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You'll never guess what, they've only gone and let me choose my own | :00:08. | :00:13. | |
team this year. I know! As I always say, you want a job doing properly, | :00:14. | :00:18. | |
do it yourself. How do I look? Just a little bit of this and you'll be | :00:19. | :00:21. | |
good to go. Perfect. I've got your coffee. Just | :00:22. | :00:28. | |
like you like it, extra hot, extra foam, stirred three times anti-clock | :00:29. | :00:29. | |
wise, aren't you sweet. Thank you. How's everything going? Everything's | :00:30. | :00:47. | |
great. The team is phenomenal. I've got a really good feeling about this | :00:48. | :00:51. | |
year. Stand by everybody. Goes live in three... Two... One... Roll | :00:52. | :00:57. | |
titles. Why aren't the titles rolling? You | :00:58. | :01:01. | |
pressed the wrong button. It's that one. | :01:02. | :01:48. | |
Live from London, this is Strictly It Takes Two. Please welcome your | :01:49. | :01:53. | |
host, Zoe Ball. Hello and welcome to a brand | :01:54. | :02:03. | |
new series of It Takes Two! And don't worry, there's just | :02:04. | :02:06. | |
the one of me for now, Strictly returned to our screens | :02:07. | :02:08. | |
this weekend and wasn't it glorious? Anastacia did the splits, | :02:09. | :02:13. | |
Judge Rinder blew our minds, Over the next 12 weeks, | :02:14. | :02:26. | |
right here on It Takes Two, we'll be bringing you all | :02:27. | :02:29. | |
the Strictly news and exclusives So shall we meet our star studded | :02:30. | :02:31. | |
line-up for tonight? Coming up, the gorgeous | :02:32. | :02:35. | |
Anastacia and Brendan.... Plus, former Strictly | :02:36. | :02:41. | |
champ and dance legend, Dame Karen Hardy's back | :02:42. | :02:54. | |
in her Choreography Corner. But first, she's got the biggest | :02:55. | :03:00. | |
pipes in pop and I feel like... To have her on the It | :03:01. | :03:06. | |
Takes Two sofa. Let's hope she and her partner have | :03:07. | :03:13. | |
some decent cha-cha chatter. It's Anastacia and | :03:14. | :03:15. | |
Brendan, everyone! You are certainly a supple chick on | :03:16. | :03:27. | |
that dance floor. Based on this, I'm expecting fantastic dance next week. | :03:28. | :03:32. | |
What I loved is that cheeky, sexy attitude. If you can do that with | :03:33. | :03:37. | |
the cha-cha, I can't wait for the Argentine tango. It's Anastacia and | :03:38. | :03:45. | |
Brendan! Welcome to It Takes Two. Give us a flash of the bling. Come | :03:46. | :03:51. | |
on! Yes, a little bling, just for today. I can't show you mine. No, | :03:52. | :03:58. | |
please, we'll see that later. How did you enjoy your Strictly debut? I | :03:59. | :04:04. | |
enjoyed it tremendously. After that I got extremely emotional. I was | :04:05. | :04:10. | |
overwhelmed by the moment. It's not surprising because you build up and | :04:11. | :04:13. | |
build up and psych yourself up and then you do it and then you are a | :04:14. | :04:18. | |
nervous wreck afterwards. Yeah, I'm trying to come to terms with my own | :04:19. | :04:24. | |
womanhood after a lot of health things. Doing that in the outfit, | :04:25. | :04:28. | |
doing that dance to that song. I felt like I'd come into my teenage | :04:29. | :04:32. | |
years in front of the whole UK. So it was very interesting! We | :04:33. | :04:38. | |
absolutely loved it. We have to say Brendan, Craig got the eight paddle | :04:39. | :04:42. | |
out in week one. He had obviously been drinking. That's unheard of! | :04:43. | :04:47. | |
Very nice. Normally, you know, you are expecting flor from Craig. A | :04:48. | :04:51. | |
great way to start. We had the six from Bruno, still not a bad mark. A | :04:52. | :04:56. | |
nice way to start. Ease us in gently. I'm sure it will be | :04:57. | :05:00. | |
different next week. Everybody will be like scores start down here. | :05:01. | :05:03. | |
Little scared that they were nice this week. Sometimes you dance and | :05:04. | :05:07. | |
you don't even hear what they're scoring you. I had to watch it back | :05:08. | :05:13. | |
to know what they said. I thought they just said, "Horror... " I | :05:14. | :05:17. | |
didn't know. I wasn't sure he talked about some of my mountains and I | :05:18. | :05:21. | |
didn't know what he meant. That line, yeah, that was interesting You | :05:22. | :05:27. | |
knew. Let's talk about the face at the end. That was incredible. What | :05:28. | :05:32. | |
is the mood in that face there, so good. A four-letter word was | :05:33. | :05:39. | |
newspaper there. Yeah I was just feeling like, because she goes, | :05:40. | :05:47. | |
Yeesss-aahh. You said it was your show and you wanted many eout of | :05:48. | :05:52. | |
shot. I did say it was all about me at that moment. In the song you're | :05:53. | :05:57. | |
saying, do you want to be with me and very romantically and it's like | :05:58. | :06:04. | |
yes-ahhh. I love that. You have previous form with Popstars on this | :06:05. | :06:10. | |
show Brendan. The governous Michelle Williams and of course, Lulu. Don't | :06:11. | :06:19. | |
mention... And Sophie Ellis Bexter. Lovely girl. You can't compare them. | :06:20. | :06:25. | |
Every single partner on the show, 14, I've had about 25 - they're all | :06:26. | :06:30. | |
very, very different. I love this girl. We're excited. We talk a lot | :06:31. | :06:35. | |
in training. We need to do more dancing. Yeah, we really do. He says | :06:36. | :06:43. | |
that we're like two old women and I think we're like a bromance. We talk | :06:44. | :06:48. | |
too much. Great thinking about the show. Great - she just loves being | :06:49. | :06:54. | |
on here. There's no agenda here except for being here and dancing. | :06:55. | :06:57. | |
Except to dance and maybe win. And learn. And learn the dancing | :06:58. | :07:01. | |
quality. I'm only a performer and ape singer. When -- a singer. It | :07:02. | :07:09. | |
literally has nothing do with dance moves and techniques. The good news | :07:10. | :07:13. | |
is you are not going to give up the singing, are you? You never know. I | :07:14. | :07:21. | |
know there's a lot of singing in training. Cha-cha ticked off, what | :07:22. | :07:27. | |
are you doing next? Salsa. Normally one extreme to the other. Similar in | :07:28. | :07:31. | |
terms of pace and speed and we get to do a few lifts, which is very | :07:32. | :07:34. | |
exciting. How are you feeling about the lifts? I'm so excited. That's | :07:35. | :07:39. | |
what I mean, people go, "I'm terrified, don't touch me." I'm | :07:40. | :07:44. | |
like, "Bring it on. Make me go around your head and flip twice." | :07:45. | :07:50. | |
OK, slow it down. I'm over eager, he will say do something and I punch | :07:51. | :07:53. | |
him in the face when I'm trying to do it, maybe you can't do that. It | :07:54. | :07:56. | |
won't be the first time. Or the last. We can't wait to see it. | :07:57. | :08:02. | |
Anastacia, you're fantastic, Brendan you know how I feel about you. | :08:03. | :08:06. | |
Anastacia and Brendan! APPLAUSE | :08:07. | :08:10. | |
If there is one thing we love here it's a behind-the-scenes action, we | :08:11. | :08:13. | |
sent our cameras along to the studios to capture every single | :08:14. | :08:20. | |
second, you are welcome. Hey, it takes two, I am here. The | :08:21. | :08:25. | |
sun is shining, let's get this party started. Leave your nerves at the | :08:26. | :08:36. | |
door. This is Strictly Come Dancing, for crying out loud. If you can't | :08:37. | :08:41. | |
enjoy it, you're on the wrong show. We are on the right show? Right? | :08:42. | :08:46. | |
Incredible. Like the band bring it to a whole new level. I want | :08:47. | :08:56. | |
something real subtle. What do you think? You're opening the live shows | :08:57. | :09:04. | |
of Strictly 2016. Good luck, yeah. Good luck. No pressure. I'm not | :09:05. | :09:16. | |
worried. I'm fine. Bit nervous actually. Very excited, it's going | :09:17. | :09:22. | |
to be hot. See you later. First live show, yay. I can't believe this is | :09:23. | :09:25. | |
happening right now. Less than a minute away. Pleased I can sit back | :09:26. | :09:33. | |
and watch everyone else but it will make me more nervous tomorrow night | :09:34. | :09:37. | |
because I will have seen how brilliant everyone is. I'm | :09:38. | :09:42. | |
petrified. I don't know where Anton is. Anton... I'm ready. Can't be any | :09:43. | :09:49. | |
more ready than I am now. Live from the BBC, this is Strictly come | :09:50. | :09:57. | |
dancing. Last night was nice. Tonight, we're | :09:58. | :10:00. | |
bringing the house down. Watch this space. Keep dancing! It wasn't the | :10:01. | :10:13. | |
best it could be, but hopefully... On the night. We'll smash it. By the | :10:14. | :10:21. | |
time we get to 6. 30pm, it might be all right. Come on, let's go. | :10:22. | :10:35. | |
Multitasking. Come here now. Here we go. 10 million, 12 million people | :10:36. | :10:45. | |
and Craig Revel Horwood. I just lose everything. My mind. Stand by, five, | :10:46. | :10:53. | |
four, three, two, one... A little film featuring Frosty, our | :10:54. | :11:06. | |
floor manager. He's here tonight. Is it true that eight times you're | :11:07. | :11:10. | |
getting fees for that. Judging by the reaction on the World Wide Web | :11:11. | :11:13. | |
at the weekend you went wild for the return of Strictly. You were not the | :11:14. | :11:18. | |
only ones. So did a few of our celebrity pals. Miranda Hart tweeted | :11:19. | :11:21. | |
this: EastEnders star Ricky Norwood, Fat | :11:22. | :11:41. | |
Boy said: Like that. Very clever. I think that means he liked it. Slay | :11:42. | :11:52. | |
is good. Jenny asked this: Our next guest was on the world stage as part | :11:53. | :11:58. | |
of Team GB in Rio this summer. All that pales in comparison to the | :11:59. | :12:04. | |
nerves she must have felt on her dance floor debut, it's Claudia and | :12:05. | :12:11. | |
AJ. You are absolutely adorable to watch, you two. I loved all the acro | :12:12. | :12:17. | |
movements and doing that in heels, I thought would be virtually | :12:18. | :12:21. | |
impossible. A little bit placed in some parts, but lovely. You've got | :12:22. | :12:24. | |
great coordination. You're going to do great. Welcome, Claudia and AJ. | :12:25. | :12:31. | |
APPLAUSE Well done. Absolutely amazing. How | :12:32. | :12:38. | |
much did you enjoy your first turn around the Strictly floor? I really | :12:39. | :12:43. | |
enjoyed it. Just getting out there and you know, I was like smiling and | :12:44. | :12:50. | |
like walking, as soon as I went into competition mode like gymnastics. I | :12:51. | :12:53. | |
was thinking, that you are trained to win as a gymnast. I imagine your | :12:54. | :12:58. | |
mind is brilliant. How did it differ performing out there than it would | :12:59. | :13:01. | |
say performing in the Olympics? Were the nerves different? Yeah, | :13:02. | :13:04. | |
definitely. Because I'm very comfortable when it comes to | :13:05. | :13:07. | |
gymnastics, been training all these years to do that. Then to be able to | :13:08. | :13:11. | |
go out, do it in heels, I can't even walk! Then having to do all that and | :13:12. | :13:16. | |
you know, dancing, trying to remember it all, smile and looking | :13:17. | :13:20. | |
to the cameras... You did it so brilliantly, though. Such a pro. I | :13:21. | :13:25. | |
have to say, doing a back flip in heels, all your gym trainerers | :13:26. | :13:29. | |
going, no, that's really bad! Were you a natural at doing that. It was | :13:30. | :13:35. | |
tricky in the heels. Quite a few attempts in the studio. He wanted me | :13:36. | :13:39. | |
to do a cart wheel with no hands. No, no. I will do this and let's see | :13:40. | :13:46. | |
how that goes. We've got to do that. Have you tried doing a back flip | :13:47. | :13:51. | |
walkover in high heels? I tried doing it in flats and it didn't go | :13:52. | :13:56. | |
well. A hand stand, can't do it. 26 points as well, two sixes, two | :13:57. | :14:01. | |
sevens. How did you feel about that? I was really pleased just to go out | :14:02. | :14:05. | |
there and enjoy it, whatever the scores were. To be able to get what | :14:06. | :14:10. | |
score, I didn't know how to add six or seven... Neither do I! I wasn't | :14:11. | :14:16. | |
good at maths. Very good at gymnastics though. Let's talk about | :14:17. | :14:21. | |
Lennie took a bit of issue with the gymnastics in the routine. Then | :14:22. | :14:24. | |
Craig at the opposite scale who absolutely loved that. Moving | :14:25. | :14:30. | |
forward, what will you do, more gymnastics, put it away for a bit? | :14:31. | :14:33. | |
Our next dance is completely different, so take a bit out ready | :14:34. | :14:37. | |
to stick it all back in. A bit of both. A little tease. Take it away, | :14:38. | :14:43. | |
put it back in. We'll talk about your next dance in a bit. I think as | :14:44. | :14:50. | |
AJ is one of our new pro dancers, we thought we should get to know you | :14:51. | :14:52. | |
better. I am AJ Prichard and I'm from Stoke. | :14:53. | :15:21. | |
The European Championship, British National Championships, pretty much | :15:22. | :15:26. | |
everything in England. I'm going to bring awesomeness, youthfulness and | :15:27. | :15:30. | |
excitement to the show. I'm ecstatic to be dancing with Claudia. Her | :15:31. | :15:35. | |
gymnastic skills are amazing. Training is a blast. I'm very | :15:36. | :15:39. | |
competitive and pretty much I'll do anything to win. A day, give me a | :15:40. | :15:48. | |
ride home in that car! Are you old enough to drive? Very flash. This | :15:49. | :15:55. | |
week, probably no gymnastics because you are doing...? The waltz. How did | :15:56. | :16:05. | |
you feel about doing that because it is quite extreme? Very nervous | :16:06. | :16:08. | |
because you have two hold positions and be elegant which I find | :16:09. | :16:12. | |
difficult because I'm more of a powerhouse. Being elegant. Being | :16:13. | :16:19. | |
calm, died rushed. That's the other thing, the judges said quite a lot, | :16:20. | :16:24. | |
it is quite slow, making it difficult -- don't rush. The control | :16:25. | :16:29. | |
must be difficult. Some kind of control! Not really, though! How is | :16:30. | :16:37. | |
it going so far? It is going good, yeah. Good! A lot to do before | :16:38. | :16:44. | |
Saturday. There is a long check list to do first. Your dad, Paolo, who | :16:45. | :16:50. | |
has his own online fan club after the show, is he going to be giving | :16:51. | :16:55. | |
you another ten? Hopefully, probably even if I trip, he'll give me a good | :16:56. | :17:01. | |
ten. My friends will put the watch me which is really nice. We love him | :17:02. | :17:05. | |
and you guys are fantastic, good luck with the waltz, it's going to | :17:06. | :17:10. | |
be so different. Claudia and AJ! APPLAUSE | :17:11. | :17:16. | |
Time to welcome back eight Strictly legend, the judges may have had | :17:17. | :17:19. | |
their say over the weekend but there is only one opinion I'm bothered | :17:20. | :17:22. | |
about, it is time for the choreography corner. | :17:23. | :17:30. | |
let's hear it for Karen Hardy. APPLAUSE | :17:31. | :17:45. | |
I've missed you. How was your son and how are you? Fabulous, amazing | :17:46. | :17:51. | |
summer, not much sun, but enough -- your summer. How good were they? | :17:52. | :17:59. | |
Amazing, from those gorgeous little children who opened up for us, to | :18:00. | :18:02. | |
the beautiful new professionals, to the ending of the celebrities | :18:03. | :18:08. | |
stepping into the great ballroom. You know me can I get excited! We | :18:09. | :18:13. | |
are slightly hysterical! We are going to talk about Friday's dances. | :18:14. | :18:19. | |
We must start I think with Judge Rinder, because my goodness, and | :18:20. | :18:25. | |
Oksana, the cha-cha, I was expecting greatness but nothing as good as | :18:26. | :18:29. | |
what he came out with. Facial expressions, did you like them or | :18:30. | :18:36. | |
not sure? Slightly disturbed me. A sickly we are dancing which means | :18:37. | :18:38. | |
communicating through the body. So if I do this, I'm saying hello, but | :18:39. | :18:45. | |
look how good he is. Actually very good, apart from the little slip at | :18:46. | :18:51. | |
the end he is very good. I love this! The faceless potions, maybe he | :18:52. | :18:57. | |
was nervous. But in something into the ballroom hold, where he's going | :18:58. | :19:01. | |
to be limited, with that -- with that ability we may seek some great | :19:02. | :19:05. | |
things and welcome to the new bombshell. Oksana, she is so hot. | :19:06. | :19:11. | |
Ore and Joanna, 27 points, the brilliant tango. Batsmen, I was | :19:12. | :19:15. | |
watching and I thought he was going to moan -- Len. I am more towards | :19:16. | :19:27. | |
Glenn, I like seeing them dancing together. -- Len. It is the | :19:28. | :19:35. | |
partnering of two people together. Look at the body contact. Normally | :19:36. | :19:39. | |
we have gaps. This is the first week! A dynamic duo when two bodies | :19:40. | :19:45. | |
become one. The more I see, the stronger they will be later on. It | :19:46. | :19:51. | |
is the first week, a bit of fun. I like his kicks. Natalie and the | :19:52. | :19:58. | |
jive, 26 points, loving the energy. Bruno mentioned, not a paragon of | :19:59. | :20:04. | |
precision, how precise do you have to be with the jive considering it | :20:05. | :20:09. | |
is the first week? Week one, but I like the danger zone, I like it to | :20:10. | :20:14. | |
be a bit vibrant. I love this, we get the jump and this is his thing, | :20:15. | :20:19. | |
he needs the crowd, getting the Olympic Stadium going, but his | :20:20. | :20:23. | |
delivery was fabulous. There was a little bit of a wobble. Why am I | :20:24. | :20:29. | |
looking at that in week one? Bless their cotton socks, they've just | :20:30. | :20:34. | |
started! I thought it was fabulous. Well done, that boy. Leslie and | :20:35. | :20:39. | |
Anton, the waltz which was classic, Sheila very demure. Craig brought up | :20:40. | :20:46. | |
posture, she's going to be nervous, so the shoulders came up -- she | :20:47. | :20:51. | |
looked very demure. Her flair and gracefulness were stunning but what | :20:52. | :20:55. | |
was a challenge for her, the clip I've got here, she has to dance into | :20:56. | :21:00. | |
the hole from the turn and straight into the action. To be honest, | :21:01. | :21:05. | |
that's very hard to do. As we carry through, the choreography, the | :21:06. | :21:12. | |
movement is great but Leslie, first impressions, you want the glorious | :21:13. | :21:17. | |
elegant top line, elbows in front of the body, shoulders relaxed and | :21:18. | :21:21. | |
allow Anton to come down to her. Bring Anton down to you! Sheela | :21:22. | :21:26. | |
Gowda like a monkey hanging in a tree. I like that -- she looked like | :21:27. | :21:31. | |
a monkey. The unenviable task of opening the show, it must have been | :21:32. | :21:36. | |
terrifying. A couple of judges mentioned about her legs. This is a | :21:37. | :21:41. | |
cha-cha thing, you've got to lock them stop. Shall I do it? It would | :21:42. | :21:55. | |
be rude not to. Mums, dads, children, very quickly, which | :21:56. | :22:03. | |
Camara? Take your pick. A very simple step. I always say that hip | :22:04. | :22:09. | |
and knee our family. They must be working together. We do a little | :22:10. | :22:18. | |
move from side to side, straight, bend, straight, Ben, straight, | :22:19. | :22:22. | |
straight, bend. Have we got that, everybody? That is why she is a | :22:23. | :22:30. | |
master. Giovanni must be careful, a lot of the choreography is needed to | :22:31. | :22:35. | |
be danced on Bent legs. He must get the balance right as well. Point | :22:36. | :22:43. | |
taken. Nagger and Pasha earning 23 points for their waltz -- Naga. | :22:44. | :22:50. | |
There was an error halfway through, what happened. A tiny incident, she | :22:51. | :22:55. | |
is going down the middle of the floor and she slightly missed the | :22:56. | :23:01. | |
fall away action just there. Sadly she let the judges know that it went | :23:02. | :23:06. | |
wrong. What I would encourage Naga to do, you must make the judges down | :23:07. | :23:13. | |
themselves. I am wearing red today, Zoe. Of course you are! I didn't go | :23:14. | :23:19. | |
wrong with my choreography, I was fabulous, walking confidently to the | :23:20. | :23:25. | |
judges. And they say that you are up wearing red. It is like Jedi mind | :23:26. | :23:32. | |
business. Karen will be back tomorrow for Saturday night's | :23:33. | :23:39. | |
performances. She is wearing red! Our final guest made have lost his | :23:40. | :23:44. | |
seat in the Commons but he has gained a seat on the It Takes Two so | :23:45. | :23:56. | |
far, it is Ed and catty. -- so far -- and Katya. It was a bit | :23:57. | :24:01. | |
pedestrian. Glimmers of a nice elegant gentleman and by the end... | :24:02. | :24:10. | |
I was pleasantly surprised and I congratulate you. Well done, Ed and | :24:11. | :24:19. | |
Katya. Ed Balls, as I live and breathe, something I never thought I | :24:20. | :24:22. | |
would see happen and it is lovely to have you here. I never thought it | :24:23. | :24:26. | |
would happen either. A lot of balls in the room. How was it, the first | :24:27. | :24:31. | |
time out on the floor, did you enjoy it? In retrospect I loved it, and | :24:32. | :24:35. | |
the time it was totally terrifying! I know the feeling, Ed. I have to | :24:36. | :24:43. | |
say, so many people watching at home were pleasantly surprised, don't be | :24:44. | :24:46. | |
upset, but I think we all thought it could go one way but you were great. | :24:47. | :24:52. | |
Your bottom of the leaderboard but Len said you are the kind of | :24:53. | :24:56. | |
contestant that Strictly is all about. Was it good to get his | :24:57. | :25:00. | |
approval? Yes, we wanted to do a proper waltz and there was no | :25:01. | :25:03. | |
surprise that I'm at the bottom because clearly I'm a novice but | :25:04. | :25:07. | |
Strictly is about trying hard, having a go, learning and doing your | :25:08. | :25:12. | |
best. We will do that this week as well and see what happens. I like | :25:13. | :25:21. | |
your attitude! I am Zoe Ball and you are Ed Balls, confusing! What did | :25:22. | :25:29. | |
you think of his performance? What I said, people don't see the whole | :25:30. | :25:34. | |
process from day one until the performance, they just see the | :25:35. | :25:37. | |
performance. I said, the man who walked into the studio on day one | :25:38. | :25:41. | |
and the one who danced with me on Saturday, two different people. Ooh. | :25:42. | :25:47. | |
Such a transformation, which I appreciate and I felt it. Yes, some | :25:48. | :25:52. | |
things didn't go right but he is an amazing leader. Follow him around, | :25:53. | :25:57. | |
whatever happened, I just followed because he's really good. I hear you | :25:58. | :26:02. | |
have been practising with your wife, Yvette Cooper, MP, at home. What did | :26:03. | :26:07. | |
you make of your performance? She was in Liverpool with a room with 70 | :26:08. | :26:10. | |
people in the conference hall watching. I spoke to her and I said, | :26:11. | :26:16. | |
I really sorry, I messed it up and she said they thought it was | :26:17. | :26:20. | |
fabulous and didn't notice. The point Karen was making come inside | :26:21. | :26:23. | |
you know you made a mistake but everyone else is seeing the good | :26:24. | :26:27. | |
bits. They don't see where you go wrong and afterwards I found out | :26:28. | :26:30. | |
that people loved it. I guess I loved it too. You have learned the | :26:31. | :26:35. | |
trick, if it goes wrong, you just smile and wave. I was disappointed, | :26:36. | :26:41. | |
I thought I was better in rehearsals but now I realise that was a silly | :26:42. | :26:45. | |
thing to say. He is learning already, Katya. Now to another power | :26:46. | :26:53. | |
woman. Welcome, Katya, lovely to have you. We want to learn a bit | :26:54. | :26:55. | |
more about Mrs Jones. I am Katya Jones, from Russia, I am | :26:56. | :27:18. | |
a professional show dance champion. I'm very dedicated to everything so | :27:19. | :27:21. | |
I'm sure I'm going to bring a lot of fire, energy and passion to Strictly | :27:22. | :27:27. | |
and the best thing is that I get to share my knowledge. All want to do | :27:28. | :27:32. | |
is to give Ed the best experience. I'm quite a strict teacher. Ed and I | :27:33. | :27:37. | |
both know who's in charge in the classroom and that's why he calls me | :27:38. | :27:42. | |
the bus. We can go all the way -- the boss. I love the fact that you | :27:43. | :27:48. | |
are very strict with him, that is good for him. We have some | :27:49. | :27:53. | |
statistics for you. Following other politicians who have been on the | :27:54. | :27:57. | |
show. Let's find out how they did in the first week. 2010, series eight, | :27:58. | :28:04. | |
and Widdicombe, getting 17 points. 2011, Edwina Currie, 17 points and | :28:05. | :28:14. | |
Ed, you got 21, very nice work! And now you have the Charleston. How is | :28:15. | :28:22. | |
it going? Well, the energy, the intensity, it is really hard, it is | :28:23. | :28:26. | |
a bit wild but actually, to do it well you must be disciplined and I | :28:27. | :28:29. | |
think we will have some surprises in the routine. This is good, it is | :28:30. | :28:40. | |
very different to the waltz. It is going to come through. In the studio | :28:41. | :28:45. | |
she is vicious! I can imagine. Darcey said that to get into your | :28:46. | :28:52. | |
character, Charleston is great for character. Can you tell us a bit | :28:53. | :28:55. | |
about the character you are going to play? What Darcey said is great | :28:56. | :29:00. | |
advice, it may be think of the TV show from the 80s, Worzel Gummidge, | :29:01. | :29:06. | |
his sad head and his funny head and I'm going to put on my Charleston | :29:07. | :29:15. | |
head. It is going to be Charleston -tastic. As long as you aren't | :29:16. | :29:19. | |
dressed as Worzel Gummidge! That's all we've got time for. Thanks to my | :29:20. | :29:23. | |
guests. Tomorrow, Karen Hardy will be back. Thanks for watching, we'll | :29:24. | :29:28. | |
see you tomorrow. Good night. Unparalleled talent, | :29:29. | :29:33. | |
unprecedented access. BBC Two takes a sneaky peek | :29:34. | :29:36. | |
behind the celebrity curtain. Go out there, grab it with both | :29:37. | :29:39. | |
hands and stick it in your mouth. Easy peasy, get yourself | :29:40. | :29:44. | |
a catchphrase. | :29:45. | :29:48. |