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We're the show that makes dreams come true, and have we got a fairy | :00:53. | :01:02. | |
So, plasma, plasma on the wall, who's the sparkliest of them all? | :01:03. | :01:09. | |
Is it the enchanting Lesley and Anton? | :01:10. | :01:11. | |
Or the dazzling Judge Rinder and Oksana? | :01:12. | :01:22. | |
And, he's my Knight in Shiny Shoes, Ian Waite returns to give us | :01:23. | :01:33. | |
But first, they charmed the judges with their Waltz on Friday | :01:34. | :01:41. | |
and like birds of a feather they stick together, | :01:42. | :01:43. | |
I have to say, great control, through art. Just watch you don't | :01:44. | :01:59. | |
get lost in Anton's chests. It was so well felt, you acted very nicely. | :02:00. | :02:05. | |
Your posture was a bit high but you are a lovely lady and I thought you | :02:06. | :02:08. | |
danced beautifully. APPLAUSE You were a vision | :02:09. | :02:08. | |
in fuschia on Friday. Pink is my favourite colour, I love | :02:09. | :02:19. | |
it. You looked glorious. What was it like stepping | :02:20. | :02:23. | |
onto the floor for the first time? I found it slightly traumatic. Such | :02:24. | :02:30. | |
a strange animal, you do not know what you will feel like until you | :02:31. | :02:33. | |
get out there. I love it, I wanted to correct all my mistakes and do it | :02:34. | :02:38. | |
again. There weren't many mistakes, were there? Of course. None! Perfect | :02:39. | :02:45. | |
in every possible way. Hello, Anton du Beke, I've missed you! 23 points. | :02:46. | :02:50. | |
You received a respectable 23 points from the judges. | :02:51. | :02:53. | |
Bruno said he "found it very touching and almost moving" - | :02:54. | :02:57. | |
Doing it to that song, which I've known and lived with for 25 years, | :02:58. | :03:08. | |
it was emotional. Linda Robson was in the audience, also in tears. It's | :03:09. | :03:15. | |
part of our lives. Incredibly special, my first time on Stricker | :03:16. | :03:21. | |
come dancing, to be doing to me Birds of a Feather theme song. I was | :03:22. | :03:26. | |
moved. I was in pieces when I saw Linda crying. | :03:27. | :03:40. | |
Lesley, you didn't manage quite as well. | :03:41. | :03:52. | |
I don't like to brag but it is a hell of a chest. Three weeks you | :03:53. | :04:01. | |
were waltzing during one of the hottest Septembers we ever had. You | :04:02. | :04:04. | |
were training on the hottest day ever known to man, in 100 years. | :04:05. | :04:11. | |
Anton du Beke, never does the tie or shirt come off. Yes it does! Hang on | :04:12. | :04:17. | |
a minute! It doesn't. The other day I got him training in tracksuit | :04:18. | :04:22. | |
bottoms and a T-shirt. Goodness. I haven't got it here. Scandalous. | :04:23. | :04:28. | |
Therefore, he made me do one of my BT 's with no make-up on, not a | :04:29. | :04:35. | |
stitch my face. You are so cruel! You have the photographs? Bring them | :04:36. | :04:42. | |
with you. There he is, in a shirt and tie. That is what he did to you. | :04:43. | :04:51. | |
How hard is he working you? Very hard but I am working him harder. | :04:52. | :04:57. | |
Man alive! By 5:30pm I am still raring to go and he is like, "Can I | :04:58. | :05:06. | |
go home, let me have a tea break". Really, straightaway? Another go? I | :05:07. | :05:09. | |
am loving how in control you are of him. I have never seen this before. | :05:10. | :05:14. | |
I crack the whip a lot. Good work, he loves it. How is the cha-cha-cha | :05:15. | :05:19. | |
coming? You said you were looking forward to some of these dances. I | :05:20. | :05:24. | |
can't watch myself! I am loving it but I am finding it hard, like I | :05:25. | :05:28. | |
found the warts hard, the strictness, precision of it. He | :05:29. | :05:33. | |
keeps making me do it again. Ie The forget my bottom or my head up, my | :05:34. | :05:38. | |
chest out, the heels all the toes. So much to remember. There's lots to | :05:39. | :05:41. | |
do. I am liking your straight leg. 27 centimetres, the height | :05:42. | :05:59. | |
difference, that is the size of an adolescent penguin. How is she | :06:00. | :06:05. | |
coping, daddy-longlegs? Yes, I hadn't noticed. Every time he dances | :06:06. | :06:12. | |
he is holding me like I am that much off the floor. I hugged her the | :06:13. | :06:16. | |
other day but I completely missed her. Doing brilliantly, we can't | :06:17. | :06:17. | |
wait to see it, Leslie Well we've heard how these two have | :06:18. | :06:21. | |
been getting on in training but how Here's a look at Ore and Joanne, | :06:22. | :06:27. | |
Melvin and Janette, The cha-cha-cha is a Latin dance. We | :06:28. | :06:38. | |
have just trained for the tango, which is a ballroom dance. It is | :06:39. | :06:43. | |
quite the opposite. For weeks on end, we had our hold out here and | :06:44. | :06:48. | |
our knees bent. Now I've got to have straight legs. My arms are all fluid | :06:49. | :06:52. | |
and free, basically, I don't understand. I have been looking at | :06:53. | :06:54. | |
Joe all day with just a blank space. I don't know a lot about the tango, | :06:55. | :07:08. | |
to be honest. I'm stepping on the heel instead of the toe, there's a | :07:09. | :07:12. | |
lot of action going on here, my posture isn't the greatest. I've | :07:13. | :07:16. | |
choreographed it so that we begin steps sometimes on the two and he | :07:17. | :07:21. | |
keeps trying to step on the one. Because I am the DJ, I am so used to | :07:22. | :07:24. | |
hitting the first beat, anything that doesn't start on the one | :07:25. | :07:34. | |
confuses me straightaway. Yet! -- yeah! It's a totally different dance | :07:35. | :07:39. | |
we are doing from the Serena waltz into a wild and energetic | :07:40. | :07:44. | |
Charleston, we just got to go for -- serene waltz. We did a lot of | :07:45. | :07:48. | |
run-through is from beginning to end, which is really important, | :07:49. | :07:52. | |
knowing he can do it in terms of stamina. It's quite high energy, I | :07:53. | :07:57. | |
can hardly speak at the minute. It's tough. But I'm looking forward to | :07:58. | :08:00. | |
it. It's time now to welcome | :08:01. | :08:04. | |
our next couple. On Friday night they gave | :08:05. | :08:08. | |
new meaning to the term "courtroom That was the wildest surprise I | :08:09. | :08:28. | |
think I've ever had. Those looks could sink a thousand ships. If | :08:29. | :08:34. | |
entered -- entertainment's is a crime, you're guilty. | :08:35. | :08:36. | |
Now, before we begin I must ask that you both place your right hand | :08:37. | :08:44. | |
Do you promise to tell the truth, the whole truth and nothing | :08:45. | :08:50. | |
but the truth during my next line of questioning? | :08:51. | :08:52. | |
Your cha-cha-cha is the most viewed Strictly clip ever online with over | :08:53. | :09:09. | |
That's extraordinary. More views than penny Strictly dance ever. I'm | :09:10. | :09:20. | |
having fun. It's splendid. -- than any. | :09:21. | :09:22. | |
Did you have any idea that this legal eagle would turn out | :09:23. | :09:25. | |
That he would be that good, once you got him in the training room? I had | :09:26. | :09:34. | |
an idea but a lot better than what I was thinking. Really? Did he say | :09:35. | :09:37. | |
that until he got out on the floor or could you see him being that | :09:38. | :09:41. | |
brilliant? I've seen all of it and more. LAUGHTER | :09:42. | :09:46. | |
Lucky girl. We saw quite a bit. I am not sure that's what you meant. | :09:47. | :09:50. | |
Both Craig and Darcey appreciated your chaine turns. | :09:51. | :09:55. | |
The opening to that dance was ridiculous. | :09:56. | :09:59. | |
A classic Revel-Horwood move - was that intended as | :10:00. | :10:01. | |
I'm not sure, but you know what you say, the first thing you do is to | :10:02. | :10:11. | |
admire them, copy them, ignore them if you like them. You are so cruel, | :10:12. | :10:13. | |
he will hate you for that. 25 points? Was that enough? Can we | :10:14. | :10:26. | |
complain when we receive so much love on social media. A lot of | :10:27. | :10:31. | |
people thought it was under marked. Sixs. Always somewhere to go. You | :10:32. | :10:36. | |
need a journey. Yes, that's the first time. Facial expressions. I | :10:37. | :10:41. | |
didn't know that happened until I watched it back. This is just a | :10:42. | :10:49. | |
Little competent -- compilation. Will they be back? We have an | :10:50. | :10:53. | |
American Smooth, next, I am trying to control it. Good lord. We will | :10:54. | :10:57. | |
print that out and you can take that home. | :10:58. | :10:59. | |
All this week we've been getting to know our new | :11:00. | :11:01. | |
If dancing's a crime then l-Oksan-her up and throw | :11:02. | :11:06. | |
Let's investigate a little further shall we? | :11:07. | :11:25. | |
MUSIC Lights by Kanye West feat Rihanna | :11:26. | :11:31. | |
I am Ukrainian champion as well as American champion. I have been on | :11:32. | :11:36. | |
dancing with the stars in America but I am excited to be here on | :11:37. | :11:41. | |
Strictly. I am a passionate dancer, I am a powerhouse on the dance | :11:42. | :11:45. | |
floor, I like to whip my hair and I have a lot of fun when I dance. My | :11:46. | :11:50. | |
partner is Judge Rinder and I absolutely love him. He is a very | :11:51. | :11:54. | |
talented dance and he will surprise everybody. I am positive we are | :11:55. | :11:55. | |
going all the way to the finale. We move on to the American Smooth, | :11:56. | :12:10. | |
how is it going? I don't answer any questions without referring to Mike | :12:11. | :12:16. | |
dancing partner. -- my dancing partner. Your legal aid. It is going | :12:17. | :12:22. | |
well, there are tricks involved. A lot of responsibility. She wants me | :12:23. | :12:26. | |
to dance like Anton in rehearsal. A wasted jacket. Working up a sweat, | :12:27. | :12:31. | |
working very hard. It is exhausting. You are allowed three lifts, is that | :12:32. | :12:36. | |
going to be happening? Absolutely. The risk is pretty big, apparently | :12:37. | :12:39. | |
if you break them, you buy them. Well, someone who is in agreement | :12:40. | :12:42. | |
is none other than Gary Barlow, That made my year, pretty much. Good | :12:43. | :12:55. | |
luck. Gary Barlow? Yes? Yes... We love you already. | :12:56. | :13:03. | |
Well I've got to wrap this case up, now. | :13:04. | :13:05. | |
So lovely to see you both and good luck on Saturday. | :13:06. | :13:09. | |
With 15 couples back in the ballroom this weekend there's a whole | :13:10. | :13:11. | |
Here's a look at Greg and Natalie and Daisy and Aljaz. | :13:12. | :13:19. | |
Go, go, go! The tango is difficult because you are holding positions | :13:20. | :13:25. | |
that are very unnatural, locking in muscles and holding them for a long | :13:26. | :13:28. | |
period of time that you wouldn't normally. I am trying to keep you in | :13:29. | :13:34. | |
a frame. I have to work on his feet, the legs, the head. It's coming | :13:35. | :13:39. | |
together, now. Loving your work. It is a matter of repetition, drilling | :13:40. | :13:41. | |
the routine. So good! This week, we are dancing the | :13:42. | :13:54. | |
cha-cha-cha to Forget You by Cee-Lo Green I am. Looking forward to doing | :13:55. | :13:59. | |
a barn dance this week. -- I am looking forward. Daisy is picking up | :14:00. | :14:02. | |
steps really well, a lot of technique. We take a lot of time to | :14:03. | :14:07. | |
perfect them. There is so much to think about. It's literally the | :14:08. | :14:11. | |
opposite of the ballroom. Is that better? Yeah. Can you get any more | :14:12. | :14:17. | |
beautiful than Daisy and Aljaz. Now, have we got | :14:18. | :14:19. | |
a once-in-a-lifetime While our couples are training hard | :14:20. | :14:21. | |
to make it past week two, one of you lucky folk at home | :14:22. | :14:24. | |
could get your hands on a pair of money-can't-buy tickets | :14:25. | :14:28. | |
to the final of Strictly Come Calling all Strictly super fans, | :14:29. | :14:42. | |
have you ever wanted to experience the excitement, glamour and drama of | :14:43. | :14:46. | |
the Strictly ballroom first-hand? Now is your chance, we are giving | :14:47. | :14:50. | |
you the opportunity to win two tickets to the biggest night of the | :14:51. | :14:54. | |
year, strictly 2016 grand final. All you need to do is answer the | :14:55. | :14:56. | |
following question correctly. In week three, last year, Jay and | :14:57. | :15:05. | |
Aliona performed a pulp fiction themed jibe but what was the total | :15:06. | :15:10. | |
score they received from the judges? -- jive. | :15:11. | :15:16. | |
Thank you to the gorgeous Allan. It's the moment we have all been | :15:17. | :15:40. | |
Waite-ing for, here to warm us up for the first time this series, it's | :15:41. | :15:54. | |
the legend that is Ian Waite. APPLAUSE AND | :15:55. | :15:58. | |
CHEERING Ian Waite everybody! I have missed you, my darling. As my mum | :15:59. | :16:03. | |
says the leg-end. Evening to Ian's mum. It's been hidden away all year, | :16:04. | :16:07. | |
it's time to dust it off, do the honours. I have been warming it up | :16:08. | :16:14. | |
all summer. Has it shrunk in the wash? I asked for it to be two | :16:15. | :16:18. | |
inches bigger but they wouldn't give it to me. What did you think of the | :16:19. | :16:22. | |
couple's first weekend? I loved it. Full of loads of surprises and | :16:23. | :16:25. | |
surprisingly good. Judge Rinder, I had to wind it back so many times I | :16:26. | :16:31. | |
nearly missed the next programme. You love Casualty, don't you. We are | :16:32. | :16:36. | |
going to look at half the couples and starting with Claudia and AJ. A | :16:37. | :16:40. | |
cha-cha-cha and now a waltz this week, how is it looking? So cute, | :16:41. | :16:44. | |
aren't they? You know, it's OK. She's got a lot of content in there. | :16:45. | :16:49. | |
Difficult content. Falling away from each other a little bit. If I go and | :16:50. | :16:57. | |
reverse it back. Then pause it here. You can see that they're getting a | :16:58. | :17:02. | |
little bit of a gap there. That's probably because she's dropping her | :17:03. | :17:07. | |
hips back. Also she needs to make contact higher up in the rib cage. | :17:08. | :17:10. | |
They have a height difference. When you have a height difference. Come | :17:11. | :17:15. | |
forward a little bit. You have to connect in this zone here where the | :17:16. | :17:19. | |
rib cage is. If we are high like we are, we are sort of in the middle. | :17:20. | :17:25. | |
She's lower than the contact would have to be higher. Lower on me, | :17:26. | :17:30. | |
higher on you. Yes, OK. Imagine if I was down here. Right. Fascinating. | :17:31. | :17:36. | |
Higher in the rib cage for her. Next up top of the leaderboard, didn't | :17:37. | :17:42. | |
they do brilliantly, Daisy and Aljaz. This week how are they | :17:43. | :17:48. | |
looking? The character last week was shy and demure. Cha-cha is more in | :17:49. | :17:54. | |
your face dance, going for it. For me, she needs to make sure this leg | :17:55. | :17:59. | |
action is very strong. As you can see here, Aljaz has a lovely | :18:00. | :18:04. | |
straight leg. She's got a bent leg there. She needs to be stronger on | :18:05. | :18:09. | |
those legs. That's what they're going to be looking at. Cha-cha is | :18:10. | :18:13. | |
always exposing as far as that is concerned. On to Melvin and Janette. | :18:14. | :18:19. | |
This week they're doing a tango. What do you think? I love Melvin. | :18:20. | :18:23. | |
Little pocket rockets, aren't they? For me, it's a little bit forceful. | :18:24. | :18:28. | |
He is using - obviously he has mixed up. Janette's probably said to him | :18:29. | :18:33. | |
it needs to be forceful and sharp and attacking. But he is using it | :18:34. | :18:38. | |
too much. He needs to hold that position and not force it too much. | :18:39. | :18:42. | |
There is three points I want to make. We have one, two and three. | :18:43. | :18:48. | |
The first point is when he does get forceful, the lead and the arm of | :18:49. | :18:54. | |
the left arm comes forward. Janette's being overpower by his | :18:55. | :19:01. | |
left arm. He needs to get the hips under. Tucking everybody, that nice | :19:02. | :19:06. | |
position. This will help three, which is the head position. At the | :19:07. | :19:12. | |
moment his head is in front. If he gets the tail tucked under they can | :19:13. | :19:17. | |
lift the head. Perfect. Now then they launched the entire series | :19:18. | :19:20. | |
brilliantly with their cha-cha-cha, this week is a romantic chats for | :19:21. | :19:25. | |
Laura and Giovanni, what do you think? -- waltz. Doesn't she look | :19:26. | :19:31. | |
gorgeous in that outfit. Gorgeous long legs. She looks like your | :19:32. | :19:35. | |
sister. Don't you mean daughter! Thank you. Your younger sister. I | :19:36. | :19:41. | |
wish. They had a wonderful contact throughout this little piece. As you | :19:42. | :19:48. | |
can see here, she is slightly off balance. Her head is not actually | :19:49. | :19:55. | |
over her feet. I want her to get those hips forward in a throw away | :19:56. | :20:00. | |
so that her head, if I can draw it here, so that her head is more over | :20:01. | :20:06. | |
the foot. You see what I mean? She's doing more of a back bend. If she | :20:07. | :20:09. | |
can get those hips forward she will actually be able to create more hip. | :20:10. | :20:16. | |
Now let's look at Will and Karen. We are loving Will's wardrobe. He | :20:17. | :20:19. | |
promised he was going for it this week. I love that tank top. How is | :20:20. | :20:30. | |
the jive looking? Slightly off-putting - distracting his | :20:31. | :20:33. | |
outfits. Looks very bouncy, very light in the feet. He looks natural | :20:34. | :20:36. | |
doing the jive. I have slowed this down because as you see they do | :20:37. | :20:40. | |
these pivots and there is lots of sway in there and he's already doing | :20:41. | :20:43. | |
it. Also swinging the hips. I thought we could try it out. OK. You | :20:44. | :20:54. | |
have to give weight into the arms. And swing around. That's fast! Oh! | :20:55. | :21:01. | |
My weave will come out! Goodness me. OK, on to Brendan and | :21:02. | :21:14. | |
Anastacia. She's a strong character and she's able to show that. She did | :21:15. | :21:21. | |
a brilliant job in the cha-cha-cha. There's some fantastic armography as | :21:22. | :21:25. | |
you can see. Fancy! They do it without any hitches really. I would | :21:26. | :21:31. | |
like to see from her a little bit more body action and hip action. | :21:32. | :21:38. | |
Salsa is a rhythmical dance. You have to look and go wow, that was | :21:39. | :21:44. | |
rhythmical. Not just steps and arms, but body. All of that, perfect! | :21:45. | :21:49. | |
Bruno said Greg could go all the way after his jive last week. He was so | :21:50. | :21:54. | |
impressed. They're doing a tango, what say you? At the moment it's | :21:55. | :21:59. | |
looking a little bit ploddy. As you can see, he is sort of stepping it | :22:00. | :22:04. | |
out. It's not smooth. First of all, he needs to soften into the knees, | :22:05. | :22:09. | |
which will help him get him into the ground. When you say that I | :22:10. | :22:13. | |
automatically do that. Do you do that at home? As you can see here, | :22:14. | :22:17. | |
if I highlight this area here, you can see that he is picking up his | :22:18. | :22:25. | |
feet. That's a big no-no in tango nr any ballroom dance, unless you are | :22:26. | :22:28. | |
doing flicks in the air or whatever. You can do flicks in tango as well, | :22:29. | :22:33. | |
but this is not a flick. It's a step and should stay on the floor. That's | :22:34. | :22:38. | |
how it is done. Feet down. Towards the floor, don't pick up the feet so | :22:39. | :22:42. | |
much because you will get that ploddy look. You can do it, Greg. | :22:43. | :22:47. | |
Finally Ore and Joanne. The judges agreed he has the makings of a great | :22:48. | :22:51. | |
dancer this boy. How are they looking with their cha-cha-cha? He | :22:52. | :22:57. | |
is a very good dancer. He has rhythm and style. He's speed, all the | :22:58. | :23:03. | |
elements. For me, again, it's always that cha-cha action. It's so | :23:04. | :23:10. | |
difficult. I will say, that will help him, if you look at Jo's heel | :23:11. | :23:15. | |
there, as she does this step she gets the heel down which then | :23:16. | :23:19. | |
creates the straightened leg. If he was to get his heel down, as you can | :23:20. | :23:25. | |
see, then I think this will straighten, as well. Show us | :23:26. | :23:30. | |
quickly. Karen was trying to show us. | :23:31. | :23:33. | |
I just love making him do that! He is so good. I am making a little bit | :23:34. | :23:38. | |
of noise but it straightens the leg. Perfect. There we go. Ian will be | :23:39. | :23:44. | |
casting his little magic wand over the rest of our couples tomorrow. | :23:45. | :23:48. | |
Not long to wait. Good to have you back. Give it up for Ian Waite! | :23:49. | :23:52. | |
APPLAUSE AND CHEERING | :23:53. | :23:56. | |
Love you. Now they were flying the flag for Spain on Saturday night | :23:57. | :24:01. | |
before we say ola to Tameka and Gorka let's take a tapas-sized look | :24:02. | :24:11. | |
at their passionate paso. You certainly owned the stage, my | :24:12. | :24:16. | |
darling. That goes without saying. Actually loved that little run at | :24:17. | :24:20. | |
the end. You were just going like the clappers, I loved it! It was | :24:21. | :24:24. | |
full of impact. You came out, it was a corker. I am telling you! | :24:25. | :24:39. | |
Viva Espana, it's Tameka and Gorka! You can have one too, Gorka. You get | :24:40. | :24:48. | |
two. I have to say your alter ego Kim has nothing on you, I swear. You | :24:49. | :24:51. | |
had so much passion out on that floor. It was incredible. How much | :24:52. | :24:56. | |
fun was it to be the Spanish siren, Tameka? I loved every second of it, | :24:57. | :25:05. | |
Zoe Ball. I loved it! We did too. Honestly, we were screeching | :25:06. | :25:10. | |
watching that. How does it compare to giving birth live on television, | :25:11. | :25:14. | |
obviously EastEnders, 30th anniversary? I love my daughter | :25:15. | :25:18. | |
Pearl. I do love her and it was all live. But this was completely | :25:19. | :25:24. | |
different. But equally as exciting. I enjoyed it all. When you hear the | :25:25. | :25:31. | |
music, you know, you have to watch the music, you can't come under. Of | :25:32. | :25:37. | |
course Gorka. Welcome Gorka The Corker as we have named him | :25:38. | :25:43. | |
affectionately. It was your Strictly debut, was it everything you hoped | :25:44. | :25:49. | |
it would be It was even more, more exciting and beautiful, I had an | :25:50. | :25:52. | |
idea in my head but it was even more. Lucky you! | :25:53. | :25:59. | |
Thank you. I have to say, also fact fans, that was, a lot of were saying | :26:00. | :26:06. | |
it, it was the first ever week one paso doble. Ole! That is in honour | :26:07. | :26:12. | |
of Gorka's debut, obviously. Thank you. Let's talk about Craig, he was | :26:13. | :26:17. | |
saying something about Tameka being more than matador than the cape. | :26:18. | :26:22. | |
What did you make of those comments? It's a positive comment. On our idea | :26:23. | :26:28. | |
and plan of the choreograph was make her be the man and control the | :26:29. | :26:32. | |
routine. Normally you see the matador has clin, we were like turn | :26:33. | :26:38. | |
it around and make her the one control this. That was our idea. We | :26:39. | :26:42. | |
wanted to do it. You totally commanded him, it was fantastic. | :26:43. | :26:46. | |
Listen, like I said, you hear the music and the applause and feel the | :26:47. | :26:51. | |
support. Of course, it being Gorka's first time, Spanish, as well. You | :26:52. | :26:56. | |
have to do it. You have to give it. Gorka not only one of our new pros, | :26:57. | :27:00. | |
the first Spanish dancer on the show. Let's get to know the man -- | :27:01. | :27:08. | |
man behind the matador. Take a look. I am Gorka, and I am from Spain. I | :27:09. | :27:25. | |
have dancing around the world for the last 15 years. As a dancer I | :27:26. | :27:33. | |
find myself elegant, masculine and sexy. When I found out I was | :27:34. | :27:37. | |
partnered with Tameka I was super exciteded. She's the most funny | :27:38. | :27:42. | |
positive person you can meet. As a ballroom dancer you always want to | :27:43. | :27:45. | |
win, I am sure we can make it to the final and be the winners of this | :27:46. | :27:49. | |
series. APPLAUSE Yes, Gorka, welcome. We all | :27:50. | :27:55. | |
adore you. Charleston, tell me about it. How is it going? I thought the | :27:56. | :28:01. | |
paso was fast and furious, now we have the Charleston and it's all up, | :28:02. | :28:05. | |
up, up. You know what I mean? It's speedy. It's a lot of character. | :28:06. | :28:12. | |
That's great for you, I think. It's perfect for you. I heard you were | :28:13. | :28:16. | |
struggling to keep a straight face when you were doing the paso doble, | :28:17. | :28:19. | |
which you did, you didn't crack at all. I think it's partly the nerves. | :28:20. | :28:24. | |
Making sure you get the right foot in, you know, I am thinking of | :28:25. | :28:28. | |
everything Gorka told me. So, it's just, I love the live. I love it. I | :28:29. | :28:37. | |
can't hide it, guys. I love it. It's kind of, you can feel it, you are | :28:38. | :28:41. | |
amazing. Brilliant. Isn't she brilliant. Good luck on Saturday, | :28:42. | :28:49. | |
Tameka and Gorka. Thank you guys. We want to talk all night. That's all | :28:50. | :28:53. | |
we have time for. A huge thank you to all my guests. Tomorrow I will be | :28:54. | :29:00. | |
talking to Greg and Natalie, Daisy and Aljaz and Ore and Joanne. | :29:01. | :29:02. |