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Live from London, this is Strictly it takes to. Please welcome your | :00:48. | :01:01. | |
host, Zoe Ball! -- It Takes Two. Hello, and welcome to It Takes Two, | :01:02. | :01:06. | |
now, like a bottle of vintage champagne, we are full of fizz and | :01:07. | :01:10. | |
ready to pop with sparkly Strictly exclusive is! So here's to a great | :01:11. | :01:18. | |
show and what a great line-up we have. It is the exquisite Anastasiia | :01:19. | :01:25. | |
Nedobiga and on. -- Anastacia and Brendan. The bubbly Greg and Natalie | :01:26. | :01:31. | |
and the downright fruity Lesley and Anton. Plus it wouldn't be a | :01:32. | :01:35. | |
Wednesday without him, Ian Waite is back to give us another warm up. | :01:36. | :01:40. | |
Now, our first guest of the night was injured on Saturday and then | :01:41. | :01:44. | |
faced being in the bottom two but she survived to tell the tale and | :01:45. | :01:48. | |
this week is coming back fighting. It's Anastacia and Brendan. The | :01:49. | :01:57. | |
salsa has to be hot and spicy and you have no problem with that. I | :01:58. | :02:04. | |
thought the underarm terms, all of them were very clunky. It was | :02:05. | :02:10. | |
haphazard very. Considering you have had an injury and had to totally | :02:11. | :02:13. | |
change the choreography, I felt she did a beautiful job. Anastacia and | :02:14. | :02:20. | |
Brendan, everybody! CHEERING | :02:21. | :02:23. | |
Boy oh boy, what a weekend you too hard. You had to change routine | :02:24. | :02:28. | |
because of the injury. You are still here, what a trooper. It's good, how | :02:29. | :02:35. | |
are you feeling? I'm feeling great, it's... It feels like it has been | :02:36. | :02:39. | |
two weeks since Saturday but I am really feeling good. I am so glad to | :02:40. | :02:44. | |
hear that. How devastated were you when you found out you weren't going | :02:45. | :02:48. | |
to be able to dance again for the dance-off? You know, it feels like a | :02:49. | :02:54. | |
dream. I didn't want to have do myself, but the dance-off, you just | :02:55. | :02:59. | |
don't know what to do, it is all a bit confusing. And also, Melvin goes | :03:00. | :03:05. | |
and you have got really close to Melvin. I totally thought I was | :03:06. | :03:11. | |
going to go. He lives here, I'm an American, who knows her? So when | :03:12. | :03:16. | |
they called my name, I was like... It just was the worst. I wanted him | :03:17. | :03:19. | |
to go through because I couldn't dance. But you are here and we are | :03:20. | :03:26. | |
very glad to have you. Brendan, I know having done the show how | :03:27. | :03:29. | |
difficult it is to remember the routine you have been training for | :03:30. | :03:33. | |
all week. Now, to change that on Saturday, and she has got to learn a | :03:34. | :03:41. | |
new one, it is almost impossible. It is almost impossible. Kim, who looks | :03:42. | :03:45. | |
after Ross, said, can you come in a bit early, we need to change things | :03:46. | :03:52. | |
up and my face went... Help! It is a really difficult thing, to change | :03:53. | :03:57. | |
that and change it live, the mind is doing different things, the body is | :03:58. | :04:02. | |
doing different things, but considering that, amazing, what a | :04:03. | :04:06. | |
great job, so it is very frustrating in many respects, because I know how | :04:07. | :04:11. | |
good it was in training and that is when we are rock band, show us the | :04:12. | :04:17. | |
salsa, she can do it. My arms weren't moving. I can move my lower | :04:18. | :04:21. | |
body, it was that kind of thing. You couldn't do the lifts, which I know | :04:22. | :04:27. | |
you really wanted to. It was very gymnast, I felt very relatable to | :04:28. | :04:34. | |
Claudia. We are so alike! But the judges were really impressed with | :04:35. | :04:36. | |
the way you had coped with that. How did you feel about their comments? | :04:37. | :04:42. | |
Their comments were spot on, I have to say. There was no movement in my | :04:43. | :04:45. | |
lower body, I didn't even realise it, because I think I was so worried | :04:46. | :04:51. | |
about my upper at the time and I think I even gave you an accident, | :04:52. | :04:56. | |
and elbow. I got a little elbow in the face but I had no idea. He | :04:57. | :05:04. | |
probably deserved it. If it was subconscious! We try to pretend it | :05:05. | :05:07. | |
was in the choreography but I don't know if I'd ever do that. We are | :05:08. | :05:14. | |
looking to forward to Movie Week, I am borderline hysterical about the | :05:15. | :05:17. | |
whole thing, and you are doing the Viennese waltz. I imagine we will | :05:18. | :05:23. | |
see a softer side to Anastacia. Yeah, the female side. I mean, I | :05:24. | :05:29. | |
don't deny that their's and in a female in here and I know the | :05:30. | :05:34. | |
strength is to empowering, but I definitely feel I don't show it as | :05:35. | :05:38. | |
often. One of the things we were trying to do, we had the cha cha cha | :05:39. | :05:43. | |
and the salsa, very fiery, very Anastacia, we want to soften | :05:44. | :05:46. | |
everything up and show the really beautiful sight in and I think we | :05:47. | :05:49. | |
have achieved that with the Viennese waltz, it is a gorgeous song, a | :05:50. | :05:56. | |
gorgeous number... Is it beautifully choreographed? It is, by one of the | :05:57. | :06:02. | |
world... No, I can't say that. Have you had to adapt the choreography | :06:03. | :06:07. | |
here? The interesting thing he let me know is the arm that floats is | :06:08. | :06:12. | |
this and this is kind of stationary and I was like, this stance was made | :06:13. | :06:17. | |
for my injury! There will be dances we have to do adapt but this is a | :06:18. | :06:22. | |
very soft, delicate number. We don't have to do anything in any number | :06:23. | :06:25. | |
that we don't want to do so it is just about being aware of what we | :06:26. | :06:29. | |
have got to do and delivering a performance that suits. And you are | :06:30. | :06:36. | |
dancing to Twilight. And your friends were like... I was like, you | :06:37. | :06:40. | |
are doing the walls to Twilight? OK... -- the wolves. That was | :06:41. | :06:49. | |
totally Saturday. But it is from the movie. So massive movies of the last | :06:50. | :06:54. | |
couple of years. I am not sure many of the Strictly viewers will know | :06:55. | :06:59. | |
it, but it is one of the songs and a massive movie and we will try and do | :07:00. | :07:02. | |
it justice. We are so excited to watch you dance again on Saturday, | :07:03. | :07:06. | |
keep up the good work. Anastacia and Brendan! | :07:07. | :07:08. | |
CHEERING Time now to check into the Strictly | :07:09. | :07:13. | |
changing rooms and from the looks of things, a la couples are getting | :07:14. | :07:17. | |
very sweaty indeed. Nice. His/her Judge Rinder and Oksana and Daisy | :07:18. | :07:23. | |
and Aljaz got on this week. The hardest part of the charleston is | :07:24. | :07:28. | |
the energy. It is exhausting, genuinely exhausting. I don't know | :07:29. | :07:34. | |
how they did it in the 1920s. OK, I just don't want to go... Superfast, | :07:35. | :07:39. | |
I love the footwork and we are going to do more tricks in this routine. I | :07:40. | :07:45. | |
wanted to be fun, enjoy it and remember the steps and, boy, are | :07:46. | :07:52. | |
they difficult. All I know about the quickstep is I | :07:53. | :07:57. | |
have two hold onto my hold and basically do lots of quick stepping. | :07:58. | :08:05. | |
The main thing for a quickstep is going to be keeping your frame still | :08:06. | :08:10. | |
but don't forget to do all the footwork. It's a lot of steps. It's | :08:11. | :08:14. | |
called quickstep, so it's going to be very quick. | :08:15. | :08:24. | |
OK? And again. Next up, their tango had everyone | :08:25. | :08:27. | |
jumping out of their seats with delight on Saturday night but from | :08:28. | :08:30. | |
the looks of it, the judges were distracted by something else. It is | :08:31. | :08:40. | |
the bootyfull Greg and Natalie. MUSIC: "Jump" by Van Halen You are | :08:41. | :08:49. | |
going like a locomotive at full steam. Your bum sticks out. Tuck it | :08:50. | :08:55. | |
under. What I loved about that dance was the intent and the amount of | :08:56. | :09:04. | |
passion you had in there. What a peachy performance, Greg and | :09:05. | :09:07. | |
Natalie, everybody! CHEERING | :09:08. | :09:10. | |
Oh, my goodness. Everyone was talking about it, it was trending on | :09:11. | :09:15. | |
Twitter. The big story of the night on Saturday was your bottom, Greg. | :09:16. | :09:21. | |
Did you ever think it could cause such a stir amongst the nation? | :09:22. | :09:25. | |
Never in a million years. It is one thing I have not been vertically | :09:26. | :09:29. | |
thinking about, my bum, when I am dancing, which is probably to the | :09:30. | :09:38. | |
detriment of the dance, but it was more of a storm than I expected. I | :09:39. | :09:41. | |
think most were talking very positively about your bottom and I | :09:42. | :09:43. | |
must say, Craig was saying that the only thing was that Greg's posture | :09:44. | :09:46. | |
kind of affected that the shape that you need in a tango. But he has | :09:47. | :09:52. | |
never danced before and it is only week two. You think he is being hard | :09:53. | :09:57. | |
on himself? It is something we definitely need to work on but it | :09:58. | :10:02. | |
did presented Sabah little bit more on Saturday than we planned -- | :10:03. | :10:05. | |
presented itself a little bit more. It's got a mind of its own. Everyone | :10:06. | :10:13. | |
wants to call us hashtag team legs and bum now. It is something we want | :10:14. | :10:18. | |
to work on and you have never danced a day in your life and you went out | :10:19. | :10:21. | |
there and you attacked that dance and gave it so much welly and I | :10:22. | :10:26. | |
couldn't have asked for any more. It was extraordinary, Greg. It really | :10:27. | :10:31. | |
was so, so good. You did say to Claudia in the Results Show that you | :10:32. | :10:35. | |
never did want to do the tango again. It was tough for you. It was, | :10:36. | :10:40. | |
I wasn't getting the dance as quick as I thought I would and it got to | :10:41. | :10:43. | |
Thursday night, it was the first time we managed to do a single run | :10:44. | :10:47. | |
through from start to finish and I was panicking a little bit. Then we | :10:48. | :10:51. | |
had a few issues and it wasn't happening and I was thinking I am | :10:52. | :10:54. | |
not going to be able to complete the dance. It will be week two and I | :10:55. | :10:58. | |
will have to go because I can't finish the dance, so it was nerve | :10:59. | :11:05. | |
wracking. The start of the dance, I was so intense because I was | :11:06. | :11:07. | |
desperate to get through and finish. We didn't have an ideal leader, so | :11:08. | :11:12. | |
it was going into it with a little bit of uncertainty and for you to go | :11:13. | :11:15. | |
out and do what you did, you didn't step up foot wrong and you | :11:16. | :11:20. | |
performed. He is amazing, he is so much fun to work with in the studio | :11:21. | :11:23. | |
and you try so hard, I think you care a lot. We can see that. Also, | :11:24. | :11:30. | |
the world-renowned choreographer Sir Matthew Bourne, evening, sir, he was | :11:31. | :11:34. | |
a big fan. He tweeted this... " he knows a thing or two about dance, | :11:35. | :11:49. | |
Sir Matthew. How'd you feel about that? That was amazing and I think | :11:50. | :11:55. | |
it shows how big this show is, it is unreal that people like that are | :11:56. | :11:58. | |
watching and obviously it is his field of expertise, but that was | :11:59. | :12:02. | |
incredible. I always sort of thing I am rubbish all the time, no matter | :12:03. | :12:06. | |
how well it is going and that probably comes across, just the way | :12:07. | :12:09. | |
I am, I am very self-deprecating in order to get better will stop to | :12:10. | :12:12. | |
have comments like that was wonderful. Don't stop believing, as | :12:13. | :12:19. | |
the song goes. This week, we have an American Smooth for you on Saturday, | :12:20. | :12:24. | |
Movie Week. Are you enjoying this a little bit more? Again, whole new | :12:25. | :12:28. | |
rules to learn in four days. How's it going? Better. I'm preferring | :12:29. | :12:33. | |
this one much more to the last two. I have picked small but today, we | :12:34. | :12:38. | |
have completed the dance -- picked up more today. It is nice to get a | :12:39. | :12:44. | |
Wednesday and have completed it. Tweaking this, tweaking that. And | :12:45. | :12:54. | |
you are dancing to Everything I Do, That Back The Late Brian Adams, | :12:55. | :13:00. | |
Robin Hood, Prince Of Thieves. It looks perfect, so romantic. Speak | :13:01. | :13:08. | |
you blew it is so perfect -- it is so perfect, it is beautiful view and | :13:09. | :13:12. | |
he just has too trust himself, trust the process. We have lifts, so you | :13:13. | :13:22. | |
can trust yourself. Natalie is incredible at finishing dances and | :13:23. | :13:25. | |
the lifts in this one are pretty special, they will come thick and | :13:26. | :13:32. | |
fast, it is special. You are going to go Kevin Costner mullet. If you | :13:33. | :13:35. | |
had been thinking about it. We thought we would help you along. | :13:36. | :13:39. | |
Here is normal Greg. Here is mullet Greg. I think it would work. You can | :13:40. | :13:50. | |
take that with you and mull it over. Good luck on Saturday. I think it | :13:51. | :13:54. | |
will be absolutely beautiful. Well done, Greg and Natalie! | :13:55. | :13:57. | |
CHEERING Now, the last thing our couples want | :13:58. | :14:02. | |
is to end up at the bottom, there it is again, sorry, Greg, of the Leader | :14:03. | :14:07. | |
Board. Let's see how hard Claudia and AJ and Danny and Oti have been | :14:08. | :14:15. | |
working in the training room. I think the hardest thing to get with | :14:16. | :14:19. | |
the charleston is all the footwork. It is really difficult, I get really | :14:20. | :14:24. | |
confused. You have to think about your feet and at the same time, the | :14:25. | :14:31. | |
facial expressions. The rest of the week, pretty much we will just be | :14:32. | :14:34. | |
drilling get, again and again and whenever we make a mistake, back to | :14:35. | :14:39. | |
the beginning. All week, sweating our guts out. That was good! | :14:40. | :14:48. | |
Everybody loves the drama, so we are going to bring the drama. I have got | :14:49. | :14:54. | |
a cape, I always come prepared. I am really Zorro, which is everybody's | :14:55. | :14:58. | |
dream. However, there is a chance I am going to look like I am waving | :14:59. | :15:05. | |
around aimlessly. I need to own it. He is getting the steps, he is just | :15:06. | :15:09. | |
as excited as I am, so it is going well. | :15:10. | :15:15. | |
Danny Mac looking fantastic. It's time to talk to Ian, we will find | :15:16. | :15:25. | |
out whose routine will be top of the box office and who is heading for a | :15:26. | :15:30. | |
disastrous flop. Our very own leading man, Ian Waite! | :15:31. | :15:43. | |
APPLAUSE Are you ready for this? Lights, | :15:44. | :15:47. | |
camera, action! APPLAUSE | :15:48. | :15:57. | |
Look, what have you done to your ones? Hollywood showgirl number. | :15:58. | :16:03. | |
Either that or Mac Len Dodd. -- to your wand. What did you make of | :16:04. | :16:12. | |
everyone's dancers? I was tweeting away, giving my opinions on how they | :16:13. | :16:15. | |
were doing, I have technical things to say about all of them but it was | :16:16. | :16:19. | |
a great show, I loved it. The standard is epic. | :16:20. | :16:21. | |
First up, it's Laura and Giovanni, they smashed | :16:22. | :16:25. | |
First up, it's Laura and Giovanni, they smashed their Waltz, | :16:26. | :16:27. | |
Dancing to rid them of the night from Mulan Rouge. This is in two | :16:28. | :16:39. | |
halves, very short clips. -- rhythm of the night. Salsa basic. Lots of | :16:40. | :16:44. | |
rhythm. It is very difficult for a tall girl, as you know, to do the | :16:45. | :16:49. | |
dances like salsa, they are normally the kiss of death foretold girls. | :16:50. | :16:55. | |
Looking very good. Side-by-side. -- for the taller girls. Shrug and | :16:56. | :16:59. | |
shrugged and shoulder roll, slightly late, she should have gone with | :17:00. | :17:04. | |
Giovanni. Either that or Giovanni went early. You know what he is | :17:05. | :17:09. | |
like! Other than that, looking good, considering she is a tall girl. Nag | :17:10. | :17:20. | |
and Pasha, music is Mission impossible. I wonder if it is | :17:21. | :17:23. | |
Mission impossible for her to look confident. She looks amazing, she | :17:24. | :17:30. | |
has a gorgeous body, great physique, she should be brilliant but she | :17:31. | :17:34. | |
doesn't believe it in her face. OK. I would like her to have acting | :17:35. | :17:38. | |
lessons, to bring it out in her face. Tango, fundamentally, you have | :17:39. | :17:44. | |
to stay quite low in your knees. Stay down. It keeps you grounded, | :17:45. | :17:50. | |
all the time. She is up on straight legs. Asher with a flexed leg, she | :17:51. | :17:55. | |
needs to get down, her tail tucked under and then more compact and into | :17:56. | :18:00. | |
the floor. It is a confidence thing with facial expressions, that will | :18:01. | :18:04. | |
come. I hope so. It is a little thing. Just a little thing. | :18:05. | :18:06. | |
Daisy and Aljaz had another strong week. | :18:07. | :18:09. | |
Can be third time lucky with the Quickstep? | :18:10. | :18:12. | |
I think so. She will be Mary Poppins, what more do you want? My | :18:13. | :18:20. | |
dream come true to be Mary Poppins. We can make that happen. Lots of | :18:21. | :18:26. | |
content, brilliant. One step which is called the hinge and she has | :18:27. | :18:33. | |
dropped her hips back, she should be sat on Aljaz's leg. We will go | :18:34. | :18:40. | |
across. Flick up the leg. That leg goes like that. You should be sat on | :18:41. | :18:46. | |
my lap. Like a ventriloquist dummy. Very nice. There should be no gap. | :18:47. | :18:50. | |
Hinge and bracket, sitting on his knee. | :18:51. | :18:52. | |
He is being Fred Flintstone. Taking it so far that he hasn't even got | :18:53. | :19:00. | |
shoes on. I have a feeling he won't be wearing | :19:01. | :19:10. | |
shoes and that is why he isn't. Bags of enthusiasm. Every week. I love | :19:11. | :19:15. | |
it. As you can see, they are doing this flapper step. Flappy bird. | :19:16. | :19:21. | |
Sometimes, because of his enthusiasm and energy, sometimes he loses that | :19:22. | :19:26. | |
ability to finish off the character of the stats. He needs to make sure | :19:27. | :19:31. | |
it is very clear in the technique -- character of the steps. It gets | :19:32. | :19:35. | |
mixed up in the exuberance and enthusiasm. More precise. Wafting | :19:36. | :19:38. | |
around a feather duster. They need to follow that incredible | :19:39. | :19:49. | |
charleston. With a tango from Beverly Hills Cop, The Heat Is On. | :19:50. | :19:58. | |
This could be good for them. They are a strong couple, a strong | :19:59. | :20:01. | |
character between the two of them. He is the new boy trying to impress | :20:02. | :20:07. | |
and she is just hilarious. At the moment, not a proper tango hold | :20:08. | :20:10. | |
because she is holding onto him like a koala. She should get her hand | :20:11. | :20:14. | |
underneath, they have not been working on the hold yet. They are | :20:15. | :20:18. | |
doing a fall away and she has opened up her hips. You don't like that. | :20:19. | :20:24. | |
Opening. Open position. Keep your hips towards me. OK. Keep tight to | :20:25. | :20:32. | |
Gorka! Open your head but keep your hips towards me. Feather up your | :20:33. | :20:36. | |
nostrils! I feel like I am being attacked by an emu. | :20:37. | :20:39. | |
Danny and Oti were sitting pretty at the top of | :20:40. | :20:41. | |
He will be Zorro. Quite a few people will be excited about this. Paso | :20:42. | :20:55. | |
doble. Twist terms. I am not sure why he does a bounce action almost. | :20:56. | :21:01. | |
Should it be straight leg? Straight leg, I think. Maybe trying to get | :21:02. | :21:05. | |
the shaping but try not to bend the knee. Here I would like to see him | :21:06. | :21:10. | |
do more shaping. He needs to shape his body a bit more. Lift up his | :21:11. | :21:16. | |
elbow. Yeah. But his weight further into his knee. Like a lunge So he | :21:17. | :21:23. | |
creates more shape. A bit in between his weights. | :21:24. | :21:26. | |
Charleston. To possibly my favourite song time ever, you give a little | :21:27. | :21:37. | |
love and it all comes back to you from Bugsy Malone. The speed, she is | :21:38. | :21:43. | |
going so fast, she's incredible. She is used to doing that, going fast in | :21:44. | :21:48. | |
gymnastics. They are so superfast. To learn a new skill like this and | :21:49. | :21:51. | |
be this good so early on is phenomenal. The thing I wanted to | :21:52. | :21:58. | |
point out, look at that face. Look at that gorgeous face. Bugsy Malone, | :21:59. | :22:03. | |
fun, cheeky charleston and she's got that look all the way through. I | :22:04. | :22:08. | |
think this will get them on top of the Leader Board. He said it! You | :22:09. | :22:13. | |
heard it here! OK, if they are top of the Leader Board, I want money! | :22:14. | :22:23. | |
Last week he was a fireman, Ore and Joanne. All Gene Kelly this week, | :22:24. | :22:28. | |
American Smooth, singing in the rain. | :22:29. | :22:31. | |
There are parts of this which are glorious and gorgeous but other part | :22:32. | :22:37. | |
in the foxtrot, the hold, they are lumpy. He needs to smooth them out. | :22:38. | :22:42. | |
There are places where he goes off on his own, like this. Fabulous. Off | :22:43. | :22:48. | |
he goes. But the extremities he's got, he needs to straighten out the | :22:49. | :22:52. | |
fingers and the wrists and also the feet. He needs to stretch and point | :22:53. | :22:58. | |
his toes just to finish of those beautiful movements. American | :22:59. | :23:02. | |
Smooth, he needs to be smooth. Darcey said frilly, now nice and | :23:03. | :23:07. | |
smooth. Finish off his hands, straighten up. A bit off their | :23:08. | :23:08. | |
nests. Ian will be back | :23:09. | :23:10. | |
tomorrow night for the sequel to his warm up - | :23:11. | :23:12. | |
until then, And his very funny frilly wand. I | :23:13. | :23:20. | |
hope you have a new end on your wand every time. | :23:21. | :23:23. | |
Time now to meet tonight's final couple, | :23:24. | :23:24. | |
in week one, the judges called her sophisticated, | :23:25. | :23:26. | |
Well, what a difference a week makes! | :23:27. | :23:29. | |
In the words of Bruno, Dorian Green is back! | :23:30. | :23:31. | |
# If you can't make your mind up... Sleek, cheeky, flirty, fun, I loved | :23:32. | :23:50. | |
it. I have to say, I wasn't expecting that, that's for sure, | :23:51. | :23:53. | |
darling. You certainly show absolutely no sign of inhibition. I | :23:54. | :23:59. | |
thought it was terrific! Well done! Thank you. | :24:00. | :24:04. | |
Leslie and Anton! APPLAUSE My goodness me. Lesley Joseph, you | :24:05. | :24:09. | |
looked like you were having the time of your life. Out on the floor. Are | :24:10. | :24:17. | |
you still high? I loved it, absolutely loved it. Everything the | :24:18. | :24:20. | |
judges say he has said to me already in the week. I am enjoying it so | :24:21. | :24:26. | |
much, I go too far without holding it in, it is a new skill and I am | :24:27. | :24:31. | |
loving it. Can you possibly go too far? This is the thing. Craig said | :24:32. | :24:37. | |
you had no signs of inhibition. You can't, it's sassy and smart. He kept | :24:38. | :24:41. | |
saying, keep it tight, the movement is tighter, shorter and sharper. I | :24:42. | :24:45. | |
tried. LAUGHTER She tried! Then he spins me round | :24:46. | :24:52. | |
and I go a bit gaga in the head and I'm over. I fling myself into his | :24:53. | :24:57. | |
arms. Karen was saying that was really good because you are using | :24:58. | :25:02. | |
your wait to get into his arms like a professional dancer. Karen Hardy | :25:03. | :25:06. | |
said that about you. Yes, for that exact reason! LAUGHTER | :25:07. | :25:10. | |
Also she was raving about you on choreography, yesterday saying how | :25:11. | :25:13. | |
fabulous you are. She was also saying that you leave a lot of the | :25:14. | :25:19. | |
young ones standing. LAUGHTER She is a proper judge. I find it | :25:20. | :25:24. | |
difficult to find out I am the age I am, everybody knows, I cannot say | :25:25. | :25:27. | |
the words. We don't need to know that age. How much did you enjoy | :25:28. | :25:34. | |
yourself out on the floor, Anton? Oh, beautiful! I had to trousers. | :25:35. | :25:43. | |
Can we have applause! APPLAUSE A few viewers wondered if they were | :25:44. | :25:49. | |
chafing. I had a nice lining. It is very dangerous if you get the edge | :25:50. | :25:56. | |
of the seat. He loved his sparkly trousers. What did you think about | :25:57. | :26:00. | |
the judge's comments? Were you please? Yes, both weeks. I have been | :26:01. | :26:06. | |
thrilled with the judge's comments. Really complimentary. I am thrilled | :26:07. | :26:09. | |
because you put a lot of work in. Lots of work in. And it is the | :26:10. | :26:16. | |
technical stuff. You want to pick up on the detail of what you are trying | :26:17. | :26:23. | |
to do. It's easy to point on one and a wink on two. We can all do that. | :26:24. | :26:29. | |
All right! LAUGHTER But it's the detail. You hope it | :26:30. | :26:34. | |
comes across. When it does and the judges make nice comments, it's | :26:35. | :26:38. | |
great for Lesley, is lovely for me, because we spent the time and I am | :26:39. | :26:41. | |
thrilled for Lesley. You want that positivity for the -- from the | :26:42. | :26:49. | |
judges. The kick at the end. I won't do it now. LAUGHTER | :26:50. | :26:53. | |
I was very pleased with that. I watched that it back and I thought, | :26:54. | :26:58. | |
oh my, that leg is getting quite high, not bad. How straight it was, | :26:59. | :27:03. | |
so good. Are you feeling an improvement and growing confidence | :27:04. | :27:08. | |
in Lesley as the weeks go by? Yes. It's difficult, you will remember, | :27:09. | :27:12. | |
the first week of doing the show, you spend a couple of weeks doing | :27:13. | :27:16. | |
the dance and you get comfortable with it, you think, marvellous. And | :27:17. | :27:20. | |
then the first show, you don't know what to expect. You think it was | :27:21. | :27:24. | |
quite nice and then, suddenly, you get marked and all of the judges are | :27:25. | :27:28. | |
making comments. It's all a bit odd and you look at other people and we | :27:29. | :27:32. | |
thought we were quite good, actually. As soon as you settle into | :27:33. | :27:35. | |
it and you start to grow with it, I can feel this from Lesley, starting | :27:36. | :27:41. | |
to find has a bit more. This is great for me, some exciting. We can | :27:42. | :27:45. | |
do more. Do more stuff. Including a quickstep. Hello! A couple of | :27:46. | :27:51. | |
swells. I am finding it quite difficult to look at him, because he | :27:52. | :27:54. | |
hasn't shaved. We have never seen him like this. It might cause a | :27:55. | :28:01. | |
rash! I'm staying in character. A couple of swells, Judy Garland, Fred | :28:02. | :28:05. | |
Astaire, you are being trams, it is going to be glorious, how is it | :28:06. | :28:11. | |
going? Really well. -- being tramps. I am obsessed with the quickstep, it | :28:12. | :28:16. | |
is joyous. I will wear a very short wig, blacked out to his, not sure. | :28:17. | :28:21. | |
Might be dressed like a real tramp, don't know. I can pick and choose. I | :28:22. | :28:26. | |
will look at him in a dusty old suit, that's fine, I can live with | :28:27. | :28:31. | |
that. Honestly, it's so much fun to rehearse. Just flying across the | :28:32. | :28:36. | |
floor, it is joyous. Flying. We cannot wait, it will be fantastic. | :28:37. | :28:44. | |
You are spreading joy. Anton an Lesley and! That is all we have time | :28:45. | :28:46. | |
for. getting all the gossip | :28:47. | :28:47. | |
from Claudia and AJ, Tameka and Gorka and | :28:48. | :28:51. | |
Judge Rinder and Oksana. Plus Ian Waite is back with another | :28:52. | :28:53. | |
warm-up and Vicky Gill will be | :28:54. | :28:55. | |
letting us have a rummage through | :28:56. | :28:58. |