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Live from London, this is Strictly: It Takes Two. Please welcome your | :00:47. | :00:58. | |
host, Zoe Ball. Hello and welcome to your first | :00:59. | :01:00. | |
It Takes Two of the week. And, boy, do we have | :01:01. | :01:03. | |
a lot to talk about. It was an eventful weekend | :01:04. | :01:05. | |
to say the least - and I'm not referring | :01:06. | :01:07. | |
to Ed Balls' Charleston. So, in case you missed it, | :01:08. | :01:11. | |
in training before Saturday's show She was seen by a doctor | :01:12. | :01:16. | |
and advised to modify her salsa Her performance that night | :01:17. | :01:20. | |
aggravated her injury further. The decision was made | :01:21. | :01:25. | |
during the results show that she could not dance her routine | :01:26. | :01:28. | |
again in the dance-off. Now, as fans will know, | :01:29. | :01:30. | |
this is the first time But Strictly has rules for many | :01:31. | :01:33. | |
situations, including this one. And the Strictly rules state that | :01:34. | :01:38. | |
if a contestant finds themselves in the dance-off but they | :01:39. | :01:41. | |
are unable to perform, In this situation, the power goes to | :01:42. | :01:43. | |
the Strictly Come Dancing viewers - The couple in the dance-off with the | :01:44. | :01:50. | |
fewest viewer votes We're sending our love to Anastacia. | :01:51. | :02:04. | |
She'll join us with Brendan later in the week. | :02:05. | :02:06. | |
And tonight, they're here to say their goodbyes. | :02:07. | :02:08. | |
Yes, I'll be joined by Melvin and Janette. | :02:09. | :02:10. | |
Also on the show tonight, we have Louise and Kevin. | :02:11. | :02:14. | |
Plus, Karen Hardy will be casting her expert eye over | :02:15. | :02:23. | |
Saturday night's dances in Choreography Corner. | :02:24. | :02:26. | |
But first, they may have collected their suitcases | :02:27. | :02:28. | |
but we're here to welcome them with open arms. | :02:29. | :02:33. | |
Go crazy for Melvin and Janette! I do have to say as well, pulling out | :02:34. | :03:14. | |
the dab hand, the running man in your last dance. Why not. Ten from | :03:15. | :03:18. | |
all of us. Thank you. Tears from everybody. The pro dancers are | :03:19. | :03:22. | |
crying and all sorts. It's always tough leaving the competition. | :03:23. | :03:25. | |
Saying goodbye, especially in quite unique circumstances. Yes. How are | :03:26. | :03:29. | |
you feeling today? I feel better today. It was a really sad day over | :03:30. | :03:34. | |
the weekend. We just didn't want to leave and so soon as well. We had so | :03:35. | :03:38. | |
much work to still do. We knew what we were doing this week. It's really | :03:39. | :03:41. | |
sad to be in this position right now. You could still do that dance, | :03:42. | :03:48. | |
just come round to mine. Then I'll tell everyone how brilliant it was. | :03:49. | :03:53. | |
No problem. You were so gracious saying your goodbyes on the Results | :03:54. | :03:56. | |
Show. You must have been proud of him. I was. It was such a specific | :03:57. | :04:00. | |
situation. It's no-one's fault. Things happen sometimes and you have | :04:01. | :04:04. | |
to abide by the rules that are written for a reason. We love an | :04:05. | :04:12. | |
staysament we love Brendan -- Anastacia, we love Brendan. What can | :04:13. | :04:15. | |
you do. You have to bow down and say thank you very much. | :04:16. | :04:19. | |
Which you did so beautifully. Obviously the rules being the rules, | :04:20. | :04:21. | |
you didn't get to dance again. It would have been great to hear the | :04:22. | :04:27. | |
judges' advice and give your tango another whir. Were you really | :04:28. | :04:32. | |
disappointed? When we found out we were in the bottom two, she was | :04:33. | :04:36. | |
like, "Stretch, we're going on soon. " We were working on the final | :04:37. | :04:40. | |
dance. We just wanted to go out there and just dance like it was the | :04:41. | :04:44. | |
last dance ever in life. Yeah, but we can still do it. We said, we | :04:45. | :04:49. | |
never want to do that tango again and we didn't! You have to be | :04:50. | :04:55. | |
careful what you wish for. You've got close to your friends in the | :04:56. | :04:59. | |
show, close to Anastacia and that makes it tough. I love the guys on | :05:00. | :05:03. | |
the show already. Everyone messaged me. I had calls from that meeka, Ore | :05:04. | :05:12. | |
-- Tameka, Ore and my friends and family saying they're proud of me. | :05:13. | :05:18. | |
That's all you can ask for. Your mum as well. Mum was like, "Don't worry, | :05:19. | :05:24. | |
we're so proud of you. And your tango face was glorious!" She was | :05:25. | :05:28. | |
happiment I'm gutted I never got to meet your mum. Evening to Melvin's | :05:29. | :05:34. | |
mum. Due enjoy your performance on Saturday night? You know what... | :05:35. | :05:39. | |
There you are, it's great. I've never seen a baggage trolley used to | :05:40. | :05:44. | |
gracefully. Yeah, we tried. It was a really tough week. Getting the | :05:45. | :05:51. | |
routine down on the day was such an accomplishment, for me especially. I | :05:52. | :05:55. | |
had, I remember my fallaways were an issue. He knows the names - I love | :05:56. | :05:59. | |
that. You taught him well. For the whole week, we got there and did it | :06:00. | :06:02. | |
on the night. I was proud of myself. The fact that you're using a term | :06:03. | :06:07. | |
like fallaway... I don't know what it means! Janette kept saying it. | :06:08. | :06:14. | |
Are you going to hang up your ballroom and Latin dancing shoes? | :06:15. | :06:18. | |
You can catch me dancing in the clubbeds, Zoe. Yes. I'm not allowed | :06:19. | :06:24. | |
to clubs any more. I hear it's lots of fun. How has your experience | :06:25. | :06:30. | |
been? Amazing. I said on the night, look everyone on the show is | :06:31. | :06:33. | |
amazing, production, hair - not that I have it - make up, Janette, all | :06:34. | :06:37. | |
the pro dancers, the celebs. I've loved, it though it was brief, | :06:38. | :06:41. | |
everyone's been amazing. I couldn't have asked for more. You did say on | :06:42. | :06:45. | |
the Results Show, it's been a short and sweet your honoury. Here is your | :06:46. | :06:49. | |
very short and very sweet Strictly story. | :06:50. | :06:55. | |
It's Janette! We're going to be this little team going crazy on the dance | :06:56. | :06:59. | |
floor. I can't wait. What's going on. Shoes and shorts, I don't know. | :07:00. | :07:14. | |
It's fun. I said to the costume team, I want something real subtle | :07:15. | :07:18. | |
(! ) What do you think. Cha-cha is a fun dance. That's what you did. I'm | :07:19. | :07:26. | |
telling you, you forgot the hips. I'm finding the tango quite | :07:27. | :07:29. | |
difficult. You're not doing the right foot work. I love to please | :07:30. | :07:32. | |
people. I don't want to let anyone down. Your intentions are good. The | :07:33. | :07:41. | |
execution has to be more precise. It was mediocre, I'm afraid. When he | :07:42. | :07:48. | |
talks, all I hear is, "That was great, Melvin." I can reveal that | :07:49. | :07:54. | |
the couple with the fewest viewer votes is Melvin and Janette. | :07:55. | :08:00. | |
It's a blessing to be on this show. Thank you for Janette. It's been a | :08:01. | :08:02. | |
great experience for me. Thank you. I have to say, so much love for the | :08:03. | :08:18. | |
two of you. The Strictly family's loss is the Manrara's gain. | :08:19. | :08:29. | |
He's a lovely boy. He has brought you awe present. I wanted to get you | :08:30. | :08:36. | |
a present to say thank you. Oh, my God. You taught me so much. No-one's | :08:37. | :08:44. | |
ever got me flowe - well Aljaz has - You're future husband! Come back and | :08:45. | :08:49. | |
see us loads. Thank you, we're going to missing, Melvin and Janette. | :08:50. | :08:53. | |
Now, if you've ever wondered what goes on behind the scenes | :08:54. | :08:55. | |
at Strictly, then you've come to the right place. | :08:56. | :08:57. | |
And we've packaged it all up nicely for you too. | :08:58. | :09:00. | |
Are you gorgeous. Morning. Yeah. Get out, get out. | :09:01. | :09:19. | |
Morning. I woke up at 3. 30am. Full of nerves. I haven't been back to | :09:20. | :09:30. | |
sleep. It's now 9am. I would hate to be the first person to leave, so all | :09:31. | :09:35. | |
I can do is try and do the routine right, listen to everything Kevin's | :09:36. | :09:41. | |
told me and fingers crossed. It's going to be really sad to see | :09:42. | :09:45. | |
somebody go. It will be easier to go than see someone else go. No, no. | :09:46. | :09:53. | |
We've all become so close, especially all of us contestants, | :09:54. | :09:58. | |
wee like to text each other. It's a real experience. Just giving the odd | :09:59. | :10:03. | |
massage. Have you ever been massaged by an Olympian. Yes, yes, yes, thank | :10:04. | :10:10. | |
you. APPLAUSE | :10:11. | :10:15. | |
The idea that I would be chancing the charleston live on national | :10:16. | :10:24. | |
television is so absurd. There's lots of donuts here today thanks to | :10:25. | :10:28. | |
Rob. Trying to make us not fit into our costumes. I see what he's doing. | :10:29. | :10:33. | |
This is the daddy right here. How are you doing? Daddy, why because | :10:34. | :10:40. | |
I'm 50 No, no, like you're the don. There are certain crimes against | :10:41. | :10:43. | |
fashion and this is probably one of them. I've pulled my left bum cheek | :10:44. | :10:54. | |
muscle. So I'm now running around with a heat pack in my boxer shorts. | :10:55. | :10:59. | |
The atmosphere is getting slightly tenser now. Everyone is realising | :11:00. | :11:02. | |
they're going to perform and that somebody goes home town. It's show | :11:03. | :11:16. | |
time. Come on, gang. To the stairs. Shall we? Indeed. Preshow mayhem. | :11:17. | :11:28. | |
Have a good one. Live from the BBC, this is Strictly Come Dancing. | :11:29. | :11:38. | |
He still makes me anxious watching and waiting to go on there. | :11:39. | :11:40. | |
Now, it's time to launch ourselves into the Twittersphere | :11:41. | :11:42. | |
where the stars have been tweeting | :11:43. | :11:44. | |
about the greatest show on earth, Strictly. | :11:45. | :11:47. | |
And, finally, the Gemma Collins has given her verdict: | :11:48. | :12:24. | |
Now, our next couple melted the judges' hearts | :12:25. | :12:28. | |
with their Viennese Waltz - even Craig's! | :12:29. | :12:31. | |
Your arms moved like water. That was beautiful. Absolutely beautiful. | :12:32. | :12:49. | |
Good rotation, nice frame. You're a terrific dancer, well done. It was | :12:50. | :12:54. | |
completely controlled. I thought gorgeous! Welcome Louise and Kevin! | :12:55. | :13:02. | |
APPLAUSE Can I just say before we start, | :13:03. | :13:06. | |
lovely threads, I love your dress. Kevin, you're wearing a T-shirt with | :13:07. | :13:10. | |
a jacket. I feel weird without a tie. I like to think I'm down with | :13:11. | :13:14. | |
the kids now and again. I like this youthful look on you. | :13:15. | :13:18. | |
Congratulations at the weekend. Oh, the lighting and your frock. It was | :13:19. | :13:22. | |
so graceful and floaty. In fact, such a beautiful dance, on Saturday, | :13:23. | :13:29. | |
Gingy tweeted, "The whole aesthetic of Kevin and Louise's Viennese waltz | :13:30. | :13:34. | |
is the exact aesthetic I want for my life." We've never met, but I'm sure | :13:35. | :13:39. | |
she has wonderful taste. How did it feel on the dance floor? Yeah, do | :13:40. | :13:43. | |
you know, it was just nice to get out and do it. It had been a tough | :13:44. | :13:47. | |
week. I found the rehearsal part of the Viennese waltz extremely hard. | :13:48. | :13:51. | |
It was so alien compared to the jive. Yeah, I think Tuesday melt | :13:52. | :13:55. | |
down Tuesday I've named that now. This is not going to work. So to get | :13:56. | :14:00. | |
out there and do it was just good to get through it. Did I enjoy it? Not | :14:01. | :14:07. | |
particularly, I got through it. The spinning out there, did you have the | :14:08. | :14:13. | |
said bucket at the side, due master the spinning? I still felt nauseous. | :14:14. | :14:19. | |
I have a few counts to come out of it, by the time I walked to the | :14:20. | :14:31. | |
judges I was just out of breath. Now obviously, Lennie absolutely | :14:32. | :14:35. | |
delighted as were we at home for the first fleckerl of the series. Yes, | :14:36. | :14:39. | |
we've been waiting for it. Was that in there specially for him? I do try | :14:40. | :14:44. | |
to put something in for Len, a nice technical step for him to get his | :14:45. | :14:48. | |
teeth into. But there's only three steps in the Viennese waltz any way, | :14:49. | :14:52. | |
if you're not going to do one, you're cheating a bit. It was a | :14:53. | :14:56. | |
beautiful fleckerl though. You've done two dances and there you are | :14:57. | :15:00. | |
joint top of the leaderboard. I mean, it must be brilliant to be up | :15:01. | :15:04. | |
there. Can you believe it like, oh, this is fun. I'm loving it. I never | :15:05. | :15:08. | |
thought I'd love it like I do. I was expecting to enjoy the process, but | :15:09. | :15:14. | |
I'm genuinely loving it. Being at the top is scary, because there's | :15:15. | :15:17. | |
only one way to go. That's down! Which is a bit of a worry, but you | :15:18. | :15:22. | |
know, I just try to approach every week and make the most of my time | :15:23. | :15:26. | |
here and yeah, obviously I get to spend my days dancing with Kevin. | :15:27. | :15:32. | |
That's good. I know. From Grimsby. We have a laugh. He is an Adonis, I | :15:33. | :15:38. | |
tell you, even in pale blue. We have a stat alert here for you. | :15:39. | :15:40. | |
We have a rich history of girl group members on Strictly, | :15:41. | :15:43. | |
so we've tallied up their scores for their first two dances, | :15:44. | :15:45. | |
and here are the all-important numbers. | :15:46. | :15:47. | |
Let me introduce to you the greatest girl group of all time, | :15:48. | :15:50. | |
Mis-Saturdays Eternal Spice Child Aloud. | :15:51. | :15:57. | |
Emma Bunton, she got 66 points dancing with Darren Burnett. A got | :15:58. | :16:09. | |
67 points, Alicia. Michelle from destiny's child, Kimberly with 54. | :16:10. | :16:16. | |
Frankie got 60 with yours truly, Kevin. And Louise with 63, not bad | :16:17. | :16:22. | |
at all. So you are third only to champion and a Spice Girl. Some | :16:23. | :16:26. | |
pretty big boots to fill with those lot. We are not showing that to you | :16:27. | :16:34. | |
to scare you, by the way. It is Movie Week this weekend, which | :16:35. | :16:37. | |
always gets us excited. You have got a cha cha cha, what can you tell us? | :16:38. | :16:43. | |
I know you're not allowed to give too much away? What do you know | :16:44. | :16:47. | |
about the cha cha cha, Louise? Keep my legs straight and move my hips. | :16:48. | :16:53. | |
Those were my notes for today. I was going, two, three, four, one, two, | :16:54. | :16:58. | |
three, four, all day. Lock it in, which counts do you go forward? She | :16:59. | :17:08. | |
went, "Five?" It was like I had sworn, you must never say "Five". | :17:09. | :17:14. | |
And that knee thing, how are you going to follow the Star Wars dance | :17:15. | :17:20. | |
from last year's Movie Week? You have to follow that. The plan last | :17:21. | :17:27. | |
week was Jamie Redknapp came into training and Louise was all | :17:28. | :17:30. | |
frustrated and said, I can't do it, I have to do this, have to do that, | :17:31. | :17:34. | |
the posture is here, I have do stretch across the floor, and Jamie | :17:35. | :17:41. | |
goes, "Well, just do that, then." The Sportsman's mentality. Don't | :17:42. | :17:49. | |
moan about it, just do it. Music and outfit, I am so excited. Good luck | :17:50. | :17:52. | |
on Saturday, doing brilliantly, Louise and Kevin! | :17:53. | :17:58. | |
APPLAUSE Now, the judges have had their say, but what about Karen? | :17:59. | :18:00. | |
It is time for corner. -- we are loving that the remix of the | :18:01. | :18:23. | |
intro. Loving it. Karen, what a weekend. I have to say, for the | :18:24. | :18:27. | |
second week, their performances were just up there this weekend. We will | :18:28. | :18:31. | |
talk about Laura and Giovanni, she looked like Veronica Lake out on the | :18:32. | :18:36. | |
dance floor. The waltz, the joint highest scoring of the dads and Len | :18:37. | :18:40. | |
praised her "Beautiful, throw over sway", and I love those, if I knew | :18:41. | :18:48. | |
what one was. What is it? We will lead into it and as we lead into it, | :18:49. | :18:52. | |
we have to look at her beautiful head position. She goes away into | :18:53. | :18:58. | |
the throwaway position and even the change of the head, that is the | :18:59. | :19:01. | |
throwaway over sway. Normally by week two or week three, they have | :19:02. | :19:07. | |
looked at videos or seen this head position and they are overextending | :19:08. | :19:12. | |
and it feels uncomfortable. She just has all the bricks naturally sitting | :19:13. | :19:15. | |
on top of each other, beautiful. Warning, though, let's get a bit | :19:16. | :19:20. | |
spicy. I see they are doing a salsa next week, I want to see a bit of | :19:21. | :19:24. | |
spice in this girl. But gracious and beautiful. Stunning. Next, Ed Balls | :19:25. | :19:32. | |
and the Charleston! It was a huge hit with the audience. It was a huge | :19:33. | :19:36. | |
hit across the nation. I have to say, they said bring it, balls, and | :19:37. | :19:42. | |
he really did. How impressed were you? I loved it, it is clear that | :19:43. | :19:47. | |
nobody is putting baby in the corner. You know what, who started | :19:48. | :19:52. | |
of fear and what I love, if we watch closely, he is wearing out and then | :19:53. | :19:56. | |
he gets this new lease of life, as though catty at homing in on him and | :19:57. | :20:04. | |
saying do not slow down -- Katya. He did not stop from beginning to end, | :20:05. | :20:08. | |
he is the man who is not going to sit on the side at a wedding, he | :20:09. | :20:12. | |
will be getting up and having a go and that is what I love about the | :20:13. | :20:15. | |
show, the ones you think are going to sit back and crews and then you | :20:16. | :20:21. | |
get something like that. It is pure tele- joy, they were all smiling, | :20:22. | :20:26. | |
even pat on camera one. Anastacia and Brendan with a salsa, she had | :20:27. | :20:30. | |
this injury and they had to change the routine last minute, so she has | :20:31. | :20:33. | |
to learn it and then unlearn it just before going on. That is tricky for | :20:34. | :20:41. | |
a probe. -- professional. We have a routine for five years, so to learn | :20:42. | :20:45. | |
it in two minutes. So pressure and the trust factor is what I love with | :20:46. | :20:49. | |
these two. She rose to it and took it on. Here, they are coming towards | :20:50. | :20:54. | |
the end and as Brendan is preparing, they believe so much, he has started | :20:55. | :21:00. | |
before she has even gone down into the line to finish this number. The | :21:01. | :21:05. | |
trust factor, the teamwork between these two is unstoppable and it is | :21:06. | :21:08. | |
going to carry them through and we wish her well. We do wish her well. | :21:09. | :21:14. | |
It was a tough night for them. Moving onto Naga and Pasha. When | :21:15. | :21:21. | |
they came out, people were like, "Who's Batgirl?" Loving the Barnet. | :21:22. | :21:26. | |
Len did say the cha cha cha was full of mistakes. Can you talk us through | :21:27. | :21:32. | |
some of those? It is really tricky, it is like a scattering of little | :21:33. | :21:35. | |
mini mistakes everywhere, but not enough that you can say, it was | :21:36. | :21:40. | |
exactly that. We have a couple of things here, slightly out of sync, | :21:41. | :21:45. | |
just looks slightly behind, but you have do overlook all about. When she | :21:46. | :21:50. | |
comes out looking like that, glitz personified. I want to wrap her in | :21:51. | :21:54. | |
cotton wool, make her feel a bit special and put a beautiful big | :21:55. | :21:59. | |
smile on her. She is just a bit nervous at the moment. If we can | :22:00. | :22:03. | |
make her feel at home, the Strictly family say, come on, give us that | :22:04. | :22:08. | |
big smile, she will be amazing. It is that confidence thing, it is hard | :22:09. | :22:11. | |
enough to go out there anyway and then wearing a dress like that, | :22:12. | :22:15. | |
doing something she has never done before... That is stunning, the | :22:16. | :22:21. | |
look, their hair, even that, you have to have confidence to carry | :22:22. | :22:24. | |
that on the floor and I thought she was magnificent. It is week two. | :22:25. | :22:31. | |
Now, Gregg and Natalie's tango, his bottom was a major talking point of | :22:32. | :22:37. | |
the evening. What can you tell me? We can tell it is hurt and | :22:38. | :22:41. | |
beautifully shaped, but as we go into this line here, can you see the | :22:42. | :22:46. | |
curve at the back? He does the Contra check, he is going down the | :22:47. | :22:49. | |
line, going into a prominent position and you see the bottom is | :22:50. | :22:54. | |
slightly sticking back. What this basically means, in the first couple | :22:55. | :22:58. | |
of weeks, you have got to get used to going into each other's space, it | :22:59. | :23:03. | |
is quite a bizarre feeling. So much so, let's demonstrate. Queen of | :23:04. | :23:13. | |
tango, yourself. Now, don't get so excited, very, very simple. First of | :23:14. | :23:18. | |
all in tango, we have these knees that are really fret -- flexed. No | :23:19. | :23:27. | |
pigeon toes. It has been a long time. We just knock the feed | :23:28. | :23:30. | |
slightly back from each other. That is the easy beat -- bid. We have to | :23:31. | :23:37. | |
get up close and comfortable. My knee has to go in between your two | :23:38. | :23:44. | |
knees and I have got to grip, I am gripping. Now, you can see my knee | :23:45. | :23:50. | |
popping out the other side. This is like twister. If I move my knees | :23:51. | :23:55. | |
back a bit, you will see that I feel a bit uncomfortable. We get the | :23:56. | :24:00. | |
knees in, up close and comfortable and... Get into that. That, ladies | :24:01. | :24:06. | |
and gentlemen, is how you tuck your bottom, from the mistress. I love | :24:07. | :24:11. | |
that. Thank you, Karen, we will see you again to talk about our couples | :24:12. | :24:16. | |
tomorrow. Karen Hardy! That livened me up. They may have danced their | :24:17. | :24:22. | |
emotionally charged Viennese waltz like they were having relationship | :24:23. | :24:25. | |
issues but this is one partnership working in perfect harmony. | :24:26. | :24:26. | |
That was really like watching a waltzing heart-throb. It is elegant, | :24:27. | :24:43. | |
the way you held your top line. A very nice stands. You are a | :24:44. | :24:51. | |
fantastic dancer, you really are. Welcome Danny and Oti! Do you know | :24:52. | :24:57. | |
what? I have had so many messages with people saying I am in love with | :24:58. | :25:02. | |
Danny, say hello to Danny. Are you praise Brosnan, you Richard Keogh, | :25:03. | :25:05. | |
young Thom Cruise? -- Pierce Brosnan. An amazing performance of | :25:06. | :25:12. | |
your Viennese waltz and quite a wait to go right at the end. How was the | :25:13. | :25:17. | |
anxiety just before you performed? Compared to the week before, I was | :25:18. | :25:21. | |
terrified the first week but this week, it was a little bit easier | :25:22. | :25:24. | |
during the day, everyone was a little bit more relaxed but then | :25:25. | :25:28. | |
waiting for 14 dances, it got nerve wracking. I was nervous, I was | :25:29. | :25:34. | |
shaking. We changed the routine every day, even up to the dress | :25:35. | :25:38. | |
rehearsal. Two minutes before we went on and he was asking me, am I | :25:39. | :25:42. | |
doing this right? And I was like, you are asking me now? You need the | :25:43. | :25:47. | |
reassurance, though. Very exciting for you, Oti, Len in modern twist on | :25:48. | :25:55. | |
a Viennese waltz approval shocker! Taking a little bit of a risk | :25:56. | :25:59. | |
because he likes it to be quite traditional, but you must have been | :26:00. | :26:03. | |
chuffed. I was so nervous, I did not sleep the whole weekend we kept | :26:04. | :26:07. | |
changing it because we were saying, we have to dance more, we have to | :26:08. | :26:12. | |
dance more so for him to say that was a relief. Danny, I have to say I | :26:13. | :26:18. | |
loved the pulling Oti's leg move. We can see that again. Was that quite | :26:19. | :26:21. | |
hard to master? It looks quite scary. Maybe we just got a lucky one | :26:22. | :26:29. | |
there. Oti is so good, if I let go, she would probably hold herself up. | :26:30. | :26:35. | |
Amazing. The only critique that you had from the judges at all was that | :26:36. | :26:39. | |
there was a bit of skipping. Were you aware that she was skipping? It | :26:40. | :26:43. | |
was all choreographed, they just didn't like it! Obviously, you are | :26:44. | :26:50. | |
leading out there, Danny, and doing it so well but it does appear in the | :26:51. | :26:53. | |
training room, somebody else might be the boss. Here we go! | :26:54. | :27:01. | |
One, two, three. Bend your knees! Am I the boss? I am the boss. OK, | :27:02. | :27:08. | |
you're the boss, you are the boss. She really, really means business, | :27:09. | :27:16. | |
she is incredible. I will pinch you. What is next? I am not hurting him, | :27:17. | :27:22. | |
he is being dramatic as usual. That is really painful. What did I do? | :27:23. | :27:27. | |
Don't look so mad, smile about it. You are on Strictly Come Dancing! I | :27:28. | :27:34. | |
love it. Don't mess with Oti. It is Movie Week this weekend, you have a | :27:35. | :27:42. | |
paso doble. It is so exciting, how is it going? Apparently we have had | :27:43. | :27:46. | |
an hour today. We have done for things. Straight after this, I am | :27:47. | :27:54. | |
straight back into training. I like it, Monday night, taking it | :27:55. | :28:00. | |
seriously. Also, Oti, it is only your second Strictly Come Dancing, | :28:01. | :28:03. | |
last year you were paired with lovely Anthony and you were the | :28:04. | :28:08. | |
second to Ogogo! Are you feeling safe with Danny? I did have the best | :28:09. | :28:13. | |
time with Anthony, I must say, but I am feeling a little safer with | :28:14. | :28:17. | |
Danny, but you never know, because we could go home any time. One week | :28:18. | :28:23. | |
at a time, you can't be too comfortable. Tell me about the Danny | :28:24. | :28:27. | |
Mac dans I have heard is gripping the nation. Danny is like, what are | :28:28. | :28:34. | |
you talking about? When I concentrate, I seem to get very | :28:35. | :28:39. | |
moody and I get a very miserable face and Oti doesn't like that and | :28:40. | :28:43. | |
she prefers me smiling and happy, so to try and relax me, she does a | :28:44. | :28:48. | |
silly dance that makes me smile. Once in awhile, when he gets | :28:49. | :28:54. | |
something right, I say, "Go, Danny, go, Danny." And then I am smiling | :28:55. | :28:58. | |
and the pressure eases and we can get some work done. You are in your | :28:59. | :29:03. | |
happy place. Good luck being a matador on Saturday night, I think | :29:04. | :29:05. | |
you will be amazing. Danny and Oti! A huge thank you to | :29:06. | :29:08. | |
all of my guests. where we'll have a second course | :29:09. | :29:12. | |
of Choreography Corner with Karen Hardy and an exclusive | :29:13. | :29:15. | |
listen to Movie Week music. Plus, I'll be chatting to Ed | :29:16. | :29:18. | |
and Katya, Naga and Pasha, | :29:19. | :29:26. |