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Right, are you guys ready to audition | :00:00. | :00:07. | |
for the coveted role of dancing sidekick for Tunes On Tuesday? | :00:08. | :00:11. | |
Cl It is making me move a strange way. | :00:12. | :00:33. | |
Thank you very much, MacManus. Next. Do that and you'll never be in the | :00:34. | :00:48. | |
dance off again. Next. Oh, hang on a minute, hello. | :00:49. | :00:50. | |
From London, this is Strictly, it takes two. Please welcome your host, | :00:51. | :01:42. | |
Zoe Ball. Take the phone off the hook, | :01:43. | :01:53. | |
get your cuppa and settle down Now, the Strictly team are loading | :01:54. | :01:57. | |
up the van to Blackpool as we speak, so to mark the occasion we're asking | :01:58. | :02:01. | |
you one very important question: What Blackpool-related costume would | :02:02. | :02:04. | |
you like to see Ian Waite wear during his weekly warm-up | :02:05. | :02:07. | |
on tomorrow's show? Would you prefer a classic Victorian | :02:08. | :02:09. | |
bather? Let us know what you think | :02:10. | :02:17. | |
by heading online to The vote closes at 7pm tonight, so | :02:18. | :02:29. | |
you've got just under half an hour. Ian will reveal all | :02:30. | :02:39. | |
on the show tomorrow. They successfully boom, shake, | :02:40. | :02:43. | |
shake, shaked their way up the You are Kev-less. There is someone | :02:44. | :03:17. | |
missing. He is actually poorly Really, really poorly. I know he's | :03:18. | :03:21. | |
really sorry he is not here. You know, but he needs to get better. He | :03:22. | :03:27. | |
does. We have Blackpool. He can not be missing. Get well soon. Kev. | :03:28. | :03:31. | |
What have you been doing with yourself? | :03:32. | :03:35. | |
With your day off? Actually, weirdly, I did actually have a day | :03:36. | :03:45. | |
off! Yes. I had no EastEnders, so I got my little boy ready for nursery. | :03:46. | :03:49. | |
Made his lunch. Did all that good stuff. Once he had gone off, I | :03:50. | :03:56. | |
decided - you know I'll get mylights done. A big thing, you feel so much | :03:57. | :04:00. | |
better. It is a big thing. You look bright. Half-hour speed shop. I feel | :04:01. | :04:08. | |
better. Well done. It is so difficult. You are doing so many | :04:09. | :04:15. | |
jobs. Tell me about your '90s alter egos from the weekend and your | :04:16. | :04:18. | |
awesome samba. It was so good. You being Keyonce and Kevin as | :04:19. | :04:22. | |
The Fresh Prince of Grimsby? He was the Fresh Prince of Grimsby | :04:23. | :04:38. | |
or K-dogg. He hauls to explain that and I had to say it is not cool if | :04:39. | :04:44. | |
you have to explain it. We had the best time doing that routine. We | :04:45. | :04:50. | |
loved it. I have to say, we've had - I'd had a rather dodgy dress | :04:51. | :04:54. | |
rehearsal. Had you? Times that's good, though. Apparently so. I made | :04:55. | :04:59. | |
quite a few mistakes in the afternoon and it had made me | :05:00. | :05:03. | |
slightly - because it was so fast. Again a Kevin Clifton, you know how | :05:04. | :05:08. | |
he likes it, he goes at 100 miles per hour. I knew there was no chance | :05:09. | :05:13. | |
for my brain to keep up with the feet. So I had to have faith it | :05:14. | :05:18. | |
would come together. It really did. I loved it. I was just - it was a | :05:19. | :05:23. | |
dream come true. And such a risk to mix hip hop with samba and something | :05:24. | :05:28. | |
that might not have worked. But I thought worked brilliantly. Thank | :05:29. | :05:31. | |
you so much. So do I. I was really proud of it and proud of Kevin. He | :05:32. | :05:39. | |
is so brilliant and I think he has this incredible - um - he wants to | :05:40. | :05:44. | |
push boundaries and try new things. Actually, who knew I would love a | :05:45. | :05:54. | |
samba but I loved the samba. Your samba technique was so good. I was | :05:55. | :05:57. | |
like that and that. Also, no-one wants to be in the bottom two. So | :05:58. | :06:03. | |
you pushed out the boat. And Kevin went the extra mile. Here we can see | :06:04. | :06:05. | |
from his tweet. I hadn't seen that. But he did shave | :06:06. | :06:18. | |
his chest. It was true. He wore a T-shirt. It wasn't necessary. It was | :06:19. | :06:25. | |
a vest. He was told to shave. He had a little chest hair poking out the | :06:26. | :06:30. | |
top. I quite liked T I'm not averse. I quite like a man being a man. -- I | :06:31. | :06:36. | |
quite liked it. It is when it comes on the knuckles. I pull Norman's out | :06:37. | :06:38. | |
with my teeth. I'm with you there. There were mixed feelings | :06:39. | :06:43. | |
from the judges on your unique Craig wasn't sure but then he gave | :06:44. | :06:58. | |
you a 9. That floored us. I was so pleased. Iroom didn't know. His face | :06:59. | :07:03. | |
was like thunder at the end of the routine and stayed like that until | :07:04. | :07:07. | |
he made his comment. I thought oh my God, he hated it. It did divide the | :07:08. | :07:13. | |
judges a bit. To be honest, we know Len is a traditionalist, he likes | :07:14. | :07:17. | |
what he likes and that's OK. I also think it is OK we did something else | :07:18. | :07:22. | |
with it and that's whatk Strictly should be about I think and it | :07:23. | :07:27. | |
didn't matter, it didn't matter to us that Len felt like that. He still | :07:28. | :07:32. | |
appreciated it. He said the samba don't was great. He just said hip | :07:33. | :07:38. | |
hop and crying babies were his two most hateful things in the world. So | :07:39. | :07:45. | |
we weren't going to win, were we? So never go around to granddad Len with | :07:46. | :07:47. | |
the crying baby. There was so much going on | :07:48. | :07:50. | |
in that routine including a new move Craig called it 'The Darcey Bussell' | :07:51. | :07:53. | |
and boy were you working it. I didn't know you could even do | :07:54. | :08:09. | |
that. Do you know what. I said to Kevin -- it is just as well Freddie | :08:10. | :08:15. | |
is only three. Because if he was ten and at school and had friends he | :08:16. | :08:19. | |
would be like - mum, what are you doing, you are so embarrassing, you | :08:20. | :08:22. | |
can't do that on television. Thankfully he is not quite there | :08:23. | :08:27. | |
yet. I sort of got away with it. Honestly, Kevin did a routine and | :08:28. | :08:32. | |
made me feel like I was in a Justin Timberlake video. I will have that | :08:33. | :08:38. | |
forever. So, so good. I was actually quite jealous of that as well. | :08:39. | :08:42. | |
Not yet. Although we are going soon. I'm going to take a very warm coat. | :08:43. | :08:54. | |
That's all you need. And a vest and some dance gear and my dance shoes. | :08:55. | :09:00. | |
An outclub for afterwards because you go clubbing. It will get messy. | :09:01. | :09:06. | |
It'll be fun. You are doing a quickstep in Blackpool, the home of | :09:07. | :09:10. | |
ballroom. Someone tweeted a picture today of the ballroom. It hit me | :09:11. | :09:15. | |
again how incredible that place is. It hit me so much that my legs sort | :09:16. | :09:21. | |
of went a bit funny. Help me! Oh, OK. I'm so excited about it. It is | :09:22. | :09:27. | |
going to be amazing. What an absolute honour that is to be able | :09:28. | :09:31. | |
to do a quickstep there. It is brilliant. Also, you are doing it | :09:32. | :09:36. | |
with Kev, that's partly where he has grown up. We can see a lovely | :09:37. | :09:44. | |
picture of Kev there. He looks so cute. There he is with Jo. He was | :09:45. | :09:51. | |
ten, in the British Open Latin juvenile Championships, where he | :09:52. | :09:59. | |
came 4th. Bless him. Good luck. I hope he gets well soon and you get | :10:00. | :10:02. | |
the training N well done, Kellie. I don't know about you but I'm | :10:03. | :10:06. | |
in the mood for some high brow Where's that Hardy | :10:07. | :10:09. | |
when you need her? You are matching our cousins today I | :10:10. | :10:27. | |
feel a cousinesque moment. Are you sure you didn't take one and made a | :10:28. | :10:33. | |
skirt out of it -- a cushion. Ok, let's take a look | :10:34. | :10:35. | |
at our couples' performances. Let's start with Anita and | :10:36. | :10:37. | |
Gleb's Quickstep. Len said she has | :10:38. | :10:40. | |
"become a great all rounder". However, Anita is yet to be | :10:41. | :10:42. | |
at the top of the leaderboard, what She is not a great all rounder. She | :10:43. | :10:51. | |
is a dynamic dehave a. I'm sorry, judges. They have to wake up. It is | :10:52. | :10:57. | |
not about Gleb any more. We know he is our new professional. It is | :10:58. | :10:59. | |
incredible. This is the choreography. The constant | :11:00. | :11:02. | |
shape-changing, the choreography. The constant | :11:03. | :11:05. | |
top line. She sticks to him like glue. The choreography Gleb has | :11:06. | :11:11. | |
given Anita from the word "go", has been incredible. I would really like | :11:12. | :11:14. | |
to see the marks going up much higher. I don't feel she has been | :11:15. | :11:18. | |
rewarded enough. I'm putting my foot down now. We are over half way. I'm | :11:19. | :11:23. | |
a woman on a mission this week. That is sensational. Well done. I feel | :11:24. | :11:30. | |
better for getting that out of my system. | :11:31. | :11:30. | |
Three of the judges gave him an 8, but Craig went for a 6! | :11:31. | :11:35. | |
He described the performance as "a little bland". | :11:36. | :11:37. | |
I don't know if he is being harsh. I'm hoping he is being cruel to be | :11:38. | :11:49. | |
kind. This dance, the foxtrot is the equivalent of the difficulties of | :11:50. | :11:52. | |
the rumba. The power of the slows. You have to be able to control the | :11:53. | :11:56. | |
slows with ease and balance and make it look easy. What we would say is - | :11:57. | :12:02. | |
if he foamed like this, let's say in the final, there is not a strong | :12:03. | :12:06. | |
chance of him winning. -- performed. I'm hoping Craig is saying, listen, | :12:07. | :12:12. | |
great what you have done, definite improvement in presentation, | :12:13. | :12:15. | |
personality but come on, rev it up more if you want to be in the final. | :12:16. | :12:18. | |
Come on, jay. Jamelia and Tristan were | :12:19. | :12:20. | |
in the dance off - yet again! They have been there so many times | :12:21. | :12:29. | |
and survive every week. Craig said she was dancing with bent legs and | :12:30. | :12:34. | |
he didn't see one straight leg. You are pulling your sleeves up. You | :12:35. | :12:39. | |
have stuff to say. I have my shoulder pads on. The legs meant to | :12:40. | :12:47. | |
be bent in the samba. This woman was fabulous. She is bending all the way | :12:48. | :12:51. | |
through on the classic steps but from here on in, it is as though she | :12:52. | :12:56. | |
gets nervous, so starts looking down and the selling of performance. What | :12:57. | :13:00. | |
I would say to Jamelia, you are great, you are doing it right, on a | :13:01. | :13:04. | |
ro. Keep your personality and sell the dance. -- you are on a roll. | :13:05. | :13:09. | |
Whether it is a foxtrot, a tango, samba, believe in yourself and get | :13:10. | :13:14. | |
that personality out that we know she can do. Sell it, Jamillia. We | :13:15. | :13:16. | |
will catch up with them soon. Len was happy because he got lots | :13:17. | :13:20. | |
of content this week. So much I love. We talk about tick | :13:21. | :13:29. | |
boxes. They have the contact together. The top line. They have a | :13:30. | :13:36. | |
lovely action. Strong foot work. Now, we talk about foot work because | :13:37. | :13:42. | |
at that moment, look at the slow dance, look at the dragging of that | :13:43. | :13:48. | |
foot. When we talk about tick boxes, the public will be looking for | :13:49. | :13:52. | |
gapping and top line. She is in another league again. She is not | :13:53. | :13:56. | |
stomping across the floor. She is dragging the feet now, which keeps | :13:57. | :14:00. | |
her down, gives her contact with her partner. It gives it more musical | :14:01. | :14:03. | |
interpretation. These are the things you are not going to see, you are | :14:04. | :14:08. | |
not meant to see them but it adds to the whole production. I caught that | :14:09. | :14:12. | |
little gem right there. I needed to share it. This was fabulous. Oh, | :14:13. | :14:18. | |
they are all so good. You are very excitable today. I am. | :14:19. | :14:20. | |
Katie and Anton scored 31 for their rumba, which is their highest | :14:21. | :14:23. | |
They've previously struggled in the Latin. | :14:24. | :14:26. | |
This was a great performance. It was incredible. It is all down to the | :14:27. | :14:35. | |
power of the choreography. You get it wrong and it'll go against you. | :14:36. | :14:39. | |
This is beautiful. A simple thing like an opening out to left and | :14:40. | :14:43. | |
right. She has exquisite legs. They trouble time it. This is a classical | :14:44. | :14:49. | |
lady. The first moment I saw her dance, her beautiful back in the top | :14:50. | :14:53. | |
line of ballroom and in Latin we have the exquisite legs. She stands | :14:54. | :14:58. | |
like a lady, the legs are beautifully placed. I see you | :14:59. | :15:04. | |
readjusting your legs. I did. Beautifully presented. She is a | :15:05. | :15:09. | |
classical lady. You don't want to overkill the choreography but you | :15:10. | :15:12. | |
need to keep her moving and oozing on the dance floor. It was fabulous | :15:13. | :15:16. | |
and the song as well, was beautiful. It is a favourite of mine. | :15:17. | :15:18. | |
Craig decided he loved the hip hop spin on their samba. | :15:19. | :15:22. | |
Do you like to see these alternative takes on classic dances? | :15:23. | :15:32. | |
Here we go again. All the change that happened in this was it was an | :15:33. | :15:40. | |
alternate take on the fashion. When you look at t the dance is pure | :15:41. | :15:48. | |
Latin. We have natural rolls. We have whisks and voltas. The | :15:49. | :15:52. | |
classical steps. Bent legs. I was surprised by Darcey and Len's | :15:53. | :15:56. | |
comments. Actually the hip hop action just brought it to a whole | :15:57. | :16:01. | |
new level and said - we are being different, we are new, come on, | :16:02. | :16:04. | |
bring the game on. That's what I love about these two. There is | :16:05. | :16:11. | |
another step I picked up on. The bachacada. A lovely slow action. | :16:12. | :16:15. | |
Look what they are doing, giving it a hip hop action. I thought - look | :16:16. | :16:21. | |
at t we'll get everyone at hope doing it. Cameramen, start at my | :16:22. | :16:29. | |
gorgeous ankles. It goes wrong as we head further up. But it is about | :16:30. | :16:32. | |
pushing into the floor and as the camera moves up. Oh, he is a good | :16:33. | :16:39. | |
boy. You are on form! So we roll through the hips. Right, so we get | :16:40. | :16:45. | |
the pushing and the rolling. All you do, you add this - at my age we | :16:46. | :16:50. | |
should still get a bit of hip hop in. Any age. Bring it on. That's | :16:51. | :16:52. | |
what I say. should still get a bit of hip hop | :16:53. | :16:54. | |
in. Any age. Bring it on. That's what I say. Karen enjoyed that too | :16:55. | :16:57. | |
much. I don't think there is anything wrong with stepping outside | :16:58. | :16:59. | |
the box and having fun. Peter and Janette danced | :17:00. | :17:01. | |
the Viennese waltz. Len said it was good, | :17:02. | :17:02. | |
but "to get a 10 you have to do What was missing, if anything? Very | :17:03. | :17:11. | |
simple. He has got to be a man. He has to be a man. Look at this, he is | :17:12. | :17:17. | |
looking at Janette all the way through this performance. I have | :17:18. | :17:20. | |
been watching this for a while. This guy is an incredible performer, an | :17:21. | :17:24. | |
amazing dancer. The relationship, I'm very pro them, I love what they | :17:25. | :17:29. | |
are doing, but be a man, stop looking at her. Stop looking at her. | :17:30. | :17:33. | |
He has to be a leader on the dance floor. He has to show her the way | :17:34. | :17:38. | |
around the dance floor. What I want to see and what maybe Len and some | :17:39. | :17:42. | |
of the others ark looking for, he has to be the leader, take control, | :17:43. | :17:46. | |
initiate the moves and let Janette be the gorgeous lady that whisks | :17:47. | :17:51. | |
around him and make him look greater than he already is. | :17:52. | :17:52. | |
And finally, Georgia and Giovanni brought the house down on Saturday | :17:53. | :17:55. | |
This is what we have got to pick up on, she keeps dancing, and we think | :17:56. | :18:14. | |
it is all over, but we are up and over again. She has got the | :18:15. | :18:18. | |
character, the isolation, the footwork, and she has got the | :18:19. | :18:28. | |
Fossey. All the way. She came out of her shell and started to perform, | :18:29. | :18:36. | |
completely loved it. So exciting! And now to Blackpool. | :18:37. | :18:38. | |
You saw the audition process, it is time to debut might new sidekick. | :18:39. | :18:57. | |
Let's see what gems our jukebox has for us this week. | :18:58. | :19:06. | |
So this is the Tina Turner classic River Deep, Mountain High. | :19:07. | :19:21. | |
Factoid fans, did you know Tina's real name is | :19:22. | :19:27. | |
So which one of our couples is jiving to it? | :19:28. | :19:40. | |
This is the Whitney Houston ballad I Have Nothing. | :19:41. | :19:56. | |
Interestingly, Whitney's favourite subject at school was history. | :19:57. | :20:02. | |
Maths. I knew there was something about you! | :20:03. | :20:12. | |
But who will be getting themselves into a spin to this in Blackpool? | :20:13. | :20:16. | |
Apparently, the sound of Dolly's nails rubbing | :20:17. | :20:31. | |
together can be heard as part of the percussion on this song. | :20:32. | :20:37. | |
To find out what music the rest of our couples are dancing to, | :20:38. | :20:51. | |
This weekend Strictly goes t'up north to the home of ballroom, | :20:52. | :20:57. | |
which means we're in for a suitably special group dance. | :20:58. | :21:05. | |
This is a celebration of making it here, I want to do a number where | :21:06. | :21:22. | |
the celebrities feel special. It is more soft, more traditional ballroom | :21:23. | :21:26. | |
dancing, Viennese Forbes, then it picks up, we go quick step match our | :21:27. | :21:34. | |
child, possibly. It is a fusion of so many styles. We are vaguely | :21:35. | :21:39. | |
familiar, but we want them to look as good as the professionals. That | :21:40. | :21:45. | |
is the challenge. Everybody is doing brilliantly, that is part of it, you | :21:46. | :21:49. | |
do not want to let the side down, we are all trying hard. It is a | :21:50. | :21:55. | |
celebration of the final eight, I can't believe I am saying that! This | :21:56. | :22:01. | |
tops the Halloween one, it is great. This routine will be so magical, I | :22:02. | :22:06. | |
cannot wait to perform it in Blackpool. | :22:07. | :22:11. | |
Hello and welcome, Jamelia and Tristan! | :22:12. | :22:31. | |
Can we take a moment to celebrate what a pair of survivors you are! | :22:32. | :22:48. | |
Look at the shimmy! feeling? I cannot describe it. I | :22:49. | :23:00. | |
feel battered, can I say that? Refuse to lose! That is so good! | :23:01. | :23:05. | |
In the history of Strictly, you are the only couple to have | :23:06. | :23:08. | |
You can't deny that's a great achievement? | :23:09. | :23:18. | |
How disappointed were you to be back there? | :23:19. | :23:25. | |
I did expect it, because we were in the bottom two, I thought, be | :23:26. | :23:34. | |
prepared. I could not call who else would be there. Just before we went | :23:35. | :23:41. | |
to do our dance,... She gave up on the! I said, I have had a brilliant | :23:42. | :23:47. | |
time, I wish you all the best! I was saying goodbye! Let's just enjoy our | :23:48. | :23:57. | |
last dance! Have you gone through that feeling as well? You have to | :23:58. | :24:06. | |
expect it. Everybody expects it, you go, I don't want to be there, I will | :24:07. | :24:12. | |
try as hard as I can. There will always be two people in it. It just | :24:13. | :24:20. | |
happens to be you quite a bit! Contemplating giving up dancing on | :24:21. | :24:23. | |
Saturday and just coming in on Sunday! Fight it out between | :24:24. | :24:29. | |
yourselves! We will see one of you that! | :24:30. | :24:31. | |
Dance-off aside, when you performed on Saturday | :24:32. | :24:33. | |
Darcey said your upper body isolations were phenomenal. | :24:34. | :24:49. | |
I love and upper body isolation! Did you feel good? This is the first | :24:50. | :24:57. | |
that I can say I just enjoyed every second of. I came away feeling | :24:58. | :25:04. | |
great. It was brilliant, not that it was brilliant in terms of scores, | :25:05. | :25:07. | |
but feeling wise, I love it. Craig did mention your hands, saying | :25:08. | :25:10. | |
they were particularly unattractive. Craig commented on your bent legs, | :25:11. | :25:21. | |
but Karen said he was wrong! Bend them as much as you can! Are they | :25:22. | :25:28. | |
going to be straight or bent this week? A bit of both! We have got a | :25:29. | :25:37. | |
great one this week, quick step. It is the most Latin of ballroom | :25:38. | :25:38. | |
dances. Handy! Craig did mention your hands, saying | :25:39. | :25:41. | |
they were particularly unattractive. Come on, Jamelia, show us | :25:42. | :25:44. | |
what Tristan has taught you. Look at that! What did Craig want? | :25:45. | :26:02. | |
Who knows? He said they should be pointed down. Maybe they should, but | :26:03. | :26:08. | |
for me, when your hands go down, everything is going to go down. I | :26:09. | :26:14. | |
always say that you need to play up, because if your head goes down, | :26:15. | :26:20. | |
your weight goes back. Right or wrong, turn the hands up, keep | :26:21. | :26:26. | |
everything that way. I was not going to say you told me to! Don't get him | :26:27. | :26:31. | |
in trouble! Just say, it's his fault! Not at all! That is the good | :26:32. | :26:39. | |
thing with the dance off, you have the opportunity... To do it again. | :26:40. | :26:45. | |
The judges commended you on the changes. How excited I do | :26:46. | :26:51. | |
Blackpool? Really excited. I was not before. But we have had rehearsals, | :26:52. | :26:58. | |
and I am really enjoying it. Monday morning was a chore! Back in the | :26:59. | :27:06. | |
game now! Here we go again! How excited are you to compete in | :27:07. | :27:13. | |
Blackpool with Jamelia? It is grand. I am looking forward to it. | :27:14. | :27:17. | |
Have you ever competed there before? I danced there when I was 15 | :27:18. | :27:26. | |
or 16. When you are dancing there, with the celebrities, it does not | :27:27. | :27:34. | |
mean anything to you in the sense that it is the home of ballroom | :27:35. | :27:38. | |
dancing, we love it, we have competed there for years. We are | :27:39. | :27:43. | |
excited as well, we have been told about the iconic history. | :27:44. | :27:53. | |
You are right, and the atmosphere, if you think it is good in the | :27:54. | :27:59. | |
studio here, wait until you are there. They are so naughty! It is | :28:00. | :28:05. | |
unbelievable, huge, the whole thing is so much more epic, I am really | :28:06. | :28:10. | |
looking forward to it. I can't wait to compete with Jamelia! And fingers | :28:11. | :28:16. | |
crossed you do not get to do it twice! If you are in the dance of a | :28:17. | :28:21. | |
game, good luck, because you are brilliant at it! | :28:22. | :28:24. | |
A big thank you to all of our guests. | :28:25. | :28:28. | |
Tune in tomorrow, when I'll be joined by Jay, Helen and Anita | :28:29. | :28:31. | |
Plus, Ian Waite will be revealing what Blackpool-themed outfit you | :28:32. | :28:34. | |
voted for him to wear for his weekly warm-up. | :28:35. | :28:37. |