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Live from London, this is Strictly It Takes Two. Please welcome your | :00:50. | :00:56. | |
host, Zoe Ball. CHEERING APPLAUSE | :00:57. | :01:05. | |
Hello and welcome to it takes two, we are still recovering from the | :01:06. | :01:13. | |
drama, we had tears from Ore, two nines from Craig and the biggest | :01:14. | :01:20. | |
plot twist came when... Tameka and Gorka words eliminated but like | :01:21. | :01:28. | |
every good soap storyline there is a comeback, they are here tonight, | :01:29. | :01:32. | |
show them love. Joining them are whole accused of duties including | :01:33. | :01:39. | |
Anastacia and Brendan, Daisy and Aljaz are here and the Queen of | :01:40. | :01:50. | |
choreography Karen Hardy. They were in hot pursuit of the Garter Ball | :01:51. | :01:53. | |
trophy but after a high-speed chase their tangle sadly stopped their | :01:54. | :01:58. | |
Strictly journey in its tracks. Before we say goodbye here is Tameka | :01:59. | :02:00. | |
and Gorka's last dance. Going out as she came in, Tameka and | :02:01. | :02:39. | |
Gorka! Thank you. I tell you what, not a dry eye in the house or indeed | :02:40. | :02:44. | |
in my house last night during your last dance. So emotional. Very | :02:45. | :02:50. | |
emotional, I didn't know it would be this emotional. I knew it would be | :02:51. | :02:55. | |
but not this emotional. And I don't think anyone expected you to go so | :02:56. | :03:00. | |
soon. It feels so soon, I have got a lot more to give. I keep it inside. | :03:01. | :03:07. | |
He is even talking you through the come down, it is great. On Saturday | :03:08. | :03:16. | |
night, Len said you give it plenty of intent and focus, Bruno said you | :03:17. | :03:21. | |
gave a brilliant performance, look at you in those outfits as well! I | :03:22. | :03:25. | |
hope you got to keep them! How surprised where you to find | :03:26. | :03:30. | |
ourselves in the bottom two. I was surprised to be honest, not being | :03:31. | :03:34. | |
big headed but I really thought I'd put in the right moves, did not put | :03:35. | :03:39. | |
a wrong. Just really being in that character, I had some pain in my | :03:40. | :03:43. | |
back but at the end of the day I used it to really... Drive-through. | :03:44. | :03:50. | |
Drive-through! I was driving through it. How impressed were you with her | :03:51. | :03:57. | |
performance Gorka? Every week she was impressing me more and more and | :03:58. | :04:01. | |
getting better and better. The first time we did the routine it was | :04:02. | :04:07. | |
amazing, I was more impressed about all the energy she takes from her, | :04:08. | :04:11. | |
she gives everything she has like it was the last dance and sadly it was. | :04:12. | :04:16. | |
She gives everything, I was very impressed with her attitude. I did | :04:17. | :04:20. | |
not think you could give any more and then you did give it more, so | :04:21. | :04:24. | |
much love for you online, in the street and the studios, Lawrence for | :04:25. | :04:34. | |
example says what, Tameka? She was a firecracker. Another scene that | :04:35. | :04:37. | |
Saturday night have now lost their sparkle now that Tameka has gone and | :04:38. | :04:41. | |
another saying the world was infinitely brighter with Tameka on | :04:42. | :04:50. | |
it. I love the process and love to learn different dances, now I can | :04:51. | :04:57. | |
fling Dhoni paso doble -- fling down a paso doble. I am going to try and | :04:58. | :05:05. | |
put something in. What sort of dances were you looking forward to? | :05:06. | :05:10. | |
I was looking forward to the cha-cha or the cha-cha-cha? I was looking | :05:11. | :05:23. | |
forward to that one. And also the Rumba, that was going to be another | :05:24. | :05:27. | |
challenge for me. The ballroom was always going to be most difficult | :05:28. | :05:32. | |
for me. What did you find most difficult about it? The framing, | :05:33. | :05:36. | |
getting the frame rate and the back and a posture. It's quite a lot. | :05:37. | :05:42. | |
It's a lot to take on board, it's hard for people at home to sometimes | :05:43. | :05:47. | |
comprehend, it is quite uncomfortable. Yes, all the Latin | :05:48. | :05:52. | |
moving, shaking about, but that is something else. But I enjoyed the | :05:53. | :05:56. | |
process. Has it been everything, apart from the ending, that you | :05:57. | :06:02. | |
hoped it would be? It was, I have always watched the programme and | :06:03. | :06:05. | |
it's a great group of people. And this year is very strong. It's a | :06:06. | :06:11. | |
good year for me to do it and it's nice to work with Gorka. Gorgeous | :06:12. | :06:17. | |
boy. As you said, don't change, he is so adorable. We have loved having | :06:18. | :06:21. | |
you on the show and I don't want to say goodbye but here is your story, | :06:22. | :06:29. | |
Tameka. It's Gorka. I have always wanted to be on Strictly Come | :06:30. | :06:33. | |
Dancing, it's blowing my mind. Welcome to your first day of | :06:34. | :06:40. | |
rehearsals. Give me a few minutes to get it, do me a favour. Do me a | :06:41. | :06:49. | |
favour. Isil love Gorka. Gorka, the corker. -- Isil love | :06:50. | :06:59. | |
you have owned this stage, it goes without saying. Full of impact and | :07:00. | :07:12. | |
fun. My face my face. I have always admired the charleston. But to do it | :07:13. | :07:19. | |
like this? Ready? It's a different level. I love the fact it was | :07:20. | :07:26. | |
completely character driven, I thought that was brilliant. The | :07:27. | :07:38. | |
Queen of slapstick! Gorka and I are dancing the tango. It's so early in | :07:39. | :07:43. | |
the competition and I'm not ready to go home. I thought the performance | :07:44. | :07:50. | |
was brilliant, loved it. The thing which distracted for me was your | :07:51. | :07:54. | |
posture, a bit over the top, but well done. Len, who are you going to | :07:55. | :08:07. | |
save? Laura and Giovanni. I have enjoyed my time immensely, it's | :08:08. | :08:10. | |
lovely to be part of it and I am grateful, thank you. CHEERING | :08:11. | :08:16. | |
I am not surprised you're getting emotional. My mum said I looked bad | :08:17. | :08:25. | |
when I cry so I shouldn't cry, sorry mum! What are you going to mess | :08:26. | :08:30. | |
about training with this gorgeous Gorka the corker? I will miss you | :08:31. | :08:34. | |
because you are a lovely guy, I have got to know you and I love how you | :08:35. | :08:40. | |
work and as a person. But it's everything, learning the steps, the | :08:41. | :08:44. | |
dance. I know I am not what you would call a dancer, a dancer type. | :08:45. | :08:51. | |
But I put the work in, I thought I gave it my best shot and did not | :08:52. | :08:55. | |
want it to be so short for you to be honest. It's alive! And you will | :08:56. | :09:06. | |
miss Tameka as well? Yes, not just the dancing, I will continue | :09:07. | :09:12. | |
dancing, it's what I'm going to miss about horror as a person and of the | :09:13. | :09:15. | |
things she showed me in this month we have been together. More than by | :09:16. | :09:22. | |
the dancing, the dancing was the way we get to know each other but I | :09:23. | :09:30. | |
learned from her a lot of things. You are beautiful. It's like speed | :09:31. | :09:35. | |
dating but with more dancing! We are never going to part! We are really | :09:36. | :09:41. | |
going to miss you, do me a favour! Do me a favour! Tameka and Gorka! | :09:42. | :09:48. | |
APPLAUSE I think we can all agree that movie | :09:49. | :09:53. | |
week was an action packed blockbuster, here is a | :09:54. | :09:56. | |
behind-the-scenes look at how all the movie magic became a reality, I | :09:57. | :10:04. | |
love you both! I love you too! Good morning! Its movie week! Lights, | :10:05. | :10:13. | |
camera, action! Movie week is fantastic because all your dreams | :10:14. | :10:19. | |
come true. Hard to not get into character with this hair, I have | :10:20. | :10:24. | |
always wanted hair like this, I want to keep it for a few days. I have | :10:25. | :10:30. | |
just been giggling constantly. I think it such joyful music, I have | :10:31. | :10:34. | |
been laughing in your face all the time. So tiny yet mighty. Right at | :10:35. | :10:43. | |
the end of the routine we have a shower of glitter coming down, I | :10:44. | :10:50. | |
managed to eat a lot of glitter. I'll be fine. | :10:51. | :10:56. | |
Everything you're seeing is bigger this week. Hair is bigger, make up | :10:57. | :11:05. | |
is bigger, the routine is bigger. A little bit of this going on because | :11:06. | :11:08. | |
this is Strictly so it has to have some bowling. I am turning myself | :11:09. | :11:17. | |
into Robin Hood, I look the part now I had to dance the part. There will | :11:18. | :11:24. | |
be a few arrests. I secretly fight crime at night but don't tell | :11:25. | :11:34. | |
anybody. Stop! Somebody stop me! He is under arrest. Sorry, what is | :11:35. | :11:40. | |
your? Keep walking. Five minutes! We are going to cut to the magic of | :11:41. | :11:55. | |
the movies just for you. Good luck! Where is Anton? We are on | :11:56. | :12:19. | |
air in one minute everybody. Have a great show everybody. Lights, | :12:20. | :12:26. | |
camera, action! Its movie week on Strictly Come Dancing! | :12:27. | :12:33. | |
Prize for anyone who spotted the floor manager seven times, it's like | :12:34. | :12:40. | |
our own version of where's Wally. If I could I would spend a thousand | :12:41. | :12:43. | |
years watching our next couple dance but that's a long time so let's put | :12:44. | :12:49. | |
that down to 30 seconds of highlights instead. It's Anastacia | :12:50. | :12:57. | |
and Brendan. It had a beautiful quality from beginning to end. It | :12:58. | :13:05. | |
was understated and it had class. Very, very nice my darling. Very, | :13:06. | :13:14. | |
very sweet. Very correct. You have come back with an enormous sense of | :13:15. | :13:17. | |
confidence and I think that is great. | :13:18. | :13:23. | |
Anastacia and Brendan! CHEERING APPLAUSE | :13:24. | :13:28. | |
Tangling, I love that Craig was saying you had come back with an | :13:29. | :13:33. | |
enormous sense of confidence after a tough week, how did it feel to be | :13:34. | :13:38. | |
back out on the dance floor? It felt amazing, nice to have a new moment | :13:39. | :13:42. | |
and a new fresh memory, not the memories that were last week. That | :13:43. | :13:47. | |
is what life is about, moving on. Let's not look back at it remind you | :13:48. | :13:53. | |
terrible moments. 27 points, Brendan, look at you. I have to make | :13:54. | :14:04. | |
sure he stays dapper. Thank you. 27 points, are you happy? It was great, | :14:05. | :14:08. | |
it was nice to go out and deliver a performance she could be proud of | :14:09. | :14:13. | |
and we did that, it felt lovely, I love the emotional ones where you | :14:14. | :14:17. | |
can get into the story. He is a softy. He is such a softy. He hates | :14:18. | :14:24. | |
people knowing it. He is a gentle giant. Where are you worried the | :14:25. | :14:30. | |
week before, in the Results Show that you might have been bottom two. | :14:31. | :14:35. | |
Might? I totally thought we were going to be, I said what do I have | :14:36. | :14:40. | |
to do, we work the bottom feeders, let's just do it. It just felt like | :14:41. | :14:47. | |
it was who we were. There was a moment when we were waiting for the | :14:48. | :14:50. | |
results and we were thinking it is ask, get on with it. What a great | :14:51. | :14:56. | |
feeling to be saved. And it gives you confidence and you could feel | :14:57. | :15:02. | |
that. It was great people voted for us, I thought oh my god there are | :15:03. | :15:09. | |
people out there that like us. Your Viennese waltz went worldwide, | :15:10. | :15:14. | |
Daniela from Germany said on Twitter that it was made for you, it touched | :15:15. | :15:18. | |
me and you looked beautiful like a real princess. We touched Germany. | :15:19. | :15:25. | |
Did you feel regal as you danced around? I did. I felt like the head | :15:26. | :15:34. | |
of the princesses. The Glam squad and it really was one of those | :15:35. | :15:39. | |
moments where the Glam squad, the costume, everything, I did not wake | :15:40. | :15:43. | |
up looking like a princess, I can tell you that. Yes you did. You | :15:44. | :15:48. | |
don't know what I woke up looking like! This is not live, we can cut | :15:49. | :15:56. | |
that, right? No one will ever know! You were rocking the vampire look. | :15:57. | :16:02. | |
Twilight is about vampires, it's not the normal look for the dance but I | :16:03. | :16:05. | |
like characters and really getting involved. And earlier on, look at | :16:06. | :16:10. | |
this. George and Bryony from glamour squad | :16:11. | :16:21. | |
did this for you. This is the transformation, how long did it | :16:22. | :16:25. | |
take? About an hour and a half, I loved it, I had so much attention. | :16:26. | :16:29. | |
Normally the boys in the make-up chair are like, get out. I had a | :16:30. | :16:33. | |
great day. A lot of women were touching him, was happy. How quickly | :16:34. | :16:39. | |
did you get it off? I pretended I was in a movie and I was like... . | :16:40. | :16:47. | |
We could have done with that, a Scooby Doo reveal. Moving on, this | :16:48. | :16:56. | |
week it is the rubber. -- it is the rumba. The dance of love. Have you | :16:57. | :17:02. | |
had any training, what do you know about this dance, Anastacia? I know | :17:03. | :17:06. | |
it is a very passionate dance. I feel like because our first dance | :17:07. | :17:15. | |
was the cha-cha I feel like it's a slow but passionate cha-cha. Will go | :17:16. | :17:18. | |
with that! I'm not a dancer, apparently. Looks like you have a | :17:19. | :17:25. | |
very natural action for it. We've only done an hour today but it was | :17:26. | :17:29. | |
fluid and lovely and I'm expecting nice things. He's so good. Never | :17:30. | :17:35. | |
tell him that! I don't, in fact, I didn't say that. Good luck with the | :17:36. | :17:45. | |
rumba, the dance of love. APPLAUSE While the weather is getting colder, | :17:46. | :17:48. | |
the competition is hotting up. Which of our couples are red-hot and who | :17:49. | :17:53. | |
are a little tepid only one way to find out, col grew -- choreography | :17:54. | :17:57. | |
Karen. CHEERING | :17:58. | :18:13. | |
This sizzling Karen Hardy. Twist the light bulb move. Look at you! We did | :18:14. | :18:19. | |
see you in the audience on Saturday night. Everyone in my house was | :18:20. | :18:24. | |
like, Karen! Did you enjoy it? I loved being back there, waves from | :18:25. | :18:29. | |
the camera crew. And the smell, don't laugh, of lights, camera, | :18:30. | :18:34. | |
action. What is that film, Norma Desmond? When she goes back? Not | :18:35. | :18:40. | |
that I'm saying you're Norma! Being there, watching the energy and the | :18:41. | :18:46. | |
passion, the celebrities on the dancers, the judges, magical, very | :18:47. | :18:50. | |
lucky to be there during Movie Week. Laura and Giovanni, shocking bottom | :18:51. | :18:55. | |
two, week three, you don't see it coming and there it was. They came | :18:56. | :18:59. | |
out and oh boy, did she looked amazing. She gave it everything she | :19:00. | :19:03. | |
had. Craig thought perhaps she had thrown a bit too much in that, what | :19:04. | :19:08. | |
did you think? You know what? We're going to go technical from the | :19:09. | :19:11. | |
beginning. This is a competition. We don't want this dance to be | :19:12. | :19:17. | |
disciplined and clean, it's meant to be earthy and edgy. She mastered | :19:18. | :19:23. | |
those hips, look at the energy between a two of them. This to me is | :19:24. | :19:28. | |
what salsa should be about. I always teach perfect balance gives you zero | :19:29. | :19:34. | |
energy. These two were edgy. Just a bit spicy, and that to me is what | :19:35. | :19:38. | |
this competition is all about, and especially assaults. But one magical | :19:39. | :19:43. | |
thing in the dance-off, there was a moment when Giovanni could see Laura | :19:44. | :19:48. | |
was struggling with what the decision had been an Iran across, | :19:49. | :19:52. | |
gave her that big hug and said, let's go for it, come on. -- he ran | :19:53. | :19:58. | |
across. That was magical for me and beautiful, shouldn't have been in | :19:59. | :20:02. | |
the bottom two, for the record. Danny Mac and Oti, universal praise | :20:03. | :20:15. | |
from the judges. Bruno loved the flamenco elements, did he pretty | :20:16. | :20:20. | |
much? It was brilliant. Again, the competition hot from the beginning. | :20:21. | :20:24. | |
The choreography I loved, the changes of direction, the actions, | :20:25. | :20:28. | |
and what they were talking about, the flamenco. I've chosen a piece | :20:29. | :20:32. | |
here. Beautiful use of the arms, the elbow has pimpled behind the ears. | :20:33. | :20:38. | |
The attention to detail with these two, so early on, I just loved it. | :20:39. | :20:44. | |
So much so, let's have a go at that action. CHEERING | :20:45. | :20:48. | |
Everybody at home, we are going to have a bit of the old swatting | :20:49. | :20:58. | |
mosquitoes. We elevate the elbows. Elevate. Elbows behind the ears, | :20:59. | :21:05. | |
shoulders nice and relaxed. The camera crew are all having a go | :21:06. | :21:10. | |
here! You use the back of the arm and create a lovely curve and | :21:11. | :21:19. | |
recover. And again. APPLAUSE Producer Chris looked very good | :21:20. | :21:25. | |
doing that. Sorry, just very quickly, looking at technique here. | :21:26. | :21:30. | |
We have to watch this young man's Postiga. Really? I'm getting a bit | :21:31. | :21:36. | |
of this and it's annoying me. Will and Karen's Bollywood themed salsa. | :21:37. | :21:46. | |
Brilliant from Will Len concerned there wasn't enough south, Will try | :21:47. | :21:52. | |
to put his point across, what did you make of it? I looked back over | :21:53. | :22:00. | |
it, of course. The salsa steps were there, but where there was such a | :22:01. | :22:05. | |
gamble with the Bollywood theme, the concentration he would have to have | :22:06. | :22:09. | |
had would have an did distract away from what we talk about, we want hip | :22:10. | :22:16. | |
action, and the energy. That's what Len was more going towards. The | :22:17. | :22:20. | |
actual content was there, but the techniques were missing. Fabulous | :22:21. | :22:24. | |
number, however, great gamble by the two of them. You win or lose with a | :22:25. | :22:33. | |
gamble. Naga and Pasha's tango. Her highest score yet. Craig felt she | :22:34. | :22:39. | |
might need a stronger and cleaner line. Yes, when she does it well, | :22:40. | :22:42. | |
and I've chosen this piece, she's driving across the dance floor, | :22:43. | :22:47. | |
lovely top line, look at that extension. Then we always get this | :22:48. | :22:51. | |
little shuffles and wiggles. She's got to nail the choreography. We are | :22:52. | :22:57. | |
about to see from here on in all the bells and whistles have gone, Movie | :22:58. | :23:01. | |
Week is out of the way, we're going to look at the nitty-gritty now. | :23:02. | :23:09. | |
That body contact, topline, she has to now the choreography. That is my | :23:10. | :23:13. | |
only concern. But what an entrance. Did you see that? I know, brilliant. | :23:14. | :23:20. | |
Great choreography. I have about 25 seconds, Greg and Natalie with their | :23:21. | :23:23. | |
American Smooth, which was wonderful. Darcey was a bit | :23:24. | :23:27. | |
concerned about the lift, that it was too powerful? I loved it, the | :23:28. | :23:31. | |
American Smooth is all about being dramatic and over the top and we | :23:32. | :23:36. | |
exaggerate everything. For me, without music, fabulous left, loved | :23:37. | :23:40. | |
it. We will talk more about everyone tomorrow. Karen Hardy! You look | :23:41. | :23:46. | |
stunning tonight, by the way. Our final couple gave us just a spoonful | :23:47. | :23:50. | |
of sugar on Saturday night, but we will take a whole bowlful if that | :23:51. | :23:54. | |
dance is anything to go for, Daisy and Aljaz. | :23:55. | :23:59. | |
Lovely hold, great Postiga and gorgeous movement down the floor. -- | :24:00. | :24:09. | |
gorgeous posture. So light on your feet, like you were floating on air. | :24:10. | :24:13. | |
Anita 's footwork I've seen. You've danced so well together. Daisy and | :24:14. | :24:23. | |
Aljaz are here. You look amazing, that dress. Aljaz, you look lovely | :24:24. | :24:28. | |
too, darling. No problems, what an amazing performance, opening the | :24:29. | :24:32. | |
show, the outfits, the set and it was brilliant and greatest cause. | :24:33. | :24:37. | |
How much did you enjoy, Daisy? I loved being Mary Poppins, one of my | :24:38. | :24:41. | |
all-time favourite films growing up. To embody her was quite a lot of | :24:42. | :24:45. | |
pressure, but we just had such a laugh, didn't we? I was thinking | :24:46. | :24:50. | |
that, when you are given such an iconic character, does that make it | :24:51. | :24:54. | |
harder or does it make it easier? I think it was hard. It was big shoes | :24:55. | :24:59. | |
to fill, but I tried to dress like her all week. We noticed! And | :25:00. | :25:04. | |
telling him. Very successful, actually! I was like your nanny, | :25:05. | :25:10. | |
making sure you drank plenty of water. And cleaned your teeth. | :25:11. | :25:16. | |
Aljaz, no rules broken, well done. APPLAUSE | :25:17. | :25:19. | |
I was so proud of myself. I know it's not easy. Ouch after were you | :25:20. | :25:23. | |
with the comments from the judges? I loved it, every comment. It was such | :25:24. | :25:28. | |
hard choreography to get through and the quick step is always difficult. | :25:29. | :25:33. | |
Daisy got through every single step. Darcey said the footwork was | :25:34. | :25:37. | |
immaculate. Yes, and neat. I loved it. You are not the only one, Alex | :25:38. | :25:43. | |
from Essex said Daisy Lowe, looks like Julie Andrews in her outfit. | :25:44. | :25:58. | |
Legit. A slight gear change this week, because... First of all, let's | :25:59. | :26:03. | |
go back, I have some stats for you, Aljaz. We have combined your first | :26:04. | :26:07. | |
week's scores for each of your previous dance partners and we are | :26:08. | :26:11. | |
going to do some comparison. Daisy took at deep breath! 90 points in | :26:12. | :26:20. | |
the first three weeks with Clancy. With Alison, 76 in the first three | :26:21. | :26:25. | |
weeks. Last week with Helen George, 90 weeks in the first three weeks. | :26:26. | :26:30. | |
And finally, are we going to go higher or lower ladies and | :26:31. | :26:34. | |
gentlemen? With Daisy you have scored 93 point! Yes! So pleased. | :26:35. | :26:42. | |
Daisy, that's great, she looks pleasantly surprised. I was quite | :26:43. | :26:50. | |
scared. Well... This week a gear change completely, the rumba, the | :26:51. | :26:58. | |
dance of love, have you learned anything yet? I only had an hour | :26:59. | :27:02. | |
today, we did the basics today. We started learning the steps a little | :27:03. | :27:07. | |
bit. We didn't get far. No! Physically we had about an hour, but | :27:08. | :27:11. | |
mentally we are still going through steps. You never actually stop! You | :27:12. | :27:18. | |
have had mixed scores with your rumbas over your time, Aljaz. Sorry, | :27:19. | :27:22. | |
I feel like I'm giving you a hard time. With Abbey you got 24 but you | :27:23. | :27:31. | |
are in the dance. How do you avoid that this weekend? I always blamed | :27:32. | :27:36. | |
that on Halloween. I don't add much to do with the rumba, it was | :27:37. | :27:42. | |
Halloween. Today is the Halloween fault. I don't like being scared... | :27:43. | :27:47. | |
When there are so many scary things around me... Genuine jumpy. Your | :27:48. | :27:54. | |
little sister Betty came into the show on Friday. She loved it. What | :27:55. | :27:59. | |
is she thinking about your journey? She's so excited, she's loved the | :28:00. | :28:04. | |
show, ever since you won Abbey Clancy. She used to make me sit down | :28:05. | :28:09. | |
and watch those dancers, so she was so happy to meet on Friday. She's | :28:10. | :28:13. | |
over the moon. She loves it all. She's just got a cheese too young to | :28:14. | :28:18. | |
come and watch it. I know. I think around children in need... You are | :28:19. | :28:23. | |
getting around swimmingly. Is it fun, fun, fun in the changing room | :28:24. | :28:27. | |
Mark Tullo it's fun and then I get frustrated and then it's fun again | :28:28. | :28:33. | |
we do get on really well. What does swimmingly mean? We're going | :28:34. | :28:38. | |
swimmingly. Another ridiculous bit of language. We love you both, good | :28:39. | :28:44. | |
luck with rumba. Daisy and Aljaz! I just want to stand up and sit down | :28:45. | :28:48. | |
again. That is it for tonight, a big thank you to all of my guests. Join | :28:49. | :28:53. | |
us tomorrow at 6.30 when we will speak to Naga and Pasha, Laura and | :28:54. | :28:59. | |
Giovanni. And we revealed the songs are dancers will be dancing to next | :29:00. | :29:01. | |
weekend. Good night. | :29:02. | :29:02. |