Episode 5 Strictly - It Takes Two


Episode 5

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Here it It Takes Two HQ we like to give our couples time away from the

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stress and tension. No running away tonight however.

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Oti, keep that hand up. Looking good. Every last second counts

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because somebody is going home at the weekend. What are you doing with

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my shoes? ! Cheeky work on those hips, Pasha Kovalev. Nobody wants to

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be left behind. Giovanni, shoulders down! That looks comfy Laura.

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Otherwise they'll face the wrath of this one! Ready? ! But it's not all

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serious around here. Isn't it right, Friday panel? !

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CHEERING AND APPLAUSE. Live from London, this is Strictly

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It Takes Two. Please welcome your host, Zoe Ball.

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# Bang, bang, into the room... # Thank you. Thank you!

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I could get used to that. Pasha and Giovanni, everyone!

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Welcome to It Takes Two. It's Friday, I can confirm we are only 24

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hours, 18 minutes and 37 seconds away from the next live Strictly

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show! Which could mean only one thing. Our

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first couple will be leaving the competition.

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Sad times indeed but let's not feel dragged down, we've got a show to

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get on with. Definitely got the Friday feeling, a good bunch in

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tonight. CHEERING AND APPLAUSE.

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What was the mood like earlier this morning? Only one man capable of

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covering such a job, the Welsh wonder himself and Strictly's Gethin

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Jones. Let's see how he was Gethin' on! Sorry.

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So good to be back in the Strictly ballroom, all the memories come back

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and how I've missed that smell of hair spray. Will and car reason

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dancing to Rock Around the Clock. Week two, he's looking good, he's

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absolutely loving this. Let's have a look.

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So that's Will and Karen's jive. Will will need a sit down after that

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routine. I'm going to be clocking up some miles around the Elstree studio

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catching up with some of the other couples before the first elimination

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night tomorrow. I'll see you later. Will looking good there!

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Plenty more exclusives from Gethin. First, jaws dropped to the floor

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during the explosive cha-cha-cha last Saturday and Bruno said wham

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bam thank you mam. It's Danny and Oti.

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That was fast, packed full of absolutely everything and more.

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100%, you are the contender, I've got to tell you that. I love the

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Michael Jackson moves you put in there. They were absolutely

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brilliant and no lack of action. Wambam thank you mam.

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# Return of the Mac... # Oh yes! Danny and Oti. Welcome to

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the show. Team Doti, loving that title! Talk about a Macattack last

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week, goodness me, where's the energy coming from, Danny, it was

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incredible. How much did you enjoy yourself? I had THE best time. It

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was sheer adrenaline. I've never been so nervous my entire life.

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Never ever? No, never ever and I've had a lot of reasons to be nervous.

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I was sick almost literally to vomiting that day. Sick with nerves.

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Pass the bucket, yes. He said, I think everything's coming out. When

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you're that nervous, the pay off once you get to tend of it was

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absolutely amazing. Joint second on the leaderboard in week one with

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Louise and Kevin, audience on their feet, absolutely going crazy. I mean

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your heart must have gone boom. It was, yes. That end position when I

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had Oti's head in my hand and it was like "done! " I was like, that is,

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it was just nuts, absolutely nuts. Such an incredible routine though.

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Oti choreographed it, so massive respect and credit to her for that.

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Then it was just three weeks. He's a good boy. Trained him well. Yes.

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Three weeks of whipping me into shape to get that done. It's 90

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seconds but you spend eight to ten hours every day doing that. Darcey

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was completely shocked, wasn't she, saying, a man who can actually move

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hips, how hard did you have to work on getting him to do that right? It

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took for ever. I was asking him to move his hips and he was like no,

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no, no. Then he did it but it was amazing. He worked so hard. We have

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fun in training. There was a moment in week two where I genuinely begged

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Oti, I said it's week one can we just make it simple and clean and

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you should have seen the look I got from her. I know that look - how

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dare you! She was disgusting that I suggested

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it. I think also when you ask them to make it easier, I asked Ian Waite

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once and he made it harder, so watch it! We saw this from your Twitter

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feed, this is what happened in rehearsals just beforehand, it

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wasn't all easy. Oh, no! Took that well. The way you

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styled it out by lying on the floor. Like as if you meant to do that. I

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wish I could say it was the first time. Takes a lot of these to get it

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right. He got that step in. He was just playing the mirror and spinning

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and he was like, oh, my gosh, did you see the judge was turning, and

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it was like, we are doing that, we are keeping that. The Viennese waltz

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for the two of you this week, a completely different feel. How is it

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going, Ian Waite is very impressed with your posture, young man.

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Really? Oh, yes. A rumbling of happiness, they approve. See the

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pinches there. Pinching, slapping, arguing. Don't

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get me wrong, I adore here, she's fantastic but she's a beast!

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Can you say a woman is a beast, I'm not sure? ! Len was talking about

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too stagey, it would be brilliant for charleston stuff, for the

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Viennese waltz, you have less than that anyway don't you? Sort of, we

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have a really intense story that we kind of want to tell because it's

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usually such a romantic dance. We'll just twist it up a bit this time and

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tell what happens before the romance comes, so we kind of have like a

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discussion. The song hints towards it as well. Yes. It's a rock song

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and it's got this gritty thing, it's not a lovy-dovy Viennese waltz. We

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want some grit! Good luck. You are both incredible. Danny and Oti!

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CHEERING AND APPLAUSE. They've both got such lovely teeth!

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The Strictly dream will sadly be over for one of the celebrities, one

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couple must leave and nobody wants to go first, but if you are going,

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you may as well do it in style. With that in mind, we have been looking

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at the archives through some of the, let's say, note worthy ones who've

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been memorable. We are asking you at home to let us know what you

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thought. Quentin Wilson managed to score eight points for his

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cha-cha-cha which remains to this day Strictly's lowest ever scoring

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dance. I loved it, frankly. Next, Edwina Currie from series 9

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partnered with legend Vincent Simone. She scored 17 points and,

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I'm sorry to do this, because obviously I love and adore him.

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Could it be Johnny Ball? ! My dad, series 10, I thought he was

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brilliant. Here he is with the gorgeous Yvetta. Cha-cha-cha 17

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points. I thought he was good. Final choice, Greg Wallace with Strictly

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champion Aliona, the cha-cha-cha in series 11. 18 points for his

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gastro-themed routine. That's funny. On graph layingses to

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Yvetta because she's had a little baby, gorgeous!

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-- Don graph layingses to Yvetta -- congratulations.

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How many professional dancers does it change to change a light -- take

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to change a light bulb? I don't know but I know how many it takes to put

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on a show-stopper, look at this. It's 17.

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Welcome back to the group rehearsals. We have an incredible

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group of routine this is series starting here. We haven't done a

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group number that's been a tango for a long time so we wanted to gather

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all the flavours that encompass this beautiful dance, the Argentine

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tango, the competition tango and a bit of flamenco and Spanish dance as

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well. The story of this Argentinian tango

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that we are dancing together is kind of like a Romeo and Juliet

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situation. Playing that part, I thought it would be nice to use the

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two new pros, so we have Gorka and Oxanna. He is strong and throws me

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around really good. Important quality.

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Two gangs of people trying to keep Romeo and Juliet away from each

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other. These guys are fantastic when they do drama so I can't wait to see

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this unfold. One more time... I think it wouldn't be a Strictly

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group number without quite a few props. Using tambourines and fans.

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There's glitter! It's amazing. There are a lot of lifts that Oxanna has

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to do which can be dangerous. Being thrown around and it's so much fun

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flying around. Gorka throws her in the air, does a 360 flip and she

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lands in Brendan's arms. It's scary, but we are practising so we are used

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to doing it. I think Oxanna is fearless. It feels right at home and

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I love it. Tune in this weekend to see if Romeo and Juliet get their

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happy ending. Thank you. Doesn't that look

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incredible. She's so brave. Almost as lovely that lot as our

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next guest. Will they be as sweet when they get their teeth into this

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year's couple though. Here, to voice her opinions on all things Strictly,

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Alison Hammond, Daniel O'Donnell and Sarah Pascoe!

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# Last Friday night... # Welcome back to you two naughty ones

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and you too! I remember your cha-cha-cha. It's

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the only thing I can remember. Daniel O'Donnell, we adore you,

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singing at the end of the show. Sarah, welcome to your first It

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Takes Two. What are we thinking of this year of everybody so far? They

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are amazing, so good. Week one, I was really surprised, every person

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out and it's like, they are going to win it. Picking a final four is

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impossible. We'll start at the top of the leaderboard with Daisy and a

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gentleman you know very well, your gorgeous Aljaz, fantastic opening

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with their waltz last week. Have a look at their cha-cha-cha and tell

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me what you think, Alison? Do you know what, oh, I did that move!

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LAUGHTER. She's only got three! I think I did

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that as well. He just puts them all together in a different way. Do you

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know what, obviously Aljaz is at the top of the leaderboard but I just

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think Daisy was just beautiful. When I watched her. Her story, the way it

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was, it was so natural and innocent, just beautiful. She's one to watch.

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I'm not being biassed. Sara, you are nodding in agreement. Some times is

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I find the slow dances Borg then I couldn't take my eyes off her. I

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watched it again on iPlayer straightaway. She's stunning. It's

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very hard to make the slow dance look as she did because you can see

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the faults. If it's a quick dance you can hide. And disguise things.

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Aljaz probably would have replayed some of my dances and she would have

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got an influence. Yes. Ed and Katya, they move to a charleston. That

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makes me very excited indeed for Ed. Here they are, look at Ed! Go on!

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I think we have discovered a new Ed! We have a new Ed. I love him. I did

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the cha-cha in the second week and I was terrified doing it but it gives

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you a chance just to have a bit of fun because that's what the cha-cha

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is supposed to be. Is it a charleston? It's a charleston, I

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know what you mean, but... It's a bit of fun but apparently I didn't

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have enough fun when I did it because they told me that I didn't

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have enough fun. I was dreading it. I said to Christina, I hope I don't

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get the charleston. Really? ! I love it. Let's have a look at AJ and his

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partner. This week a waltz, little Romeo and Juliet, Sarah, what do you

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make of these two? I'm glad she's got this dance, she showed off her

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gymnastics last week, this is showing herself as a dancer so I'm

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really excited for this one. Sara's shoes, can we look at those, those

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are great. Thanks, guys! Greg and Natalie doing a tango this

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week. Let's observe. Alison, has he got the command? Yes, the energy.

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Last week was phenomenal. Look at him, he's proper into it and

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Natalie's such a good teacher. He's going to be great.

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Go on Greg. Louise and Kevin are doing a Viennese waltz. Thank you

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very much over there. Let's have a look at them in training. Look at

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her arms! Isn't she good? ! Daniel, what do you think of Louise?

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Terrific last week and obviously you see there she's taken to it. Kevin

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is magnificent too. Yes. Kevin, his enthusiasm when you meet him, he

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gives that to his partner. Louise was super and I expect nothing less

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this week. Sara what do you think? I think she's one of those performers

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you can't take your eyes off, she's a God else. Are you liking that?

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ALL: Yes. A lot of Louise fans in. Ore and Joanne follow on from their

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cheeky tango last week to Donna Summer's hot stuff. How excited are

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we about this? Look at him in his little braces. He's doing the move.

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That's definitely the look we must go for now. Daniel, will you be

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rocking that look? Yes. Has he got the cha-cha moves, is it all working

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for you, Daniel? I found the cha-cha very difficult. The straight knees?

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Do they call it sticato? I don't know what it is. Doesn't look right

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when you are doing it. But it's not about how it looks, it's about how

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it feels. How does it feel? Last year there was nights I thought I

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was fantastic. Yes. Then when I look back at it, I wasn't fantastic. So I

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decided after that I would never look back again. I think that's the

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best thing. So feel it then forget it. Then it's gone. Moving on to

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Danny and Oti. Len said their dance routine was too stagey last week, we

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thought it was epic. I thought he looked like a professional. Dan you

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Zuko. Sudan yell O'Donnell, remember them? Them?! Viennese waltz this

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week, he's enjoying it and looking good. What do we think? Sexy this

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dance. Them two together is just so electric anyway and to be honest his

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looks are just too much for me. One of them people, don't look at me, go

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away! He's brilliant. Looks like a professional dancer, great. How

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impressed are you, Sara? Very and I love the pairing. I was clapping

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last week when they started like, yes please! Great fun. Finally,

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judge Rinder. Oh my goodness. He was all out. I mean when you looked at

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him, he was going to enjoy it no matter what and I think that's what

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Strictly is, you know. The people that go on it are not dancers, so to

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speak, but he went out there and he was just going to do it. It was

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fantastic. We can have a look at this. He's doing the American smooth

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this week. Look at his little face. Wait for

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it. Wait for it. Here he goes! LAUGHTER.

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Is he practising in the courtroom. Look at that! Looks like it. He's

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great. Obviously that's wonderful, but

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Graham Hunter has tweeted to say his four-year-old would like to know if

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somebody can do the conga this week. Not sure if they can do that on the

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main show, but we can do it. Come on then. Cue the music. Come on.

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CONGA MUSIC. Let's see if Gethin was having as

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much fun today. Lot of rushing around for final preparations

:20:54.:20:57.

tonight. I feel like a bit of an autograph hunter. But look who is

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arriving in glamorous style in the golf buggy, Ore and Jo, nice to see

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you. How are you? I'm good. Looking fresh. Here for your cha-cha

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rehearsals. How are you feeling? Pretty good. Quite achy generally,

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she's pushing me hard making sure I'm OK, I've not bent my legs.

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Everyone's talking about bent and straight legs Jo, it's taking over

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the nation. Straight legs in Latin and bent in ballroom. Stop whacking

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my thighs. So you've got here in one piece, that is a good start. You are

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clumsy this week? Everywhere I go I'm tending to bump into something.

:21:45.:21:47.

We have a pole in our routine and the first time I met that pole we

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didn't get on very well. Can you give me something on the

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cha-cha? I don't know, show us at home what might be in store for us

:21:58.:22:00.

tomorrow night? Give you the pole? Yes. What are they called? The Cuban

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brace. I'm learning. Two and three and four and one, and two and three

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and four and one... That's a very good straight leg and

:22:16.:22:19.

a very good bent leg. On that note, all the very best for rehearsals.

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What else are you going to be doing? Eating, make-up wardrobe and just

:22:24.:22:33.

making sure that I'm, yeah... Get going, good luck. Off with the bent

:22:34.:22:38.

and straight leg and I'll be back with more of some of that later, Zo.

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From one ray of sunshine to another, she brightens our mornings on BBC

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BBC Breakfast and has already illuminated the Strictly floor with

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the waltz, rise and shine, it's Naga!

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Naga is with Pasha. You are such a beautiful girl. You

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really have a natural actual poise for ballroom. That was largely due

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to your rise and fall which was a bit bumpy. I love the potential and

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the elegance. So well done to you. # Wake up it's a beautiful

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morning... # Naga and Pasha, everyone!

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Don't fall over yet. Loving your outfits tonight. You compliment each

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other beautifully. Well done at the weekend, Naga. You looked absolutely

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petrified. How did you enjoy your first experience out there in front

:23:46.:23:50.

of millions? I loved it. I absolutely loved it. I was petrified

:23:51.:23:55.

but who would. But it was just wonderful. It was really, really,

:23:56.:23:59.

really lovely and I get to dance in the arms of this man, who wouldn't

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be happy. Who ever would complain. Any Pasha fans in tonight?

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ALL: Yeah! CHEERING.

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The judges were all in agreement that you have got natural elegance.

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Such a lovely thing to hear. A shocking thing to hear. Jason

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Shirgold from Birmingham said not only the Queen of television, you

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are now the belle of the ball room. I like Jason, have you got his

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number. I will pass that on. Thank you. How have the responses been

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from people on BBC Breakfast? It's so lovely. You go in in the morning

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and everyone's Bleary-eyed and everyone's like loved the dress and

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everything and everyone's been so exciting and online everyone's been

:24:46.:24:52.

so kind. So much love for the show. Darcey said there might have been a

:24:53.:24:56.

couple of mistakes but she was talking about Naga's beautiful neck

:24:57.:24:59.

which is perfect for ballroom. What did you make of the judge's comments

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and how pleased were you with those? The judges nailed it. Naga has so

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much potential and we really turned her into a Princess. As much as she

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doesn't like to hear that, she was a Princess, right?

:25:14.:25:14.

CHEERING. Yes. You looked absolutely

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beautiful. It's so strange what this show does to you. It almost made me

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a lady, sadly not quite! It's your fourth week of training.

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Are you starting to feel that it's coming any more naturally, the whole

:25:30.:25:34.

process of learning, Naga? Yeah. Yeah, really natural. How are you

:25:35.:25:39.

finding it all? It's really hard. It's fabulous. Honestly, I wake up

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every day and really look forward to training. It's very pleasurable and

:25:46.:25:49.

enjoyable but it's really, really difficult. One thing I've learnt is

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that so I take in lots of information every morning and night

:25:54.:25:57.

before the programme, take it all in then it drops out as soon as the

:25:58.:26:04.

programme's finished. You tame it, as well as the muscle movement, my

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brain is not used to that. He explained that to me and I was like

:26:10.:26:14.

"yeah". You are a golf fanatic, he's been trying to explain things to you

:26:15.:26:19.

in golf swings. Yes, we've stopped that.

:26:20.:26:28.

Did Carol give you, Carol Kirkwood did the show last year. Amazing. Did

:26:29.:26:33.

she give you any tips on how to handle or charm him? Handle me! ?

:26:34.:26:39.

Fierce? No, she said listen to everything he says. Exactly. OK,

:26:40.:26:47.

this week it's the cha-cha-cha. How's it toing, Pasha? It's going

:26:48.:26:52.

well. It's all about hips and steps. Here you are. You haven't seen

:26:53.:27:00.

yourself do it yet. She has to be quite moody in that dance because

:27:01.:27:03.

she doesn't like me there. I haven't been really good. Naughty Pasha.

:27:04.:27:07.

Yes, I'm telling him off. That should be fun. Goes off with another

:27:08.:27:13.

woman. Only week four! We have seen your frock, by the way.

:27:14.:27:18.

Tina Turner, it's incredible. Your frock absolutely rocks. I only saw

:27:19.:27:22.

it today. It was quite long and we were wondering is it going to get

:27:23.:27:25.

shorter with the fringing? I think so. They are snipping.

:27:26.:27:37.

Everything else goes, yes. You will be Simply the Best. Nurse great

:27:38.:27:42.

hands, Naga. I see what you did there! ? It's good. Thank you.

:27:43.:27:47.

APPLAUSE. Now, some things in life require

:27:48.:27:51.

blood, sweat and tears, like hosting this show, for instance. No, it's a

:27:52.:27:56.

dream! The same can't be said for our couples training. Don't believe

:27:57.:28:01.

me? Take a look at this. Viennese waltz is a big change from

:28:02.:28:05.

the jive we did but because everyone is so good, I feel like we can't

:28:06.:28:08.

play it safe. There are so many elements that I've got to get right.

:28:09.:28:12.

Make sure your close your feet. Couldn't be more out of my comfort

:28:13.:28:17.

zone. Having so many rules, get my head back, I'm finding it more of a

:28:18.:28:22.

challenge. I've just got to relax. I've got to push Louise. It's high

:28:23.:28:32.

pressure. OK. The thing about the American smooth is it captures all

:28:33.:28:37.

the joy of Fred Astaire and Gene Kelly and all the films that I

:28:38.:28:45.

really love. More like Fred Flintstone than Fred

:28:46.:28:50.

Astaire yet. This is crazy, who stands like this. Like a homage to a

:28:51.:28:55.

statue. Really needs to be elegant. He can

:28:56.:28:57.

do better. Almost. Cha-cha-cha, loving it. Hard work.

:28:58.:29:11.

In the heels, I'm not finding it that easy to be precise and to be

:29:12.:29:16.

tight and to be on time. I keep grabbing Anton. What can I say? !

:29:17.:29:24.

The cha-cha-cha is going very well. I won't deny I'm very excited about

:29:25.:29:26.

this dance. Yes! Boom. Never seen Anton with a bit of

:29:27.:29:36.

shadow. Nice! Time to chat to our final couple, they opened the series

:29:37.:29:40.

with a sensational cha-cha-cha that left Bruno so hot he wanted a fire

:29:41.:29:45.

extinguisher to put him out. Somebody call a Fire Brigade. Not

:29:46.:29:49.

now! It's the smoking Laura and Giovanni!

:29:50.:29:55.

# She's got it, yeah baby she's got it... #

:29:56.:30:02.

The love goddess toying with the boy, you little tease. You can toy

:30:03.:30:07.

with me any time. I enjoyed the upper body, you worked that really

:30:08.:30:10.

well. Lovely content. First class well done.

:30:11.:30:31.

Lovely bit of Irish dancing there! Kind of. The one thing that I can

:30:32.:30:39.

do. May need to work on that a little bit. Not as epic as your

:30:40.:30:43.

skills, opening the whole series Laura on Friday. Didn't she do

:30:44.:30:48.

brilliantly? ! Incredible. How was it to have that task? I have never

:30:49.:30:53.

been more nervous or petrified in my whole life. I can't even... Like you

:30:54.:30:59.

saw me beforehand. There is no fear like it, is there? ! I couldn't talk

:31:00.:31:05.

and beforehand I was just like... Help me. And no-one can except your

:31:06.:31:14.

lovely partner. I was petrified too. It was reassuring to see his face

:31:15.:31:18.

before you go out there. And he says maybe not, you would get

:31:19.:31:23.

worried. Not only did you have to go out first, you did a lot of your

:31:24.:31:26.

dance facing the judges. We can see you doing a bit here. How scary was

:31:27.:31:30.

it to see their faces? There was one bit where I know I have to turn and

:31:31.:31:34.

face and I was thinking, I'm going to look them in the eye and I was

:31:35.:31:39.

trying to aim for Darcey and her lovely face. I looked at Craig and

:31:40.:31:45.

smile and he just looked at me like, it's a lovely face but I would have

:31:46.:31:50.

liked a smile. I forgot where I was and I was like, wait, I need to

:31:51.:31:54.

finish this dance. Don't look at the face. Just look above Craig or

:31:55.:31:58.

below. Colleen on Twitter said it's not easy to go first. You did a

:31:59.:32:03.

fabulous job, you both looked gorgeous. Come on the Irish! Thank

:32:04.:32:06.

you. Are you getting lots of support at

:32:07.:32:10.

home? Yes, it's brilliant, it's lovely. I come from a place where I

:32:11.:32:16.

have lots of cousins, all my cousins are basically all of Ireland. It's

:32:17.:32:22.

really nice. Even just walking down the street like, it's like Strictly

:32:23.:32:26.

is any age, guys, girls, everyone loves the show and it's crazy the

:32:27.:32:30.

reaction from just being on the show one week, the reaction you get. It's

:32:31.:32:34.

lovely. Everyone's like well done for opening the show. Giovanni

:32:35.:32:38.

welcome back, looking very dapper there. You both have delightful

:32:39.:32:43.

accents. Any communication confusions along the way? Just a

:32:44.:32:48.

little bit different accents. What are you talking about? The only

:32:49.:32:57.

thing I can say is cuppa tea. Is that an Irish accent? Yes. And tanks

:32:58.:33:07.

a million. Yes. Possibly the cue to that. You have all the right moves

:33:08.:33:14.

but what do you think this man has the voice to match -- would you

:33:15.:33:16.

think this man has the voice to match? I can sing, you dance.

:33:17.:33:29.

# And I will always love you... # Good morning, good morning! Talent.

:33:30.:33:34.

Make it stop! Can I borrow them? ! Yes. It's

:33:35.:33:45.

called talent. Thank goodness really. This week you have a waltz

:33:46.:33:50.

and it's looking very good. How's the training been? It's been really,

:33:51.:33:59.

really good. I was surprised. I've never danced before and people saw,

:34:00.:34:03.

Latin or ballroom and I don't have any idea between the two and I'm

:34:04.:34:08.

surprised I like waltzing. Good contact. Never ever stops, of

:34:09.:34:14.

course. You got to the final with Georgia, what does Laura need to

:34:15.:34:20.

focus on to get to that final? She's been really good, waiting for the

:34:21.:34:24.

waltz is going to be really, really beautiful. It's going to be

:34:25.:34:29.

beautiful. Look another that faith, it's wonderful! Oh Giovanni, we

:34:30.:34:36.

adore you. Good luck tomorrow, you gorgeous couple, Laura and Giovanni.

:34:37.:34:41.

CHEERING AND APPLAUSE. So, as we know, this weekend we'll

:34:42.:34:47.

be waving goodbye to our first couple. And everyone's been training

:34:48.:34:51.

so hard to avoid it. Let us see how they've been doing.

:34:52.:34:55.

We are doing the cha-cha, it's a great routine. I've just got to get

:34:56.:35:02.

it right. Two. Yes, sorry. Naga's training to get as -- trying to get

:35:03.:35:06.

as much as she possibly can in her head and sometimes things get a

:35:07.:35:10.

little confusing. Back and now... So Pasha says I've got to be a bit more

:35:11.:35:15.

relaxed, show a bit more sass. Easier said than done. Naga still

:35:16.:35:17.

has to find a way to loosen up. The Viennese waltz is 100% alien to

:35:18.:35:32.

me. Soft knees, not bent knees. Not up. Not up. You are just not down.

:35:33.:35:38.

You can't just mess up one thing. You would be surprised. There are a

:35:39.:35:42.

whole set of new challenges for me, the posture, the walking. One... The

:35:43.:35:49.

perfect... We have our work cut out for us. Woo... Stay positive. Ah...

:35:50.:36:01.

Smashed it? Smashed it. Smashed it! I know that salsa has rhythm and

:36:02.:36:09.

Latin flavour. A lot of turns and twists and flips and things, I don't

:36:10.:36:14.

even know what they are called. She can dance salsa so well. See that's

:36:15.:36:22.

nice. But it's a fast routine, I want her to be really on top of it

:36:23.:36:28.

and in it. Sorry, I thought you were going to keep holding on.

:36:29.:36:33.

Looking good. I don't know about you but I could do with another portion

:36:34.:36:37.

of behind-the-scenes gossip from the Strictly Towers. Let's see what

:36:38.:36:42.

Gethin has to serve? It's Friday, the day before the Big Show. This is

:36:43.:36:46.

where people find food. Let us see who is about. Danny is here, at the

:36:47.:36:52.

coffee machine. Is that yours? Don't mind if I just take that, thanks, I

:36:53.:36:57.

just need the energy. No idea who that person is. Come with me over

:36:58.:37:05.

here, Natalie and Greg... Ana is here in her dressing gown too.

:37:06.:37:11.

You were just chilling out on your phone. How's it going, it's Friday

:37:12.:37:18.

before first elimination night? Yes, pretty good, two amazing runs, then

:37:19.:37:25.

one where my leg wasn't working so we had to cut it short. My inside

:37:26.:37:31.

leg muscle, one of them got a bit tight and sore. It's just all of

:37:32.:37:35.

this checking and pulling away and all this sort of stuff. At that

:37:36.:37:39.

point do you get nervous and worried? I do, because he's a

:37:40.:37:48.

fantastic piece of... He is beautiful, I'm not going to lie!

:37:49.:37:53.

You've got to go and rehearse, you've been told. If he's injured

:37:54.:37:58.

that concerns me so we need to make sure he's in fine form. Goned a try

:37:59.:38:04.

and get your breath back. Go and try and get your breath back.

:38:05.:38:07.

Go, go. I'm coming. Now time to talk about

:38:08.:38:18.

the rest of this year's couples. Their cha-cha is top notch. Welcome

:38:19.:38:24.

back to Daniel and Sara. Let's pick up with Will and Karen. This week

:38:25.:38:29.

it's a jive and tell me what you think. I love the outfit. Brilliant.

:38:30.:38:38.

Alison, what do you reckon? Firstly, making me laugh the way you want me

:38:39.:38:43.

to comment like an expert. Little hole between his legs in his

:38:44.:38:47.

trowelers. I notice that but the rest looks great! You are supposed

:38:48.:38:51.

to be looking at his feet. He had a hole. What are you making of Will's

:38:52.:38:57.

skills? Very good. I was looking at his flicky kicks there, you are

:38:58.:39:01.

supposed to flick, I never did get as far as the jive, you know, just

:39:02.:39:05.

the charleston. Or was it the cha-cha-cha? I don't know but it was

:39:06.:39:08.

brilliant whatever it was. Lesley and Anton. For this week they are

:39:09.:39:13.

picking up pace with the cha-cha-cha which Lesley is really enjoying.

:39:14.:39:18.

Look at her. Shake it around. What do we think, Sara? She looks like

:39:19.:39:22.

she's doing this fantastically well. I think this is going to improve

:39:23.:39:27.

week on week if she stays, she works so hard. I think she's loving the

:39:28.:39:31.

whole experience. Absolutely. That just helps. Melvyn and Jeanette who

:39:32.:39:39.

we adore. Air, Got a soft spot for him, I really have. Doing a tango to

:39:40.:39:44.

M People. He looks a bit like he's wearing the skirt.

:39:45.:39:51.

LAUGHTER. Melvyn, what do we make of him? Look

:39:52.:39:57.

how serious he is taking it, I love that. There's something about him,

:39:58.:40:09.

he's like a little munch kin. What do you have to remember about the

:40:10.:40:13.

tango? Your face has to be very... That's it. Check that face, Melvyn,

:40:14.:40:18.

can you do that? ! I love this man so much. Like that. Let's have a

:40:19.:40:35.

look at Tameka and Gorka. They were great last week in the paso doble.

:40:36.:40:40.

This week it's a charleston which is a joy. What are we thinking? This is

:40:41.:40:46.

totally her dance, isn't it, Tameka. I mean, last week she was doing

:40:47.:40:50.

serious dancing and I was just laughing. I can't help but just look

:40:51.:40:55.

at her and laugh so this is perfect for her. What about the skills.

:40:56.:40:59.

They've got a match a lot in charleston? Yes. It looked really

:41:00.:41:04.

good for rehearsals. She's my mum's favourite, by the way, my mum's like

:41:05.:41:08.

she's the nation's sweetheart. What is your mum's name? Gail. Get her to

:41:09.:41:18.

come on the show. Sara, we are trying to get her on the show. We

:41:19.:41:21.

have been watching her backstage. She can move. Who would you dance

:41:22.:41:27.

with if you could choose? All of the boys at once.

:41:28.:41:36.

I like that a lot! Anastacia and Brendaner, for them

:41:37.:41:40.

it's a salsa this week. Here she is in training with Brendan. Oh, my

:41:41.:41:46.

gosh, Brendan. How is this looking, Alison? Well, I can see the salsa

:41:47.:41:50.

moves coming through there. They are great, they can get on, you can see

:41:51.:41:55.

they really get on and really love each other. She's in safe hands with

:41:56.:41:59.

Brendan. I don't know if he is in safe hands! That's always a concern.

:42:00.:42:03.

What do we want from the salsa, Daniel, when you are watching? Many

:42:04.:42:08.

my humble opinion I don't really know what you need from the salsa, I

:42:09.:42:12.

would imagine it's a lot of hip action, you know. If only I had to

:42:13.:42:18.

get to do the salsa last year, I would have been so good at it. Let's

:42:19.:42:27.

get Christina back in here. It's a party dance, Sara? Yes, Anastacia is

:42:28.:42:32.

very competitive and she's been open about that so I think she's going to

:42:33.:42:36.

nail it. I saw the mistakes last week, so she'll be focussed. Naga

:42:37.:42:42.

and Pasha, we had a lovely chat with them. This week, the judges were

:42:43.:42:46.

going on about her having natural poise which is wonder. How do you

:42:47.:42:50.

reckon she's looking in her cha-cha-cha? Lovely leggings, very

:42:51.:42:55.

jazzy outfit there. She's got the straight leg. Aljaz never even said

:42:56.:43:03.

that to me, I just did the cha-cha-cha, I don't think he was

:43:04.:43:07.

even bothered, he was just like, just do it. I didn't know about the

:43:08.:43:14.

straight leg. I just had the vibes I think. Was it just natural? Can

:43:15.:43:21.

people go back into Strictly? If we had a time machine, yes. So

:43:22.:43:24.

understand you have done it you can't go back. They've never let me

:43:25.:43:28.

back but we could set up our own show, do a puppet show. An All-Stars

:43:29.:43:38.

show. I don't think we'd be there. If there was an All-Star show we

:43:39.:43:41.

wouldn't be in it. Maybe you would but...

:43:42.:43:48.

LAUGHTER. Laura and Giovanni and their

:43:49.:43:58.

waltzing. Here they are. The contact is really good here.

:43:59.:44:01.

Have they got rise and fall, Sara? They seem to have it, yes. She just

:44:02.:44:09.

did the heel situation there. That's what we like to call it. Heel

:44:10.:44:15.

situation. An over-sway is that? The over-sway is very important. Very

:44:16.:44:21.

important. That was my first dance with Christina, forgot it all on the

:44:22.:44:25.

night. Congratulations to Christina as well because she's had a baby.

:44:26.:44:33.

Yes, gorgeous. She was the best, she was fantastic. She really is and we

:44:34.:44:38.

are missing her. I hate to do this to you but, we must. Going down the

:44:39.:44:42.

line, who do you think is in danger of going home in weekend, Alison? I

:44:43.:44:48.

don't want to say anyone. Go on, I'll have to push you? I'm only

:44:49.:44:52.

saying it because... Lesley maybe. You can say Lesley, it's fine.

:44:53.:44:57.

Daniel? I feel for Ed. You fear for Ed. Sounds like a band!

:44:58.:45:02.

If Ed doesn't go home, democracy isn't working.

:45:03.:45:06.

What a brilliant Friday panel. Thank you so much.

:45:07.:45:12.

I love Lesley, I love her. I know you love her. Who are you rooting

:45:13.:45:17.

for at home? If you want to vote on Saturday night you can do it via the

:45:18.:45:22.

Strictly website, head over there to find out how. THUNDER CLAP!

:45:23.:45:31.

We were having a lovely time. That can only mean one thing. I'm going.

:45:32.:45:38.

It's the return of the man whose biting critique can make the most

:45:39.:45:42.

experienced dancer and Alison Hammond break down in tears. I don't

:45:43.:45:49.

know why he's such a pussycat. It's the one and only Dame Revel Horwood!

:45:50.:46:02.

Complete and utter absolute disaster, darling.

:46:03.:46:09.

# I'm affected by the dance floor... #

:46:10.:46:18.

Hello, darling, lovely to see you. So lovely to be back. They can boo

:46:19.:46:22.

you because you were so lovely last week. I was. That was last week! Oh,

:46:23.:46:26.

dear. Easing everyone in. How are you

:46:27.:46:30.

feeling generally about the class of 2016? I think they're really

:46:31.:46:35.

talented and I think they are over-achievers and that might let

:46:36.:46:38.

some of them down a little bit. We are going to get a lot harsher. I

:46:39.:46:43.

was lenient on their first dance because I did this year after, you

:46:44.:46:48.

know, it's the 14th series, I felt a little sorry for them. The feeling

:46:49.:46:57.

is fading fast. He's back! We were slightly concerned. You have been

:46:58.:47:06.

doing this 12 years. Are you not sick of it? I know, that's not

:47:07.:47:11.

possible with the money they give me. Are you not excited about the

:47:12.:47:16.

new batch coming in as you were then? Absolutely. We know the show

:47:17.:47:22.

now so we know what to look for. The celebrities know exactly what they

:47:23.:47:26.

are becoming involved in and they know the whole process of how

:47:27.:47:30.

difficulties so people secretly are rehearsing at home, you know, two

:47:31.:47:35.

years before the call comes in. Just in case. Yes, just in case they

:47:36.:47:41.

get the call, but certainly we have some amazing, amazing talent from

:47:42.:47:45.

week one, I've just been gobsmacked really. Utterly brilliant. Last

:47:46.:47:51.

week, you gave the most 8s you have ever given in week one. Facts. You

:47:52.:48:01.

will never see that again. Oh, no! I like to lull everybody into a false

:48:02.:48:05.

sense of security and then slap them down. It's the British thing to do

:48:06.:48:09.

isn't it. It's going to be very exciting. Throwing the 8, 9 and 10

:48:10.:48:14.

panels out the window now. It's wonderful. I'm scared. We didn't get

:48:15.:48:20.

to hear what you thought of Danny and Oti last week because we ran out

:48:21.:48:23.

of time. What did you think of his opening dance? I was very surprised

:48:24.:48:29.

to see a double pencil tone to the knee. I love to see that. That is

:48:30.:48:34.

when you whip the foot in and schum. I thought that was amazing. I was

:48:35.:48:38.

thinking technically it wasn't completely correct and I know that

:48:39.:48:42.

he still has a lot of work to do. He might be wowing people with

:48:43.:48:47.

ex-trainious moves that don't belong, but I think...

:48:48.:48:55.

ALL: Ooh... Just saying. Yes, just saying, hashtag! Len will be a

:48:56.:48:59.

stickler for that, particularly with people that have had any sort of

:49:00.:49:05.

dance experience or are naturally gifted, we tend to then hone in on

:49:06.:49:10.

the real nitty-gritty and the finer details of it. He's going to have

:49:11.:49:16.

difficulty with the hip action, he's going to find it difficult to do

:49:17.:49:21.

heel leads and rise and fall. He's going to find it difficult to do the

:49:22.:49:26.

swing. See, he's back, he's back! Apart from that!

:49:27.:49:37.

Apart from that, he's fantastic. Your critique of how Judge Rinder

:49:38.:49:42.

did with the turns? I really liked what he did with them, however he

:49:43.:49:45.

did accidentally throw himself too much into it. He lost his centre and

:49:46.:49:50.

he started going in an ark and a curve which is not correct. It

:49:51.:49:55.

should be a straight line and whip, whip, whip, whip, whip of the head.

:49:56.:50:01.

I do that every week live for this wonderful nation. You judges dance

:50:02.:50:07.

every Saturday night. He's stolen the move, can you do a different

:50:08.:50:12.

one? I could do something else that might thrill and delight those at

:50:13.:50:16.

home. I have no idea. We literally make it up! You could never tell.

:50:17.:50:21.

Definitely I would crash into Bruno, then push him out the way, hopefully

:50:22.:50:26.

not on camera, but we only rehearse it once for camera, but we never

:50:27.:50:30.

know what we are going to do. I look forward to that. Gives it an edge.

:50:31.:50:36.

Quite scary. What do the couples have to do to impress you? You are

:50:37.:50:40.

going to get tougher. What do you need? Technique is the big thing and

:50:41.:50:45.

important thing and also performance skill because people that aren't

:50:46.:50:51.

used to performing, like for instance Ed Balls, I mean he's very

:50:52.:50:56.

good and performing and lying to the nation about politics possibly...

:50:57.:51:09.

ALL: Ohoh. Was that harsh? Yes. His technique at the moment is not

:51:10.:51:14.

brilliant. But certainly entertaining it will be.

:51:15.:51:20.

Celebrities, be afraid. Come and see us again soon, the gorgeous Craig

:51:21.:51:25.

Revel Horwood. For the final time, back to the Strictly studios to see

:51:26.:51:29.

what Gethin got up to earlier today. I'm in the make-up room, usually a

:51:30.:51:34.

hive of activity, but right now it's pretty calm and look, I've found for

:51:35.:51:39.

people just stood here ready for an interview. That happens on Strictly

:51:40.:51:44.

doesn't it. How are you doing? Yeah... Yes. Listen, before most

:51:45.:51:52.

people had their cereal this mornings, you had already been

:51:53.:51:55.

rehearsing the American smooth. How did it go? It felt like it was

:51:56.:52:00.

really early in the morning but I felt like it went really well. While

:52:01.:52:05.

we are in the make-up room they are covering the breezes. That is nasty.

:52:06.:52:10.

-- covering the bruises. They covered the one that was done on

:52:11.:52:15.

purpose! What are those trousers, by the way?

:52:16.:52:21.

Aren't they charming. I'm not sure any man in the world can pull off

:52:22.:52:26.

the jogging bottom with the posh shoes. Isn't it brilliant. You have

:52:27.:52:34.

got a few tricky injuries. I am high risk. High risk high outcome or I'll

:52:35.:52:38.

just drop her and that will be the end of the dance. I didn't mean

:52:39.:52:42.

that. That could be a disaster. That's not going to happen though.

:52:43.:52:49.

People ask are you nervous, they ask are you terribly worried and that's

:52:50.:52:53.

not going to happen, how do you feel about lifting your partner in front

:52:54.:52:58.

of ten million people and she might fall on your head. That's not going

:52:59.:53:05.

to happen. You are loving this, aren't you, Gorka? I'm loving it,

:53:06.:53:11.

loving it, loving it, I just can't stop loving it. You have got the

:53:12.:53:16.

charleston, Ghorka is she keeping up with you foul? Yes. The charleston

:53:17.:53:21.

is very fast. Next week it's maybe waltz, it's going to be really fast.

:53:22.:53:28.

It's just fast and furious and this is the new Vint Diesel and I'm the

:53:29.:53:34.

chic in the front. You are wearing your charleston shoes. That's right.

:53:35.:53:39.

You've got to feel it. Even though in making up the room, I'm making it

:53:40.:53:45.

up. Get used to the shoes. Yes. One quick thing. It's the first

:53:46.:53:49.

elimination. Don't talk about it. Don't wanna hear it. That's the big

:53:50.:53:54.

thing about Strictly, getting on really well, the camaraderie, how

:53:55.:53:59.

will it feel when someone leaves? People will be scratching each

:54:00.:54:06.

other's eyes out. Miaow. I shall write the entire British public a

:54:07.:54:09.

strongly worded letter if it goes wrong. That's about it then. Good.

:54:10.:54:16.

I'm going to do that thing you do. I'll do a sincere face. How is that,

:54:17.:54:20.

all right? Guys, thank you very much, good luck tomorrow night. I'm

:54:21.:54:25.

going to try and nick a place in the audience because it will be a great

:54:26.:54:28.

show tomorrow night. Zoe, back to you, thank you very much.

:54:29.:54:34.

APPLAUSE. Plenty more backstage got sip to

:54:35.:54:42.

come later. Memorable celebrities we talked about earlier. Quentin,

:54:43.:54:48.

Edwina, my dad and Greg and I can reveal that your winning loser with

:54:49.:54:52.

48% of the vote is... Greg Wallace!

:54:53.:54:57.

Well done, Greg! This is what Craig had to say about

:54:58.:55:02.

it at the time. I'm going to be absolutely nice and I'm going to

:55:03.:55:06.

tell you the truth, darling, you were like a wind-up toy out there.

:55:07.:55:12.

Unbelievable. Like a pressure cooker, about to explode. You

:55:13.:55:21.

manageded to get into the Samba, darling, with your bouncing. We

:55:22.:55:26.

would have had to show a clip of you look ing like if if Quentin won.

:55:27.:55:30.

Look at this picture. That's all we have time for tonight. Oh! Thanks to

:55:31.:55:36.

my guests and make sure you catch all the action tomorrow as it

:55:37.:55:38.

happens with Tess, Claude and this gentleman. I'm back on Monday with

:55:39.:55:41.

the first couple to leave the competition. Singing us out with a

:55:42.:55:46.

cover of the classic sweet Caroline from his new album out in October,

:55:47.:55:48.

Daniel O'Donnell! # All right, everybody

:55:49.:56:08.

# Where it began # I can't begin to know it

:56:09.:56:16.

# But then I know it's growing strong

:56:17.:56:24.

# It was in the spring # And spring became the summer

:56:25.:56:30.

# Who'd have believed you'd come along

:56:31.:56:33.

# All together now # Hands

:56:34.:56:37.

# Touching hands # Reaching out

:56:38.:56:40.

# Touching you # Reaching out

:56:41.:56:44.

# Touching me, touching you

:56:45.:56:57.

# Sweet Caroline # Good times never seemed so good

:56:58.:57:10.

# I've been inclined # To believe they never would but

:57:11.:57:16.

now I # Look at the night

:57:17.:57:23.

# And it don't seem so lonely # We fill it up with only two

:57:24.:57:35.

# And when I hurt # Hurt runs off my shoulder

:57:36.:57:43.

# How can I hurt when holding you # All right

:57:44.:57:54.

# Warm # Touching warm

:57:55.:57:58.

# Reaching out # Touching me, touching you

:57:59.:58:04.

# Sweet Caroline # Good times never seemed so

:58:05.:58:13.

good # I've been inclined

:58:14.:58:28.

# To believe they never would # Oh, no

:58:29.:58:32.

# Sweet Caroline # Good times never seemed so good...

:58:33.:58:36.

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