Browse content similar to Episode 42. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I guess it's just the winter blues getting me down. | :00:00. | :00:11. | |
Well, lucky for your Kev-ster, it's a Tuesday, | :00:12. | :00:13. | |
which means I have brought my portable jukebox into work. | :00:14. | :00:17. | |
I have just the thing to cheer you up. | :00:18. | :00:19. | |
MUSIC: Everybody Dance Now. | :00:20. | :01:18. | |
Tonight, we're bringing you a cocktail of dance delights, with | :01:19. | :01:31. | |
Following their first dance-off of the series, I'll be catching up | :01:32. | :01:38. | |
APPLAUSE They need some love. | :01:39. | :01:43. | |
And the lady who separates the foxtrots from the fox-nots, critique | :01:44. | :01:46. | |
But, before all that, they survived their first dance-off two weeks ago | :01:47. | :01:54. | |
and, this weekend, they quickstepped up the leader board, receiving | :01:55. | :01:56. | |
Hello, and welcome, Kellie and Kevin! | :01:57. | :02:17. | |
Kevin, you couldn't visit us last week because you were poorly. | :02:18. | :02:20. | |
You are all better. Well done at Blackpool, credible work. Closing | :02:21. | :02:40. | |
the show. It was absolutely epic. It was so fast, this quickstep. How | :02:41. | :02:45. | |
tough was it to make it look so easy? We worked a lot on my | :02:46. | :02:53. | |
technique. Last week. And being in hold. The quickstep, a lot of the | :02:54. | :03:03. | |
dances like this, keep the top half really still. But effortlessly | :03:04. | :03:08. | |
still. That is the word. But the bottom half, the legs are going | :03:09. | :03:13. | |
still. That is the word. But the times ten. Kevin said I want you to | :03:14. | :03:20. | |
be a wardrobe. OK. Right. Just one unit, no shoulders. Lots of work on | :03:21. | :03:25. | |
the shoulders after my right shoulder getting hurt. A lot of | :03:26. | :03:30. | |
attention. It was the first ballroom number we had done since the | :03:31. | :03:33. | |
attention. It was the first ballroom off and that was the waltz. I felt I | :03:34. | :03:38. | |
had a lot to prove. It was like that. I loved our routine. Kevin is | :03:39. | :03:45. | |
a genius. So good. APPLAUSE You make it look good. | :03:46. | :03:50. | |
Choreography, there was everything in that. Do you ever think my | :03:51. | :03:54. | |
goodness me. It is Blackpool, it has to be huge. Did you think I went | :03:55. | :04:00. | |
this far, she will never get it or do you ever doubt that? I never want | :04:01. | :04:05. | |
to hold back with Kellie. There is no point in playing safe, | :04:06. | :04:10. | |
to hold back with Kellie. There is Blackpool in the competition | :04:11. | :04:10. | |
everyone is amazing. Blackpool in the competition | :04:11. | :04:13. | |
point in thinking Blackpool in the competition | :04:14. | :04:17. | |
does well, we will stick to that. I want to push Kellie to the best she | :04:18. | :04:21. | |
can be. I doubt what to hold back, go big or go home. So exciting. You | :04:22. | :04:27. | |
had desks, four lovely handsome men. They were amazing. Brilliant, the | :04:28. | :04:31. | |
extra dancers. The fact that They were amazing. Brilliant, the | :04:32. | :04:36. | |
to dance with five boys instead of just one... Lucky you. It was | :04:37. | :04:41. | |
amazing. It was a dream come true. It really was. It could not have | :04:42. | :04:43. | |
done better -- gone better for us It really was. It could not have | :04:44. | :04:48. | |
Saturday night. They were all in a line and it was so good. Well done. | :04:49. | :04:53. | |
I loved it so much that we just laughed at each other when | :04:54. | :04:56. | |
I loved it so much that we just doing that. All week, Kellie | :04:57. | :04:57. | |
couldn't do it, the head doing that. All week, Kellie | :04:58. | :05:04. | |
side. I kept going like that... I just kept... No, no, this is, this! | :05:05. | :05:11. | |
And then you got it. At last, three 9s. And your first ten. Was it worth | :05:12. | :05:20. | |
the wait? My goodness. I didn't know at ten could feel so good, Zoe. It | :05:21. | :05:27. | |
was brilliant, could not have asked for more. If we had got four 9s I | :05:28. | :05:32. | |
would have been blown away. It was so lovely. We loved that routine. We | :05:33. | :05:40. | |
really enjoyed it. For people to love watching it and the judges, a | :05:41. | :05:46. | |
brilliant bonus. Massive credit to Kellie for keeping cool under that | :05:47. | :05:49. | |
pressure of going last at Blackpool. Yes. I completely messed | :05:50. | :05:56. | |
up the dress rehearsal in Blackpool, people don't know that. Well done, | :05:57. | :06:01. | |
Kevin Clifton. I went into the wrong bit of the routine, I got confused, | :06:02. | :06:06. | |
I blanked, I went wrong. It was a tiny thing that he beat himself up | :06:07. | :06:11. | |
about it enormously. I said, you wouldn't be cross with me. He said I | :06:12. | :06:14. | |
am the professional, I should get it right. Even the pros get it wrong. | :06:15. | :06:20. | |
But not on the night. She kept it cool and together and did me proud. | :06:21. | :06:25. | |
You fly on whether upwards. This week, salsa. The amount of speed you | :06:26. | :06:31. | |
can deal with in a dance, I'm thinking this could be tough. I | :06:32. | :06:34. | |
think this could be such a good dance, how are you finding it? I'm | :06:35. | :06:44. | |
really enjoying it. It is fast. I go upside down quite a lot. It is a | :06:45. | :06:51. | |
whole new thing. We haven't done many lifts. We did a couple in the | :06:52. | :06:57. | |
Charleston. 100 years ago. It is a whole new... I know that at this | :06:58. | :07:01. | |
stage, you cannot afford to have any... It has got to be perfect | :07:02. | :07:06. | |
going in, not just the left. Going in and coming out. The judges say | :07:07. | :07:10. | |
that, the transition up and down. Is that a word? Absolutely. You need to | :07:11. | :07:16. | |
make it look effortless, easy. You can't show that you are preparing | :07:17. | :07:21. | |
for a lift or you can't fall out of it. The whole thing has to be | :07:22. | :07:26. | |
perfect. Really controlled. I love it, but it is our hardest routine. | :07:27. | :07:32. | |
Yeah. I'm very excited. Are you going upside down? No. Just you. | :07:33. | :07:39. | |
That is only the dress rehearsal. Kevin and Kellie! CHEERING | :07:40. | :07:48. | |
Now for the lady who has the honesty of Craig, | :07:49. | :07:50. | |
elegance of Darcey, technicality of Len, and flamboyance of Bruno. | :07:51. | :08:00. | |
Let's begin with Peter and Janette. In the dance off, 29 points for | :08:01. | :08:11. | |
their jive. Talk about Peter's weight being in the wrong place, | :08:12. | :08:16. | |
explain what they meant. His weight in the wrong place. I will start | :08:17. | :08:22. | |
with this bit of demonstration. Honestly, I was lost with the | :08:23. | :08:24. | |
performance in general because I want to see nice pics. Craig was | :08:25. | :08:30. | |
picking up on it. If his weight is too far back, could it because there | :08:31. | :08:35. | |
were a lot of dancers, lots to think about. Basically, a small | :08:36. | :08:41. | |
presentation first, not a big one, don't get excited. Just a tease. | :08:42. | :08:45. | |
Samba and jive, the body weight has to be on the balls of your feet | :08:46. | :08:51. | |
because your knees are soft. If I lock my legs back, you can see my | :08:52. | :08:55. | |
weight moves backwards. Ron Vlaar, chat show, Samba, jive. -- rumba. | :08:56. | :09:02. | |
Keep that feeling in the dance. For me, you just want to say, passed | :09:03. | :09:07. | |
that by, move on. He is still here, and to the next dance. From here on | :09:08. | :09:13. | |
in, credible couples, we will have an upset every week, who is in the | :09:14. | :09:17. | |
bottom two and it could be choreography, technique, anything. | :09:18. | :09:22. | |
We must hold tight, all of us. Jay and Aliona's salsa, 36 points. Craig | :09:23. | :09:28. | |
was happy at the facial expressions coming out and he loved he was | :09:29. | :09:32. | |
spotting, where you impressed? I loved it. From boy to man. At the | :09:33. | :09:37. | |
beginning he was sweet and kind but I looked at this and he has his eyes | :09:38. | :09:43. | |
on Aliona. Two girls and he says, move out of my way. It wasn't just | :09:44. | :09:48. | |
the brush with his arms, he used the body as he did it. We talked | :09:49. | :09:52. | |
previously, he was quite deadpan and flat with his dancing. He used his | :09:53. | :09:57. | |
body as he moved them out of the way. I love that. His whole | :09:58. | :10:02. | |
performance, the whole production, I fell in love without dance and I | :10:03. | :10:05. | |
fell in love with them as a couple. The choreography was well balanced. | :10:06. | :10:10. | |
Everything great, onto next week. Good work Jay and Aliona. Anita and | :10:11. | :10:16. | |
Gleb 's paso doble, moment on Saturday night. 37 points, | :10:17. | :10:19. | |
condiments from Darcey. On her arms. Talk me through the whole thing -- | :10:20. | :10:21. | |
complement from Darcey. We will start here, beautiful use of | :10:22. | :10:30. | |
the arms. Not just her arms, she is using her body. When she uses her | :10:31. | :10:35. | |
arm, she shakes her body as well. The ocean through her. I am just | :10:36. | :10:42. | |
overflowing here. Stand up. I've only done this once before. I'm | :10:43. | :10:49. | |
sorry, that is the best paso doble I have ever, ever seen on Strictly | :10:50. | :10:55. | |
Come Dancing. The emotion, attention to detail, the use of her arms. I | :10:56. | :10:58. | |
will demonstrate very quickly about the arms. A bit of homework on the | :10:59. | :11:06. | |
hands. One finger at a time, let's see if our cameraman is being good | :11:07. | :11:10. | |
today. One thing at a time. Bring the wrist up. One at a time, release | :11:11. | :11:19. | |
each finger. Dramatic. Four finger roll around. Practice this in the | :11:20. | :11:24. | |
audience. Roll, extend, release. Repeat. Put that into your body. How | :11:25. | :11:32. | |
powerful is that? There's more. Very, very quickly. Something must | :11:33. | :11:39. | |
have got Gleb excited, Anita must have done something amazing. There | :11:40. | :11:42. | |
is a clip, these are the things I want to show. To you watch this. | :11:43. | :11:51. | |
Listen carefully to the words, now. Stay! Did you hear him. That's made | :11:52. | :11:59. | |
me go all funny. These are the little things that would normally | :12:00. | :12:03. | |
happen on the cob addition floor. She would have said, I've done it, | :12:04. | :12:07. | |
I've done it. He was in the moment. -- on the competition floor. Stay, I | :12:08. | :12:13. | |
want the applause. My gosh, did they get it. It was fabulous. I love the | :12:14. | :12:20. | |
details. Katie and Anton's American Smooth, stunning work. 35 points. | :12:21. | :12:26. | |
Craig said some issues with the take offs and landings of the lifts. The | :12:27. | :12:30. | |
beginning. Amazing number, performance. Look at this, quite a | :12:31. | :12:35. | |
few errors. We need to pick it up for one simple reason, she must | :12:36. | :12:39. | |
learn to recover. This has all gone wrong. Maybe that wasn't even the | :12:40. | :12:44. | |
lift they were meant to do, I don't know. It continues to go wrong. What | :12:45. | :12:48. | |
I want to say to the celebrities, if you make a mistake now, learn to | :12:49. | :12:52. | |
sell your performance. You cannot let it keep running along and | :12:53. | :12:56. | |
running along. Even if it goes wrong and you were talking about it, the | :12:57. | :13:00. | |
professionals make mistakes, sell it. Last few weeks now. It could be | :13:01. | :13:05. | |
a little thing that makes it go wrong. George and Giovanni's | :13:06. | :13:08. | |
American Smooth on the highest score of the night -- Georgia. 38 points, | :13:09. | :13:15. | |
were you happy? The dancing, absolutely. We have to look at this, | :13:16. | :13:19. | |
look at the top line she has perfected, head position, connection | :13:20. | :13:23. | |
of the body. Just one little thing I have to point out to Giovanni. I | :13:24. | :13:28. | |
know he said he was doing a Viennese Waltz, American Smooth. He did a | :13:29. | :13:35. | |
Viennese Waltz. The American Smooth, they broke away, under an | :13:36. | :13:39. | |
terms, lunges, more Fred and Ginger approach -- underarm turn. The | :13:40. | :13:48. | |
quality of dancing, amazing. Very interesting. Well done to them both. | :13:49. | :13:54. | |
Helen and Aljaz show Charleston. The judges loved it but Craig wanted | :13:55. | :13:58. | |
more from her, she was quite upset after her performance because she | :13:59. | :14:02. | |
gave it her all. A stumble on the stairs, what did you think? The | :14:03. | :14:05. | |
performance, I have to pick up on this, beautiful. It is classy, | :14:06. | :14:12. | |
elegant. Coming down to whether you like a Picasso or a monarchy. It is | :14:13. | :14:17. | |
still fabulous but it is styling. -- Monet. Do you like the controlled, | :14:18. | :14:23. | |
perfected style, the more go free? I am a carefree style Charleston. | :14:24. | :14:30. | |
Handshaking, faces, go for it. We have seen those successful | :14:31. | :14:32. | |
Charlestons in the past. It is not the things that the judges and | :14:33. | :14:36. | |
audience are looking for. We have to think of these details. Kellie and | :14:37. | :14:41. | |
Kevin and their quickstep. Len filed at Ndoumbe for brilliant, where | :14:42. | :14:46. | |
would you file it? -- file it under the. | :14:47. | :14:49. | |
F for fantastic. Love it! Stop doing that to me! I | :14:50. | :14:58. | |
loved this, they just got the balance right. The backing dancers | :14:59. | :15:02. | |
were beautiful. The choreography was beautiful. The whole connection of | :15:03. | :15:08. | |
the whole thing. It closed the show beautifully. Just one little thing, | :15:09. | :15:12. | |
small details. We always talked about the bouncing off the floor at | :15:13. | :15:17. | |
Blackpool. This choreography was great. Look at the floor. You can | :15:18. | :15:21. | |
see how much it is bouncing. It really demonstrates to the public | :15:22. | :15:25. | |
the celebrities do not have this. All we can practice, they don't have | :15:26. | :15:29. | |
it on the normal set and yet they arrive at Blackpool and they have | :15:30. | :15:32. | |
to... This thing to deal with, suddenly. They all dealt with it | :15:33. | :15:38. | |
well. Blackpool was insatiable. Production, everything. Beautiful. | :15:39. | :15:42. | |
Just like your good self. Karen Hardy everybody! APPLAUSE | :15:43. | :15:46. | |
Well, I don't go anywhere without my jukebox. | :15:47. | :15:59. | |
Right, let's see what my trusty juke box has chosen for us this week. | :16:00. | :16:03. | |
Ah, I Get The Sweetest Feeling by Jackie Wilson. | :16:04. | :16:08. | |
Kevin, you always give me that sweetest feeling. | :16:09. | :16:10. | |
This song was a UK top 10 hit in 1972, | :16:11. | :16:15. | |
and has since been covered by Will Young, Jamie Cullum, and none other | :16:16. | :16:18. | |
Let us find out. will be dancing to this? | :16:19. | :16:33. | |
Yes, it's Peter and Janette who are doing an American Smooth! | :16:34. | :16:36. | |
We'll be getting all the gossip from you in just a minute. | :16:37. | :16:43. | |
MUSIC: When Doves Cry, by Prince. | :16:44. | :16:50. | |
He also played all of the instruments. | :16:51. | :17:06. | |
It's only Jay and Aliona, and they're doing a tango. | :17:07. | :17:15. | |
MUSIC: The Final Countdown, by Europe. | :17:16. | :17:26. | |
Interestingly, the iconic keyboard riff was composed by lead singer | :17:27. | :17:30. | |
Joey Tempest five years before the track was recorded. | :17:31. | :17:34. | |
It's Georgia and Giovanni, and they will be doing a paso doble! | :17:35. | :17:50. | |
Now, our professional dancers make us tingle when they're | :17:51. | :17:54. | |
But do they make each other's taste buds tingle when they're | :17:55. | :17:58. | |
Welcome to Strictly Come Dining where three of our professional | :17:59. | :18:12. | |
dancers get to know each other better by cooking their signature | :18:13. | :18:17. | |
dish before crowning one lucky lady the winner. | :18:18. | :18:24. | |
I am hoping to get to know the other dancers on a different level. I | :18:25. | :18:28. | |
would like to think there is a big chance of me winning. | :18:29. | :18:31. | |
I am excited to see what they will produce. I have heard they maybe | :18:32. | :18:35. | |
can't cook. First up, this South African | :18:36. | :18:43. | |
vegetable and bean dish served with rice. | :18:44. | :18:46. | |
Sounds incredible, can't wait to try it. | :18:47. | :18:49. | |
Here goes. My mum taught me how to cook when I | :18:50. | :18:54. | |
was 15. With my other sisters. Somebody makes the rice, somebody | :18:55. | :18:59. | |
makes a salad, I am in charge of this but I don't always do it right | :19:00. | :19:04. | |
will stop on with the rest of the vegetables and she is feeling | :19:05. | :19:07. | |
confident. At the end of the day we will see | :19:08. | :19:12. | |
why I am a dancer and not a chef. This is not working. Looks like she | :19:13. | :19:17. | |
has lost her spark. She has got it. | :19:18. | :19:20. | |
With the rice in, time for the entertainment. | :19:21. | :19:27. | |
London African drummers have been invited to accompany the traditional | :19:28. | :19:34. | |
African dish. Don't forget the rice. The African drummers came, it was | :19:35. | :19:38. | |
like home. She did a bit of dancing for us. | :19:39. | :19:44. | |
I have so much fun. Finally, Oti adds the baked beans and chillies, | :19:45. | :19:49. | |
very posh. And the chillies, fiery. | :19:50. | :19:53. | |
My mum will be so proud. Your mum is on the phone, you have ruined the | :19:54. | :19:56. | |
rice. It is meant to look like that. | :19:57. | :20:00. | |
If you say so. The food is ready. | :20:01. | :20:04. | |
Something went really wrong with my dish but I didn't tell everyone. | :20:05. | :20:10. | |
It smells lovely. I overcooked the rice, it was like a paste. | :20:11. | :20:18. | |
I called it past rice. Like soft porridge. I love porridge. | :20:19. | :20:27. | |
This looks yummy. I love it. It was absolutely delicious. So | :20:28. | :20:31. | |
different. Her dish was spicy. | :20:32. | :20:37. | |
Spicy as anything. I just had a whole chilli in my mouth. I like | :20:38. | :20:43. | |
spicy but that got me too much. Whilst they polish off the South | :20:44. | :20:47. | |
African dish, the girls question Oti on her background. | :20:48. | :20:50. | |
How did you start? I started when I was four. During | :20:51. | :20:55. | |
the week we had sports like swimming or netball, athletics. | :20:56. | :21:03. | |
We kept dancing. Now I am here. Strictly is popular in South Africa. | :21:04. | :21:09. | |
I have two other sisters, they both have done Strictly. I am the last | :21:10. | :21:16. | |
and doing Strictly in the UK. Amazing. Your mum must be so proud. | :21:17. | :21:23. | |
Cheers, girls. A beautiful starter from Oti. | :21:24. | :21:28. | |
She has got away with it, time for the spores. | :21:29. | :21:31. | |
It was great, I love the entertainment. I give her a nine. | :21:32. | :21:38. | |
I give her a nine, I love starting something new. | :21:39. | :21:41. | |
That puts her at an impressive 18. Still to come, Ola gets homesick. I | :21:42. | :21:48. | |
miss my mum and dad so much. A familiar face is back. | :21:49. | :21:54. | |
Ainsley Harriott. And Natalie dishes up. Oh, my God. | :21:55. | :21:58. | |
They jived their little socks off on Saturday night to stay | :21:59. | :22:01. | |
in the competition, and it certainly paid off! | :22:02. | :22:03. | |
Hello, and welcome, Peter and Janette! | :22:04. | :22:14. | |
Hello, my darlings. I want something to eat. I have | :22:15. | :22:31. | |
never had that. It sounds yummy. Janette, incredible boots. | :22:32. | :22:34. | |
What a wonderful weekend at Blackpool. | :22:35. | :22:42. | |
The Leader Board, how was that as an experience? | :22:43. | :22:44. | |
Three times I have been at the top. You had to experience both sides. At | :22:45. | :22:55. | |
the time, of course no one wants to be at the bottom. But it is great. I | :22:56. | :23:00. | |
have to do dancers I thought I fitted in, and some I clearly | :23:01. | :23:05. | |
haven't grasped. How did you feel about your jive? | :23:06. | :23:07. | |
I thought your jive was full of energy, and it looked like you | :23:08. | :23:11. | |
I sent a text to Jeannette saying I felt heavy footed. It is a slightly | :23:12. | :23:21. | |
different with them to the charleston where you might be | :23:22. | :23:26. | |
performing down. This is up. It is a rhythm I have never done. I still | :23:27. | :23:27. | |
loved it. How shocked were you to be bottom | :23:28. | :23:29. | |
of the judges' leader board? Well, I will be honest, I deserved | :23:30. | :23:43. | |
to be in that dance-off. I did. I have to say I don't think Jimmy you | :23:44. | :23:47. | |
should have been there I felt for her. She did her best dance. I did | :23:48. | :23:52. | |
my worst. I deserved to be in that dance-off. | :23:53. | :23:59. | |
I felt really bad for Jeannette. You don't want to let her down. It was | :24:00. | :24:04. | |
Blackpool. But we made it through, we are here. | :24:05. | :24:10. | |
And I am still buzzing. I do feel bad for Jamelia, I don't think she | :24:11. | :24:14. | |
should have been there. What did you make of the whole | :24:15. | :24:19. | |
dance-off situation? It is never fun to be in the | :24:20. | :24:23. | |
dance-off but I agree with Peter. That was properly one of our worst | :24:24. | :24:29. | |
dancers, but not in a bad way. Some will be easier. This was one which | :24:30. | :24:35. | |
never sat naturally with Pete. It is OK. | :24:36. | :24:41. | |
If you look at our reaction, we felt it was coming. It is all right. It | :24:42. | :24:47. | |
felt OK to do it in the end. It is funny, sometimes you do a | :24:48. | :24:50. | |
dance and think, I could have done it better. Then you do it again and | :24:51. | :24:55. | |
you know if you had another chance you would be brilliant. I said to | :24:56. | :24:59. | |
Jeannette, even if I did it tomorrow, I would still not quite | :25:00. | :25:04. | |
get it. It is the up by them. It might take me a bit of time. I was | :25:05. | :25:08. | |
child it at home. It is. | :25:09. | :25:14. | |
The great thing is you are here. You get to fight another day. | :25:15. | :25:23. | |
Has it... Feel the love. Has it changed your outlook being in the | :25:24. | :25:28. | |
dance-off, do feel a different man? Yes. Again, Kellie said, two weeks | :25:29. | :25:34. | |
ago she was in the bottom two, and this week she got her first ten. | :25:35. | :25:39. | |
Certain dancers will suit certain people. If I had the opportunity to | :25:40. | :25:45. | |
eventually get to the salsa, I might just shake that booty the right way. | :25:46. | :25:55. | |
Can you even imagine it, ladies! Len, would you like to prove to Len. | :25:56. | :26:03. | |
Len is brill than he gave me the first ever ten on this series. And | :26:04. | :26:08. | |
he gave me a standing ovation. And he said, when you do something | :26:09. | :26:12. | |
worthy of a ten, I will give it to you. You can't be so happy when he | :26:13. | :26:17. | |
gives you a ten, then when he says he didn't do well, complain. Happy | :26:18. | :26:25. | |
faces. Now, Peter, | :26:26. | :26:28. | |
we don't want to be too downcast, and one thing I like about you is | :26:29. | :26:30. | |
that you can turn any situation into I did have a great time, we had a | :26:31. | :26:43. | |
ball. A ball room. Boss Pasha the one who had the | :26:44. | :26:47. | |
things here. Frankenstein. If he doesn't improve, he will get it in | :26:48. | :26:52. | |
the neck. Jack Sparrow, the whole book? | :26:53. | :26:58. | |
When she told me, I said, are you serious. | :26:59. | :27:08. | |
Neater than your normal hairstyle. The | :27:09. | :27:14. | |
And, so you never forget any of your puns, here's your very own Peter's | :27:15. | :27:17. | |
We revealed your song earlier, I Get The Sweetest Feeling! | :27:18. | :27:26. | |
How are you feeling about this dance? | :27:27. | :27:35. | |
That good? It has actually been really good. I really liked it | :27:36. | :27:41. | |
because it had elements of different things we have done. | :27:42. | :27:45. | |
Providing it can flow and again, getting in and out of lists which we | :27:46. | :27:51. | |
do this week. We did that in charleston. | :27:52. | :27:54. | |
do this week. We did that in It should be a nice experience, I | :27:55. | :27:57. | |
hope. What can we expect? I want it to be | :27:58. | :28:02. | |
happy, uplifting, a breath of fresh air. | :28:03. | :28:06. | |
We had a rough week in Blackpool, I want to put that behind us and be | :28:07. | :28:10. | |
grateful to be here incredible condition. | :28:11. | :28:17. | |
Instead of being an Australian rough, I've got to be an American | :28:18. | :28:19. | |
Smooth! A big thank-you to all | :28:20. | :28:23. | |
of our guests. Tune in tomorrow when I'll be | :28:24. | :28:34. | |
joined by Helen and Aljaz. And Ian Waite will be giving us | :28:35. | :28:36. | |
his weekly warm-up. Plus, we're off to Copenhagen with | :28:37. | :28:39. | |
Karen Hardy, as she goes behind the scenes of Denmark's very | :28:40. | :28:41. | |
own version of Strictly. This week, everybody's been loving | :28:42. | :28:54. | |
The Great Pottery Throw Down... | :28:55. | :29:01. |