Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Live from London this is Strictly Come Dancing - It Takes Two. Please | :00:49. | :00:55. | |
welcome your host Zoe Ball. CHEERING AND APPLAUSE Hello and welcome to it | :00:56. | :01:01. | |
takes two, where we are gearing up for movie week. Saturday is the main | :01:02. | :01:06. | |
future and Friday is the trailer, so think of us of the bit in the foyer, | :01:07. | :01:13. | |
where you're buying your popcorn. And we have the sugar coated Claudia | :01:14. | :01:24. | |
and AJ and the hard boiled Rinder and Oksana and we have Vicky Gill | :01:25. | :01:31. | |
and last but not least, here to work his movie magic it is Ian Wait. That | :01:32. | :01:38. | |
is our entire special effects budget gone. Our first couple took us back | :01:39. | :01:45. | |
to the 50s in the American Smooth and they're going back to the stone | :01:46. | :01:52. | |
age this weekend. It is Judge Rinder and Oksana. Those are difficult | :01:53. | :02:00. | |
lifts. I was taken back. Very impressive. You wept from Fred | :02:01. | :02:09. | |
Astaire to Fred Insane. Style and better than last week. Judge Rinder | :02:10. | :02:17. | |
and Oksana, welcome. Lovely to see you. Doesn't she look splendid. I | :02:18. | :02:23. | |
love your jacket. Very soft to the touch. You were the Prom king and | :02:24. | :02:31. | |
queen, did it feel fabulous. I really enjoyed it. You can see the | :02:32. | :02:36. | |
enjoyment in my face. Craig's just jealous of my smile, don't you | :02:37. | :02:42. | |
think. Everybody is. I'm glad I said it after, I meant it, I was glad I | :02:43. | :02:47. | |
didn't drop her. We are all very glad. I don't think we have many | :02:48. | :02:53. | |
people in reserve. D'Arcy we saw was really surprised at how unusually | :02:54. | :03:00. | |
athletic you are, Judge Rinder. And how smoothly you got into the lifts. | :03:01. | :03:04. | |
You made them look easy. How difficult were they? Well how | :03:05. | :03:09. | |
difficult? It wasn't difficult for you. She is very light and she had | :03:10. | :03:15. | |
nothing but soup all week. By his special request. That helped. | :03:16. | :03:21. | |
Honestly. When somebody shows you how to do it, you do it | :03:22. | :03:28. | |
effortlessly. When Darcy said I was athletic, it was the first time | :03:29. | :03:36. | |
apart from Oksana a woman has made me blush. I'm thinking if there is a | :03:37. | :03:42. | |
Strictly curse... This would be news. Craig however... Poor darling. | :03:43. | :03:49. | |
I think he is jealous. He said your hands were like a builder's trowel. | :03:50. | :03:56. | |
Bricklayer's sorry. Have you heard your hands described in such a | :03:57. | :04:00. | |
manner so. And she doesn't think it is fair. No. Why, because you must | :04:01. | :04:06. | |
have worked hard on his hands. Yes I have seen what it was and what its | :04:07. | :04:11. | |
now. It is amazing now. Do you think Craig has spent a lot of time on | :04:12. | :04:15. | |
building sites. I wouldn't like to say. He said he wanted you to look | :04:16. | :04:20. | |
in the mirror when you dance. I wonder if he is referring to the | :04:21. | :04:30. | |
sequel to faceography gate part one and two. Look! So much joy. I'm | :04:31. | :04:39. | |
having fun. You can't control it. Oksana really has told me, try and | :04:40. | :04:44. | |
perform it and perform it to the music and in a way which expresses | :04:45. | :04:48. | |
the story of the dance. That is what I'm doing. That happens and then it | :04:49. | :04:53. | |
is one of the happier features of the experience. Don't you agree? | :04:54. | :04:59. | |
Yes. Oksana likes my face. We all love your faces. You can't doing | :05:00. | :05:06. | |
them at home. The Charleston, loads of faceography. We want to see lots | :05:07. | :05:12. | |
of expression. Yes as he is stepping into the character's shoes, we are | :05:13. | :05:15. | |
going to bring it and there is more tricks. More tricks? More lifts more | :05:16. | :05:24. | |
impressive. Wait until you see. High risk. You're taking on the character | :05:25. | :05:34. | |
played by John Goodman in the movie, Fred Flintstone. Before the more | :05:35. | :05:42. | |
rubbish sequels. That nice English actor, Mark Addy. Are you going to | :05:43. | :05:52. | |
be Wilma or barney Rubble. Wilma. Of course you R There we were thinking | :05:53. | :06:00. | |
you Western wearing shoes, but they're flesh-coloured. Yes. How is | :06:01. | :06:10. | |
he yabadaba doing? We have a all talk no noise policy. Are you being | :06:11. | :06:16. | |
a good boy? Yes. It is like the Flintstones. Fred always gets it in | :06:17. | :06:21. | |
the end, you know what I meant? The point is she... Yeah, she definitely | :06:22. | :06:26. | |
polices me in a helpful way. It is hard to get in touch with my inner | :06:27. | :06:32. | |
cave man. I'm doing my best. We can't wait to see what comes out. | :06:33. | :06:37. | |
I'm sure you will be brilliant. Judge Rinder and Oksana. Movie week | :06:38. | :06:46. | |
is approaching, so how are things going for our celebrities. Love the | :06:47. | :06:51. | |
quickstep. Not a lot to remember. Smile. Head. Angle. Bottom and now | :06:52. | :06:59. | |
dance. It looks flowing and beautiful, but it is not as easy as | :07:00. | :07:05. | |
you think. It is a love that Lesley can embrace and bring the character | :07:06. | :07:09. | |
to. I'm delighted with the way it has gone. And she is brilliant. And | :07:10. | :07:18. | |
one and two... Yes! We are attempting the salsa. So I'm really | :07:19. | :07:22. | |
working on my hips and the figure of eight. Cool, cool. Forward and back. | :07:23. | :07:29. | |
He is better at being a woman than I am. We need to move more. Be | :07:30. | :07:36. | |
Italian. I was better last week when I was trying to be graceful. I need | :07:37. | :07:42. | |
to you know forget all of that and try something very different. Simply | :07:43. | :07:53. | |
hot, the Whitmore. Now... From the studio that brought you way to warm | :07:54. | :07:59. | |
up part one, we bring you the long awaited sequel - way to warm up part | :08:00. | :08:02. | |
two. These Harry Potter of dance. It is | :08:03. | :08:26. | |
Ian Wait, wand at the ready. I love it. I forgot what you were going to | :08:27. | :08:33. | |
say. I was so concerned about acting I forgot my words. Is that just a | :08:34. | :08:41. | |
stick from the park? Yes. Magic. Last night sparkly twinkle said on | :08:42. | :08:49. | |
line how long has he been pals with Zoe Ball. Let's look. It is uncanny. | :08:50. | :09:00. | |
I look so ugly. Sorry about your break with Taylor Swift. Watching | :09:01. | :09:04. | |
the night manager was like watching you. Now let's start with Will and | :09:05. | :09:13. | |
Karen. Dancing the salsa, with a Bollywood feature, it is Jai Ho's | :09:14. | :09:19. | |
track from Slumdog Millionaire. Rngts. Look at the pants. Will they | :09:20. | :09:24. | |
be that baggy. He is getting into character. He has a sort of | :09:25. | :09:31. | |
Bollywood sort of salsa. It is a Bollywood salsa. Look at that leap! | :09:32. | :09:36. | |
It seems to be made for him. We have slowed it down and they're doing | :09:37. | :09:39. | |
some salsa moves and he looks at home. He could move the hips more. | :09:40. | :09:45. | |
That could be early days. Maybe you can't see in the big pants. Next | :09:46. | :09:50. | |
joint top of the leaderboard Louise and Kevin. Cha-chaing to what a fee | :09:51. | :09:59. | |
ling from Flashdance. This looks good. Yes, I can't move in these | :10:00. | :10:06. | |
trousers, but she is doing some lovely swivels with a head flick. It | :10:07. | :10:09. | |
is difficult enough without the head flick. Lovely flicks and kicks and | :10:10. | :10:16. | |
she goes into cha-cha, and the thing is, it is so fast, this is like, | :10:17. | :10:23. | |
this is difficult professional choreography she has been given. So | :10:24. | :10:27. | |
sit is difficult. But what she occasionally because of that, I | :10:28. | :10:33. | |
don't know which end to use, she is not straightening her legs | :10:34. | :10:36. | |
completely. Is that because of speed? Yes. But it is such a small | :10:37. | :10:43. | |
detail. Throughout the whole dance, it is so good. Have you been | :10:44. | :10:50. | |
impressed. Ed came out of his shell with the Charleston. They have given | :10:51. | :10:54. | |
him the Samba. I have faith in Ed now. I'm loving him. Yes, he is | :10:55. | :11:01. | |
getting the steps. I feel sorry for him. The Samba is a hard dance for | :11:02. | :11:07. | |
so early on. He is doing a good job. There is a few places. He is not | :11:08. | :11:13. | |
finishing off his arms. It is like this, he has forgotten about them. | :11:14. | :11:19. | |
But as you can see here, he needs to bend into his knee to create a bit | :11:20. | :11:25. | |
more... Leg action in the back and get, he needs to get his chest | :11:26. | :11:29. | |
forward. Are you going to demonstrate. I love the shirt by the | :11:30. | :11:35. | |
way. Go one and two and over and over. Oh he is so forceful. Look at | :11:36. | :11:47. | |
that. Chest over. Got it. Anastasia, Viennese Waltz, dancing to A | :11:48. | :11:54. | |
Thousand Years. This looks divine. Gorgeous, flowing, a nice technique | :11:55. | :12:00. | |
with her footwork. Good contact throughout the body. A reverse flick | :12:01. | :12:05. | |
from a standing position. Into a reverse turn. I must say, it is good | :12:06. | :12:12. | |
apart from there is a slight issue with her... You know her head keeps | :12:13. | :12:17. | |
coming in. I would like to see her get her head up more like a flower | :12:18. | :12:24. | |
in a vase. Like we used to say. Maybe it is because of her injury. | :12:25. | :12:33. | |
So I might forgive her. Lesley unleashed her fiery side. Anton had | :12:34. | :12:40. | |
stubble. They're loving their quickstep. He is lovely. Let's have | :12:41. | :12:48. | |
a look at this. I cannot believe that she is doing this... It is | :12:49. | :12:52. | |
wonderful. The amount of steps she is doing and the amount of content | :12:53. | :12:57. | |
and need and energy of this woman is phenomenal. There are places where | :12:58. | :13:02. | |
if I stop it here... That you can see there is a bit of gapping going | :13:03. | :13:08. | |
on. It is kind of every where. I think it is because of the speed. If | :13:09. | :13:12. | |
she needs to keep contact in the top of the rib cage up to him. Greg and | :13:13. | :13:21. | |
Natalie, they are doing an American Smooth to everything I do. She is | :13:22. | :13:27. | |
doing a brilliant job. I noticed, there is some lovely flow in this | :13:28. | :13:32. | |
foxtrot and he is using his feet so well now. He needs to be commended, | :13:33. | :13:36. | |
because they were shocking before. Now they look good. He is using the | :13:37. | :13:42. | |
foot. What I would like to see is here as you can see, he has his | :13:43. | :13:47. | |
thumb up and also there is a bit of a gap. He needs to get his hand like | :13:48. | :13:52. | |
a chicken drum stick under the armpit, right under and then close | :13:53. | :13:57. | |
that gap. So he can create that bigger hole. If he does that, it | :13:58. | :14:02. | |
will be beautiful. You look lovely from behind. You are saying I don't | :14:03. | :14:07. | |
look so good from the front? You're not the first to say that. We will | :14:08. | :14:13. | |
see you next wait. Now, if anyone knows the value of a good warm up it | :14:14. | :14:19. | |
is our Strictly gymnast who has brought her fellow side kick. It is | :14:20. | :14:31. | |
Claudia and AJ. Swept away by the power of love. Beautiful arm. Great | :14:32. | :14:39. | |
arch. Lovely. Good hold. Good movement. Good technique. Let up my | :14:40. | :14:45. | |
life? You lit up this ballroom, I'm telling you. Lovely clam! -- lovely! | :14:46. | :14:59. | |
Well done. That was such a stunning waltz on Saturday. You must have | :15:00. | :15:04. | |
been chuffed to bits. I was so happy doing it and I was speechless after, | :15:05. | :15:09. | |
because I was so stunned how well I did it. It went off OK. We actually | :15:10. | :15:16. | |
did it. So good and AJ, a whopping 30 points. That is four up on your | :15:17. | :15:20. | |
score from before. How wowed were you? I was ecstatic. It couldn't | :15:21. | :15:25. | |
have gone any better. It was the best on the night. I tried not to | :15:26. | :15:30. | |
get my foot off. You were a good girl. On the ground. It was let's go | :15:31. | :15:39. | |
for it and whacked it out and didn't realise she was | :15:40. | :15:47. | |
You have to try and stay calm. And not swing her around. You could | :15:48. | :15:57. | |
probably do that in the show dance. The judges are loving it. Darcey and | :15:58. | :16:02. | |
Bruno really admired the arch you created. How important is it to have | :16:03. | :16:06. | |
the judges recognise all those things you have done and give you | :16:07. | :16:11. | |
such praise? So important. Obviously, I like to please the | :16:12. | :16:18. | |
judges. Now I have to win over Craig! He was talking about the | :16:19. | :16:20. | |
hyper extension... There was a bit of a | :16:21. | :16:47. | |
row with the judges. Obviously, I was on Len's side. So much love for | :16:48. | :16:54. | |
you online. Sian Busby has got in touch. She said beautiful, Claudia, | :16:55. | :17:01. | |
really well done. AJ is a real-life Disney prints. We had a row earlier | :17:02. | :17:12. | |
about which one you were. Is he thin rider from Tangled or an add-in? The | :17:13. | :17:15. | |
jury is out. I will take any Disney prints! What they think about the | :17:16. | :17:27. | |
audience? It is amazing. They pick up their phones and vote for you. | :17:28. | :17:31. | |
Everyone has been so supportive online and even walking around in | :17:32. | :17:37. | |
Bristol and they say can graduations! I look like a mess! And | :17:38. | :17:43. | |
your mum and dad came on Saturday. And your dance partner, Chloe, who | :17:44. | :17:51. | |
is on the show tomorrow, what did they make of it? The absolutely | :17:52. | :17:57. | |
loved it. Mum had a little tear in her eye. And Claudia, your gymnast | :17:58. | :18:02. | |
friends were in the audience, what did they think of your performance | :18:03. | :18:09. | |
and what did they think of AJ? They said there are pretty boys in here! | :18:10. | :18:15. | |
You don't need that make up on him! You have possibly the best tune of | :18:16. | :18:20. | |
the weekend as far as I am concerned, you are dancing to You | :18:21. | :18:29. | |
Give A Little Love from Bugsy Malone. How are you enjoying it? I | :18:30. | :18:33. | |
am getting at OK which is good. I can't wait to go out there and do | :18:34. | :18:40. | |
it. It is very smiley and out there. I cannot believe the charleston. The | :18:41. | :18:45. | |
speed of your steps. It is freaking me out how fast you are getting it. | :18:46. | :18:50. | |
Lots of slips and lifts. You must be in your element with this dance? Not | :18:51. | :18:55. | |
really, I trust myself when it comes to lifts but now I have to trust AJ. | :18:56. | :19:01. | |
You have got to learn to trust me. He has not done lifts before he told | :19:02. | :19:08. | |
me. He said, I have never done this before. I said, are you serious?! Is | :19:09. | :19:15. | |
he shaping up? I have not dropped her yet will stop it will be | :19:16. | :19:21. | |
perfect. Enjoyed it on Saturday night. It will be epic. AJ and | :19:22. | :19:28. | |
Claudia! Don't drop her! The training never stops for our | :19:29. | :19:34. | |
Strictly stars. Here is a look at how Ore and Joanne and Will and | :19:35. | :19:38. | |
Karen are getting on. I know pretty much nothing about the | :19:39. | :19:43. | |
American Smooth. I think it is just effortless cool and I don't do | :19:44. | :19:46. | |
effortless and I don't do cool very well. I will be watching his | :19:47. | :19:53. | |
smoothness, it gliding around the floor with precise little hands or | :19:54. | :19:59. | |
big hands as Ore has big hands. It's a really stunning dance, it is just | :20:00. | :20:08. | |
down to me to perform it. Crikey! Ourselves this week has a Bollywood | :20:09. | :20:14. | |
theme. It is a really fun dance to do -- ourselves this week. I am | :20:15. | :20:20. | |
doing it without shoes on. Will is a natural move so it is becoming a bit | :20:21. | :20:30. | |
easier but I have to feel secure that when we are doing a trick he | :20:31. | :20:33. | |
will catch me and not let me for. Spectacular. That looks very good. | :20:34. | :20:39. | |
Did we mention it was Movie Week? We might have done? That means the | :20:40. | :20:42. | |
costumes are more important than ever. Here is the Strictly costume | :20:43. | :20:45. | |
designer Vicky Gill. She is here in canary yellow shoes, | :20:46. | :21:02. | |
we love them. Vicky Gill! Hello, gorgeous. Movie Week which means | :21:03. | :21:06. | |
there is a big Group Dance and all the costumes. Is it all going to | :21:07. | :21:12. | |
plan? I think so. We are all bit nervous. At will all be fine. We | :21:13. | :21:16. | |
will have a peek at some of the costumes. This is beautiful. This is | :21:17. | :21:25. | |
Claudia's. This is the beginning of Claudia's. We are trying to mix up | :21:26. | :21:29. | |
the tone is running through the show. With the charleston we have | :21:30. | :21:31. | |
the fringe but because their number this week, I feel we need to go into | :21:32. | :21:35. | |
more of a pleated vibe, dropped waist and keep up with the era of | :21:36. | :21:38. | |
the film was produced in, Oakley Malone. I think this line will come | :21:39. | :21:46. | |
down and much more of this white opal stone we have used quite a lot | :21:47. | :21:52. | |
in this series. Beautiful. And her legs, they are incredible. You will | :21:53. | :21:56. | |
see more and more of them. This costume, you had better watch it or | :21:57. | :22:00. | |
it will come home with me! I love it! This is Laura's costume. She is | :22:01. | :22:12. | |
dancing to a song from Moulin Rouge. It is on base. We have jewellery | :22:13. | :22:23. | |
stones, some 16, 14, 12 and a few size at which are tiny. To do this | :22:24. | :22:28. | |
it probably takes about two days to get it so nice. She will be cross | :22:29. | :22:33. | |
eyed! What will happen with the Bella? I hope it will stay long. If | :22:34. | :22:40. | |
you can manage it, it will be this length. We may add more skirt to the | :22:41. | :22:46. | |
front. She looks amazing in anything. I would not be able to get | :22:47. | :22:55. | |
this over my thigh! We have a sketch now of Anastacia's dress. Twilight | :22:56. | :23:00. | |
is the dance, that is the theme, the movie. She has had two Latin | :23:01. | :23:06. | |
numbers. Week one we had a really great base for her week one dress. | :23:07. | :23:12. | |
The upper is based on week one in terms of styling. She looked lovely. | :23:13. | :23:18. | |
Much softer. The skirt is one layer of crepe on the top and two layers | :23:19. | :23:23. | |
of georgette. It is really liked and nice and soft. It will be fluid. | :23:24. | :23:29. | |
More white opal on this one. Directing you got a bargain deal on | :23:30. | :23:34. | |
that down the market! And this is Oti's dress for a paso doble. I am | :23:35. | :23:41. | |
very excited about that one. And you had taken some influence from | :23:42. | :23:45. | |
Catherine Zeta-Jones? It is so hard when we do these themed weeks. We | :23:46. | :23:49. | |
love it and the viewers love it but trying to marry the costume at the | :23:50. | :23:57. | |
dance style can be tricky. When you see it on Saturday night it could | :23:58. | :24:00. | |
reduce down to one layer. There are lots of frills on the lining. It is | :24:01. | :24:05. | |
fun and frothy but it will all depend on what she can do. I'm sure | :24:06. | :24:10. | |
she will manage. She is an incredible girl. I am so excited! | :24:11. | :24:15. | |
What will you be wearing on Saturday night? I don't know! Give it up for | :24:16. | :24:20. | |
Vicky Gill! Let's meet our final couple of the evening. They brought | :24:21. | :24:28. | |
the seaside to our scene on Saturday and we do like to be beside the | :24:29. | :24:35. | |
seaside. It is to make and Gorka. I love the fact it was completely | :24:36. | :24:39. | |
character driven. It was absolutely brilliant. The kick and the drag. | :24:40. | :24:48. | |
Great fun. Fun at the seaside. The tide is going out but you are not | :24:49. | :24:56. | |
going anywhere! It is Tameka and Gorka the corker! Thank you, guys! | :24:57. | :25:05. | |
We must congratulate you, Tameka, you are Inside Soap's funniest | :25:06. | :25:11. | |
actress. Did you do a big speech and did you tear up? I did tear up but | :25:12. | :25:15. | |
more to the point I nearly fell off the stage. It was quite a lot of | :25:16. | :25:23. | |
drama. It is Inside Soap so it has to be drama. Had you had a couple of | :25:24. | :25:29. | |
Sherry 's? I really enjoyed your charleston at the weekend. The | :25:30. | :25:34. | |
audience adored it, the judges did. Bruno said you wear Queen of | :25:35. | :25:40. | |
slapstick. How much of your character was coming out there? | :25:41. | :25:44. | |
There was a lot of Kim. She would love to do that. The bigger, better, | :25:45. | :25:51. | |
the more energy, definitely upper Street. Was there is much joy in | :25:52. | :25:56. | |
dancing at as there was for us watching? Yes! I think for me it was | :25:57. | :26:03. | |
the best I have done it. You said I was the best one. Especially the | :26:04. | :26:09. | |
middle half to the end, your energy was even higher. And that was quite | :26:10. | :26:19. | |
a full on dance. Darcey said you will swim through this competition | :26:20. | :26:23. | |
if you keep that standard up. That must be begin up your confidence? | :26:24. | :26:29. | |
Yes, it is really good, really love that but this week is something | :26:30. | :26:32. | |
completely different. There are ups and downs, it is like the sea. We | :26:33. | :26:38. | |
loved the swimming move that you did at the end. Here you go. That is | :26:39. | :26:44. | |
scary because you can take your teeth out doing that. Vicky did say | :26:45. | :26:49. | |
that not many people could look that good in a stripey place it so well | :26:50. | :26:55. | |
done, Gorka. Yes, you are very good. Can I just say, I was not up for | :26:56. | :27:00. | |
that ending. I was like, do me a favour! But they convinced me. I'm | :27:01. | :27:09. | |
so glad we did that. Thanks, Vicky! There was another move you were not | :27:10. | :27:14. | |
sure about in training. Let's have a little look. One, two, three, four, | :27:15. | :27:19. | |
five, six. SHE SCREAMS. I don't like it! I | :27:20. | :27:37. | |
don't like it, I don't like it, I don't like it! Why? I feel like | :27:38. | :27:45. | |
something will happen. I don't like it! , Gorka! I don't think she liked | :27:46. | :27:54. | |
it! How can you help Tameka overcome her fear? I said, if you have to | :27:55. | :28:01. | |
scream, use it and follow me. She was teasing me so I said, you scream | :28:02. | :28:08. | |
and then run behind me but you scream. Every time in that bit ice | :28:09. | :28:14. | |
cream. This time next year I will still scream. It is all part of the | :28:15. | :28:27. | |
character. This week, the tango. Beverly Hills Cop from the 80s with | :28:28. | :28:34. | |
Eddie Murphy. How was the training going? I know you have got a bit of | :28:35. | :28:40. | |
a poorly knee. This week it is very different, it is very hard, the | :28:41. | :28:44. | |
whole framing. It is hard for me this week, I am not going to lie. | :28:45. | :28:51. | |
And the knee injury, I am not making any excuses, thank you to Gorka | :28:52. | :28:55. | |
because he has amended some of the moves. It is hard this week. She has | :28:56. | :29:01. | |
to be able to bend her knees, it is like sitting on your knees. It is | :29:02. | :29:09. | |
hard but it will be good. I like his confidence. And you have ripped Hugh | :29:10. | :29:16. | |
Orde genes. You will get a draft! -- you have ripped your genes. Rest | :29:17. | :29:27. | |
that knee tonight. Fingers crossed. You are terrific, Tameka and Gorka! | :29:28. | :29:35. | |
That is all we have time for tonight. A huge thank you to all of | :29:36. | :29:42. | |
my guests. Join us here tomorrow... That was 6pm in Spanish. I will be | :29:43. | :29:49. | |
chatting to Laura, Giovanni, Daisy and Aljaz and Will and Karen. And | :29:50. | :29:56. | |
joining us will be cheeky chappies Sam and Mark and former Strictly | :29:57. | :30:01. | |
star Sophie Ellis-Bextor at 6pm. Thank you. | :30:02. | :30:03. |