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From London, this is Strictly Come Dancing Please welcome your host, | :00:52. | :00:55. | |
Zoe Ball. It CHEERING AND APPLAUSE | :00:56. | :00:57. | |
Like our couples, we're dressed to impress, have survived intensive | :00:58. | :01:02. | |
training and will stop at nothing in delivering you a top scoring show! | :01:03. | :01:05. | |
Well, check out these beauties adorning our green room tonight. | :01:06. | :01:09. | |
Fresh from storming the dance floor on Saturday | :01:10. | :01:11. | |
it's the sensational Louise and Kevin. | :01:12. | :01:16. | |
And the downright saucy Will and Karen! | :01:17. | :01:25. | |
Plus, a woman who never puts a foot wrong - | :01:26. | :01:29. | |
well I'd hope not, she's a former world dance champion - | :01:30. | :01:32. | |
But first, they went Loco in Acapulco on Saturday night | :01:33. | :01:41. | |
but divided the judges with their cha-cha-cha. | :01:42. | :01:43. | |
Maracas at the ready, it's Melvin and Janette! | :01:44. | :01:48. | |
You captain Twort the festive mood of the dance but, I'm telling you, | :01:49. | :02:08. | |
you forgot the hips. The cha-cha's a cheeky, fun dance. That's what you | :02:09. | :02:13. | |
portrayed. The performance was down to a tee. Brilliant. | :02:14. | :02:15. | |
Ready for it? Boom clam I love that move. Haven't quite got the hang of | :02:16. | :02:31. | |
it yet. Smell your elbow. I like to smell my elbow. Well done on | :02:32. | :02:33. | |
Saturday night. All of that in pink trousers! Yes, | :02:34. | :02:41. | |
they were powerful. They were pretty bright. I felt like a human | :02:42. | :02:47. | |
highlighter! That's exact Liz what it was like. After your performance, | :02:48. | :02:56. | |
Pointless star Richard Osman said, Melvin is my favourite. The big man | :02:57. | :03:03. | |
himself. Were you surprised by the response? Everyone was so kind | :03:04. | :03:07. | |
online. I said to Janette, I want it to be fun. Enjoy it. We did that. We | :03:08. | :03:13. | |
did. So much fun. I had loads of fun watching. The judges were talking | :03:14. | :03:18. | |
about hip action. They gave you a bit of a hard time about it. Craig | :03:19. | :03:22. | |
was talking about ironing boards being less stiff below. Meany! What | :03:23. | :03:27. | |
did you think about the hip scenario? You always want people | :03:28. | :03:35. | |
wanting more. We had mar ac-Cas, some brayer rows. Once the hips come | :03:36. | :03:43. | |
into play, it'll be a problem! LAUGHTER We can't give you too much. | :03:44. | :03:49. | |
We can't handle that too soon. A me fact response. We loved your | :03:50. | :03:53. | |
gorgeous family, seeing them all together. What was their response? | :03:54. | :03:58. | |
They mean everything to me. They were so proud, so happy I'm on the | :03:59. | :04:04. | |
show. I went back, my dad said, well done, very good somehow se show. Not | :04:05. | :04:09. | |
too sure about the trousers. They loved the performance. Half the | :04:10. | :04:20. | |
Manraras are in tonight! Papa Manrara and your mama and sister. | :04:21. | :04:25. | |
You get up at 4.00am. You look so fresh-faced. How is it all fitting | :04:26. | :04:31. | |
in? I think it's the make-up. I only started drinking coffee since doing | :04:32. | :04:34. | |
this show. Your first coffee? Really? I survived eight years of | :04:35. | :04:40. | |
breakfast shows without coffee. I was like, how can I stay up. Janette | :04:41. | :04:46. | |
was like, try this thing called coffee. It really helps out. On the | :04:47. | :04:51. | |
radio, you've some musical connections. You had a top tip from | :04:52. | :04:56. | |
lady Ga fwa. Took you aside and told you, this is what you need to do. | :04:57. | :05:07. | |
She said turn your phone off, act like a ninja. Hinge quick? I don't | :05:08. | :05:13. | |
want to come in and give you a karate chop. Maybe she meant I need | :05:14. | :05:18. | |
to be a thing gentleman. We'll work on that. I've heard it is not just | :05:19. | :05:25. | |
Melvin's dance move you're worried about but his wardrobe choices. Can | :05:26. | :05:32. | |
I ask you a favour? Go a head. Next rehearsal, can you bring trousers | :05:33. | :05:37. | |
instead of shorts. Why in It's a really funny look. It looks fine. | :05:38. | :05:44. | |
What's wrong with this look? This will be the star. I feel Anton will | :05:45. | :05:49. | |
be rocking this soon. Anton would never rock. Ballroom and shorts. I | :05:50. | :05:54. | |
think she lass an issue with my legs. Chicken legs? It's not the | :05:55. | :05:59. | |
chicken legs. After tomorrow, you'll never see my legs again! We love | :06:00. | :06:07. | |
your little legs. I don't know what you wear with patent shoes with with | :06:08. | :06:11. | |
a little heel. I thought, shorts has to be OK. I think tracksuit bottoms | :06:12. | :06:18. | |
are just as bad. You wore a neon green shirt and shorts. Neon ping | :06:19. | :06:26. | |
and green! Give the guy a break. We'll talk about Will's choices | :06:27. | :06:31. | |
later on too. This week, the tango. Tell me about it. Real character | :06:32. | :06:36. | |
dance? It's the opposite of what I've been learning the last three | :06:37. | :06:40. | |
weeks. We're getting to grips with it. The opposite of the cha-cha-cha. | :06:41. | :06:46. | |
Inspread of straight niece, bent knees. Heels not toes. So confusing. | :06:47. | :06:51. | |
I agree. You're a cheeky chappie. Have you got a dark side. Give us | :06:52. | :06:58. | |
the tango face? Are we convinced? He's getting there. I'm a little | :06:59. | :07:05. | |
scared. Good luck for Saturday. I just gave it to you! You didn't even | :07:06. | :07:08. | |
ask that time. It's Melvin Janette. Now, last weekend we saw our couples | :07:09. | :07:13. | |
strut their stuff to the sounds of Bowie, waltz along to Whitney and | :07:14. | :07:16. | |
get all sweaty with Lady Marmalady. But what songs will be rocking the | :07:17. | :07:20. | |
Strictly dance floor this weekend? There's only one way to find out - | :07:21. | :07:23. | |
it's time for Tunes on Tuesday. MUSIC: I'm In The Mood | :07:24. | :07:29. | |
For Dancing by The Nolans. There are plenty of amazing tunes | :07:30. | :07:36. | |
in store for this weekend's show. This track has been voted the most | :07:37. | :07:39. | |
popular sport song ever But which of our couples will be | :07:40. | :07:49. | |
hoping to jump to the top But will their performance be leaps | :07:50. | :07:54. | |
and bounds ahead of the rest? Right, let's see what's next | :07:55. | :08:10. | |
on my jukebox tonight. MUSIC: Perhaps, Perhaps, | :08:11. | :08:15. | |
Perhaps by The Pussycat Dolls. Ooh, a slinky little | :08:16. | :08:17. | |
number this one. It's Perhaps, Perhaps, Perhaps | :08:18. | :08:19. | |
by the Pussycat Dolls - meow! Did you know the Doris Day version | :08:20. | :08:21. | |
of this song was featured in the film | :08:22. | :08:23. | |
Strictly Ballroom? Well, if you can't make your mind | :08:24. | :08:25. | |
up, we'll never get started. But can they get top | :08:26. | :08:30. | |
scores from the judges? Right, just enough time | :08:31. | :08:45. | |
for one more tune. This track was, of course, featured | :08:46. | :08:50. | |
in the hit film The Full Monty, But which couple will be hoping | :08:51. | :09:02. | |
to raise temperatures Always wanted to do that behind | :09:03. | :09:22. | |
Karen Clifton! You're going? I'm going this way. Thanks, guys. Here | :09:23. | :09:24. | |
we go... They'll be performing a cha-cha-cha | :09:25. | :09:29. | |
to this - Hot Stuff indeed! If you want to find out what songs | :09:30. | :09:34. | |
the rest of our couples are dancing They wowed the judges | :09:35. | :09:39. | |
on Saturday night. Style was absolutely perfect. Tell | :09:40. | :10:05. | |
you what, that floated my boat totally. I mean that first dance, | :10:06. | :10:08. | |
outstanding! Cheers cheers cheers What was it like opening | :10:09. | :10:15. | |
Saturday night's show? How was it going out first on | :10:16. | :10:26. | |
Saturday? I was petified. You've been there. That heart, I can't | :10:27. | :10:32. | |
contain myself. I will want the ground to swallow me up whole. I | :10:33. | :10:37. | |
said to Kevin coming down the stairs, I've forgotten the whole | :10:38. | :10:42. | |
thing. As the VT was playing. Couldn't remember the routine. Just | :10:43. | :10:47. | |
panicked. You go blank. You pray it doesn't happen on the floor. You | :10:48. | :10:53. | |
looked so at ease doings that dance. It is getting through it, the jive, | :10:54. | :10:59. | |
the stamina. The last bit where I'm running forward, it is pure joy of, | :11:00. | :11:05. | |
I'm at the end. I'm still alive. So much love for you online. Mark Wix | :11:06. | :11:13. | |
from Grimsby? Do you know him? I know him. He said Louise did really | :11:14. | :11:19. | |
well to keep up with Kevin all the way through the fast routine. How | :11:20. | :11:23. | |
difficult did you find it to master the jive? We had longer which was a | :11:24. | :11:29. | |
bonus. I just tried to listen. Some days were harder than others. My | :11:30. | :11:34. | |
body started aching. I started feeling my age, slightly. It was | :11:35. | :11:38. | |
hard but I enjoyed it. It was good to get on with it. When they first | :11:39. | :11:43. | |
told you you were doing a jive, week one. That's one people tend to build | :11:44. | :11:48. | |
up to. Week one, what did you make of it? It's not easy. I decided I'm | :11:49. | :11:55. | |
partnered with Louise Redknapp, I'm going to make it really difficult | :11:56. | :11:59. | |
and throw loads of choreography at her. I thought, I'll make it really | :12:00. | :12:04. | |
hard and simplify as we go on. She was really clever applying stuff. If | :12:05. | :12:09. | |
she couldn't get something, she wanted to practise it over and over | :12:10. | :12:13. | |
again. You've made a rod for your own back here? This week, I'm | :12:14. | :12:18. | |
terrified. Dying a slow death in there. We'll get to this week's | :12:19. | :12:22. | |
dance in a minute. You did get an 8 from Craig. He was pulling the 8s | :12:23. | :12:26. | |
out. He was in such a lovely mood. Unbelievable. That must be good. | :12:27. | :12:32. | |
Week one. He was generous with his 8s. Great to be part of that and get | :12:33. | :12:36. | |
one. Incredible. The whole weekend was insane. The standard of everyone | :12:37. | :12:41. | |
in that first week was incredible. I know. How will we follow that, | :12:42. | :12:48. | |
scary? Extra congratulations to you, Kevin. Your highest score in week | :12:49. | :12:54. | |
one. Get a little medal or badge or a balloon! This week, Viennese | :12:55. | :13:01. | |
waltz. How's it going? How's it going, Louise? Everyone has this. | :13:02. | :13:06. | |
You need a little bucket at the side of the studio. It's this torning. | :13:07. | :13:12. | |
It's the turning forever, and the hold. I choreographed the end bit so | :13:13. | :13:21. | |
I hold my hand to her face in case they throws up in my hand. How do | :13:22. | :13:25. | |
you help people deal with the sickness as they're spinning around? | :13:26. | :13:30. | |
Yeah, how do you? Not much to help, to be honest. You'll just feel sick | :13:31. | :13:34. | |
and dizzy. It's just getting over it. Enjoy your Strictly journey. | :13:35. | :13:42. | |
He's such a charmer. I thought he was dismissive about your pop star | :13:43. | :13:48. | |
dancing? Nothing. I had a look at old pop individuals yes, sir. To see | :13:49. | :13:54. | |
if there was anything I could use. Looked through them excited and | :13:55. | :13:59. | |
thought, no. You will get your revenge, Louise. Enjoy the spinning. | :14:00. | :14:02. | |
Always carry a bucket. Louise and Kevin. | :14:03. | :14:04. | |
Now our couples' dance moves may look fabulous to our untrained eyes. | :14:05. | :14:07. | |
But how do they fare under the strict gaze | :14:08. | :14:09. | |
it's time for Karen's choreography corner! | :14:10. | :14:32. | |
I love we get a double dollop. The dab. I'm not a natural at that dab. | :14:33. | :14:43. | |
Karen, we're looking at Saturday's dances. We did Friday's yesterday. | :14:44. | :14:49. | |
So much praise for everyone. We start with Louise and Kevin. The | :14:50. | :14:55. | |
judges loved the 1940s jive routine. Bruno said this was a minor flaw. | :14:56. | :15:00. | |
What was it? I'm not looking for it in week one. It was an incredible | :15:01. | :15:04. | |
performance, incredible piece of choreography. Amazing. A tiny bit | :15:05. | :15:09. | |
towards the end maybe she was get a little tired. When you're doing | :15:10. | :15:12. | |
steps like this, turning kick board changes and into the stop and go | :15:13. | :15:17. | |
check action, look, there's a tiny bit of wobble. Are we really going | :15:18. | :15:21. | |
to say anything week one. This was fabulous. To open the show as well, | :15:22. | :15:26. | |
I loved it. The swing, to have all of that? Cool relaxed. Her | :15:27. | :15:31. | |
patternality is so sweet and genteel. The nice thing watching | :15:32. | :15:36. | |
Louise, you feel confident. You can relax and enjoy her. Will and | :15:37. | :15:40. | |
Karen's tango. It was incredible. I thought he really owned that dance | :15:41. | :15:44. | |
floor. Len was talking a little about this hold being too wide. What | :15:45. | :15:45. | |
does that mean? One of the strict technique things | :15:46. | :15:56. | |
that we have two master is that the hands of the man comes slightly | :15:57. | :16:00. | |
further past lady spine. The lady goes slightly more to the right of | :16:01. | :16:05. | |
the man so it's a bit more cuddly and compact. This allows the lady to | :16:06. | :16:10. | |
take her arm further round and down underneath the man's arm. A much | :16:11. | :16:15. | |
more compact action, that said, a beautiful bit of action here where | :16:16. | :16:18. | |
they were dancing up the floor, little freeze-frame, I know he won't | :16:19. | :16:23. | |
like me doing this but we have to. Where she has her hand in a lovely | :16:24. | :16:27. | |
position we would beat her slightly more across and his arm slightly | :16:28. | :16:32. | |
further around to get the compactness. Once it around it get | :16:33. | :16:36. | |
you further down into the knees, you can see he is towards the end of the | :16:37. | :16:39. | |
dance coming slightly out at the knees. But it's week one and he was | :16:40. | :16:47. | |
amazing. Fabulous, I love him. Moving on to Melvin and Janette, | :16:48. | :16:51. | |
Bruno saying he forgot to use his hips, why are they so important? | :16:52. | :16:59. | |
It's the adulation, the core of the music, we have two imagine we are in | :17:00. | :17:04. | |
Cuba and an nightclub. I often say to gentlemen, it doesn't feel right | :17:05. | :17:09. | |
in the beginning. I would say to Melvyn give it some swagger. But | :17:10. | :17:17. | |
once the guy gets this he is going to be unstoppable, I love his energy | :17:18. | :17:22. | |
and personality. Winning isn't only about being technically correct, he | :17:23. | :17:26. | |
has a lot of personality and we love that. Ed and capture in the bottom | :17:27. | :17:39. | |
two -- Ed and Katya. Pleasantly surprised, everyone was surprised at | :17:40. | :17:43. | |
how good he was, what did you think? I had a vision of him shouting in | :17:44. | :17:47. | |
Parliament and creating a storm and suddenly he came onto the ballroom | :17:48. | :17:53. | |
dancing floor with such suave and grace. We have picked up the one to | :17:54. | :17:59. | |
three rise and fall, not enough but we have to look at this. I think it | :18:00. | :18:04. | |
is beautiful. Allowing the lady to go into her line. We are up and | :18:05. | :18:14. | |
dancing, it is day two. Very silly, we always talk about rise and fall | :18:15. | :18:18. | |
in the waltz so I thought we should take a few seconds to talk about it. | :18:19. | :18:24. | |
Very simple board, site, together, back, side, together. This is what | :18:25. | :18:30. | |
they have to think about, you commence to rise on one, you | :18:31. | :18:35. | |
continue to rise on two, and three and at the end of three you have to | :18:36. | :18:39. | |
go all the way down again. And we have to do it all again, commence to | :18:40. | :18:44. | |
rise on one, then two and then three and then you have to be back down. | :18:45. | :18:50. | |
Like the horses on the merry-go-round? Exactly! Ed got to | :18:51. | :18:57. | |
number one and stopped counting. But still, week one, great stuff. To the | :18:58. | :19:02. | |
top of the leaderboard, we have to talk about Daisy and Aljaz's waltz, | :19:03. | :19:13. | |
Len giving nine points, stunning. In the nicest way, did anybody see this | :19:14. | :19:20. | |
coming? And I love a surprise. It's the inside info, watched his face, | :19:21. | :19:30. | |
the smile, is this not the cat that got the cream? He's basically saying | :19:31. | :19:34. | |
watch out everyone, week one, look what is in my arms, I will show off | :19:35. | :19:40. | |
and I will smile and see you in the final. I loved it. I thought it was | :19:41. | :19:47. | |
fabulous. Moving on to Claudia and Ajay and their cha-cha-cha which was | :19:48. | :19:55. | |
spectacular, Bruno warned her that in too many tricks can spoil the | :19:56. | :19:59. | |
floor. I know you like to shape them first row dances, what do you think? | :20:00. | :20:06. | |
She has abilities others won't have but I think what is important is | :20:07. | :20:10. | |
when to use them. Week one I would want to see maybe an odd little trek | :20:11. | :20:14. | |
but it had absolutely no relationship to that piece in the | :20:15. | :20:18. | |
song. There was a big crescendo just afterwards but what upsets me is | :20:19. | :20:22. | |
they did not pick up, she got the straight legs and the hip action all | :20:23. | :20:26. | |
the way through the dance, they were going on about the tricks but they | :20:27. | :20:31. | |
missed the fact she mastered the technical fundamentals. This will | :20:32. | :20:38. | |
help her later on. Tameka and Gorka with the paso doble, I did not know | :20:39. | :20:42. | |
which one to watch, it was spectacular. She did brilliantly, I | :20:43. | :20:47. | |
adore her. Craig felt she was a bit more like a matador than a cape. I | :20:48. | :20:53. | |
always get confused, what does that mean? The one thing the lady is not | :20:54. | :21:00. | |
is the bull on the dance floor. But what I had here, I would have to | :21:01. | :21:06. | |
say, I don't think he expected her to come out like this. This | :21:07. | :21:11. | |
choreography, she is twisting, flicking the skirt, she has the arms | :21:12. | :21:16. | |
and attitude, her choreography was high impact. Lots of direction | :21:17. | :21:21. | |
changes. Week one, looking back over the series they all go in the same | :21:22. | :21:25. | |
direction, watch out, I think it will be slightly different next | :21:26. | :21:31. | |
week. I loved their outfits. Let's talk about Anastacia and Brendan's | :21:32. | :21:36. | |
cha-cha-cha. A few little mistakes according to the judges, to be | :21:37. | :21:42. | |
expected, did it matter? This is Anastascia, I would not argue with | :21:43. | :21:48. | |
her with her voice alone. But that said she has a lot of flexibility. I | :21:49. | :21:53. | |
have to pick up on this, the ease with which she does that, | :21:54. | :21:57. | |
interacting with Brendan and already great teamwork. We always talk about | :21:58. | :22:02. | |
teamwork, there is the piece at the end where it goes slightly wrong but | :22:03. | :22:05. | |
Brendan is straight in, picks her up, she will be used to selling, she | :22:06. | :22:10. | |
will perform and sell it and got back into it. It's a big change for | :22:11. | :22:15. | |
her, this is Strictly UK and she has pizzazz, I think one more week. She | :22:16. | :22:23. | |
will embrace it. Another high score to Danny and Oti. Len said it was a | :22:24. | :22:40. | |
bit too stagey. I was gobsmacked, so much choreography, you could cut | :22:41. | :22:43. | |
bits out and spread it over 12 weeks. But I think because there was | :22:44. | :22:48. | |
so much you remember of the highlights, the classic Michael | :22:49. | :22:52. | |
Jackson, there was so much in there. I think later on, let them come | :22:53. | :22:58. | |
down, Oti is trying to work out what he can do. She has found out that | :22:59. | :23:02. | |
this boy is talented, hubba hubba come to mamma. This is hilarious, | :23:03. | :23:10. | |
you will get us all into trouble, so good to have you back! Karen Hardy! | :23:11. | :23:14. | |
Time now to chat to our final couple. | :23:15. | :23:16. | |
They closed Saturday night's show in spectacular fashion. | :23:17. | :23:18. | |
For the drama, full of intent and purpose, everything that we love. | :23:19. | :23:38. | |
The acting and interpretation were absolutely brilliant. Not quite | :23:39. | :23:43. | |
checkmate but an excellent performance, well done. | :23:44. | :23:45. | |
that they definitely saved the best until last. | :23:46. | :24:03. | |
You must have been delighted with your performance? | :24:04. | :24:09. | |
I was really pleased. It was quite stressful waiting until last and I | :24:10. | :24:15. | |
said to you when I knew we were coming up, finally, we are doing it. | :24:16. | :24:20. | |
The thing I was most pleased about was I enjoyed it and wanted to make | :24:21. | :24:26. | |
Karen proud. And how proud are you? Really proud, we were fighting from | :24:27. | :24:36. | |
the time we went out there. How were the nerves? You had to wait the | :24:37. | :24:40. | |
whole of Friday, all of the build-up and then all of Saturday? How did | :24:41. | :24:46. | |
you control yourself? A lot of heating the others! I went up to | :24:47. | :24:50. | |
Greg and said I hate you because you have done your dance! The tables | :24:51. | :24:58. | |
will turn. Karen, 30 points is your highest score in week one, well | :24:59. | :25:06. | |
done. Thank you! You have danced with a delightful mixed bag, we are | :25:07. | :25:11. | |
already missing Jeremy, and Dave, have they been in touch? Yes I spoke | :25:12. | :25:18. | |
to David and he loves Will and Jeremy just said he is supporting us | :25:19. | :25:22. | |
all the way. They are very supportive. I think the approval of | :25:23. | :25:28. | |
exes is very important in this relationship. I don't want to get | :25:29. | :25:35. | |
beaten up in a dark alleyway. So much praise from the judges, they | :25:36. | :25:41. | |
loved the characterisation and Will's attack, is he feisty in | :25:42. | :25:46. | |
rehearsing? LAUGHTER He likes a lot of breaks! That's | :25:47. | :25:53. | |
fine with me. But usually focused, it was pretty intense, those three | :25:54. | :25:57. | |
weeks were intense. I think we will have more fun this week, we looking | :25:58. | :26:04. | |
forward to that. Look at his face! I cannot even play chess. It's not | :26:05. | :26:13. | |
just the dance moves that have got people talking, Jenny said on | :26:14. | :26:17. | |
Twitter she is quite simply living for Will Young's rehearsal outfits, | :26:18. | :26:21. | |
let's have a little look because I am with you! It's the shorts and | :26:22. | :26:30. | |
braces! It's amazing! And the long sleeves. That is a great one, it's | :26:31. | :26:37. | |
like a Japanese schoolgirl. What my thing is, is, is, as long as I'm in | :26:38. | :26:42. | |
the competition I will do different styles every week, this week I am | :26:43. | :26:46. | |
dressing more towards what the dances. I have laid out my clothes! | :26:47. | :26:56. | |
It makes it fun! So organised. You are cruelly bonkers, I love it. I | :26:57. | :27:00. | |
think we know why there has been summoned costume changes, look at | :27:01. | :27:07. | |
this. Are you feeling sexy? I am feeling faint. One more time. You | :27:08. | :27:16. | |
are dropping. I am wiping my face on some shorts. Very sweaty today. I | :27:17. | :27:21. | |
hope we won't be a sweaty on the night. Because I think that would | :27:22. | :27:27. | |
need medical attention and it means I will probably drop Karen. I am | :27:28. | :27:37. | |
dripping in sweat. Fan! Oh yes! LAUGHTER | :27:38. | :27:49. | |
He is so weird that guy! That is definitely you! This week we move on | :27:50. | :27:54. | |
to jive, you will be so sweaty, I look forward to seeing the adverts, | :27:55. | :28:01. | |
how's it going? Really well, and I have been attacking it with gusto | :28:02. | :28:04. | |
because I am not angry any more. It is tough, completely different | :28:05. | :28:09. | |
rhythm and way of standing, I am not on hold as much. There was a point | :28:10. | :28:18. | |
you said you missed holding me. I do. How are his kicks and Flex? It's | :28:19. | :28:28. | |
going pretty well. I know when you are lying! It's going good, we have | :28:29. | :28:37. | |
a couple of days left, OK? Thank goodness! Good luck, cannot wait to | :28:38. | :28:43. | |
see the outfits! The gorgeous Will and Karen! | :28:44. | :28:45. | |
But worry ye not - we'll be back here tomorrow at 6.30pm | :28:46. | :28:49. | |
getting all the gossip from Lesley and Anton, Tameka and Gorka | :28:50. | :28:52. | |
the gorgeous Ian Waite is back for a Wednesday warm up! | :28:53. | :29:05. | |
Behind the genteel facades of Victorian London's streets, | :29:06. | :29:08. |