | :17:53. | :17:57. | |
the trophy? Dancing with the hands Pasha? They will be very high on the | :17:58. | :18:02. | |
leaderboard -- with the handsome Pasha. If she can still remember the | :18:03. | :18:09. | |
moves. Finally, we have Mr Tom Chambers! He won series six. He is | :18:10. | :18:25. | |
dancing with Oti Mabuse. How will he didn't? It was a long time ago that | :18:26. | :18:30. | |
he was on the show. He has been busy doing various things and lots of | :18:31. | :18:33. | |
shows with bouncing in them. He will be stylish. I remember his show | :18:34. | :18:44. | |
dance the year he won. Thanks for doing this with me. I can't wait. | :18:45. | :18:48. | |
Good luck in Blackpool, darling. Now, I have a file on all the | :18:49. | :18:53. | |
professional dancers' past. The things I know about this man! Time | :18:54. | :18:57. | |
to do delve into the filing cabinet for Janette and Natalie. Hello! I | :18:58. | :19:05. | |
got us biscuits. The pink ones are the best. What was your big break? | :19:06. | :19:17. | |
You were a banker? I was a banker! Did you ever think you would crack | :19:18. | :19:22. | |
dancing professionally? I knew I loved performing, singing and | :19:23. | :19:27. | |
dancing and acting, but music touched me more than anything else. | :19:28. | :19:32. | |
It was hard for us in Miami. So I started working full-time as a | :19:33. | :19:36. | |
banker, because I have always been good with numbers. But I had this | :19:37. | :19:40. | |
gut feeling that this wasn't it for me, that there was something is | :19:41. | :19:45. | |
coming. I never knew what it was, but I felt, this isn't it. I did an | :19:46. | :19:49. | |
audition for so you think you can dance. And I got the job. When you | :19:50. | :19:56. | |
are passionate about something and it resonates within you, you shine | :19:57. | :20:07. | |
naturally. You are my favourite. What were you like as a kid? Were | :20:08. | :20:12. | |
you girly? Did you like dresses and make up? I was really sporty, and | :20:13. | :20:18. | |
girly. A little bit one of the boys, because my dad was a mechanic. I | :20:19. | :20:22. | |
would doing grease and oil changes and helping dad clean the car. I | :20:23. | :20:26. | |
didn't love school, because I was bullied as a child. The thing that | :20:27. | :20:31. | |
kept me in school was my teachers and sport. I loved athletics. I | :20:32. | :20:35. | |
loved the hundred metre sprint, high jump, long jump. Have I not been | :20:36. | :20:40. | |
introduced to the dancing world, I would be doing some form of | :20:41. | :20:45. | |
athletics. Amazing. So you did dancing with the stars in Australia, | :20:46. | :20:49. | |
but how did you transition to the UK? Did you have to audition? I was | :20:50. | :20:56. | |
introduced to try out for the UK or the USA, and I decided to come here. | :20:57. | :20:59. | |
I love the tradition with Len Goodman and Bruce. Here is where it | :21:00. | :21:04. | |
originated. So I came over here for eight hours. I didn't know the train | :21:05. | :21:09. | |
system. I missed my meeting, which was really bad. But they saw me in | :21:10. | :21:16. | |
the afternoon. So you flew in for eight hours and missed the meeting. | :21:17. | :21:20. | |
Better late than never. I want to know what during | :21:21. | :21:29. | |
saturation with these are. -- your infatuation. Why do you need to have | :21:30. | :21:33. | |
one of these every day with at least one of your meals? The Cuban dish | :21:34. | :21:39. | |
has a very popular side dish, all based on bananas. I grew up having | :21:40. | :21:43. | |
that as a side dish with pretty much every meal. It is officially my | :21:44. | :21:50. | |
favourite dessert, a banoffee party. Oh, wow! -- banoffee pie. I was | :21:51. | :21:57. | |
like, why did I not have this before in my life? If it is on the menu, I | :21:58. | :22:03. | |
will have it. I cannot believe they eat cheesecake | :22:04. | :22:12. | |
and banoffee pie, they are tiny. Now, she brings girl power to the | :22:13. | :22:15. | |
judges' panel and has to sit between Craig and Len. For that, we can only | :22:16. | :22:21. | |
apologise. It is the gorgeous Darcey Bussell! We were thinking about | :22:22. | :22:28. | |
laying a red carpet for you. How much are you enjoying this series? | :22:29. | :22:32. | |
This season is extraordinary. You would never imagine that each season | :22:33. | :22:38. | |
could get better, but it has. The standard is incredible. For me, I | :22:39. | :22:41. | |
love the excitement that Strictly always brings to the autumn months | :22:42. | :22:48. | |
and winter. It is a joy. I love putting on the bling and smiling and | :22:49. | :22:52. | |
trying to be positive and get the best out of them. You always find | :22:53. | :22:56. | |
something positive to say. Interestingly, the judges' scores | :22:57. | :23:00. | |
can vary dramatically, and this weekend you scored less than Craig | :23:01. | :23:09. | |
for Kellie and Kevin. How do you decide what you are going to score | :23:10. | :23:15. | |
them? With this couple, she is one of the strongest celebrity girls. | :23:16. | :23:18. | |
Have you seen how strong her Cory 's? It is amazing, the muscles. She | :23:19. | :23:26. | |
is so compact. This was a fusion of styles, even more than we have had | :23:27. | :23:32. | |
in the past. To have street dance and hip-hop, and then to have the | :23:33. | :23:39. | |
samba, it just didn't moult. I couldn't handle it. It was the | :23:40. | :23:44. | |
moulding together that didn't work. I have seen a lot of street dance | :23:45. | :23:49. | |
and hip-hop and have even judged it, and it is that weird thing where, to | :23:50. | :23:55. | |
wear high heels and do street dance, you don't do that. It was so | :23:56. | :23:58. | |
impressive that she even attempted it. It just looked odd. A lot of the | :23:59. | :24:03. | |
celebrity girls have to get those heels on sooner. She just didn't | :24:04. | :24:08. | |
look comfortable. They have got to go into rehearsals from nearly day | :24:09. | :24:13. | |
one, when they start learning the choreography, to get used to wearing | :24:14. | :24:20. | |
heels. Do you ever argue with the other judges about their scoring? | :24:21. | :24:29. | |
Sometimes we see you looking at each other after the cameras cut away. It | :24:30. | :24:35. | |
is weird. We all presume each other will like something because of | :24:36. | :24:39. | |
something. And then sometimes we surprise each other and go, why did | :24:40. | :24:43. | |
you do that? I would have thought you would have said this. But it | :24:44. | :24:50. | |
doesn't happen often. We do have quite a good chat! I love watching | :24:51. | :24:57. | |
you have a gossip. I wish I could lip read. You do look like you have | :24:58. | :25:02. | |
a great time. What is the best thing about being a judge on Strictly? For | :25:03. | :25:07. | |
me, it is being part of a company again. It is a bit cliched, but it | :25:08. | :25:12. | |
is a happy family. I have been brought up with that. All my life, I | :25:13. | :25:16. | |
have been in a large company, working with a lot of dancers, | :25:17. | :25:21. | |
aiming to get a great show on. It is lovely to be part of that again and | :25:22. | :25:25. | |
I love this group. Everybody who works on Strictly, from wardrobe to | :25:26. | :25:31. | |
the stage crew and lighting, it is amazing, the effort that goes into | :25:32. | :25:36. | |
it. I am so lucky to be part of this and to produce an amazing West End | :25:37. | :25:41. | |
show. And I get to watch it. Front row seats. What do you think about | :25:42. | :25:48. | |
our new professionals, Giovanni and Gleb? They definitely bring an edge. | :25:49. | :25:54. | |
They bring good looks as well, which is helpful. They have not revealed | :25:55. | :26:02. | |
themselves totally yet. That is another perk of being a judge on the | :26:03. | :26:08. | |
show. There are lots of bonuses. They do bring the level up for the | :26:09. | :26:12. | |
other professionals. They all work so hard, but when you get new blood | :26:13. | :26:18. | |
in, it brings everybody else up. It gets a bit more competitive. People | :26:19. | :26:23. | |
are more creative choreographic Lee. You can see their mind ticking over | :26:24. | :26:28. | |
and working harder. Although, how could they work harder? We have lots | :26:29. | :26:33. | |
of questions from viewers. Emily wants to know, if you're dance | :26:34. | :26:36. | |
partner was one of your fellow judges, which one would it be and | :26:37. | :26:42. | |
why? You don't want to get into trouble here. I have nearly come | :26:43. | :26:48. | |
close to being partnered by Craig professionally, because he has also | :26:49. | :26:56. | |
choreographed things on shows by friends of mine. I suppose he would | :26:57. | :27:00. | |
be the most natural physical match. I would love to work with Bruno | :27:01. | :27:09. | |
because he is so alive. It would be so edgy. Len would be so comp entry | :27:10. | :27:21. | |
and he would be the best in rehearsal time on getting it right. | :27:22. | :27:30. | |
I suppose Craig. Jessica says, what has been your favourite dance of the | :27:31. | :27:37. | |
series so far? That is so hard. My favourite has-been Jay's jive. It | :27:38. | :27:47. | |
was incredible. Obviously, the technique. How precise and keen he | :27:48. | :27:51. | |
is, but how cool it was. It wasn't the ponytail, that put me off a | :27:52. | :27:56. | |
bit. But it was how and assuming he is. And it was just cool and calm, | :27:57. | :28:02. | |
but everything was going for it underneath. The style was perfect, | :28:03. | :28:06. | |
the way they set the film up, everything. Very quickly, Alice, who | :28:07. | :28:15. | |
is 12, says, what is your top tips for beginners starting? Don't start | :28:16. | :28:21. | |
to sing and break your point shoes in the right place. You don't want | :28:22. | :28:25. | |
to put them on brand-new, because they are like blogs. You have to get | :28:26. | :28:31. | |
them into your hands and work them. They do this with ballroom shoes. | :28:32. | :28:36. | |
Soften them, not too much, just at the top. Thank you, Darcey. Enjoy | :28:37. | :28:44. | |
Blackpool this weekend. Lovely to see you, Darcey Bussell! Tune in | :28:45. | :28:51. | |
tomorrow at the earlier time of six. Louis Smith, Mel Giedroyc and Louise | :28:52. | :28:54. | |
Redknapp will be our Friday panel. See you then. Good night. | :28:55. | :29:02. |