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Here it It Takes Two HQ we like to give our couples time away from the | :00:07. | :00:12. | |
stress and tension. No running away tonight however. | :00:13. | :00:18. | |
Oti, keep that hand up. Looking good. Every last second counts | :00:19. | :00:23. | |
because somebody is going home at the weekend. What are you doing with | :00:24. | :00:29. | |
my shoes? ! Cheeky work on those hips, Pasha Kovalev. Nobody wants to | :00:30. | :00:34. | |
be left behind. Giovanni, shoulders down! That looks comfy Laura. | :00:35. | :00:39. | |
Otherwise they'll face the wrath of this one! Ready? ! But it's not all | :00:40. | :00:50. | |
serious around here. Isn't it right, Friday panel? ! | :00:51. | :00:51. | |
CHEERING AND APPLAUSE. Live from London, this is Strictly | :00:52. | :01:44. | |
It Takes Two. Please welcome your host, Zoe Ball. | :01:45. | :01:54. | |
# Bang, bang, into the room... # Thank you. Thank you! | :01:55. | :02:02. | |
I could get used to that. Pasha and Giovanni, everyone! | :02:03. | :02:07. | |
Welcome to It Takes Two. It's Friday, I can confirm we are only 24 | :02:08. | :02:13. | |
hours, 18 minutes and 37 seconds away from the next live Strictly | :02:14. | :02:16. | |
show! Which could mean only one thing. Our | :02:17. | :02:21. | |
first couple will be leaving the competition. | :02:22. | :02:26. | |
Sad times indeed but let's not feel dragged down, we've got a show to | :02:27. | :02:30. | |
get on with. Definitely got the Friday feeling, a good bunch in | :02:31. | :02:32. | |
tonight. CHEERING AND APPLAUSE. | :02:33. | :02:35. | |
What was the mood like earlier this morning? Only one man capable of | :02:36. | :02:43. | |
covering such a job, the Welsh wonder himself and Strictly's Gethin | :02:44. | :02:48. | |
Jones. Let's see how he was Gethin' on! Sorry. | :02:49. | :02:53. | |
So good to be back in the Strictly ballroom, all the memories come back | :02:54. | :02:57. | |
and how I've missed that smell of hair spray. Will and car reason | :02:58. | :03:03. | |
dancing to Rock Around the Clock. Week two, he's looking good, he's | :03:04. | :03:09. | |
absolutely loving this. Let's have a look. | :03:10. | :03:16. | |
So that's Will and Karen's jive. Will will need a sit down after that | :03:17. | :03:22. | |
routine. I'm going to be clocking up some miles around the Elstree studio | :03:23. | :03:26. | |
catching up with some of the other couples before the first elimination | :03:27. | :03:32. | |
night tomorrow. I'll see you later. Will looking good there! | :03:33. | :03:37. | |
Plenty more exclusives from Gethin. First, jaws dropped to the floor | :03:38. | :03:41. | |
during the explosive cha-cha-cha last Saturday and Bruno said wham | :03:42. | :03:49. | |
bam thank you mam. It's Danny and Oti. | :03:50. | :03:55. | |
That was fast, packed full of absolutely everything and more. | :03:56. | :04:00. | |
100%, you are the contender, I've got to tell you that. I love the | :04:01. | :04:05. | |
Michael Jackson moves you put in there. They were absolutely | :04:06. | :04:12. | |
brilliant and no lack of action. Wambam thank you mam. | :04:13. | :04:21. | |
# Return of the Mac... # Oh yes! Danny and Oti. Welcome to | :04:22. | :04:30. | |
the show. Team Doti, loving that title! Talk about a Macattack last | :04:31. | :04:35. | |
week, goodness me, where's the energy coming from, Danny, it was | :04:36. | :04:38. | |
incredible. How much did you enjoy yourself? I had THE best time. It | :04:39. | :04:43. | |
was sheer adrenaline. I've never been so nervous my entire life. | :04:44. | :04:49. | |
Never ever? No, never ever and I've had a lot of reasons to be nervous. | :04:50. | :04:53. | |
I was sick almost literally to vomiting that day. Sick with nerves. | :04:54. | :04:59. | |
Pass the bucket, yes. He said, I think everything's coming out. When | :05:00. | :05:03. | |
you're that nervous, the pay off once you get to tend of it was | :05:04. | :05:07. | |
absolutely amazing. Joint second on the leaderboard in week one with | :05:08. | :05:11. | |
Louise and Kevin, audience on their feet, absolutely going crazy. I mean | :05:12. | :05:15. | |
your heart must have gone boom. It was, yes. That end position when I | :05:16. | :05:21. | |
had Oti's head in my hand and it was like "done! " I was like, that is, | :05:22. | :05:28. | |
it was just nuts, absolutely nuts. Such an incredible routine though. | :05:29. | :05:32. | |
Oti choreographed it, so massive respect and credit to her for that. | :05:33. | :05:36. | |
Then it was just three weeks. He's a good boy. Trained him well. Yes. | :05:37. | :05:44. | |
Three weeks of whipping me into shape to get that done. It's 90 | :05:45. | :05:48. | |
seconds but you spend eight to ten hours every day doing that. Darcey | :05:49. | :05:54. | |
was completely shocked, wasn't she, saying, a man who can actually move | :05:55. | :06:02. | |
hips, how hard did you have to work on getting him to do that right? It | :06:03. | :06:08. | |
took for ever. I was asking him to move his hips and he was like no, | :06:09. | :06:12. | |
no, no. Then he did it but it was amazing. He worked so hard. We have | :06:13. | :06:19. | |
fun in training. There was a moment in week two where I genuinely begged | :06:20. | :06:24. | |
Oti, I said it's week one can we just make it simple and clean and | :06:25. | :06:28. | |
you should have seen the look I got from her. I know that look - how | :06:29. | :06:32. | |
dare you! She was disgusting that I suggested | :06:33. | :06:37. | |
it. I think also when you ask them to make it easier, I asked Ian Waite | :06:38. | :06:42. | |
once and he made it harder, so watch it! We saw this from your Twitter | :06:43. | :06:47. | |
feed, this is what happened in rehearsals just beforehand, it | :06:48. | :06:48. | |
wasn't all easy. Oh, no! Took that well. The way you | :06:49. | :07:06. | |
styled it out by lying on the floor. Like as if you meant to do that. I | :07:07. | :07:10. | |
wish I could say it was the first time. Takes a lot of these to get it | :07:11. | :07:15. | |
right. He got that step in. He was just playing the mirror and spinning | :07:16. | :07:19. | |
and he was like, oh, my gosh, did you see the judge was turning, and | :07:20. | :07:24. | |
it was like, we are doing that, we are keeping that. The Viennese waltz | :07:25. | :07:29. | |
for the two of you this week, a completely different feel. How is it | :07:30. | :07:34. | |
going, Ian Waite is very impressed with your posture, young man. | :07:35. | :07:40. | |
Really? Oh, yes. A rumbling of happiness, they approve. See the | :07:41. | :07:47. | |
pinches there. Pinching, slapping, arguing. Don't | :07:48. | :07:52. | |
get me wrong, I adore here, she's fantastic but she's a beast! | :07:53. | :07:58. | |
Can you say a woman is a beast, I'm not sure? ! Len was talking about | :07:59. | :08:06. | |
too stagey, it would be brilliant for charleston stuff, for the | :08:07. | :08:09. | |
Viennese waltz, you have less than that anyway don't you? Sort of, we | :08:10. | :08:13. | |
have a really intense story that we kind of want to tell because it's | :08:14. | :08:19. | |
usually such a romantic dance. We'll just twist it up a bit this time and | :08:20. | :08:24. | |
tell what happens before the romance comes, so we kind of have like a | :08:25. | :08:30. | |
discussion. The song hints towards it as well. Yes. It's a rock song | :08:31. | :08:37. | |
and it's got this gritty thing, it's not a lovy-dovy Viennese waltz. We | :08:38. | :08:41. | |
want some grit! Good luck. You are both incredible. Danny and Oti! | :08:42. | :08:49. | |
CHEERING AND APPLAUSE. They've both got such lovely teeth! | :08:50. | :08:55. | |
The Strictly dream will sadly be over for one of the celebrities, one | :08:56. | :08:59. | |
couple must leave and nobody wants to go first, but if you are going, | :09:00. | :09:04. | |
you may as well do it in style. With that in mind, we have been looking | :09:05. | :09:16. | |
at the archives through some of the, let's say, note worthy ones who've | :09:17. | :09:24. | |
been memorable. We are asking you at home to let us know what you | :09:25. | :09:27. | |
thought. Quentin Wilson managed to score eight points for his | :09:28. | :09:32. | |
cha-cha-cha which remains to this day Strictly's lowest ever scoring | :09:33. | :09:37. | |
dance. I loved it, frankly. Next, Edwina Currie from series 9 | :09:38. | :09:44. | |
partnered with legend Vincent Simone. She scored 17 points and, | :09:45. | :09:48. | |
I'm sorry to do this, because obviously I love and adore him. | :09:49. | :09:56. | |
Could it be Johnny Ball? ! My dad, series 10, I thought he was | :09:57. | :10:01. | |
brilliant. Here he is with the gorgeous Yvetta. Cha-cha-cha 17 | :10:02. | :10:07. | |
points. I thought he was good. Final choice, Greg Wallace with Strictly | :10:08. | :10:12. | |
champion Aliona, the cha-cha-cha in series 11. 18 points for his | :10:13. | :10:20. | |
gastro-themed routine. That's funny. On graph layingses to | :10:21. | :10:25. | |
Yvetta because she's had a little baby, gorgeous! | :10:26. | :10:38. | |
-- Don graph layingses to Yvetta -- congratulations. | :10:39. | :10:41. | |
How many professional dancers does it change to change a light -- take | :10:42. | :10:47. | |
to change a light bulb? I don't know but I know how many it takes to put | :10:48. | :10:53. | |
on a show-stopper, look at this. It's 17. | :10:54. | :10:59. | |
Welcome back to the group rehearsals. We have an incredible | :11:00. | :11:06. | |
group of routine this is series starting here. We haven't done a | :11:07. | :11:11. | |
group number that's been a tango for a long time so we wanted to gather | :11:12. | :11:16. | |
all the flavours that encompass this beautiful dance, the Argentine | :11:17. | :11:20. | |
tango, the competition tango and a bit of flamenco and Spanish dance as | :11:21. | :11:23. | |
well. The story of this Argentinian tango | :11:24. | :11:27. | |
that we are dancing together is kind of like a Romeo and Juliet | :11:28. | :11:31. | |
situation. Playing that part, I thought it would be nice to use the | :11:32. | :11:40. | |
two new pros, so we have Gorka and Oxanna. He is strong and throws me | :11:41. | :11:44. | |
around really good. Important quality. | :11:45. | :11:48. | |
Two gangs of people trying to keep Romeo and Juliet away from each | :11:49. | :11:52. | |
other. These guys are fantastic when they do drama so I can't wait to see | :11:53. | :11:58. | |
this unfold. One more time... I think it wouldn't be a Strictly | :11:59. | :12:01. | |
group number without quite a few props. Using tambourines and fans. | :12:02. | :12:11. | |
There's glitter! It's amazing. There are a lot of lifts that Oxanna has | :12:12. | :12:18. | |
to do which can be dangerous. Being thrown around and it's so much fun | :12:19. | :12:24. | |
flying around. Gorka throws her in the air, does a 360 flip and she | :12:25. | :12:29. | |
lands in Brendan's arms. It's scary, but we are practising so we are used | :12:30. | :12:35. | |
to doing it. I think Oxanna is fearless. It feels right at home and | :12:36. | :12:42. | |
I love it. Tune in this weekend to see if Romeo and Juliet get their | :12:43. | :12:46. | |
happy ending. Thank you. Doesn't that look | :12:47. | :12:51. | |
incredible. She's so brave. Almost as lovely that lot as our | :12:52. | :12:54. | |
next guest. Will they be as sweet when they get their teeth into this | :12:55. | :13:00. | |
year's couple though. Here, to voice her opinions on all things Strictly, | :13:01. | :13:04. | |
Alison Hammond, Daniel O'Donnell and Sarah Pascoe! | :13:05. | :13:08. | |
# Last Friday night... # Welcome back to you two naughty ones | :13:09. | :13:23. | |
and you too! I remember your cha-cha-cha. It's | :13:24. | :13:27. | |
the only thing I can remember. Daniel O'Donnell, we adore you, | :13:28. | :13:31. | |
singing at the end of the show. Sarah, welcome to your first It | :13:32. | :13:35. | |
Takes Two. What are we thinking of this year of everybody so far? They | :13:36. | :13:41. | |
are amazing, so good. Week one, I was really surprised, every person | :13:42. | :13:44. | |
out and it's like, they are going to win it. Picking a final four is | :13:45. | :13:49. | |
impossible. We'll start at the top of the leaderboard with Daisy and a | :13:50. | :13:54. | |
gentleman you know very well, your gorgeous Aljaz, fantastic opening | :13:55. | :13:59. | |
with their waltz last week. Have a look at their cha-cha-cha and tell | :14:00. | :14:03. | |
me what you think, Alison? Do you know what, oh, I did that move! | :14:04. | :14:07. | |
LAUGHTER. She's only got three! I think I did | :14:08. | :14:12. | |
that as well. He just puts them all together in a different way. Do you | :14:13. | :14:16. | |
know what, obviously Aljaz is at the top of the leaderboard but I just | :14:17. | :14:20. | |
think Daisy was just beautiful. When I watched her. Her story, the way it | :14:21. | :14:26. | |
was, it was so natural and innocent, just beautiful. She's one to watch. | :14:27. | :14:30. | |
I'm not being biassed. Sara, you are nodding in agreement. Some times is | :14:31. | :14:39. | |
I find the slow dances Borg then I couldn't take my eyes off her. I | :14:40. | :14:43. | |
watched it again on iPlayer straightaway. She's stunning. It's | :14:44. | :14:47. | |
very hard to make the slow dance look as she did because you can see | :14:48. | :14:52. | |
the faults. If it's a quick dance you can hide. And disguise things. | :14:53. | :14:58. | |
Aljaz probably would have replayed some of my dances and she would have | :14:59. | :15:07. | |
got an influence. Yes. Ed and Katya, they move to a charleston. That | :15:08. | :15:13. | |
makes me very excited indeed for Ed. Here they are, look at Ed! Go on! | :15:14. | :15:20. | |
I think we have discovered a new Ed! We have a new Ed. I love him. I did | :15:21. | :15:25. | |
the cha-cha in the second week and I was terrified doing it but it gives | :15:26. | :15:30. | |
you a chance just to have a bit of fun because that's what the cha-cha | :15:31. | :15:34. | |
is supposed to be. Is it a charleston? It's a charleston, I | :15:35. | :15:41. | |
know what you mean, but... It's a bit of fun but apparently I didn't | :15:42. | :15:45. | |
have enough fun when I did it because they told me that I didn't | :15:46. | :15:50. | |
have enough fun. I was dreading it. I said to Christina, I hope I don't | :15:51. | :15:54. | |
get the charleston. Really? ! I love it. Let's have a look at AJ and his | :15:55. | :16:10. | |
partner. This week a waltz, little Romeo and Juliet, Sarah, what do you | :16:11. | :16:15. | |
make of these two? I'm glad she's got this dance, she showed off her | :16:16. | :16:18. | |
gymnastics last week, this is showing herself as a dancer so I'm | :16:19. | :16:23. | |
really excited for this one. Sara's shoes, can we look at those, those | :16:24. | :16:30. | |
are great. Thanks, guys! Greg and Natalie doing a tango this | :16:31. | :16:34. | |
week. Let's observe. Alison, has he got the command? Yes, the energy. | :16:35. | :16:39. | |
Last week was phenomenal. Look at him, he's proper into it and | :16:40. | :16:42. | |
Natalie's such a good teacher. He's going to be great. | :16:43. | :16:50. | |
Go on Greg. Louise and Kevin are doing a Viennese waltz. Thank you | :16:51. | :16:53. | |
very much over there. Let's have a look at them in training. Look at | :16:54. | :16:58. | |
her arms! Isn't she good? ! Daniel, what do you think of Louise? | :16:59. | :17:03. | |
Terrific last week and obviously you see there she's taken to it. Kevin | :17:04. | :17:11. | |
is magnificent too. Yes. Kevin, his enthusiasm when you meet him, he | :17:12. | :17:15. | |
gives that to his partner. Louise was super and I expect nothing less | :17:16. | :17:19. | |
this week. Sara what do you think? I think she's one of those performers | :17:20. | :17:23. | |
you can't take your eyes off, she's a God else. Are you liking that? | :17:24. | :17:31. | |
ALL: Yes. A lot of Louise fans in. Ore and Joanne follow on from their | :17:32. | :17:40. | |
cheeky tango last week to Donna Summer's hot stuff. How excited are | :17:41. | :17:44. | |
we about this? Look at him in his little braces. He's doing the move. | :17:45. | :17:48. | |
That's definitely the look we must go for now. Daniel, will you be | :17:49. | :17:54. | |
rocking that look? Yes. Has he got the cha-cha moves, is it all working | :17:55. | :18:00. | |
for you, Daniel? I found the cha-cha very difficult. The straight knees? | :18:01. | :18:08. | |
Do they call it sticato? I don't know what it is. Doesn't look right | :18:09. | :18:14. | |
when you are doing it. But it's not about how it looks, it's about how | :18:15. | :18:19. | |
it feels. How does it feel? Last year there was nights I thought I | :18:20. | :18:23. | |
was fantastic. Yes. Then when I look back at it, I wasn't fantastic. So I | :18:24. | :18:28. | |
decided after that I would never look back again. I think that's the | :18:29. | :18:31. | |
best thing. So feel it then forget it. Then it's gone. Moving on to | :18:32. | :18:38. | |
Danny and Oti. Len said their dance routine was too stagey last week, we | :18:39. | :18:43. | |
thought it was epic. I thought he looked like a professional. Dan you | :18:44. | :18:49. | |
Zuko. Sudan yell O'Donnell, remember them? Them?! Viennese waltz this | :18:50. | :18:53. | |
week, he's enjoying it and looking good. What do we think? Sexy this | :18:54. | :19:01. | |
dance. Them two together is just so electric anyway and to be honest his | :19:02. | :19:06. | |
looks are just too much for me. One of them people, don't look at me, go | :19:07. | :19:12. | |
away! He's brilliant. Looks like a professional dancer, great. How | :19:13. | :19:16. | |
impressed are you, Sara? Very and I love the pairing. I was clapping | :19:17. | :19:20. | |
last week when they started like, yes please! Great fun. Finally, | :19:21. | :19:35. | |
judge Rinder. Oh my goodness. He was all out. I mean when you looked at | :19:36. | :19:41. | |
him, he was going to enjoy it no matter what and I think that's what | :19:42. | :19:47. | |
Strictly is, you know. The people that go on it are not dancers, so to | :19:48. | :19:54. | |
speak, but he went out there and he was just going to do it. It was | :19:55. | :19:58. | |
fantastic. We can have a look at this. He's doing the American smooth | :19:59. | :20:03. | |
this week. Look at his little face. Wait for | :20:04. | :20:07. | |
it. Wait for it. Here he goes! LAUGHTER. | :20:08. | :20:11. | |
Is he practising in the courtroom. Look at that! Looks like it. He's | :20:12. | :20:16. | |
great. Obviously that's wonderful, but | :20:17. | :20:20. | |
Graham Hunter has tweeted to say his four-year-old would like to know if | :20:21. | :20:24. | |
somebody can do the conga this week. Not sure if they can do that on the | :20:25. | :20:31. | |
main show, but we can do it. Come on then. Cue the music. Come on. | :20:32. | :20:43. | |
CONGA MUSIC. Let's see if Gethin was having as | :20:44. | :20:53. | |
much fun today. Lot of rushing around for final preparations | :20:54. | :20:57. | |
tonight. I feel like a bit of an autograph hunter. But look who is | :20:58. | :21:02. | |
arriving in glamorous style in the golf buggy, Ore and Jo, nice to see | :21:03. | :21:07. | |
you. How are you? I'm good. Looking fresh. Here for your cha-cha | :21:08. | :21:12. | |
rehearsals. How are you feeling? Pretty good. Quite achy generally, | :21:13. | :21:19. | |
she's pushing me hard making sure I'm OK, I've not bent my legs. | :21:20. | :21:26. | |
Everyone's talking about bent and straight legs Jo, it's taking over | :21:27. | :21:32. | |
the nation. Straight legs in Latin and bent in ballroom. Stop whacking | :21:33. | :21:38. | |
my thighs. So you've got here in one piece, that is a good start. You are | :21:39. | :21:44. | |
clumsy this week? Everywhere I go I'm tending to bump into something. | :21:45. | :21:47. | |
We have a pole in our routine and the first time I met that pole we | :21:48. | :21:53. | |
didn't get on very well. Can you give me something on the | :21:54. | :21:57. | |
cha-cha? I don't know, show us at home what might be in store for us | :21:58. | :22:00. | |
tomorrow night? Give you the pole? Yes. What are they called? The Cuban | :22:01. | :22:10. | |
brace. I'm learning. Two and three and four and one, and two and three | :22:11. | :22:15. | |
and four and one... That's a very good straight leg and | :22:16. | :22:19. | |
a very good bent leg. On that note, all the very best for rehearsals. | :22:20. | :22:23. | |
What else are you going to be doing? Eating, make-up wardrobe and just | :22:24. | :22:33. | |
making sure that I'm, yeah... Get going, good luck. Off with the bent | :22:34. | :22:38. | |
and straight leg and I'll be back with more of some of that later, Zo. | :22:39. | :22:44. | |
From one ray of sunshine to another, she brightens our mornings on BBC | :22:45. | :22:50. | |
BBC Breakfast and has already illuminated the Strictly floor with | :22:51. | :22:54. | |
the waltz, rise and shine, it's Naga! | :22:55. | :22:59. | |
Naga is with Pasha. You are such a beautiful girl. You | :23:00. | :23:03. | |
really have a natural actual poise for ballroom. That was largely due | :23:04. | :23:08. | |
to your rise and fall which was a bit bumpy. I love the potential and | :23:09. | :23:20. | |
the elegance. So well done to you. # Wake up it's a beautiful | :23:21. | :23:28. | |
morning... # Naga and Pasha, everyone! | :23:29. | :23:33. | |
Don't fall over yet. Loving your outfits tonight. You compliment each | :23:34. | :23:37. | |
other beautifully. Well done at the weekend, Naga. You looked absolutely | :23:38. | :23:45. | |
petrified. How did you enjoy your first experience out there in front | :23:46. | :23:50. | |
of millions? I loved it. I absolutely loved it. I was petrified | :23:51. | :23:55. | |
but who would. But it was just wonderful. It was really, really, | :23:56. | :23:59. | |
really lovely and I get to dance in the arms of this man, who wouldn't | :24:00. | :24:04. | |
be happy. Who ever would complain. Any Pasha fans in tonight? | :24:05. | :24:08. | |
ALL: Yeah! CHEERING. | :24:09. | :24:12. | |
The judges were all in agreement that you have got natural elegance. | :24:13. | :24:15. | |
Such a lovely thing to hear. A shocking thing to hear. Jason | :24:16. | :24:22. | |
Shirgold from Birmingham said not only the Queen of television, you | :24:23. | :24:25. | |
are now the belle of the ball room. I like Jason, have you got his | :24:26. | :24:29. | |
number. I will pass that on. Thank you. How have the responses been | :24:30. | :24:35. | |
from people on BBC Breakfast? It's so lovely. You go in in the morning | :24:36. | :24:41. | |
and everyone's Bleary-eyed and everyone's like loved the dress and | :24:42. | :24:45. | |
everything and everyone's been so exciting and online everyone's been | :24:46. | :24:52. | |
so kind. So much love for the show. Darcey said there might have been a | :24:53. | :24:56. | |
couple of mistakes but she was talking about Naga's beautiful neck | :24:57. | :24:59. | |
which is perfect for ballroom. What did you make of the judge's comments | :25:00. | :25:04. | |
and how pleased were you with those? The judges nailed it. Naga has so | :25:05. | :25:09. | |
much potential and we really turned her into a Princess. As much as she | :25:10. | :25:13. | |
doesn't like to hear that, she was a Princess, right? | :25:14. | :25:14. | |
CHEERING. Yes. You looked absolutely | :25:15. | :25:19. | |
beautiful. It's so strange what this show does to you. It almost made me | :25:20. | :25:23. | |
a lady, sadly not quite! It's your fourth week of training. | :25:24. | :25:29. | |
Are you starting to feel that it's coming any more naturally, the whole | :25:30. | :25:34. | |
process of learning, Naga? Yeah. Yeah, really natural. How are you | :25:35. | :25:39. | |
finding it all? It's really hard. It's fabulous. Honestly, I wake up | :25:40. | :25:45. | |
every day and really look forward to training. It's very pleasurable and | :25:46. | :25:49. | |
enjoyable but it's really, really difficult. One thing I've learnt is | :25:50. | :25:53. | |
that so I take in lots of information every morning and night | :25:54. | :25:57. | |
before the programme, take it all in then it drops out as soon as the | :25:58. | :26:04. | |
programme's finished. You tame it, as well as the muscle movement, my | :26:05. | :26:09. | |
brain is not used to that. He explained that to me and I was like | :26:10. | :26:14. | |
"yeah". You are a golf fanatic, he's been trying to explain things to you | :26:15. | :26:19. | |
in golf swings. Yes, we've stopped that. | :26:20. | :26:28. | |
Did Carol give you, Carol Kirkwood did the show last year. Amazing. Did | :26:29. | :26:33. | |
she give you any tips on how to handle or charm him? Handle me! ? | :26:34. | :26:39. | |
Fierce? No, she said listen to everything he says. Exactly. OK, | :26:40. | :26:47. | |
this week it's the cha-cha-cha. How's it toing, Pasha? It's going | :26:48. | :26:52. | |
well. It's all about hips and steps. Here you are. You haven't seen | :26:53. | :27:00. | |
yourself do it yet. She has to be quite moody in that dance because | :27:01. | :27:03. | |
she doesn't like me there. I haven't been really good. Naughty Pasha. | :27:04. | :27:07. | |
Yes, I'm telling him off. That should be fun. Goes off with another | :27:08. | :27:13. | |
woman. Only week four! We have seen your frock, by the way. | :27:14. | :27:18. | |
Tina Turner, it's incredible. Your frock absolutely rocks. I only saw | :27:19. | :27:22. | |
it today. It was quite long and we were wondering is it going to get | :27:23. | :27:25. | |
shorter with the fringing? I think so. They are snipping. | :27:26. | :27:37. | |
Everything else goes, yes. You will be Simply the Best. Nurse great | :27:38. | :27:42. | |
hands, Naga. I see what you did there! ? It's good. Thank you. | :27:43. | :27:47. | |
APPLAUSE. Now, some things in life require | :27:48. | :27:51. | |
blood, sweat and tears, like hosting this show, for instance. No, it's a | :27:52. | :27:56. | |
dream! The same can't be said for our couples training. Don't believe | :27:57. | :28:01. | |
me? Take a look at this. Viennese waltz is a big change from | :28:02. | :28:05. | |
the jive we did but because everyone is so good, I feel like we can't | :28:06. | :28:08. | |
play it safe. There are so many elements that I've got to get right. | :28:09. | :28:12. | |
Make sure your close your feet. Couldn't be more out of my comfort | :28:13. | :28:17. | |
zone. Having so many rules, get my head back, I'm finding it more of a | :28:18. | :28:22. | |
challenge. I've just got to relax. I've got to push Louise. It's high | :28:23. | :28:32. | |
pressure. OK. The thing about the American smooth is it captures all | :28:33. | :28:37. | |
the joy of Fred Astaire and Gene Kelly and all the films that I | :28:38. | :28:45. | |
really love. More like Fred Flintstone than Fred | :28:46. | :28:50. | |
Astaire yet. This is crazy, who stands like this. Like a homage to a | :28:51. | :28:55. | |
statue. Really needs to be elegant. He can | :28:56. | :28:57. | |
do better. Almost. Cha-cha-cha, loving it. Hard work. | :28:58. | :29:11. | |
In the heels, I'm not finding it that easy to be precise and to be | :29:12. | :29:16. | |
tight and to be on time. I keep grabbing Anton. What can I say? ! | :29:17. | :29:24. | |
The cha-cha-cha is going very well. I won't deny I'm very excited about | :29:25. | :29:26. | |
this dance. Yes! Boom. Never seen Anton with a bit of | :29:27. | :29:36. | |
shadow. Nice! Time to chat to our final couple, they opened the series | :29:37. | :29:40. | |
with a sensational cha-cha-cha that left Bruno so hot he wanted a fire | :29:41. | :29:45. | |
extinguisher to put him out. Somebody call a Fire Brigade. Not | :29:46. | :29:49. | |
now! It's the smoking Laura and Giovanni! | :29:50. | :29:55. | |
# She's got it, yeah baby she's got it... # | :29:56. | :30:02. | |
The love goddess toying with the boy, you little tease. You can toy | :30:03. | :30:07. | |
with me any time. I enjoyed the upper body, you worked that really | :30:08. | :30:10. | |
well. Lovely content. First class well done. | :30:11. | :30:31. | |
Lovely bit of Irish dancing there! Kind of. The one thing that I can | :30:32. | :30:39. | |
do. May need to work on that a little bit. Not as epic as your | :30:40. | :30:43. | |
skills, opening the whole series Laura on Friday. Didn't she do | :30:44. | :30:48. | |
brilliantly? ! Incredible. How was it to have that task? I have never | :30:49. | :30:53. | |
been more nervous or petrified in my whole life. I can't even... Like you | :30:54. | :30:59. | |
saw me beforehand. There is no fear like it, is there? ! I couldn't talk | :31:00. | :31:05. | |
and beforehand I was just like... Help me. And no-one can except your | :31:06. | :31:14. | |
lovely partner. I was petrified too. It was reassuring to see his face | :31:15. | :31:18. | |
before you go out there. And he says maybe not, you would get | :31:19. | :31:23. | |
worried. Not only did you have to go out first, you did a lot of your | :31:24. | :31:26. | |
dance facing the judges. We can see you doing a bit here. How scary was | :31:27. | :31:30. | |
it to see their faces? There was one bit where I know I have to turn and | :31:31. | :31:34. | |
face and I was thinking, I'm going to look them in the eye and I was | :31:35. | :31:39. | |
trying to aim for Darcey and her lovely face. I looked at Craig and | :31:40. | :31:45. | |
smile and he just looked at me like, it's a lovely face but I would have | :31:46. | :31:50. | |
liked a smile. I forgot where I was and I was like, wait, I need to | :31:51. | :31:54. | |
finish this dance. Don't look at the face. Just look above Craig or | :31:55. | :31:58. | |
below. Colleen on Twitter said it's not easy to go first. You did a | :31:59. | :32:03. | |
fabulous job, you both looked gorgeous. Come on the Irish! Thank | :32:04. | :32:06. | |
you. Are you getting lots of support at | :32:07. | :32:10. | |
home? Yes, it's brilliant, it's lovely. I come from a place where I | :32:11. | :32:16. | |
have lots of cousins, all my cousins are basically all of Ireland. It's | :32:17. | :32:22. | |
really nice. Even just walking down the street like, it's like Strictly | :32:23. | :32:26. | |
is any age, guys, girls, everyone loves the show and it's crazy the | :32:27. | :32:30. | |
reaction from just being on the show one week, the reaction you get. It's | :32:31. | :32:34. | |
lovely. Everyone's like well done for opening the show. Giovanni | :32:35. | :32:38. | |
welcome back, looking very dapper there. You both have delightful | :32:39. | :32:43. | |
accents. Any communication confusions along the way? Just a | :32:44. | :32:48. | |
little bit different accents. What are you talking about? The only | :32:49. | :32:57. | |
thing I can say is cuppa tea. Is that an Irish accent? Yes. And tanks | :32:58. | :33:07. | |
a million. Yes. Possibly the cue to that. You have all the right moves | :33:08. | :33:14. | |
but what do you think this man has the voice to match -- would you | :33:15. | :33:16. | |
think this man has the voice to match? I can sing, you dance. | :33:17. | :33:29. | |
# And I will always love you... # Good morning, good morning! Talent. | :33:30. | :33:34. | |
Make it stop! Can I borrow them? ! Yes. It's | :33:35. | :33:45. | |
called talent. Thank goodness really. This week you have a waltz | :33:46. | :33:50. | |
and it's looking very good. How's the training been? It's been really, | :33:51. | :33:59. | |
really good. I was surprised. I've never danced before and people saw, | :34:00. | :34:03. | |
Latin or ballroom and I don't have any idea between the two and I'm | :34:04. | :34:08. | |
surprised I like waltzing. Good contact. Never ever stops, of | :34:09. | :34:14. | |
course. You got to the final with Georgia, what does Laura need to | :34:15. | :34:20. | |
focus on to get to that final? She's been really good, waiting for the | :34:21. | :34:24. | |
waltz is going to be really, really beautiful. It's going to be | :34:25. | :34:29. | |
beautiful. Look another that faith, it's wonderful! Oh Giovanni, we | :34:30. | :34:36. | |
adore you. Good luck tomorrow, you gorgeous couple, Laura and Giovanni. | :34:37. | :34:41. | |
CHEERING AND APPLAUSE. So, as we know, this weekend we'll | :34:42. | :34:47. | |
be waving goodbye to our first couple. And everyone's been training | :34:48. | :34:51. | |
so hard to avoid it. Let us see how they've been doing. | :34:52. | :34:55. | |
We are doing the cha-cha, it's a great routine. I've just got to get | :34:56. | :35:02. | |
it right. Two. Yes, sorry. Naga's training to get as -- trying to get | :35:03. | :35:06. | |
as much as she possibly can in her head and sometimes things get a | :35:07. | :35:10. | |
little confusing. Back and now... So Pasha says I've got to be a bit more | :35:11. | :35:15. | |
relaxed, show a bit more sass. Easier said than done. Naga still | :35:16. | :35:17. | |
has to find a way to loosen up. The Viennese waltz is 100% alien to | :35:18. | :35:32. | |
me. Soft knees, not bent knees. Not up. Not up. You are just not down. | :35:33. | :35:38. | |
You can't just mess up one thing. You would be surprised. There are a | :35:39. | :35:42. | |
whole set of new challenges for me, the posture, the walking. One... The | :35:43. | :35:49. | |
perfect... We have our work cut out for us. Woo... Stay positive. Ah... | :35:50. | :36:01. | |
Smashed it? Smashed it. Smashed it! I know that salsa has rhythm and | :36:02. | :36:09. | |
Latin flavour. A lot of turns and twists and flips and things, I don't | :36:10. | :36:14. | |
even know what they are called. She can dance salsa so well. See that's | :36:15. | :36:22. | |
nice. But it's a fast routine, I want her to be really on top of it | :36:23. | :36:28. | |
and in it. Sorry, I thought you were going to keep holding on. | :36:29. | :36:33. | |
Looking good. I don't know about you but I could do with another portion | :36:34. | :36:37. | |
of behind-the-scenes gossip from the Strictly Towers. Let's see what | :36:38. | :36:42. | |
Gethin has to serve? It's Friday, the day before the Big Show. This is | :36:43. | :36:46. | |
where people find food. Let us see who is about. Danny is here, at the | :36:47. | :36:52. | |
coffee machine. Is that yours? Don't mind if I just take that, thanks, I | :36:53. | :36:57. | |
just need the energy. No idea who that person is. Come with me over | :36:58. | :37:05. | |
here, Natalie and Greg... Ana is here in her dressing gown too. | :37:06. | :37:11. | |
You were just chilling out on your phone. How's it going, it's Friday | :37:12. | :37:18. | |
before first elimination night? Yes, pretty good, two amazing runs, then | :37:19. | :37:25. | |
one where my leg wasn't working so we had to cut it short. My inside | :37:26. | :37:31. | |
leg muscle, one of them got a bit tight and sore. It's just all of | :37:32. | :37:35. | |
this checking and pulling away and all this sort of stuff. At that | :37:36. | :37:39. | |
point do you get nervous and worried? I do, because he's a | :37:40. | :37:48. | |
fantastic piece of... He is beautiful, I'm not going to lie! | :37:49. | :37:53. | |
You've got to go and rehearse, you've been told. If he's injured | :37:54. | :37:58. | |
that concerns me so we need to make sure he's in fine form. Goned a try | :37:59. | :38:04. | |
and get your breath back. Go and try and get your breath back. | :38:05. | :38:07. | |
Go, go. I'm coming. Now time to talk about | :38:08. | :38:18. | |
the rest of this year's couples. Their cha-cha is top notch. Welcome | :38:19. | :38:24. | |
back to Daniel and Sara. Let's pick up with Will and Karen. This week | :38:25. | :38:29. | |
it's a jive and tell me what you think. I love the outfit. Brilliant. | :38:30. | :38:38. | |
Alison, what do you reckon? Firstly, making me laugh the way you want me | :38:39. | :38:43. | |
to comment like an expert. Little hole between his legs in his | :38:44. | :38:47. | |
trowelers. I notice that but the rest looks great! You are supposed | :38:48. | :38:51. | |
to be looking at his feet. He had a hole. What are you making of Will's | :38:52. | :38:57. | |
skills? Very good. I was looking at his flicky kicks there, you are | :38:58. | :39:01. | |
supposed to flick, I never did get as far as the jive, you know, just | :39:02. | :39:05. | |
the charleston. Or was it the cha-cha-cha? I don't know but it was | :39:06. | :39:08. | |
brilliant whatever it was. Lesley and Anton. For this week they are | :39:09. | :39:13. | |
picking up pace with the cha-cha-cha which Lesley is really enjoying. | :39:14. | :39:18. | |
Look at her. Shake it around. What do we think, Sara? She looks like | :39:19. | :39:22. | |
she's doing this fantastically well. I think this is going to improve | :39:23. | :39:27. | |
week on week if she stays, she works so hard. I think she's loving the | :39:28. | :39:31. | |
whole experience. Absolutely. That just helps. Melvyn and Jeanette who | :39:32. | :39:39. | |
we adore. Air, Got a soft spot for him, I really have. Doing a tango to | :39:40. | :39:44. | |
M People. He looks a bit like he's wearing the skirt. | :39:45. | :39:51. | |
LAUGHTER. Melvyn, what do we make of him? Look | :39:52. | :39:57. | |
how serious he is taking it, I love that. There's something about him, | :39:58. | :40:09. | |
he's like a little munch kin. What do you have to remember about the | :40:10. | :40:13. | |
tango? Your face has to be very... That's it. Check that face, Melvyn, | :40:14. | :40:18. | |
can you do that? ! I love this man so much. Like that. Let's have a | :40:19. | :40:35. | |
look at Tameka and Gorka. They were great last week in the paso doble. | :40:36. | :40:40. | |
This week it's a charleston which is a joy. What are we thinking? This is | :40:41. | :40:46. | |
totally her dance, isn't it, Tameka. I mean, last week she was doing | :40:47. | :40:50. | |
serious dancing and I was just laughing. I can't help but just look | :40:51. | :40:55. | |
at her and laugh so this is perfect for her. What about the skills. | :40:56. | :40:59. | |
They've got a match a lot in charleston? Yes. It looked really | :41:00. | :41:04. | |
good for rehearsals. She's my mum's favourite, by the way, my mum's like | :41:05. | :41:08. | |
she's the nation's sweetheart. What is your mum's name? Gail. Get her to | :41:09. | :41:18. | |
come on the show. Sara, we are trying to get her on the show. We | :41:19. | :41:21. | |
have been watching her backstage. She can move. Who would you dance | :41:22. | :41:27. | |
with if you could choose? All of the boys at once. | :41:28. | :41:36. | |
I like that a lot! Anastacia and Brendaner, for them | :41:37. | :41:40. | |
it's a salsa this week. Here she is in training with Brendan. Oh, my | :41:41. | :41:46. | |
gosh, Brendan. How is this looking, Alison? Well, I can see the salsa | :41:47. | :41:50. | |
moves coming through there. They are great, they can get on, you can see | :41:51. | :41:55. | |
they really get on and really love each other. She's in safe hands with | :41:56. | :41:59. | |
Brendan. I don't know if he is in safe hands! That's always a concern. | :42:00. | :42:03. | |
What do we want from the salsa, Daniel, when you are watching? Many | :42:04. | :42:08. | |
my humble opinion I don't really know what you need from the salsa, I | :42:09. | :42:12. | |
would imagine it's a lot of hip action, you know. If only I had to | :42:13. | :42:18. | |
get to do the salsa last year, I would have been so good at it. Let's | :42:19. | :42:27. | |
get Christina back in here. It's a party dance, Sara? Yes, Anastacia is | :42:28. | :42:32. | |
very competitive and she's been open about that so I think she's going to | :42:33. | :42:36. | |
nail it. I saw the mistakes last week, so she'll be focussed. Naga | :42:37. | :42:42. | |
and Pasha, we had a lovely chat with them. This week, the judges were | :42:43. | :42:46. | |
going on about her having natural poise which is wonder. How do you | :42:47. | :42:50. | |
reckon she's looking in her cha-cha-cha? Lovely leggings, very | :42:51. | :42:55. | |
jazzy outfit there. She's got the straight leg. Aljaz never even said | :42:56. | :43:03. | |
that to me, I just did the cha-cha-cha, I don't think he was | :43:04. | :43:07. | |
even bothered, he was just like, just do it. I didn't know about the | :43:08. | :43:14. | |
straight leg. I just had the vibes I think. Was it just natural? Can | :43:15. | :43:21. | |
people go back into Strictly? If we had a time machine, yes. So | :43:22. | :43:24. | |
understand you have done it you can't go back. They've never let me | :43:25. | :43:28. | |
back but we could set up our own show, do a puppet show. An All-Stars | :43:29. | :43:38. | |
show. I don't think we'd be there. If there was an All-Star show we | :43:39. | :43:41. | |
wouldn't be in it. Maybe you would but... | :43:42. | :43:48. | |
LAUGHTER. Laura and Giovanni and their | :43:49. | :43:58. | |
waltzing. Here they are. The contact is really good here. | :43:59. | :44:01. | |
Have they got rise and fall, Sara? They seem to have it, yes. She just | :44:02. | :44:09. | |
did the heel situation there. That's what we like to call it. Heel | :44:10. | :44:15. | |
situation. An over-sway is that? The over-sway is very important. Very | :44:16. | :44:21. | |
important. That was my first dance with Christina, forgot it all on the | :44:22. | :44:25. | |
night. Congratulations to Christina as well because she's had a baby. | :44:26. | :44:33. | |
Yes, gorgeous. She was the best, she was fantastic. She really is and we | :44:34. | :44:38. | |
are missing her. I hate to do this to you but, we must. Going down the | :44:39. | :44:42. | |
line, who do you think is in danger of going home in weekend, Alison? I | :44:43. | :44:48. | |
don't want to say anyone. Go on, I'll have to push you? I'm only | :44:49. | :44:52. | |
saying it because... Lesley maybe. You can say Lesley, it's fine. | :44:53. | :44:57. | |
Daniel? I feel for Ed. You fear for Ed. Sounds like a band! | :44:58. | :45:02. | |
If Ed doesn't go home, democracy isn't working. | :45:03. | :45:06. | |
What a brilliant Friday panel. Thank you so much. | :45:07. | :45:12. | |
I love Lesley, I love her. I know you love her. Who are you rooting | :45:13. | :45:17. | |
for at home? If you want to vote on Saturday night you can do it via the | :45:18. | :45:22. | |
Strictly website, head over there to find out how. THUNDER CLAP! | :45:23. | :45:31. | |
We were having a lovely time. That can only mean one thing. I'm going. | :45:32. | :45:38. | |
It's the return of the man whose biting critique can make the most | :45:39. | :45:42. | |
experienced dancer and Alison Hammond break down in tears. I don't | :45:43. | :45:49. | |
know why he's such a pussycat. It's the one and only Dame Revel Horwood! | :45:50. | :46:02. | |
Complete and utter absolute disaster, darling. | :46:03. | :46:09. | |
# I'm affected by the dance floor... # | :46:10. | :46:18. | |
Hello, darling, lovely to see you. So lovely to be back. They can boo | :46:19. | :46:22. | |
you because you were so lovely last week. I was. That was last week! Oh, | :46:23. | :46:26. | |
dear. Easing everyone in. How are you | :46:27. | :46:30. | |
feeling generally about the class of 2016? I think they're really | :46:31. | :46:35. | |
talented and I think they are over-achievers and that might let | :46:36. | :46:38. | |
some of them down a little bit. We are going to get a lot harsher. I | :46:39. | :46:43. | |
was lenient on their first dance because I did this year after, you | :46:44. | :46:48. | |
know, it's the 14th series, I felt a little sorry for them. The feeling | :46:49. | :46:57. | |
is fading fast. He's back! We were slightly concerned. You have been | :46:58. | :47:06. | |
doing this 12 years. Are you not sick of it? I know, that's not | :47:07. | :47:11. | |
possible with the money they give me. Are you not excited about the | :47:12. | :47:16. | |
new batch coming in as you were then? Absolutely. We know the show | :47:17. | :47:22. | |
now so we know what to look for. The celebrities know exactly what they | :47:23. | :47:26. | |
are becoming involved in and they know the whole process of how | :47:27. | :47:30. | |
difficulties so people secretly are rehearsing at home, you know, two | :47:31. | :47:35. | |
years before the call comes in. Just in case. Yes, just in case they | :47:36. | :47:41. | |
get the call, but certainly we have some amazing, amazing talent from | :47:42. | :47:45. | |
week one, I've just been gobsmacked really. Utterly brilliant. Last | :47:46. | :47:51. | |
week, you gave the most 8s you have ever given in week one. Facts. You | :47:52. | :48:01. | |
will never see that again. Oh, no! I like to lull everybody into a false | :48:02. | :48:05. | |
sense of security and then slap them down. It's the British thing to do | :48:06. | :48:09. | |
isn't it. It's going to be very exciting. Throwing the 8, 9 and 10 | :48:10. | :48:14. | |
panels out the window now. It's wonderful. I'm scared. We didn't get | :48:15. | :48:20. | |
to hear what you thought of Danny and Oti last week because we ran out | :48:21. | :48:23. | |
of time. What did you think of his opening dance? I was very surprised | :48:24. | :48:29. | |
to see a double pencil tone to the knee. I love to see that. That is | :48:30. | :48:34. | |
when you whip the foot in and schum. I thought that was amazing. I was | :48:35. | :48:38. | |
thinking technically it wasn't completely correct and I know that | :48:39. | :48:42. | |
he still has a lot of work to do. He might be wowing people with | :48:43. | :48:47. | |
ex-trainious moves that don't belong, but I think... | :48:48. | :48:55. | |
ALL: Ooh... Just saying. Yes, just saying, hashtag! Len will be a | :48:56. | :48:59. | |
stickler for that, particularly with people that have had any sort of | :49:00. | :49:05. | |
dance experience or are naturally gifted, we tend to then hone in on | :49:06. | :49:10. | |
the real nitty-gritty and the finer details of it. He's going to have | :49:11. | :49:16. | |
difficulty with the hip action, he's going to find it difficult to do | :49:17. | :49:21. | |
heel leads and rise and fall. He's going to find it difficult to do the | :49:22. | :49:26. | |
swing. See, he's back, he's back! Apart from that! | :49:27. | :49:37. | |
Apart from that, he's fantastic. Your critique of how Judge Rinder | :49:38. | :49:42. | |
did with the turns? I really liked what he did with them, however he | :49:43. | :49:45. | |
did accidentally throw himself too much into it. He lost his centre and | :49:46. | :49:50. | |
he started going in an ark and a curve which is not correct. It | :49:51. | :49:55. | |
should be a straight line and whip, whip, whip, whip, whip of the head. | :49:56. | :50:01. | |
I do that every week live for this wonderful nation. You judges dance | :50:02. | :50:07. | |
every Saturday night. He's stolen the move, can you do a different | :50:08. | :50:12. | |
one? I could do something else that might thrill and delight those at | :50:13. | :50:16. | |
home. I have no idea. We literally make it up! You could never tell. | :50:17. | :50:21. | |
Definitely I would crash into Bruno, then push him out the way, hopefully | :50:22. | :50:26. | |
not on camera, but we only rehearse it once for camera, but we never | :50:27. | :50:30. | |
know what we are going to do. I look forward to that. Gives it an edge. | :50:31. | :50:36. | |
Quite scary. What do the couples have to do to impress you? You are | :50:37. | :50:40. | |
going to get tougher. What do you need? Technique is the big thing and | :50:41. | :50:45. | |
important thing and also performance skill because people that aren't | :50:46. | :50:51. | |
used to performing, like for instance Ed Balls, I mean he's very | :50:52. | :50:56. | |
good and performing and lying to the nation about politics possibly... | :50:57. | :51:09. | |
ALL: Ohoh. Was that harsh? Yes. His technique at the moment is not | :51:10. | :51:14. | |
brilliant. But certainly entertaining it will be. | :51:15. | :51:20. | |
Celebrities, be afraid. Come and see us again soon, the gorgeous Craig | :51:21. | :51:25. | |
Revel Horwood. For the final time, back to the Strictly studios to see | :51:26. | :51:29. | |
what Gethin got up to earlier today. I'm in the make-up room, usually a | :51:30. | :51:34. | |
hive of activity, but right now it's pretty calm and look, I've found for | :51:35. | :51:39. | |
people just stood here ready for an interview. That happens on Strictly | :51:40. | :51:44. | |
doesn't it. How are you doing? Yeah... Yes. Listen, before most | :51:45. | :51:52. | |
people had their cereal this mornings, you had already been | :51:53. | :51:55. | |
rehearsing the American smooth. How did it go? It felt like it was | :51:56. | :52:00. | |
really early in the morning but I felt like it went really well. While | :52:01. | :52:05. | |
we are in the make-up room they are covering the breezes. That is nasty. | :52:06. | :52:10. | |
-- covering the bruises. They covered the one that was done on | :52:11. | :52:15. | |
purpose! What are those trousers, by the way? | :52:16. | :52:21. | |
Aren't they charming. I'm not sure any man in the world can pull off | :52:22. | :52:26. | |
the jogging bottom with the posh shoes. Isn't it brilliant. You have | :52:27. | :52:34. | |
got a few tricky injuries. I am high risk. High risk high outcome or I'll | :52:35. | :52:38. | |
just drop her and that will be the end of the dance. I didn't mean | :52:39. | :52:42. | |
that. That could be a disaster. That's not going to happen though. | :52:43. | :52:49. | |
People ask are you nervous, they ask are you terribly worried and that's | :52:50. | :52:53. | |
not going to happen, how do you feel about lifting your partner in front | :52:54. | :52:58. | |
of ten million people and she might fall on your head. That's not going | :52:59. | :53:05. | |
to happen. You are loving this, aren't you, Gorka? I'm loving it, | :53:06. | :53:11. | |
loving it, loving it, I just can't stop loving it. You have got the | :53:12. | :53:16. | |
charleston, Ghorka is she keeping up with you foul? Yes. The charleston | :53:17. | :53:21. | |
is very fast. Next week it's maybe waltz, it's going to be really fast. | :53:22. | :53:28. | |
It's just fast and furious and this is the new Vint Diesel and I'm the | :53:29. | :53:34. | |
chic in the front. You are wearing your charleston shoes. That's right. | :53:35. | :53:39. | |
You've got to feel it. Even though in making up the room, I'm making it | :53:40. | :53:45. | |
up. Get used to the shoes. Yes. One quick thing. It's the first | :53:46. | :53:49. | |
elimination. Don't talk about it. Don't wanna hear it. That's the big | :53:50. | :53:54. | |
thing about Strictly, getting on really well, the camaraderie, how | :53:55. | :53:59. | |
will it feel when someone leaves? People will be scratching each | :54:00. | :54:06. | |
other's eyes out. Miaow. I shall write the entire British public a | :54:07. | :54:09. | |
strongly worded letter if it goes wrong. That's about it then. Good. | :54:10. | :54:16. | |
I'm going to do that thing you do. I'll do a sincere face. How is that, | :54:17. | :54:20. | |
all right? Guys, thank you very much, good luck tomorrow night. I'm | :54:21. | :54:25. | |
going to try and nick a place in the audience because it will be a great | :54:26. | :54:28. | |
show tomorrow night. Zoe, back to you, thank you very much. | :54:29. | :54:34. | |
APPLAUSE. Plenty more backstage got sip to | :54:35. | :54:42. | |
come later. Memorable celebrities we talked about earlier. Quentin, | :54:43. | :54:48. | |
Edwina, my dad and Greg and I can reveal that your winning loser with | :54:49. | :54:52. | |
48% of the vote is... Greg Wallace! | :54:53. | :54:57. | |
Well done, Greg! This is what Craig had to say about | :54:58. | :55:02. | |
it at the time. I'm going to be absolutely nice and I'm going to | :55:03. | :55:06. | |
tell you the truth, darling, you were like a wind-up toy out there. | :55:07. | :55:12. | |
Unbelievable. Like a pressure cooker, about to explode. You | :55:13. | :55:21. | |
manageded to get into the Samba, darling, with your bouncing. We | :55:22. | :55:26. | |
would have had to show a clip of you look ing like if if Quentin won. | :55:27. | :55:30. | |
Look at this picture. That's all we have time for tonight. Oh! Thanks to | :55:31. | :55:36. | |
my guests and make sure you catch all the action tomorrow as it | :55:37. | :55:38. | |
happens with Tess, Claude and this gentleman. I'm back on Monday with | :55:39. | :55:41. | |
the first couple to leave the competition. Singing us out with a | :55:42. | :55:46. | |
cover of the classic sweet Caroline from his new album out in October, | :55:47. | :55:48. | |
Daniel O'Donnell! # All right, everybody | :55:49. | :56:08. | |
# Where it began # I can't begin to know it | :56:09. | :56:16. | |
# But then I know it's growing strong | :56:17. | :56:24. | |
# It was in the spring # And spring became the summer | :56:25. | :56:30. | |
# Who'd have believed you'd come along | :56:31. | :56:33. | |
# All together now # Hands | :56:34. | :56:37. | |
# Touching hands # Reaching out | :56:38. | :56:40. | |
# Touching you # Reaching out | :56:41. | :56:44. | |
# Touching me, touching you | :56:45. | :56:57. | |
# Sweet Caroline # Good times never seemed so good | :56:58. | :57:10. | |
# I've been inclined # To believe they never would but | :57:11. | :57:16. | |
now I # Look at the night | :57:17. | :57:23. | |
# And it don't seem so lonely # We fill it up with only two | :57:24. | :57:35. | |
# And when I hurt # Hurt runs off my shoulder | :57:36. | :57:43. | |
# How can I hurt when holding you # All right | :57:44. | :57:54. | |
# Warm # Touching warm | :57:55. | :57:58. | |
# Reaching out # Touching me, touching you | :57:59. | :58:04. | |
# Sweet Caroline # Good times never seemed so | :58:05. | :58:13. | |
good # I've been inclined | :58:14. | :58:28. | |
# To believe they never would # Oh, no | :58:29. | :58:32. | |
# Sweet Caroline # Good times never seemed so good... | :58:33. | :58:36. |