Episode 12 Strictly - It Takes Two


Episode 12

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From London, this is Strictly - It Takes Two. Please welcome your host

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- Zoe Ball. Did you know that Tuesday

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is the most productive day of the week, which means we've been

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super busy putting together And we've got the playlist to match

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because we'll be wheeling out the jukebox for an exclusive listen

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to what our couples will be And, she's been keeping a sharp

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eye on all the couples, Karen Hardy is back in Choreography

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Corner! Now, our first couple may have found

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themselves in the bottom two on Sunday, but they're top

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of the bill tonight, Let's dance.

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MUSIC rhythm of the Night. You came on to that floor and you

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sold T You threw too much of everything into it and lost a bit of

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control. The showgirl has gone, va, va vroom. I was gobsmacked.

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Laura and Giovanni. You looked amazing. Different. I liked the red

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hair. A shocker of a bottom two. Len also said you didn't need to worry

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because you were going to be there for aiming and then that happened.

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How did it feel? Did it hurt? You kind of prepare yourself for that,

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after Melvin going the fist week, which gave us a kick and it becomes

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more real every time you dance because it could be the last time. I

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remember when we did the dance, I ripped my tights and I ran backstage

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- in case I'm in the dance-off I'll change my tights. Always be

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prepared. You must have been a Brownie. How shocked were you?

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Shocked. Yes and no, because at this moment it is a really difficult

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competition. They are all brilliant but, I think - yes, a little bit

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shocked. Karen Hardy was here yesterday and she was saying how

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lovely when it was, she saw Laura was upset and you rushed over,

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because it is kind of your job as a professional. Absolutely Counsellor.

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Therapist. She was a little bit scared to be honest to dance again.

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So I thought she needed a hug and she went there and she smashed it

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again. What did you say to her? I just say - do again what you did

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before. Yes. Because I was really proud on the night and go with more

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energy. And she Z she did. I - she znchts getting to do the dance off,

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as scary as it is, it is nice to prove yourself again and take on

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what the judges said. Because I waltzed the second week, I probably

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put too much energy. When I did the dance off, I tried to put in the

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energy and control it. You are trying to do that and also not look

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at your mother who is in the audience. Don't look at your mam.

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Before you did the dance off, Craig said you were a wonderful dancer.

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Bruno gave awe 9 on Saturday night. I know. I was happy enough with how

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I danced. Latin, the first time I danced Latin I got 25. I got 30. I

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was happy. It is a strong competition, and everyone is so good

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and Tameka is so good. You don't know. I think - all I can do is

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improve every week. I'm not a dancer. I have an amazing dancer

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with me who is teaching me so much. I do, he tells meefrry day how

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amazing he is. - tells me every day. It is about bettering myself and a

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personal journey. I don't want to let myself down and Giovanni,

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because he has put so much work in. Every week is another dance Ye, I

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have to learn another one. You are exhausted and the speed. That was

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the amazing thing, there was so much content N those heels n that

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incredible outfit. Well done. -- in those heels. Len was talking about

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it being raunchy. Did you know? I wanted to show another side. She did

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the waltz and I wanted to show she could be sexy. I was watching the

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hips, when I watched back the video, to be honest, move your hips, hips,

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hips. I said to me - with Sal sacks the hips. - with salsa, the hips. He

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drilled it into me. I was petrified a judge would say the hips weren't

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good enough. Look, it worked. They talked about getting in and out of

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the lifts. They were incredible. We have evidence about how tricky they

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were. I'm quite tall. There is a lot of me to lift. But, Giovanni,

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thankfully, is a strong man. Ahhh.

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# Ahhh. One way to get a new partner. Oh my

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goodness. Remember I said I had a few bruises. And my shoulder, sorry.

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It looked incredible. We don't want you to be too disheartened about

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being in the dance-off. Fact fan also know being in the bottom two

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early can often be a good omen. Let's review the evidence here is a

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list of Strictly stars who were in that predicament in week 3 and

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reached the final. Simon Webbe and Kristina Rihanoff. Denise Lewis and

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Ian Waite - he danced with someone else -. And Natasha Kaplinsky and

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Brendan Cole, series 1. And they won. Feeling encouraged? No

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pressure. It kind of gives you a bit of a boost, more fight. So this week

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we are really going to put everything. Each week is a different

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dance. Each week is a different dance. He is like - relax. It is

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quite good. It is having a calming affect on me. He should do a tape

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you can listen to in the morning I don't know what he is saying most of

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the time. It is the Italian accent. It works. This week, quickstep for

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you. How much have you managed to do so far? I mean, there are a lot of

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steps. It is kind of me - for me anyway because I don't know anything

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about it, it is a mixture of dances together. You have all the

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choreography, the way we have to do the salsa... No it is not. It is

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going to be, quick, quick, quickstep. It flies down everywhere.

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No salsa. There are a lot of steps. Definitely. Thank you for explaining

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that, I understand it much more clearly now. Good luck and well done

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for surviving. Good luck next weekend. Laura and Giovanni.

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Now, there are lots of good things about Tuesdays.

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Two, Pancake Day falls on a Tuesday - who doesn't love pancakes?

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And three, the best thing of all - Tunes on Tuesday!

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# Creepin up on new # Just dance, dance,

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Let's see what classics the dance...# jukebox

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In 1969 Boom Bang A Bang was our Lulu's winning entry

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However, she had to share the top spot with three other countries.

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They'll be dancing a Viennese Waltz to this number, but will they get

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Right, what's next on our Tuesday playlist?

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It's George Michael's award-winning, mega hit Careless Whisper,

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a song he wrote when he was just 17 years old.

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He says that he has gotten more compliments for writing the sax solo

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than for anything else he has ever written!

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But which couple will be dancing to this classic on Saturday?

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And if you ask me, every rumba should be accompanied by a sax solo.

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We've got time for just one more song.

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It's Carly Rae Jepsen's 2015 smash-hit I Really Like You.

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The music video features Hollywood megastar Tom Hanks lip-syncing

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It features the word "really" a total of 67 times.

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Thank you, Tom. Thank you to our dancing Toms. Terrified.

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But which couple will be dancing to this modern

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They'll be performing a foxtrot, but will the judges really really

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If you want to find out what top tunes the rest

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of our couples are dancing to, head to the Strictly

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Now, as we know, our Strictly pros have

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Do you know who else had all the moves?

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None other than the Godfather of Soul, James Brown.

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This weekend's Group Dance will be an homage to the man himself

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and as always the It Takes Two team got the first look.

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! This week we are doing a special group dance to the king of soul,

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James Brown, so get on up. # Get on up...#

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We have the element of jive, Choo characters Charleston, Lindy. We put

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them altogether with the hip hop and mashing these two worlds together.

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The set up is koo. Aljaz and I are walking into a club scene where

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Anton is the manager. James Brown is performing. It is based around the

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'70s. So it has a cool jibe. I think the most challenging part of the

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routine is to get the full cast to feel the music together. It is

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getting everybody to kind of let loose sometimes. I am eight junk

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mooiser. Er - the - I'm the funk miester. I was there when it began.

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We are dancing on the table and we have to sort of flick over. It is a

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little bit challenging. James Brown is such a legend.

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Growing up in Ukraine I knew about him from a very young age.

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# I feel good... # I knew that I would now...

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# So, nice, so nice, I've got you... Da, da, da#

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Is that good? That's all we can show you guys. Make sure you tune in next

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week it see if this is really a Man's World. Or a woman. Thank you

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very much. I can't wait to see it. Now, she's travelled the four

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corners of the globe to dance but she's feels most at home

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in Choreography Corner. Karen Hardy is here. I am clumping

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my questions. Claudia and AJ's incredible charleston on Saturday, a

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whopping 36 points. Len praised the clever choreography, the slick

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tricks and Craig didn't even ask for more swivel, was it a dream

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charleston? It was brilliant and what I love and rightly so became

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global action. I thought it was Inc bearing in, slowing down about what

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the bells we will make the left or interesting to see what happens from

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here on in. Lesley and Anton next, they are doing a super quick

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quickstep, delightful. Darcey felt it was so quick in places that maybe

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the technique became a little bit loose, would you agree? Slightly. We

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want light, flight, height and those things and they mastered that

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between them. But look at the gapping. We had an incredible night

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of performances and we are going to have to start getting nitty-gritty.

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We saw that in the bottom corner, but fabulous choreography. Fast,

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complicated routine and she made it look so easy, absolutely loved it.

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Well done, Lesley. Anastacia and Brendan's waltz, both Craigend Bruno

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noticed she was losing a little balance when she was coming in and

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out of turns. I've picked up on it here. I thought this was beautiful,

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she has bounced back from a difficult week. Elegance and beauty

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and all we would ask her to do is start using her standing legs, legs

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are what we use for movement, very simple tip but very important, helps

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you drive across the floor and helps you fulfil balance. Obviously

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Brendan is going to have a lot of natural drive, so she's got to keep

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up with that using her standing legs and we won't get those little

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wobbles. But I thought it was beautiful, elegant and gorgeous.

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Well done, that lady. Dead-end Katya's samba of this boy brings it

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every week. -- Ed and Katya. Len praised Katya for giving him full on

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choreography in his routines. Are you impressed? I love it, I've said

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from the beginning new professionals means new choreography and Ed Balls

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is giving everything. I had to pick this up and then he goes even more.

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He's living the dream. And then what I love is the blender step, this is

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a new step for Strictly. The teamwork, the balance. If he had

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over alleged that, slightly to the left or right, she would have gone

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like a sardine orang and nobody likes a soggy meringue. I've got to

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say I jumped out of my seat -- soggy meringue. Great, great

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entertainment. Well done, Ed and Katya. Judge Rinder and the

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charleston. Bruno said the timing was extinct, Darcey didn't agree,

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who was right? I'm going on Darcey's side, it was fabulous, it is full of

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little errors. We've picked up on one here. What I would love him to

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do, we've got so much expectation from what he's going to deliver

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every week. We are excited. There is a little blunder there. You could

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say his timing was a little late. I just want to see him not worrying

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about being the performing and the character. I just want him to zone

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it down, dance, deliver a fabulous dance. Don't worry about almost

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being the actor, the comical one. When he did that backflip. I know! I

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don't know where it came from. I'm just waiting for that amazing

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performance where we don't need the face and the cars and all of that

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and I think we are going to get a magical one down the line. That's

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the nice thing, not some any props and simplifying everything. Then you

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see the real dancing and technique. Daisy and Aljaz's quickstep, another

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fine performance, opening the show. Craig felt that her left shoulder

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was raised a few millimetres. Twice, he said. You keep Craig. Did you

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notice this? The professionals and the celebrity have brought this on

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themselves. They've come out so early with these incredible numbers

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that we do have to look at things like this. We have to be top minds.

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I've picked up on it here. Craig is right, it is lifting.

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Perfect run, I don't want like that early on, I want to give them a

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little more time. We have a few more weeks, it is so competitive, I've

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been speaking to some of the professionals and they've even been

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a sister into the competition. I love hearing that I really love

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that. the explosion, the finale at the

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end, the famous moment when the water comes gushing down. Just like

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that! Are you doing that at home? Extend the leg. Here she goes. Look

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at that! I'm going to do that at home with some hundreds and

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thousands. I would swap with her in a second. We've all had our moment

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here. We've got to commend everything on that show, lights,

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camera, action. Finally, Ore and Joanne's American Smooth. I cried

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watching this, I love singing in the rain and it's hard to copy someone

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like Gene Kellie but he was incredible. The judge not only

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praised his performance but also Joanne's beautiful choreography. The

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importance of choreography is depth of layering. I've picked up here

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where not just walking down the steps, we are going to dance, off

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and on, the beautiful hand position, its attention to detail, the use of

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the umbrella. Not just open the umbrella and throw it to the side,

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they have danced with it. The attention to detail, the use of the

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arms, the character, there was a moment where they did that classic

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stabbing of the water with the umbrella. They seem to pick up all

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of the iconic moments and deliver the dance at the same time. And I

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jumped out of my seat. What I loved with them is they were even excited

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to start the dance. I could feel them like, come on, I want to get on

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with this. What a great number, really, really beautiful. And

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onwards and upwards. Where is this going to go? It's too much, we all

:22:32.:22:35.

need a lie down. You will not be here for the next three weeks.

:22:36.:22:39.

Excuse me! Is it something we said? I thought we were going to keep this

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secret. We are going to have a puppet. Where are you going? I'm

:22:45.:22:49.

going down under, New Zealand, beautiful Australasia, I have a bit

:22:50.:22:52.

of work to do down there with a few students. When you get back we will

:22:53.:22:58.

fill you in on the gossip and I will face time you. It will be fine.

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Karen will be back in November. Now, our next couple

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were on a mission to tango on Saturday and it was impossible

:23:05.:23:06.

not to cheer them on. The drama was there from the

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beginning. Incredible tango. That is your best dance to date. You are

:23:27.:23:31.

better than you think you are. The potential is there a. Keep

:23:32.:23:35.

confidence in yourself. Believe in yourself because you've got it. I

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loved the concept and I love the drama Naga and Pasha, everyone. Sign

:23:42.:23:51.

this lady up to be the next Catwoman. That outfit, how amazing

:23:52.:23:56.

did you feel in that getup? I felt hot. You looked so hot. You looked

:23:57.:24:01.

quite good in the turtleneck as well. You entered Thom Cruise style,

:24:02.:24:07.

which was amazing. Then we were thinking he's never going to get her

:24:08.:24:09.

under from the buckle. What happened? I have no idea but it was

:24:10.:24:14.

so stressful because I was looking at the buckle and it wasn't buckling

:24:15.:24:19.

out and I was just like we are just staying here and Naga was like,

:24:20.:24:23.

yeah, any time you are done I will be there. It did not throw you at

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all. I'd had a lot of drilling, do not do anything without me. I lead

:24:29.:24:33.

you and you follow, I am yours to lead. OK, yes, Pasha. And it is

:24:34.:24:40.

sinking in. You remembered it exactly. That is brilliant. So much

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love for you online apart from the outfit. This came in from John

:24:45.:24:50.

Horne. He said, Naga and Pasha, tango to mission impossible was a

:24:51.:24:54.

mission well done, it was thrilling, truly an amazing tango. Thank you!

:24:55.:25:00.

Thank you for that. How thrilled were you with Naga's performance? It

:25:01.:25:05.

was amazing, especially knowing we couldn't unbuckle. I wanted to know

:25:06.:25:10.

what would happen next, would she be there where she was supposed to be

:25:11.:25:13.

forward she try and lead me this time? She did the right thing so she

:25:14.:25:18.

was really good and she really gave a great performance. I have to say,

:25:19.:25:27.

your high score to date, Len said it was your best dance. Those marks

:25:28.:25:32.

must have done your confidence the world of good. When Len said I'm

:25:33.:25:36.

better than I think I am that made something click. You spend so much

:25:37.:25:41.

time comparing yourself to the others and the other scores and

:25:42.:25:44.

actually I'm starting from a really low base and I'm trying really hard.

:25:45.:25:49.

He is an amazing teacher and I just need to enjoy my progression and

:25:50.:25:53.

enjoy learning new things. When we go into a week and he says Lockstep,

:25:54.:26:02.

and I'm like, what? Certainly. I get it now, I can't do it brilliantly

:26:03.:26:06.

but we are learning and I'm just going to enjoy my progression rather

:26:07.:26:08.

than worrying about how everyone else is doing. When you go in on a

:26:09.:26:13.

Friday and see everyone else perform and you think, my goodness, they are

:26:14.:26:18.

doing this and a backflip, so believe in yourself, it is

:26:19.:26:22.

brilliant. Bruno said a little bit about losing focus. Is this

:26:23.:26:25.

something you are aware of, Pasha? We're working on focusing, focusing

:26:26.:26:34.

on me, she was focusing on me and then on herself, that is what Bruno

:26:35.:26:38.

saw. This time it's all about me. He beat that into me occasionally. I

:26:39.:26:45.

have brought a special stick. You have a special stick? I don't want

:26:46.:26:49.

to know what goes on! This week, the charleston. So much character. Are

:26:50.:26:53.

you looking forward to it? So much fun. There is lots going on and

:26:54.:26:59.

Pasha is a brilliant choreographer anyway and he has put loads into

:27:00.:27:03.

this. We are working really hard. One of the things I've got to do is

:27:04.:27:08.

just the crisp with the steps and absolutely know that choreography.

:27:09.:27:12.

Nothing is going to happen, nothing bad will happen. Nothing will

:27:13.:27:18.

happen. There are no harnesses. You will not be attached to anything.

:27:19.:27:24.

You could spin around... Don't put anything! She's talking with

:27:25.:27:29.

confidence, Pasha, and it's obviously working. Keep it going for

:27:30.:27:35.

Saturday night. What can you tell us about this charleston, Pasha? Well,

:27:36.:27:39.

we are going to do our first lifts on this show. Oh! We haven't done

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any before this and it's going to be fun. I'm frightened. He is strong,

:27:49.:27:56.

he's used to this. That's what I'm doing for a living, lifting! You've

:27:57.:28:00.

had some amazing charlestons in the past, King Billy, Caroline, what is

:28:01.:28:03.

it about the character of the stance that you love very much? You do love

:28:04.:28:10.

it. It is so much fun and I think I'm such a performer. When you do a

:28:11.:28:15.

dance like this people are loving it and I love it even more when they

:28:16.:28:18.

are loving it and they love it even more because I'm loving it... And

:28:19.:28:24.

it's just an endless circle of love! Constant love. Hopefully I will

:28:25.:28:28.

share the love. I hope it will be brilliant. Good luck with your

:28:29.:28:30.

charleston, Naga and Pasha. A big thank to you

:28:31.:28:32.

to all our guests. I'll be back here at 6:30pm

:28:33.:28:36.

tomorrow with Danny and Oti, Plus, Ian Waite will be

:28:37.:28:39.

here for a traditional See you then.

:28:40.:28:44.

Goodnight.

:28:45.:28:47.

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