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Live from London, this is It Takes Two. Please welcome your host, Zoe | :00:49. | :00:53. | |
Ball! Hello and welcome to your Thursday | :00:54. | :00:56. | |
night edition of It Takes Two! The weekend is so close, | :00:57. | :01:00. | |
I can almost smell the fake tan from here, and to celebrate, | :01:01. | :01:03. | |
have we got a stellar Tonight, I'll be joined | :01:04. | :01:07. | |
by the geek-chic Ore and Joanne. And London Fashion Week | :01:08. | :01:14. | |
is so last week. Strictly's very own costume designer | :01:15. | :01:26. | |
Vicky Gill is here to look at this Plus, wands at the ready, | :01:27. | :01:32. | |
Ian Waite is limbering up So let's meet our first | :01:33. | :01:35. | |
couple of the night. He kicked and flicked his way | :01:36. | :01:43. | |
into our hearts last weekend and he's quite literally | :01:44. | :01:46. | |
jumping for joy to get It looks like Greg could go all the | :01:47. | :02:11. | |
way, my darling! You were like a blue fog jumping around! How did you | :02:12. | :02:17. | |
get that high? You are a good dancer, I am looking forward to | :02:18. | :02:18. | |
seeing you. Jumping Jack Flash! It was | :02:19. | :02:33. | |
incredible. How was Friday? Terrifying is the overriding | :02:34. | :02:36. | |
sensation. I am flapping like a moron. It worked, it got the crowd | :02:37. | :02:45. | |
going. Yes. As soon as the music starts, often you don't hear it. I | :02:46. | :02:51. | |
missed the first four queues of. Running down the steps, I thought, I | :02:52. | :02:55. | |
have blown this already. Everything was out of sync at the start. | :02:56. | :03:01. | |
Natalie told me to slow down. I was like, slowdown! You do that so well, | :03:02. | :03:09. | |
you dancers. Through your teeth! Nobody would know! First week out, | :03:10. | :03:13. | |
it is so terrifying. It does not get easier! | :03:14. | :03:17. | |
Len called you the dynamic duo, and Darcey said she | :03:18. | :03:20. | |
What did the judges' feedback mean to you? | :03:21. | :03:27. | |
Definitely, I am quite self-deprecating, so I believe I am | :03:28. | :03:32. | |
the worst by a long way, I keep thinking it, so to have that being | :03:33. | :03:38. | |
said to us was incredible. Going into this week, which has been quite | :03:39. | :03:46. | |
difficult... We will get onto that. Hello, legs! I have missed her! Look | :03:47. | :03:48. | |
at those limbs, they are ridiculous! It's been a while since | :03:49. | :03:52. | |
you reached the latter stages Do you think you've got | :03:53. | :03:54. | |
a contender this year? I missed that. Very good! The | :03:55. | :04:10. | |
perfect balance between fun and hard-wired in rehearsals. You are | :04:11. | :04:19. | |
competitive, so let's look back at some of the Olympian medallists that | :04:20. | :04:22. | |
have been on the show and see how they did in the first week. Denise | :04:23. | :04:24. | |
Lewis, 31 point... We love Anthony Ogogo! You are | :04:25. | :04:41. | |
equalling Louis Smith's school. He went on to win. That could be a good | :04:42. | :04:50. | |
omen. How far are you hoping to go? It is a competition, you want to go | :04:51. | :04:56. | |
and win if you can. I know I am not a dancer, I have never danced | :04:57. | :05:00. | |
before, but Natalie is a fantastic teacher, a really good | :05:01. | :05:08. | |
choreographer. He can stay! We are hoping we can go all the way. But it | :05:09. | :05:16. | |
is difficult for me, I generally have to win competitions, but I am | :05:17. | :05:19. | |
having so much fun here. We have such a good laugh, it will be so sad | :05:20. | :05:24. | |
when people start going. Somebody is going to go this weekend. | :05:25. | :05:26. | |
Somebody is going to go this weekend. | :05:27. | :05:29. | |
This week you're dancing a tango to Jump by Van Halen. | :05:30. | :05:32. | |
It is hard, there are so many things to think about. Posture, steps, | :05:33. | :05:42. | |
energy, character. We had a good session today. I noticed there | :05:43. | :05:47. | |
again, looking at myself is horrible. I was quite clumpy. I | :05:48. | :05:53. | |
would like to think I have ironed that out, we have been working on | :05:54. | :05:57. | |
the feet on the floor. Keeping your feet on the ground, keep grounded. | :05:58. | :06:02. | |
How far are you hoping to jump up the leaderboard? If we can nail it, | :06:03. | :06:11. | |
the routine is spectacular. I would like to think we can do a bit better | :06:12. | :06:18. | |
than 27. We will always do our best. When you let over half said, that | :06:19. | :06:23. | |
was death-defying? And she is six foot seven in heels! | :06:24. | :06:25. | |
Now, I don't want to alarm anyone currently sitting in the studio, | :06:26. | :06:30. | |
but we are now less than 48 hours away from Strictly's first public | :06:31. | :06:34. | |
But how are preparations going for Laura and Giovanni | :06:35. | :06:39. | |
The warmth is a romantic dance, a lot of technique. It is not an easy | :06:40. | :06:57. | |
dance for the celebrities. It is such a beautiful dance. If you don't | :06:58. | :07:02. | |
do it right, you look stupid. She has beautiful posture and legs, so | :07:03. | :07:05. | |
we will choose this for the movement around the floor. I am trying to | :07:06. | :07:12. | |
learn from him, and not look as scared as I feel. Hopefully, we will | :07:13. | :07:22. | |
be fine. She is a really fun person. The Charleston is perfect for her. | :07:23. | :07:26. | |
It suits her from the top to the bottom. I have always admired the | :07:27. | :07:33. | |
Charleston, but to do it like this is a different level. She is finding | :07:34. | :07:38. | |
it difficult. The speed of the music. The thing I will have to work | :07:39. | :07:43. | |
hard at is the breathing, I might just pass out. | :07:44. | :07:48. | |
Next up, a man who is worth his Waite in gold. | :07:49. | :07:51. | |
Prepare yourselves, it's time for your second Waite's | :07:52. | :07:53. | |
Caught him giving Greg some tips, tucked his tail under. | :07:54. | :08:17. | |
Before we begin, give the people what they want. | :08:18. | :08:19. | |
You covered half our couples yesterday, let's tackle the rest. | :08:20. | :08:29. | |
They were bottom of the leader board for their first dance. | :08:30. | :08:33. | |
Can they turn things around with a Charleston this week? | :08:34. | :08:37. | |
I am looking forward to this. There is lots of good content in here. I | :08:38. | :08:48. | |
am surprised, but occurs it is so fast and frenetic, there has got to | :08:49. | :08:53. | |
be lots of action. He is really fast, I am pleasantly surprised | :08:54. | :08:59. | |
about the energy he has got. What I will say is on these side-by-side | :09:00. | :09:04. | |
pieces, he needs to make sure he is matching Katya, because his arm | :09:05. | :09:09. | |
should be in the same position. It shows up more in those positions. | :09:10. | :09:14. | |
They will be looking for that, it will be a corker for him. | :09:15. | :09:17. | |
On the opposite end of the leader board, Danny and Oti scored 31 | :09:18. | :09:20. | |
for their cha-cha-cha, can they keep up the good work | :09:21. | :09:22. | |
Last week I had one word for him, wow. As you can see, he has a lovely | :09:23. | :09:35. | |
topline, a lovely T-shaped, he has sway, he'll lead, even if he is in | :09:36. | :09:44. | |
trainers. He has got... The only thing I would say, the head and the | :09:45. | :09:50. | |
connection there. His head is left. When you do a forward step, you | :09:51. | :09:54. | |
should be looking where you are going. Don't look over your left | :09:55. | :09:58. | |
shoulder. Make sure it is closed. He needs to get his elbows up to Oti a | :09:59. | :10:02. | |
bit more. Fine detail. Lesley and Anton were | :10:03. | :10:03. | |
praised by the judges I am enjoying watching Lesley, she | :10:04. | :10:19. | |
has a lot of natural ability, and she can retain quite a lot of | :10:20. | :10:24. | |
intricate choreography, as we can see. The only issue I have is her | :10:25. | :10:33. | |
leg action. I always say this about every cha-cha-cha, it is normally | :10:34. | :10:37. | |
about the legs. She does a Cuban break, I want to see that close. | :10:38. | :10:44. | |
There are lots of them in cha-cha-cha, so make sure... Nothing | :10:45. | :10:46. | |
like that! Close the knees! Next up, Judge Rinder and Oksana | :10:47. | :10:49. | |
dazzled the judges last weekend. What can we expect from their | :10:50. | :10:54. | |
American smooth? I love his expression, it uses out | :10:55. | :11:06. | |
of every poor, despite how over the top he is. He is something special, | :11:07. | :11:12. | |
and he is massively entertaining. There are a few places. Here, Oksana | :11:13. | :11:20. | |
is opening out with a curved arm and he is not, so we need to match those | :11:21. | :11:25. | |
are up. She is bending into that knee, creating a stretched foot, he | :11:26. | :11:29. | |
should do the same. If there is not enough room between them, they need | :11:30. | :11:33. | |
to get slightly closer. You get the Olympic rings! Greg would love that. | :11:34. | :11:37. | |
Next up, Tameka and Gorka, who we saw a quick training | :11:38. | :11:43. | |
They're dancing the Charleston this week after their dramatic | :11:44. | :11:46. | |
If ever there is a dance for Tameka, it is this one, it is full of fun | :11:47. | :12:00. | |
and energy and character. She is slightly behind him. I don't know if | :12:01. | :12:04. | |
she is struggling with the speed or not. When we slow it down, it is | :12:05. | :12:08. | |
really quite obvious. If she can get that together, side-by-side pieces | :12:09. | :12:16. | |
in Charleston. She is back in time with him there. | :12:17. | :12:18. | |
Craig said she had wonderful potential. | :12:19. | :12:24. | |
She has a gorgeous physique, a long neck. She picked it up, and now it | :12:25. | :12:38. | |
looks fine. One thing I will say, her posture. If you stand there, I | :12:39. | :12:46. | |
want you to get your shoulders back, open your chest. Took your tummy in. | :12:47. | :12:54. | |
Chin up. Drop into your shoulder blades. Into your hips like that. | :12:55. | :13:01. | |
That is what I want her to do. You have got to do that, down the | :13:02. | :13:04. | |
shoulder blades. I get even more chins! It is not quite right. | :13:05. | :13:07. | |
And finally, Len said he had high expectations for Louise and Kevin. | :13:08. | :13:10. | |
Can they deliver again with their Viennese waltz? | :13:11. | :13:15. | |
From the beginning I thought she looked like a great dancer. She has | :13:16. | :13:23. | |
fluidity. The acting is going on, the transition. It flows. There are | :13:24. | :13:30. | |
places where I have doubts about her quality. That is here. You don't | :13:31. | :13:36. | |
want people doubting your quality! The quality of dance. You should | :13:37. | :13:41. | |
never have this position, two turned in feet. It is a minor point. I am | :13:42. | :13:49. | |
being so picky so early on. You get that right now, it is right or the | :13:50. | :13:53. | |
time. The finer details, you could be looking at high marks. | :13:54. | :13:55. | |
You can put your wand away for another week now. | :13:56. | :13:57. | |
Now, our next couple waltzed to the top of the leader board last | :13:58. | :14:05. | |
weekend with a performance Darcey called dreamy, Bruno | :14:06. | :14:07. | |
said made it look easy, and Len loved it so much he pulled | :14:08. | :14:10. | |
out one of these in the very first week. | :14:11. | :14:14. | |
Anyway, it's the unforgettable Daisy and Aljaz! | :14:15. | :14:32. | |
You don't it beautifully. This had the radiant quality of old school | :14:33. | :14:44. | |
glamour and high-class fashion combined. I don't think I have seen | :14:45. | :14:49. | |
a dance better than that in the first week ever. | :14:50. | :14:54. | |
Congratulations on your waltz last week, it was a real Strictly moment, | :14:55. | :15:07. | |
I was crying, along with everyone else, did you enjoy it, Daisy? Yes, | :15:08. | :15:13. | |
I loved doing that dance so much, it felt like we were floating, it was | :15:14. | :15:18. | |
quite surreal. Only a few moments where I thought, wow, this is | :15:19. | :15:23. | |
actually happening. This is real. I'm really doing my first dance on | :15:24. | :15:28. | |
Strictly. You looked very laid-back. Straight to the top of the | :15:29. | :15:32. | |
leaderboard, the first week, and nine from a Len, what did you make | :15:33. | :15:38. | |
of that, when the judges were talking? I got quite emotional and I | :15:39. | :15:44. | |
nearly cried, and I was more about, please don't cry, I can't believe we | :15:45. | :15:49. | |
did it, thank God for you. Yes. We've also that. Is Daisy being a | :15:50. | :16:00. | |
model student for you so far? 100%. We have three weeks to do the first | :16:01. | :16:04. | |
dance but what impressed me the most, not just her great attitude in | :16:05. | :16:10. | |
rehearsals, but when I watched the waltz back in rehearsals, she closed | :16:11. | :16:19. | |
the feet, she did a heel and also the toes, the posture was right. I | :16:20. | :16:24. | |
was so impressed. Yes people don't get that for a long time in this | :16:25. | :16:29. | |
competition. It was my grandfather, manipulating. Yes, he was there with | :16:30. | :16:37. | |
you, you're gorgeous grandfather. That is the highest score in week | :16:38. | :16:43. | |
one in three years. Abbey Clancy was the last person to get a score like | :16:44. | :16:52. | |
that, that was a long while ago. I'm sorry to burst your bubble, but the | :16:53. | :16:56. | |
professional with the highest ever first week score is a certain Mr | :16:57. | :17:05. | |
Waite. He got 35 points in 2005, I've no idea who was with him, but | :17:06. | :17:12. | |
apparently he had a ball. LAUGHTER Many incredible comments from people | :17:13. | :17:18. | |
online, Frankie Bridge said it was absolutely gorgeous and Emma Willis | :17:19. | :17:24. | |
saying you nailed it. What is the reaction that you have had? Very | :17:25. | :17:30. | |
supportive and kind and I've been overwhelmed, it is shocking, really, | :17:31. | :17:35. | |
I can't believe it. Very grateful. Mostly grateful to you. He is very | :17:36. | :17:42. | |
good. This week we go from the romance of the waltz to the | :17:43. | :17:45. | |
cha-cha-cha, and it must be fun to speed it up. It has been so | :17:46. | :17:50. | |
emotional for the past three weeks doing the waltz, now it is quite fun | :17:51. | :17:56. | |
to have some fun and be a bit sassy. Look at you, you look great. So | :17:57. | :18:02. | |
confident. We are walking through it, because he had hurt his back and | :18:03. | :18:07. | |
little. Oh no, injuries already. I'm OK. Are you hoping for another one | :18:08. | :18:11. | |
of these? Do you feel pressure after starting | :18:12. | :18:30. | |
at the top? There is always pressure, but I take it the same | :18:31. | :18:34. | |
way, every week you have got to do your best dance, no matter if it is | :18:35. | :18:40. | |
a waltz or a cha-cha-cha, it will be upbeat, but we will have put a lot | :18:41. | :18:45. | |
of time and effort into technique and straightening the legs and doing | :18:46. | :18:52. | |
the hips. I just want to sing. Give us a song. I wonder what he would | :18:53. | :18:55. | |
choose. Good luck on Saturday. How are Will and Karen and Claudia | :18:56. | :18:59. | |
and AJ shaping up this Don't worry, I've got | :19:00. | :19:07. | |
all the answers in a bitesize The challenge is the waltz, | :19:08. | :19:20. | |
everything. It has to be flowing, which I struggle with. Very | :19:21. | :19:27. | |
important to get her steps to be a lot bigger, we want large steps, to | :19:28. | :19:32. | |
stand up strong and powerful. I can't step that much. I keep telling | :19:33. | :19:38. | |
her to look into her happy place, she gets very nervous and she goes | :19:39. | :19:46. | |
serious. Happy days. So far I'm enjoying the happiness of the jive. | :19:47. | :19:53. | |
He is full of energy and I've never seen anything like it. I'm liking | :19:54. | :19:58. | |
the rhythm, the hard thing is trying to get into the rhythm because it is | :19:59. | :20:02. | |
like skipping constantly and yet doing dance moves at the same time. | :20:03. | :20:09. | |
Much better. He is picking up his steps, very enthusiastic and I'm | :20:10. | :20:17. | |
loving every second. Good work, Will. | :20:18. | :20:18. | |
Now, imagine just for one second a world without Strictly's | :20:19. | :20:21. | |
There'd be no sequins, no crystals, no sparkle. | :20:22. | :20:26. | |
It really doesn't bear thinking about! | :20:27. | :20:27. | |
Luckily for our couples, their frocks are in safe hands. | :20:28. | :20:30. | |
For the first time this series, it's Strictly's costume designer | :20:31. | :20:32. | |
We are so lucky to have her back - she's the | :20:33. | :20:48. | |
I have missed you. When you start working on the designs and the | :20:49. | :21:04. | |
concept? I start in June. We start to meet celebrities in July and then | :21:05. | :21:09. | |
we are meeting a few people here and there, and then the team | :21:10. | :21:12. | |
get-together. We have microphone problems. I will hold this for you. | :21:13. | :21:20. | |
It all comes together in August and that is where it begins, and that is | :21:21. | :21:24. | |
it. You can hold your own microphone. Shall we have a bit of | :21:25. | :21:28. | |
show and tell? Or sew-and-tell - | :21:29. | :21:37. | |
here at It Takes Two. We have got some gold beading. Under | :21:38. | :21:59. | |
that we have a Colorado topaz. I love all this. I think that we'll go | :22:00. | :22:08. | |
short. Much shorter. This is Natalie's tango dress. This will be | :22:09. | :22:14. | |
a Marmite moment, people will either love it or hate it, but that is OK. | :22:15. | :22:19. | |
You like to shake things up. The main thing is the choice of colour, | :22:20. | :22:22. | |
emerald green would not normally be used for tango but this is an eight | :22:23. | :22:30. | |
panel shape. With a small amount of emerald detail, and these lines, we | :22:31. | :22:34. | |
will see what they are looking like in studio and they might be | :22:35. | :22:41. | |
necessary because of the lights. There is a nod to sport? Yes. We | :22:42. | :22:48. | |
have splashed out on this in your honour. We are going to have a look | :22:49. | :22:54. | |
at the Charleston dress of Tameka, tell me about the details. The | :22:55. | :23:00. | |
Charleston, fast and furious, she makes me giggle when she comes to | :23:01. | :23:04. | |
wardrobe. She called me today to make sure everything would be | :23:05. | :23:10. | |
covered, and we made sure we have a plays suit underneath and we have | :23:11. | :23:15. | |
circled tears going up the dress, we may transform it into a dress or we | :23:16. | :23:19. | |
might keep it as a place or, depending how it goes tomorrow. And | :23:20. | :23:28. | |
Gorka? He is in a onesie this week. Only he could do that. We can have a | :23:29. | :23:34. | |
look at Louise's Viennese Waltz dress, quite unusual. It is, we are | :23:35. | :23:39. | |
taking a chance with this, as champagne base, Chantilly lace. | :23:40. | :23:48. | |
# Chantilly lace... Yellow macro this will be organic, and this will | :23:49. | :23:53. | |
take shape tomorrow when we meet and we will see what happens. I love to | :23:54. | :24:00. | |
see this now, and then have a look again on Saturday. She is fantastic. | :24:01. | :24:05. | |
Please give it up for Vicky Gill, everyone! | :24:06. | :24:07. | |
Now, what do you get when you mix one park bench, | :24:08. | :24:11. | |
one bicycle, one geek, one gal and one Argentine Tango? | :24:12. | :24:13. | |
To me it was strong and I thought it was dramatic. I like tango with | :24:14. | :24:30. | |
cheeky spin, something I've not seen before, the control. You have so | :24:31. | :24:35. | |
much potential, I can't wait to see more. | :24:36. | :24:38. | |
How was your Strictly initiation last weekend? | :24:39. | :24:49. | |
Oh my goodness, it was the most fun I've had in memory. Just the best. | :24:50. | :24:56. | |
When we finished that routine I couldn't stop smiling, apart from | :24:57. | :25:00. | |
the panting because I was shattered, I could not have been happier. Were | :25:01. | :25:06. | |
you pleased with him? I was so proud, that was the best he had | :25:07. | :25:09. | |
performed ever. That is all you can ask for. So good. Darcey says you | :25:10. | :25:18. | |
have so much potential. Bruno said very good dancer. This is like the | :25:19. | :25:24. | |
best report. Were you shocked to hear those things? The judges's | :25:25. | :25:29. | |
comments were absolutely incredible and we could not have asked for much | :25:30. | :25:33. | |
more and even when Craig said his comments, I was waiting for the | :25:34. | :25:38. | |
butt... But he did not say anything negative. Yes, that was amazing for | :25:39. | :25:43. | |
you, they could not criticise your dancing at all. Len said about my | :25:44. | :25:49. | |
choreography, which I'm taking on board, wait for the cha-cha-cha. He | :25:50. | :25:57. | |
was talking about faffing, but it was storytelling, some might see it | :25:58. | :25:58. | |
like that. There was one moment that stood | :25:59. | :26:01. | |
out to a few viewers - the tongue - can you talk | :26:02. | :26:04. | |
us through that move? Did you tell him to do that? I did | :26:05. | :26:14. | |
not tell him to do that. This is the truth, Joanne said you want to get | :26:15. | :26:17. | |
into the character, it was geek chic and I was trying to pout and in all | :26:18. | :26:22. | |
the excitement of the tongue popped out. It just popped out. He said to | :26:23. | :26:29. | |
me afterwards, I stuck my tongue out. I thought it was very cute. You | :26:30. | :26:35. | |
also did the eyebrow raise, quite amazing. That is a killer combo. He | :26:36. | :26:41. | |
will not be doing it again. Is he being a good boy? He is being a good | :26:42. | :26:48. | |
student, he has two personalities, very hard worker who doesn't want | :26:49. | :26:54. | |
any breaks, and I have to force into it, and the other one he's like a | :26:55. | :26:59. | |
five-year-old little boy. I turn around and he is like this. Really? | :27:00. | :27:06. | |
A little bit frightened. Are we in small pants. Let's not go there. How | :27:07. | :27:17. | |
hard is Joanne cracking the whip? This whip is getting cracked very | :27:18. | :27:22. | |
hard, loving the cha-cha-cha but I have no feeling in my feet any more | :27:23. | :27:27. | |
because it is so fast. There is a poll in our routine this weekend and | :27:28. | :27:32. | |
there might have been a collision between me and the poll downstairs. | :27:33. | :27:38. | |
Ouch. You are quite clumsy I've heard, in training. No faffing on | :27:39. | :27:47. | |
the poll. We can show you this, this is from the training room. Careful, | :27:48. | :27:54. | |
careful, I did say careful. I did say careful. She did say careful. | :27:55. | :28:01. | |
There are loads of those, we will save them. Calamity pack. You have | :28:02. | :28:09. | |
won the Christmas special since we last met. | :28:10. | :28:33. | |
You won the Strictly Christmas Special with Harry Judd - | :28:34. | :28:36. | |
making you the the first Clifton to lift a Glitterball! | :28:37. | :28:38. | |
You are going to be dancing to hot stuff this weekend? It will be hot. | :28:39. | :28:47. | |
There are some shirts which are so saturated. He is going for it so | :28:48. | :28:53. | |
much, I'm losing all my nails. This gorgeous man is very emotional, real | :28:54. | :28:57. | |
softy at heart, getting very emotional about his time on | :28:58. | :29:03. | |
Strictly. One celebrity will leave the ballroom this Sunday, never to | :29:04. | :29:09. | |
return. Ore, how does that make you feel? I can't cope, it is too much. | :29:10. | :29:19. | |
Brilliant. Stop. We have had enough. Good luck, my darlings, with the | :29:20. | :29:24. | |
cha-cha-cha, and I can't wait to see how the pole is involved. Neither | :29:25. | :29:30. | |
can I. Good luck. Give it up. APPLAUSE | :29:31. | :29:33. | |
Join me here tomorrow at the earlier time of 6pm. | :29:34. | :29:45. | |
That's 6pm everyone - for a bumper hour-long special | :29:46. | :29:47. | |
where Gethin Jones will be gethin' the gossip from rehearsals. | :29:48. | :29:49. | |
I'll be chatting to Laura Giovanni, Danny Oti, | :29:50. | :29:52. | |
Naga Pasha and Lord Craig Revell-Horwood. | :29:53. | :29:54. | |
Plus, joining me on the Friday panel will be Alison Hammond, | :29:55. | :29:56. | |
Enjoy exclusive access to some of the world's leading artists, | :29:57. | :30:06. | |
Join Van Morrison performing live just for us. | :30:07. | :30:13. |