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Live from London, this is Strictly: It Takes Two. | :00:44. | :00:46. | |
Hello and welcome to your Wednesday edition of It Takes Two. | :00:47. | :01:01. | |
We have a jam-packed show for you, my friends, so come join the party. | :01:02. | :01:05. | |
In our glittering green room tonight we've got Helen and Aljaz and Jay | :01:06. | :01:09. | |
We are still waiting for Helen to turn up! | :01:10. | :01:18. | |
With Blackpool just days away, tonight Ian Waite takes | :01:19. | :01:20. | |
an exclusive first look at all of our couples in training in the | :01:21. | :01:24. | |
But first, they opened the show last weekend and quickstepped | :01:25. | :01:33. | |
Alert! Anita, show me your hands! Tell me what happened. Is it his | :01:34. | :02:06. | |
fault? I got him back! I have a scar here. He's not stopped crying about | :02:07. | :02:11. | |
it. It is not - the headline is, it is not broken. The headline, it is | :02:12. | :02:17. | |
not broken. How did it happen? She was going through my legs and she | :02:18. | :02:23. | |
didn't close her thumbs... My thumbs ended up down here. Don't! You did | :02:24. | :02:28. | |
go to the hospital. Let's see what happened. There is no margin for | :02:29. | :02:32. | |
error or anything to go wrong, so I need to get this x-rayed to make | :02:33. | :02:37. | |
sure that it's still useable. The x-ray is clear. Excellent. It is not | :02:38. | :02:44. | |
broken? No. Gleb, you are one lucky man! What lovely metatarsals you | :02:45. | :02:53. | |
have(!) Is it going to be alright for the weekend? It will have to be. | :02:54. | :02:57. | |
The thing is, every single one of us have had some sort of injury. Yeah. | :02:58. | :03:02. | |
This feels like, oh yes, this is nothing compared to what my ribs | :03:03. | :03:06. | |
were doing in Week 3, or the fact my hamstring went. It doesn't matter. | :03:07. | :03:10. | |
You are talking like a dancer, it's a mere flesh wound! If you need a | :03:11. | :03:14. | |
plaster, Gleb, we can get some. Let's go back to Saturday night. And | :03:15. | :03:17. | |
another winning performance from the two of you. This was absolutely | :03:18. | :03:22. | |
beautiful. Look at you out there. The judges were full of praise for | :03:23. | :03:26. | |
you. Wonderful. And very complimentary about how consistent | :03:27. | :03:29. | |
you are. Starting this competition, having never been to stage school, | :03:30. | :03:34. | |
having never done any dancing, are you starting to feel like a dancer? | :03:35. | :03:39. | |
I don't know. It's really hard to say. Yeah, I'm a... Say yes! Yes! Am | :03:40. | :03:49. | |
I getting better? You are right, I entered Strictly with zero, nothing, | :03:50. | :03:54. | |
like, what, I don't know. Week on week, the fact that Gleb said to me, | :03:55. | :03:59. | |
I feel you are getting better, yes, it is, like, that, to me... She is | :04:00. | :04:04. | |
getting better every week. That is the biggest compliment. I loved | :04:05. | :04:09. | |
every second of that quickstep. I just loved it. You can tell when | :04:10. | :04:15. | |
someone's enjoying it because it oozes out of your every pore. How | :04:16. | :04:18. | |
was it opening the show? Do you like that? Is it more terrifying than | :04:19. | :04:25. | |
normal? We opened with the Samba. It is quite terrifying. It is quite | :04:26. | :04:29. | |
nice as well. You do it and you get the - if it goes well... It depends | :04:30. | :04:33. | |
on the dance. If you have tricks and flicks, you have to warm up. Yeah. | :04:34. | :04:37. | |
If it's a quickstep where you are always in hold, there is not much | :04:38. | :04:39. | |
going on. It is easier. always in hold, there is not much | :04:40. | :04:46. | |
going on apart from all of this and that(!) Gleb, you did have a bit of | :04:47. | :04:50. | |
quickstep classing from the master himself. Anton. Did that help or | :04:51. | :04:57. | |
were you being polite? It helped. He's a master of ballroom. So he | :04:58. | :05:00. | |
came in the room and I was, like, Anton, I have this step, what do you | :05:01. | :05:05. | |
think? He was, like, do that and change your foot. Oh, yeah, that | :05:06. | :05:10. | |
might work. I still didn't use it. Didn't you use it? Ah! Great advice. | :05:11. | :05:16. | |
Did you show him any rumba? I tried to. We did a little bit. He is good | :05:17. | :05:21. | |
at the rumba. Last night, Karen Hardy was on the show and she said, | :05:22. | :05:26. | |
what a lot of other people have been saying, she feels you are being a | :05:27. | :05:29. | |
bit undermarked. And she wants saying, she feels you are being a | :05:30. | :05:35. | |
see an end to that and see you getting good, good scores. How does | :05:36. | :05:39. | |
that feel to hear someone like Karen saying give them more marks! | :05:40. | :05:43. | |
that feel to hear someone like Karen support from Karen Hardy is immense. | :05:44. | :05:46. | |
I got loads of people on social media saying, yeah, for me, as long | :05:47. | :05:50. | |
as I'm improving, the scores - obviously, it would be incredible to | :05:51. | :05:53. | |
get amazing scores from the judges. I'm happy. Let's think about the | :05:54. | :05:57. | |
dance. It is all about the dancing. It is just about the dance. As long | :05:58. | :06:01. | |
as I can nail the dance every week, that is what it is about. Nines and | :06:02. | :06:06. | |
tens would be good at Blackpool! You are in the middle of the leered | :06:07. | :06:11. | |
board. -- leaderboard. It is getting tough, this competition. How does it | :06:12. | :06:15. | |
feel to be in there? If you get high scores, you are not so in danger? I | :06:16. | :06:19. | |
don't know. I don't know. I want to do the best that I can do on the | :06:20. | :06:23. | |
night. And enjoy it. And be able to nail the routine that we are | :06:24. | :06:27. | |
rehearsing. If people go, oh my God, you managed to do that! That is it. | :06:28. | :06:31. | |
That is it. That is all that matters. Off to Blackpool with a | :06:32. | :06:36. | |
paso doble. What more could you want? I'm so excited, I spat at you | :06:37. | :06:42. | |
there! This looks fantastic! Are you loving the drama of this dance and | :06:43. | :06:45. | |
how is the training going? I can't tell you how much I'm loving the | :06:46. | :06:48. | |
drama. It is different to the quickstep. | :06:49. | :06:51. | |
drama. It is different to the light and breezy, this is intense | :06:52. | :06:56. | |
and passionate and romantic and I love it! The training is the same as | :06:57. | :06:57. | |
every week. It is difficult. It love it! The training is the same as | :06:58. | :07:02. | |
starting from scratch. I'm looking forward to it. Now, with cape, let's | :07:03. | :07:06. | |
MUSIC with that. | :07:07. | :07:21. | |
It's going to be amazing. APPLAUSE | :07:22. | :07:25. | |
You look like you are putting the APPLAUSE | :07:26. | :07:29. | |
duvet on! You showed the entire routine! Do that, it is a winner. It | :07:30. | :07:34. | |
is huge, this weekend, it is Blackpool, you are doing a paso | :07:35. | :07:37. | |
doble. We are looking forward to the Gleb special moves that he is going | :07:38. | :07:41. | |
to throw in. There will be plenty. Good luck this weekend. Thank you. | :07:42. | :07:45. | |
Thank you. Anita and Gleb! APPLAUSE I like the chain! | :07:46. | :07:52. | |
Now, how about a first look at our couples in training for Blackpool? | :07:53. | :07:54. | |
The result of yesterday's iVote is in. | :07:55. | :08:17. | |
We asked you to vote on what Blackpool style costume you would | :08:18. | :08:20. | |
The votes have been counted and verified, and I can now reveal | :08:21. | :08:25. | |
APPLAUSE I have to say, we could have | :08:26. | :08:41. | |
splashed out a bit more on a proper donkey outfit! I come on live | :08:42. | :08:44. | |
television for you to make an ass out of me! I have you a special | :08:45. | :08:54. | |
wand! I will eat that later! It is a snack. It is Blackpool, it is upon | :08:55. | :08:59. | |
us, there is a frenzy in the air. We are all so excited. What excites you | :09:00. | :09:05. | |
the most about Blackpool? It's - the professionals love it. We have | :09:06. | :09:09. | |
danced there all our lives. It has the biggest competition in the world | :09:10. | :09:13. | |
there. It has that history in the ballrooms there. You can't beat the | :09:14. | :09:17. | |
history that it has. It is so special to go back there. What about | :09:18. | :09:20. | |
the floor? Everyone talks about the floor. The floor is so - I nearly | :09:21. | :09:26. | |
dropped my carrot! It goes up-and-down about six or seven | :09:27. | :09:29. | |
inches. That is the floor, ladies and gentlemen! Jay and Aliona in | :09:30. | :09:37. | |
training, they had a hiccup on the floor on Saturday. They are dancing | :09:38. | :09:44. | |
the salsa to Cuba. It is a classic. Could this be the best salsa we have | :09:45. | :09:48. | |
ever seen? I think it will be awesome, Zoe. I think it is very | :09:49. | :09:53. | |
fast and frenetic. If you look at all this fast armography, it looks | :09:54. | :09:57. | |
immense, especially with Jay's long arms. Oh, yeah, lovely, long limbs. | :09:58. | :10:02. | |
He makes it look effortless and good. But... There is always a but! | :10:03. | :10:08. | |
It can always go wrong. This area here is what I would like him to | :10:09. | :10:13. | |
work on. Oop! The end of your carrot has come off! Excuse me. Do you want | :10:14. | :10:19. | |
your old wand back? I can do it with my finger. This area here, his hips, | :10:20. | :10:27. | |
they have to be like... Like that - loose! They have to oscillate and | :10:28. | :10:31. | |
move. With all of the armography that is going on, he's forgetting | :10:32. | :10:37. | |
about his hips, so he needs to make sure that he's using those as well. | :10:38. | :10:43. | |
Let's move on to Jamelia and Tristan. They have broken history by | :10:44. | :10:49. | |
being in the dance-off and surviving for the fourth time. It takes a lot | :10:50. | :10:52. | |
of guts to still dance with a smile on your face. She has a quickstep. | :10:53. | :10:57. | |
How is she doing? Hasn't she done amazing to survive all of those | :10:58. | :11:03. | |
dance-offs? Here, as you can see, sometimes they are out of sync and | :11:04. | :11:07. | |
the quickstep is so fast. There are so many steps involved, it is so | :11:08. | :11:12. | |
easy to just take one step and then be completely out of sync, you are | :11:13. | :11:16. | |
going down whilst he is going up. This is an example of that. As you | :11:17. | :11:20. | |
can see... You are struggling with your tail and your carrot! As you | :11:21. | :11:25. | |
can see here, we need to see her over here rather than disappearing | :11:26. | :11:27. | |
because she's sort of gone down there. She needs to banana her body | :11:28. | :11:38. | |
into Tristan's right side so that she needs to be seen from behind. | :11:39. | :11:43. | |
Alright. We want to see her face over his lovely shoulders. Anita and | :11:44. | :11:47. | |
Gleb, they are excited about their paso doble. This could be quite | :11:48. | :11:52. | |
awesome. How is it looking? It is. I have got a bit of insider | :11:53. | :11:57. | |
information. Do tell. There will be three boys with capes as well. Ah! | :11:58. | :12:04. | |
This is going to be very dramatic and it will be wonderful, a | :12:05. | :12:09. | |
wonderful piece of music to Malaguena. This is the place where I | :12:10. | :12:15. | |
want to highlight. Look at her... What is going on with your tools | :12:16. | :12:20. | |
today? Hang on. There you go! I want to highlight this. She has lovely, | :12:21. | :12:26. | |
curved hands, even with that sore thumb, she's doing very well with | :12:27. | :12:30. | |
that. It looks fantastic. I think all she needs to do is shape it a | :12:31. | :12:33. | |
bit more and she will be there. More exaggeration. On to Katie and Anton, | :12:34. | :12:38. | |
the rumba was full of drama and intensity. They go to Blackpool with | :12:39. | :12:43. | |
an American Smooth, which they are dancing to Ain't That A Kick In The | :12:44. | :12:48. | |
Head? This will be perfect for them. It is a typical Anton, sort of | :12:49. | :12:53. | |
old-time, old-school, big band number, and we are at Blackpool. How | :12:54. | :12:57. | |
could it be any better? It will be perfect. She is doing some lovely | :12:58. | :13:02. | |
fall-aways, I would like her to release her toes a bit. She is in | :13:03. | :13:09. | |
the perfect place on him. Isn't he a pretty donkey? Peter and Janette are | :13:10. | :13:15. | |
doing a jive. He did so great at the Charleston. They are dancing to Tina | :13:16. | :13:20. | |
Turner, could this be a goody for him? A brilliant song. A classic | :13:21. | :13:26. | |
jive number, River Deep Mountain High. He is light on his feet. He | :13:27. | :13:30. | |
goes for it. The jive is perfect for him. What I would like him to do, he | :13:31. | :13:36. | |
does this flick-ball changes and he is very upright. Janette is further | :13:37. | :13:40. | |
forward in the chest and she's picked up from behind. Yes. She's | :13:41. | :13:45. | |
picked up from behind, tucked under and she is flicking like this - do | :13:46. | :13:49. | |
it with me! It is like this, like that, and then you go like that. I | :13:50. | :13:53. | |
always wanted to be the back end of the donkey! OK, let's move on to | :13:54. | :14:01. | |
Georgia and Giovanni and their Viennese with an American Smooth | :14:02. | :14:04. | |
twist with it. Top of the leaderboard. Can they stay up there | :14:05. | :14:07. | |
this week? Such a great dance last week. I loved it. That | :14:08. | 0:07:13 |