Browse content similar to Episode 44. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
On tonight's show, we've got some of the best costume designer in the | :00:17. | :00:19. | |
We also have Anita and Gleb somewhere in the building. | :00:20. | :00:22. | |
Live, from London, this is Strictly It Takes Two. Please welcome your | :00:23. | :01:17. | |
host, Zoe Ball. APPLAUSE | :01:18. | :01:17. | |
# Hello and welcome to your Thursday | :01:18. | :01:21. | |
edition of It Takes Two. Tonight, we have the man behind the | :01:22. | :01:22. | |
magic, choreographer extraordinaire, And after that Paso Doble, | :01:23. | :01:25. | |
we've got the king and queen Plus, Vicky Gill has the keys to | :01:26. | :01:32. | |
this week's dressing up box and But first, we would like to | :01:33. | :01:41. | |
pick your brains, dear people. Just for fun, we would like to know | :01:42. | :01:48. | |
who has been your favourite female There are six gorgeous ladies to | :01:49. | :01:52. | |
choose from. 1. Natasha Kaplinsky | :01:53. | :01:57. | |
2. Jill Halfpenny 3. Alesha Dixon | :01:58. | :02:00. | |
4. Kara Tointon 5. Abbey Clancy | :02:01. | :02:01. | |
6. Caroline Flack by heading online to | :02:02. | :02:08. | |
bbc.co.uk/ittakestwo The vote closes at 6.45pm tonight, | :02:09. | :02:13. | |
so you've only got 15 minutes. We'll reveal the results at the end | :02:14. | :02:20. | |
of the show. Now, he is the grand master of the | :02:21. | :02:23. | |
ballroom and is responsible for some of the most breathtaking moments of | :02:24. | :02:26. | |
the series so far. Welcome back to Jason Gilkison. We | :02:27. | :02:56. | |
must say congratulations, because you are engaged. I know, finally. | :02:57. | :03:02. | |
Off the market. Officially off the market. It is the year of love. Next | :03:03. | :03:09. | |
year is going to be very, very busy for frocks and hats. Splendid work | :03:10. | :03:13. | |
up in Blackpool. Such an incredible show. Did it live up to expectation | :03:14. | :03:19. | |
for you? I think it was the best Blackpool we have done. On Pape ter | :03:20. | :03:23. | |
looked like it would be amazing but when we got there, the dress runs | :03:24. | :03:28. | |
and everything came to life. I was very happy. -- on paper. The Lindy | :03:29. | :03:38. | |
hop, upstairs Downstair was phenomenal. Where do you begin | :03:39. | :03:42. | |
choreographing a moment like that? It took a long time, we have Lindy | :03:43. | :03:47. | |
hop dancers, the extras, the pros, even the celebrities coming in in at | :03:48. | :03:51. | |
the end, when they first saw that number and only stepped into it that | :03:52. | :03:55. | |
week, so they had little time to learn it but the pros have been | :03:56. | :03:57. | |
putting this together since August. How do they remember it. Who forgets | :03:58. | :04:16. | |
and who is the noughtiest? Aljaz is pretty naughty but he doesn't | :04:17. | :04:20. | |
forget. They are all good. Well done to the celebrities, to come in on | :04:21. | :04:26. | |
that routine, they did brilliantly. Who was your star pupil? This group, | :04:27. | :04:31. | |
the most driven, focussed lot I came across. They were all in the other | :04:32. | :04:35. | |
room, the pros were working on the routine, they went away. I went to | :04:36. | :04:39. | |
check on them 30 minutes later and they were like - we've got it. And | :04:40. | :04:43. | |
all having a group hug. Three weeks to the final. That could all change. | :04:44. | :04:47. | |
We have asked some viewers to send in questions for you. This is from | :04:48. | :04:54. | |
CaitliN how long have you been dancing? Oh, since I was four, | :04:55. | :04:58. | |
that's going to give away my age, so, 46 years now. Nice maths there. | :04:59. | :05:05. | |
What did you start dancing with, pop dabsing or tap? My grandfather | :05:06. | :05:09. | |
opened the first ballroom studio in Australia. He was from Scotland. I | :05:10. | :05:14. | |
started in his studio. When I came over to London, like when I was 18, | :05:15. | :05:19. | |
I started ballroom dancing here and my first teacher here was Len | :05:20. | :05:24. | |
Goodman. I was a student of Len's. It comes full circle. When you said | :05:25. | :05:28. | |
your age - you look amazing. The secret. | :05:29. | :05:32. | |
When you are putting together a huge big number, how does it all come | :05:33. | :05:35. | |
together? Where does the influence come from? Well, I mean when we all | :05:36. | :05:42. | |
get together earlier in the year, we watch so many old videos, different | :05:43. | :05:46. | |
movies, themes that have been done in different countries. We get great | :05:47. | :05:50. | |
ideas also off the other franchises of Strictly. You know, Dancing with | :05:51. | :05:57. | |
the Stars. The Indian and French one, they all do incredible stuff. | :05:58. | :06:02. | |
We think - how can we do that, or how can we do it better? The thing | :06:03. | :06:06. | |
we have here, we have incredible professional ballroom dancers in our | :06:07. | :06:09. | |
show, more than any other country. We are lucky. We really R we are | :06:10. | :06:14. | |
able to bring the technique to the forefront. -- we really are. We | :06:15. | :06:21. | |
throw out ideas and throw things at the pros. I'm so proud of the pros | :06:22. | :06:25. | |
this season, they have stepped up more than ever before. And what | :06:26. | :06:30. | |
about the three new business? The choreography those three are coming | :06:31. | :06:34. | |
up with is off the chart. It is probably the best start we have ever | :06:35. | :06:40. | |
had. Gleb is well chuffed. Except Gleb. No, I'm joking. | :06:41. | :06:48. | |
The trailer you z it was spectacular. Let's remind ourselves. | :06:49. | :07:00. | |
# Swing your hips now # Come on baby number jump up, jump | :07:01. | :07:06. | |
back # Well I think you've got the | :07:07. | :07:11. | |
knack...# Go Craig. Craig comes in It was so | :07:12. | :07:18. | |
much fun. We have never done an on-location shoot for the launch | :07:19. | :07:21. | |
show. We thought it was a great way to start the season a big train trip | :07:22. | :07:26. | |
to Elstree. You are already thinking about next year. I haven't actually. | :07:27. | :07:31. | |
I bet Craig has plans. Another question from Nathan - why have we | :07:32. | :07:37. | |
not had an Argentine tango-based pro dance yet? We were in the midst of | :07:38. | :07:41. | |
doing that or a Lindy hop number this year. We went with the Lindy | :07:42. | :07:45. | |
hop for Blackpool. I think next year the thing we'll probably do is an | :07:46. | :07:49. | |
Argentine tango group number. We have never done it B I think all the | :07:50. | :07:54. | |
pros now have done it on the show, including Anton. -- done it before. | :07:55. | :07:59. | |
No excuse. It is going to be good. Have you seen it? Yes, it is pretty | :08:00. | :08:06. | |
good. You joined the judging panel of So You Think You Can Dance in | :08:07. | :08:11. | |
Australia alongside Paula Abdul. How is it to judge rather than | :08:12. | :08:15. | |
choreograph? It is different. I feel it is like what I do each day, I'm | :08:16. | :08:22. | |
giving feedback to the dancers. I prefer being behind the camera. It | :08:23. | :08:25. | |
was different. Paula was lovely. She is incredible. A great question from | :08:26. | :08:30. | |
Emma - how do you auditions work for pro dancers? Is there a global dance | :08:31. | :08:35. | |
audition and how do you find the new pro dancers? We are all always on | :08:36. | :08:39. | |
the lookout, all over the world. We go and visit the other countries and | :08:40. | :08:45. | |
see good pro dancers. Oti coming out of South Africa. Her big centre is | :08:46. | :08:50. | |
the judge in Germany and she has been on our radar. She said - you | :08:51. | :08:54. | |
know I have a younger centre who is good. She auditioned. We knew Gleb | :08:55. | :08:58. | |
from the US one and also Australia, that's when I ran into him and | :08:59. | :09:08. | |
worked for him. Giovanni we found just wandering around Soho. No, | :09:09. | :09:13. | |
bless him. I'm the first person he met on the show. He still calls me | :09:14. | :09:18. | |
boss, I think he thinks I run the BBC. Any pro dancers out there, | :09:19. | :09:22. | |
shall they send their videos to you? Yes, put them on YouTube. What are | :09:23. | :09:26. | |
the exciting pro dances still to come? My favourite is the one we do | :09:27. | :09:31. | |
in the finale when everybody comes back. I love that one. We don't put | :09:32. | :09:37. | |
that together until the week of the show. I can't wait to see Jamelia, | :09:38. | :09:40. | |
Carol, everyone come back again, and Jeremy. Jeremy, a big starring role. | :09:41. | :09:45. | |
Hopefully there will be a horse involved. You are going to be | :09:46. | :09:49. | |
telling us about the quickstep-a-thon later. But for now, | :09:50. | :09:51. | |
Jason Gilkison. Fridays on It Takes Two kick off | :09:52. | :09:54. | |
at the earlier time of 6pm. We are back stage with Aled Jones at | :09:55. | :10:10. | |
Elstree as the Magnificent 7 rehearse for Saturdays show. And the | :10:11. | :10:16. | |
ever-entertaining Eamonn and Ruth air their views. And Karen Hardy | :10:17. | :10:22. | |
visit Denmark to see how they do Strictly Scandi-style. | :10:23. | :10:26. | |
It Takes Two, live on Fridays, at 6.00pm. | :10:27. | :10:27. | |
Thank you Peter. Their passionate and fiery | :10:28. | :10:31. | |
paso doble had the entire nation Well, feel free to exhale... | :10:32. | :10:33. | |
it's Anita and Gleb. APPLAUSE | :10:34. | :10:52. | |
Anita and Gleb. Ole! Well done. You were just incredible. | :10:53. | :10:59. | |
It was a proper hashtag wow moment your paso doble on Saturday. How did | :11:00. | :11:04. | |
it feel out on the floor when the whole of the Tower Ballroom erupted. | :11:05. | :11:08. | |
I have never heard anything like that? It was like an outer body | :11:09. | :11:14. | |
experience. It took me a minute to process it and register what | :11:15. | :11:17. | |
happened. We did our ending and moment. And we walked off and it was | :11:18. | :11:23. | |
Gleb who said - look, they are still on their feet. It was amazing, | :11:24. | :11:26. | |
amaze, overwhelming. And your mum and dad there as well. Did they get | :11:27. | :11:32. | |
really emotional? For us, I think all of us felt - we are in week 10 | :11:33. | :11:38. | |
now, so we are in t I'm totally consumed for the world of strikly. | :11:39. | :11:42. | |
For them, it was like, they are in Blackpool, with the hottestk tickets | :11:43. | :11:45. | |
in town, ringside seats and then their daughter came out and | :11:46. | :11:47. | |
performed that, they were delirious. They can't believe it. Delirious is | :11:48. | :11:54. | |
a word. We were delirious in our household watching you. You were | :11:55. | :11:58. | |
like a different Anita Rani. Look at you on the floor. Bruno said you | :11:59. | :12:02. | |
commanded the proceedings. Where did the confidence come from? That's | :12:03. | :12:09. | |
you. I can't believe it. LAUGHTER | :12:10. | :12:13. | |
Gleb is like - you know what,'s he quite good that guy. Where did the | :12:14. | :12:17. | |
confidence come from? We trained. We trained hard. She worked so hard. | :12:18. | :12:23. | |
She worked so many hours a day. I tell you, for a person who has never | :12:24. | :12:27. | |
danced before, with zero experience, coming out and doing that, is just | :12:28. | :12:29. | |
unbelievable. APPLAUSE | :12:30. | :12:34. | |
Exactly. Oh my goodness. He is a brilliant | :12:35. | :12:39. | |
teacher. We work hard together and now, absolutely Gleb knows how to | :12:40. | :12:45. | |
get me going and what buttons to push. Do it again, do it again, | :12:46. | :12:49. | |
straighten the legs. That made me fall off the sofa. Let's talk about | :12:50. | :12:55. | |
that moment at the end, the dance to an end, you go to stand up, Gleb | :12:56. | :13:00. | |
told you, no, no, stay. What were you doing, you were like, take the | :13:01. | :13:04. | |
applause? We rehearsed that moment. When we finished the dance, you | :13:05. | :13:08. | |
still have to stay a little bit of a moment to let the audience enjoy | :13:09. | :13:12. | |
that and feel that energy and power of the dance. You don't just come | :13:13. | :13:16. | |
out of it like this because you put yourself into it before you go on | :13:17. | :13:20. | |
the floor, even walking on the floor in the paso, you have to walk | :13:21. | :13:25. | |
already in the zone. And when you do a dance, just don't come up like - | :13:26. | :13:29. | |
oh my God, everything is happy. So it was great. We rehearsed that | :13:30. | :13:34. | |
moment. I was like - just stay. Stay. He said it again. | :13:35. | :13:40. | |
Congratulations. Your first 10. Your highest score. And so deserved. How | :13:41. | :13:49. | |
did it feel? Amazing. A 10 from Darcey but a 9 from Craig. | :13:50. | :13:56. | |
Effectively a 10. Basically a 10. So spectacular and brilliant and for it | :13:57. | :14:00. | |
to happen in Blackpool, in the North in the incredible ballroom. The | :14:01. | :14:04. | |
whole thing was magnificent. It couldn't get any better, could it? | :14:05. | :14:11. | |
You have huge fans, Mel goad roik on the fan was saying how he loved you | :14:12. | :14:17. | |
and Dan Walker and Karen Hardy had this to say about you. I've only | :14:18. | :14:23. | |
done this once before. Stand up, Karen. I'm sorry, that is the best | :14:24. | :14:31. | |
paso doble I have ever, ever seen on Strictly Come Dancing. Wow. | :14:32. | :14:33. | |
Wow. How does that feel? Unbelievable. | :14:34. | :14:39. | |
Unbelievable. For Karen to say that? She is a World Champion. She is | :14:40. | :14:46. | |
amazing, a goddess. I love, Gleb, he is so cool. What did you think of | :14:47. | :14:52. | |
the scores? Were you happy? Some people thought she was under-marked | :14:53. | :14:57. | |
and should have got 10. ? Do you know what I'm happy with the scores, | :14:58. | :15:02. | |
it doesn't matter if it is 8 or 6. It is about the progress, the dance, | :15:03. | :15:05. | |
the performance, how you feel. I felt great, you felt great. We felt | :15:06. | :15:09. | |
great. You felt great. Everything came together. It was great. Rumba | :15:10. | :15:14. | |
this week, the rum barks not always the favourite with the celebrities. | :15:15. | :15:19. | |
Gleb did a big sigh, how has it been going? -- rumba. Really difficult. | :15:20. | :15:27. | |
The choreography Gleb's brought to this has a lot of content. It's so | :15:28. | :15:33. | |
different to the paso. But every week is difficult for me. Every week | :15:34. | :15:38. | |
is hard. Every week we go on the same journey together. But there's | :15:39. | :15:43. | |
something about the rumba that is so exposing and so sensual. As a woman, | :15:44. | :15:49. | |
I think... Show me hands. Come on, do it! You have to breathe into it. | :15:50. | :15:56. | |
It's not just... It's like... Perfect, when he tells you to do | :15:57. | :16:03. | |
something you're like... We had a peek at your training yesterday. | :16:04. | :16:11. | |
Emotions are high. Don't bend. Up. He can shout, scream, flutter his | :16:12. | :16:15. | |
eyelids. None of it affects me. Just teach me to dance the rumba. Yeah, | :16:16. | :16:20. | |
how tense does it get? I've done if. I remember me and Ian falling out. | :16:21. | :16:26. | |
Me crying saying, I can't do this. I haven't cried. The whole of the | :16:27. | :16:30. | |
Strictly experience is tough though, isn't it? Just learning to dance. | :16:31. | :16:36. | |
Yet now, this is my personality anyway. If I'm going to do something | :16:37. | :16:41. | |
I do it and give it my best shot. I don't want to let myself down or | :16:42. | :16:45. | |
Gleb. There's a lot of hard work going into it. You know you're not | :16:46. | :16:51. | |
letting me down. Oh, God, you're going to make me emotional. What | :16:52. | :16:55. | |
kind of teacher are you, Gleb? Quite tough? I'm just honest. Straight to | :16:56. | :17:00. | |
the point. I don't want to mess around. Waste time trying to | :17:01. | :17:08. | |
explaining and maybe please the person and say no, everything's | :17:09. | :17:14. | |
good. I do encourage you but I want to explain to her what the real | :17:15. | :17:19. | |
dancing is like. We're well matched. We're both hard working, a grafter. | :17:20. | :17:24. | |
I don't need to be told brilliant. If it's not, don't tell me. Until | :17:25. | :17:28. | |
I've done it on the night then we can talks about how well it's gone. | :17:29. | :17:31. | |
Until that point, you just never know. Good luck this weekend. I'm | :17:32. | :17:35. | |
imagining it will be quite special. Anita and Gleb. | :17:36. | :17:38. | |
CHEERING Now, she may have saved a few | :17:39. | :17:39. | |
pennies last weekend by convincing our Gleb to dance topless, | :17:40. | :17:41. | |
at least for half the performance, but let's see if she's blown | :17:42. | :17:44. | |
the wardrobe budget this week? Vicky's here. Hello. A big hug from | :17:45. | :18:08. | |
all of us to all of you for such a brilliant weekend of costumes. There | :18:09. | :18:12. | |
were so many up in Blackpool. We lost count. We had a great time. | :18:13. | :18:15. | |
Everyone was tired but we had a great time. A bit of a shindig | :18:16. | :18:19. | |
afterwards. Everyone had a few dance. All deserved. On to this | :18:20. | :18:26. | |
week. We start with Georgia's paso doble. This looks stunning. | :18:27. | :18:31. | |
Inspiration? Slightly different to the normal paso doble dress. We've | :18:32. | :18:35. | |
lots of ribbons going on in different bands to mirror the | :18:36. | :18:39. | |
bodice. We'll have a look. On a Friday they get chopped up. I don't | :18:40. | :18:46. | |
like it, it might change. Talk about the bodicing. The colour of the | :18:47. | :18:50. | |
crystal on the bodice is cobalt. One of my favourites. And jet. Not as | :18:51. | :18:55. | |
many as we think on this one. About three packets. So about 3,000 | :18:56. | :19:03. | |
crystals. Giovanni. A rock theme, will Giovanni be rocked up? He will. | :19:04. | :19:09. | |
He'll try to persuade me he'll be going topless. Does anyone want to | :19:10. | :19:15. | |
see that? Mixed reaction. Go for it! This belongs to Helen. She's doing | :19:16. | :19:22. | |
Viennese waltz. A white overlay over a pale Turk wise base. The hemline | :19:23. | :19:28. | |
of this I love. Three different #wi9eds of crin. About 65 metres | :19:29. | :19:33. | |
goes into the bottom of this one. 65 metres. You've gone mad, woman. | :19:34. | :19:37. | |
Amazing. I love the gold and blue over the white on top. This may | :19:38. | :19:42. | |
change a bit. It may be too heavy. We'll see. This is Anita's, a sketch | :19:43. | :19:49. | |
for her rumba dress. What can you tell us? As you can see, it's very | :19:50. | :19:55. | |
simple, light and fluid. With white dresses, sometimes you can put too | :19:56. | :19:59. | |
many crystals and it becomes silver. For tomorrow's #3ur purposes we've | :20:00. | :20:04. | |
kept it plain and it's white. We've lace embellishment over the shoulder | :20:05. | :20:09. | |
and down the back. Gleb will decide whether we want more Georgette or | :20:10. | :20:13. | |
less. If it's Motherwell' embellish the bottom heavily so it comes | :20:14. | :20:17. | |
through. Gleb will look at that and say it will work for the moves or | :20:18. | :20:23. | |
not? We'll discuss it and fight and then decide. Thank you. This is | :20:24. | :20:30. | |
Katie's Argentine tango? It is. Unusual colour choice for Argentine | :20:31. | :20:34. | |
tango. Kate did the rumba a couple of weeks ago. I felt we couldn't go | :20:35. | :20:38. | |
back into the glycs and dark colours. Anton will be in a deep | :20:39. | :20:43. | |
green velvet waste coat and trousers. Very on trend! Green | :20:44. | :20:50. | |
velvet. That sounds special. This is my sketch. A bit bright. Once the | :20:51. | :20:57. | |
emerald AB crystals are all over it, it will take the colour back a bit. | :20:58. | :21:00. | |
We'll have to work with the colour tomorrow. Hopefully, it will be OK. | :21:01. | :21:05. | |
Stunning work. You're doing amazing work. Three weeks left. Three weeks. | :21:06. | :21:11. | |
7,000 more costumes, Vic I Vicky. Thank you to gorgeous Vicky Gill. | :21:12. | :21:12. | |
Now, let's check out another trick of the trade | :21:13. | :21:16. | |
from our friends in the Strictly wardrobe department. | :21:17. | :21:25. | |
Hello, I'm the design room supervisor for Strictly. I work | :21:26. | :21:31. | |
closely with the design team to make sure their vision comes to life | :21:32. | :21:34. | |
every Saturday night. A trick of the trade I like to use is a | :21:35. | :21:39. | |
disappearing pen. I use this pen because it's much more accurate than | :21:40. | :21:44. | |
chalk. It doesn't leave any unwanted Martian on the fabric. It disappears | :21:45. | :21:48. | |
after a few hours. That is my trick of the trade. The disappearing pen! | :21:49. | :21:54. | |
Thank you Alesia. On tomorrow's show we have Katie and Georgia on the | :21:55. | :21:57. | |
sofa and we want you to get involved. Simply send in your | :21:58. | :22:01. | |
questions for the girls using the #Ask I-T-T. | :22:02. | :22:03. | |
Now, they've been busy in the kitchen all week | :22:04. | :22:06. | |
and today Ola Jordan plays host, but who will win? | :22:07. | :22:08. | |
It's the final instalment of Strictly Come Dining. | :22:09. | :22:15. | |
Welcome back to Strictly come dining. After two successful dishes, | :22:16. | :22:22. | |
it's on to Ola's dessert. One dancer will be crowned the winner of the | :22:23. | :22:28. | |
Strictly sparkly spoon. Today, I'll bring a lot of cake to the Strictly | :22:29. | :22:34. | |
come dining party. Croissants with bakery delights. I've never tried | :22:35. | :22:41. | |
Polish desserts. SAS far as I know, Ola does not know how to cook. I | :22:42. | :22:45. | |
think that's why she went for the dessert? Ola's headed back to her | :22:46. | :22:54. | |
routes, the master baker. My grandma used to do that. Your turn. Not very | :22:55. | :23:00. | |
good at this. He looks like my dad. Keep it steady. Ola needs practice. | :23:01. | :23:05. | |
I used to help my grandma doing things like this. What? You've done | :23:06. | :23:15. | |
this before? SPEAKING POLISH Basically, we have to put it in the | :23:16. | :23:21. | |
oven. Anyway, it's out of the oven, a bit of icing and a sprinkling of | :23:22. | :23:26. | |
nuts. I'm getting other bits and pieces and pretend I've made them | :23:27. | :23:31. | |
too. Cheeky! Back to the kitchen. Those look amazing. The girls worked | :23:32. | :23:36. | |
really hard in the kitchen but I think I did a good job at the | :23:37. | :23:39. | |
bakery. They'll be the judge of that. There we are. Did you make | :23:40. | :23:47. | |
this? Yes, I did, this morning. Oh, my goodness. All of them? Yes where, | :23:48. | :23:54. | |
all of them. Every dessert under the sun came out. Oh, my goodness. What | :23:55. | :24:02. | |
are they called? Cheesecake. How did you make them? This is with apple. | :24:03. | :24:08. | |
You've got pastry on the bottom, apples and pastry on the top. Good | :24:09. | :24:15. | |
work! Are you sure you made this? I don't even think of the names when I | :24:16. | :24:19. | |
do them. I just mix things together and it comes out. Is this rhubarb? | :24:20. | :24:27. | |
She has no idea! He yeah. Whoever made it, it was such a good dish. I | :24:28. | :24:33. | |
couldn't speak. Do we think she got away with it? Whilst I taste these | :24:34. | :24:39. | |
yum gentlemen desserts tell me about your world. Do you miss home? I miss | :24:40. | :24:44. | |
my mum and dad. The older I get I miss my mum and dad in Poland. Ola, | :24:45. | :24:50. | |
how long have you been doing Strictly? Ten years. Wow! A long | :24:51. | :24:55. | |
time. The nerves don't get any better. I do get nervous. I want to | :24:56. | :25:00. | |
do well. I want my partner to do well. What's been your highlight? | :25:01. | :25:06. | |
Winning but just taking someone who never danced before, taking them a | :25:07. | :25:09. | |
long way in the competition and them enjoying the experience. That's it | :25:10. | :25:13. | |
for me. ALL: Cheers. That's nice. But who's | :25:14. | :25:19. | |
the winner. Before the last dish Natalie was top of the scoreboard. I | :25:20. | :25:26. | |
will give it a 9. It could be a 10 but I'm not sure who made this. I'm | :25:27. | :25:31. | |
going to give Ola... Hang on, don't give away the winner yet. The moment | :25:32. | :25:38. | |
of truth. In third place is... Ola. It's been a great night with the | :25:39. | :25:44. | |
girls tonight. In second place we have, O'Ity. Tonight has been a lot | :25:45. | :25:52. | |
of fun -- Otti. I got to know the girls a little bit more. Giving Ola | :25:53. | :25:58. | |
an 8, Natalie wins. Tonight has been filled with lots of fun, good food. | :25:59. | :26:04. | |
Amazing company with my Strictly pro girlfriends and I get to take home | :26:05. | :26:08. | |
the Strictly spoon. What more could a girl want? Well done Natalie Lowe. | :26:09. | :26:18. | |
Jason and I are popping round later for linguine. | :26:19. | :26:19. | |
Now, earlier in the show we asked you to vote for your favourite | :26:20. | :26:21. | |
I can now reveal that your winner is... | :26:22. | :26:32. | |
Kara Tointon. She'll be very happy with that. Thank you for taking | :26:33. | :26:42. | |
part. Lord of Strictly manor Jason Gilkison has joined us to talk about | :26:43. | :26:45. | |
this week's stepathon. What will be happening? Absolute carnage, we | :26:46. | :26:52. | |
think. Hopefully. All seven couples on the floor at the same time. 90 | :26:53. | :26:56. | |
seconds of quickstep. Probably no set routine. Like a ballroom | :26:57. | :27:01. | |
competition. I love this. This is like proper ballroom competition. | :27:02. | :27:05. | |
They have 27 couples on the floor. How will the judges score that? What | :27:06. | :27:10. | |
they end up doing is putting them in an order of one to seven after | :27:11. | :27:14. | |
they've seen them dance at the same time. But the couples have to dodge | :27:15. | :27:17. | |
each other. Avoid crashing into each other. Keep their routine going. | :27:18. | :27:22. | |
It's crazy. Some of them haven't done quickstep since week two or | :27:23. | :27:26. | |
three. Some did it last week. Those who did it last week are home and | :27:27. | :27:30. | |
dry. Do you get the tap on the shoulder from the judges or do they | :27:31. | :27:35. | |
hold your name up? They'll save it until the end. Keep them all on the | :27:36. | :27:41. | |
floor. What will the judges be looking for? It is about keeping | :27:42. | :27:47. | |
cool and calm when you're in that crazy quickstep atmosphere. Keep | :27:48. | :27:51. | |
your footwork going. Not letting all the stress of the couples around you | :27:52. | :27:55. | |
get to you. I'm looking forward to this. We need to know more about the | :27:56. | :28:01. | |
art of the quickstep. I've enlisted some help. I didn't write this item | :28:02. | :28:07. | |
myself, I promise you. What are we looking for in the art... Thanks, | :28:08. | :28:15. | |
hi. That's pretty good. A little turning chassis. Apparently it's | :28:16. | :28:20. | |
about into are awareness? Sorry about the your foot, love! It's | :28:21. | :28:26. | |
speed. A lot of speed involved. Hi, honey. Is this right? Are you | :28:27. | :28:31. | |
worried about the quickstep-a-thon, Gleb? No, not at all. Thank you so | :28:32. | :28:38. | |
much gentlemen. I think you two should dance together. Oh, | :28:39. | :28:41. | |
And there we must leave it for tonight my lovelies. | :28:42. | :28:47. | |
On tomorrow's show we catch up with Katie and Anton | :28:48. | :28:51. | |
Aled Jones is backstage at rehearsals. | :28:52. | :28:55. | |
Plus, Eamonn Holmes, Ruth Langsford and Kimberly Wyatt | :28:56. | :28:59. |