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From London, this is Strictly - It Takes Two. Please welcome your host | :00:50. | :00:54. | |
- Zoe Ball. Did you know that Tuesday | :00:55. | :01:01. | |
is the most productive day of the week, which means we've been | :01:02. | :01:05. | |
super busy putting together And we've got the playlist to match | :01:06. | :01:07. | |
because we'll be wheeling out the jukebox for an exclusive listen | :01:08. | :01:11. | |
to what our couples will be And, she's been keeping a sharp | :01:12. | :01:14. | |
eye on all the couples, Karen Hardy is back in Choreography | :01:15. | :01:25. | |
Corner! Now, our first couple may have found | :01:26. | :01:29. | |
themselves in the bottom two on Sunday, but they're top | :01:30. | :01:32. | |
of the bill tonight, Let's dance. | :01:33. | :01:46. | |
MUSIC rhythm of the Night. You came on to that floor and you | :01:47. | :01:51. | |
sold T You threw too much of everything into it and lost a bit of | :01:52. | :02:01. | |
control. The showgirl has gone, va, va vroom. I was gobsmacked. | :02:02. | :02:12. | |
Laura and Giovanni. You looked amazing. Different. I liked the red | :02:13. | :02:18. | |
hair. A shocker of a bottom two. Len also said you didn't need to worry | :02:19. | :02:21. | |
because you were going to be there for aiming and then that happened. | :02:22. | :02:27. | |
How did it feel? Did it hurt? You kind of prepare yourself for that, | :02:28. | :02:31. | |
after Melvin going the fist week, which gave us a kick and it becomes | :02:32. | :02:34. | |
more real every time you dance because it could be the last time. I | :02:35. | :02:38. | |
remember when we did the dance, I ripped my tights and I ran backstage | :02:39. | :02:43. | |
- in case I'm in the dance-off I'll change my tights. Always be | :02:44. | :02:47. | |
prepared. You must have been a Brownie. How shocked were you? | :02:48. | :02:51. | |
Shocked. Yes and no, because at this moment it is a really difficult | :02:52. | :02:57. | |
competition. They are all brilliant but, I think - yes, a little bit | :02:58. | :03:02. | |
shocked. Karen Hardy was here yesterday and she was saying how | :03:03. | :03:04. | |
lovely when it was, she saw Laura was upset and you rushed over, | :03:05. | :03:09. | |
because it is kind of your job as a professional. Absolutely Counsellor. | :03:10. | :03:14. | |
Therapist. She was a little bit scared to be honest to dance again. | :03:15. | :03:20. | |
So I thought she needed a hug and she went there and she smashed it | :03:21. | :03:24. | |
again. What did you say to her? I just say - do again what you did | :03:25. | :03:29. | |
before. Yes. Because I was really proud on the night and go with more | :03:30. | :03:36. | |
energy. And she Z she did. I - she znchts getting to do the dance off, | :03:37. | :03:41. | |
as scary as it is, it is nice to prove yourself again and take on | :03:42. | :03:46. | |
what the judges said. Because I waltzed the second week, I probably | :03:47. | :03:50. | |
put too much energy. When I did the dance off, I tried to put in the | :03:51. | :03:54. | |
energy and control it. You are trying to do that and also not look | :03:55. | :03:58. | |
at your mother who is in the audience. Don't look at your mam. | :03:59. | :04:02. | |
Before you did the dance off, Craig said you were a wonderful dancer. | :04:03. | :04:06. | |
Bruno gave awe 9 on Saturday night. I know. I was happy enough with how | :04:07. | :04:12. | |
I danced. Latin, the first time I danced Latin I got 25. I got 30. I | :04:13. | :04:16. | |
was happy. It is a strong competition, and everyone is so good | :04:17. | :04:21. | |
and Tameka is so good. You don't know. I think - all I can do is | :04:22. | :04:25. | |
improve every week. I'm not a dancer. I have an amazing dancer | :04:26. | :04:30. | |
with me who is teaching me so much. I do, he tells meefrry day how | :04:31. | :04:37. | |
amazing he is. - tells me every day. It is about bettering myself and a | :04:38. | :04:42. | |
personal journey. I don't want to let myself down and Giovanni, | :04:43. | :04:47. | |
because he has put so much work in. Every week is another dance Ye, I | :04:48. | :04:53. | |
have to learn another one. You are exhausted and the speed. That was | :04:54. | :04:58. | |
the amazing thing, there was so much content N those heels n that | :04:59. | :05:08. | |
incredible outfit. Well done. -- in those heels. Len was talking about | :05:09. | :05:15. | |
it being raunchy. Did you know? I wanted to show another side. She did | :05:16. | :05:22. | |
the waltz and I wanted to show she could be sexy. I was watching the | :05:23. | :05:29. | |
hips, when I watched back the video, to be honest, move your hips, hips, | :05:30. | :05:40. | |
hips. I said to me - with Sal sacks the hips. - with salsa, the hips. He | :05:41. | :05:47. | |
drilled it into me. I was petrified a judge would say the hips weren't | :05:48. | :05:52. | |
good enough. Look, it worked. They talked about getting in and out of | :05:53. | :05:57. | |
the lifts. They were incredible. We have evidence about how tricky they | :05:58. | :06:01. | |
were. I'm quite tall. There is a lot of me to lift. But, Giovanni, | :06:02. | :06:06. | |
thankfully, is a strong man. Ahhh. | :06:07. | :06:18. | |
# Ahhh. One way to get a new partner. Oh my | :06:19. | :06:26. | |
goodness. Remember I said I had a few bruises. And my shoulder, sorry. | :06:27. | :06:30. | |
It looked incredible. We don't want you to be too disheartened about | :06:31. | :06:34. | |
being in the dance-off. Fact fan also know being in the bottom two | :06:35. | :06:39. | |
early can often be a good omen. Let's review the evidence here is a | :06:40. | :06:44. | |
list of Strictly stars who were in that predicament in week 3 and | :06:45. | :06:49. | |
reached the final. Simon Webbe and Kristina Rihanoff. Denise Lewis and | :06:50. | :06:54. | |
Ian Waite - he danced with someone else -. And Natasha Kaplinsky and | :06:55. | :07:01. | |
Brendan Cole, series 1. And they won. Feeling encouraged? No | :07:02. | :07:06. | |
pressure. It kind of gives you a bit of a boost, more fight. So this week | :07:07. | :07:12. | |
we are really going to put everything. Each week is a different | :07:13. | :07:16. | |
dance. Each week is a different dance. He is like - relax. It is | :07:17. | :07:21. | |
quite good. It is having a calming affect on me. He should do a tape | :07:22. | :07:26. | |
you can listen to in the morning I don't know what he is saying most of | :07:27. | :07:30. | |
the time. It is the Italian accent. It works. This week, quickstep for | :07:31. | :07:33. | |
you. How much have you managed to do so far? I mean, there are a lot of | :07:34. | :07:39. | |
steps. It is kind of me - for me anyway because I don't know anything | :07:40. | :07:43. | |
about it, it is a mixture of dances together. You have all the | :07:44. | :07:47. | |
choreography, the way we have to do the salsa... No it is not. It is | :07:48. | :07:51. | |
going to be, quick, quick, quickstep. It flies down everywhere. | :07:52. | :07:59. | |
No salsa. There are a lot of steps. Definitely. Thank you for explaining | :08:00. | :08:04. | |
that, I understand it much more clearly now. Good luck and well done | :08:05. | :08:09. | |
for surviving. Good luck next weekend. Laura and Giovanni. | :08:10. | :08:17. | |
Now, there are lots of good things about Tuesdays. | :08:18. | :08:19. | |
Two, Pancake Day falls on a Tuesday - who doesn't love pancakes? | :08:20. | :08:23. | |
And three, the best thing of all - Tunes on Tuesday! | :08:24. | :08:30. | |
# Creepin up on new # Just dance, dance, | :08:31. | :08:34. | |
Let's see what classics the dance...# jukebox | :08:35. | :08:36. | |
In 1969 Boom Bang A Bang was our Lulu's winning entry | :08:37. | :08:57. | |
However, she had to share the top spot with three other countries. | :08:58. | :09:01. | |
They'll be dancing a Viennese Waltz to this number, but will they get | :09:02. | :09:14. | |
Right, what's next on our Tuesday playlist? | :09:15. | :09:29. | |
It's George Michael's award-winning, mega hit Careless Whisper, | :09:30. | :09:40. | |
a song he wrote when he was just 17 years old. | :09:41. | :09:48. | |
He says that he has gotten more compliments for writing the sax solo | :09:49. | :09:51. | |
than for anything else he has ever written! | :09:52. | :09:53. | |
But which couple will be dancing to this classic on Saturday? | :09:54. | :10:00. | |
And if you ask me, every rumba should be accompanied by a sax solo. | :10:01. | :10:15. | |
We've got time for just one more song. | :10:16. | :10:20. | |
It's Carly Rae Jepsen's 2015 smash-hit I Really Like You. | :10:21. | :10:30. | |
The music video features Hollywood megastar Tom Hanks lip-syncing | :10:31. | :10:32. | |
It features the word "really" a total of 67 times. | :10:33. | :10:43. | |
Thank you, Tom. Thank you to our dancing Toms. Terrified. | :10:44. | :10:52. | |
But which couple will be dancing to this modern | :10:53. | :10:55. | |
They'll be performing a foxtrot, but will the judges really really | :10:56. | :11:06. | |
If you want to find out what top tunes the rest | :11:07. | :11:10. | |
of our couples are dancing to, head to the Strictly | :11:11. | :11:12. | |
Now, as we know, our Strictly pros have | :11:13. | :11:25. | |
Do you know who else had all the moves? | :11:26. | :11:28. | |
None other than the Godfather of Soul, James Brown. | :11:29. | :11:30. | |
This weekend's Group Dance will be an homage to the man himself | :11:31. | :11:33. | |
and as always the It Takes Two team got the first look. | :11:34. | :11:36. | |
! This week we are doing a special group dance to the king of soul, | :11:37. | :11:41. | |
James Brown, so get on up. # Get on up...# | :11:42. | :11:44. | |
We have the element of jive, Choo characters Charleston, Lindy. We put | :11:45. | :11:49. | |
them altogether with the hip hop and mashing these two worlds together. | :11:50. | :11:55. | |
The set up is koo. Aljaz and I are walking into a club scene where | :11:56. | :11:58. | |
Anton is the manager. James Brown is performing. It is based around the | :11:59. | :12:04. | |
'70s. So it has a cool jibe. I think the most challenging part of the | :12:05. | :12:08. | |
routine is to get the full cast to feel the music together. It is | :12:09. | :12:13. | |
getting everybody to kind of let loose sometimes. I am eight junk | :12:14. | :12:22. | |
mooiser. Er - the - I'm the funk miester. I was there when it began. | :12:23. | :12:27. | |
We are dancing on the table and we have to sort of flick over. It is a | :12:28. | :12:33. | |
little bit challenging. James Brown is such a legend. | :12:34. | :12:37. | |
Growing up in Ukraine I knew about him from a very young age. | :12:38. | :12:42. | |
# I feel good... # I knew that I would now... | :12:43. | :12:51. | |
# So, nice, so nice, I've got you... Da, da, da# | :12:52. | :12:55. | |
Is that good? That's all we can show you guys. Make sure you tune in next | :12:56. | :13:02. | |
week it see if this is really a Man's World. Or a woman. Thank you | :13:03. | :13:04. | |
very much. I can't wait to see it. Now, she's travelled the four | :13:05. | :13:07. | |
corners of the globe to dance but she's feels most at home | :13:08. | :13:09. | |
in Choreography Corner. Karen Hardy is here. I am clumping | :13:10. | :13:38. | |
my questions. Claudia and AJ's incredible charleston on Saturday, a | :13:39. | :13:45. | |
whopping 36 points. Len praised the clever choreography, the slick | :13:46. | :13:49. | |
tricks and Craig didn't even ask for more swivel, was it a dream | :13:50. | :13:52. | |
charleston? It was brilliant and what I love and rightly so became | :13:53. | :14:12. | |
global action. I thought it was Inc bearing in, slowing down about what | :14:13. | :14:19. | |
the bells we will make the left or interesting to see what happens from | :14:20. | :14:24. | |
here on in. Lesley and Anton next, they are doing a super quick | :14:25. | :14:29. | |
quickstep, delightful. Darcey felt it was so quick in places that maybe | :14:30. | :14:33. | |
the technique became a little bit loose, would you agree? Slightly. We | :14:34. | :14:39. | |
want light, flight, height and those things and they mastered that | :14:40. | :14:44. | |
between them. But look at the gapping. We had an incredible night | :14:45. | :14:50. | |
of performances and we are going to have to start getting nitty-gritty. | :14:51. | :14:56. | |
We saw that in the bottom corner, but fabulous choreography. Fast, | :14:57. | :15:00. | |
complicated routine and she made it look so easy, absolutely loved it. | :15:01. | :15:05. | |
Well done, Lesley. Anastacia and Brendan's waltz, both Craigend Bruno | :15:06. | :15:09. | |
noticed she was losing a little balance when she was coming in and | :15:10. | :15:13. | |
out of turns. I've picked up on it here. I thought this was beautiful, | :15:14. | :15:19. | |
she has bounced back from a difficult week. Elegance and beauty | :15:20. | :15:22. | |
and all we would ask her to do is start using her standing legs, legs | :15:23. | :15:27. | |
are what we use for movement, very simple tip but very important, helps | :15:28. | :15:33. | |
you drive across the floor and helps you fulfil balance. Obviously | :15:34. | :15:36. | |
Brendan is going to have a lot of natural drive, so she's got to keep | :15:37. | :15:40. | |
up with that using her standing legs and we won't get those little | :15:41. | :15:44. | |
wobbles. But I thought it was beautiful, elegant and gorgeous. | :15:45. | :15:48. | |
Well done, that lady. Dead-end Katya's samba of this boy brings it | :15:49. | :15:59. | |
every week. -- Ed and Katya. Len praised Katya for giving him full on | :16:00. | :16:05. | |
choreography in his routines. Are you impressed? I love it, I've said | :16:06. | :16:08. | |
from the beginning new professionals means new choreography and Ed Balls | :16:09. | :16:15. | |
is giving everything. I had to pick this up and then he goes even more. | :16:16. | :16:19. | |
He's living the dream. And then what I love is the blender step, this is | :16:20. | :16:25. | |
a new step for Strictly. The teamwork, the balance. If he had | :16:26. | :16:29. | |
over alleged that, slightly to the left or right, she would have gone | :16:30. | :16:33. | |
like a sardine orang and nobody likes a soggy meringue. I've got to | :16:34. | :16:40. | |
say I jumped out of my seat -- soggy meringue. Great, great | :16:41. | :16:48. | |
entertainment. Well done, Ed and Katya. Judge Rinder and the | :16:49. | :16:55. | |
charleston. Bruno said the timing was extinct, Darcey didn't agree, | :16:56. | :17:01. | |
who was right? I'm going on Darcey's side, it was fabulous, it is full of | :17:02. | :17:05. | |
little errors. We've picked up on one here. What I would love him to | :17:06. | :17:10. | |
do, we've got so much expectation from what he's going to deliver | :17:11. | :17:14. | |
every week. We are excited. There is a little blunder there. You could | :17:15. | :17:22. | |
say his timing was a little late. I just want to see him not worrying | :17:23. | :17:27. | |
about being the performing and the character. I just want him to zone | :17:28. | :17:33. | |
it down, dance, deliver a fabulous dance. Don't worry about almost | :17:34. | :17:37. | |
being the actor, the comical one. When he did that backflip. I know! I | :17:38. | :17:45. | |
don't know where it came from. I'm just waiting for that amazing | :17:46. | :17:49. | |
performance where we don't need the face and the cars and all of that | :17:50. | :17:53. | |
and I think we are going to get a magical one down the line. That's | :17:54. | :17:58. | |
the nice thing, not some any props and simplifying everything. Then you | :17:59. | :18:04. | |
see the real dancing and technique. Daisy and Aljaz's quickstep, another | :18:05. | :18:09. | |
fine performance, opening the show. Craig felt that her left shoulder | :18:10. | :18:16. | |
was raised a few millimetres. Twice, he said. You keep Craig. Did you | :18:17. | :18:22. | |
notice this? The professionals and the celebrity have brought this on | :18:23. | :18:25. | |
themselves. They've come out so early with these incredible numbers | :18:26. | :18:29. | |
that we do have to look at things like this. We have to be top minds. | :18:30. | :18:34. | |
I've picked up on it here. Craig is right, it is lifting. | :18:35. | :18:55. | |
Perfect run, I don't want like that early on, I want to give them a | :18:56. | :19:13. | |
little more time. We have a few more weeks, it is so competitive, I've | :19:14. | :19:16. | |
been speaking to some of the professionals and they've even been | :19:17. | :19:20. | |
a sister into the competition. I love hearing that I really love | :19:21. | :19:22. | |
that. the explosion, the finale at the | :19:23. | :20:45. | |
end, the famous moment when the water comes gushing down. Just like | :20:46. | :20:55. | |
that! Are you doing that at home? Extend the leg. Here she goes. Look | :20:56. | :21:06. | |
at that! I'm going to do that at home with some hundreds and | :21:07. | :21:10. | |
thousands. I would swap with her in a second. We've all had our moment | :21:11. | :21:16. | |
here. We've got to commend everything on that show, lights, | :21:17. | :21:23. | |
camera, action. Finally, Ore and Joanne's American Smooth. I cried | :21:24. | :21:28. | |
watching this, I love singing in the rain and it's hard to copy someone | :21:29. | :21:32. | |
like Gene Kellie but he was incredible. The judge not only | :21:33. | :21:36. | |
praised his performance but also Joanne's beautiful choreography. The | :21:37. | :21:42. | |
importance of choreography is depth of layering. I've picked up here | :21:43. | :21:45. | |
where not just walking down the steps, we are going to dance, off | :21:46. | :21:51. | |
and on, the beautiful hand position, its attention to detail, the use of | :21:52. | :21:55. | |
the umbrella. Not just open the umbrella and throw it to the side, | :21:56. | :21:59. | |
they have danced with it. The attention to detail, the use of the | :22:00. | :22:02. | |
arms, the character, there was a moment where they did that classic | :22:03. | :22:06. | |
stabbing of the water with the umbrella. They seem to pick up all | :22:07. | :22:10. | |
of the iconic moments and deliver the dance at the same time. And I | :22:11. | :22:16. | |
jumped out of my seat. What I loved with them is they were even excited | :22:17. | :22:21. | |
to start the dance. I could feel them like, come on, I want to get on | :22:22. | :22:26. | |
with this. What a great number, really, really beautiful. And | :22:27. | :22:31. | |
onwards and upwards. Where is this going to go? It's too much, we all | :22:32. | :22:35. | |
need a lie down. You will not be here for the next three weeks. | :22:36. | :22:39. | |
Excuse me! Is it something we said? I thought we were going to keep this | :22:40. | :22:44. | |
secret. We are going to have a puppet. Where are you going? I'm | :22:45. | :22:49. | |
going down under, New Zealand, beautiful Australasia, I have a bit | :22:50. | :22:52. | |
of work to do down there with a few students. When you get back we will | :22:53. | :22:58. | |
fill you in on the gossip and I will face time you. It will be fine. | :22:59. | :23:00. | |
Karen will be back in November. Now, our next couple | :23:01. | :23:04. | |
were on a mission to tango on Saturday and it was impossible | :23:05. | :23:06. | |
not to cheer them on. The drama was there from the | :23:07. | :23:26. | |
beginning. Incredible tango. That is your best dance to date. You are | :23:27. | :23:31. | |
better than you think you are. The potential is there a. Keep | :23:32. | :23:35. | |
confidence in yourself. Believe in yourself because you've got it. I | :23:36. | :23:41. | |
loved the concept and I love the drama Naga and Pasha, everyone. Sign | :23:42. | :23:51. | |
this lady up to be the next Catwoman. That outfit, how amazing | :23:52. | :23:56. | |
did you feel in that getup? I felt hot. You looked so hot. You looked | :23:57. | :24:01. | |
quite good in the turtleneck as well. You entered Thom Cruise style, | :24:02. | :24:07. | |
which was amazing. Then we were thinking he's never going to get her | :24:08. | :24:09. | |
under from the buckle. What happened? I have no idea but it was | :24:10. | :24:14. | |
so stressful because I was looking at the buckle and it wasn't buckling | :24:15. | :24:19. | |
out and I was just like we are just staying here and Naga was like, | :24:20. | :24:23. | |
yeah, any time you are done I will be there. It did not throw you at | :24:24. | :24:28. | |
all. I'd had a lot of drilling, do not do anything without me. I lead | :24:29. | :24:33. | |
you and you follow, I am yours to lead. OK, yes, Pasha. And it is | :24:34. | :24:40. | |
sinking in. You remembered it exactly. That is brilliant. So much | :24:41. | :24:44. | |
love for you online apart from the outfit. This came in from John | :24:45. | :24:50. | |
Horne. He said, Naga and Pasha, tango to mission impossible was a | :24:51. | :24:54. | |
mission well done, it was thrilling, truly an amazing tango. Thank you! | :24:55. | :25:00. | |
Thank you for that. How thrilled were you with Naga's performance? It | :25:01. | :25:05. | |
was amazing, especially knowing we couldn't unbuckle. I wanted to know | :25:06. | :25:10. | |
what would happen next, would she be there where she was supposed to be | :25:11. | :25:13. | |
forward she try and lead me this time? She did the right thing so she | :25:14. | :25:18. | |
was really good and she really gave a great performance. I have to say, | :25:19. | :25:27. | |
your high score to date, Len said it was your best dance. Those marks | :25:28. | :25:32. | |
must have done your confidence the world of good. When Len said I'm | :25:33. | :25:36. | |
better than I think I am that made something click. You spend so much | :25:37. | :25:41. | |
time comparing yourself to the others and the other scores and | :25:42. | :25:44. | |
actually I'm starting from a really low base and I'm trying really hard. | :25:45. | :25:49. | |
He is an amazing teacher and I just need to enjoy my progression and | :25:50. | :25:53. | |
enjoy learning new things. When we go into a week and he says Lockstep, | :25:54. | :26:02. | |
and I'm like, what? Certainly. I get it now, I can't do it brilliantly | :26:03. | :26:06. | |
but we are learning and I'm just going to enjoy my progression rather | :26:07. | :26:08. | |
than worrying about how everyone else is doing. When you go in on a | :26:09. | :26:13. | |
Friday and see everyone else perform and you think, my goodness, they are | :26:14. | :26:18. | |
doing this and a backflip, so believe in yourself, it is | :26:19. | :26:22. | |
brilliant. Bruno said a little bit about losing focus. Is this | :26:23. | :26:25. | |
something you are aware of, Pasha? We're working on focusing, focusing | :26:26. | :26:34. | |
on me, she was focusing on me and then on herself, that is what Bruno | :26:35. | :26:38. | |
saw. This time it's all about me. He beat that into me occasionally. I | :26:39. | :26:45. | |
have brought a special stick. You have a special stick? I don't want | :26:46. | :26:49. | |
to know what goes on! This week, the charleston. So much character. Are | :26:50. | :26:53. | |
you looking forward to it? So much fun. There is lots going on and | :26:54. | :26:59. | |
Pasha is a brilliant choreographer anyway and he has put loads into | :27:00. | :27:03. | |
this. We are working really hard. One of the things I've got to do is | :27:04. | :27:08. | |
just the crisp with the steps and absolutely know that choreography. | :27:09. | :27:12. | |
Nothing is going to happen, nothing bad will happen. Nothing will | :27:13. | :27:18. | |
happen. There are no harnesses. You will not be attached to anything. | :27:19. | :27:24. | |
You could spin around... Don't put anything! She's talking with | :27:25. | :27:29. | |
confidence, Pasha, and it's obviously working. Keep it going for | :27:30. | :27:35. | |
Saturday night. What can you tell us about this charleston, Pasha? Well, | :27:36. | :27:39. | |
we are going to do our first lifts on this show. Oh! We haven't done | :27:40. | :27:48. | |
any before this and it's going to be fun. I'm frightened. He is strong, | :27:49. | :27:56. | |
he's used to this. That's what I'm doing for a living, lifting! You've | :27:57. | :28:00. | |
had some amazing charlestons in the past, King Billy, Caroline, what is | :28:01. | :28:03. | |
it about the character of the stance that you love very much? You do love | :28:04. | :28:10. | |
it. It is so much fun and I think I'm such a performer. When you do a | :28:11. | :28:15. | |
dance like this people are loving it and I love it even more when they | :28:16. | :28:18. | |
are loving it and they love it even more because I'm loving it... And | :28:19. | :28:24. | |
it's just an endless circle of love! Constant love. Hopefully I will | :28:25. | :28:28. | |
share the love. I hope it will be brilliant. Good luck with your | :28:29. | :28:30. | |
charleston, Naga and Pasha. A big thank to you | :28:31. | :28:32. | |
to all our guests. I'll be back here at 6:30pm | :28:33. | :28:36. | |
tomorrow with Danny and Oti, Plus, Ian Waite will be | :28:37. | :28:39. | |
here for a traditional See you then. | :28:40. | :28:44. | |
Goodnight. | :28:45. | :28:47. |