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I don't know why we don't go to the movies more often. | :00:00. | :00:12. | |
Well, in approximately one minute's time, | :00:13. | :00:28. | |
eight people were trying to find themselves? | :00:29. | :00:30. | |
Daisy and Aljaz, plus Ore and Joanne, | :00:31. | :00:45. | |
this is It Takes Two - The Movie. | :00:46. | :00:52. | |
Live, from London, this is Strictly - It Takes Two. Please welcome your | :00:53. | :01:52. | |
host, Zoe Ball. # For one night only... | :01:53. | :02:02. | |
# One night only...# | :02:03. | :02:07. | |
Oh, was that a total disaster? Was I out of time? Welcome to It Takes | :02:08. | :02:15. | |
Two. Thank you to the ladies, Hot Clips, Clifton and Jo Clifton. It is | :02:16. | :02:21. | |
Friday night. And I can confirm we are 24 hours, 42 minutes and 44 | :02:22. | :02:27. | |
seconds away from the Strictly Movie Week Special. | :02:28. | :02:32. | |
And to celebrate the first theme week of the series, we thought we'd | :02:33. | :02:35. | |
have our own Hollywood makeover here at It Takes Two. | :02:36. | :02:38. | |
It's the day we get to have a sneak peak | :02:39. | :02:45. | |
So, back by popular demand, my favourite Welsh wing-man | :02:46. | :02:49. | |
Gethin Jones spent the morning getting all the gossip, | :02:50. | :02:58. | |
I'm at the Strictly ballroom where rehearsals are under way for Movie | :02:59. | :03:05. | |
Week. Now practising is Judy Garland and Fred Astaire, also known as | :03:06. | :03:11. | |
Lesley and Anton. Have a look, a sneak peek. Go on. | :03:12. | :03:17. | |
She is loving T he has never been worked so hard in all his life. | :03:18. | :03:24. | |
Whilst rehearsals continue, I'll quickstep my way around he will | :03:25. | :03:29. | |
stree studios, catching up with the other couples. Zoe, I will not let | :03:30. | :03:32. | |
you down. Thank you. More exclusives later on. | :03:33. | :03:39. | |
But now, from one bit of hot stuff to another. | :03:40. | :03:41. | |
Our next guest has played such prestigious roles as The Geek | :03:42. | :03:44. | |
Who Lost His Bicycle and the Fire Fighter with Frilly Hands. | :03:45. | :03:46. | |
I'm sure his next role as Man Sat On Sofa | :03:47. | :03:49. | |
APPLAUSE MUSIC: Hot Stuff For me it looked | :03:50. | :04:01. | |
stiff. Particularly in the hips department. You have to be confident | :04:02. | :04:05. | |
to produce those moves. It was very impressive. An excellent performance | :04:06. | :04:09. | |
and better than last week, so, well done. | :04:10. | :04:26. | |
Go wild for Ore and Joanne. Hello. Look at you in leopard skin. Remind | :04:27. | :04:37. | |
me - I should say, last weekend, Mr No sleeves, the guns were out. | :04:38. | :04:41. | |
Weren't they mighty. I got shimmered and everything, Zoe. Was that the | :04:42. | :04:46. | |
first time that has happened to you? It was. It won't be the last. Was it | :04:47. | :04:51. | |
scary, opening the show? It was nerve wrecking. He was more scared | :04:52. | :04:55. | |
than or right. I couldn't let him know that. I had to give him | :04:56. | :04:59. | |
encouragement. I think it was me who was shaking We, as you will know, | :05:00. | :05:04. | |
incorporated a fireman's pole into the routine. Not many people know | :05:05. | :05:07. | |
this but it wasn't attached at the top. So I was attached to a pole | :05:08. | :05:12. | |
with no top, just hanging for dear life at the top. My nervous little | :05:13. | :05:19. | |
foot at the top going - Eeeek. You knew if you had lent slightly | :05:20. | :05:25. | |
wrong... It could have gone wrong. In your wild he is's dreams could | :05:26. | :05:30. | |
you have imagined you would be on national TV, dressed as a fireman | :05:31. | :05:35. | |
with a pole. It was a dream. A lot of people's fantasy I'm glad we | :05:36. | :05:42. | |
could deliver that. I never in my wildest dreams and I don't think in | :05:43. | :05:45. | |
Strictly history we have had one. Has there been? No. I'm glad we can | :05:46. | :05:52. | |
do that. You had 27. Were you happy with the comments and score? I was | :05:53. | :05:58. | |
happy that Len's score went up one. There was the same score, Craig went | :05:59. | :06:02. | |
down but Len went up. I was happy with that because it was Len who | :06:03. | :06:05. | |
said about the comments the week before, bad comments the week | :06:06. | :06:08. | |
before, so we impressed him, didn't we? Yes, we did. I think when you | :06:09. | :06:14. | |
impress Len you can feel better about yourself. Craig said you were | :06:15. | :06:19. | |
a bit stiff in the hip department, I have to say I totally agree I have | :06:20. | :06:24. | |
more hip action - do you want to see some hip? | :06:25. | :06:27. | |
CHEERS Look at this. | :06:28. | :06:34. | |
Oh... Stop it. Stop T Family show. So sorry. How much work have you | :06:35. | :06:41. | |
done on the hips? We We did some. He has had a bit naturally. We had | :06:42. | :06:45. | |
three-and-a-half days to do it. You have to pryer advertise what you | :06:46. | :06:49. | |
want to do. I was working on the no heels, because that can send people | :06:50. | :06:52. | |
home doing heels in a cha-cha-cha and straight leg. We worked on the | :06:53. | :06:57. | |
hips but maybe on the night... . There was a lot to think about. And | :06:58. | :07:02. | |
a pole that wasn't attached. . Talk about hazards. I know, one man was | :07:03. | :07:08. | |
very, very excited, the charming David Ephgrave from London. Evening. | :07:09. | :07:13. | |
He tweeted you were finally bringing back braces choreography to | :07:14. | :07:16. | |
primetime TV. Rock on Tommy. Loved this move. I'm imagining this took | :07:17. | :07:21. | |
ages to master. Look at that. Come on! Thank you. Thank you for the | :07:22. | :07:29. | |
whoo. As soon as Jo knew I was going to be | :07:30. | :07:33. | |
wearing braces she wanted immediately to put into the routine. | :07:34. | :07:36. | |
More hazards, not only the pole but we had a couple of pings. You know, | :07:37. | :07:46. | |
els a particular. You have - elasttic. You know the pain barrier, | :07:47. | :07:51. | |
we went through that. This weekend, you are dancing to Manmohan Singh. | :07:52. | :07:58. | |
I'm - you are dancing to Singing In The Rain. | :07:59. | :08:03. | |
How has your week been? Couldn't have been more fantastic, going from | :08:04. | :08:08. | |
classy cool to Gene Kellie. Jo loves this dance and this old school music | :08:09. | :08:14. | |
even better. Can I exclusively reveal - she cried during... Jo | :08:15. | :08:21. | |
Clifton cried. Don't tell. It is that good! No, it was. Good luck | :08:22. | :08:27. | |
tomorrow. I know it is going to be amazing. Ore and Jo an. | :08:28. | :08:33. | |
APPLAUSE You are getting wolf whistles. | :08:34. | :08:39. | |
So we know how Ore and Joanne are getting on but how | :08:40. | :08:42. | |
are Louise and Kevin, Tameka and Gorka and Greg and | :08:43. | :08:45. | |
It is a different dance for Louise. There is nothing similar apart from | :08:46. | :08:55. | |
keeping in time to the music. We spent last weak, trying to hammer | :08:56. | :08:59. | |
in, getting into the knees, now she's used to that we have to change | :09:00. | :09:03. | |
and go in a different direction. It is the straight legs and hips, the | :09:04. | :09:07. | |
problem. The more we do it the better. I don't moan about | :09:08. | :09:11. | |
re-running it at all. Yeah, yeah, yeah. That's great. ! | :09:12. | :09:20. | |
Gorka and I, we are dancing the tango. It is very dramatic It is a | :09:21. | :09:25. | |
very passionate energetic dance. I think I will be very good at my | :09:26. | :09:31. | |
character in this routine. Tameka has a strong woman character. So | :09:32. | :09:36. | |
she's going to bring it out and be amazing. I really want to do well. | :09:37. | :09:40. | |
It's so early in the competition now and I'm not ready to go home. | :09:41. | :09:47. | |
Beautiful. Greg is really, really good at the American smooth You are | :09:48. | :09:53. | |
in my good books today. We have been working a lot on technique and moves | :09:54. | :09:57. | |
being very precise. Big, small, big, small. Greg is really embracing foot | :09:58. | :10:03. | |
work and the rise and fall in his frame. Oh happy days. Is that nice? | :10:04. | :10:09. | |
Lovely. ! It is about holding the poses properly and making it look | :10:10. | :10:13. | |
really, really good. I think this is possibly the dance for me. | :10:14. | :10:20. | |
Greg looks good. The force is strong with them - | :10:21. | :10:31. | |
it's Sam Nixon, Mark Rhodes I'm loving your outfit, Sophie. | :10:32. | :10:49. | |
You look divine. When Karen Hardy was on Choreography | :10:50. | :10:53. | |
Corner on Tuesday, she said last week was possibly the best week 2 | :10:54. | :10:58. | |
ever on the show. Are we in agreement with the Hardy? The | :10:59. | :11:01. | |
standard is impressive, really, isn't it? They are all so good. I | :11:02. | :11:07. | |
have seen some contestants here this evening and they said I have been | :11:08. | :11:13. | |
watching over older things, I think don't, I feel their dances are more | :11:14. | :11:18. | |
complicated than anything I did. I watched your Charleston and it is | :11:19. | :11:22. | |
still amazing. Let's look at this week's dances. Mr Ed Balls. Last | :11:23. | :11:26. | |
week he was incredible with his Charleston. This week a samba. A | :11:27. | :11:31. | |
notoriously difficult dance, can he bring the performance like he did | :11:32. | :11:38. | |
last week? Have a look. He will be Cuban Pete from The Mask. Can he | :11:39. | :11:42. | |
bring it, Sam, what do you reckon? Just look at him there. He is like | :11:43. | :11:47. | |
proper going for it. With Ed, what is lovely, you can tell he is | :11:48. | :11:51. | |
enjoying it and you can tell he is giving it everything. Which I think | :11:52. | :11:53. | |
is really endearing and especially to the public watching. You watch | :11:54. | :11:58. | |
that and think - he is giving his best, I will vote for him. He got a | :11:59. | :12:03. | |
standing ovation. He deserved it, he was really, good. I have a lot of | :12:04. | :12:07. | |
time for Ed Balls. I know, I have a lot of time for him, too. Louise and | :12:08. | :12:12. | |
Kevin. Now there are girls and boys around the country of a certain age, | :12:13. | :12:17. | |
in their late 40s like me who would have danced in their bedrooms to | :12:18. | :12:20. | |
this track for years. I'm so jealous. It is Flashdance What a | :12:21. | :12:24. | |
Feeling. Legwarmers, there is Kevin Clifton. How good is this going to | :12:25. | :12:29. | |
be, Sophie, what is her technique like? I think she is's brilliant. | :12:30. | :12:35. | |
She is so lovely but also an incredible dancer. Really precise. | :12:36. | :12:41. | |
I'm really impressed with her. I think she's going to do well. Sam | :12:42. | :12:47. | |
what are you thinking? I love how you are concentrating. Calm down! | :12:48. | :12:53. | |
She looked wicked. The leg work was awe so. Incredible. Zblunt seen the | :12:54. | :12:57. | |
outfit yet. Wait until you see that. We are moving on to your old | :12:58. | :13:02. | |
partner, Sophie. Brendan and Anastasia are doing a Viennese waltz | :13:03. | :13:09. | |
this weekend, to - 1,000 Years from Twilight. Let's look at them | :13:10. | :13:13. | |
rehearsing. You know this man well. He is very good in the ballroom. He | :13:14. | :13:20. | |
is brilliant all round. I think his choreography is superb. I think they | :13:21. | :13:23. | |
are having a lovely time. I can tell they are getting on which is nice. | :13:24. | :13:27. | |
They had a tough weekend last weekend. So I think they'll be | :13:28. | :13:30. | |
relieved to be out There I think she deserves to have a good run at it. | :13:31. | :13:34. | |
Now we'll look at Will and Karen. They are doing a salsa, everybody, | :13:35. | :13:39. | |
to Jai-Ho from Slumdog Millionaire. Here they are. Check out Will's | :13:40. | :13:46. | |
trousers. Brilliant Brilliant When you can come right out of bed, there | :13:47. | :13:50. | |
we are. Straight into the dance studio. This looks brilliant, | :13:51. | :13:55. | |
doesn't it? Really good. I don't know what that is called. What do | :13:56. | :14:02. | |
you reckon? He looked like Aladdin. I think he is wicked. I think Craig | :14:03. | :14:06. | |
particularly has been really harsh on Will. Come on, Craig! I know he | :14:07. | :14:13. | |
is the harsh judge. Is that his name, the harsh judge? Harsh judge. | :14:14. | :14:20. | |
He will love that. We'll move on to a couple of swells. Lesley and | :14:21. | :14:24. | |
Anton. Again, she's really wowing people at home. They are loving this | :14:25. | :14:27. | |
week. Being Fred Astaire and Judy Garland. Here we are, it is a quick | :14:28. | :14:32. | |
ste. What do we think, Mark? I think Anton will be in his element there. | :14:33. | :14:37. | |
And Lesley, she looks really good in hold. They look really, like | :14:38. | :14:40. | |
powerful together. I think they are a great couple, actually. Are we | :14:41. | :14:45. | |
liking Anton's Beard, he has grown one, he is playing a tramp. Well it | :14:46. | :14:50. | |
is a little bit... A bit of stubble. He needs to work on it more. I think | :14:51. | :14:56. | |
it looks dashing. OK, Tameka and Gorka next. I know everybody looks | :14:57. | :15:01. | |
forward to watching them dance. They are doing the tango to The Heat Is | :15:02. | :15:08. | |
On from Beverly Hills Cop. Here we are, here they are in action. Why do | :15:09. | :15:12. | |
people love them? I really love her. I like them both. Well, look she's | :15:13. | :15:17. | |
really getting into it now. The first week she found it hard not to | :15:18. | :15:22. | |
laugh, wasn't she? She's releasing her inner dancer. She has a bad knee | :15:23. | :15:27. | |
and tango is down in the knees, so it is tough. You would never tell | :15:28. | :15:30. | |
from that, would you? Definitely not, no. And you like Gorka? There | :15:31. | :15:46. | |
was a lady who loves Gorka! One of our new dancers. Treat me! He seems | :15:47. | :15:53. | |
like a lovely lad! That is the right response! Onto the judge, and | :15:54. | :15:58. | |
Oksana. They are going to be the even stones. It is the stuff that | :15:59. | :16:06. | |
dreams are made of. He would go. He is hilarious. He is wearing a nude | :16:07. | :16:16. | |
show. He is so popular. How is this going to be? Very entertaining. His | :16:17. | :16:24. | |
facial expressions, everything he does, it's just wonderful. This is a | :16:25. | :16:30. | |
perfect dance for him and he is a Da calls to win the competition, I | :16:31. | :16:37. | |
really do! -- a dark horse. What do you think? Does that look like a | :16:38. | :16:42. | |
Charleston to you? I am particularly happy with that. Like Mike said, he | :16:43. | :16:49. | |
got criticised for his facial expressions and stuff like that, I | :16:50. | :16:53. | |
think he can really explode with his facial expressions, which will be | :16:54. | :17:02. | |
great. Ya bet that do! Give it up for our Friday panel! | :17:03. | :17:04. | |
But now, earlier today I gave Gethin Jones a microphone | :17:05. | :17:06. | |
and a highly skilled camera crew and said "do your worst". | :17:07. | :17:09. | |
Here's who he found hanging around in an empty dressing room | :17:10. | :17:12. | |
I found a very posh dressing room to catch up with this lovely four. | :17:13. | :17:25. | |
Thank you for joining me so early. Danny, the passe by Blake, how is it | :17:26. | :17:34. | |
going? Idol: the Cape, I have had it since we walked offstage last week. | :17:35. | :17:41. | |
-- I do actually. I know you complain about how hard she works | :17:42. | :17:45. | |
you but by and even only done about an hour, had even cracking the whip | :17:46. | :17:54. | |
since? I don't complain. I'm not bossy at all! I know what I want and | :17:55. | :17:58. | |
I know what I want him to look like. And you know what you want to give | :17:59. | :18:03. | |
the viewers! What more could you ask for? Nothing else! Just do what you | :18:04. | :18:11. | |
have to do, that it! What about the elastic, you have been giving him | :18:12. | :18:16. | |
some elastic? That was just resistance training for his elbows. | :18:17. | :18:23. | |
It's a dance competition, not interval training! We have to get | :18:24. | :18:28. | |
into the stage where he looks like a dancer. He's fantastic. Louise, help | :18:29. | :18:34. | |
you feel on a Friday? Are you excited and nervous? I wasn't in the | :18:35. | :18:39. | |
well heard these guys have been training with resistance bands! -- | :18:40. | :18:45. | |
until I heard these guys. Where is mine? I was feeling great until that | :18:46. | :18:53. | |
moment! Friday morning, you always apprehensive because you get to see | :18:54. | :18:56. | |
what everyone else is doing and you start driving yourself mad about | :18:57. | :19:01. | |
your own dance. But it's great to get back with everybody, we all sit | :19:02. | :19:04. | |
and drink tea all day. That's the only time you see everybody, on | :19:05. | :19:09. | |
Friday. Look at the other routines and thing, not so good, all we have | :19:10. | :19:17. | |
a chance? Constantly. There was one move in a routine last week and I | :19:18. | :19:21. | |
said, we're changing the routine! We did change it, even for this | :19:22. | :19:25. | |
interview, I was wearing a hat before and I took it off! This won't | :19:26. | :19:32. | |
do! Competition is real. You have not just been choreographed and | :19:33. | :19:34. | |
Louise, you have been bringing in some of your own moves. He thought | :19:35. | :19:39. | |
it would be a good idea to do a bit of the Naked video, which was 23 | :19:40. | :19:47. | |
years ago! I did try and teach him the step apart and wipe the face. | :19:48. | :19:54. | |
Point the finger, slingshot. He keeps getting on well! That has a | :19:55. | :19:59. | |
four from Craig written all over it! Next up, she's the Robin to his | :20:00. | :20:02. | |
Batman, the Bonnie to his Clyde, I've run out of movie duos sorry - | :20:03. | :20:05. | |
it's Laura and Giovanni. So silky smooth! It was like | :20:06. | :20:25. | |
watching the dancers, combined into one. It was absolutely gorgeous, | :20:26. | :20:32. | |
that routine. The emotion, the elegance, stunning. | :20:33. | :20:49. | |
So cheeky! Giovanni! He does make a very good at putting women. You | :20:50. | :20:59. | |
looked like Veronica Lake, the actress. Your hair is stunning. You | :21:00. | :21:08. | |
didn't look so bad either! It was a stunning alts, whether you cock up | :21:09. | :21:12. | |
at the end? I really enjoyed doing it. I was so nervous from the first | :21:13. | :21:19. | |
week, I had to just work on the nerves, and not think about what the | :21:20. | :21:22. | |
judges were going to say, just be in the zone of the sun. So I forgot and | :21:23. | :21:27. | |
we had to get remarks that that was going to happen! Latterly they were | :21:28. | :21:34. | |
amazing. 32, which was seven points up from your cha-cha-cha. I really | :21:35. | :21:42. | |
enjoyed the dance. It was a beautiful one, shouldn't really, | :21:43. | :21:51. | |
really well, so done. The whole thing was, it was the nerves and you | :21:52. | :21:54. | |
were saying, just work on the nerves, be confident and enjoy it. | :21:55. | :22:01. | |
Can you feel them settling? I said that to you last week, I was so | :22:02. | :22:05. | |
nervous, just go out there and it's so much fun to dance it, I didn't | :22:06. | :22:11. | |
care what the judges were going to say because I enjoyed it! We had a | :22:12. | :22:16. | |
nice message saying, Laura made me cry last night, so beautiful, | :22:17. | :22:23. | |
elegant and full of grace. I cried! You are crying, you are making | :22:24. | :22:26. | |
people at home cry, any remorse for that! It was very emotional. I was | :22:27. | :22:33. | |
like, I am not going to be one of those people who cry on telly! It's | :22:34. | :22:38. | |
happening! She really embraced the whole mood of the dance, the music | :22:39. | :22:44. | |
was amazing, the outfit, the hair, what does lower to first, is it | :22:45. | :22:51. | |
easier to get the steps for the...? It depends, how she comes to | :22:52. | :22:58. | |
rehearsal, sometimes she can... I have no idea what they are selling! | :22:59. | :23:04. | |
He goes back and say, Maria, comeback. Sometimes I say, Laura, | :23:05. | :23:10. | |
please come back, sometimes we do the steps to the music and then will | :23:11. | :23:18. | |
do the technique it depends as she comes to the rehearsals. The mood. | :23:19. | :23:25. | |
This weekend, movie week... Salsa. She has been crying all! But not the | :23:26. | :23:33. | |
emotion. We saw you have a fuel bruises from him throwing you | :23:34. | :23:39. | |
around, part of the dance. In the group, we have a few ( salsa has a | :23:40. | :23:43. | |
few lifts and we practised them a lot and I didn't realise until | :23:44. | :23:46. | |
Wednesday that they left a bit of damage! Will not go to show you! | :23:47. | :23:52. | |
What has he done to you! They don't hurt, they are just holding them. | :23:53. | :23:59. | |
And then he says, with the salsa, you have to be sexy. So he was like, | :24:00. | :24:06. | |
be sexy, and already think was, it hurts! How can I be sexy when it's | :24:07. | :24:11. | |
hurting so much! With sumo costume yesterday, which is so hot. -- we | :24:12. | :24:18. | |
saw your question. We were interested to know, is going up? | :24:19. | :24:25. | |
We're going to somehow use it at the beginning. Otherwise feather in the | :24:26. | :24:34. | |
face! He has to see where he's going otherwise we are all in trouble. You | :24:35. | :24:39. | |
don't want to choke on the feathers. How is your Irish accent coming on? | :24:40. | :24:55. | |
It is brilliant. By the way, someone from Sicily just wanted to say you | :24:56. | :25:03. | |
are her favourite. We will get subtitles for next week! Giovanni! | :25:04. | :25:15. | |
Because it is moving, called upon a big screen legend. | :25:16. | :25:20. | |
007 himself - Daniel Craig, to present a guide | :25:21. | :25:22. | |
to the greatest Strictly Movie moments of all time. | :25:23. | :25:24. | |
Unfortunately he said no, so we asked Ian Waite | :25:25. | :25:26. | |
I honestly can't even tell the difference. | :25:27. | :25:46. | |
I am on a very special mission, to infiltrate Strictly's most thrilling | :25:47. | :25:54. | |
movie week performances. Our favourite agent is known for his | :25:55. | :26:00. | |
sophisticated style, cool gadgets and of course 007 is never seen | :26:01. | :26:06. | |
without a glamorous girl on his arm. So let's talk Bond girls first. We | :26:07. | :26:13. | |
will remember the stunning rumba with Giovanni. Her genetic | :26:14. | :26:20. | |
performance left many shaken and a little stirred. This inspired | :26:21. | :26:30. | |
routine proved she has a licence to thrill. Theatrical magic! No | :26:31. | :26:41. | |
surprise that she went on to lift the glitter ball trophy in 2010. | :26:42. | :26:50. | |
Next up, my favourite category. Not just me, me and my fellow leading | :26:51. | :26:55. | |
men. And one thing we know how to do well is make a big entrance. This | :26:56. | :27:00. | |
funny looking spy certainly does. It is Matt Baker and his partner, | :27:01. | :27:06. | |
performing the jive routine to Austin Powers. And the greatest hero | :27:07. | :27:14. | |
of them all, James Bond himself, performed by Scott in 2010. Look at | :27:15. | :27:22. | |
that party! We are so alike! -- body. | :27:23. | :27:27. | |
We have to start with Princess Leia herself. The force was with Kelly | :27:28. | :27:35. | |
and her partner as they performed their out of this world Charleston | :27:36. | :27:41. | |
routine to Star Wars, no special effects required. Back on planet | :27:42. | :27:46. | |
Earth, Anthony Ogogo and his partner, dancing to Rocky three. He | :27:47. | :27:54. | |
put the good fight but sadly was knocked out of the that night. Then | :27:55. | :27:58. | |
he should have opted for a can of hairspray! And of course there is | :27:59. | :28:05. | |
always an evil genius on a mission to assume world domination, and no I | :28:06. | :28:09. | |
don't mean this little cute penguin, I mean him. Disaster, I'm afraid. | :28:10. | :28:20. | |
Yes, our very own beloved Berlin, Doctor know I didn't like it, Craig | :28:21. | :28:24. | |
Revel Horwood. There was nothing happy about cha-cha-cha from MC | :28:25. | :28:29. | |
Harriet, and who is he talking about this time? It was like a lobster on | :28:30. | :28:36. | |
acid. It is Scott Mills and his partner Joanne Dodds in December to | :28:37. | :28:45. | |
the Little Mermaid. -- dancing the samba. This failed to put a smile on | :28:46. | :28:51. | |
his face. But what did other than think about this routine? It is Tim | :28:52. | :28:56. | |
and his partner Natalie dancing the Charleston. No amount of money, | :28:57. | :29:03. | |
darling, is going to change what just happened. It was complete and | :29:04. | :29:12. | |
absolute disaster. Ouch. My mission here is complete. I put in some of | :29:13. | :29:16. | |
the most spectacular movie week moments in Strictly history but if | :29:17. | :29:20. | |
Craig asks, remember, I was never hear! | :29:21. | :29:25. | |
Let's start the campaign right here - Waitey for Bond! | :29:26. | :29:30. | |
Moving on, our next guest has starred in high-profile campaigns | :29:31. | :29:33. | |
for some of the biggest names in fashion but right now | :29:34. | :29:36. | |
each Saturday night she's just a girl, standing in front | :29:37. | :29:39. | |
of four judges, asking them to love her - | :29:40. | :29:41. | |
Oh, Daisy always serves a hot dish. You lost a bit of straight leg on | :29:42. | :29:59. | |
occasion but I really enjoyed it. You are such a natural mover. Sassy | :30:00. | :30:09. | |
and flirty, you are going to go far. # Take my breath | :30:10. | :30:10. | |
away...# Aw! My darlings. Oh, you fruity | :30:11. | :30:23. | |
cuty. You were so amazing last weekend. | :30:24. | :30:27. | |
Honestly, when you look back at, that can you believe that's you out | :30:28. | :30:32. | |
on the floor? It is incredible. I was so nervous. It was just - I am | :30:33. | :30:39. | |
quite pleased I got through it. It was actually quite well getting | :30:40. | :30:42. | |
through. She wasn't bad, actually. The thing is, you can't tell you are | :30:43. | :30:47. | |
nervous at all. I think you look incredibly confident. It is quite an | :30:48. | :30:52. | |
achievement. No, no. "I want my mum." Your mum is here tonight, | :30:53. | :30:58. | |
actually. And your little centre and Danny is here. The nerves not | :30:59. | :31:02. | |
getting any better but Aljaz, 30, I know you were a happy boy. I was | :31:03. | :31:08. | |
very happy. Still am. To do the first Latin dance and dance like | :31:09. | :31:11. | |
that and cha-cha is not the easiest dance to do. You have to straighten | :31:12. | :31:19. | |
the knees, do the hips. Driving... And so it is not an easy dance. And | :31:20. | :31:26. | |
the routine was full of steps, hard steps and Daisy smashed it. She did | :31:27. | :31:29. | |
smash it. APPLAUSE | :31:30. | :31:32. | |
Absolutely. Now, we do have to mention there was | :31:33. | :31:36. | |
a little quibble with the judges about an illegal lift. | :31:37. | :31:40. | |
SIREN All right, don't draw attention. Len | :31:41. | :31:45. | |
wasn't happy. Was that suppose to happen, explain? It was suppose to | :31:46. | :31:51. | |
happen, wasn't it? It was supposed to be higher, I didn't do it well. I | :31:52. | :31:57. | |
actually got a will the further off the floor. I love it, you are such a | :31:58. | :32:01. | |
rule-breaker Aljaz, getting yourself into trouble. Did you know you were | :32:02. | :32:06. | |
committing a crime against dance, Daisy? I did not! Oh,al yas! | :32:07. | :32:12. | |
He can get away with anything, that boy. I know, with this face. You | :32:13. | :32:16. | |
know I love that step. At that point in the music I was like - we have to | :32:17. | :32:21. | |
do something that's really strong. And it was that. | :32:22. | :32:26. | |
He is so naughty. Now, this weekend, you get to be Mary Pop yins Actual | :32:27. | :32:36. | |
Mary Poppins. It is so exciting. A quickstep to A Spoonful Of Sugar. | :32:37. | :32:40. | |
Look at you here. We were watching this saying you already look like | :32:41. | :32:46. | |
Mary Poppins. I thought I'd dress in character to help. It does help. | :32:47. | :32:51. | |
We've had such a giggle. Week 3 feels like my body knows the abuse | :32:52. | :32:55. | |
it goes through. And I can actually... The dance abuse. Let's | :32:56. | :33:03. | |
get that right. And actually the song is so joyful, I have just been | :33:04. | :33:07. | |
laughing in your face all week. He is not taking it personally at all. | :33:08. | :33:11. | |
Is it nice to be back in hold. Obviously cha-cha you are out on the | :33:12. | :33:15. | |
floor on your own? I remember talking to Abbey before she started | :33:16. | :33:19. | |
and saying she loved the ball rchl. I thought - I'm quite excited about | :33:20. | :33:23. | |
having fun in Latin. I don't know about ballroom and as soon as I was | :33:24. | :33:28. | |
holding him I was like - we are home, don't let G Your family were | :33:29. | :33:33. | |
telling me when you were little you were clumsy. I still am. You are so | :33:34. | :33:40. | |
graceful. Never clumsy. Not once. What have you found trickiest with | :33:41. | :33:45. | |
this routine? The first ballroom we did is waltz, it was slow. There is | :33:46. | :33:50. | |
a lot of time to think about steps, what comes up. Although it is very | :33:51. | :33:54. | |
exposed but quickstep it is completely opposite. So it was | :33:55. | :33:57. | |
keeping the posture and there is a lot of steps and they are restick. | :33:58. | :34:01. | |
Everyone always says that every year. The clue is in the title, | :34:02. | :34:08. | |
really, isn't it? Now we have lost Melvin and Janette this week, you | :34:09. | :34:12. | |
are betrothed. She is here tonight. They are all N does this make it | :34:13. | :34:16. | |
scary and more real, people are going home? Totally. That results | :34:17. | :34:22. | |
show was by far the most nerve wrecking experience I have ever been | :34:23. | :34:24. | |
through. Horrible, when you are waiting for the light. You don't | :34:25. | :34:28. | |
want it to be red because I just want it learn another dance. Please. | :34:29. | :34:31. | |
Well, I don't think there is any danger of you going anywhere. I | :34:32. | :34:37. | |
can't wait to see you tomorrow as Mary and Bert. | :34:38. | :34:41. | |
Daisy and Aljaz, good look my darlings. | :34:42. | :34:42. | |
APPLAUSE Competition time now and have we got | :34:43. | :34:50. | |
a once-in-a-lifetime Here's how you could bag | :34:51. | :34:52. | |
yourself a pair of tickets Calling all Strictly super fans. | :34:53. | :35:05. | |
Have you ever wanted to experience the excitement, glamour and drama of | :35:06. | :35:08. | |
the Strictly ballroom first hand? Well now's your chance. We are | :35:09. | :35:11. | |
giving you the opportunity to win two tickets for the biggest night of | :35:12. | :35:15. | |
the year, the Strictly 2016 grand final. For your chance it winners | :35:16. | :35:19. | |
all you need to do is answer the following question correctly: | :35:20. | :35:24. | |
In beak 3 last year, Jayne Aliona performed a Pulp Fiction theme jive. | :35:25. | :35:32. | |
But what was the total score they received from the judges. Was it, A, | :35:33. | :35:40. | |
39 points, B, 38 points or C, 39 points. | :35:41. | :35:46. | |
You must be aged 16 or over to enter. The terms and conditions | :35:47. | :35:52. | |
apply. Good luck, remember Keep Dancing. | :35:53. | :36:00. | |
the lovely Gethin Jones. can't buy, to another - | :36:01. | :36:04. | |
As a former Blue Peter presenter, he's no stranger to a high-stakes | :36:05. | :36:07. | |
challenge but how did he get on rounding up Strictly stars | :36:08. | :36:09. | |
for an off-the-cuff backstage chat earlier today? | :36:10. | :36:11. | |
I'm in the Star Bar hanging out with the boys, Brenda and Paddy | :36:12. | :36:16. | |
Ashdownia. Finishing his breakfast. How was it? Amazing. Tango on | :36:17. | :36:20. | |
Saturday. How are you feeling about it? Very, very strong. Are you doing | :36:21. | :36:28. | |
a tango t looked like a waltz? Oh, fighting talk. How do you do a tango | :36:29. | :36:34. | |
face, I know you are kings at doing it. I see why he is confused. How is | :36:35. | :36:40. | |
an staysia, incredibly brave to be taking this on, is she all right for | :36:41. | :36:43. | |
tomorrow? Looking good. A Viennese waltz we are doing. We haven't had | :36:44. | :36:47. | |
to change anything, we are keeping her arms down, lovely. A Mission | :36:48. | :36:52. | |
Impossible theme tune tomorrow, I'm expecting something dramatic. Is she | :36:53. | :36:56. | |
getting on board with the drama? Yes, really cracking on, we have a | :36:57. | :37:00. | |
dramatic entrance, you are going to love it. Brendan, movie week, to do | :37:01. | :37:04. | |
a theme week is fun? It is. We always get involved in the theme | :37:05. | :37:07. | |
weeks. We like to get a great concept and a lovely feeling in the | :37:08. | :37:12. | |
dance. I think the audience at home can then relate to your performance, | :37:13. | :37:17. | |
they can see what you are trying to portray, rather than guessing, that | :37:18. | :37:21. | |
they do most of the times. Thank you boys, you have to rush off to group | :37:22. | :37:25. | |
rehearsal. Finish with tanning yes face, tango face. He still has to | :37:26. | :37:31. | |
work with it. He looked like Michael Crawford. | :37:32. | :37:36. | |
Now, our final guests of the night are members | :37:37. | :37:38. | |
of a very exclusive club - Jive Club. | :37:39. | :37:40. | |
I didn't know much about it but apparently the first rule | :37:41. | :37:42. | |
The second rule of Jive Club is you don't talk about Jive Club. | :37:43. | :37:48. | |
And the third rule, it's totally gone - sorry. | :37:49. | :37:51. | |
# Rock around the clock tonight # We're going to rock, rock, | :37:52. | :37:56. | |
rock...# Classic rock 'n' roll. I like that | :37:57. | :38:03. | |
style. You looked at ease. Your performance level and value is | :38:04. | :38:08. | |
always brilliant. What I loved was your energy. You came out and went | :38:09. | :38:11. | |
for T Well done. Get your face out of the popcorn. | :38:12. | :38:28. | |
What is she like? I know, not very good at sharing. Look at her body, | :38:29. | :38:32. | |
look at the amount she eats, incredible. Will and Karen everyone. | :38:33. | :38:39. | |
Mane live I'm digging your jive. It was so good, Will? Really, I wasn't | :38:40. | :38:45. | |
so sure for myself. Why not? Why? Well, I missed a move, a few moves. | :38:46. | :38:53. | |
Just one. Was it just one. I felt it could be more nor zwretic. Can you | :38:54. | :38:58. | |
keep playing this, I can watch it. Karen Hardy said you were amazing. | :38:59. | :39:04. | |
Did she? And you recovered brilliantly. Oh, I love Karen. | :39:05. | :39:10. | |
Anyone called Karen, we adore them. How much of an impact did the muscle | :39:11. | :39:14. | |
injury V you hurt yourself somewhere, didn't you? I heard my | :39:15. | :39:20. | |
left glute. I was saying my left "bum" then I realised I only have | :39:21. | :39:27. | |
one. The left cheek. Yes, thank you, madam. Cheek! | :39:28. | :39:33. | |
Heckled with body parts. It's better now. It did impact. I | :39:34. | :39:39. | |
probably said it for a bit of sympathy. It worked a treat. We all | :39:40. | :39:45. | |
liked that. I believed you. You did. And because he almost took my head | :39:46. | :39:52. | |
off. Yes, I almost squashed Karen. Not on live TV. Let's talk about the | :39:53. | :39:58. | |
judges scores. You got an 8 from Len and a 5 from Craig. Sometimes you | :39:59. | :40:03. | |
are like - what is going on here? That's what I feel when I get a 5 | :40:04. | :40:08. | |
from Craig. I want to eat. I don't understand the 5. We had plenty of | :40:09. | :40:12. | |
content. He had great bounce. You know, I think it was only because of | :40:13. | :40:17. | |
that little mishap, but the fact that he recovered was the best | :40:18. | :40:20. | |
thing. Because that's how - that's what a true professional does. | :40:21. | :40:22. | |
Exactly. Thank you Karen. | :40:23. | :40:29. | |
And he is a good worker. Feel the love. I knew something had gone | :40:30. | :40:36. | |
wrong. But I I was like - whatever, but he continued and picked it up. I | :40:37. | :40:41. | |
just think Craig has it in for us. I'm going to send him a scented | :40:42. | :40:46. | |
candle. I think I can turn it around. Jai-Ho tomorrow. Oh, it is | :40:47. | :40:50. | |
going to be so good. Firstly, outfits. So good, Will I did it for | :40:51. | :40:57. | |
you. I know, we love them. I get so excited. How are you liking this? | :40:58. | :41:03. | |
Karen you are a Sal at that sensation. Am I? How has Will taken | :41:04. | :41:10. | |
to this dance? Great. A very natural mover. I love the flow of the pants. | :41:11. | :41:15. | |
I think the costumes really come alive when - you know he comes alive | :41:16. | :41:19. | |
when he has the right costumes. ! It really does. It does with the | :41:20. | :41:24. | |
salsa. The tricks, there are a lot of tricks and everything. There is a | :41:25. | :41:29. | |
lot of Bollywood. Is there some twists? Oh, yes. I am taking all the | :41:30. | :41:37. | |
light bulbs in my house. We have eyes and ears obviously everywhere, | :41:38. | :41:40. | |
wherever we are in the next 12 weeks. They are in the training | :41:41. | :41:47. | |
rooms. We caught this classic. Boom, boom, we will work on this. | :41:48. | :41:51. | |
BURP. Clfrnlts disgusting. You squeezed me | :41:52. | :42:04. | |
too hard. You burped me. It's lake burping a baby. What are you like? I | :42:05. | :42:09. | |
had just eaten some potato chips and we started practising dance and he | :42:10. | :42:13. | |
squeezed me too hard, I'm sorry. And what happens? I burped. You forget | :42:14. | :42:22. | |
they are filming. I never would have worn that top either. We thought you | :42:23. | :42:25. | |
looked like the cookie monster. Thank you. Zmri don't know if it is | :42:26. | :42:31. | |
a compliment. It is. Good luck tomorrow night. We will all be doing | :42:32. | :42:38. | |
this. Enjoy. Will and Karen. - I don't know if it is a compliment. | :42:39. | :42:40. | |
Winding the baby. So, Will and Karen are | :42:41. | :42:43. | |
ready for Movie Week but what about the rest of the Class | :42:44. | :42:45. | |
of Strictly 2016? It's time to check in on Naga | :42:46. | :42:48. | |
and Pasha, Ed and Katya I know what is coming. I feel under | :42:49. | :42:51. | |
fire. Tangos is our third davenlts we have | :42:52. | :43:01. | |
to be precise and accurate with execution of our steps. - our third | :43:02. | :43:05. | |
dance. What frustrates me is I learn new | :43:06. | :43:10. | |
steps and I have forgotten the first part of the dance Two and one. Oh, | :43:11. | :43:19. | |
sorry. I knew this bit yesterday. Genuinely, it falls out of my head | :43:20. | :43:24. | |
like a sieve. I have to have a strong core. I can feel the neck | :43:25. | :43:27. | |
muscles are going to get a work-out this week. | :43:28. | :43:32. | |
Samba is really hard. I'm trying to piece it together. It is slightly | :43:33. | :43:37. | |
flying all over the place. We have been working on the technical side, | :43:38. | :43:42. | |
learning steps and trying to get the bounce, the main element to samba. | :43:43. | :43:46. | |
Up, down, up... This is such a stupid movement. With this dance I'm | :43:47. | :43:50. | |
totally outside my comfort zone. I'm doing moves I never thought I could | :43:51. | :43:54. | |
do. I still don't know whether I can. Just keep going. | :43:55. | :44:01. | |
The Viennese waltz is loving and gentle. A big part of this week was | :44:02. | :44:05. | |
coming in with a really different feeling to what we have done so far | :44:06. | :44:09. | |
which has been quite punchy, very Anastasia, if you like, to show a | :44:10. | :44:15. | |
different side of her. I feel light and gentle and feminine, which is | :44:16. | :44:17. | |
something I don't really show many people. I show them my strong side. | :44:18. | :44:25. | |
I have a real desire to make this dance really... 10. | :44:26. | :44:28. | |
Go on, Anastasia. Please welcome back it my delightful | :44:29. | :44:42. | |
panel. We should talk about Claudia and AJ they are doing a scharlston | :44:43. | :44:49. | |
to a song from Bugsy Malone. I'm loving the speed of this. Sophie we | :44:50. | :44:53. | |
loved your Charleston. Still one of the favourites of all time. This | :44:54. | :44:57. | |
looks fun. How are they going to do with this number? Well, looking good | :44:58. | :45:03. | |
so far. For me the thing I love most about Charleston is the spirit. The | :45:04. | :45:08. | |
scoot Gatsby era, the spirit where you slightly throw it away. That's | :45:09. | :45:12. | |
what I love about watching them. They are crowd pleasers because you | :45:13. | :45:16. | |
can do flips and tricks. Can you imagine. We have seen the footage | :45:17. | :45:20. | |
but they stopped doing it whenever the camera is there. Really? Because | :45:21. | :45:24. | |
they know it is amazing. It will be spectacular. | :45:25. | :45:29. | |
A brilliant Viennese Waltz last week, I am imagining a Passat 88 | :45:30. | :45:37. | |
could be epic. What are you thinking? Danny looks like a film | :45:38. | :45:44. | |
star to begin with, so that helps. He is playing as I wrote, I think? | :45:45. | :45:56. | |
-- Zorro. You might have been too good to some, it has happened in the | :45:57. | :46:01. | |
past, people like a journey. I love Danny, but I think my advice to him | :46:02. | :46:11. | |
is, the worse. Maybe tripped over! And then come back next week. | :46:12. | :46:15. | |
Advice! Break and Natalie, American Smooth. Is this can't be Robin Hood, | :46:16. | :46:23. | |
Prince of thieves? Here he's practising. A lot of people are | :46:24. | :46:29. | |
saying for a non-dancer, he is brilliant. He is really good. And of | :46:30. | :46:36. | |
Thieves is already a winner, two of the best films ever made. I don't | :46:37. | :46:44. | |
ever seen it! Lets not go into Kevin Costner's accent. But he looks | :46:45. | :46:49. | |
great. It looks like it'll be a lovely, beautiful routine just from | :46:50. | :46:54. | |
that. Laura and Giovanni, moving on from the welts, they have the salsa, | :46:55. | :46:58. | |
she's covered in bruises but is still loving it. What are you | :46:59. | :47:07. | |
thinking? I think Laura is great, she has gone a long rally in the | :47:08. | :47:11. | |
competition, this looks lovely and when it comes to the journey thing, | :47:12. | :47:16. | |
I think she will do a lot of that even though I find it cringeworthy! | :47:17. | :47:20. | |
We have not managed to find a replacement for the word Jenny! | :47:21. | :47:32. | |
Trip! OK, Naga and Pasha are going on Mission impossible, and that T. | :47:33. | :47:41. | |
Here they are in training. They are saying she needs to act the part and | :47:42. | :47:46. | |
look more confident. I might have to be a bit harsh here. I think this is | :47:47. | :47:54. | |
quite generic and I think she is so petrified, bless her, because it is | :47:55. | :47:57. | |
a terrifying thing, it comes across so much, maybe that will help with | :47:58. | :48:02. | |
this dance because she has to be quite serious. But I don't know, | :48:03. | :48:10. | |
think she might be in trouble. Sam! Sorry! I don't agree! I think should | :48:11. | :48:19. | |
expect a full. Of course she looks beautiful! I am just giving my | :48:20. | :48:29. | |
opinion. I am surprised how many of them have got dancer face already, I | :48:30. | :48:33. | |
didn't get one until week six! So give her a chance. Some of them, it | :48:34. | :48:38. | |
is frightening how confident they are. I couldn't that for ages! We | :48:39. | :48:46. | |
could see her maybe go on a trip or a journey! Onto Ore and Joanne, | :48:47. | :48:53. | |
singing in the rain, American Smooth, surely it is going to be | :48:54. | :48:58. | |
incredible. I love this song. It's one of my favourite films, as well. | :48:59. | :49:05. | |
How does he look to you? Look at his little face! He is great, isn't he? | :49:06. | :49:11. | |
You know him from your see BBC days. The thing is with Ore, he gives at | :49:12. | :49:16. | |
100% all the time, whatever he does and you can tell he's loving it. I | :49:17. | :49:20. | |
have been talking to him, he's having the best time ever. The thing | :49:21. | :49:25. | |
with Ore, he will be going on the trip! He is one of the top ones but | :49:26. | :49:31. | |
he has the potential to be, I think he has the potential to do well. It | :49:32. | :49:38. | |
would "If he was rubbish. -- would have been awkward. Mary Poppins, the | :49:39. | :49:56. | |
quickstep for Aljaz... And Daisy. I was Maria from the sound of music in | :49:57. | :50:03. | |
musicals week, doing a few of my favourite things. If you have Julie | :50:04. | :50:07. | |
on your side, you are asked in for a happy night because Julie Andrews is | :50:08. | :50:10. | |
the most wonderful woman in the world! I have breast pumps! It is | :50:11. | :50:17. | |
the time when I have to put you on the spot. I need to know who was not | :50:18. | :50:21. | |
getting a Hollywood ending, who is saying goodbye. Who do you think? I | :50:22. | :50:27. | |
just don't want it to be Anastacia so I hope everybody is kinder to her | :50:28. | :50:35. | |
this week. I think it could be Naga. I am going to say... Leslie. Shut | :50:36. | :50:47. | |
your face! It's early days but who would you like to win? I don't know, | :50:48. | :50:53. | |
there are about seven people. Don't give me over seven! Ore. I think | :50:54. | :51:04. | |
Ore. Not that they are biased or anything! Let's hear it for our | :51:05. | :51:05. | |
Friday panel! Let's find it a bit more about our | :51:06. | :51:16. | |
new additions Chloe and Neil. I am Neil Jones, from Hampshire. I | :51:17. | :51:35. | |
have been dancing since I was three years old, I began with ballet. Nine | :51:36. | :51:40. | |
years ago I started dancing with Katya and we went up to be world | :51:41. | :51:46. | |
show chance champions. I'm amazed to be part of the Strictly family, I | :51:47. | :51:51. | |
can't wait to get started. I'm a pretty quirky dancer, like to bring | :51:52. | :51:55. | |
something different, fun, exciting, I don't take myself that seriously. | :51:56. | :52:07. | |
I am Chloe Stuart, I am from Cheshire, I am 21 years old so you | :52:08. | :52:13. | |
could say I am the baby of the group. I started dancing when I was | :52:14. | :52:18. | |
seven and soon after, I have never looked back. We are the British | :52:19. | :52:25. | |
open, European Latin American champions. Winds and the dancing in | :52:26. | :52:29. | |
front of a big crowd but dancing on Strictly in front of millions is a | :52:30. | :52:35. | |
whole other level. -- I'm used to dancing in front of a big crowd. | :52:36. | :52:41. | |
Looking forward to having them on the sofa soon. In the meantime, | :52:42. | :52:48. | |
Gethin caught up with them earlier. I am by the sparkly doors, this year | :52:49. | :52:53. | |
2016, we have two new faces, new and Chloe! Good jazz hands coming | :52:54. | :52:59. | |
through the door. Lovely to see you. What is it like being part of the | :53:00. | :53:06. | |
Strictly family? Absolutely loving it, 110%, it's been a dream of mine, | :53:07. | :53:10. | |
dream come true! I am older than you, I remember the original, I have | :53:11. | :53:18. | |
been wanting to be on this show since the original. The outcast | :53:19. | :53:20. | |
because you look like Greg Rutherford! I think I'm the third | :53:21. | :53:27. | |
ginger on the show now! I know you are involved with the group dances, | :53:28. | :53:30. | |
they get bigger and better every year, what can you tell us about the | :53:31. | :53:35. | |
ones coming up? We have some big ones coming up, but have a fire | :53:36. | :53:41. | |
hydrant one with glitter... Hats, it's going to get more difficult as | :53:42. | :53:46. | |
they go on. I think props this year is a huge thing, they are taking it | :53:47. | :53:50. | |
to a whole other level, which makes the show even better. So it's going | :53:51. | :53:55. | |
to be great. It must take you a long time to choreograph these routines. | :53:56. | :54:00. | |
We have been going since August in the studio, learning the routines | :54:01. | :54:05. | |
and every Monday we come in and need to refresh. We are watching the DVDs | :54:06. | :54:09. | |
before going, that small! What am I meant to do! Oh my God! A little bit | :54:10. | :54:17. | |
nervous about the lifts, what advice can you give Claudia? The thing is, | :54:18. | :54:23. | |
even when I was competing with AJ, we never did lift ourselves but I | :54:24. | :54:27. | |
can see why she was nervous because it is a whole other thing, a girl | :54:28. | :54:33. | |
being lifted up, I don't want to be heavy, then want to hurt him or | :54:34. | :54:37. | |
anything like that so there is a bit of pressure but just trust him. He | :54:38. | :54:42. | |
is very trustworthy. And don't look in the mirror! He is always on the | :54:43. | :54:50. | |
phone! Have you been taking inspiration for yours? I have been | :54:51. | :54:53. | |
watching Ed Balls and working out what to do. He has been teaching me | :54:54. | :54:59. | |
a lot. Are you dressing as a cowboy? Yes, he has been shown we had to | :55:00. | :55:05. | |
wear the cabaret hacked. He has been showing me some numbers! -- show me | :55:06. | :55:11. | |
the cabaret hacked. Enjoy the Strictly experience! | :55:12. | :55:15. | |
Who would you want as your partner if you ever did it? I love Karen. | :55:16. | :55:31. | |
Would you dance with? Tricky, but Aljaz. I will fight you for him. | :55:32. | :55:36. | |
Sadly that's all we have time for tonight. | :55:37. | :55:38. | |
But if you liked what you've seen on It Takes Two tonight, | :55:39. | :55:40. | |
don't miss tomorrow's Strictly Come Dancing | :55:41. | :55:42. | |
I'll be back here Monday at 6.30 with the second couple | :55:43. | :55:47. | |
But now, singing us out with the very first performance | :55:48. | :55:51. | |
of her new single 'Crystallise', it's the wonderful | :55:52. | :55:53. | |
# Like you're carved from the mountain | :55:54. | :56:12. | |
# And when it comes, and what it does | :56:13. | :56:25. | |
# Is nail you down, you cannot swerve | :56:26. | :56:30. | |
# You're not the last, you're not the first | :56:31. | :56:36. | |
# And when it comes, and what it does | :56:37. | :57:28. | |
# Is nail you down, you cannot swerve | :57:29. | :57:32. | |
# You're not the last, you're not the first | :57:33. | :58:45. | |
# So crystallise love. # | :58:46. | :58:52. |