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Tonight on It Takes Two, I'm joined by Jay and Aliona. | :00:00. | :00:08. | |
And we're saying goodbye to Peter and Janette. | :00:09. | :00:20. | |
Live from London, this is Strictly - It Takes Two, please welcome your | :00:21. | :01:21. | |
host, Wasn't it a brilliant show | :01:22. | :01:26. | |
at the weekend? The ten paddle made | :01:27. | :01:31. | |
a few appearances. That Quickstepathon was, well, | :01:32. | :01:33. | |
quick. And, | :01:34. | :01:35. | |
I don't know about you, but I was enjoying Craig's new facial | :01:36. | :01:37. | |
hair. Right, on tonight's show, we'll | :01:38. | :01:42. | |
be talking to Jay and Aliona. I am still recovering from the flash | :01:43. | :01:51. | |
of chest. And Karen Clifton will be here | :01:52. | :01:54. | |
as she goes under the Strictly But first, | :01:55. | :01:57. | |
it's time to bid farewell to Peter and Janette, after they foxtroted | :01:58. | :02:01. | |
their way out of the competition. # Don't you forget about me as you | :02:02. | :02:03. | |
walk on by. # There were about 50 | :02:04. | :02:35. | |
of these left over from your routine, and we didn't want | :02:36. | :02:43. | |
them to go to waste, so, tuck in. They are two days old, they will be | :02:44. | :02:57. | |
stale. You have been so brilliant in the | :02:58. | :02:59. | |
competition. Surprisingly, I feel fantastic. You | :03:00. | :03:10. | |
can even see how much I was smiling. It has been an incredible journey. | :03:11. | :03:15. | |
In the end, I said, it has been nothing but joy and I meant it. | :03:16. | :03:20. | |
You have brought us nothing but joy, and a lot of puns! I have one | :03:21. | :03:24. | |
for you later. What did your kids say | :03:25. | :03:25. | |
when they realised you were out I am seeing them tomorrow and I know | :03:26. | :03:35. | |
they will be so happy that they got to see dad doing so many different | :03:36. | :03:39. | |
things. They will probably give me grief, probably. | :03:40. | :03:44. | |
And you will get your revenge when they are teenagers. | :03:45. | :03:44. | |
At this point in the competition, the dancers left are | :03:45. | :03:47. | |
So, does everyone have the fear that it could be them leaving? | :03:48. | :03:53. | |
There was a very quiet calm eerie feeling in the hallways this last | :03:54. | :04:01. | |
weekend, because everyone is so focused and determined to do well. | :04:02. | :04:06. | |
It is such a tight competition. Every single competitor could | :04:07. | :04:10. | |
It is such a tight competition. win. Yes, I think it is the closest | :04:11. | :04:13. | |
one ever. I think you are right. | :04:14. | :04:18. | |
The dance, the music... You were at the bottom | :04:19. | :04:23. | |
of the judges' leader board How disappointed were you to also | :04:24. | :04:27. | |
come last in the Quickstepathon? Were you hoping you could | :04:28. | :04:31. | |
make up some points? I didn't think it was quick but | :04:32. | :04:39. | |
slow! Look, you have got to understand when it is your time, you | :04:40. | :04:43. | |
had to bow out gracefully and it was my time. Three times top of the | :04:44. | :04:50. | |
Leader Board, twice at the bottom. Which, for me is a winner. | :04:51. | :04:56. | |
I am happy. More at the top than at the bottom. | :04:57. | :04:57. | |
When you knew it was you two against Kellie and Kevin in the dance-off, | :04:58. | :05:00. | |
With the dance-off, you never know. I said to Peter, we need to have a | :05:01. | :05:13. | |
blast, it might be the last one. Kevin is one of my best friends. To | :05:14. | :05:19. | |
be in the dance off with him was frustrating. | :05:20. | :05:23. | |
Last year, it was Karen. What is it, Clifton family! | :05:24. | :05:29. | |
You are right, they danced, we went off it? I only just made that one up | :05:30. | :05:32. | |
on the spot. Now, dance-off aside, on Saturday, | :05:33. | :05:34. | |
your American Smooth foxtrot had Craig and Darcey disagreeing over | :05:35. | :05:37. | |
a certain cup cake placement. When you are putting the cup in Cape | :05:38. | :05:51. | |
Town, you don't just throw it, you have to dance that moment. You still | :05:52. | :05:56. | |
have two dogs it through, you can't just throw it on the table. | :05:57. | :06:04. | |
He didn't throw it. Take bigger steps, darling. | :06:05. | :06:16. | |
By the way, what flavour was it? I couldn't even taste it. | :06:17. | :06:21. | |
Then Tess couldn't get it from her hand. | :06:22. | :06:25. | |
Did you see what I did? The second time, I not only gracefully put it | :06:26. | :06:29. | |
down but I looked at Craig really slowly and he burst out laughing. | :06:30. | :06:35. | |
Then I missed the next step! Craig, it is your fault. | :06:36. | :06:38. | |
Dance that cupcake back on to the plate, please! | :06:39. | :06:45. | |
Here it comes, ladies and gentlemen, look at those fingers. | :06:46. | :06:56. | |
Let us see it again. Why didn't I do that on the night. | :06:57. | :07:01. | |
One of your most memorable moments of the series was that | :07:02. | :07:04. | |
Let's remind ourselves of how fantastic it was. | :07:05. | :07:25. | |
What a tune. I love that song. It makes you so happy. | :07:26. | :07:31. | |
Which was your favourite dance? That one. I always said the chow chow, | :07:32. | :07:38. | |
then that one. I will have these memories for life, | :07:39. | :07:40. | |
I may take it on tour. So many people are sad to see you | :07:41. | :07:45. | |
leave the competition, She watches the show with your | :07:46. | :07:47. | |
picture every week. In fact, we have a message | :07:48. | :07:56. | |
from one very special person. Peter, devastated you are gone. I am | :07:57. | :08:10. | |
really going to miss you. Going to cherish every moment we had | :08:11. | :08:15. | |
together. Promise me you will call, promise you will, right? | :08:16. | :08:22. | |
Oh, my gosh. I am going to miss Bob, I have to say. | :08:23. | :08:33. | |
Bob. We have loved watching you so much. Let us have a look at your | :08:34. | :08:45. | |
best moments. Your Mysterious Girl is Jeannette! | :08:46. | :08:52. | |
I honestly cannot tell you how happy I am that I have got Jeannette as my | :08:53. | :08:57. | |
dance partner, she is a little powerhouse. | :08:58. | :09:04. | |
Cha-cha. Back and forward and stop. Why am I not feeling this yet? | :09:05. | :09:09. | |
Because you are still in hip hop. You were overflowing with attitude, | :09:10. | :09:14. | |
it was brilliant. Up at the top, Peter and Janette | :09:15. | :09:19. | |
with 30. Just how quick is this quickstep? | :09:20. | :09:25. | |
Sorry, hang on, sorry. I think you have a hit here. | :09:26. | :09:32. | |
Jack Sparrow. I said, are, are you serious? | :09:33. | :09:37. | |
Jack Sparrow, you are no Sparrow, you are an eagle. | :09:38. | :09:44. | |
That one was better. This week it is the rumba. | :09:45. | :09:58. | |
Out with anger, in with love. The Fox trot this weekend, | :09:59. | :10:04. | |
Halloween. You are dancing to Ghost. | :10:05. | :10:06. | |
Your shoulders were sometimes coming up, not as much as normal. | :10:07. | :10:10. | |
Whenever I see the judges individually I tell them how | :10:11. | :10:14. | |
grateful I am because what I am learning is invaluable. | :10:15. | :10:18. | |
I love Peter Andre come he is my biggest fan. | :10:19. | :10:21. | |
Probably the most fun I have had since the beginning of the | :10:22. | :10:24. | |
competition. I tell you what, watch this bad | :10:25. | :10:35. | |
knee, that was fantastic! Line. Ten from me. | :10:36. | :10:41. | |
Well done. Are you buzzing? I am so happy I can't tell you. | :10:42. | :10:46. | |
Well, I just did. This Viennese waltz is so graceful | :10:47. | :10:52. | |
and beautiful. I would have liked to see you in | :10:53. | :10:58. | |
hold a little more, which you are very capable of around the floor. | :10:59. | :11:03. | |
The jive is very fast paced but there is a lot of footwork. | :11:04. | :11:11. | |
To be honest, it wasn't your finest. I am afraid it falls at the bottom | :11:12. | :11:15. | |
of the pack. The first couple in the dance-off | :11:16. | :11:19. | |
is... Peter and Janette. | :11:20. | :11:24. | |
I deserved to be in that dance off, I did. I don't think virgin media | :11:25. | :11:29. | |
should have been there. Peter is definitely working hard | :11:30. | :11:33. | |
with a fight attitude about him. It looked careful in places, that | :11:34. | :11:38. | |
would be the only thing. I thought you were holding back, you will | :11:39. | :11:44. | |
normally more natural and relaxed. In seventh place is Peter and | :11:45. | :11:48. | |
Janette. The couple in the bottom two is | :11:49. | :11:53. | |
Peter and Janette. The couple I would love to save is | :11:54. | :11:59. | |
Kellie and Kevin. Kellie and Kevin. Kellie and Kevin. | :12:00. | :12:04. | |
It has been nothing but joy, we have come so far. I love everything, I | :12:05. | :12:10. | |
love you guys. I love you and I am so glad to have you as | :12:11. | :12:13. | |
life. You have worked so hard. | :12:14. | :12:23. | |
Look, they are crying. You have made me cry. | :12:24. | :12:28. | |
Where are the tissues? Here is your book. | :12:29. | :12:35. | |
I think that the one person you should go out to dinner with in this | :12:36. | :12:41. | |
condition is Georgia because Georgia May Foote the bill! | :12:42. | :12:58. | |
You, my dearest friend, the patients you have shown has been | :12:59. | :13:04. | |
unbelievable. We have had some great moments. You have worked me hard, I | :13:05. | :13:08. | |
deserved to be kicked where I was because I needed to work hard. The | :13:09. | :13:12. | |
only thing that has made me sad about not going to the end is I | :13:13. | :13:16. | |
could not get you there, that is the truth. | :13:17. | :13:20. | |
I promise you. I am so relieved that I will be at home with the family. | :13:21. | :13:30. | |
But the one thing that makes me sad is I couldn't take you all that | :13:31. | :13:33. | |
weight and I wanted to do it so badly. | :13:34. | :13:35. | |
You are the best. You are better. Everybody treated us with such love. | :13:36. | :13:41. | |
I am giving a full speech at? Do you want the tablecloth? | :13:42. | :13:47. | |
Who would you like to see win? Peter and Janette! | :13:48. | :13:52. | |
You see, it is hard. You have seen the standard, it is incredible. | :13:53. | :13:59. | |
You have got someone like Jay, the guy is phenomenal. Then Georgia who | :14:00. | :14:03. | |
is also phenomenal. Helen, they are all great. I don't know. | :14:04. | :14:09. | |
You have been a true gent, a lovely positive force of energy. | :14:10. | :14:18. | |
And you are a god S. Peter and Janette! Don't forget your | :14:19. | :14:19. | |
cupcakes. Our couples get up to all | :14:20. | :14:22. | |
sorts behind the scenes. Well, at the weekend, we kept a | :14:23. | :14:24. | |
beady eye on a certain Bruno Tonioli Hello, darling! Thank you! Follow | :14:25. | :14:44. | |
me, my good one. It is the quiet before the storm. You have to be | :14:45. | :14:48. | |
focused. This week we're down to the Magnificent Seven and it's a crucial | :14:49. | :14:55. | |
night the cars we decide who will be part of the quarterfinals. -- | :14:56. | :14:59. | |
because we decide. It is very nerve wracking. Everyone is working | :15:00. | :15:02. | |
extremely hard to impress the judges and the public. For me to jump out | :15:03. | :15:06. | |
of my chair, there has to be something that really kicks into my | :15:07. | :15:12. | |
guts and captures my heart. You've got to make the guy feel something. | :15:13. | :15:18. | |
He's got to feel it from the inside. Nothing clinical. What really gets | :15:19. | :15:21. | |
me going is when I forget about being a judge and I see something | :15:22. | :15:27. | |
that stands out regardless. He likes to stand up and make a statement! | :15:28. | :15:34. | |
That image comes into my head and then it gets expressed like cherry | :15:35. | :15:38. | |
trees! Tango trek! The last frontier! Three words to describe | :15:39. | :15:53. | |
Bruno? Gorgeous. Insightful. Kind. All of the dancers and pros are | :15:54. | :15:59. | |
rehearsing, so how do I look? Get out! If we thought quickstep was bad | :16:00. | :16:08. | |
enough, they decided to add a Quickstepathon just make it even | :16:09. | :16:12. | |
harder! We are all doing completely different quickstep spot to the same | :16:13. | :16:18. | |
song. Whose idea was it to do a quickstep?! It's ridiculous! It is | :16:19. | :16:25. | |
really difficult. People do this all the time. This is how competitions | :16:26. | :16:33. | |
work, isn't it? I didn't realise how much you can hear other couples | :16:34. | :16:38. | |
giving each other notes. Like, hold on, hold on! Being on hold means I'm | :16:39. | :16:43. | |
not going to be looking at anything except at there, so I have to have | :16:44. | :16:50. | |
all my faith in Kevin Clifton! We are going a bit further in the | :16:51. | :16:53. | |
competition and it is getting difficult. Very close to going on, | :16:54. | :17:11. | |
everybody. Come on! Showtime, folks! Got to go! Got to go! | :17:12. | :17:22. | |
CHEERING AND APPLAUSE Thank you, Bruno. | :17:23. | :17:25. | |
There are now six couples left in the competition. | :17:26. | :17:27. | |
And, with the quarterfinals on the horizon, | :17:28. | :17:29. | |
we've noticed a few interesting findings for all you factoid fans. | :17:30. | :17:31. | |
Firstly, although there are six celebrities | :17:32. | :17:33. | |
That's the first time that's ever happened in Strictly history. | :17:34. | :17:38. | |
Also, of the remaining couples, only one has never been top | :17:39. | :17:41. | |
Yes, unbelievably, it's Anita and Gleb. | :17:42. | :17:46. | |
Aliona and Aljaz are the only two pros that are still | :17:47. | :17:49. | |
in the running to become the first professional dancer to lift the | :17:50. | :17:52. | |
And, the most shocking fact of all is, Anton is through to | :17:53. | :18:00. | |
the quarterfinals for only the fourth time in 13 series. | :18:01. | :18:05. | |
In other news, as per usual, the creme de la creme of the celebrity | :18:06. | :18:12. | |
world were out in force on social media at the weekend, including: | :18:13. | :18:17. | |
Strictly superfan Miranda Hart, who was loving the Quickstepathon, said: | :18:18. | :18:23. | |
Meanwhile, across the pond, Dame Joan Collins said: | :18:24. | :18:35. | |
At the weekend they got their highest score | :18:36. | :18:42. | |
of the series with what Len described as one mango of a tango. | :18:43. | :18:45. | |
Can I just say, another fantastic shirt! Thank you. | :18:46. | :19:14. | |
Did you know as soon as you started training that this | :19:15. | :19:18. | |
There is definitely a Wednesday, Thursday moment when I really start | :19:19. | :19:27. | |
to enjoy dancing it a lot and then it comes down to whether we do a | :19:28. | :19:31. | |
mistake or not and the mistake inevitably throws us off. At... The | :19:32. | :19:40. | |
team was finished -- the routine was finished Thursday evening. That's | :19:41. | :19:44. | |
quite late! Because you have to rehearse all day Friday. So right | :19:45. | :19:46. | |
down to the wire. Well done. What did your mum think | :19:47. | :19:48. | |
of your performance? She was in a pub and said, the roof | :19:49. | :19:58. | |
just came off! She was watching on a big screen in the pub. I thought the | :19:59. | :20:04. | |
roof literally came off! But it was just cheering. Sometimes you have to | :20:05. | :20:06. | |
explain these things to me! Did you ever think you'd be | :20:07. | :20:09. | |
pulling in the 10s for the tango? I never think of the scores. I | :20:10. | :20:20. | |
listen more to the comments. The more important thing is how we do | :20:21. | :20:25. | |
and how Jay performs, so I never think of it until we get up there | :20:26. | :20:33. | |
and they show us the scores. And it wasn't just 210s. It was 29s. -- two | :20:34. | :20:49. | |
tens and two nines. Well, it was received well... | :20:50. | :20:51. | |
How much work goes in to creating a performance of that level? | :20:52. | :20:56. | |
It takes everything out of you. I think emotionally and physically, | :20:57. | :21:04. | |
because we work long hours and Jay works really hard. He's really tough | :21:05. | :21:10. | |
on himself and very, very critical. Yeah, or the technique and acting | :21:11. | :21:13. | |
and the feeling and leading and everything that goes into it. -- all | :21:14. | :21:19. | |
the technique. It takes a long time so the dance is ready pretty much by | :21:20. | :21:23. | |
Saturday morning, hopefully! Fingers crossed! | :21:24. | :21:26. | |
Well, one judge was positively flustered after your tango. | :21:27. | :21:33. | |
Darcey, it takes two to tango. What did you think? Oh, my... Well... | :21:34. | :21:46. | |
What did you think when you looked at Darcey and she was having that | :21:47. | :21:50. | |
reaction? It feels good because during the dance it is meant to be | :21:51. | :21:54. | |
passionate and serious, so when somebody reacts like they were | :21:55. | :21:57. | |
feeling what you were feeling, it is good, and to watch it back and | :21:58. | :22:01. | |
analyse it, the breast she was doing well areas! -- the breathing she was | :22:02. | :22:13. | |
doing was hilarious! You got your highest score on the jive. Do you | :22:14. | :22:20. | |
feel you've finally matched it? I think technically we must have done | :22:21. | :22:24. | |
something really good and everything else is taste, so some people are | :22:25. | :22:32. | |
like, I really love that waltz one. But lots of people loved Pulp | :22:33. | :22:37. | |
Fiction and they thought, what's happening? But the jive will always | :22:38. | :22:42. | |
have a special place in my heart but the tango... It was the first really | :22:43. | :22:48. | |
amazing one. I've watched that over and over again. That's a really good | :22:49. | :22:56. | |
sign, isn't it? Hang on, let's talk about the Quickstepathon. We all | :22:57. | :22:59. | |
thought you were a scholar by the way. -- were ace, by the way. With | :23:00. | :23:10. | |
everybody on the floor at the same time, was it dangerous, was it | :23:11. | :23:16. | |
exciting? I can honestly say I absolutely loved every single second | :23:17. | :23:19. | |
of it and I realise now why people do that, because there is so much | :23:20. | :23:24. | |
adrenaline, trying to weave through people, and you can hear people | :23:25. | :23:27. | |
correcting each other, panicking, and you are just dancing to this | :23:28. | :23:33. | |
sort of... It was just fun! I want to do it every week! I'm sure that | :23:34. | :23:38. | |
could be arranged! There were moments when I saw your lines and, | :23:39. | :23:43. | |
oh! We didn't bump into anybody once! There were three couples | :23:44. | :23:50. | |
together and one of the kicks, when you look, only as the kick, it was | :23:51. | :23:56. | |
like, whoa! Two shows between you and the final, Aliona. There is a | :23:57. | :24:04. | |
chance you could be one of the couples to win the trophy twice. How | :24:05. | :24:09. | |
much does this possibility excite you? Actually, I never think about | :24:10. | :24:15. | |
that. We do actually take one dance at a time. As long as the dance that | :24:16. | :24:19. | |
we do is great and everything goes to plan, I'm so happy. She's driven | :24:20. | :24:25. | |
only by results and I cry weekly! LAUGHTER | :24:26. | :24:33. | |
It is the truth! That is so funny! You are also the only boy left in | :24:34. | :24:37. | |
the competition. It is musical is weak and rumba time. What are you | :24:38. | :24:46. | |
doing? We are going to do a rumba to the song Falling Slowly from the | :24:47. | :24:51. | |
musical Once. Oh! I've never seen it. How is the rumba going? Because | :24:52. | :25:00. | |
people have a bit of a love-hate relationship with it. I genuinely | :25:01. | :25:05. | |
love it. People put at bit too much emphasis on, it is a difficult | :25:06. | :25:11. | |
dance. If you understand what it is about it is easier because | :25:12. | :25:13. | |
dance. If you understand what it is half the steps that you would | :25:14. | :25:17. | |
usually have in any other dance. So if you get the idea of the movement, | :25:18. | :25:22. | |
it is actually almost somewhat easier because it's like less steps | :25:23. | :25:29. | |
to learn. Less steps to learn! Just a bit of undulating and all of that! | :25:30. | :25:34. | |
You will be fine! What do you think about Peter going? It is a real | :25:35. | :25:39. | |
shame. I said it a few times but really he is the most reassuring guy | :25:40. | :25:44. | |
ever. Even in his tough weeks he goes, that's fine, and then he asks | :25:45. | :25:47. | |
you about how your week is. I don't like it. Such a positive energy and | :25:48. | :25:58. | |
always upbeat. Just beautiful. Good luck with the dance that has less | :25:59. | :26:03. | |
steps than the rest! Jay and Aliona! CHEERING AND APPLAUSE | :26:04. | :26:09. | |
Our backstage beavers have been busy fact-finding for weeks! | :26:10. | :26:13. | |
Well, it's time to make one of our professional dancers really sweat. | :26:14. | :26:23. | |
Welcome to Strictly Spotlight, the new quiz that's got | :26:24. | :26:25. | |
our professional dancers quaking in their dance shoes. | :26:26. | :26:28. | |
And the first pro brave enough to go under the Spotlight is | :26:29. | :26:31. | |
CHEERING AND APPLAUSE Hi, gorgeous! This is quite scary, | :26:32. | :26:45. | |
isn't it? We have missed you. A beautiful dance with Kevin name to | :26:46. | :26:50. | |
end. You ready for this, Karen? This is how it works. | :26:51. | :26:53. | |
You've got 90 seconds to answer as many questions as possible | :26:54. | :26:56. | |
Your time is up when you hear this noise... | :26:57. | :27:05. | |
The only good thing about that was the end! | :27:06. | :27:08. | |
There's no passes and I will only accept your first | :27:09. | :27:10. | |
Name the first celebrity you danced with on Strictly Come Dancing. | :27:11. | :27:19. | |
Craig Revel Horwood has only ever given you a 9 once - true or false? | :27:20. | :27:29. | |
To which of your dances with Jeremy Vine did Craig use the words | :27:30. | :27:37. | |
"it was like watching a stork that had been struck by lightning"? | :27:38. | :27:42. | |
What is the lowest total score you have ever received from | :27:43. | :27:48. | |
For the cha-cha and paso doble with Dave Myers in 2013. | :27:49. | :27:56. | |
This image is taken from one of your performances | :27:57. | :27:59. | |
With Mark Wright in the Superman routine in 2014. | :28:00. | :28:07. | |
Who has received the most 7s from Len between you and Kevin? | :28:08. | :28:21. | |
In 2012 you and Nicky Byrne were eliminated in week ten, but which | :28:22. | :28:24. | |
Here you are with Dave Myers, but which song were you dancing to? | :28:25. | :28:39. | |
You have scored six points! CHEERING AND APPLAUSE | :28:40. | :28:57. | |
How was that, my darling? It is amazing how you can't remember | :28:58. | :29:00. | |
anything! Eyes and you did very well! Karen Clifton, everybody! | :29:01. | :29:02. | |
Isn't she gorgeous? A big thank you to all | :29:03. | :29:08. | |
of our guests. Join me tomorrow, | :29:09. | :29:11. | |
when I'll be chatting to the couple who laughed in the face | :29:12. | :29:13. | |
of the dance-off, Kellie and Kevin. Plus Karen Hardy is here for the | :29:14. | :29:16. | |
final time this series, and we'll be finding out what our couples will be | :29:17. | :29:20. | |
dancing to in Tunes on Tuesday. # There's nothing you can do that | :29:21. | :29:23. | |
can't be done # Nothing you can say but you can | :29:24. | :29:35. | |
learn how to play the game | :29:36. | :29:40. |