Browse content similar to Episode 45. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Look at this plush sofa, and all the glitter. | :00:00. | :00:07. | |
Tonight on It Takes Two, we've got everything you need to | :00:08. | :00:15. | |
We're bringing you high kicks, quick flicks and top tricks straight | :00:16. | :00:21. | |
I'm at the helm of this Strictly ship. | :00:22. | :00:32. | |
Live from London. This is strictly It Takes Two. Please welcome your | :00:33. | :01:36. | |
Here we go. Take it away! Loving his work. | :01:37. | :01:57. | |
Well done to Andy Murray. Good luck to Team GB tomorrow. | :01:58. | :02:02. | |
And it looks like we're not the only ones. | :02:03. | :02:04. | |
We've got the gorgeous Georgia and Giovanni, and the ever-elegant | :02:05. | :02:09. | |
Katie and Anton getting in some last minute practice. | :02:10. | :02:21. | |
And I spy tonight's Friday Panel, Eamonn, Ruth and Kimberly Wyatt | :02:22. | :02:25. | |
They'll be reporting back to us later. | :02:26. | :02:31. | |
Now, there's definitely something "in the air" tonight - maybe it's | :02:32. | :02:34. | |
because Aled Jones has spent the day over at the Strictly Studios | :02:35. | :02:37. | |
Thank you. I am so excited to be back here in Strictly. I have my | :02:38. | :02:52. | |
fake tan on especially, but over there, more fake tan than you have | :02:53. | :02:57. | |
seen in your life. The pros are putting the finishing touches to the | :02:58. | :03:02. | |
group dance, they will perform to Peggy Lee I'm A Woman. Looks good. | :03:03. | :03:11. | |
Aljaz there, he modelles himself on me by all accounts! If you believe | :03:12. | :03:15. | |
that you will believe anything. We will go to wardrobe first. It is | :03:16. | :03:21. | |
noisy, isn't it P Watch your step. You are not as young as you used to | :03:22. | :03:27. | |
be. Lovely autocue lay lady. Hello my love. All right. She is gorgeous. | :03:28. | :03:34. | |
It is not as glamorous as you would imagine. That is the nerve centre. | :03:35. | :03:40. | |
That is what the bosses hang out. Nice gentleman holding the door for | :03:41. | :03:45. | |
us as well. Come on through. It is all a bit purple. Do you think I | :03:46. | :03:53. | |
clash? Yes, I would say so. Right, in wardrobe, Gleb and Anita, they | :03:54. | :03:56. | |
should be having their final costume fitting. Shall we go in. I'm a | :03:57. | :04:02. | |
gentleman. Come on, let's go. Hello. Hello wardrobe. Where is she? There | :04:03. | :04:11. | |
she is. The vision. How you? Nice to see you, you have swapped partners. | :04:12. | :04:17. | |
I am dancing with Anton. Are you OK? Not too bad. Final costume fitting. | :04:18. | :04:23. | |
I see the genius that is Vicky and her team. This is the first time I | :04:24. | :04:27. | |
have tried on my outfit for tomorrow. It is elegant. Simple. | :04:28. | :04:34. | |
Angelic. Like you. Perfect for the sexy rumba. Just what you need. It | :04:35. | :04:41. | |
is gorgeous. It really is. How long has this been going on for? About 20 | :04:42. | :04:47. | |
minutes. It is hard for Anita, we will have skirts where we say we | :04:48. | :04:50. | |
might put it here or here or here. She is there going, I don't know | :04:51. | :04:55. | |
where to put it. Please. Longer I used to say. That is funny, they | :04:56. | :05:00. | |
know how I have changed. They have seen our shapes change and they have | :05:01. | :05:03. | |
seen our personalities change as well. It does happen. At the | :05:04. | :05:07. | |
beginning the first outfit this brilliant woman put on me, my launch | :05:08. | :05:11. | |
outfit. I remember looking at it thinking no way am I wearing that | :05:12. | :05:17. | |
and today I was like, do you think we can... Does Gleb play a part? He | :05:18. | :05:26. | |
was round, has he gone? He is getting his trousers on. This is | :05:27. | :05:31. | |
what we want to see. This is the boys' changing room. Get out you | :05:32. | :05:37. | |
weirdo. You get used to seeing everybody in their pants. That is | :05:38. | :05:42. | |
the best bit. Why did I say that? The pros are passionate about what | :05:43. | :05:46. | |
they are been doing all week. We are passionate about trying to deliver | :05:47. | :05:51. | |
the show on a Saturday. Everybody is putting their thoughts and wishes | :05:52. | :05:54. | |
forward but everybody has best intention and want just, you know | :05:55. | :06:00. | |
for the show to be. Gleb has a say. We will be there like that. Do you | :06:01. | :06:07. | |
find the celebs lose weight. I lost two-and-a-half stone. Wardrobe hated | :06:08. | :06:12. | |
me. Lilia called me Shrek and Five Bellies the first day. Then I was | :06:13. | :06:18. | |
slimmer than the pros. It is hard to believe! We have been talking about | :06:19. | :06:24. | |
today, we feel people change in terms of length and tone. I think | :06:25. | :06:31. | |
you look lovely. You really do. Positive thinking. Back to you Zoe, | :06:32. | :06:36. | |
I will help Anton get into his costume. If you could be quick, that | :06:37. | :06:41. | |
would be great. The American smooth on Saturday was smoother than Len | :06:42. | :06:42. | |
Goodman on a night out. And believe me, | :06:43. | :06:46. | |
he is one smoooooth operator! MUSIC: "Smooth Criminal" | :06:47. | :06:47. | |
by Michael Jackson APPLAUSE | :06:48. | :07:17. | |
Welcome my lovely glamour pusses. They are lovely. How did you change | :07:18. | :07:23. | |
so quickly? The magic of television. There wases a glimpse of ankle. | :07:24. | :07:28. | |
Showing them on television. Well done at the weekend. You said last | :07:29. | :07:33. | |
week how excited you were about taking your American smooth to | :07:34. | :07:36. | |
Blackpool with this lovely man, was it all like a dream Katie? It was | :07:37. | :07:39. | |
like a dream. I am not going to lie. It was just lovely. It was the sort | :07:40. | :07:45. | |
of perfect dance, I thought, to do in Blackpool with Anton, it went | :07:46. | :07:54. | |
rather well. It did. Wow. Here she goes and boom. Look at it all | :07:55. | :08:04. | |
together. I love that. That is Fred and Ginger doing movies. Was it | :08:05. | :08:09. | |
lovely to be back in your spiritual home? It was a joy. We got the best | :08:10. | :08:13. | |
I think the best dance to do at Blackpool. You get the extra dances | :08:14. | :08:18. | |
as well, so all the boys in the top hats, and the, the Art Deco screens | :08:19. | :08:23. | |
and Katie looking gorgeous, and coming off rather well. That is is a | :08:24. | :08:29. | |
bonus, you can never guarantee that. Very true. What was a joy, it was | :08:30. | :08:38. | |
watching you choreograph the boy, it was lovely. It was really special, | :08:39. | :08:42. | |
to be there watching that come together. So well trained. Karen | :08:43. | :08:48. | |
Hardy was here this week, she said there might have been a whoopsy, was | :08:49. | :08:57. | |
there? I call make itting my own. A little bit there may be. What | :08:58. | :09:03. | |
happened. Well I missed a little kick, but you know. Look at that | :09:04. | :09:07. | |
lift and recovery. Your highest score of the series. | :09:08. | :09:14. | |
APPLAUSE. 35 points. Three nines. Three whole | :09:15. | :09:21. | |
nines. We should have saved one of them! Wasted them all on one night. | :09:22. | :09:25. | |
Were you celebrating until the early hours? There might have been a | :09:26. | :09:28. | |
certain amount of celebration going on. Who went home, you or Jeremy | :09:29. | :09:36. | |
Vine? He came back to the hotel but we were leaving so he came to the | :09:37. | :09:41. | |
party with us. It sounded like a good night out. Please tell me you | :09:42. | :09:45. | |
got a kebab. There is a graph to show you, Jeremy, not that jer MiF, | :09:46. | :09:52. | |
our Jeremy is showing Anneton how far he has got with Strictly -- | :09:53. | :09:58. | |
Anton how far he has got. We start you off here, and Jan Ray general. | :09:59. | :10:06. | |
Gillian Taylforth only lasted to two weeks and 2009, Laila Rouass, you | :10:07. | :10:12. | |
got to 12th week quarterfinal. Ann Widdecombe. You could well be on | :10:13. | :10:19. | |
your way to doing the best you have done in five years Anton. What, tell | :10:20. | :10:24. | |
us what, what inspires you about Katie? How does she inspire you? Be | :10:25. | :10:29. | |
really careful. She says nice things, that is a help. The thing | :10:30. | :10:34. | |
about Katie, is firstly, she is lovely to be with. She is a joy to | :10:35. | :10:37. | |
spend time with in the studio. That is important, because you spend a | :10:38. | :10:41. | |
lot of time together. You know, it has to work well. It does, so that | :10:42. | :10:47. | |
is really easy, she is easy to choreograph for, she looks amazing, | :10:48. | :10:51. | |
all lovely legs and that sort of thing. So, when I am choreographing | :10:52. | :10:58. | |
for Katie, I sort of fit things on her and she does So, when I am | :10:59. | :11:01. | |
choreographing for Katie, I sort of fit things on her and she does | :11:02. | :11:04. | |
things and I am like "I like the way you do that, let us do that | :11:05. | :11:07. | |
instead." A lot of it is inspired by Katie. It is a joy and she looks so | :11:08. | :11:11. | |
lovely. This week it is the Argentine tango. And the first that | :11:12. | :11:16. | |
you have done in competition Anton, are you nervous? No. I am excited. I | :11:17. | :11:23. | |
am excited. They used to do this in the semifinal but they have moved it | :11:24. | :11:29. | |
down a bit which is a bit of luck because I never got to do it. Look | :11:30. | :11:34. | |
at that. Ooh, I am excited about this. Because it is first time I | :11:35. | :11:39. | |
have done it it is like the first time doing it together. That is the | :11:40. | :11:45. | |
first time for both of you. He probably picks it up faster than I | :11:46. | :11:49. | |
do but we started in the same sort of place at the beginning of the | :11:50. | :11:54. | |
week. Have there been injury, I never really got a chance to do it. | :11:55. | :11:58. | |
If you time it wrong it could be painful. It have only injured | :11:59. | :12:08. | |
myself, kicked myself. I put my foot in the wrong place with the | :12:09. | :12:13. | |
choreographer. You have a nice bruise? An aching this rob. Steady | :12:14. | :12:21. | |
on! Anton and Katie, before Jay and Aliona did the first Argentine tango | :12:22. | :12:26. | |
of the series Len explained what he hopes to see. See. In the Argentine | :12:27. | :12:32. | |
tango you can be together Chinook the cheek, wide apart. You want to | :12:33. | :12:36. | |
see passion, flair, emotion so it is a bit more, you know, you can go to | :12:37. | :12:44. | |
town in the Argentine tango. Have you got your lips of all the | :12:45. | :12:49. | |
ticky boxes? Is Len going to be a happy man? He will be ecstatic. I | :12:50. | :12:55. | |
have a feeling this could be the best dance we have ever done | :12:56. | :12:58. | |
together. That is it. He has said it. You weren't expecting that, were | :12:59. | :13:05. | |
you? We really weren't. Four week, four shows from the final, Katie do | :13:06. | :13:10. | |
you dare to dream? Oh, dream a little dream. Well, it would be | :13:11. | :13:14. | |
lovely. Wouldn't it be lovely to be there on the last show. I am happy, | :13:15. | :13:17. | |
I know everybody says this, every dance is a joy to do and it is | :13:18. | :13:21. | |
lovely to be here, if people want to see us dance again, they know what | :13:22. | :13:29. | |
to do. You have got their votes. We cannot wait for your drama. It will | :13:30. | :13:33. | |
be amazing, Katie and Anton, good luck. | :13:34. | :13:38. | |
Now, this time tomorrow our couples will be preparing to | :13:39. | :13:40. | |
Let's see how preparations have been going for Helen and Aljaz. | :13:41. | :13:50. | |
The Viennese waltz is one of the simpler dunces when it gets to the | :13:51. | :13:59. | |
steps. Sometimes it cannot look entirely impressive, you can't do | :14:00. | :14:02. | |
high lifts or the splits. It's about getting the technique right and | :14:03. | :14:06. | |
doing as much as you can within the framework. We need to make it seem | :14:07. | :14:11. | |
like we just glide across the floor without any effort. At the moment, | :14:12. | :14:16. | |
we are not there yet. That is going to be the biggest thing to conquer | :14:17. | :14:19. | |
this week, to make all of those simple steps even simpler. He has | :14:20. | :14:27. | |
faith, let's go with that! I can see the light. And there is a light. I | :14:28. | :14:32. | |
wasn't ready yet! What was I thinking? That looks pretty good. | :14:33. | :14:36. | |
Now, one of my Friday panel is known for high kicks, one for loose lips, | :14:37. | :14:40. | |
I'll let you decide which is which - it's my Friday Panel. | :14:41. | :14:44. | |
Please welcome, Ruth Langsford, Eamonn Holmes and Kimberly Wyatt! | :14:45. | :14:53. | |
Here is the king of high kicks. My duties, -- beauties, Ruth, whatever | :14:54. | :15:11. | |
you enjoyed most? Everything, by week three, you can't tell the | :15:12. | :15:14. | |
professional dancers from the celebrities. I always like to watch | :15:15. | :15:19. | |
the partnerships. The dancing, you know they have to be taught, and | :15:20. | :15:22. | |
they grow, but watching the partnerships develop. She just | :15:23. | :15:28. | |
watches, what is that man you are watching? Eamon, who is your | :15:29. | :15:47. | |
favourite? I look at Jade, and he's inspirational. He's from The Wanted, | :15:48. | :15:55. | |
you don't expect him popping up on a show like Strictly, which should be | :15:56. | :16:00. | |
full of middle-aged people like me. And I'm not even middle-aged! I | :16:01. | :16:04. | |
think he has impressed me, his enthusiasm and natural ability, the | :16:05. | :16:08. | |
fact he is not formally trained. I think he looks happy to be there. He | :16:09. | :16:18. | |
killed the salsa. But that is a good thing? Have you any highlights? Jay | :16:19. | :16:29. | |
is a highlight, as well as Helen. Sometimes she gets a bit too much | :16:30. | :16:35. | |
gas behind it, in the blue dress, she lost her thighs, she had nothing | :16:36. | :16:42. | |
left. I'm desperate to lose mine! She misses the last step. He catches | :16:43. | :16:48. | |
her. I'm going to watch again in slow motion. She is incredible. | :16:49. | :16:54. | |
Let's look at Katie and Anton, the Argentine tango, so exciting. Here | :16:55. | :16:58. | |
they are in training. Last week, 35 points, the highest score. Are you | :16:59. | :17:04. | |
excited to see this? She has the most amazing legs, hasn't she? I | :17:05. | :17:08. | |
can't wait to see the outfit. Black, the kicks the flicks. Are you | :17:09. | :17:24. | |
impressed? I'm impressed that Anton is in the competition still! But I | :17:25. | :17:27. | |
am impressed, because he has a partner that complement him | :17:28. | :17:32. | |
beautifully. They make a lovely to some. Helen and Aljaz, your | :17:33. | :17:41. | |
favourite, the Viennese waltz, to Etta James. Could they be heading to | :17:42. | :17:47. | |
the top of the Leader Board with this number? A classic to dance to. | :17:48. | :17:53. | |
The music, I agree with you, I would forget a lot of mistakes, because | :17:54. | :18:01. | |
the song would carry me. When you look at the detail, is her head in | :18:02. | :18:07. | |
the right position? When I watch it, I think about the magic. When I | :18:08. | :18:11. | |
watch a dance performance, I think that dance can be a sport when it is | :18:12. | :18:15. | |
just about the steps, it becomes magic when it is more than that, | :18:16. | :18:19. | |
when there is an ocean, connection, a story behind the eyes and the | :18:20. | :18:24. | |
movement. When I see a rehearsal clip like that, they are getting the | :18:25. | :18:28. | |
moves and getting there, but they don't have the magic yet. They have | :18:29. | :18:32. | |
to turn it on. Hopefully that will come tomorrow night. Do you have | :18:33. | :18:38. | |
faith? Definitely, she is going to kill it again! Jay and Aliona, let's | :18:39. | :18:45. | |
observe them. Very closely, in the training room. Dancing to Prints. Is | :18:46. | :18:53. | |
he in the right place, is the staccato good? How is boy wonder | :18:54. | :19:01. | |
doing? When he's not into the music, or doesn't feel comfortable in and | :19:02. | :19:04. | |
out of it, it shows. When she does something like the salsa, when she | :19:05. | :19:10. | |
he is into it, he's amazing. But I don't know if he is quite into it. | :19:11. | :19:16. | |
As a young man, it will be very alien to him, being a pop star. I | :19:17. | :19:21. | |
get that, I felt that the judges were being harsh on him about the | :19:22. | :19:24. | |
facial expression things. He's so busy learning the steps. What is the | :19:25. | :19:31. | |
word? I don't know what the word is. Anyway... It is a sin to say this, | :19:32. | :19:37. | |
basically, but I don't like all of that forced face. He doesn't have | :19:38. | :19:46. | |
that pained expression. I am cool with that, understated. Sacrilege | :19:47. | :19:51. | |
was the word I was looking for. Having one of those moments! Georgia | :19:52. | :19:57. | |
and Giovanni, top of the Leader Board last week, three times they | :19:58. | :20:02. | |
have been top. Paso doble for him, it could be pretty good. Does this | :20:03. | :20:08. | |
excite you? Giovanni has forgotten to do up his top. Kimberly, what do | :20:09. | :20:18. | |
you think? She is looking great. When she has a routine that has | :20:19. | :20:22. | |
fierceness behind it, she's amazing. It, she's amazing. A routine that | :20:23. | :20:24. | |
has fierceness behind it, she's amazing. H Alston was incredible. It | :20:25. | :20:33. | |
was like Liza Minnelli, Betty Boop. The hair, was that hers? Wig! Friday | :20:34. | :20:45. | |
night address at night! We will be back a little bit later, that let's | :20:46. | :20:47. | |
hear it for the Friday panel. Right, | :20:48. | :20:51. | |
let's head back to the Strictly Studios to see what mischief little | :20:52. | :20:53. | |
Aled got up to earlier today. I've just been hanging in Bruno's | :20:54. | :21:03. | |
dressing room, what a lucky boy I am. Earlier on I heard - and an | :21:04. | :21:10. | |
Eton's rehearsal, doing the Rumba, to Read All About It. The words that | :21:11. | :21:16. | |
came to mind, exciting, sensual, sexy, and that is just Gleb. If they | :21:17. | :21:29. | |
perform like tomorrow, we could be seeing Len's ten paddle come out. We | :21:30. | :21:36. | |
don't see that very often. This is one of the most important people in | :21:37. | :21:44. | |
the team, the physio. You are obviously Welsh? Very Welsh! From | :21:45. | :21:50. | |
Cardiff. This is where you hang out? My special room. Tell me a bit about | :21:51. | :21:58. | |
the role of the physio. The main duty is to manage injuries that the | :21:59. | :22:01. | |
celebrities or professional dancers my top ten. On the side of that, we | :22:02. | :22:05. | |
help prevent any that might occur. Or that we might see potentially a | :22:06. | :22:10. | |
caring. Do you get a lot of injuries? Kind of, kind of not, it | :22:11. | :22:16. | |
depends on the week. And the celebrities are usually used to it? | :22:17. | :22:23. | |
Sometimes, yes. Are some of them more difficult than others? Not | :22:24. | :22:29. | |
necessarily, but they will have different injuries, if they have to | :22:30. | :22:33. | |
hold people up for a long time, we get a lot of shoulder and neck | :22:34. | :22:38. | |
tension, injuries to the laid-back, anything that is a bit more jumpy | :22:39. | :22:43. | |
like a jive, you might get strains in tendons. I actually have a niggle | :22:44. | :22:48. | |
in my calf, if I come in here, not as a professional dancer, as a | :22:49. | :22:52. | |
celebrity, what would you do? We would look at your function, to make | :22:53. | :22:56. | |
sure there is no tearing. Just looking at your calf raising, how | :22:57. | :23:02. | |
you use the area, how you are walking back and forth, what is | :23:03. | :23:05. | |
aggravated by jumping and dancing. Then we get you onto the bed, feel | :23:06. | :23:10. | |
what is going on. Can I keep my clothes on? You definitely can! | :23:11. | :23:16. | |
Thank goodness for that, the first thing you ask at my age. We look at | :23:17. | :23:22. | |
the soft tissue, if there is any tension, we would help by releasing | :23:23. | :23:27. | |
that. Who moans the most? I can't share that! Who is in here most? I | :23:28. | :23:35. | |
can't share that either! Nothing worse than a professional physio. | :23:36. | :23:39. | |
Back to you. I'm having the time of my life. Do you do foot rubs? I do, | :23:40. | :23:42. | |
but they hurt. This weekend's group dance has got | :23:43. | :23:44. | |
an air of girl power about it, Let's take a sneak peek at what | :23:45. | :23:48. | |
our professional dancers have The Group Dance is all about the | :23:49. | :24:10. | |
launderette. Let's see what comes out of this Strictly wash. The Group | :24:11. | :24:18. | |
Dance is a 60s launderette inspired number. It is really bubble gum, a | :24:19. | :24:25. | |
little bit saucy. A lot of elements of cha-cha, salsa. Props, washing | :24:26. | :24:33. | |
baskets, newspapers, washing machines. It is forlorn. It's a | :24:34. | :24:37. | |
great dance, the girls are all together. I find being in the | :24:38. | :24:42. | |
laundry a lot of fun, especially when I have a hot guy dancing with | :24:43. | :24:48. | |
me. We have the girls giving it real girl power, female dominance. They | :24:49. | :24:54. | |
are taking to this power very well. We have one featured a gentleman, | :24:55. | :24:58. | |
Tristan. We have two other male surprises for you. Actually, three, | :24:59. | :25:01. | |
don't we? An extra surprise. Tune in this weekend for a special | :25:02. | :25:11. | |
routine to see if we have cleaned up or we get hung out to dry. | :25:12. | :25:14. | |
My next guests are often known simply as GG. | :25:15. | :25:16. | |
And just like a real geegee, they have been racing ahead | :25:17. | :25:20. | |
of the competition for two weeks now - and both have lovely manes. | :25:21. | :25:23. | |
What an entrance! Hello, gorgeous! Well done, my little darling, last | :25:24. | :26:06. | |
weekend you looked like a Little Princess, you looked like a handsome | :26:07. | :26:10. | |
prince. It was perfect. Did you enjoy it? Absolutely loved it, I | :26:11. | :26:16. | |
felt like a Disney Princess. Flowers in your hair, is that one of the | :26:17. | :26:20. | |
favourite addresses you have one? Every week she makes the most | :26:21. | :26:26. | |
beautiful dresses, I'm so lucky. Did everything go according to plan? | :26:27. | :26:39. | |
Apart from the lifts. What happened? As I was getting into it, the dancer | :26:40. | :26:43. | |
grabbed my leg, but grabbed my dress. As he went to lift me up, the | :26:44. | :26:48. | |
material went and my legs stayed there. I was thinking, no, no, no! | :26:49. | :26:54. | |
Nice recovery, I wasn't aware of that at all. Where you panicking? | :26:55. | :27:00. | |
No, I was on the opposite side, I didn't see it. I can't see, in that | :27:01. | :27:06. | |
moment. All I could see was the beautiful ceiling! You did so well. | :27:07. | :27:11. | |
Giovanni, how was your first experience of Blackpool? You mean | :27:12. | :27:19. | |
the dance floor, or Blackpool? A bit of everything. It was a dream come | :27:20. | :27:24. | |
true, because I have never been there. But it was not really what I | :27:25. | :27:28. | |
was thinking of before. It is too cold. It is not always that cold in | :27:29. | :27:33. | |
Blackpool. In August, it is about 93. A lovely place. Maybe 94? If you | :27:34. | :27:41. | |
are lucky. Top of the Leader Board, three times you have been up there, | :27:42. | :27:45. | |
more at the top than anybody in the competition. How does that feel? | :27:46. | :27:49. | |
Well, at the minute we are doing a great job. Yes. Second, as well? | :27:50. | :27:58. | |
Three times first, one-time second. How do you feel about that? I never | :27:59. | :28:04. | |
thought I would get top of the Leader Board once, never mind three | :28:05. | :28:09. | |
times. I love it when you get excited about everything. Just keep | :28:10. | :28:16. | |
focused! Is he always like this? Of course, it is paso doble this week. | :28:17. | :28:24. | |
You are dancing to The Final Countdown. Let's hear it... | :28:25. | :28:30. | |
Eventually, there it is! How is the training going? Fine committee wants | :28:31. | :28:34. | |
me to growl at him and it feels really weird! -- fine, he wants me | :28:35. | :28:40. | |
to growl at him. It just makes me laugh. Tomorrow night you will be in | :28:41. | :28:45. | |
the moves and that will be fine. For those that don't know, it is | :28:46. | :28:48. | |
supposed to be like a bull fight. The man is the Matador, the woman is | :28:49. | :28:57. | |
often the Cape. We've seen a lot of attempts at Capel -- cape-ography. | :28:58. | :29:20. | |
APPLAUSE Chris Parker, who could forget that. | :29:21. | :29:27. | |
I have dug out my cape hoping for a show stopping demo, Giovanni is | :29:28. | :29:32. | |
here, so, here is the cape, can you show us, how it should be done. OK. | :29:33. | :29:38. | |
Thank you. Encouragement from the floor, always welcome. I just need | :29:39. | :29:45. | |
some light, if you can. Oh, look. Some music as well. Here we are. | :29:46. | :30:12. | |
Oh...! And over. APPLAUSE | :30:13. | :30:13. | |
how could you not want to grow at him. John, I believe John is going | :30:14. | :30:18. | |
to have a go. This lovely lady is going to have a go. Is John, John | :30:19. | :30:24. | |
can have a go. Go on, it's a man's job. Here we go. Sorry lovely lady. | :30:25. | :30:30. | |
You are the matador, she is the bull. Be careful with your shape. | :30:31. | :30:36. | |
Come over here. You be the lady. Get your hands up like that. That is it. | :30:37. | :30:42. | |
Beautiful. Come on, John. Here we go. | :30:43. | :30:52. | |
Don't fall off the stage Madame. This is just unbelievable. | :30:53. | :30:56. | |
APPLAUSE John, what is your name my love? | :30:57. | :31:03. | |
Pauline. Pauline and John. That is obviously. That looks good. Look | :31:04. | :31:07. | |
that the with a couple. Very good indeed. Is is this going to be a | :31:08. | :31:13. | |
good dance for Georgia do you think? Yes. Ah. Yes. What has been the | :31:14. | :31:20. | |
hardest thing to master apart from the growing? That is the hardest. | :31:21. | :31:26. | |
The shape. That shape, that like. The Spanish. Look at those fingers. | :31:27. | :31:35. | |
So good. Sorry. Have you... Stay. Is Is that to get you into character. | :31:36. | :31:42. | |
Stay! That moment was quite... Don't you dare. That is too much. Have you | :31:43. | :31:49. | |
tried your costume on? Yes, we tried it today. Well I did. You didn't. My | :31:50. | :31:55. | |
skirt, I have been practising with a big skirt, it had to roll it over 20 | :31:56. | :31:59. | |
time, this dress was long at the moment, so there is a few little | :32:00. | :32:03. | |
things that need to be done. Bits of work. I have a lot of the skirt in | :32:04. | :32:11. | |
this dance. Are you wearing a vest tomorrow Giovanni? Yes. The people | :32:12. | :32:19. | |
are devastated. He is wearing a top and jacket. OK, sometimes less is | :32:20. | :32:24. | |
more or is it more is less? I have that the wrong way round. Which of | :32:25. | :32:29. | |
your dances you have not done are you looking forward to? The | :32:30. | :32:33. | |
Argentine tango I am looking forward to, even though I know it is | :32:34. | :32:37. | |
difficult. Good luck tomorrow, with the growling and the cape and all of | :32:38. | :32:41. | |
us. Georgia and Giovanni. Thank you. | :32:42. | :32:44. | |
So far on our round the world tour of Strictly we've | :32:45. | :32:47. | |
made a pit stop in India and this week we're touching down in | :32:48. | :32:50. | |
the land famous for its pastries, bacon and The Little Mermaid. | :32:51. | :32:53. | |
Oh please! # Calling out | :32:54. | :33:06. | |
# Round the world... # Strictly appears on TV screens all | :33:07. | :33:11. | |
over the world. It is on six out the seven continents. What has taken you | :33:12. | :33:17. | |
so long Antarctica? I thought it would be great to check out how | :33:18. | :33:21. | |
other members of the Strictly family do things. | :33:22. | :33:28. | |
Welcome to Denmark. Denmark's version Vild med dans has | :33:29. | :33:31. | |
been on Danish television since 2005. It is now in its 12th series. | :33:32. | :33:40. | |
The show is so big, that 54% of the Danish TV audience tuned in for the | :33:41. | :33:53. | |
series 12 premier. The band, judge, they are similar to | :33:54. | :33:57. | |
the UK. All we need now are the stars of the show. Show. In this | :33:58. | :34:01. | |
hugely popular current series viewers have seen a number of famous | :34:02. | :34:09. | |
faces eliminated, including... A conservative MP. A basketball | :34:10. | :34:15. | |
player. And a handball player who received | :34:16. | :34:19. | |
two scores of just one in the same week. Didn't look that bad to me. | :34:20. | :34:30. | |
Still in the competition is Ena, who stars in the Danish version of | :34:31. | :34:33. | |
Fawlty Towers. Tell me about your experiences so far? It is | :34:34. | :34:36. | |
intimidating at first, but I enjoy it. Very much. It is like, when I | :34:37. | :34:41. | |
was a kid, I dreamed of flying. This is like I have learned how to fly. | :34:42. | :34:49. | |
That has to be equivalent of Claudia's area. Claudia is Claus, a | :34:50. | :34:57. | |
veteran of Vild med dans having presented over 100 shows I watch the | :34:58. | :35:02. | |
UK show and I get irspied by watching other hosts, what is their | :35:03. | :35:07. | |
role, how does it differ from them? He has the hips in this. Here comes | :35:08. | :35:15. | |
the turn. We are doing a turn. We all know the best thing about | :35:16. | :35:19. | |
Strictly is It Takes Two. I went to find out how they do it Danish | :35:20. | :35:30. | |
style. We call it Step by Step. We only do the show on Wednesday and | :35:31. | :35:34. | |
Friday and go behind the scenes always. How did you end up being the | :35:35. | :35:41. | |
presenter? I was in the competition last year, 2014, and I did the win. | :35:42. | :35:48. | |
You won it? Yes. Not sure whether Zoe won or not. I sat down with old | :35:49. | :35:53. | |
friends to find out if the judging panel are as lovely as Len or cruel | :35:54. | :35:57. | |
as Craig. What sort of character would you say you are? I am the | :35:58. | :36:03. | |
strict one. Whatever we try to do we try to entertain people every Friday | :36:04. | :36:11. | |
evening. You are our equivalent to our | :36:12. | :36:14. | |
beautiful Tess back home in the United Kingdom. That is true. I am | :36:15. | :36:19. | |
very privileged to have my job. I loved it before I got the job. The | :36:20. | :36:23. | |
show is about to start. I will see you in there. | :36:24. | :36:34. | |
Wow! That is really high scores. I think I would have been a bit | :36:35. | :36:44. | |
tougher. What a show to be here at. | :36:45. | :36:48. | |
Fantastic. It has been it is a naughting to see how Strictly as | :36:49. | :36:53. | |
done here in Denmark. -- fascinating. | :36:54. | :36:58. | |
She is a tough judge, Karen, thank you. | :36:59. | :37:03. | |
Now, let's see what other Strictly gossip Aled got for us earlier today | :37:04. | :37:06. | |
It has come to something when you are have to feed yourself grapes. | :37:07. | :37:13. | |
Where do you go if you want to hang out with the biggest names? You come | :37:14. | :37:18. | |
to the star bar. I have this lot instead, there are no big names | :37:19. | :37:21. | |
today. You were the only one that got the gag. You can have the grape. | :37:22. | :37:29. | |
Are you glad to be back or missing Blackpool? I am glad to be back. Are | :37:30. | :37:39. | |
you the spokesperson now? Was helping him out. Pete took a deep | :37:40. | :37:46. | |
breath and you were in there. I go to say something and you interrupt. | :37:47. | :37:52. | |
He's really happy. I thought he was. | :37:53. | :37:58. | |
Are you nervous though? Yes, and the reason why is because, look, you, it | :37:59. | :38:02. | |
is good in a way, humbling to be in the bottom two but you think oh, you | :38:03. | :38:06. | |
have to step it up so I will do my best, I have a partner that has also | :38:07. | :38:11. | |
been in the same place. I told him you have to let it go, come back and | :38:12. | :38:14. | |
enjoy it. Dance like this is your last week, you just don't know, and | :38:15. | :38:17. | |
to be fair everyone is brilliant now, so if you go now, you go now. | :38:18. | :38:24. | |
No shame. I am so happen you you wouldn't believe. He is an emotional | :38:25. | :38:32. | |
little fella isn't he. This quickstepathon, that means multiple | :38:33. | :38:34. | |
couples on the dance floor at the same time. That will be murder. A | :38:35. | :38:40. | |
bit murder on the dance floor. See what I did there? You are turning | :38:41. | :38:46. | |
into Peter. Excuse me, I set up that gag! You nicked it. It is | :38:47. | :38:53. | |
interesting. It will be interesting to see what happens. Runs an | :38:54. | :38:58. | |
chassises at full speed, carnage. What happens if you see somebody you | :38:59. | :39:01. | |
don't really like coming towards you, can you put your foot out? I | :39:02. | :39:07. | |
have two tactic, if there is someone in the corner, I am going to dance | :39:08. | :39:11. | |
right into there and start doing stationary choreography so they | :39:12. | :39:15. | |
can't get out, or if someone comes within a metre of us, I am going to | :39:16. | :39:20. | |
be like a Premier League footballer and hit the deck. I will pretend I | :39:21. | :39:25. | |
have been elbowed in the face. You haven't thought about it at all. | :39:26. | :39:29. | |
Hope everyone does well. I know the pros speak to the celebs a lot | :39:30. | :39:35. | |
during the dancing, we can't hear, but, do you want to play Strictly | :39:36. | :39:43. | |
Come Mumbling. Adopt your Strictly smiles. Here is your tonguening Tang | :39:44. | :39:56. | |
her Pete. You have red fleckerl yell throw fleckerl. Red fleckerl yellow | :39:57. | :40:03. | |
fleckerl. She's good. Wow. And your scenario, you are on the dance | :40:04. | :40:07. | |
floor, you turn round and you go to him, that's not quickstep, that is | :40:08. | :40:11. | |
slow. You go I'm getting a ten from Len, ten from Len. That's no | :40:12. | :40:18. | |
quickstep that's a slow step. I'm getting a ten from Len. A ten from | :40:19. | :40:26. | |
Len. Ten from Len. OK we will leave it there, back to Zoe Ball who is | :40:27. | :40:32. | |
dancing a crawl, maybe because she is tall. Genuine clapping and | :40:33. | :40:38. | |
laughter from the audience. Thank you. | :40:39. | :40:40. | |
Being the only two male celebrities left in the competition, Peter | :40:41. | :40:42. | |
Let's see how they're getting on in training. | :40:43. | :40:51. | |
Side by side dancing. There is story telling. It is a beautiful dance. | :40:52. | :41:01. | |
One, two, three. Sorry. I am having a meantle block. I don't want to | :41:02. | :41:07. | |
feel that way this week. I will try and get as much of the technique in | :41:08. | :41:12. | |
as possible. It is good. I I know he will deliver an incredible | :41:13. | :41:14. | |
performance on the night. Almost sorry. I will get this. I know once | :41:15. | :41:18. | |
I get it it will look amazing. I guess this is part of the processors | :41:19. | :41:27. | |
isn't it. Tango training so far has been so fun. The most fun I have had | :41:28. | :41:32. | |
He is getting into character, picking up his steps really well. | :41:33. | :41:37. | |
The technique is there. Good. The technique is really hard. It is like | :41:38. | :41:42. | |
a text book of things where everything has a position. | :41:43. | :41:46. | |
Everything can be exaggerated. A good tango needs a lot of attack | :41:47. | :41:51. | |
from the body. A lot of sharp movements. Like that. Not from a wet | :41:52. | :41:57. | |
Please welcome back my fabulous Friday Panel! | :41:58. | :42:04. | |
APPLAUSE OK, let's have a look at Peter and | :42:05. | :42:09. | |
Janette. This week they are doing American smooth. Here they are, | :42:10. | :42:14. | |
bottom two last week. Do you think this lovely positive song, do you | :42:15. | :42:18. | |
think Peter can avoid the dance off this week? He is a positive person, | :42:19. | :42:23. | |
and I think he is competitive. He wants to win this, but you know | :42:24. | :42:27. | |
what, from a sports psychology point of view he will be rattled after | :42:28. | :42:33. | |
what happened last week. I think, I do, I think anybody would be, he is | :42:34. | :42:39. | |
shown to be vulnerable. That gives people fire in their belly. | :42:40. | :42:42. | |
Sometimes you can turn it round He has to turn it round in the minds of | :42:43. | :42:45. | |
the public as well. He has to fight that too. Do you think he can do | :42:46. | :42:49. | |
that He is very popular, I think he can. That is a great song. It is | :42:50. | :42:54. | |
elegant, the American smooth. He can smile. Think he can turn it round. | :42:55. | :43:00. | |
He wants to be there. He will give it some welly. Give it welly. That | :43:01. | :43:05. | |
is what it takes. On to Anita and Gleb and their rumba. I can see Ruth | :43:06. | :43:10. | |
getting excited there about Gleb. I might have to make you a Gleb mask. | :43:11. | :43:17. | |
I took my Aljaz mask home and made Norman wear it. | :43:18. | :43:22. | |
LAUGHTER That's a bit pervy. Doing a rumba to | :43:23. | :43:32. | |
Read All About It. How are they doing here? I am not looking at | :43:33. | :43:37. | |
Anita. I love that song. It is so romantic. She is so elegant. How do | :43:38. | :43:42. | |
they quickly get the beautiful hand movements as if they have done | :43:43. | :43:48. | |
ballet. She has never had a lesson in her life. Ho she doesn't get | :43:49. | :43:55. | |
distracted by him. People know her for her journalistic work, now | :43:56. | :43:58. | |
people see her star potential. I think it has been a fantastic | :43:59. | :44:09. | |
series. What do you think of any two as a dancer? I think she is | :44:10. | :44:13. | |
beautiful, it serves well when she can tap into her fierceness. When | :44:14. | :44:20. | |
she has fire in his belly, but I think she finds it harder to do the | :44:21. | :44:25. | |
softer thing. Have that fire in your belly with the softer stuff, that is | :44:26. | :44:30. | |
how it comes to life. , when you say that kind of stuff, it comes to | :44:31. | :44:37. | |
life, I think Wembley could make me into a great dancer! -- Kimberly. | :44:38. | :44:44. | |
Here they are, in training. They are doing the salsa, to the Jackson 5. | :44:45. | :44:49. | |
This is going to be lots of fun. How do they get to the top spot, can | :44:50. | :44:54. | |
they do it with the salsa? Yes, she is having so much fun with this. The | :44:55. | :44:59. | |
song is fun, everybody is going to love it. She has to meet the pace of | :45:00. | :45:04. | |
the song and meet that fun. Do you ever salsa at home when you are | :45:05. | :45:12. | |
cooking? No. I salsa and cook, he doesn't! I eat quite a lot, though. | :45:13. | :45:21. | |
What do you think about Kellie? I'm really disappointed she has been in | :45:22. | :45:25. | |
the bottom two. People think she is great, she is fun, and they forget | :45:26. | :45:29. | |
to vote for her. It proves to me, if you like somebody and you want them | :45:30. | :45:33. | |
to stay, you have to pick up the phone. She is a bundle of energy, a | :45:34. | :45:37. | |
bundle of fun. The two them together, even the size they are, | :45:38. | :45:40. | |
they look perfect together. I love that song, so come on. Who do you | :45:41. | :45:47. | |
think will be going home? I know it is difficult! I will tell you who is | :45:48. | :45:55. | |
not, Jay is not going home, any two was not going home, Helen is not | :45:56. | :46:00. | |
going home. Have I left anybody out? -- Anita. I think it could be | :46:01. | :46:10. | |
anybody we have not mentioned. Who do you want to win? An easier | :46:11. | :46:16. | |
question. Georgia, she is fabulous and I think she's a great girl. I | :46:17. | :46:24. | |
think Anton du Beke. This may be his last series. He's very old, you | :46:25. | :46:36. | |
know... May be. Kimberly? Helen, all the way! They have been glorious. | :46:37. | :46:39. | |
We'll get you the mask and wait. For the final time, let's go back to | :46:40. | :46:52. | |
Aled Jones at the studio. The calm before the storm, Claudia is going | :46:53. | :47:01. | |
through her lines, Tess is going to the final script changes. You look | :47:02. | :47:04. | |
at the dance floor, I really wish I was there giving the Ricky Martin | :47:05. | :47:10. | |
moves again. I wouldn't inflict that on you again! It's been brilliant to | :47:11. | :47:16. | |
be back here, with all the memories. Sweaty palms throughout. Seven | :47:17. | :47:19. | |
couples remain in the greatest competition in the world. We also | :47:20. | :47:22. | |
have the quick -athon, 14 people on the dance floor. In the meantime, | :47:23. | :47:32. | |
back to you. Hasn't he done a marvellous job? | :47:33. | :47:35. | |
A big thank you to all of my guests, and of course | :47:36. | :47:38. | |
Make sure you watch Strictly Come Dancing with Tess and Claud, | :47:39. | :47:42. | |
I'll be back on Monday with the unlucky couple to | :47:43. | :47:45. | |
Who do you think it's going to be? I'm not asking you lot again! Good | :47:46. | :47:57. | |
night. # There's nothing you can do that | :47:58. | :48:02. | |
can't be done # Nothing you can say but you can | :48:03. | :48:05. | |
learn how to play the game | :48:06. | :48:10. |